No Name
by Wilkie Collins
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She took her father's arm, and moved on with him to the door of the greenhouse. At the steps, she turned and looked round to see if Frank was following her. It was only the action of a moment; but in that moment her natural firmness of will rallied all its resources—strengthened itself with the influence of her beauty —commanded—and conquered. She looked lovely: the flush was tenderly bright in her cheeks; the radiant pleasure shone and sparkled in her eyes; the position of her figure, turned suddenly from the waist upward, disclosed its delicate strength, its supple firmness, its seductive, serpentine grace. "Come!" she said, with a coquettish beckoning action of her head. "Come, Frank!"

Few men of forty would have resisted her at that moment. Frank was twenty last birthday. In other words, he threw aside his cigar, and followed her out of the greenhouse.

As he turned and closed the door—in the instant when he lost sight of her—his disinclination to be associated with the private theatricals revived. At the foot of the house-steps he stopped again; plucked a twig from a plant near him; broke it in his hand; and looked about him uneasily, on this side and on that. The path to the left led back to his father's cottage—the way of escape lay open. Why not take it?

While he still hesitated, Mr. Vanstone and his daughter reached the top of the steps. Once more, Magdalen looked round—looked with her resistless beauty, with her all-conquering smile. She beckoned again; and again he followed her—up the steps, and over the threshold. The door closed on them.

So, with a trifling gesture of invitation on one side, with a trifling act of compliance on the other: so—with no knowledge in his mind, with no thought in hers, of the secret still hidden under the journey to London—they took the way which led to that secret's discovery, through many a darker winding that was yet to come.


MR. VANSTONE'S inquiries into the proposed theatrical entertainment at Evergreen Lodge were answered by a narrative of dramatic disasters; of which Miss Marrable impersonated the innocent cause, and in which her father and mother played the parts of chief victims.

Miss Marrable was that hardest of all born tyrants—an only child. She had never granted a constitutional privilege to her oppressed father and mother since the time when she cut her first tooth. Her seventeenth birthday was now near at hand; she had decided on celebrating it by acting a play; had issued her orders accordingly; and had been obeyed by her docile parents as implicitly as usual. Mrs. Marrable gave up the drawing-room to be laid waste for a stage and a theater. Mr. Marrable secured the services of a respectable professional person to drill the young ladies and gentlemen, and to accept all the other responsibilities incidental to creating a dramatic world out of a domestic chaos. Having further accustomed themselves to the breaking of furniture and the staining of walls—to thumping, tumbling, hammering, and screaming; to doors always banging, and to footsteps perpetually running up and down stairs—the nominal master and mistress of the house fondly believed that their chief troubles were over. Innocent and fatal delusion! It is one thing in private society to set up the stage and choose the play—it is another thing altogether to find the actors. Hitherto, only the small preliminary annoyances proper to the occasion had shown themselves at Evergreen Lodge. The sound and serious troubles were all to come.

"The Rivals" having been chosen as the play, Miss Marrable, as a matter of course, appropriated to herself the part of "Lydia Languish." One of her favored swains next secured "Captain Absolute," and another laid violent hands on "Sir Lucius O'Trigger." These two were followed by an accommodating spinster relative, who accepted the heavy dramatic responsibility of "Mrs. Malaprop"—and there the theatrical proceedings came to a pause. Nine more speaking characters were left to be fitted with representatives; and with that unavoidable necessity the serious troubles began.

All the friends of the family suddenly became unreliable people, for the first time in their lives. After encouraging the idea of the play, they declined the personal sacrifice of acting in it—or, they accepted characters, and then broke down in the effort to study them—or they volunteered to take the parts which they knew were already engaged, and declined the parts which were waiting to be acted—or they were afflicted with weak constitutions, and mischievously fell ill when they were wanted at rehearsal—or they had Puritan relatives in the background, and, after slipping into their parts cheerfully at the week's beginning, oozed out of them penitently, under serious family pressure, at the week's end. Meanwhile, the carpenters hammered and the scenes rose. Miss Marrable, whose temperament was sensitive, became hysterical under the strain of perpetual anxiety; the family doctor declined to answer for the nervous consequences if something was not done. Renewed efforts were made in every direction. Actors and actresses were sought with a desperate disregard of all considerations of personal fitness. Necessity, which knows no law, either in the drama or out of it, accepted a lad of eighteen as the representative of "Sir Anthony Absolute"; the stage-manager undertaking to supply the necessary wrinkles from the illimitable resources of theatrical art. A lady whose age was unknown, and whose personal appearance was stout—but whose heart was in the right place—volunteered to act the part of the sentimental "Julia," and brought with her the dramatic qualification of habitually wearing a wig in private life. Thanks to these vigorous measures, the play was at last supplied with representatives—always excepting the two unmanageable characters of "Lucy" the waiting-maid, and "Falkland," Julia's jealous lover. Gentlemen came; saw Julia at rehearsal; observed her stoutness and her wig; omitted to notice that her heart was in the right place; quailed at the prospect, apologized, and retired. Ladies read the part of "Lucy"; remarked that she appeared to great advantage in the first half of the play, and faded out of it altogether in the latter half; objected to pass from the notice of the audience in that manner, when all the rest had a chance of distinguishing themselves to the end; shut up the book, apologized, and retired. In eight days more the night of performance would arrive; a phalanx of social martyrs two hundred strong had been convened to witness it; three full rehearsals were absolutely necessary; and two characters in the play were not filled yet. With this lamentable story, and with the humblest apologies for presuming on a slight acquaintance, the Marrables appeared at Combe-Raven, to appeal to the young ladies for a "Lucy," and to the universe for a "Falkland," with the mendicant pertinacity of a family in despair.

This statement of circumstances—addressed to an audience which included a father of Mr. Vanstone's disposition, and a daughter of Magdalen's temperament—produced the result which might have been anticipated from the first.

Either misinterpreting, or disregarding, the ominous silence preserved by his wife and Miss Garth, Mr. Vanstone not only gave Magdalen permission to assist the forlorn dramatic company, but accepted an invitation to witness the performance for Norah and himself. Mrs. Vanstone declined accompanying them on account of her health; and Miss Garth only engaged to make one among the audience conditionally on not being wanted at home. The "parts" of "Lucy" and "Falkland" (which the distressed family carried about with them everywhere, like incidental maladies) were handed to their representatives on the spot. Frank's faint remonstrances were rejected without a hearing; the days and hours of rehearsal were carefully noted down on the covers of the parts; and the Marrables took their leave, with a perfect explosion of thanks—father, mother, and daughter sowing their expressions of gratitude broadcast, from the drawing-room door to the garden-gates.

As soon as the carriage had driven away, Magdalen presented herself to the general observation under an entirely new aspect.

"If any more visitors call to-day," she said, with the profoundest gravity of look and manner, "I am not at home. This is a far more serious matter than any of you suppose. Go somewhere by yourself, Frank, and read over your part, and don't let your attention wander if you can possibly help it. I shall not be accessible before the evening. If you will come here—with papa's permission—after tea, my views on the subject of Falkland will be at your disposal. Thomas! whatever else the gardener does, he is not to make any floricultural noises under my window. For the rest of the afternoon I shall be immersed in study—and the quieter the house is, the more obliged I shall feel to everybody."

Before Miss Garth's battery of reproof could open fire, before the first outburst of Mr. Vanstone's hearty laughter could escape his lips, she bowed to them with imperturbable gravity; ascended the house-steps, for the first time in her life, at a walk instead of a run, and retired then and there to the bedroom regions. Frank's helpless astonishment at her disappearance added a new element of absurdity to the scene. He stood first on one leg and then on the other; rolling and unrolling his part, and looking piteously in the faces of the friends about him. "I know I can't do it," he said. "May I come in after tea, and hear Magdalen's views? Thank you—I'll look in about eight. Don't tell my father about this acting, please; I should never hear the last of it." Those were the only words he had spirit enough to utter. He drifted away aimlessly in the direction of the shrubbery, with the part hanging open in his hand—the most incapable of Falklands, and the most helpless of mankind.

Frank's departure left the family by themselves, and was the signal accordingly for an attack on Mr. Vanstone's inveterate carelessness in the exercise of his paternal authority.

"What could you possibly be thinking of, Andrew, when you gave your consent?" said Mrs. Vanstone. "Surely my silence was a sufficient warning to you to say No?"

"A mistake, Mr. Vanstone," chimed in Miss Garth. "Made with the best intentions—but a mistake for all that."

"It may be a mistake," said Norah, taking her father's part, as usual. "But I really don't see how papa, or any one else, could have declined, under the circumstances."

"Quite right, my dear," observed Mr. Vanstone. "The circumstances, as you say, were dead against me. Here were these unfortunate people in a scrape on one side; and Magdalen, on the other, mad to act. I couldn't say I had methodistical objections—I've nothing methodistical about me. What other excuse could I make? The Marrables are respectable people, and keep the best company in Clifton. What harm can she get in their house? If you come to prudence and that sort of thing—why shouldn't Magdalen do what Miss Marrable does? There! there! let the poor things act, and amuse themselves. We were their age once—and it's no use making a fuss—and that's all I've got to say about it."

With that characteristic defense of his own conduct, Mr. Vanstone sauntered back to the greenhouse to smoke another cigar.

"I didn't say so to papa," said Norah, taking her mother's arm on the way back to the house, "but the bad result of the acting, in my opinion, will be the familiarity it is sure to encourage between Magdalen and Francis Clare."

"You are prejudiced against Frank, my love," said Mrs. Vanstone.

Norah's soft, secret, hazel eyes sank to the ground; she said no more. Her opinions were unchangeable—but she never disputed with anybody. She had the great failing of a reserved nature—the failing of obstinacy; and the great merit—the merit of silence. "What is your head running on now?" thought Miss Garth, casting a sharp look at Norah's dark, downcast face. "You're one of the impenetrable sort. Give me Magdalen, with all her perversities; I can see daylight through her. You're as dark as night."

The hours of the afternoon passed away, and still Magdalen remained shut up in her own room. No restless footsteps pattered on the stairs; no nimble tongue was heard chattering here, there, and everywhere, from the garret to the kitchen—the house seemed hardly like itself, with the one ever-disturbing element in the family serenity suddenly withdrawn from it. Anxious to witness with her own eyes the reality of a transformation in which past experience still inclined her to disbelieve, Miss Garth ascended to Magdalen's room, knocked twice at the door, received no answer, opened it and looked in.

There sat Magdalen, in an arm-chair before the long looking-glass, with all her hair let down over her shoulders; absorbed in the study of her part and comfortably arrayed in her morning wrapper, until it was time to dress for dinner. And there behind her sat the lady's-maid, slowly combing out the long heavy locks of her young mistress's hair, with the sleepy resignation of a woman who had been engaged in that employment for some hours past. The sun was shining; and the green shutters outside the window were closed. The dim light fell tenderly on the two quiet seated figures; on the little white bed, with the knots of rose-colored ribbon which looped up its curtains, and the bright dress for dinner laid ready across it; on the gayly painted bath, with its pure lining of white enamel; on the toilet-table with its sparkling trinkets, its crystal bottles, its silver bell with Cupid for a handle, its litter of little luxuries that adorn the shrine of a woman's bed-chamber. The luxurious tranquillity of the scene; the cool fragrance of flowers and perfumes in the atmosphere; the rapt attitude of Magdalen, absorbed over her reading; the monotonous regularity of movement in the maid's hand and arm, as she drew the comb smoothly through and through her mistress's hair—all conveyed the same soothing impression of drowsy, delicious quiet. On one side of the door were the broad daylight and the familiar realities of life. On the other was the dream-land of Elysian serenity—the sanctuary of unruffled repose.

Miss Garth paused on the threshold, and looked into the room in silence.

Magdalen's curious fancy for having her hair combed at all times and seasons was among the peculiarities of her character which were notorious to everybody in the house. It was one of her father's favorite jokes that she reminded him, on such occasions, of a cat having her back stroked, and that he always expected, if the combing were only continued long enough, to hear her purr. Extravagant as it may seem, the comparison was not altogether inappropriate. The girl's fervid temperament intensified the essentially feminine pleasure that most women feel in the passage of the comb through their hair, to a luxury of sensation which absorbed her in enjoyment, so serenely self-demonstrative, so drowsily deep that it did irresistibly suggest a pet cat's enjoyment under a caressing hand. Intimately as Miss Garth was acquainted with this peculiarity in her pupil, she now saw it asserting itself for the first time, in association with mental exertion of any kind on Magdalen's part. Feeling, therefore, some curiosity to know how long the combing and the studying had gone on together, she ventured on putting the question, first to the mistress; and (receiving no answer in that quarter) secondly to the maid.

"All the afternoon, miss, off and on," was the weary answer. "Miss Magdalen says it soothes her feelings and clears her mind."

Knowing by experience that interference would be hopeless, under these circumstances, Miss Garth turned sharply and left the room. She smiled when she was outside on the landing. The female mind does occasionally—though not often—project itself into the future. Miss Garth was prophetically pitying Magdalen's unfortunate husband.

Dinner-time presented the fair student to the family eye in the same mentally absorbed aspect. On all ordinary occasions Magdalen's appetite would have terrified those feeble sentimentalists who affect to ignore the all-important influence which female feeding exerts in the production of female beauty. On this occasion she refused one dish after another with a resolution which implied the rarest of all modern martyrdoms—gastric martyrdom. "I have conceived the part of Lucy," she observed, with the demurest gravity. "The next difficulty is to make Frank conceive the part of Falkland. I see nothing to laugh at—you would all be serious enough if you had my responsibilities. No, papa—no wine to-day, thank you. I must keep my intelligence clear. Water, Thomas—and a little more jelly, I think, before you take it away."

When Frank presented himself in the evening, ignorant of the first elements of his part, she took him in hand, as a middle-aged schoolmistress might have taken in hand a backward little boy. The few attempts he made to vary the sternly practical nature of the evening's occupation by slipping in compliments sidelong she put away from her with the contemptuous self-possession of a woman of twice her age. She literally forced him into his part. Her father fell asleep in his chair. Mrs. Vanstone and Miss Garth lost their interest in the proceedings, retired to the further end of the room, and spoke together in whispers. It grew later and later; and still Magdalen never flinched from her task—still, with equal perseverance, Norah, who had been on the watch all through the evening, kept on the watch to the end. The distrust darkened and darkened on her face as she looked at her sister and Frank; as she saw how close they sat together, devoted to the same interest and working to the same end. The clock on the mantel-piece pointed to half-past eleven before Lucy the resolute permitted Falkland the helpless to shut up his task-book for the night. "She's wonderfully clever, isn't she?" said Frank, taking leave of Mr. Vanstone at the hall door. "I'm to come to-morrow, and hear more of her views—if you have no objection. I shall never do it; don't tell her I said so. As fast as she teaches me one speech, the other goes out of my head. Discouraging, isn't it? Goodnight."

The next day but one was the day of the first full rehearsal. On the previous evening Mrs. Vanstone's spirits had been sadly depressed. At a private interview with Miss Garth she had referred again, of her own accord, to the subject of her letter from London—had spoken self-reproachfully of her weakness in admitting Captain Wragge's impudent claim to a family connection with her—and had then reverted to the state of her health and to the doubtful prospect that awaited her in the coming summer in a tone of despondency which it was very distressing to hear. Anxious to cheer her spirits, Miss Garth had changed the conversation as soon as possible—had referred to the approaching theatrical performance—and had relieved Mrs. Vanstone's mind of all anxiety in that direction, by announcing her intention of accompanying Magdalen to each rehearsal, and of not losing sight of her until she was safely back again in her father's house. Accordingly, when Frank presented himself at Combe-Raven on the eventful morning, there stood Miss Garth, prepared—in the interpolated character of Argus—to accompany Lucy and Falkland to the scene of trial. The railway conveyed the three, in excellent time, to Evergreen Lodge; and at one o'clock the rehearsal began.


"I HOPE Miss Vanstone knows her part?" whispered Mrs. Marrable, anxiously addressing herself to Miss Garth, in a corner of the theater.

"If airs and graces make an actress, ma'am, Magdalen's performance will astonish us all." With that reply, Miss Garth took out her work, and seated herself, on guard, in the center of the pit.

The manager perched himself, book in hand, on a stool close in front of the stage. He was an active little man, of a sweet and cheerful temper; and he gave the signal to begin with as patient an interest in the proceedings as if they had caused him no trouble in the past and promised him no difficulty in the future. The two characters which opened the comedy of The Rivals, "Fag" and "The Coachman," appeared on the scene—looked many sizes too tall for their canvas background, which represented a "Street in Bath"—exhibited the customary inability to manage their own arms, legs, and voices—went out severally at the wrong exits—and expressed their perfect approval of results, so far, by laughing heartily behind the scenes. "Silence, gentlemen, if you please," remonstrated the cheerful manager. "As loud as you like on the stage, but the audience mustn't hear you off it. Miss Marrable ready? Miss Vanstone ready? Easy there with the 'Street in Bath'; it's going up crooked! Face this way, Miss Marrable; full face, if you please. Miss Vanstone—" he checked himself suddenly. "Curious," he said, under his breath—"she fronts the audience of her own accord!" Lucy opened the scene in these words: "Indeed, ma'am, I traversed half the town in search of it: I don't believe there's a circulating library in Bath I haven't been at." The manager started in his chair. "My heart alive! she speaks out without telling!" The dialogue went on. Lucy produced the novels for Miss Lydia Languish's private reading from under her cloak. The manager rose excitably to his feet. Marvelous! No hurry with the books; no dropping them. She looked at the titles before she announced them to her mistress; she set down "Humphrey Clinker" on "The Tears of Sensibility" with a smart little smack which pointed the antithesis. One moment—and she announced Julia's visit; another—and she dropped the brisk waiting-maid's courtesy; a third—and she was off the stage on the side set down for her in the book. The manager wheeled round on his stool, and looked hard at Miss Garth. "I beg your pardon, ma'am," he said. "Miss Marrable told me, before we began, that this was the young lady's first attempt. It can't be, surely!"

"It is," replied Miss Garth, reflecting the manager's look of amazement on her own face. Was it possible that Magdalen's unintelligible industry in the study of her part really sprang from a serious interest in her occupation—an interest which implied a natural fitness for it.

The rehearsal went on. The stout lady with the wig (and the excellent heart) personated the sentimental Julia from an inveterately tragic point of view, and used her handkerchief distractedly in the first scene. The spinster relative felt Mrs. Malaprop's mistakes in language so seriously, and took such extraordinary pains with her blunders, that they sounded more like exercises in elocution than anything else. The unhappy lad who led the forlorn hope of the company, in the person of "Sir Anthony Absolute," expressed the age and irascibility of his character by tottering incessantly at the knees, and thumping the stage perpetually with his stick. Slowly and clumsily, with constant interruptions and interminable mistakes, the first act dragged on, until Lucy appeared again to end it in soliloquy, with the confession of her assumed simplicity and the praise of her own cunning.

Here the stage artifice of the situation presented difficulties which Magdalen had not encountered in the first scene—and here, her total want of experience led her into more than one palpable mistake. The stage-manager, with an eagerness which he had not shown in the case of any other member of the company, interfered immediately, and set her right. At one point she was to pause, and take a turn on the stage—she did it. At another, she was to stop, toss her head, and look pertly at the audience—she did it. When she took out the paper to read the list of the presents she had received, could she give it a tap with her finger (Yes)? And lead off with a little laugh (Yes—after twice trying)? Could she read the different items with a sly look at the end of each sentence, straight at the pit (Yes, straight at the pit, and as sly as you please)? The manager's cheerful face beamed with approval. He tucked the play under his arm, and clapped his hands gayly; the gentlemen, clustered together behind the scenes, followed his example; the ladies looked at each other with dawning doubts whether they had not better have left the new recruit in the retirement of private life. Too deeply absorbed in the business of the stage to heed any of them, Magdalen asked leave to repeat the soliloquy, and make quite sure of her own improvement. She went all through it again without a mistake, this time, from beginning to end; the manager celebrating her attention to his directions by an outburst of professional approbation, which escaped him in spite of himself. "She can take a hint!" cried the little man, with a hearty smack of his hand on the prompt-book. "She's a born actress, if ever there was one yet!"

"I hope not," said Miss Garth to herself, taking up the work which had dropped into her lap, and looking down at it in some perplexity. Her worst apprehension of results in connection with the theatrical enterprise had foreboded levity of conduct with some of the gentlemen—she had not bargained for this. Magdalen, in the capacity of a thoughtless girl, was comparatively easy to deal with. Magdalen, in the character of a born actress, threatened serious future difficulties.

The rehearsal proceeded. Lucy returned to the stage for her scenes in the second act (the last in which she appears) with Sir Lucius and Fag. Here, again, Magdalen's inexperience betrayed itself—and here once more her resolution in attacking and conquering her own mistakes astonished everybody. "Bravo!" cried the gentlemen behind the scenes, as she steadily trampled down one blunder after another. "Ridiculous!" said the ladies, "with such a small part as hers." "Heaven forgive me!" thought Miss. Garth, coming round unwillingly to the general opinion. "I almost wish we were Papists, and I had a convent to put her in to-morrow." One of Mr. Marrable's servants entered the theater as that desperate aspiration escaped the governess. She instantly sent the man behind the scene with a message: "Miss Vanstone has done her part in the rehearsal; request her to come here and sit by me." The servant returned with a polite apology: "Miss Vanstone's kind love, and she begs to be excused—she's prompting Mr. Clare." She prompted him to such purpose that he actually got through his part. The performances of the other gentlemen were obtrusively imbecile. Frank was just one degree better—he was modestly incapable; and he gained by comparison. "Thanks to Miss Vanstone," observed the manager, who had heard the prompting. "She pulled him through. We shall be flat enough at night, when the drop falls on the second act, and the audience have seen the last of her. It's a thousand pities she hasn't got a better part!"

"It's a thousand mercies she's no more to do than she has," muttered Miss Garth, overhearing him. "As things are, the people can't well turn her head with applause. She's out of the play in the second act—that's one comfort!"

No well-regulated mind ever draws its inferences in a hurry; Miss Garth's mind was well regulated; therefore, logically speaking, Miss Garth ought to have been superior to the weakness of rushing at conclusions. She had committed that error, nevertheless, under present circumstances. In plainer terms, the consoling reflection which had just occurred to her assumed that the play had by this time survived all its disasters, and entered on its long-deferred career of success. The play had done nothing of the sort. Misfortune and the Marrable family had not parted company yet.

When the rehearsal was over, nobody observed that the stout lady with the wig privately withdrew herself from the company; and when she was afterward missed from the table of refreshments, which Mr. Marrable's hospitality kept ready spread in a room near the theater, nobody imagined that there was any serious reason for her absence. It was not till the ladies and gentlemen assembled for the next rehearsal that the true state of the case was impressed on the minds of the company. At the appointed hour no Julia appeared. In her stead, Mrs. Marrable portentously approached the stage, with an open letter in her hand. She was naturally a lady of the mildest good breeding: she was mistress of every bland conventionality in the English language—but disasters and dramatic influences combined, threw even this harmless matron off her balance at last. For the first time in her life Mrs. Marrable indulged in vehement gesture, and used strong language. She handed the letter sternly, at arms-length, to her daughter. "My dear," she said, with an aspect of awful composure, "we are under a Curse." Before the amazed dramatic company could petition for an explanation, she turned and left the room. The manager's professional eye followed her out respectfully—he looked as if he approved of the exit, from a theatrical point of view.

What new misfortune had befallen the play? The last and worst of all misfortunes had assailed it. The stout lady had resigned her part.

Not maliciously. Her heart, which had been in the right place throughout, remained inflexibly in the right place still. Her explanation of the circumstances proved this, if nothing else did. The letter began with a statement: She had overheard, at the last rehearsal (quite unintentionally), personal remarks of which she was the subject. They might, or might not, have had reference to her—Hair; and her—Figure. She would not distress Mrs. Marrable by repeating them. Neither would she mention names, because it was foreign to her nature to make bad worse. The only course at all consistent with her own self-respect was to resign her part. She inclosed it, accordingly, to Mrs. Marrable, with many apologies for her presumption in undertaking a youthful character, at—what a gentleman was pleased to term—her Age; and with what two ladies were rude enough to characterize as her disadvantages of—Hair, and—Figure. A younger and more attractive representative of Julia would no doubt be easily found. In the meantime, all persons concerned had her full forgiveness, to which she would only beg leave to add her best and kindest wishes for the success of the play.

In four nights more the play was to be performed. If ever any human enterprise stood in need of good wishes to help it, that enterprise was unquestionably the theatrical entertainment at Evergreen Lodge!

One arm-chair was allowed on the stage; and into that arm-chair Miss Marrable sank, preparatory to a fit of hysterics. Magdalen stepped forward at the first convulsion; snatched the letter from Miss Marrable's hand; and stopped the threatened catastrophe.

"She's an ugly, bald-headed, malicious, middle-aged wretch!" said Magdalen, tearing the letter into fragments, and tossing them over the heads of the company. "But I can tell her one thing—she shan't spoil the play. I'll act Julia."

"Bravo!" cried the chorus of gentlemen—the anonymous gentleman who had helped to do the mischief (otherwise Mr. Francis Clare) loudest of all.

"If you want the truth, I don't shrink from owning it," continued Magdalen. "I'm one of the ladies she means. I said she had a head like a mop, and a waist like a bolster. So she has."

"I am the other lady," added the spinster relative. "But I only said she was too stout for the part."

"I am the gentleman," chimed in Frank, stimulated by the force of example. "I said nothing—I only agreed with the ladies."

Here Miss Garth seized her opportunity, and addressed the stage loudly from the pit.

"Stop! Stop!" she said. "You can't settle the difficulty that way. If Magdalen plays Julia, who is to play Lucy?"

Miss Marrable sank back in the arm-chair, and gave way to the second convulsion.

"Stuff and nonsense!" cried Magdalen, "the thing's simple enough, I'll act Julia and Lucy both together."

The manager was consulted on the spot. Suppressing Lucy's first entrance, and turning the short dialogue about the novels into a soliloquy for Lydia Languish, appeared to be the only changes of importance necessary to the accomplishment of Magdalen's project. Lucy's two telling scenes, at the end of the first and second acts, were sufficiently removed from the scenes in which Julia appeared to give time for the necessary transformations in dress. Even Miss Garth, though she tried hard to find them, could put no fresh obstacles in the way. The question was settled in five minutes, and the rehearsal went on; Magdalen learning Julia's stage situations with the book in her hand, and announcing afterward, on the journey home, that she proposed sitting up all night to study the new part. Frank thereupon expressed his fears that she would have no time left to help him through his theatrical difficulties. She tapped him on the shoulder coquettishly with her part. "You foolish fellow, how am I to do without you? You're Julia's jealous lover; you're always making Julia cry. Come to-night, and make me cry at tea-time. You haven't got a venomous old woman in a wig to act with now. It's my heart you're to break—and of course I shall teach you how to do it."

The four days' interval passed busily in perpetual rehearsals, public and private. The night of performance arrived; the guests assembled; the great dramatic experiment stood on its trial. Magdalen had made the most of her opportunities; she had learned all that the manager could teach her in the time. Miss Garth left her when the overture began, sitting apart in a corner behind the scenes, serious and silent, with her smelling-bottle in one hand, and her book in the other, resolutely training herself for the coming ordeal, to the very last.

The play began, with all the proper accompaniments of a theatrical performance in private life; with a crowded audience, an African temperature, a bursting of heated lamp-glasses, and a difficulty in drawing up the curtain. "Fag" and "the Coachman," who opened the scene, took leave of their memories as soon as they stepped on the stage; left half their dialogue unspoken; came to a dead pause; were audibly entreated by the invisible manager to "come off"; and went off accordingly, in every respect sadder and wiser men than when they went on. The next scene disclosed Miss Marrable as "Lydia Languish," gracefully seated, very pretty, beautifully dressed, accurately mistress of the smallest words in her part; possessed, in short, of every personal resource—except her voice. The ladies admired, the gentlemen applauded. Nobody heard anything but the words "Speak up, miss," whispered by the same voice which had already entreated "Fag" and "the Coachman" to "come off." A responsive titter rose among the younger spectators; checked immediately by magnanimous applause. The temperature of the audience was rising to Blood Heat—but the national sense of fair play was not boiled out of them yet.

In the midst of the demonstration, Magdalen quietly made her first entrance, as "Julia." She was dressed very plainly in dark colors, and wore her own hair; all stage adjuncts and alterations (excepting the slightest possible touch of rouge on her cheeks) having been kept in reserve to disguise her the more effectually in her second part. The grace and simplicity of her costume, the steady self-possession with which she looked out over the eager rows of faces before her, raised a low hum of approval and expectation. She spoke—after suppressing a momentary tremor—with a quiet distinctness of utterance which reached all ears, and which at once confirmed the favorable impression that her appearance had produced. The one member of the audience who looked at her and listened to her coldly, was her elder sister. Before the actress of the evening had been five minutes on the stage, Norah detected, to her own indescribable astonishment, that Magdalen had audaciously individualized the feeble amiability of "Julia's" character, by seizing no less a person than herself as the model to act it by. She saw all her own little formal peculiarities of manner and movement unblushingly reproduced—and even the very tone of her voice so accurately mimicked from time to time, that the accents startled her as if she was speaking herself, with an echo on the stage. The effect of this cool appropriation of Norah's identity to theatrical purposes on the audience—who only saw results—asserted itself in a storm of applause on Magdalen's exit. She had won two incontestable triumphs in her first scene. By a dexterous piece of mimicry, she had made a living reality of one of the most insipid characters in the English drama; and she had roused to enthusiasm an audience of two hundred exiles from the blessings of ventilation, all simmering together in their own animal heat. Under the circumstances, where is the actress by profession who could have done much more?

But the event of the evening was still to come. Magdalen's disguised re-appearance at the end of the act, in the character of "Lucy"—with false hair and false eyebrows, with a bright-red complexion and patches on her cheeks, with the gayest colors flaunting in her dress, and the shrillest vivacity of voice and manner—fairly staggered the audience. They looked down at their programmes, in which the representative of Lucy figured under an assumed name; looked up again at the stage; penetrated the disguise; and vented their astonishment in another round of applause, louder and heartier even than the last. Norah herself could not deny this time that the tribute of approbation had been well deserved. There, forcing its way steadily through all the faults of inexperience—there, plainly visible to the dullest of the spectators, was the rare faculty of dramatic impersonation, expressing itself in every look and action of this girl of eighteen, who now stood on a stage for the first time in her life. Failing in many minor requisites of the double task which she had undertaken, she succeeded in the one important necessity of keeping the main distinctions of the two characters thoroughly apart. Everybody felt that the difficulty lay here—everybody saw the difficulty conquered—everybody echoed the manager's enthusiasm at rehearsal, which had hailed her as a born actress.

When the drop-scene descended for the first time, Magdalen had concentrated in herself the whole interest and attraction of the play. The audience politely applauded Miss Marrable, as became the guests assembled in her father's house: and good-humoredly encouraged the remainder of the company, to help them through a task for which they were all, more or less, palpably unfit. But, as the play proceeded, nothing roused them to any genuine expression of interest when Magdalen was absent from the scene. There was no disguising it: Miss Marrable and her bosom friends had been all hopelessly cast in the shade by the new recruit whom they had summoned to assist them, in the capacity of forlorn hope. And this on Miss Marrable's own birthday! and this in her father's house! and this after the unutterable sacrifices of six weeks past! Of all the domestic disasters which the thankless theatrical enterprise had inflicted on the Marrable family, the crowning misfortune was now consummated by Magdalen's success.

Leaving Mr. Vanstone and Norah, on the conclusion of the play, among the guests in the supper-room, Miss Garth went behind the scenes; ostensibly anxious to see if she could be of any use; really bent on ascertaining whether Magdalen's head had been turned by the triumphs of the evening. It would not have surprised Miss Garth if she had discovered her pupil in the act of making terms with the manager for her forthcoming appearance in a public theater. As events really turned out, she found Magdalen on the stage, receiving, with gracious smiles, a card which the manager presented to her with a professional bow. Noticing Miss Garth's mute look of inquiry, the civil little man hastened to explain that the card was his own, and that he was merely asking the favor of Miss Vanstone's recommendation at any future opportunity.

"This is not the last time the young lady will be concerned in private theatricals, I'll answer for it," said the manager. "And if a superintendent is wanted on the next occasion, she has kindly promised to say a good word for me. I am always to be heard of, miss, at that address." Saying those words, he bowed again, and discreetly disappeared.

Vague suspicions beset the mind of Miss Garth, and urged her to insist on looking at the card. No more harmless morsel of pasteboard was ever passed from one hand to another. The card contained nothing but the manager's name, and, under it, the name and address of a theatrical agent in London.

"It is not worth the trouble of keeping," said Miss Garth.

Magdalen caught her hand before she could throw the card away—possessed herself of it the next instant—and put it in her pocket.

"I promised to recommend him," she said—"and that's one reason for keeping his card. If it does nothing else, it will remind me of the happiest evening of my life—and that's another. Come!" she cried, throwing her arms round Miss Garth with a feverish gayety—"congratulate me on my success!"

"I will congratulate you when you have got over it," said Miss Garth.

In half an hour more Magdalen had changed her dress; had joined the guests; and had soared into an atmosphere of congratulation high above the reach of any controlling influence that Miss Garth could exercise. Frank, dilatory in all his proceedings, was the last of the dramatic company who left the precincts of the stage. He made no attempt to join Magdalen in the supper-room—but he was ready in the hall with her cloak when the carriages were called and the party broke up.

"Oh, Frank!" she said, looking round at him as he put the cloak on her shoulders, "I am so sorry it's all over! Come to-morrow morning, and let's talk about it by ourselves."

"In the shrubbery at ten?" asked Frank, in a whisper.

She drew up the hood of her cloak and nodded to him gayly. Miss Garth, standing near, noticed the looks that passed between them, though the disturbance made by the parting guests prevented her from hearing the words. There was a soft, underlying tenderness in Magdalen's assumed gayety of manner—there was a sudden thoughtfulness in her face, a confidential readiness in her hand, as she took Frank's arm and went out to the carriage. What did it mean? Had her passing interest in him as her stage-pupil treacherously sown the seeds of any deeper interest in him, as a man? Had the idle theatrical scheme, now that it was all over, graver results to answer for than a mischievous waste of time?

The lines on Miss Garth's face deepened and hardened: she stood lost among the fluttering crowd around her. Norah's warning words, addressed to Mrs. Vanstone in the garden, recurred to her memory—and now, for the first time, the idea dawned on her that Norah had seen the consequences in their true light.


EARLY the next morning Miss Garth and Norah met in the garden and spoke together privately. The only noticeable result of the interview, when they presented themselves at the breakfast-table, appeared in the marked silence which they both maintained on the topic of the theatrical performance. Mrs. Vanstone was entirely indebted to her husband and to her youngest daughter for all that she heard of the evening's entertainment. The governess and the elder daughter had evidently determined on letting the subject drop.

After breakfast was over Magdalen proved to be missing, when the ladies assembled as usual in the morning-room. Her habits were so little regular that Mrs. Vanstone felt neither surprise nor uneasiness at her absence. Miss Garth and Norah looked at one another significantly, and waited in silence. Two hours passed—and there were no signs of Magdalen. Norah rose, as the clock struck twelve, and quietly left the room to look for her.

She was not upstairs dusting her jewelry and disarranging her dresses. She was not in the conservatory, not in the flower-garden; not in the kitchen teasing the cook; not in the yard playing with the dogs. Had she, by any chance, gone out with her father? Mr. Vanstone had announced his intention, at the breakfast-table, of paying a morning visit to his old ally, Mr. Clare, and of rousing the philosopher's sarcastic indignation by an account of the dramatic performance. None of the other ladies at Combe-Raven ever ventured themselves inside the cottage. But Magdalen was reckless enough for anything—and Magdalen might have gone there. As the idea occurred to her, Norah entered the shrubbery.

At the second turning, where the path among the trees wound away out of sight of the house, she came suddenly face to face with Magdalen and Frank: they were sauntering toward her, arm in arm, their heads close together, their conversation apparently proceeding in whispers. They looked suspiciously handsome and happy. At the sight of Norah both started, and both stopped. Frank confusedly raised his hat, and turned back in the direction of his father's cottage. Magdalen advanced to meet her sister, carelessly swinging her closed parasol from side to side, carelessly humming an air from the overture which had preceded the rising of the curtain on the previous night.

"Luncheon-time already!" she said, looking at her watch. "Surely not?"

"Have you and Mr. Francis Clare been alone in the shrubbery since ten o'clock?" asked Norah.

"Mr. Francis Clare! How ridiculously formal you are. Why don't you call him Frank?"

"I asked you a question, Magdalen."

"Dear me, how black you look this morning! I'm in disgrace, I suppose. Haven't you forgiven me yet for my acting last night? I couldn't help it, love; I should have made nothing of Julia, if I hadn't taken you for my model. It's quite a question of Art. In your place, I should have felt flattered by the selection."

"In your place, Magdalen, I should have thought twice before I mimicked my sister to an audience of strangers."

"That's exactly why I did it—an audience of strangers. How were they to know? Come! come! don't be angry. You are eight years older than I am—you ought to set me an example of good-humor."

"I will set you an example of plain-speaking. I am more sorry than I can say, Magdalen, to meet you as I met you here just now!"

"What next, I wonder? You meet me in the shrubbery at home, talking over the private theatricals with my old playfellow, whom I knew when I was no taller than this parasol. And that is a glaring impropriety, is it? 'Honi soit qui mal y pense.' You wanted an answer a minute ago—there it is for you, my dear, in the choicest Norman-French."

"I am in earnest about this, Magdalen—"

"Not a doubt of it. Nobody can accuse you of ever making jokes."

"I am seriously sorry—"

"Oh, dear!"

"It is quite useless to interrupt me. I have it on my conscience to tell you—and I will tell you—that I am sorry to see how this intimacy is growing. I am sorry to see a secret understanding established already between you and Mr. Francis Clare."

"Poor Frank! How you do hate him, to be sure. What on earth has he done to offend you?"

Norah's self-control began to show signs of failing her. Her dark cheeks glowed, her delicate lips trembled, before she spoke again. Magdalen paid more attention to her parasol than to her sister. She tossed it high in the air and caught it. "Once!" she said—and tossed it up again. "Twice!"—and she tossed it higher. "Thrice—" Before she could catch it for the third time, Norah seized her passionately by the arm, and the parasol dropped to the ground between them.

"You are treating me heartlessly," she said. "For shame, Magdalen—for shame!"

The irrepressible outburst of a reserved nature, forced into open self-assertion in its own despite, is of all moral forces the hardest to resist. Magdalen was startled into silence. For a moment, the two sisters—so strangely dissimilar in person and character—faced one another, without a word passing between them. For a moment the deep brown eyes of the elder and the light gray eyes of the younger looked into each other with steady, unyielding scrutiny on either side. Norah's face was the first to change; Norah's head was the first to turn away. She dropped her sister's arm in silence. Magdalen stooped and picked up her parasol.

"I try to keep my temper," she said, "and you call me heartless for doing it. You always were hard on me, and you always will be."

Norah clasped her trembling hands fast in each other. "Hard on you!" she said, in low, mournful tones—and sighed bitterly.

Magdalen drew back a little, and mechanically dusted the parasol with the end of her garden cloak.

"Yes!" she resumed, doggedly. "Hard on me and hard on Frank."

"Frank!" repeated Norah, advancing on her sister and turning pale as suddenly as she had turned red. "Do you talk of yourself and Frank as if your interests were One already? Magdalen! if I hurt you, do I hurt him? Is he so near and so dear to you as that?"

Magdalen drew further and further back. A twig from a tree near caught her cloak; she turned petulantly, broke it off, and threw it on the ground. "What right have you to question me?" she broke out on a sudden. "Whether I like Frank, or whether I don't, what interest is it of yours?" As she said the words, she abruptly stepped forward to pass her sister and return to the house.

Norah, turning paler and paler, barred the way to her. "If I hold you by main force," she said, "you shall stop and hear me. I have watched this Francis Clare; I know him better than you do. He is unworthy of a moment's serious feeling on your part; he is unworthy of our dear, good, kind-hearted father's interest in him. A man with any principle, any honor, any gratitude, would not have come back as he has come back, disgraced—yes! disgraced by his spiritless neglect of his own duty. I watched his face while the friend who has been better than a father to him was comforting and forgiving him with a kindness he had not deserved: I watched his face, and I saw no shame and no distress in it—I saw nothing but a look of thankless, heartless relief. He is selfish, he is ungrateful, he is ungenerous—he is only twenty, and he has the worst failings of a mean old age already. And this is the man I find you meeting in secret—the man who has taken such a place in your favor that you are deaf to the truth about him, even from my lips! Magdalen! this will end ill. For God's sake, think of what I have said to you, and control yourself before it is too late!" She stopped, vehement and breathless, and caught her sister anxiously by the hand.

Magdalen looked at her in unconcealed astonishment.

"You are so violent," she said, "and so unlike yourself, that I hardly know you. The more patient I am, the more hard words I get for my pains. You have taken a perverse hatred to Frank; and you are unreasonably angry with me because I won't hate him, too. Don't, Norah! you hurt my hand."

Norah pushed the hand from her contemptuously. "I shall never hurt your heart," she said; and suddenly turned her back on Magdalen as she spoke the words.

There was a momentary pause. Norah kept her position. Magdalen looked at her perplexedly—hesitated—then walked away by herself toward the house.

At the turn in the shrubbery path she stopped and looked back uneasily. "Oh, dear, dear!" she thought to herself, "why didn't Frank go when I told him?" She hesitated, and went back a few steps. "There's Norah standing on her dignity, as obstinate as ever." She stopped again. "What had I better do? I hate quarreling: I think I'll make up." She ventured close to her sister and touched her on the shoulder. Norah never moved. "It's not often she flies into a passion," thought Magdalen, touching her again; "but when she does, what a time it lasts her!—Come!" she said, "give me a kiss, Norah, and make it up. Won't you let me get at any part of you, my dear, but the back of your neck? Well, it's a very nice neck—it's better worth kissing than mine—and there the kiss is, in spite of you!"

She caught fast hold of Norah from behind, and suited the action to the word, with a total disregard of all that had just passed, which her sister was far from emulating. Hardly a minute since the warm outpouring of Norah's heart had burst through all obstacles. Had the icy reserve frozen her up again already! It was hard to say. She never spoke; she never changed her position—she only searched hurriedly for her handkerchief. As she drew it out, there was a sound of approaching footsteps in the inner recesses of the shrubbery. A Scotch terrier scampered into view; and a cheerful voice sang the first lines of the glee in "As You Like It." "It's papa!" cried Magdalen. "Come, Norah—come and meet him."

Instead of following her sister, Norah pulled down the veil of her garden hat, turned in the opposite direction, and hurried back to the house. She ran up to her own room and locked herself in. She was crying bitterly.


WHEN Magdalen and her father met in the shrubbery Mr. Vanstone's face showed plainly that something had happened to please him since he had left home in the morning. He answered the question which his daughter's curiosity at once addressed to him by informing her that he had just come from Mr. Clare's cottage; and that he had picked up, in that unpromising locality, a startling piece of news for the family at Combe-Raven.

On entering the philosopher's study that morning, Mr. Vanstone had found him still dawdling over his late breakfast, with an open letter by his side, in place of the book which, on other occasions, lay ready to his hand at meal-times. He held up the letter the moment his visitor came into the room, and abruptly opened the conversation by asking Mr. Vanstone if his nerves were in good order, and if he felt himself strong enough for the shock of an overwhelming surprise.

"Nerves!" repeated Mr. Vanstone. "Thank God, I know nothing about my nerves. If you have got anything to tell me, shock or no shock, out with it on the spot."

Mr. Clare held the letter a little higher, and frowned at his visitor across the breakfast-table. "What have I always told you?" he asked, with his sourest solemnity of look and manner.

"A great deal more than I could ever keep in my head," answered Mr. Vanstone.

"In your presence and out of it," continued Mr. Clare, "I have always maintained that the one important phenomenon presented by modern society is—the enormous prosperity of Fools. Show me an individual Fool, and I will show you an aggregate Society which gives that highly-favored personage nine chances out of ten—and grudges the tenth to the wisest man in existence. Look where you will, in every high place there sits an Ass, settled beyond the reach of all the greatest intellects in this world to pull him down. Over our whole social system, complacent Imbecility rules supreme—snuffs out the searching light of Intelligence with total impunity—and hoots, owl-like, in answer to every form of protest, See how well we all do in the dark! One of these days that audacious assertion will be practically contradicted, and the whole rotten system of modern society will come down with a crash."

"God forbid!" cried Mr. Vanstone, looking about him as if the crash was coming already.

"With a crash!" repeated Mr. Clare. "There is my theory, in few words. Now for the remarkable application of it which this letter suggests. Here is my lout of a boy—"

"You don't mean that Frank has got another chance?" exclaimed Mr. Vanstone.

"Here is this perfectly hopeless booby, Frank," pursued the philosopher. "He has never done anything in his life to help himself, and, as a necessary consequence, Society is in a conspiracy to carry him to the top of the tree. He has hardly had time to throw away that chance you gave him before this letter comes, and puts the ball at his foot for the second time. My rich cousin (who is intellectually fit to be at the tail of the family, and who is, therefore, as a matter of course, at the head of it) has been good enough to remember my existence; and has offered his influence to serve my eldest boy. Read his letter, and then observe the sequence of events. My rich cousin is a booby who thrives on landed property; he has done something for another booby who thrives on Politics, who knows a third booby who thrives on Commerce, who can do something for a fourth booby, thriving at present on nothing, whose name is Frank. So the mill goes. So the cream of all human rewards is sipped in endless succession by the Fools. I shall pack Frank off to-morrow. In course of time he'll come back again on our hands, like a bad shilling; more chances will fall in his way, as a necessary consequence of his meritorious imbecility. Years will go on—I may not live to see it, no more may you—it doesn't matter; Frank's future is equally certain either way—put him into the army, the Church, politics, what you please, and let him drift: he'll end in being a general, a bishop, or a minister of State, by dint of the great modern qualification of doing nothing whatever to deserve his place." With this summary of his son's worldly prospects, Mr. Clare tossed the letter contemptuously across the table and poured himself out another cup of tea.

Mr. Vanstone read the letter with eager interest and pleasure. It was written in a tone of somewhat elaborate cordiality; but the practical advantages which it placed at Frank's disposal were beyond all doubt. The writer had the means of using a friend's interest—interest of no ordinary kind—with a great Mercantile Firm in the City; and he had at once exerted this influence in favor of Mr. Clare's eldest boy. Frank would be received in the office on a very different footing from the footing of an ordinary clerk; he would be "pushed on" at every available opportunity; and the first "good thing" the House had to offer, either at home or abroad, would be placed at his disposal. If he possessed fair abilities and showed common diligence in exercising them, his fortune was made; and the sooner he was sent to London to begin the better for his own interests it would be.

"Wonderful news!" cried Mr. Vanstone, returning the letter. "I'm delighted—I must go back and tell them at home. This is fifty times the chance that mine was. What the deuce do you mean by abusing Society? Society has behaved uncommonly well, in my opinion. Where's Frank?"

"Lurking," said Mr. Clare. "It is one of the intolerable peculiarities of louts that they always lurk. I haven't seen my lout this morning. It you meet with him anywhere, give him a kick, and say I want him."

Mr. Clare's opinion of his son's habits might have been expressed more politely as to form; but, as to substance, it happened, on that particular morning, to be perfectly correct. After leaving Magdalen, Frank had waited in the shrubbery, at a safe distance, on the chance that she might detach herself from her sister's company, and join him again. Mr. Vanstone's appearance immediately on Norah's departure, instead of encouraging him to show himself, had determined him on returning to the cottage. He walked back discontentedly; and so fell into his father's clutches, totally unprepared for the pending announcement, in that formidable quarter, of his departure for London.

In the meantime, Mr. Vanstone had communicated his news—in the first place, to Magdalen, and afterward, on getting back to the house, to his wife and Miss Garth. He was too unobservant a man to notice that Magdalen looked unaccountably startled, and Miss Garth unaccountably relieved, by his announcement of Frank's good fortune. He talked on about it, quite unsuspiciously, until the luncheon-bell rang—and then, for the first time, he noticed Norah's absence. She sent a message downstairs, after they had assembled at the table, to say that a headache was keeping her in her own room. When Miss Garth went up shortly afterward to communicate the news about Frank, Norah appeared, strangely enough, to feel very little relieved by hearing it. Mr. Francis Clare had gone away on a former occasion (she remarked), and had come back. He might come back again, and sooner than they any of them thought for. She said no more on the subject than this: she made no reference to what had taken place in the shrubbery. Her unconquerable reserve seemed to have strengthened its hold on her since the outburst of the morning. She met Magdalen, later in the day, as if nothing had happened: no formal reconciliation took place between them. It was one of Norah's peculiarities to shrink from all reconciliations that were openly ratified, and to take her shy refuge in reconciliations that were silently implied. Magdalen saw plainly, in her look and manner, that she had made her first and last protest. Whether the motive was pride, or sullenness, or distrust of herself, or despair of doing good, the result was not to be mistaken—Norah had resolved on remaining passive for the future.

Later in the afternoon, Mr. Vanstone suggested a drive to his eldest daughter, as the best remedy for her headache. She readily consented to accompany her father; who thereupon proposed, as usual, that Magdalen should join them. Magdalen was nowhere to be found. For the second time that day she had wandered into the grounds by herself. On this occasion, Miss Garth—who, after adopting Norah's opinions, had passed from the one extreme of over-looking Frank altogether, to the other extreme of believing him capable of planning an elopement at five minutes' notice—volunteered to set forth immediately, and do her best to find the missing young lady. After a prolonged absence, she returned unsuccessful—with the strongest persuasion in her own mind that Magdalen and Frank had secretly met one another somewhere, but without having discovered the smallest fragment of evidence to confirm her suspicions. By this time the carriage was at the door, and Mr. Vanstone was unwilling to wait any longer. He and Norah drove away together; and Mrs. Vanstone and Miss Garth sat at home over their work.

In half an hour more, Magdalen composedly walked into the room. She was pale and depressed. She received Miss Garth's remonstrances with a weary inattention; explained carelessly that she had been wandering in the wood; took up some books, and put them down again; sighed impatiently, and went away upstairs to her own room.

"I think Magdalen is feeling the reaction, after yesterday," said Mrs. Vanstone, quietly. "It is just as we thought. Now the theatrical amusements are all over, she is fretting for more."

Here was an opportunity of letting in the light of truth on Mrs. Vanstone's mind, which was too favorable to be missed. Miss Garth questioned her conscience, saw her chance, and took it on the spot.

"You forget," she rejoined, "that a certain neighbor of ours is going away to-morrow. Shall I tell you the truth? Magdalen is fretting over the departure of Francis Clare."

Mrs. Vanstone looked up from her work with a gentle, smiling surprise.

"Surely not?" she said. "It is natural enough that Frank should be attracted by Magdalen; but I can't think that Magdalen returns the feeling. Frank is so very unlike her; so quiet and undemonstrative; so dull and helpless, poor fellow, in some things. He is handsome, I know, but he is so singularly unlike Magdalen, that I can't think it possible—I can't indeed."

"My dear good lady!" cried Miss Garth, in great amazement; "do you really suppose that people fall in love with each other on account of similarities in their characters? In the vast majority of cases, they do just the reverse. Men marry the very last women, and women the very last men, whom their friends would think it possible they could care about. Is there any phrase that is oftener on all our lips than 'What can have made Mr. So-and-So marry that woman?'—or 'How could Mrs. So-and-So throw herself away on that man?' Has all your experience of the world never yet shown you that girls take perverse fancies for men who are totally unworthy of them?"

"Very true," said Mrs. Vanstone, composedly. "I forgot that. Still it seems unaccountable, doesn't it?"

"Unaccountable, because it happens every day!" retorted Miss Garth, good-humoredly. "I know a great many excellent people who reason against plain experience in the same way—who read the newspapers in the morning, and deny in the evening that there is any romance for writers or painters to work upon in modern life. Seriously, Mrs. Vanstone, you may take my word for it—thanks to those wretched theatricals, Magdalen is going the way with Frank that a great many young ladies have gone before her. He is quite unworthy of her; he is, in almost every respect, her exact opposite—and, without knowing it herself, she has fallen in love with him on that very account. She is resolute and impetuous, clever and domineering; she is not one of those model women who want a man to look up to, and to protect them—her beau-ideal (though she may not think it herself) is a man she can henpeck. Well! one comfort is, there are far better men, even of that sort, to be had than Frank. It's a mercy he is going away, before we have more trouble with them, and before any serious mischief is done."

"Poor Frank!" said Mrs. Vanstone, smiling compassionately. "We have known him since he was in jackets, and Magdalen in short frocks. Don't let us give him up yet. He may do better this second time."

Miss Garth looked up in astonishment.

"And suppose he does better?" she asked. "What then?"

Mrs. Vanstone cut off a loose thread in her work, and laughed outright.

"My good friend," she said, "there is an old farmyard proverb which warns us not to count our chickens before they are hatched. Let us wait a little before we count ours."

It was not easy to silence Miss Garth, when she was speaking under the influence of a strong conviction; but this reply closed her lips. She resumed her work, and looked, and thought, unutterable things.

Mrs. Vanstone's behavior was certainly remarkable under the circumstances. Here, on one side, was a girl—with great personal attractions, with rare pecuniary prospects, with a social position which might have justified the best gentleman in the neighborhood in making her an offer of marriage—perversely casting herself away on a penniless idle young fellow, who had failed at his first start in life, and who even if he succeeded in his second attempt, must be for years to come in no position to marry a young lady of fortune on equal terms. And there, on the other side, was that girl's mother, by no means dismayed at the prospect of a connection which was, to say the least of it, far from desirable; by no means certain, judging her by her own words and looks, that a marriage between Mr. Vanstone's daughter and Mr. Clare's son might not prove to be as satisfactory a result of the intimacy between the two young people as the parents on both sides could possibly wish for!

It was perplexing in the extreme. It was almost as unintelligible as that past mystery—that forgotten mystery now—of the journey to London.

In the evening, Frank made his appearance, and announced that his father had mercilessly sentenced him to leave Combe-Raven by the parliamentary train the next morning. He mentioned this circumstance with an air of sentimental resignation; and listened to Mr. Vanstone's boisterous rejoicings over his new prospects with a mild and mute surprise. His gentle melancholy of look and manner greatly assisted his personal advantages. In his own effeminate way he was more handsome than ever that evening. His soft brown eyes wandered about the room with a melting tenderness; his hair was beautifully brushed; his delicate hands hung over the arms of his chair with a languid grace. He looked like a convalescent Apollo. Never, on any previous occasion, had he practiced more successfully the social art which he habitually cultivated—the art of casting himself on society in the character of a well-bred Incubus, and conferring an obligation on his fellow-creatures by allowing them to sit under him. It was undeniably a dull evening. All the talking fell to the share of Mr. Vanstone and Miss Garth. Mrs. Vanstone was habitually silent; Norah kept herself obstinately in the background; Magdalen was quiet and undemonstrative beyond all former precedent. From first to last, she kept rigidly on her guard. The few meaning looks that she cast on Frank flashed at him like lightning, and were gone before any one else could see them. Even when she brought him his tea; and when, in doing so, her self-control gave way under the temptation which no woman can resist—the temptation of touching the man she loves—even then, she held the saucer so dexterously that it screened her hand. Frank's self-possession was far less steadily disciplined: it only lasted as long as he remained passive. When he rose to go; when he felt the warm, clinging pressure of Magdalen's fingers round his hand, and the lock of her hair which she slipped into it at the same moment, he became awkward and confused. He might have betrayed Magdalen and betrayed himself, but for Mr. Vanstone, who innocently covered his retreat by following him out, and patting him on the shoulder all the way. "God bless you, Frank!" cried the friendly voice that never had a harsh note in it for anybody. "Your fortune's waiting for you. Go in, my boy—go in and win."

"Yes," said Frank. "Thank you. It will be rather difficult to go in and win, at first. Of course, as you have always told me, a man's business is to conquer his difficulties, and not to talk about them. At the same time, I wish I didn't feel quite so loose as I do in my figures. It's discouraging to feel loose in one's figures.—Oh, yes; I'll write and tell you how I get on. I'm very much obliged by your kindness, and very sorry I couldn't succeed with the engineering. I think I should have liked engineering better than trade. It can't be helped now, can it? Thank you, again. Good-by."

So he drifted away into the misty commercial future—as aimless, as helpless, as gentleman-like as ever.


THREE months passed. During that time Frank remained in London; pursuing his new duties, and writing occasionally to report himself to Mr. Vanstone, as he had promised.

His letters were not enthusiastic on the subject of mercantile occupations. He described himself as being still painfully loose in his figures. He was also more firmly persuaded than ever—now when it was unfortunately too late—that he preferred engineering to trade. In spite of this conviction; in spite of headaches caused by sitting on a high stool and stooping over ledgers in unwholesome air; in spite of want of society, and hasty breakfasts, and bad dinners at chop-houses, his attendance at the office was regular, and his diligence at the desk unremitting. The head of the department in which he was working might be referred to if any corroboration of this statement was desired. Such was the general tenor of the letters; and Frank's correspondent and Frank's father differed over them as widely as usual. Mr. Vanstone accepted them as proofs of the steady development of industrious principles in the writer. Mr. Clare took his own characteristically opposite view. "These London men," said the philosopher, "are not to be tri fled with by louts. They ha ve got Frank by the scruff of the neck—he can't wriggle himself free—and he makes a merit of yielding to sheer necessity."

The three months' interval of Frank's probation in London passed less cheerfully than usual in the household at Combe-Raven.

As the summer came nearer and nearer, Mrs. Vanstone's spirits, in spite of her resolute efforts to control them, became more and more depressed.

"I do my best," she said to Miss Garth; "I set an example of cheerfulness to my husband and my children—but I dread July." Norah's secret misgivings on her sister's account rendered her more than usually serious and uncommunicative, as the year advanced. Even Mr. Vanstone, when July drew nearer, lost something of his elasticity of spirit. He kept up appearances in his wife's presence—but on all other occasions there was now a perceptible shade of sadness in his look and manner. Magdalen was so changed since Frank's departure that she helped the general depression, instead of relieving it. All her movements had grown languid; all her usual occupations were pursued with the same weary indifference; she spent hours alone in her own room; she lost her interest in being brightly and prettily dressed; her eyes were heavy, her nerves were irritable, her complexion was altered visibly for the worse—in one word, she had become an oppression and a weariness to herself and to all about her. Stoutly as Miss Garth contended with these growing domestic difficulties, her own spirits suffered in the effort. Her memory reverted, oftener and oftener, to the March morning when the master and mistress of the house had departed for London, and then the first serious change, for many a year past, had stolen over the family atmosphere. When was that atmosphere to be clear again? When were the clouds of change to pass off before the returning sunshine of past and happier times?

The spring and the early summer wore away. The dreaded month of July came, with its airless nights, its cloudless mornings, and its sultry days.

On the fifteenth of the month, an event happened which took every one but Norah by surprise. For the second time, without the slightest apparent reason—for the second time, without a word of warning beforehand—Frank suddenly re-appeared at his father's cottage.

Mr. Clare's lips opened to hail his son's return, in the old character of the "bad shilling"; and closed again without uttering a word. There was a portentous composure in Frank's manner which showed that he had other news to communicate than the news of his dismissal. He answered his father's sardonic look of inquiry by at once explaining that a very important proposal for his future benefit had been made to him, that morning, at the office. His first idea had been to communicate the details in writing; but the partners had, on reflection, thought that the necessary decision might be more readily obtained by a personal interview with his father and his friends. He had laid aside the pen accordingly, and had resigned himself to the railway on the spot.

After this preliminary statement, Frank proceeded to describe the proposal which his employers had addressed to him, with every external appearance of viewing it in the light of an intolerable hardship.

The great firm in the City had obviously made a discovery in relation to their clerk, exactly similar to the discovery which had formerly forced itself on the engineer in relation to his pupil. The young man, as they politely phrased it, stood in need of some special stimulant to stir him up. His employers (acting under a sense of their obligation to the gentleman by whom Frank had been recommended) had considered the question carefully, and had decided that the one promising use to which they could put Mr. Francis Clare was to send him forthwith into another quarter of the globe.

As a consequence of this decision, it was now, therefore, proposed that he should enter the house of their correspondents in China; that he should remain there, familiarizing himself thoroughly on the spot with the tea trade and the silk trade for five years; and that he should return, at the expiration of this period, to the central establishment in London. If he made a fair use of his opportunities in China, he would come back, while still a young man, fit for a position of trust and emolument, and justified in looking forward, at no distant date, to a time when the House would assist him to start in business for himself. Such were the new prospects which—to adopt Mr. Clare's theory—now forced themselves on the ever-reluctant, ever-helpless and ever-ungrateful Frank. There was no time to be lost. The final answer was to be at the office on "Monday, the twentieth": the correspondents in China were to be written to by the mail on that day; and Frank was to follow the letter by the next opportunity, or to resign his chance in favor of some more enterprising young man.

Mr. Clare's reception of this extraordinary news was startling in the extreme. The glorious prospect of his son's banishment to China appeared to turn his brain. The firm pedestal of his philosophy sank under him; the prejudices of society recovered their hold on his mind. He seized Frank by the arm, and actually accompanied him to Combe-Raven, in the amazing character of visitor to the house!

"Here I am with my lout," said Mr. Clare, before a word could be uttered by the astonished family. "Hear his story, all of you. It has reconciled me, for the first time in my life, to the anomaly of his existence." Frank ruefully narrated the Chinese proposal for the second time, and attempted to attach to it his own supplementary statement of objections and difficulties. His father stopped him at the first word, pointed peremptorily southeastward (from Somersetshire to China); and said, without an instant's hesitation: "Go!" Mr. Vanstone, basking in golden visions of his young friend's future, echoed that monosyllabic decision with all his heart. Mrs. Vanstone, Miss Garth, even Norah herself, spoke to the same purpose. Frank was petrified by an absolute unanimity of opinion which he had not anticipated; and Magdalen was caught, for once in her life, at the end of all her resources.

So far as practical results were concerned, the sitting of the family council began and ended with the general opinion that Frank must go. Mr. Vanstone's faculties were so bewildered by the son's sudden arrival, the father's unexpected visit, and the news they both brought with them, that he petitioned for an adjournment before the necessary arrangements connected with his young friend's departure were considered in detail. "Suppose we all sleep upon it?" he said. "Tomorrow our heads will feel a little steadier; and to-morrow will be time enough to decide all uncertainties." This suggestion was readily adopted; and all further proceedings stood adjourned until the next day.

That next day was destined to decide more uncertainties than Mr. Vanstone dreamed of.

Early in the morning, after making tea by herself as usual, Miss Garth took her parasol and strolled into the garden. She had slept ill; and ten minutes in the open air before the family assembled at breakfast might help to compensate her, as she thought, for the loss of her night's rest.

She wandered to the outermost boundary of the flower-garden, and then returned by another path, which led back, past the side of an ornamental summer-house commanding a view over the fields from a corner of the lawn. A slight noise—like, and yet not like, the chirruping of a bird—caught her ear as she approached the summer-house. She stepped round to the entrance; looked in; and discovered Magdalen and Frank seated close together. To Miss Garth's horror, Magdalen's arm was unmistakably round Frank's neck; and, worse still, the position of her face, at the moment of discovery, showed beyond all doubt that she had just been offering to the victim of Chinese commerce the first and foremost of all the consolations which a woman can bestow on a man. In plainer words, she had just given Frank a kiss.

In the presence of such an emergency as now confronted her, Miss Gart h felt instinctively that all ordinary phrases of reproof would be phrases thrown away.

"I presume," she remarked, addressing Magdalen with the merciless self-possession of a middle-aged lady, unprovided for the occasion with any kissing remembrances of her own—"I presume (whatever excuses your effrontery may suggest) you will not deny that my duty compels me to mention what I have just seen to your father?"

"I will save you the trouble," replied Magdalen, composedly. "I will mention it to him myself."

With those words, she looked round at Frank, standing trebly helpless in a corner of the summer-house. "You shall hear what happens," she said, with her bright smile. "And so shall you," she added for Miss Garth's especial benefit, as she sauntered past the governess on her way back to the breakfast-table. The eyes of Miss Garth followed her indignantly; and Frank slipped out on his side at that favorable opportunity.

Under these circumstances, there was but one course that any respectable woman could take—she could only shudder. Miss Garth registered her protest in that form, and returned to the house.

When breakfast was over, and when Mr. Vanstone's hand descended to his pocket in search of his cigar-case, Magdalen rose; looked significantly at Miss Garth; and followed her father into the hall.

"Papa," she said, "I want to speak to you this morning—in private."

"Ay! ay!" returned Mr. Vanstone. "What about, my dear!"

"About—" Magdalen hesitated, searching for a satisfactory form of expression, and found it. "About business, papa," she said.

Mr. Vanstone took his garden hat from the hall table—opened his eyes in mute perplexity—attempted to associate in his mind the two extravagantly dissimilar ideas of Magdalen and "business"—failed—and led the way resignedly into the garden.

His daughter took his arm, and walked with him to a shady seat at a convenient distance from the house. She dusted the seat with her smart silk apron before her father occupied it. Mr. Vanstone was not accustomed to such an extraordinary act of attention as this. He sat down, looking more puzzled than ever. Magdalen immediately placed herself on his knee, and rested her head comfortably on his shoulder.

"Am I heavy, papa?" she asked.

"Yes, my dear, you are," said Mr. Vanstone—"but not too heavy for me. Stop on your perch, if you like it. Well? And what may this business happen to be?"

"It begins with a question."

"Ah, indeed? That doesn't surprise me. Business with your sex, my dear, always begins with questions. Go on."

"Papa! do you ever intend allowing me to be married?"

Mr. Vanstone's eyes opened wider and wider. The question, to use his own phrase, completely staggered him.

"This is business with a vengeance!" he said. "Why, Magdalen! what have you got in that harum-scarum head of yours now?"

"I don't exactly know, papa. Will you answer my question?"

"I will if I can, my dear; you rather stagger me. Well, I don't know. Yes; I suppose I must let you be married one of these days—if we can find a good husband for you. How hot your face is! Lift it up, and let the air blow over it. You won't? Well—have your own way. If talking of business means tickling your cheek against my whisker I've nothing to say against it. Go on, my dear. What's the next question? Come to the point."

She was far too genuine a woman to do anything of the sort. She skirted round the point and calculated her distance to the nicety of a hair-breadth.

"We were all very much surprised yesterday—were we not, papa? Frank is wonderfully lucky, isn't he?"

"He's the luckiest dog I ever came across," said Mr. Vanstone "But what has that got to do with this business of yours? I dare say you see your way, Magdalen. Hang me if I can see mine!"

She skirted a little nearer.

"I suppose he will make his fortune in China?" she said. "It's a long way off, isn't it? Did you observe, papa, that Frank looked sadly out of spirits yesterday?"

"I was so surprised by the news," said Mr. Vanstone, "and so staggered by the sight of old Clare's sharp nose in my house, that I didn't much notice. Now you remind me of it—yes. I don't think Frank took kindly to his own good luck; not kindly at all."

"Do you wonder at that, papa?"

"Yes, my dear; I do, rather."

"Don't you think it's hard to be sent away for five years, to make your fortune among hateful savages, and lose sight of your friends at home for all that long time? Don't you think Frank will miss us sadly? Don't you, papa?—don't you?"

"Gently, Magdalen! I'm a little too old for those long arms of yours to throttle me in fun.—You're right, my love. Nothing in this world without a drawback. Frank will miss his friends in England: there's no denying that."

"You always liked Frank. And Frank always liked you."

"Yes, yes—a good fellow; a quiet, good fellow. Frank and I have always got on smoothly together."

"You have got on like father and son, haven't you?"

"Certainly, my dear."

"Perhaps you will think it harder on him when he has gone than you think it now?"

"Likely enough, Magdalen; I don't say no."

"Perhaps you will wish he had stopped in England? Why shouldn't he stop in England, and do as well as if he went to China?"

"My dear! he has no prospects in England. I wish he had, for his own sake. I wish the lad well, with all my heart."

"May I wish him well too, papa—with all my heart?"

"Certainly, my love—your old playfellow—why not? What's the matter? God bless my soul, what is the girl crying about? One would think Frank was transported for life. You goose! You know, as well as I do, he is going to China to make his fortune."

"He doesn't want to make his fortune—he might do much better."

"The deuce he might! How, I should like to know?"

"I'm afraid to tell you. I'm afraid you'll laugh at me. Will you promise not to laugh at me?"

"Anything to please you, my dear. Yes: I promise. Now, then, out with it! How might Frank do better?"

"He might marry Me."

If the summer scene which then spread before Mr. Vanstone's eyes had suddenly changed to a dreary winter view—if the trees had lost all their leaves, and the green fields had turned white with snow in an instant—his face could hardly have expressed greater amazement than it displayed when his daughter's faltering voice spoke those four last words. He tried to look at her—but she steadily refused him the opportunity: she kept her face hidden over his shoulder. Was she in earnest? His cheek, still wet with her tears, answered for her. There was a long pause of silence; she waited—with unaccustomed patience, she waited for him to speak. He roused himself, and spoke these words only: "You surprise me, Magdalen; you surprise me more than I can say."

At the altered tone of his voice—altered to a quiet, fatherly seriousness—Magdalen's arms clung round him closer than before.

"Have I disappointed you, papa?" she asked, faintly. "Don't say I have disappointed you! Who am I to tell my secret to, if not to you? Don't let him go—don't! don't! You will break his heart. He is afraid to tell his father; he is even afraid you might be angry with him. There is nobody to speak for us, except—except me. Oh, don't let him go! Don't for his sake—" she whispered the next words in a kiss—"Don't for Mine!"

Her father's kind face saddened; he sighed, and patted her fair head tenderly. "Hush, my love," he said, almost in a whisper; "hush!" She little knew what a revelation every word, every action that escaped her, now opened before him. She had made him her grown-up playfellow, from her childhood to that day. She had romped with him in her frocks, she had gone on romping with him in her gowns. He had never been long enough separated from her to have the external changes in his daughter forced on his attention. His artless, fatherly experience of her had taught him that she was a taller child in later years—and had taught him little more. And now, in one breathless instant, the conviction that she was a woman rushed over his mind. He felt it in the trouble of her bosom pre ssed against his; in the nervous thrill of her arms clasped around his neck. The Magdalen of his innocent experience, a woman—with the master-passion of her sex in possession of her heart already!

"Have you thought long of this, my dear?" he asked, as soon as he could speak composedly. "Are you sure—?"

She answered the question before he could finish it.

"Sure I love him?" she said. "Oh, what words can say Yes for me, as I want to say it? I love him—!" Her voice faltered softly; and her answer ended in a sigh.

"You are very young. You and Frank, my love, are both very young."

She raised her head from his shoulder for the first time. The thought and its expression flashed from her at the same moment.

"Are we much younger than you and mamma were?" she asked, smiling through her tears.

She tried to lay her head back in its old position; but as she spoke those words, her father caught her round the waist, forced her, before she was aware of it, to look him in the face—and kissed her, with a sudden outburst of tenderness which brought the tears thronging back thickly into her eyes. "Not much younger, my child," he said, in low, broken tones—"not much younger than your mother and I were." He put her away from him, and rose from the seat, and turned his head aside quickly. "Wait here, and compose yourself; I will go indoors and speak to your mother." His voice trembled over those parting words; and he left her without once looking round again.

She waited—waited a weary time; and he never came back. At last her growing anxiety urged her to follow him into the house. A new timidity throbbed in her heart as she doubtingly approached the door. Never had she seen the depths of her father's simple nature stirred as they had been stirred by her confession. She almost dreaded her next meeting with him. She wandered softly to and fro in the hall, with a shyness unaccountable to herself; with a terror of being discovered and spoken to by her sister or Miss Garth, which made her nervously susceptible to the slightest noises in the house. The door of the morning-room opened while her back was turned toward it. She started violently, as she looked round and saw her father in the hall: her heart beat faster and faster, and she felt herself turning pale. A second look at him, as he came nearer, re-assured her. He was composed again, though not so cheerful as usual. She noticed that he advanced and spoke to her with a forbearing gentleness, which was more like his manner to her mother than his ordinary manner to herself.

"Go in, my love," he said, opening the door for her which he had just closed. "Tell your mother all you have told me—and more, if you have more to say. She is better prepared for you than I was. We will take to-day to think of it, Magdalen; and to-morrow you shall know, and Frank shall know, what we decide."

Her eyes brightened, as they looked into his face and saw the decision there already, with the double penetration of her womanhood and her love. Happy, and beautiful in her happiness, she put his hand to her lips, and went, without hesitation, into the morning-room. There, her father's words had smoothed the way for her; there, the first shock of the surprise was past and over, and only the pleasure of it remained. Her mother had been her age once; her mother would know how fond she was of Frank. So the coming interview was anticipated in her thoughts; and—except that there was an unaccountable appearance of restraint in Mrs. Vanstone's first reception of her—was anticipated aright. After a little, the mother's questions came more and more unreservedly from the sweet, unforgotten experience of the mother's heart. She lived again through her own young days of hope and love in Magdalen's replies.

The next morning the all-important decision was announced in words. Mr. Vanstone took his daughter upstairs into her mother's room, and there placed before her the result of the yesterday's consultation, and of the night's reflection which had followed it. He spoke with perfect kindness and self-possession of manner-but in fewer and more serious words than usual; and he held his wife's hand tenderly in his own all through the interview.

He informed Magdalen that neither he nor her mother felt themselves justified in blaming her attachment to Frank. It had been in part, perhaps, the natural consequence of her childish familiarity with him; in part, also, the result of the closer intimacy between them which the theatrical entertainment had necessarily produced. At the same time, it was now the duty of her parents to put that attachment, on both sides, to a proper test—for her sake, because her happy future was their dearest care; for Frank's sake, because they were bound to give him the opportunity of showing himself worthy of the trust confided in him. They were both conscious of being strongly prejudiced in Frank's favor. His father's eccentric conduct had made the lad the object of their compassion and their care from his earliest years. He (and his younger brothers) had almost filled the places to them of those other children of their own whom they had lost. Although they firmly believed their good opinion of Frank to be well founded—still, in the interest of their daughter's happiness, it was necessary to put that opinion firmly to the proof, by fixing certain conditions, and by interposing a year of delay between the contemplated marriage and the present time.

During that year, Frank was to remain at the office in London; his employers being informed beforehand that family circumstances prevented his accepting their offer of employment in China. He was to consider this concession as a recognition of the attachment between Magdalen and himself, on certain terms only. If, during the year of probation, he failed to justify the confidence placed in him—a confidence which had led Mr. Vanstone to take unreservedly upon himself the whole responsibility of Frank's future prospects—the marriage scheme was to be considered, from that moment, as at an end. If, on the other hand, the result to which Mr. Vanstone confidently looked forward really occurred—if Frank's probationary year proved his claim to the most precious trust that could be placed in his hands—then Magdalen herself should reward him with all that a woman can bestow; and the future, which his present employers had placed before him as the result of a five years' residence in China, should be realized in one year's time, by the dowry of his young wife.

As her father drew that picture of the future, the outburst of Magdalen's gratitude could no longer be restrained. She was deeply touched—she spoke from her inmost heart. Mr. Vanstone waited until his daughter and his wife were composed again; and then added the last words of explanation which were now left for him to speak.

"You understand, my love," he said, "that I am not anticipating Frank's living in idleness on his wife's means? My plan for him is that he should still profit by the interest which his present employers take in him. Their knowledge of affairs in the City will soon place a good partnership at his disposal, and you will give him the money to buy it out of hand. I shall limit the sum, my dear, to half your fortune; and the other half I shall have settled upon yourself. We shall all be alive and hearty, I hope"—he looked tenderly at his wife as he said those words—"all alive and hearty at the year's end. But if I am gone, Magdalen, it will make no difference. My will—made long before I ever thought of having a son-in-law divides my fortune into two equal parts. One part goes to your mother; and the other part is fairly divided between my children. You will have your share on your wedding-day (and Norah will have hers when she marries) from my own hand, if I live; and under my will if I die. There! there! no gloomy faces," he said, with a momentary return of his every-day good spirits. "Your mother and I mean to live and see Frank a great merchant. I shall leave you, my dear, to enlighten the son on our new projects, while I walk over to the cottage—"

He stopped; his eyebrows contra cted a little; and he looked aside hesitatingly at Mrs. Vanstone.

"What must you do at the cottage, papa?" asked Magdalen, after having vainly waited for him to finish the sentence of his own accord.

"I must consult Frank's father," he replied. "We must not forget that Mr. Clare's consent is still wanting to settle this matter. And as time presses, and we don't know what difficulties he may not raise, the sooner I see him the better."

He gave that answer in low, altered tones; and rose from his chair in a half-reluctant, half-resigned manner, which Magdalen observed with secret alarm.

She glanced inquiringly at her mother. To all appearance, Mrs. Vanstone had been alarmed by the change in him also. She looked anxious and uneasy; she turned her face away on the sofa pillow—turned it suddenly, as if she was in pain.

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