The Napoleon of Notting Hill
by Gilbert K. Chesterton
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Ten years had not tired the King of his joke. There were still new faces to be seen looking out from the symbolic head-gears he had designed, gazing at him from amid the pastoral ribbons of Shepherd's Bush or from under the sombre hoods of the Blackfriars Road. And the interview which was promised him with the Provost of North Kensington he anticipated with a particular pleasure, for "he never really enjoyed," he said, "the full richness of the mediaeval garments unless the people compelled to wear them were very angry and business-like."

Mr. Buck was both. At the King's command the door of the audience-chamber was thrown open and a herald appeared in the purple colours of Mr. Buck's commonwealth emblazoned with the Great Eagle which the King had attributed to North Kensington, in vague reminiscence of Russia, for he always insisted on regarding North Kensington as some kind of semi-arctic neighbourhood. The herald announced that the Provost of that city desired audience of the King.

"From North Kensington?" said the King, rising graciously. "What news does he bring from that land of high hills and fair women? He is welcome."

The herald advanced into the room, and was immediately followed by twelve guards clad in purple, who were followed by an attendant bearing the banner of the Eagle, who was followed by another attendant bearing the keys of the city upon a cushion, who was followed by Mr. Buck in a great hurry. When the King saw his strong animal face and steady eyes, he knew that he was in the presence of a great man of business, and consciously braced himself.

"Well, well," he said, cheerily coming down two or three steps from a dais, and striking his hands lightly together, "I am glad to see you. Never mind, never mind. Ceremony is not everything."

"I don't understand your Majesty," said the Provost, stolidly.

"Never mind, never mind," said the King, gaily. "A knowledge of Courts is by no means an unmixed merit; you will do it next time, no doubt."

The man of business looked at him sulkily from under his black brows and said again without show of civility—

"I don't follow you."

"Well, well," replied the King, good-naturedly, "if you ask me I don't mind telling you, not because I myself attach any importance to these forms in comparison with the Honest Heart. But it is usual—it is usual—that is all, for a man when entering the presence of Royalty to lie down on his back on the floor and elevating his feet towards heaven (as the source of Royal power) to say three times 'Monarchical institutions improve the manners.' But there, there—such pomp is far less truly dignified than your simple kindliness."

The Provost's face was red with anger, and he maintained silence.

"And now," said the King, lightly, and with the exasperating air of a man softening a snub; "what delightful weather we are having! You must find your official robes warm, my Lord. I designed them for your own snow-bound land."

"They're as hot as hell," said Buck, briefly. "I came here on business."

"Right," said the King, nodding a great number of times with quite unmeaning solemnity; "right, right, right. Business, as the sad glad old Persian said, is business. Be punctual. Rise early. Point the pen to the shoulder. Point the pen to the shoulder, for you know not whence you come nor why. Point the pen to the shoulder, for you know not when you go nor where."

The Provost pulled a number of papers from his pocket and savagely flapped them open.

"Your Majesty may have heard," he began, sarcastically, "of Hammersmith and a thing called a road. We have been at work ten years buying property and getting compulsory powers and fixing compensation and squaring vested interests, and now at the very end, the thing is stopped by a fool. Old Prout, who was Provost of Notting Hill, was a business man, and we dealt with him quite satisfactorily. But he's dead, and the cursed lot has fallen on a young man named Wayne, who's up to some game that's perfectly incomprehensible to me. We offer him a better price than any one ever dreamt of, but he won't let the road go through. And his Council seems to be backing him up. It's midsummer madness."

The King, who was rather inattentively engaged in drawing the Provost's nose with his finger on the window-pane, heard the last two words.

"What a perfect phrase that is!" he said. "'Midsummer madness'!"

"The chief point is," continued Buck, doggedly, "that the only part that is really in question is one dirty little street—Pump Street—a street with nothing in it but a public-house and a penny toy-shop, and that sort of thing. All the respectable people of Notting Hill have accepted our compensation. But the ineffable Wayne sticks out over Pump Street. Says he's Provost of Notting Hill. He's only Provost of Pump Street."

"A good thought," replied Auberon. "I like the idea of a Provost of Pump Street. Why not let him alone?"

"And drop the whole scheme!" cried out Buck, with a burst of brutal spirit. "I'll be damned if we do. No. I'm for sending in workmen to pull down without more ado."

"Strike for the purple Eagle!" cried the King, hot with historical associations.

"I'll tell you what it is," said Buck, losing his temper altogether. "If your Majesty would spend less time in insulting respectable people with your silly coats-of-arms, and more time over the business of the nation—"

The King's brow wrinkled thoughtfully.

"The situation is not bad," he said; "the haughty burgher defying the King in his own Palace. The burgher's head should be thrown back and the right arm extended; the left may be lifted towards Heaven, but that I leave to your private religious sentiment. I have sunk back in this chair, stricken with baffled fury. Now again, please."

Buck's mouth opened like a dog's, but before he could speak another herald appeared at the door.

"The Lord High Provost of Bayswater," he said, "desires an audience."

"Admit him," said Auberon. "This is a jolly day."

The halberdiers of Bayswater wore a prevailing uniform of green, and the banner which was borne after them was emblazoned with a green bay-wreath on a silver ground, which the King, in the course of his researches into a bottle of champagne, had discovered to be the quaint old punning cognisance of the city of Bayswater.

"It is a fit symbol," said the King, "your immortal bay-wreath. Fulham may seek for wealth, and Kensington for art, but when did the men of Bayswater care for anything but glory?"

Immediately behind the banner, and almost completely hidden by it, came the Provost of the city, clad in splendid robes of green and silver with white fur and crowned with bay. He was an anxious little man with red whiskers, originally the owner of a small sweet-stuff shop.

"Our cousin of Bayswater," said the King, with delight; "what can we get for you?" The King was heard also distinctly to mutter, "Cold beef, cold 'am, cold chicken," his voice dying into silence.

"I came to see your Majesty," said the Provost of Bayswater, whose name was Wilson, "about that Pump Street affair."

"I have just been explaining the situation to his Majesty," said Buck, curtly, but recovering his civility. "I am not sure, however, whether his Majesty knows how much the matter affects you also."

"It affects both of us, yer see, yer Majesty, as this scheme was started for the benefit of the 'ole neighbourhood. So Mr. Buck and me we put our 'eads together—"

The King clasped his hands.

"Perfect!" he cried in ecstacy. "Your heads together! I can see it! Can't you do it now? Oh, do do it now!"

A smothered sound of amusement appeared to come from the halberdiers, but Mr. Wilson looked merely bewildered, and Mr. Buck merely diabolical.

"I suppose," he began bitterly, but the King stopped him with a gesture of listening.

"Hush," he said, "I think I hear some one else coming. I seem to hear another herald, a herald whose boots creak."

As he spoke another voice cried from the doorway—

"The Lord High Provost of South Kensington desires an audience."

"The Lord High Provost of South Kensington!" cried the King. "Why, that is my old friend James Barker! What does he want, I wonder? If the tender memories of friendship have not grown misty, I fancy he wants something for himself, probably money. How are you, James?"

Mr. James Barker, whose guard was attired in a splendid blue, and whose blue banner bore three gold birds singing, rushed, in his blue and gold robes, into the room. Despite the absurdity of all the dresses, it was worth noticing that he carried his better than the rest, though he loathed it as much as any of them. He was a gentleman, and a very handsome man, and could not help unconsciously wearing even his preposterous robe as it should be worn. He spoke quickly, but with the slight initial hesitation he always showed in addressing the King, due to suppressing an impulse to address his old acquaintance in the old way.

"Your Majesty—pray forgive my intrusion. It is about this man in Pump Street. I see you have Buck here, so you have probably heard what is necessary. I—"

The King swept his eyes anxiously round the room, which now blazed with the trappings of three cities.

"There is one thing necessary," he said.

"Yes, your Majesty," said Mr. Wilson of Bayswater, a little eagerly. "What does yer Majesty think necessary?"

"A little yellow," said the King, firmly. "Send for the Provost of West Kensington."

Amid some materialistic protests he was sent for, and arrived with his yellow halberdiers in his saffron robes, wiping his forehead with a handkerchief. After all, placed as he was, he had a good deal to say on the matter.

"Welcome, West Kensington," said the King. "I have long wished to see you touching that matter of the Hammersmith land to the south of the Rowton House. Will you hold it feudally from the Provost of Hammersmith? You have only to do him homage by putting his left arm in his overcoat and then marching home in state."

"No, your Majesty; I'd rather not," said the Provost of West Kensington, who was a pale young man with a fair moustache and whiskers, who kept a successful dairy.

The King struck him heartily on the shoulder.

"The fierce old West Kensington blood," he said; "they are not wise who ask it to do homage."

Then he glanced again round the room. It was full of a roaring sunset of colour, and he enjoyed the sight, possible to so few artists—the sight of his own dreams moving and blazing before him. In the foreground the yellow of the West Kensington liveries outlined itself against the dark blue draperies of South Kensington. The crests of these again brightened suddenly into green as the almost woodland colours of Bayswater rose behind them. And over and behind all, the great purple plumes of North Kensington showed almost funereal and black.

"There is something lacking," said the King—"something lacking. What can—Ah, there it is! there it is!"

In the doorway had appeared a new figure, a herald in flaming red. He cried in a loud but unemotional voice—

"The Lord High Provost of Notting Hill desires an audience."

CHAPTER III—Enter a Lunatic

The King of the Fairies, who was, it is to be presumed, the godfather of King Auberon, must have been very favourable on this particular day to his fantastic godchild, for with the entrance of the guard of the Provost of Notting Hill there was a certain more or less inexplicable addition to his delight. The wretched navvies and sandwich-men who carried the colours of Bayswater or South Kensington, engaged merely for the day to satisfy the Royal hobby, slouched into the room with a comparatively hang-dog air, and a great part of the King's intellectual pleasure consisted in the contrast between the arrogance of their swords and feathers and the meek misery of their faces. But these Notting Hill halberdiers in their red tunics belted with gold had the air rather of an absurd gravity. They seemed, so to speak, to be taking part in the joke. They marched and wheeled into position with an almost startling dignity and discipline.

They carried a yellow banner with a great red lion, named by the King as the Notting Hill emblem, after a small public-house in the neighbourhood, which he once frequented.

Between the two lines of his followers there advanced towards the King a tall, red-haired young man, with high features and bold blue eyes. He would have been called handsome, but that a certain indefinable air of his nose being too big for his face, and his feet for his legs, gave him a look of awkwardness and extreme youth. His robes were red, according to the King's heraldry, and, alone among the Provosts, he was girt with a great sword. This was Adam Wayne, the intractable Provost of Notting Hill.

The King flung himself back in his chair, and rubbed his hands.

"What a day, what a day!" he said to himself. "Now there'll be a row. I'd no idea it would be such fun as it is. These Provosts are so very indignant, so very reasonable, so very right. This fellow, by the look in his eyes, is even more indignant than the rest. No sign in those large blue eyes, at any rate, of ever having heard of a joke. He'll remonstrate with the others, and they'll remonstrate with him, and they'll all make themselves sumptuously happy remonstrating with me."

"Welcome, my Lord," he said aloud. "What news from the Hill of a Hundred Legends? What have you for the ear of your King? I know that troubles have arisen between you and these others, our cousins, but these troubles it shall be our pride to compose. And I doubt not, and cannot doubt, that your love for me is not less tender, no less ardent, than theirs."

Mr. Buck made a bitter face, and James Barker's nostrils curled; Wilson began to giggle faintly, and the Provost of West Kensington followed in a smothered way. But the big blue eyes of Adam Wayne never changed, and he called out in an odd, boyish voice down the hall—

"I bring homage to my King. I bring him the only thing I have—my sword."

And with a great gesture he flung it down on the ground, and knelt on one knee behind it.

There was a dead silence.

"I beg your pardon," said the King, blankly.

"You speak well, sire," said Adam Wayne, "as you ever speak, when you say that my love is not less than the love of these. Small would it be if it were not more. For I am the heir of your scheme—the child of the great Charter. I stand here for the rights the Charter gave me, and I swear, by your sacred crown, that where I stand, I stand fast."

The eyes of all five men stood out of their heads.

Then Buck said, in his jolly, jarring voice: "Is the whole world mad?"

The King sprang to his feet, and his eyes blazed.

"Yes," he cried, in a voice of exultation, "the whole world is mad, but Adam Wayne and me. It is true as death what I told you long ago, James Barker, seriousness sends men mad. You are mad, because you care for politics, as mad as a man who collects tram tickets. Buck is mad, because he cares for money, as mad as a man who lives on opium. Wilson is mad, because he thinks himself right, as mad as a man who thinks himself God Almighty. The Provost of West Kensington is mad, because he thinks he is respectable, as mad as a man who thinks he is a chicken. All men are mad but the humorist, who cares for nothing and possesses everything. I thought that there was only one humorist in England. Fools!—dolts!—open your cows' eyes; there are two! In Notting Hill—in that unpromising elevation—there has been born an artist! You thought to spoil my joke, and bully me out of it, by becoming more and more modern, more and more practical, more and more bustling and rational. Oh, what a feast it was to answer you by becoming more and more august, more and more gracious, more and more ancient and mellow! But this lad has seen how to bowl me out. He has answered me back, vaunt for vaunt, rhetoric for rhetoric. He has lifted the only shield I cannot break, the shield of an impenetrable pomposity. Listen to him. You have come, my Lord, about Pump Street?"

"About the city of Notting Hill," answered Wayne, proudly, "of which Pump Street is a living and rejoicing part."

"Not a very large part," said Barker, contemptuously.

"That which is large enough for the rich to covet," said Wayne, drawing up his head, "is large enough for the poor to defend."

The King slapped both his legs, and waved his feet for a second in the air.

"Every respectable person in Notting Hill," cut in Buck, with his cold, coarse voice, "is for us and against you. I have plenty of friends in Notting Hill."

"Your friends are those who have taken your gold for other men's hearthstones, my Lord Buck," said Provost Wayne. "I can well believe they are your friends."

"They've never sold dirty toys, anyhow," said Buck, laughing shortly.

"They've sold dirtier things," said Wayne, calmly: "they have sold themselves."

"It's no good, my Buckling," said the King, rolling about on his chair. "You can't cope with this chivalrous eloquence. You can't cope with an artist. You can't cope with the humorist of Notting Hill. Oh, Nunc dimittis—that I have lived to see this day! Provost Wayne, you stand firm?"

"Let them wait and see," said Wayne. "If I stood firm before, do you think I shall weaken now that I have seen the face of the King? For I fight for something greater, if greater there can be, than the hearthstones of my people and the Lordship of the Lion. I fight for your royal vision, for the great dream you dreamt of the League of the Free Cities. You have given me this liberty. If I had been a beggar and you had flung me a coin, if I had been a peasant in a dance and you had flung me a favour, do you think I would have let it be taken by any ruffians on the road? This leadership and liberty of Notting Hill is a gift from your Majesty, and if it is taken from me, by God! it shall be taken in battle, and the noise of that battle shall be heard in the flats of Chelsea and in the studios of St. John's Wood."

"It is too much—it is too much," said the King. "Nature is weak. I must speak to you, brother artist, without further disguise. Let me ask you a solemn question. Adam Wayne, Lord High Provost of Notting Hill, don't you think it splendid?"

"Splendid!" cried Adam Wayne. "It has the splendour of God."

"Bowled out again," said the King. "You will keep up the pose. Funnily, of course, it is serious. But seriously, isn't it funny?"

"What?" asked Wayne, with the eyes of a baby.

"Hang it all, don't play any more. The whole business—the Charter of the Cities. Isn't it immense?"

"Immense is no unworthy word for that glorious design."

"Oh, hang you! But, of course, I see. You want me to clear the room of these reasonable sows. You want the two humorists alone together. Leave us, gentlemen."

Buck threw a sour look at Barker, and at a sullen signal the whole pageant of blue and green, of red, gold, and purple, rolled out of the room, leaving only two in the great hall, the King sitting in his seat on the dais, and the red-clad figure still kneeling on the floor before his fallen sword.

The King bounded down the steps and smacked Provost Wayne on the back.

"Before the stars were made," he cried, "we were made for each other. It is too beautiful. Think of the valiant independence of Pump Street. That is the real thing. It is the deification of the ludicrous."

The kneeling figure sprang to his feet with a fierce stagger.

"Ludicrous!" he cried, with a fiery face.

"Oh, come, come," said the King, impatiently, "you needn't keep it up with me. The augurs must wink sometimes from sheer fatigue of the eyelids. Let us enjoy this for half an hour, not as actors, but as dramatic critics. Isn't it a joke?"

Adam Wayne looked down like a boy, and answered in a constrained voice—

"I do not understand your Majesty. I cannot believe that while I fight for your royal charter your Majesty deserts me for these dogs of the gold hunt."

"Oh, damn your—But what's this? What the devil's this?"

The King stared into the young Provost's face, and in the twilight of the room began to see that his face was quite white and his lip shaking.

"What in God's name is the matter?" cried Auberon, holding his wrist.

Wayne flung back his face, and the tears were shining on it.

"I am only a boy," he said, "but it's true. I would paint the Red Lion on my shield if I had only my blood."

King Auberon dropped the hand and stood without stirring, thunderstruck.

"My God in Heaven!" he said; "is it possible that there is within the four seas of Britain a man who takes Notting Hill seriously?"

"And my God in Heaven!" said Wayne passionately; "is it possible that there is within the four seas of Britain a man who does not take it seriously?"

The King said nothing, but merely went back up the steps of the dais, like a man dazed. He fell back in his chair again and kicked his heels.

"If this sort of thing is to go on," he said weakly, "I shall begin to doubt the superiority of art to life. In Heaven's name, do not play with me. Do you really mean that you are—God help me!—a Notting Hill patriot; that you are—?"

Wayne made a violent gesture, and the King soothed him wildly.

"All right—all right—I see you are; but let me take it in. You do really propose to fight these modern improvers with their boards and inspectors and surveyors and all the rest of it?"

"Are they so terrible?" asked Wayne, scornfully.

The King continued to stare at him as if he were a human curiosity.

"And I suppose," he said, "that you think that the dentists and small tradesmen and maiden ladies who inhabit Notting Hill, will rally with war-hymns to your standard?"

"If they have blood they will," said the Provost.

"And I suppose," said the King, with his head back among the cushions, "that it never crossed your mind that"—his voice seemed to lose itself luxuriantly—"never crossed your mind that any one ever thought that the idea of a Notting Hill idealism was—er—slightly—slightly ridiculous?"

"Of course they think so," said Wayne.

"What was the meaning of mocking the prophets?"

"Where," asked the King, leaning forward—"where in Heaven's name did you get this miraculously inane idea?"

"You have been my tutor, Sire," said the Provost, "in all that is high and honourable."

"Eh?" said the King.

"It was your Majesty who first stirred my dim patriotism into flame. Ten years ago, when I was a boy (I am only nineteen), I was playing on the slope of Pump Street, with a wooden sword and a paper helmet, dreaming of great wars. In an angry trance I struck out with my sword, and stood petrified, for I saw that I had struck you, Sire, my King, as you wandered in a noble secrecy, watching over your people's welfare. But I need have had no fear. Then was I taught to understand Kingliness. You neither shrank nor frowned. You summoned no guards. You invoked no punishments. But in august and burning words, which are written in my soul, never to be erased, you told me ever to turn my sword against the enemies of my inviolate city. Like a priest pointing to the altar, you pointed to the hill of Notting. 'So long,' you said, 'as you are ready to die for the sacred mountain, even if it were ringed with all the armies of Bayswater.' I have not forgotten the words, and I have reason now to remember them, for the hour is come and the crown of your prophecy. The sacred hill is ringed with the armies of Bayswater, and I am ready to die."

The King was lying back in his chair, a kind of wreck.

"Oh, Lord, Lord, Lord," he murmured, "what a life! what a life! All my work! I seem to have done it all. So you're the red-haired boy that hit me in the waistcoat. What have I done? God, what have I done? I thought I would have a joke, and I have created a passion. I tried to compose a burlesque, and it seems to be turning halfway through into an epic. What is to be done with such a world? In the Lord's name, wasn't the joke broad and bold enough? I abandoned my subtle humour to amuse you, and I seem to have brought tears to your eyes. What's to be done with people when you write a pantomime for them—call the sausages classic festoons, and the policeman cut in two a tragedy of public duty? But why am I talking? Why am I asking questions of a nice young gentleman who is totally mad? What is the good of it? What is the good of anything? Oh, Lord! Oh, Lord!"

Suddenly he pulled himself upright.

"Don't you really think the sacred Notting Hill at all absurd?"

"Absurd?" asked Wayne, blankly. "Why should I?"

The King stared back equally blankly.

"I beg your pardon," he said.

"Notting Hill," said the Provost, simply, "is a rise or high ground of the common earth, on which men have built houses to live, in which they are born, fall in love, pray, marry, and die. Why should I think it absurd?"

The King smiled.

"Because, my Leonidas—" he began, then suddenly, he knew not how, found his mind was a total blank. After all, why was it absurd? Why was it absurd? He felt as if the floor of his mind had given way. He felt as all men feel when their first principles are hit hard with a question. Barker always felt so when the King said, "Why trouble about politics?"

The King's thoughts were in a kind of rout; he could not collect them.

"It is generally felt to be a little funny," he said vaguely.

"I suppose," said Adam, turning on him with a fierce suddenness—"I suppose you fancy crucifixion was a serious affair?"

"Well, I—" began Auberon—"I admit I have generally thought it had its graver side."

"Then you are wrong," said Wayne, with incredible violence. "Crucifixion is comic. It is exquisitely diverting. It was an absurd and obscene kind of impaling reserved for people who were made to be laughed at—for slaves and provincials, for dentists and small tradesmen, as you would say. I have seen the grotesque gallows-shape, which the little Roman gutter-boys scribbled on walls as a vulgar joke, blazing on the pinnacles of the temples of the world. And shall I turn back?"

The King made no answer.

Adam went on, his voice ringing in the roof.

"This laughter with which men tyrannise is not the great power you think it. Peter was crucified, and crucified head downwards. What could be funnier than the idea of a respectable old Apostle upside down? What could be more in the style of your modern humour? But what was the good of it? Upside down or right side up, Peter was Peter to mankind. Upside down he stills hangs over Europe, and millions move and breathe only in the life of his Church."

King Auberon got up absently.

"There is something in what you say," he said. "You seem to have been thinking, young man."

"Only feeling, sire," answered the Provost. "I was born, like other men, in a spot of the earth which I loved because I had played boys' games there, and fallen in love, and talked with my friends through nights that were nights of the gods. And I feel the riddle. These little gardens where we told our loves. These streets where we brought out our dead. Why should they be commonplace? Why should they be absurd? Why should it be grotesque to say that a pillar-box is poetic when for a year I could not see a red pillar-box against the yellow evening in a certain street without being wracked with something of which God keeps the secret, but which is stronger than sorrow or joy? Why should any one be able to raise a laugh by saying 'the Cause of Notting Hill'?—Notting Hill where thousands of immortal spirits blaze with alternate hope and fear."

Auberon was flicking dust off his sleeve with quite a new seriousness on his face, distinct from the owlish solemnity which was the pose of his humour.

"It is very difficult," he said at last. "It is a damned difficult thing. I see what you mean; I agree with you even up to a point—or I should like to agree with you, if I were young enough to be a prophet and poet. I feel a truth in everything you say until you come to the words 'Notting Hill.' And then I regret to say that the old Adam awakes roaring with laughter and makes short work of the new Adam, whose name is Wayne."

For the first time Provost Wayne was silent, and stood gazing dreamily at the floor. Evening was closing in, and the room had grown darker.

"I know," he said, in a strange, almost sleepy voice, "there is truth in what you say, too. It is hard not to laugh at the common names—I only say we should not. I have thought of a remedy; but such thoughts are rather terrible."

"What thoughts?" asked Auberon.

The Provost of Notting Hill seemed to have fallen into a kind of trance; in his eyes was an elvish light.

"I know of a magic wand, but it is a wand that only one or two may rightly use, and only seldom. It is a fairy wand of great fear, stronger than those who use it—often frightful, often wicked to use. But whatever is touched with it is never again wholly common; whatever is touched with it takes a magic from outside the world. If I touch, with this fairy wand, the railways and the roads of Notting Hill, men will love them, and be afraid of them for ever."

"What the devil are you talking about?" asked the King.

"It has made mean landscapes magnificent, and hovels outlast cathedrals," went on the madman. "Why should it not make lamp-posts fairer than Greek lamps; and an omnibus-ride like a painted ship? The touch of it is the finger of a strange perfection."

"What is your wand?" cried the King, impatiently.

"There it is," said Wayne; and pointed to the floor, where his sword lay flat and shining.

"The sword!" cried the King; and sprang up straight on the dais.

"Yes, yes," cried Wayne, hoarsely. "The things touched by that are not vulgar; the things touched by that—"

King Auberon made a gesture of horror.

"You will shed blood for that!" he cried. "For a cursed point of view—"

"Oh, you kings, you kings!" cried out Adam, in a burst of scorn. "How humane you are, how tender, how considerate! You will make war for a frontier, or the imports of a foreign harbour; you will shed blood for the precise duty on lace, or the salute to an admiral. But for the things that make life itself worthy or miserable—how humane you are! I say here, and I know well what I speak of, there were never any necessary wars but the religious wars. There were never any just wars but the religious wars. There were never any humane wars but the religious wars. For these men were fighting for something that claimed, at least, to be the happiness of a man, the virtue of a man. A Crusader thought, at least, that Islam hurt the soul of every man, king or tinker, that it could really capture. I think Buck and Barker and these rich vultures hurt the soul of every man, hurt every inch of the ground, hurt every brick of the houses, that they can really capture. Do you think I have no right to fight for Notting Hill, you whose English Government has so often fought for tomfooleries? If, as your rich friends say, there are no gods, and the skies are dark above us, what should a man fight for, but the place where he had the Eden of childhood and the short heaven of first love? If no temples and no scriptures are sacred, what is sacred if a man's own youth is not sacred?"

The King walked a little restlessly up and down the dais.

"It is hard," he said, biting his lips, "to assent to a view so desperate—so responsible...."

As he spoke, the door of the audience chamber fell ajar, and through the aperture came, like the sudden chatter of a bird, the high, nasal, but well-bred voice of Barker.

"I said to him quite plainly—the public interests—"

Auberon turned on Wayne with violence.

"What the devil is all this? What am I saying? What are you saying? Have you hypnotised me? Curse your uncanny blue eyes! Let me go. Give me back my sense of humour. Give it me back—give it me back, I say!"

"I solemnly assure you," said Wayne, uneasily, with a gesture, as if feeling all over himself, "that I haven't got it."

The King fell back in his chair, and went into a roar of Rabelaisian laughter.

"I don't think you have," he cried.


CHAPTER I—The Mental Condition of Adam Wayne

A little while after the King's accession a small book of poems appeared, called "Hymns on the Hill." They were not good poems, nor was the book successful, but it attracted a certain amount of attention from one particular school of critics. The King himself, who was a member of the school, reviewed it in his capacity of literary critic to "Straight from the Stables," a sporting journal. They were known as the Hammock School, because it had been calculated malignantly by an enemy that no less than thirteen of their delicate criticisms had begun with the words, "I read this book in a hammock: half asleep in the sleepy sunlight, I ..."; after that there were important differences. Under these conditions they liked everything, but especially everything silly. "Next to authentic goodness in a book," they said—"next to authentic goodness in a book (and that, alas! we never find) we desire a rich badness." Thus it happened that their praise (as indicating the presence of a rich badness) was not universally sought after, and authors became a little disquieted when they found the eye of the Hammock School fixed upon them with peculiar favour.

The peculiarity of "Hymns on the Hill" was the celebration of the poetry of London as distinct from the poetry of the country. This sentiment or affectation was, of course, not uncommon in the twentieth century, nor was it, although sometimes exaggerated, and sometimes artificial, by any means without a great truth at its root, for there is one respect in which a town must be more poetical than the country, since it is closer to the spirit of man; for London, if it be not one of the masterpieces of man, is at least one of his sins. A street is really more poetical than a meadow, because a street has a secret. A street is going somewhere, and a meadow nowhere. But, in the case of the book called "Hymns on the Hill," there was another peculiarity, which the King pointed out with great acumen in his review. He was naturally interested in the matter, for he had himself published a volume of lyrics about London under his pseudonym of "Daisy Daydream."

This difference, as the King pointed out, consisted in the fact that, while mere artificers like "Daisy Daydream" (on whose elaborate style the King, over his signature of "Thunderbolt," was perhaps somewhat too severe) thought to praise London by comparing it to the country—using nature, that is, as a background from which all poetical images had to be drawn—the more robust author of "Hymns on the Hill" praised the country, or nature, by comparing it to the town, and used the town itself as a background. "Take," said the critic, "the typically feminine lines, 'To the Inventor of The Hansom Cab'—

'Poet, whose cunning carved this amorous shell, Where twain may dwell.'"

"Surely," wrote the King, "no one but a woman could have written those lines. A woman has always a weakness for nature; with her art is only beautiful as an echo or shadow of it. She is praising the hansom cab by theme and theory, but her soul is still a child by the sea, picking up shells. She can never be utterly of the town, as a man can; indeed, do we not speak (with sacred propriety) of 'a man about town'? Who ever spoke of a woman about town? However much, physically, 'about town' a woman may be, she still models herself on nature; she tries to carry nature with her; she bids grasses to grow on her head, and furry beasts to bite her about the throat. In the heart of a dim city, she models her hat on a flaring cottage garden of flowers. We, with our nobler civic sentiment, model ours on a chimney pot; the ensign of civilisation. And rather than be without birds, she will commit massacre, that she may turn her head into a tree, with dead birds to sing on it."

This kind of thing went on for several pages, and then the critic remembered his subject, and returned to it.

"Poet, whose cunning carved this amorous shell, Where twain may dwell."

"The peculiarity of these fine though feminine lines," continued "Thunderbolt," "is, as we have said, that they praise the hansom cab by comparing it to the shell, to a natural thing. Now, hear the author of 'Hymns on the Hill,' and how he deals with the same subject. In his fine nocturne, entitled 'The Last Omnibus' he relieves the rich and poignant melancholy of the theme by a sudden sense of rushing at the end—

'The wind round the old street corner Swung sudden and quick as a cab.'

"Here the distinction is obvious. 'Daisy Daydream' thinks it a great compliment to a hansom cab to be compared to one of the spiral chambers of the sea. And the author of 'Hymns on the Hill' thinks it a great compliment to the immortal whirlwind to be compared to a hackney coach. He surely is the real admirer of London. We have no space to speak of all his perfect applications of the idea; of the poem in which, for instance, a lady's eyes are compared, not to stars, but to two perfect street-lamps guiding the wanderer. We have no space to speak of the fine lyric, recalling the Elizabethan spirit, in which the poet, instead of saying that the rose and the lily contend in her complexion, says, with a purer modernism, that the red omnibus of Hammersmith and the white omnibus of Fulham fight there for the mastery. How perfect the image of two contending omnibuses!"

Here, somewhat abruptly, the review concluded, probably because the King had to send off his copy at that moment, as he was in some want of money. But the King was a very good critic, whatever he may have been as King, and he had, to a considerable extent, hit the right nail on the head. "Hymns on the Hill" was not at all like the poems originally published in praise of the poetry of London. And the reason was that it was really written by a man who had seen nothing else but London, and who regarded it, therefore, as the universe. It was written by a raw, red-headed lad of seventeen, named Adam Wayne, who had been born in Notting Hill. An accident in his seventh year prevented his being taken away to the seaside, and thus his whole life had been passed in his own Pump Street, and in its neighbourhood. And the consequence was, that he saw the street-lamps as things quite as eternal as the stars; the two fires were mingled. He saw the houses as things enduring, like the mountains, and so he wrote about them as one would write about mountains. Nature puts on a disguise when she speaks to every man; to this man she put on the disguise of Notting Hill. Nature would mean to a poet born in the Cumberland hills, a stormy sky-line and sudden rocks. Nature would mean to a poet born in the Essex flats, a waste of splendid waters and splendid sunsets. So nature meant to this man Wayne a line of violet roofs and lemon lamps, the chiaroscuro of the town. He did not think it clever or funny to praise the shadows and colours of the town; he had seen no other shadows or colours, and so he praised them—because they were shadows and colours. He saw all this because he was a poet, though in practice a bad poet. It is too often forgotten that just as a bad man is nevertheless a man, so a bad poet is nevertheless a poet.

Mr. Wayne's little volume of verse was a complete failure; and he submitted to the decision of fate with a quite rational humility, went back to his work, which was that of a draper's assistant, and wrote no more. He still retained his feeling about the town of Notting Hill, because he could not possibly have any other feeling, because it was the back and base of his brain. But he does not seem to have made any particular attempt to express it or insist upon it.

He was a genuine natural mystic, one of those who live on the border of fairyland. But he was perhaps the first to realise how often the boundary of fairyland runs through a crowded city. Twenty feet from him (for he was very short-sighted) the red and white and yellow suns of the gas-lights thronged and melted into each other like an orchard of fiery trees, the beginning of the woods of elf-land.

But, oddly enough, it was because he was a small poet that he came to his strange and isolated triumph. It was because he was a failure in literature that he became a portent in English history. He was one of those to whom nature has given the desire without the power of artistic expression. He had been a dumb poet from his cradle. He might have been so to his grave, and carried unuttered into the darkness a treasure of new and sensational song. But he was born under the lucky star of a single coincidence. He happened to be at the head of his dingy municipality at the time of the King's jest, at the time when all municipalities were suddenly commanded to break out into banners and flowers. Out of the long procession of the silent poets, who have been passing since the beginning of the world, this one man found himself in the midst of an heraldic vision, in which he could act and speak and live lyrically. While the author and the victims alike treated the whole matter as a silly public charade, this one man, by taking it seriously, sprang suddenly into a throne of artistic omnipotence. Armour, music, standards, watch-fires, the noise of drums, all the theatrical properties were thrown before him. This one poor rhymster, having burnt his own rhymes, began to live that life of open air and acted poetry of which all the poets of the earth have dreamed in vain; the life for which the Iliad is only a cheap substitute.

Upwards from his abstracted childhood, Adam Wayne had grown strongly and silently in a certain quality or capacity which is in modern cities almost entirely artificial, but which can be natural, and was primarily almost brutally natural in him, the quality or capacity of patriotism. It exists, like other virtues and vices, in a certain undiluted reality. It is not confused with all kinds of other things. A child speaking of his country or his village may make every mistake in Mandeville or tell every lie in Munchausen, but in his statement there will be no psychological lies any more than there can be in a good song. Adam Wayne, as a boy, had for his dull streets in Notting Hill the ultimate and ancient sentiment that went out to Athens or Jerusalem. He knew the secret of the passion, those secrets which make real old national songs sound so strange to our civilisation. He knew that real patriotism tends to sing about sorrows and forlorn hopes much more than about victory. He knew that in proper names themselves is half the poetry of all national poems. Above all, he knew the supreme psychological fact about patriotism, as certain in connection with it as that a fine shame comes to all lovers, the fact that the patriot never under any circumstances boasts of the largeness of his country, but always, and of necessity, boasts of the smallness of it.

All this he knew, not because he was a philosopher or a genius, but because he was a child. Any one who cares to walk up a side slum like Pump Street, can see a little Adam claiming to be king of a paving-stone. And he will always be proudest if the stone is almost too narrow for him to keep his feet inside it.

It was while he was in such a dream of defensive battle, marking out some strip of street or fortress of steps as the limit of his haughty claim, that the King had met him, and, with a few words flung in mockery, ratified for ever the strange boundaries of his soul. Thenceforward the fanciful idea of the defence of Notting Hill in war became to him a thing as solid as eating or drinking or lighting a pipe. He disposed his meals for it, altered his plans for it, lay awake in the night and went over it again. Two or three shops were to him an arsenal; an area was to him a moat; corners of balconies and turns of stone steps were points for the location of a culverin or an archer. It is almost impossible to convey to any ordinary imagination the degree to which he had transmitted the leaden London landscape to a romantic gold. The process began almost in babyhood, and became habitual like a literal madness. It was felt most keenly at night, when London is really herself, when her lights shine in the dark like the eyes of innumerable cats, and the outline of the dark houses has the bold simplicity of blue hills. But for him the night revealed instead of concealing, and he read all the blank hours of morning and afternoon, by a contradictory phrase, in the light of that darkness. To this man, at any rate, the inconceivable had happened. The artificial city had become to him nature, and he felt the curbstones and gas-lamps as things as ancient as the sky.

One instance may suffice. Walking along Pump Street with a friend, he said, as he gazed dreamily at the iron fence of a little front garden, "How those railings stir one's blood!"

His friend, who was also a great intellectual admirer, looked at them painfully, but without any particular emotion. He was so troubled about it that he went back quite a large number of times on quiet evenings and stared at the railings, waiting for something to happen to his blood, but without success. At last he took refuge in asking Wayne himself. He discovered that the ecstacy lay in the one point he had never noticed about the railings even after his six visits—the fact that they were, like the great majority of others—in London, shaped at the top after the manner of a spear. As a child, Wayne had half unconsciously compared them with the spears in pictures of Lancelot and St. George, and had grown up under the shadow of the graphic association. Now, whenever he looked at them, they were simply the serried weapons that made a hedge of steel round the sacred homes of Notting Hill. He could not have cleansed his mind of that meaning even if he tried. It was not a fanciful comparison, or anything like it. It would not have been true to say that the familiar railings reminded him of spears; it would have been far truer to say that the familiar spears occasionally reminded him of railings.

A couple of days after his interview with the King, Adam Wayne was pacing like a caged lion in front of five shops that occupied the upper end of the disputed street. They were a grocer's, a chemist's, a barber's, an old curiosity shop and a toy-shop that sold also newspapers. It was these five shops which his childish fastidiousness had first selected as the essentials of the Notting Hill campaign, the citadel of the city. If Notting Hill was the heart of the universe, and Pump Street was the heart of Notting Hill, this was the heart of Pump Street. The fact that they were all small and side by side realised that feeling for a formidable comfort and compactness which, as we have said, was the heart of his patriotism, and of all patriotism. The grocer (who had a wine and spirit licence) was included because he could provision the garrison; the old curiosity shop because it contained enough swords, pistols, partisans, cross-bows, and blunderbusses to arm a whole irregular regiment; the toy and paper shop because Wayne thought a free press an essential centre for the soul of Pump Street; the chemist's to cope with outbreaks of disease among the besieged; and the barber's because it was in the middle of all the rest, and the barber's son was an intimate friend and spiritual affinity.

It was a cloudless October evening settling down through purple into pure silver around the roofs and chimneys of the steep little street, which looked black and sharp and dramatic. In the deep shadows the gas-lit shop fronts gleamed like five fires in a row, and before them, darkly outlined like a ghost against some purgatorial furnaces, passed to and fro the tall bird-like figure and eagle nose of Adam Wayne.

He swung his stick restlessly, and seemed fitfully talking to himself.

"There are, after all, enigmas," he said "even to the man who has faith. There are doubts that remain even after the true philosophy is completed in every rung and rivet. And here is one of them. Is the normal human need, the normal human condition, higher or lower than those special states of the soul which call out a doubtful and dangerous glory? those special powers of knowledge or sacrifice which are made possible only by the existence of evil? Which should come first to our affections, the enduring sanities of peace or the half-maniacal virtues of battle? Which should come first, the man great in the daily round or the man great in emergency? Which should come first, to return to the enigma before me, the grocer or the chemist? Which is more certainly the stay of the city, the swift chivalrous chemist or the benignant all-providing grocer? In such ultimate spiritual doubts it is only possible to choose a side by the higher instincts, and to abide the issue. In any case, I have made my choice. May I be pardoned if I choose wrongly, but I choose the grocer."

"Good morning, sir," said the grocer, who was a middle-aged man, partially bald, with harsh red whiskers and beard, and forehead lined with all the cares of the small tradesman. "What can I do for you, sir?"

Wayne removed his hat on entering the shop, with a ceremonious gesture, which, slight as it was, made the tradesman eye him with the beginnings of wonder.

"I come, sir," he said soberly, "to appeal to your patriotism."

"Why, sir," said the grocer, "that sounds like the times when I was a boy and we used to have elections."

"You will have them again," said Wayne, firmly, "and far greater things. Listen, Mr. Mead. I know the temptations which a grocer has to a too cosmopolitan philosophy. I can imagine what it must be to sit all day as you do surrounded with wares from all the ends of the earth, from strange seas that we have never sailed and strange forests that we could not even picture. No Eastern king ever had such argosies or such cargoes coming from the sunrise and the sunset, and Solomon in all his glory was not enriched like one of you. India is at your elbow," he cried, lifting his voice and pointing his stick at a drawer of rice, the grocer making a movement of some alarm, "China is before you, Demerara is behind you, America is above your head, and at this very moment, like some old Spanish admiral, you hold Tunis in your hands."

Mr. Mead dropped the box of dates which he was just lifting, and then picked it up again vaguely.

Wayne went on with a heightened colour, but a lowered voice,

"I know, I say, the temptations of so international, so universal a vision of wealth. I know that it must be your danger not to fall like many tradesmen into too dusty and mechanical a narrowness, but rather to be too broad, to be too general, too liberal. If a narrow nationalism be the danger of the pastry-cook, who makes his own wares under his own heavens, no less is cosmopolitanism the danger of the grocer. But I come to you in the name of that patriotism which no wanderings or enlightenments should ever wholly extinguish, and I ask you to remember Notting Hill. For, after all, in this cosmopolitan magnificence, she has played no small part. Your dates may come from the tall palms of Barbary, your sugar from the strange islands of the tropics, your tea from the secret villages of the Empire of the Dragon. That this room might be furnished, forests may have been spoiled under the Southern Cross, and leviathans speared under the Polar Star. But you yourself—surely no inconsiderable treasure—you yourself, the brain that wields these vast interests—you yourself, at least, have grown to strength and wisdom between these grey houses and under this rainy sky. This city which made you, and thus made your fortunes, is threatened with war. Come forth and tell to the ends of the earth this lesson. Oil is from the North and fruits from the South; rices are from India and spices from Ceylon; sheep are from New Zealand and men from Notting Hill."

The grocer sat for some little while, with dim eyes and his mouth open, looking rather like a fish. Then he scratched the back of his head, and said nothing. Then he said—

"Anything out of the shop, sir?"

Wayne looked round in a dazed way. Seeing a pile of tins of pine-apple chunks, he waved his stick generally towards them.

"Yes," he said; "I'll take those."

"All those, sir?" said the grocer, with greatly increased interest.

"Yes, yes; all those," replied Wayne, still a little bewildered, like a man splashed with cold water.

"Very good, sir; thank you, sir," said the grocer with animation. "You may count upon my patriotism, sir."

"I count upon it already," said Wayne, and passed out into the gathering night.

The grocer put the box of dates back in its place.

"What a nice fellow he is!" he said. "It's odd how often they are nice. Much nicer than those as are all right."

Meanwhile Adam Wayne stood outside the glowing chemist's shop, unmistakably wavering.

"What a weakness it is!" he muttered. "I have never got rid of it from childhood—the fear of this magic shop. The grocer is rich, he is romantic, he is poetical in the truest sense, but he is not—no, he is not supernatural. But the chemist! All the other shops stand in Notting Hill, but this stands in Elf-land. Look at those great burning bowls of colour. It must be from them that God paints the sunsets. It is superhuman, and the superhuman is all the more uncanny when it is beneficent. That is the root of the fear of God. I am afraid. But I must be a man and enter."

He was a man, and entered. A short, dark young man was behind the counter with spectacles, and greeted him with a bright but entirely business-like smile.

"A fine evening, sir," he said.

"Fine indeed, strange Father," said Adam, stretching his hands somewhat forward. "It is on such clear and mellow nights that your shop is most itself. Then they appear most perfect, those moons of green and gold and crimson, which from afar oft guide the pilgrim of pain and sickness to this house of merciful witchcraft."

"Can I get you anything?" asked the chemist.

"Let me see," said Wayne, in a friendly but vague manner. "Let me have some sal volatile."

"Eightpence, tenpence, or one and sixpence a bottle?" said the young man, genially.

"One and six—one and six," replied Wayne, with a wild submissiveness. "I come to ask you, Mr. Bowles, a terrible question."

He paused and collected himself.

"It is necessary," he muttered—"it is necessary to be tactful, and to suit the appeal to each profession in turn."

"I come," he resumed aloud, "to ask you a question which goes to the roots of your miraculous toils. Mr. Bowles, shall all this witchery cease?" And he waved his stick around the shop.

Meeting with no answer, he continued with animation—

"In Notting Hill we have felt to its core the elfish mystery of your profession. And now Notting Hill itself is threatened."

"Anything more, sir?" asked the chemist.

"Oh," said Wayne, somewhat disturbed—"oh, what is it chemists sell? Quinine, I think. Thank you. Shall it be destroyed? I have met these men of Bayswater and North Kensington—Mr. Bowles, they are materialists. They see no witchery in your work, even when it is wrought within their own borders. They think the chemist is commonplace. They think him human."

The chemist appeared to pause, only a moment, to take in the insult, and immediately said—

"And the next article, please?"

"Alum," said the Provost, wildly. "I resume. It is in this sacred town alone that your priesthood is reverenced. Therefore, when you fight for us you fight not only for yourself, but for everything you typify. You fight not only for Notting Hill, but for Fairyland, for as surely as Buck and Barker and such men hold sway, the sense of Fairyland in some strange manner diminishes."

"Anything more, sir?" asked Mr. Bowles, with unbroken cheerfulness.

"Oh yes, jujubes—Gregory powder—magnesia. The danger is imminent. In all this matter I have felt that I fought not merely for my own city (though to that I owe all my blood), but for all places in which these great ideas could prevail. I am fighting not merely for Notting Hill, but for Bayswater itself; for North Kensington itself. For if the gold-hunters prevail, these also will lose all their ancient sentiments and all the mystery of their national soul. I know I can count upon you."

"Oh yes, sir," said the chemist, with great animation; "we are always glad to oblige a good customer."

Adam Wayne went out of the shop with a deep sense of fulfilment of soul.

"It is so fortunate," he said, "to have tact, to be able to play upon the peculiar talents and specialities, the cosmopolitanism of the grocer and the world-old necromancy of the chemist. Where should I be without tact?"

CHAPTER II—The Remarkable Mr. Turnbull

After two more interviews with shopmen, however, the patriot's confidence in his own psychological diplomacy began vaguely to wane. Despite the care with which he considered the peculiar rationale and the peculiar glory of each separate shop, there seemed to be something unresponsive about the shopmen. Whether it was a dark resentment against the uninitiate for peeping into their masonic magnificence, he could not quite conjecture.

His conversation with the man who kept the shop of curiosities had begun encouragingly. The man who kept the shop of curiosities had, indeed, enchanted him with a phrase. He was standing drearily at the door of his shop, a wrinkled man with a grey pointed beard, evidently a gentleman who had come down in the world.

"And how does your commerce go, you strange guardian of the past?" said Wayne, affably.

"Well, sir, not very well," replied the man, with that patient voice of his class which is one of the most heart-breaking things in the world. "Things are terribly quiet."

Wayne's eyes shone suddenly.

"A great saying," he said, "worthy of a man whose merchandise is human history. Terribly quiet; that is in two words the spirit of this age, as I have felt it from my cradle. I sometimes wondered how many other people felt the oppression of this union between quietude and terror. I see blank well-ordered streets and men in black moving about inoffensively, sullenly. It goes on day after day, day after day, and nothing happens; but to me it is like a dream from which I might wake screaming. To me the straightness of our life is the straightness of a thin cord stretched tight. Its stillness is terrible. It might snap with a noise like thunder. And you who sit, amid the debris of the great wars, you who sit, as it were, upon a battlefield, you know that war was less terrible than this evil peace; you know that the idle lads who carried those swords under Francis or Elizabeth, the rude Squire or Baron who swung that mace about in Picardy or Northumberland battles, may have been terribly noisy, but were not like us, terribly quiet."

Whether it was a faint embarrassment of conscience as to the original source and date of the weapons referred to, or merely an engrained depression, the guardian of the past looked, if anything, a little more worried.

"But I do not think," continued Wayne, "that this horrible silence of modernity will last, though I think for the present it will increase. What a farce is this modern liberality! Freedom of speech means practically, in our modern civilisation, that we must only talk about unimportant things. We must not talk about religion, for that is illiberal; we must not talk about bread and cheese, for that is talking shop; we must not talk about death, for that is depressing; we must not talk about birth, for that is indelicate. It cannot last. Something must break this strange indifference, this strange dreamy egoism, this strange loneliness of millions in a crowd. Something must break it. Why should it not be you and I? Can you do nothing else but guard relics?"

The shopman wore a gradually clearing expression, which would have led those unsympathetic with the cause of the Red Lion to think that the last sentence was the only one to which he had attached any meaning.

"I am rather old to go into a new business," he said, "and I don't quite know what to be, either."

"Why not," said Wayne, gently having reached the crisis of his delicate persuasion—"why not be a colonel?"

It was at this point, in all probability, that the interview began to yield more disappointing results. The man appeared inclined at first to regard the suggestion of becoming a colonel as outside the sphere of immediate and relevant discussion. A long exposition of the inevitable war of independence, coupled with the purchase of a doubtful sixteenth-century sword for an exaggerated price, seemed to resettle matters. Wayne left the shop, however, somewhat infected with the melancholy of its owner.

That melancholy was completed at the barber's.

"Shaving, sir?" inquired that artist from inside his shop.

"War!" replied Wayne, standing on the threshold.

"I beg your pardon," said the other, sharply.

"War!" said Wayne, warmly. "But not for anything inconsistent with the beautiful and the civilised arts. War for beauty. War for society. War for peace. A great chance is offered you of repelling that slander which, in defiance of the lives of so many artists, attributes poltroonery to those who beautify and polish the surface of our lives. Why should not hairdressers be heroes? Why should not—"

"Now, you get out," said the barber, irascibly. "We don't want any of your sort here. You get out."

And he came forward with the desperate annoyance of a mild person when enraged.

Adam Wayne laid his hand for a moment on the sword, then dropped it.

"Notting Hill," he said, "will need her bolder sons;" and he turned gloomily to the toy-shop.

It was one of those queer little shops so constantly seen in the side streets of London, which must be called toy-shops only because toys upon the whole predominate; for the remainder of goods seem to consist of almost everything else in the world—tobacco, exercise-books, sweet-stuff, novelettes, halfpenny paper clips, halfpenny pencil sharpeners, bootlaces, and cheap fireworks. It also sold newspapers, and a row of dirty-looking posters hung along the front of it.

"I am afraid," said Wayne, as he entered, "that I am not getting on with these tradesmen as I should. Is it that I have neglected to rise to the full meaning of their work? Is there some secret buried in each of these shops which no mere poet can discover?"

He stepped to the counter with a depression which he rapidly conquered as he addressed the man on the other side of it,—a man of short stature, and hair prematurely white, and the look of a large baby.

"Sir," said Wayne, "I am going from house to house in this street of ours, seeking to stir up some sense of the danger which now threatens our city. Nowhere have I felt my duty so difficult as here. For the toy-shop keeper has to do with all that remains to us of Eden before the first wars began. You sit here meditating continually upon the wants of that wonderful time when every staircase leads to the stars, and every garden-path to the other end of nowhere. Is it thoughtlessly, do you think, that I strike the dark old drum of peril in the paradise of children? But consider a moment; do not condemn me hastily. Even that paradise itself contains the rumour or beginning of that danger, just as the Eden that was made for perfection contained the terrible tree. For judge childhood, even by your own arsenal of its pleasures. You keep bricks; you make yourself thus, doubtless, the witness of the constructive instinct older than the destructive. You keep dolls; you make yourself the priest of that divine idolatry. You keep Noah's Arks; you perpetuate the memory of the salvation of all life as a precious, an irreplaceable thing. But do you keep only, sir, the symbols of this prehistoric sanity, this childish rationality of the earth? Do you not keep more terrible things? What are those boxes, seemingly of lead soldiers, that I see in that glass case? Are they not witnesses to that terror and beauty, that desire for a lovely death, which could not be excluded even from the immortality of Eden? Do not despise the lead soldiers, Mr. Turnbull."

"I don't," said Mr. Turnbull, of the toy-shop, shortly, but with great emphasis.

"I am glad to hear it," replied Wayne. "I confess that I feared for my military schemes the awful innocence of your profession. How, I thought to myself, will this man, used only to the wooden swords that give pleasure, think of the steel swords that give pain? But I am at least partly reassured. Your tone suggests to me that I have at least the entry of a gate of your fairyland—the gate through which the soldiers enter, for it cannot be denied—I ought, sir, no longer to deny, that it is of soldiers that I come to speak. Let your gentle employment make you merciful towards the troubles of the world. Let your own silvery experience tone down our sanguine sorrows. For there is war in Notting Hill."

The little toy-shop keeper sprang up suddenly, slapping his fat hands like two fans on the counter.

"War?" he cried. "Not really, sir? Is it true? Oh, what a joke! Oh, what a sight for sore eyes!"

Wayne was almost taken aback by this outburst.

"I am delighted," he stammered. "I had no notion—"

He sprang out of the way just in time to avoid Mr. Turnbull, who took a flying leap over the counter and dashed to the front of the shop.

"You look here, sir," he said; "you just look here."

He came back with two of the torn posters in his hand which were flapping outside his shop.

"Look at those, sir," he said, and flung them down on the counter.

Wayne bent over them, and read on one—


On the other he read—


Wayne bent over them again, evidently puzzled; then he looked at the dates. They were both dated in August fifteen years before.

"Why do you keep these old things?" he said, startled entirely out of his absurd tact of mysticism. "Why do you hang them outside your shop?"

"Because," said the other, simply, "they are the records of the last war. You mentioned war just now. It happens to be my hobby."

Wayne lifted his large blue eyes with an infantile wonder.

"Come with me," said Turnbull, shortly, and led him into a parlour at the back of the shop.

In the centre of the parlour stood a large deal table. On it were set rows and rows of the tin and lead soldiers which were part of the shopkeeper's stock. The visitor would have thought nothing of it if it had not been for a certain odd grouping of them, which did not seem either entirely commercial or entirely haphazard.

"You are acquainted, no doubt," said Turnbull, turning his big eyes upon Wayne—"you are acquainted, no doubt, with the arrangement of the American and Nicaraguan troops in the last battle;" and he waved his hand towards the table.

"I am afraid not," said Wayne. "I—"

"Ah! you were at that time occupied too much, perhaps, with the Dervish affair. You will find it in this corner." And he pointed to a part of the floor where there was another arrangement of children's soldiers grouped here and there.

"You seem," said Wayne, "to be interested in military matters."

"I am interested in nothing else," answered the toy-shop keeper, simply.

Wayne appeared convulsed with a singular, suppressed excitement.

"In that case," he said, "I may approach you with an unusual degree of confidence. Touching the matter of the defence of Notting Hill, I—"

"Defence of Notting Hill? Yes, sir. This way, sir," said Turnbull, with great perturbation. "Just step into this side room;" and he led Wayne into another apartment, in which the table was entirely covered with an arrangement of children's bricks. A second glance at it told Wayne that the bricks were arranged in the form of a precise and perfect plan of Notting Hill. "Sir," said Turnbull, impressively, "you have, by a kind of accident, hit upon the whole secret of my life. As a boy, I grew up among the last wars of the world, when Nicaragua was taken and the dervishes wiped out. And I adopted it as a hobby, sir, as you might adopt astronomy or bird-stuffing. I had no ill-will to any one, but I was interested in war as a science, as a game. And suddenly I was bowled out. The big Powers of the world, having swallowed up all the small ones, came to that confounded agreement, and there was no more war. There was nothing more for me to do but to do what I do now—to read the old campaigns in dirty old newspapers, and to work them out with tin soldiers. One other thing had occurred to me. I thought it an amusing fancy to make a plan of how this district or ours ought to be defended if it were ever attacked. It seems to interest you too."

"If it were ever attacked," repeated Wayne, awed into an almost mechanical enunciation. "Mr. Turnbull, it is attacked. Thank Heaven, I am bringing to at least one human being the news that is at bottom the only good news to any son of Adam. Your life has not been useless. Your work has not been play. Now, when the hair is already grey on your head, Turnbull, you shall have your youth. God has not destroyed, He has only deferred it. Let us sit down here, and you shall explain to me this military map of Notting Hill. For you and I have to defend Notting Hill together."

Mr. Turnbull looked at the other for a moment, then hesitated, and then sat down beside the bricks and the stranger. He did not rise again for seven hours, when the dawn broke.

* * * * *

The headquarters of Provost Adam Wayne and his Commander-in-Chief consisted of a small and somewhat unsuccessful milk-shop at the corner of Pump Street. The blank white morning had only just begun to break over the blank London buildings when Wayne and Turnbull were to be found seated in the cheerless and unswept shop. Wayne had something feminine in his character; he belonged to that class of persons who forget their meals when anything interesting is in hand. He had had nothing for sixteen hours but hurried glasses of milk, and, with a glass standing empty beside him, he was writing and sketching and dotting and crossing out with inconceivable rapidity with a pencil and a piece of paper. Turnbull was of that more masculine type in which a sense of responsibility increases the appetite, and with his sketch-map beside him he was dealing strenuously with a pile of sandwiches in a paper packet, and a tankard of ale from the tavern opposite, whose shutters had just been taken down. Neither of them spoke, and there was no sound in the living stillness except the scratching of Wayne's pencil and the squealing of an aimless-looking cat. At length Wayne broke the silence by saying—

"Seventeen pounds eight shillings and ninepence."

Turnbull nodded and put his head in the tankard.

"That," said Wayne, "is not counting the five pounds you took yesterday. What did you do with it?"

"Ah, that is rather interesting!" replied Turnbull, with his mouth full. "I used that five pounds in a kindly and philanthropic act."

Wayne was gazing with mystification in his queer and innocent eyes.

"I used that five pounds," continued the other, "in giving no less than forty little London boys rides in hansom cabs."

"Are you insane?" asked the Provost.

"It is only my light touch," returned Turnbull. "These hansom-cab rides will raise the tone—raise the tone, my dear fellow—of our London youths, widen their horizon, brace their nervous system, make them acquainted with the various public monuments of our great city. Education, Wayne, education. How many excellent thinkers have pointed out that political reform is useless until we produce a cultured populace. So that twenty years hence, when these boys are grown up—"

"Mad!" said Wayne, laying down his pencil; "and five pounds gone!"

"You are in error," explained Turnbull. "You grave creatures can never be brought to understand how much quicker work really goes with the assistance of nonsense and good meals. Stripped of its decorative beauties, my statement was strictly accurate. Last night I gave forty half-crowns to forty little boys, and sent them all over London to take hansom cabs. I told them in every case to tell the cabman to bring them to this spot. In half an hour from now the declaration of war will be posted up. At the same time the cabs will have begun to come in, you will have ordered out the guard, the little boys will drive up in state, we shall commandeer the horses for cavalry, use the cabs for barricade, and give the men the choice between serving in our ranks and detention in our basements and cellars. The little boys we can use as scouts. The main thing is that we start the war with an advantage unknown in all the other armies—horses. And now," he said, finishing his beer, "I will go and drill the troops."

And he walked out of the milk-shop, leaving the Provost staring.

A minute or two afterwards, the Provost laughed. He only laughed once or twice in his life, and then he did it in a queer way as if it were an art he had not mastered. Even he saw something funny in the preposterous coup of the half-crowns and the little boys. He did not see the monstrous absurdity of the whole policy and the whole war. He enjoyed it seriously as a crusade, that is, he enjoyed it far more than any joke can be enjoyed. Turnbull enjoyed it partly as a joke, even more perhaps as a reversion from the things he hated—modernity and monotony and civilisation. To break up the vast machinery of modern life and use the fragments as engines of war, to make the barricade of omnibuses and points of vantage of chimney-pots, was to him a game worth infinite risk and trouble. He had that rational and deliberate preference which will always to the end trouble the peace of the world, the rational and deliberate preference for a short life and a merry one.

CHAPTER III—The Experiment of Mr. Buck

An earnest and eloquent petition was sent up to the King signed with the names of Wilson, Barker, Buck, Swindon, and others. It urged that at the forthcoming conference to be held in his Majesty's presence touching the final disposition of the property in Pump Street, it might be held not inconsistent with political decorum and with the unutterable respect they entertained for his Majesty if they appeared in ordinary morning dress, without the costume decreed for them as Provosts. So it happened that the company appeared at that council in frock-coats and that the King himself limited his love of ceremony to appearing (after his not unusual manner), in evening dress with one order—in this case not the Garter, but the button of the Club of Old Clipper's Best Pals, a decoration obtained (with difficulty) from a halfpenny boy's paper. Thus also it happened that the only spot of colour in the room was Adam Wayne, who entered in great dignity with the great red robes and the great sword.

"We have met," said Auberon, "to decide the most arduous of modern problems. May we be successful." And he sat down gravely.

Buck turned his chair a little, and flung one leg over the other.

"Your Majesty," he said, quite good-humouredly, "there is only one thing I can't understand, and that is why this affair is not settled in five minutes. Here's a small property which is worth a thousand to us and is not worth a hundred to any one else. We offer the thousand. It's not business-like, I know, for we ought to get it for less, and it's not reasonable and it's not fair on us, but I'm damned if I can see why it's difficult."

"The difficulty may be very simply stated," said Wayne. "You may offer a million and it will be very difficult for you to get Pump Street."

"But look here, Mr. Wayne," cried Barker, striking in with a kind of cold excitement. "Just look here. You've no right to take up a position like that. You've a right to stand out for a bigger price, but you aren't doing that. You're refusing what you and every sane man knows to be a splendid offer simply from malice or spite—it must be malice or spite. And that kind of thing is really criminal; it's against the public good. The King's Government would be justified in forcing you."

With his lean fingers spread on the table, he stared anxiously at Wayne's face, which did not move.

"In forcing you ... it would," he repeated.

"It shall," said Buck, shortly, turning to the table with a jerk. "We have done our best to be decent."

Wayne lifted his large eyes slowly.

"Was it my Lord Buck," he inquired, "who said that the King of England 'shall' do something?"

Buck flushed and said testily—

"I mean it must—it ought to. As I say, we've done our best to be generous; I defy any one to deny it. As it is, Mr. Wayne, I don't want to say a word that's uncivil. I hope it's not uncivil to say that you can be, and ought to be, in gaol. It is criminal to stop public works for a whim. A man might as well burn ten thousand onions in his front garden or bring up his children to run naked in the street, as do what you say you have a right to do. People have been compelled to sell before now. The King could compel you, and I hope he will."

"Until he does," said Wayne, calmly, "the power and government of this great nation is on my side and not yours, and I defy you to defy it."

"In what sense," cried Barker, with his feverish eyes and hands, "is the Government on your side?"

With one ringing movement Wayne unrolled a great parchment on the table. It was decorated down the sides with wild water-colour sketches of vestrymen in crowns and wreaths.

"The Charter of the Cities," he began.

Buck exploded in a brutal oath and laughed.

"That tomfool's joke. Haven't we had enough—"

"And there you sit," cried Wayne, springing erect and with a voice like a trumpet, "with no argument but to insult the King before his face."

Buck rose also with blazing eyes.

"I am hard to bully," he began—and the slow tones of the King struck in with incomparable gravity—

"My Lord Buck, I must ask you to remember that your King is present. It is not often that he needs to protect himself among his subjects."

Barker turned to him with frantic gestures.

"For God's sake don't back up the madman now," he implored. "Have your joke another time. Oh, for Heaven's sake—"

"My Lord Provost of South Kensington," said King Auberon, steadily, "I do not follow your remarks, which are uttered with a rapidity unusual at Court. Nor do your well-meant efforts to convey the rest with your fingers materially assist me. I say that my Lord Provost of North Kensington, to whom I spoke, ought not in the presence of his Sovereign to speak disrespectfully of his Sovereign's ordinances. Do you disagree?"

Barker turned restlessly in his chair, and Buck cursed without speaking. The King went on in a comfortable voice—

"My Lord Provost of Notting Hill, proceed."

Wayne turned his blue eyes on the King, and to every one's surprise there was a look in them not of triumph, but of a certain childish distress.

"I am sorry, your Majesty," he said; "I fear I was more than equally to blame with the Lord Provost of North Kensington. We were debating somewhat eagerly, and we both rose to our feet. I did so first, I am ashamed to say. The Provost of North Kensington is, therefore, comparatively innocent. I beseech your Majesty to address your rebuke chiefly, at least, to me. Mr. Buck is not innocent, for he did no doubt, in the heat of the moment, speak disrespectfully. But the rest of the discussion he seems to me to have conducted with great good temper."

Buck looked genuinely pleased, for business men are all simple-minded, and have therefore that degree of communion with fanatics. The King, for some reason, looked, for the first time in his life, ashamed.

"This very kind speech of the Provost of Notting Hill," began Buck, pleasantly, "seems to me to show that we have at least got on to a friendly footing. Now come, Mr. Wayne. Five hundred pounds have been offered to you for a property you admit not to be worth a hundred. Well, I am a rich man and I won't be outdone in generosity. Let us say fifteen hundred pounds, and have done with it. And let us shake hands;" and he rose, glowing and laughing.

"Fifteen hundred pounds," whispered Mr. Wilson of Bayswater; "can we do fifteen hundred pounds?"

"I'll stand the racket," said Buck, heartily. "Mr. Wayne is a gentleman and has spoken up for me. So I suppose the negotiations are at an end."

Wayne bowed.

"They are indeed at an end. I am sorry I cannot sell you the property."

"What?" cried Mr. Barker, starting to his feet.

"Mr. Buck has spoken correctly," said the King.

"I have, I have," cried Buck, springing up also; "I said—"

"Mr. Buck has spoken correctly," said the King; "the negotiations are at an end."

All the men at the table rose to their feet; Wayne alone rose without excitement.

"Have I, then," he said, "your Majesty's permission to depart? I have given my last answer."

"You have it," said Auberon, smiling, but not lifting his eyes from the table. And amid a dead silence the Provost of Notting Hill passed out of the room.

"Well?" said Wilson, turning round to Barker—"well?"

Barker shook his head desperately.

"The man ought to be in an asylum," he said. "But one thing is clear—we need not bother further about him. The man can be treated as mad."

"Of course," said Buck, turning to him with sombre decisiveness. "You're perfectly right, Barker. He is a good enough fellow, but he can be treated as mad. Let's put it in simple form. Go and tell any twelve men in any town, go and tell any doctor in any town, that there is a man offered fifteen hundred pounds for a thing he could sell commonly for four hundred, and that when asked for a reason for not accepting it he pleads the inviolate sanctity of Notting Hill and calls it the Holy Mountain. What would they say? What more can we have on our side than the common sense of everybody? On what else do all laws rest? I'll tell you, Barker, what's better than any further discussion. Let's send in workmen on the spot to pull down Pump Street. And if old Wayne says a word, arrest him as a lunatic. That's all."

Barker's eyes kindled.

"I always regarded you, Buck, if you don't mind my saying so, as a very strong man. I'll follow you."

"So, of course, will I," said Wilson.

Buck rose again impulsively.

"Your Majesty," he said, glowing with popularity, "I beseech your Majesty to consider favourably the proposal to which we have committed ourselves. Your Majesty's leniency, our own offers, have fallen in vain on that extraordinary man. He may be right. He may be God. He may be the devil. But we think it, for practical purposes, more probable that he is off his head. Unless that assumption were acted on, all human affairs would go to pieces. We act on it, and we propose to start operations in Notting Hill at once."

The King leaned back in his chair.

"The Charter of the Cities ...," he said with a rich intonation.

But Buck, being finally serious, was also cautious, and did not again make the mistake of disrespect.

"Your Majesty," he said, bowing, "I am not here to say a word against anything your Majesty has said or done. You are a far better educated man than I, and no doubt there were reasons, upon intellectual grounds, for those proceedings. But may I ask you and appeal to your common good-nature for a sincere answer? When you drew up the Charter of the Cities, did you contemplate the rise of a man like Adam Wayne? Did you expect that the Charter—whether it was an experiment, or a scheme of decoration, or a joke—could ever really come to this—to stopping a vast scheme of ordinary business, to shutting up a road, to spoiling the chances of cabs, omnibuses, railway stations, to disorganising half a city, to risking a kind of civil war? Whatever were your objects, were they that?"

Barker and Wilson looked at him admiringly; the King more admiringly still.

"Provost Buck," said Auberon, "you speak in public uncommonly well. I give you your point with the magnanimity of an artist. My scheme did not include the appearance of Mr. Wayne. Alas! would that my poetic power had been great enough."

"I thank your Majesty," said Buck, courteously, but quickly. "Your Majesty's statements are always clear and studied; therefore I may draw a deduction. As the scheme, whatever it was, on which you set your heart did not include the appearance of Mr. Wayne, it will survive his removal. Why not let us clear away this particular Pump Street, which does interfere with our plans, and which does not, by your Majesty's own statement, interfere with yours."

"Caught out!" said the King, enthusiastically and quite impersonally, as if he were watching a cricket match.

"This man Wayne," continued Buck, "would be shut up by any doctors in England. But we only ask to have it put before them. Meanwhile no one's interests, not even in all probability his own, can be really damaged by going on with the improvements in Notting Hill. Not our interests, of course, for it has been the hard and quiet work of ten years. Not the interests of Notting Hill, for nearly all its educated inhabitants desire the change. Not the interests of your Majesty, for you say, with characteristic sense, that you never contemplated the rise of the lunatic at all. Not, as I say, his own interests, for the man has a kind heart and many talents, and a couple of good doctors would probably put him righter than all the free cities and sacred mountains in creation. I therefore assume, if I may use so bold a word, that your Majesty will not offer any obstacle to our proceeding with the improvements."

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