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Four Weird Tales
by Algernon Blackwood
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One by one he took them from the shelf and hurled them through the open window.

"A devil's dreams! A devil's foolish dreams!" he cried, with a vicious laugh.

Presently he stopped from sheer exhaustion. He turned his eyes slowly to the wall opposite, where hung a weird array of Eastern swords and daggers, scimitars and spears, the collections of many journeys. He crossed the room and ran his finger along the edge. His mind seemed to waver.

"No," he muttered presently; "not that way. There are easier and better ways than that."

He took his hat and passed downstairs into the street.



5

It was five o'clock, and the June sun lay hot upon the pavement. He felt the metal door-knob burn the palm of his hand.

"Ah, Laidlaw, this is well met," cried a voice at his elbow; "I was in the act of coming to see you. I've a case that will interest you, and besides, I remembered that you flavoured your tea with orange leaves!—and I admit—"

It was Alexis Stephen, the great hypnotic doctor.

"I've had no tea to-day," Laidlaw said, in a dazed manner, after staring for a moment as though the other had struck him in the face. A new idea had entered his mind.

"What's the matter?" asked Dr. Stephen quickly. "Something's wrong with you. It's this sudden heat, or overwork. Come, man, let's go inside."

A sudden light broke upon the face of the younger man, the light of a heaven-sent inspiration. He looked into his friend's face, and told a direct lie.

"Odd," he said, "I myself was just coming to see you. I have something of great importance to test your confidence with. But in your house, please," as Stephen urged him towards his own door—"in your house. It's only round the corner, and I—I cannot go back there—to my rooms—till I have told you.

"I'm your patient—for the moment," he added stammeringly as soon as they were seated in the privacy of the hypnotist's sanctum, "and I want—er—"

"My dear Laidlaw," interrupted the other, in that soothing voice of command which had suggested to many a suffering soul that the cure for its pain lay in the powers of its own reawakened will, "I am always at your service, as you know. You have only to tell me what I can do for you, and I will do it." He showed every desire to help him out. His manner was indescribably tactful and direct.

Dr. Laidlaw looked up into his face.

"I surrender my will to you," he said, already calmed by the other's healing presence, "and I want you to treat me hypnotically—and at once. I want you to suggest to me"—his voice became very tense—"that I shall forget—forget till I die—everything that has occurred to me during the last two hours; till I die, mind," he added, with solemn emphasis, "till I die."

He floundered and stammered like a frightened boy. Alexis Stephen looked at him fixedly without speaking.

"And further," Laidlaw continued, "I want you to ask me no questions. I wish to forget for ever something I have recently discovered—something so terrible and yet so obvious that I can hardly understand why it is not patent to every mind in the world—for I have had a moment of absolute clear vision—of merciless clairvoyance. But I want no one else in the whole world to know what it is—least of all, old friend, yourself."

He talked in utter confusion, and hardly knew what he was saying. But the pain on his face and the anguish in his voice were an instant passport to the other's heart.

"Nothing is easier," replied Dr. Stephen, after a hesitation so slight that the other probably did not even notice it. "Come into my other room where we shall not be disturbed. I can heal you. Your memory of the last two hours shall be wiped out as though it had never been. You can trust me absolutely."

"I know I can," Laidlaw said simply, as he followed him in.



6

An hour later they passed back into the front room again. The sun was already behind the houses opposite, and the shadows began to gather.

"I went off easily?" Laidlaw asked.

"You were a little obstinate at first. But though you came in like a lion, you went out like a lamb. I let you sleep a bit afterwards."

Dr. Stephen kept his eyes rather steadily upon his friend's face.

"What were you doing by the fire before you came here?" he asked, pausing, in a casual tone, as he lit a cigarette and handed the case to his patient.

"I? Let me see. Oh, I know; I was worrying my way through poor old Ebor's papers and things. I'm his executor, you know. Then I got weary and came out for a whiff of air." He spoke lightly and with perfect naturalness. Obviously he was telling the truth. "I prefer specimens to papers," he laughed cheerily.

"I know, I know," said Dr. Stephen, holding a lighted match for the cigarette. His face wore an expression of content. The experiment had been a complete success. The memory of the last two hours was wiped out utterly. Laidlaw was already chatting gaily and easily about a dozen other things that interested him. Together they went out into the street, and at his door Dr. Stephen left him with a joke and a wry face that made his friend laugh heartily.

"Don't dine on the professor's old papers by mistake," he cried, as he vanished down the street.

Dr. Laidlaw went up to his study at the top of the house. Half way down he met his housekeeper, Mrs. Fewings. She was flustered and excited, and her face was very red and perspiring.

"There've been burglars here," she cried excitedly, "or something funny! All your things is just any'ow, sir. I found everything all about everywhere!" She was very confused. In this orderly and very precise establishment it was unusual to find a thing out of place.

"Oh, my specimens!" cried the doctor, dashing up the rest of the stairs at top speed. "Have they been touched or—"

He flew to the door of the laboratory. Mrs. Fewings panted up heavily behind him.

"The labatry ain't been touched," she explained, breathlessly, "but they smashed the libry clock and they've 'ung your gold watch, sir, on the skelinton's hands. And the books that weren't no value they flung out er the window just like so much rubbish. They must have been wild drunk, Dr. Laidlaw, sir!"

The young scientist made a hurried examination of the rooms. Nothing of value was missing. He began to wonder what kind of burglars they were. He looked up sharply at Mrs. Fewings standing in the doorway. For a moment he seemed to cast about in his mind for something.

"Odd," he said at length. "I only left here an hour ago and everything was all right then."

"Was it, sir? Yes, sir." She glanced sharply at him. Her room looked out upon the courtyard, and she must have seen the books come crashing down, and also have heard her master leave the house a few minutes later.

"And what's this rubbish the brutes have left?" he cried, taking up two slabs of worn gray stone, on the writing-table. "Bath brick, or something, I do declare."

He looked very sharply again at the confused and troubled housekeeper.

"Throw them on the dust heap, Mrs. Fewings, and—and let me know if anything is missing in the house, and I will notify the police this evening."

When she left the room he went into the laboratory and took his watch off the skeleton's fingers. His face wore a troubled expression, but after a moment's thought it cleared again. His memory was a complete blank.

"I suppose I left it on the writing-table when I went out to take the air," he said. And there was no one present to contradict him.

He crossed to the window and blew carelessly some ashes of burned paper from the sill, and stood watching them as they floated away lazily over the tops of the trees.

* * * * *



The Glamour of the Snow

I

Hibbert, always conscious of two worlds, was in this mountain village conscious of three. It lay on the slopes of the Valais Alps, and he had taken a room in the little post office, where he could be at peace to write his book, yet at the same time enjoy the winter sports and find companionship in the hotels when he wanted it.

The three worlds that met and mingled here seemed to his imaginative temperament very obvious, though it is doubtful if another mind less intuitively equipped would have seen them so well-defined. There was the world of tourist English, civilised, quasi-educated, to which he belonged by birth, at any rate; there was the world of peasants to which he felt himself drawn by sympathy—for he loved and admired their toiling, simple life; and there was this other—which he could only call the world of Nature. To this last, however, in virtue of a vehement poetic imagination, and a tumultuous pagan instinct fed by his very blood, he felt that most of him belonged. The others borrowed from it, as it were, for visits. Here, with the soul of Nature, hid his central life.

Between all three was conflict—potential conflict. On the skating-rink each Sunday the tourists regarded the natives as intruders; in the church the peasants plainly questioned: "Why do you come? We are here to worship; you to stare and whisper!" For neither of these two worlds accepted the other. And neither did Nature accept the tourists, for it took advantage of their least mistakes, and indeed, even of the peasant-world "accepted" only those who were strong and bold enough to invade her savage domain with sufficient skill to protect themselves from several forms of—death.

Now Hibbert was keenly aware of this potential conflict and want of harmony; he felt outside, yet caught by it—torn in the three directions because he was partly of each world, but wholly in only one. There grew in him a constant, subtle effort—or, at least, desire—to unify them and decide positively to which he should belong and live in. The attempt, of course, was largely subconscious. It was the natural instinct of a richly imaginative nature seeking the point of equilibrium, so that the mind could feel at peace and his brain be free to do good work.

Among the guests no one especially claimed his interest. The men were nice but undistinguished—athletic schoolmasters, doctors snatching a holiday, good fellows all; the women, equally various—the clever, the would-be-fast, the dare-to-be-dull, the women "who understood," and the usual pack of jolly dancing girls and "flappers." And Hibbert, with his forty odd years of thick experience behind him, got on well with the lot; he understood them all; they belonged to definite, predigested types that are the same the world over, and that he had met the world over long ago.

But to none of them did he belong. His nature was too "multiple" to subscribe to the set of shibboleths of any one class. And, since all liked him, and felt that somehow he seemed outside of them—spectator, looker-on—all sought to claim him.

In a sense, therefore, the three worlds fought for him: natives, tourists, Nature....

It was thus began the singular conflict for the soul of Hibbert. In his own soul, however, it took place. Neither the peasants nor the tourists were conscious that they fought for anything. And Nature, they say, is merely blind and automatic.

The assault upon him of the peasants may be left out of account, for it is obvious that they stood no chance of success. The tourist world, however, made a gallant effort to subdue him to themselves. But the evenings in the hotel, when dancing was not in order, were—English. The provincial imagination was set upon a throne and worshipped heavily through incense of the stupidest conventions possible. Hibbert used to go back early to his room in the post office to work.

"It is a mistake on my part to have realised that there is any conflict at all," he thought, as he crunched home over the snow at midnight after one of the dances. "It would have been better to have kept outside it all and done my work. Better," he added, looking back down the silent village street to the church tower, "and—safer."

The adjective slipped from his mind before he was aware of it. He turned with an involuntary start and looked about him. He knew perfectly well what it meant—this thought that had thrust its head up from the instinctive region. He understood, without being able to express it fully, the meaning that betrayed itself in the choice of the adjective. For if he had ignored the existence of this conflict he would at the same time, have remained outside the arena. Whereas now he had entered the lists. Now this battle for his soul must have issue. And he knew that the spell of Nature was greater for him than all other spells in the world combined—greater than love, revelry, pleasure, greater even than study. He had always been afraid to let himself go. His pagan soul dreaded her terrific powers of witchery even while he worshipped.

The little village already slept. The world lay smothered in snow. The chalet roofs shone white beneath the moon, and pitch-black shadows gathered against the walls of the church. His eye rested a moment on the square stone tower with its frosted cross that pointed to the sky: then travelled with a leap of many thousand feet to the enormous mountains that brushed the brilliant stars. Like a forest rose the huge peaks above the slumbering village, measuring the night and heavens. They beckoned him. And something born of the snowy desolation, born of the midnight and the silent grandeur, born of the great listening hollows of the night, something that lay 'twixt terror and wonder, dropped from the vast wintry spaces down into his heart—and called him. Very softly, unrecorded in any word or thought his brain could compass, it laid its spell upon him. Fingers of snow brushed the surface of his heart. The power and quiet majesty of the winter's night appalled him....

Fumbling a moment with the big unwieldy key, he let himself in and went upstairs to bed. Two thoughts went with him—apparently quite ordinary and sensible ones:

"What fools these peasants are to sleep through such a night!" And the other:

"Those dances tire me. I'll never go again. My work only suffers in the morning." The claims of peasants and tourists upon him seemed thus in a single instant weakened.

The clash of battle troubled half his dreams. Nature had sent her Beauty of the Night and won the first assault. The others, routed and dismayed, fled far away.



II

"Don't go back to your dreary old post office. We're going to have supper in my room—something hot. Come and join us. Hurry up!"

There had been an ice carnival, and the last party, tailing up the snow-slope to the hotel, called him. The Chinese lanterns smoked and sputtered on the wires; the band had long since gone. The cold was bitter and the moon came only momentarily between high, driving clouds. From the shed where the people changed from skates to snow-boots he shouted something to the effect that he was "following"; but no answer came; the moving shadows of those who had called were already merged high up against the village darkness. The voices died away. Doors slammed. Hibbert found himself alone on the deserted rink.

And it was then, quite suddenly, the impulse came to—stay and skate alone. The thought of the stuffy hotel room, and of those noisy people with their obvious jokes and laughter, oppressed him. He felt a longing to be alone with the night; to taste her wonder all by himself there beneath the stars, gliding over the ice. It was not yet midnight, and he could skate for half an hour. That supper party, if they noticed his absence at all, would merely think he had changed his mind and gone to bed.

It was an impulse, yes, and not an unnatural one; yet even at the time it struck him that something more than impulse lay concealed behind it. More than invitation, yet certainly less than command, there was a vague queer feeling that he stayed because he had to, almost as though there was something he had forgotten, overlooked, left undone. Imaginative temperaments are often thus; and impulse is ever weakness. For with such ill-considered opening of the doors to hasty action may come an invasion of other forces at the same time—forces merely waiting their opportunity perhaps!

He caught the fugitive warning even while he dismissed it as absurd, and the next minute he was whirling over the smooth ice in delightful curves and loops beneath the moon. There was no fear of collision. He could take his own speed and space as he willed. The shadows of the towering mountains fell across the rink, and a wind of ice came from the forests, where the snow lay ten feet deep. The hotel lights winked and went out. The village slept. The high wire netting could not keep out the wonder of the winter night that grew about him like a presence. He skated on and on, keen exhilarating pleasure in his tingling blood, and weariness all forgotten.

And then, midway in the delight of rushing movement, he saw a figure gliding behind the wire netting, watching him. With a start that almost made him lose his balance—for the abruptness of the new arrival was so unlooked for—he paused and stared. Although the light was dim he made out that it was the figure of a woman and that she was feeling her way along the netting, trying to get in. Against the white background of the snow-field he watched her rather stealthy efforts as she passed with a silent step over the banked-up snow. She was tall and slim and graceful; he could see that even in the dark. And then, of course, he understood. It was another adventurous skater like himself, stolen down unawares from hotel or chalet, and searching for the opening. At once, making a sign and pointing with one hand, he turned swiftly and skated over to the little entrance on the other side.

But, even before he got there, there was a sound on the ice behind him and, with an exclamation of amazement he could not suppress, he turned to see her swerving up to his side across the width of the rink. She had somehow found another way in.

Hibbert, as a rule, was punctilious, and in these free-and-easy places, perhaps, especially so. If only for his own protection he did not seek to make advances unless some kind of introduction paved the way. But for these two to skate together in the semi-darkness without speech, often of necessity brushing shoulders almost, was too absurd to think of. Accordingly he raised his cap and spoke. His actual words he seems unable to recall, nor what the girl said in reply, except that she answered him in accented English with some commonplace about doing figures at midnight on an empty rink. Quite natural it was, and right. She wore grey clothes of some kind, though not the customary long gloves or sweater, for indeed her hands were bare, and presently when he skated with her, he wondered with something like astonishment at their dry and icy coldness.

And she was delicious to skate with—supple, sure, and light, fast as a man yet with the freedom of a child, sinuous and steady at the same time. Her flexibility made him wonder, and when he asked where she had learned she murmured—he caught the breath against his ear and recalled later that it was singularly cold—that she could hardly tell, for she had been accustomed to the ice ever since she could remember.

But her face he never properly saw. A muffler of white fur buried her neck to the ears, and her cap came over the eyes. He only saw that she was young. Nor could he gather her hotel or chalet, for she pointed vaguely, when he asked her, up the slopes. "Just over there—" she said, quickly taking his hand again. He did not press her; no doubt she wished to hide her escapade. And the touch of her hand thrilled him more than anything he could remember; even through his thick glove he felt the softness of that cold and delicate softness.

The clouds thickened over the mountains. It grew darker. They talked very little, and did not always skate together. Often they separated, curving about in corners by themselves, but always coming together again in the centre of the rink; and when she left him thus Hibbert was conscious of—yes, of missing her. He found a peculiar satisfaction, almost a fascination, in skating by her side. It was quite an adventure—these two strangers with the ice and snow and night!

Midnight had long since sounded from the old church tower before they parted. She gave the sign, and he skated quickly to the shed, meaning to find a seat and help her take her skates off. Yet when he turned—she had already gone. He saw her slim figure gliding away across the snow ... and hurrying for the last time round the rink alone he searched in vain for the opening she had twice used in this curious way.

"How very queer!" he thought, referring to the wire netting. "She must have lifted it and wriggled under ...!"

Wondering how in the world she managed it, what in the world had possessed him to be so free with her, and who in the world she was, he went up the steep slope to the post office and so to bed, her promise to come again another night still ringing delightfully in his ears. And curious were the thoughts and sensations that accompanied him. Most of all, perhaps, was the half suggestion of some dim memory that he had known this girl before, had met her somewhere, more—that she knew him. For in her voice—a low, soft, windy little voice it was, tender and soothing for all its quiet coldness—there lay some faint reminder of two others he had known, both long since gone: the voice of the woman he had loved, and—the voice of his mother.

But this time through his dreams there ran no clash of battle. He was conscious, rather, of something cold and clinging that made him think of sifting snowflakes climbing slowly with entangling touch and thickness round his feet. The snow, coming without noise, each flake so light and tiny none can mark the spot whereon it settles, yet the mass of it able to smother whole villages, wove through the very texture of his mind—cold, bewildering, deadening effort with its clinging network of ten million feathery touches.



III

In the morning Hibbert realised he had done, perhaps, a foolish thing. The brilliant sunshine that drenched the valley made him see this, and the sight of his work-table with its typewriter, books, papers, and the rest, brought additional conviction. To have skated with a girl alone at midnight, no matter how innocently the thing had come about, was unwise—unfair, especially to her. Gossip in these little winter resorts was worse than in a provincial town. He hoped no one had seen them. Luckily the night had been dark. Most likely none had heard the ring of skates.

Deciding that in future he would be more careful, he plunged into work, and sought to dismiss the matter from his mind.

But in his times of leisure the memory returned persistently to haunt him. When he "ski-d," "luged," or danced in the evenings, and especially when he skated on the little rink, he was aware that the eyes of his mind forever sought this strange companion of the night. A hundred times he fancied that he saw her, but always sight deceived him. Her face he might not know, but he could hardly fail to recognise her figure. Yet nowhere among the others did he catch a glimpse of that slim young creature he had skated with alone beneath the clouded stars. He searched in vain. Even his inquiries as to the occupants of the private chalets brought no results. He had lost her. But the queer thing was that he felt as though she were somewhere close; he knew she had not really gone. While people came and left with every day, it never once occurred to him that she had left. On the contrary, he felt assured that they would meet again.

This thought he never quite acknowledged. Perhaps it was the wish that fathered it only. And, even when he did meet her, it was a question how he would speak and claim acquaintance, or whether she would recognise himself. It might be awkward. He almost came to dread a meeting, though "dread," of course, was far too strong a word to describe an emotion that was half delight, half wondering anticipation.

Meanwhile the season was in full swing. Hibbert felt in perfect health, worked hard, ski-d, skated, luged, and at night danced fairly often—in spite of his decision. This dancing was, however, an act of subconscious surrender; it really meant he hoped to find her among the whirling couples. He was searching for her without quite acknowledging it to himself; and the hotel-world, meanwhile, thinking it had won him over, teased and chaffed him. He made excuses in a similar vein; but all the time he watched and searched and—waited.

For several days the sky held clear and bright and frosty, bitterly cold, everything crisp and sparkling in the sun; but there was no sign of fresh snow, and the ski-ers began to grumble. On the mountains was an icy crust that made "running" dangerous; they wanted the frozen, dry, and powdery snow that makes for speed, renders steering easier and falling less severe. But the keen east wind showed no signs of changing for a whole ten days. Then, suddenly, there came a touch of softer air and the weather-wise began to prophesy.

Hibbert, who was delicately sensitive to the least change in earth or sky, was perhaps the first to feel it. Only he did not prophesy. He knew through every nerve in his body that moisture had crept into the air, was accumulating, and that presently a fall would come. For he responded to the moods of Nature like a fine barometer.

And the knowledge, this time, brought into his heart a strange little wayward emotion that was hard to account for—a feeling of unexplained uneasiness and disquieting joy. For behind it, woven through it rather, ran a faint exhilaration that connected remotely somewhere with that touch of delicious alarm, that tiny anticipating "dread," that so puzzled him when he thought of his next meeting with his skating companion of the night. It lay beyond all words, all telling, this queer relationship between the two; but somehow the girl and snow ran in a pair across his mind.

Perhaps for imaginative writing-men, more than for other workers, the smallest change of mood betrays itself at once. His work at any rate revealed this slight shifting of emotional values in his soul. Not that his writing suffered, but that it altered, subtly as those changes of sky or sea or landscape that come with the passing of afternoon into evening—imperceptibly. A subconscious excitement sought to push outwards and express itself ... and, knowing the uneven effect such moods produced in his work, he laid his pen aside and took instead to reading that he had to do.

Meanwhile the brilliance passed from the sunshine, the sky grew slowly overcast; by dusk the mountain tops came singularly close and sharp; the distant valley rose into absurdly near perspective. The moisture increased, rapidly approaching saturation point, when it must fall in snow. Hibbert watched and waited.

And in the morning the world lay smothered beneath its fresh white carpet. It snowed heavily till noon, thickly, incessantly, chokingly, a foot or more; then the sky cleared, the sun came out in splendour, the wind shifted back to the east, and frost came down upon the mountains with its keenest and most biting tooth. The drop in the temperature was tremendous, but the ski-ers were jubilant. Next day the "running" would be fast and perfect. Already the mass was settling, and the surface freezing into those moss-like, powdery crystals that make the ski run almost of their own accord with the faint "sishing" as of a bird's wings through the air.



IV

That night there was excitement in the little hotel-world, first because there was a bal costume, but chiefly because the new snow had come. And Hibbert went—felt drawn to go; he did not go in costume, but he wanted to talk about the slopes and ski-ing with the other men, and at the same time....

Ah, there was the truth, the deeper necessity that called. For the singular connection between the stranger and the snow again betrayed itself, utterly beyond explanation as before, but vital and insistent. Some hidden instinct in his pagan soul—heaven knows how he phrased it even to himself, if he phrased it at all—whispered that with the snow the girl would be somewhere about, would emerge from her hiding place, would even look for him.

Absolutely unwarranted it was. He laughed while he stood before the little glass and trimmed his moustache, tried to make his black tie sit straight, and shook down his dinner jacket so that it should lie upon the shoulders without a crease. His brown eyes were very bright. "I look younger than I usually do," he thought. It was unusual, even significant, in a man who had no vanity about his appearance and certainly never questioned his age or tried to look younger than he was. Affairs of the heart, with one tumultuous exception that left no fuel for lesser subsequent fires, had never troubled him. The forces of his soul and mind not called upon for "work" and obvious duties, all went to Nature. The desolate, wild places of the earth were what he loved; night, and the beauty of the stars and snow. And this evening he felt their claims upon him mightily stirring. A rising wildness caught his blood, quickened his pulse, woke longing and passion too. But chiefly snow. The snow whirred softly through his thoughts like white, seductive dreams.... For the snow had come; and She, it seemed, had somehow come with it—into his mind.

And yet he stood before that twisted mirror and pulled his tie and coat askew a dozen times, as though it mattered. "What in the world is up with me?" he thought. Then, laughing a little, he turned before leaving the room to put his private papers in order. The green morocco desk that held them he took down from the shelf and laid upon the table. Tied to the lid was the visiting card with his brother's London address "in case of accident." On the way down to the hotel he wondered why he had done this, for though imaginative, he was not the kind of man who dealt in presentiments. Moods with him were strong, but ever held in leash.

"It's almost like a warning," he thought, smiling. He drew his thick coat tightly round the throat as the freezing air bit at him. "Those warnings one reads of in stories sometimes ...!"

A delicious happiness was in his blood. Over the edge of the hills across the valley rose the moon. He saw her silver sheet the world of snow. Snow covered all. It smothered sound and distance. It smothered houses, streets, and human beings. It smothered—life.



V

In the hall there was light and bustle; people were already arriving from the other hotels and chalets, their costumes hidden beneath many wraps. Groups of men in evening dress stood about smoking, talking "snow" and "ski-ing." The band was tuning up. The claims of the hotel-world clashed about him faintly as of old. At the big glass windows of the verandah, peasants stopped a moment on their way home from the cafe to peer. Hibbert thought laughingly of that conflict he used to imagine. He laughed because it suddenly seemed so unreal. He belonged so utterly to Nature and the mountains, and especially to those desolate slopes where now the snow lay thick and fresh and sweet, that there was no question of a conflict at all. The power of the newly fallen snow had caught him, proving it without effort. Out there, upon those lonely reaches of the moonlit ridges, the snow lay ready—masses and masses of it—cool, soft, inviting. He longed for it. It awaited him. He thought of the intoxicating delight of ski-ing in the moonlight....

Thus, somehow, in vivid flashing vision, he thought of it while he stood there smoking with the other men and talking all the "shop" of ski-ing.

And, ever mysteriously blended with this power of the snow, poured also through his inner being the power of the girl. He could not disabuse his mind of the insinuating presence of the two together. He remembered that queer skating-impulse of ten days ago, the impulse that had let her in. That any mind, even an imaginative one, could pass beneath the sway of such a fancy was strange enough; and Hibbert, while fully aware of the disorder, yet found a curious joy in yielding to it. This insubordinate centre that drew him towards old pagan beliefs had assumed command. With a kind of sensuous pleasure he let himself be conquered.

And snow that night seemed in everybody's thoughts. The dancing couples talked of it; the hotel proprietors congratulated one another; it meant good sport and satisfied their guests; every one was planning trips and expeditions, talking of slopes and telemarks, of flying speed and distance, of drifts and crust and frost. Vitality and enthusiasm pulsed in the very air; all were alert and active, positive, radiating currents of creative life even into the stuffy atmosphere of that crowded ball-room. And the snow had caused it, the snow had brought it; all this discharge of eager sparkling energy was due primarily to the—Snow.

But in the mind of Hibbert, by some swift alchemy of his pagan yearnings, this energy became transmuted. It rarefied itself, gleaming in white and crystal currents of passionate anticipation, which he transferred, as by a species of electrical imagination, into the personality of the girl—the Girl of the Snow. She somewhere was waiting for him, expecting him, calling to him softly from those leagues of moonlit mountain. He remembered the touch of that cool, dry hand; the soft and icy breath against his cheek; the hush and softness of her presence in the way she came and the way she had gone again—like a flurry of snow the wind sent gliding up the slopes. She, like himself, belonged out there. He fancied that he heard her little windy voice come sifting to him through the snowy branches of the trees, calling his name ... that haunting little voice that dived straight to the centre of his life as once, long years ago, two other voices used to do....

But nowhere among the costumed dancers did he see her slender figure. He danced with one and all, distrait and absent, a stupid partner as each girl discovered, his eyes ever turning towards the door and windows, hoping to catch the luring face, the vision that did not come ... and at length, hoping even against hope. For the ball-room thinned; groups left one by one, going home to their hotels and chalets; the band tired obviously; people sat drinking lemon-squashes at the little tables, the men mopping their foreheads, everybody ready for bed.

It was close on midnight. As Hibbert passed through the hall to get his overcoat and snow-boots, he saw men in the passage by the "sport-room," greasing their ski against an early start. Knapsack luncheons were being ordered by the kitchen swing doors. He sighed. Lighting a cigarette a friend offered him, he returned a confused reply to some question as to whether he could join their party in the morning. It seemed he did not hear it properly. He passed through the outer vestibule between the double glass doors, and went into the night.

The man who asked the question watched him go, an expression of anxiety momentarily in his eyes.

"Don't think he heard you," said another, laughing. "You've got to shout to Hibbert, his mind's so full of his work."

"He works too hard," suggested the first, "full of queer ideas and dreams."

But Hibbert's silence was not rudeness. He had not caught the invitation, that was all. The call of the hotel-world had faded. He no longer heard it. Another wilder call was sounding in his ears.

For up the street he had seen a little figure moving. Close against the shadows of the baker's shop it glided—white, slim, enticing.



VI

And at once into his mind passed the hush and softness of the snow—yet with it a searching, crying wildness for the heights. He knew by some incalculable, swift instinct she would not meet him in the village street. It was not there, amid crowding houses, she would speak to him. Indeed, already she had disappeared, melted from view up the white vista of the moonlit road. Yonder, he divined, she waited where the highway narrowed abruptly into the mountain path beyond the chalets.

It did not even occur to him to hesitate; mad though it seemed, and was—this sudden craving for the heights with her, at least for open spaces where the snow lay thick and fresh—it was too imperious to be denied. He does not remember going up to his room, putting the sweater over his evening clothes, and getting into the fur gauntlet gloves and the helmet cap of wool. Most certainly he has no recollection of fastening on his ski; he must have done it automatically. Some faculty of normal observation was in abeyance, as it were. His mind was out beyond the village—out with the snowy mountains and the moon.

Henri Defago, putting up the shutters over his cafe windows, saw him pass, and wondered mildly: "Un monsieur qui fait du ski a cette heure! Il est Anglais, done ...!" He shrugged his shoulders, as though a man had the right to choose his own way of death. And Marthe Perotti, the hunchback wife of the shoemaker, looking by chance from her window, caught his figure moving swiftly up the road. She had other thoughts, for she knew and believed the old traditions of the witches and snow-beings that steal the souls of men. She had even heard, 'twas said, the dreaded "synagogue" pass roaring down the street at night, and now, as then, she hid her eyes. "They've called to him ... and he must go," she murmured, making the sign of the cross.

But no one sought to stop him. Hibbert recalls only a single incident until he found himself beyond the houses, searching for her along the fringe of forest where the moonlight met the snow in a bewildering frieze of fantastic shadows. And the incident was simply this—that he remembered passing the church. Catching the outline of its tower against the stars, he was aware of a faint sense of hesitation. A vague uneasiness came and went—jarred unpleasantly across the flow of his excited feelings, chilling exhilaration. He caught the instant's discord, dismissed it, and—passed on. The seduction of the snow smothered the hint before he realised that it had brushed the skirts of warning.

And then he saw her. She stood there waiting in a little clear space of shining snow, dressed all in white, part of the moonlight and the glistening background, her slender figure just discernible.

"I waited, for I knew you would come," the silvery little voice of windy beauty floated down to him. "You had to come."

"I'm ready," he answered, "I knew it too."

The world of Nature caught him to its heart in those few words—the wonder and the glory of the night and snow. Life leaped within him. The passion of his pagan soul exulted, rose in joy, flowed out to her. He neither reflected nor considered, but let himself go like the veriest schoolboy in the wildness of first love.

"Give me your hand," he cried, "I'm coming ...!"

"A little farther on, a little higher," came her delicious answer. "Here it is too near the village—and the church."

And the words seemed wholly right and natural; he did not dream of questioning them; he understood that, with this little touch of civilisation in sight, the familiarity he suggested was impossible. Once out upon the open mountains, 'mid the freedom of huge slopes and towering peaks, the stars and moon to witness and the wilderness of snow to watch, they could taste an innocence of happy intercourse free from the dead conventions that imprison literal minds.

He urged his pace, yet did not quite overtake her. The girl kept always just a little bit ahead of his best efforts.... And soon they left the trees behind and passed on to the enormous slopes of the sea of snow that rolled in mountainous terror and beauty to the stars. The wonder of the white world caught him away. Under the steady moonlight it was more than haunting. It was a living, white, bewildering power that deliciously confused the senses and laid a spell of wild perplexity upon the heart. It was a personality that cloaked, and yet revealed, itself through all this sheeted whiteness of snow. It rose, went with him, fled before, and followed after. Slowly it dropped lithe, gleaming arms about his neck, gathering him in....

Certainly some soft persuasion coaxed his very soul, urging him ever forwards, upwards, on towards the higher icy slopes. Judgment and reason left their throne, it seemed, completely, as in the madness of intoxication. The girl, slim and seductive, kept always just ahead, so that he never quite came up with her. He saw the white enchantment of her face and figure, something that streamed about her neck flying like a wreath of snow in the wind, and heard the alluring accents of her whispering voice that called from time to time: "A little farther on, a little higher.... Then we'll run home together!"

Sometimes he saw her hand stretched out to find his own, but each time, just as he came up with her, he saw her still in front, the hand and arm withdrawn. They took a gentle angle of ascent. The toil seemed nothing. In this crystal, wine-like air fatigue vanished. The sishing of the ski through the powdery surface of the snow was the only sound that broke the stillness; this, with his breathing and the rustle of her skirts, was all he heard. Cold moonshine, snow, and silence held the world. The sky was black, and the peaks beyond cut into it like frosted wedges of iron and steel. Far below the valley slept, the village long since hidden out of sight. He felt that he could never tire.... The sound of the church clock rose from time to time faintly through the air—more and more distant.

"Give me your hand. It's time now to turn back."

"Just one more slope," she laughed. "That ridge above us. Then we'll make for home." And her low voice mingled pleasantly with the purring of their ski. His own seemed harsh and ugly by comparison.

"But I have never come so high before. It's glorious! This world of silent snow and moonlight—and you. You're a child of the snow, I swear. Let me come up—closer—to see your face—and touch your little hand."

Her laughter answered him.

"Come on! A little higher. Here we're quite alone together."

"It's magnificent," he cried. "But why did you hide away so long? I've looked and searched for you in vain ever since we skated—" he was going to say "ten days ago," but the accurate memory of time had gone from him; he was not sure whether it was days or years or minutes. His thoughts of earth were scattered and confused.

"You looked for me in the wrong places," he heard her murmur just above him. "You looked in places where I never go. Hotels and houses kill me. I avoid them." She laughed—a fine, shrill, windy little laugh.

"I loathe them too—"

He stopped. The girl had suddenly come quite close. A breath of ice passed through his very soul. She had touched him.

"But this awful cold!" he cried out, sharply, "this freezing cold that takes me. The wind is rising; it's a wind of ice. Come, let us turn ...!"

But when he plunged forward to hold her, or at least to look, the girl was gone again. And something in the way she stood there a few feet beyond, and stared down into his eyes so steadfastly in silence, made him shiver. The moonlight was behind her, but in some odd way he could not focus sight upon her face, although so close. The gleam of eyes he caught, but all the rest seemed white and snowy as though he looked beyond her—out into space....

The sound of the church bell came up faintly from the valley far below, and he counted the strokes—five. A sudden, curious weakness seized him as he listened. Deep within it was, deadly yet somehow sweet, and hard to resist. He felt like sinking down upon the snow and lying there.... They had been climbing for five hours.... It was, of course, the warning of complete exhaustion.

With a great effort he fought and overcame it. It passed away as suddenly as it came.

"We'll turn," he said with a decision he hardly felt. "It will be dawn before we reach the village again. Come at once. It's time for home."

The sense of exhilaration had utterly left him. An emotion that was akin to fear swept coldly through him. But her whispering answer turned it instantly to terror—a terror that gripped him horribly and turned him weak and unresisting.

"Our home is—here!" A burst of wild, high laughter, loud and shrill, accompanied the words. It was like a whistling wind. The wind had risen, and clouds obscured the moon. "A little higher—where we cannot hear the wicked bells," she cried, and for the first time seized him deliberately by the hand. She moved, was suddenly close against his face. Again she touched him.

And Hibbert tried to turn away in escape, and so trying, found for the first time that the power of the snow—that other power which does not exhilarate but deadens effort—was upon him. The suffocating weakness that it brings to exhausted men, luring them to the sleep of death in her clinging soft embrace, lulling the will and conquering all desire for life—this was awfully upon him. His feet were heavy and entangled. He could not turn or move.

The girl stood in front of him, very near; he felt her chilly breath upon his cheeks; her hair passed blindingly across his eyes; and that icy wind came with her. He saw her whiteness close; again, it seemed, his sight passed through her into space as though she had no face. Her arms were round his neck. She drew him softly downwards to his knees. He sank; he yielded utterly; he obeyed. Her weight was upon him, smothering, delicious. The snow was to his waist.... She kissed him softly on the lips, the eyes, all over his face. And then she spoke his name in that voice of love and wonder, the voice that held the accent of two others—both taken over long ago by Death—the voice of his mother, and of the woman he had loved.

He made one more feeble effort to resist. Then, realising even while he struggled that this soft weight about his heart was sweeter than anything life could ever bring, he let his muscles relax, and sank back into the soft oblivion of the covering snow. Her wintry kisses bore him into sleep.



VII

They say that men who know the sleep of exhaustion in the snow find no awakening on the hither side of death.... The hours passed and the moon sank down below the white world's rim. Then, suddenly, there came a little crash upon his breast and neck, and Hibbert—woke.

He slowly turned bewildered, heavy eyes upon the desolate mountains, stared dizzily about him, tried to rise. At first his muscles would not act; a numbing, aching pain possessed him. He uttered a long, thin cry for help, and heard its faintness swallowed by the wind. And then he understood vaguely why he was only warm—not dead. For this very wind that took his cry had built up a sheltering mound of driven snow against his body while he slept. Like a curving wave it ran beside him. It was the breaking of its over-toppling edge that caused the crash, and the coldness of the mass against his neck that woke him.

Dawn kissed the eastern sky; pale gleams of gold shot every peak with splendour; but ice was in the air, and the dry and frozen snow blew like powder from the surface of the slopes. He saw the points of his ski projecting just below him. Then he—remembered. It seems he had just strength enough to realise that, could he but rise and stand, he might fly with terrific impetus towards the woods and village far beneath. The ski would carry him. But if he failed and fell ...!

How he contrived it Hibbert never knew; this fear of death somehow called out his whole available reserve force. He rose slowly, balanced a moment, then, taking the angle of an immense zigzag, started down the awful slopes like an arrow from a bow. And automatically the splendid muscles of the practised ski-er and athlete saved and guided him, for he was hardly conscious of controlling either speed or direction. The snow stung face and eyes like fine steel shot; ridge after ridge flew past; the summits raced across the sky; the valley leaped up with bounds to meet him. He scarcely felt the ground beneath his feet as the huge slopes and distance melted before the lightning speed of that descent from death to life.

He took it in four mile-long zigzags, and it was the turning at each corner that nearly finished him, for then the strain of balancing taxed to the verge of collapse the remnants of his strength.

Slopes that have taken hours to climb can be descended in a short half-hour on ski, but Hibbert had lost all count of time. Quite other thoughts and feelings mastered him in that wild, swift dropping through the air that was like the flight of a bird. For ever close upon his heels came following forms and voices with the whirling snow-dust. He heard that little silvery voice of death and laughter at his back. Shrill and wild, with the whistling of the wind past his ears, he caught its pursuing tones; but in anger now, no longer soft and coaxing. And it was accompanied; she did not follow alone. It seemed a host of these flying figures of the snow chased madly just behind him. He felt them furiously smite his neck and cheeks, snatch at his hands and try to entangle his feet and ski in drifts. His eyes they blinded, and they caught his breath away.

The terror of the heights and snow and winter desolation urged him forward in the maddest race with death a human being ever knew; and so terrific was the speed that before the gold and crimson had left the summits to touch the ice-lips of the lower glaciers, he saw the friendly forest far beneath swing up and welcome him.

And it was then, moving slowly along the edge of the woods, he saw a light. A man was carrying it. A procession of human figures was passing in a dark line laboriously through the snow. And—he heard the sound of chanting.

Instinctively, without a second's hesitation, he changed his course. No longer flying at an angle as before, he pointed his ski straight down the mountain-side. The dreadful steepness did not frighten him. He knew full well it meant a crashing tumble at the bottom, but he also knew it meant a doubling of his speed—with safety at the end. For, though no definite thought passed through his mind, he understood that it was the village cure who carried that little gleaming lantern in the dawn, and that he was taking the Host to a chalet on the lower slopes—to some peasant in extremis. He remembered her terror of the church and bells. She feared the holy symbols.

There was one last wild cry in his ears as he started, a shriek of the wind before his face, and a rush of stinging snow against closed eyelids—and then he dropped through empty space. Speed took sight from him. It seemed he flew off the surface of the world.

* * * * *

Indistinctly he recalls the murmur of men's voices, the touch of strong arms that lifted him, and the shooting pains as the ski were unfastened from the twisted ankle ... for when he opened his eyes again to normal life he found himself lying in his bed at the post office with the doctor at his side. But for years to come the story of "mad Hibbert's" ski-ing at night is recounted in that mountain village. He went, it seems, up slopes, and to a height that no man in his senses ever tried before. The tourists were agog about it for the rest of the season, and the very same day two of the bolder men went over the actual ground and photographed the slopes. Later Hibbert saw these photographs. He noticed one curious thing about them—though he did not mention it to any one:

There was only a single track.



* * * * *



Sand

I

As Felix Henriot came through the streets that January night the fog was stifling, but when he reached his little flat upon the top floor there came a sound of wind. Wind was stirring about the world. It blew against his windows, but at first so faintly that he hardly noticed it. Then, with an abrupt rise and fall like a wailing voice that sought to claim attention, it called him. He peered through the window into the blurred darkness, listening.

There is no cry in the world like that of the homeless wind. A vague excitement, scarcely to be analysed, ran through his blood. The curtain of fog waved momentarily aside. Henriot fancied a star peeped down at him.

"It will change things a bit—at last," he sighed, settling back into his chair. "It will bring movement!"

Already something in himself had changed. A restlessness, as of that wandering wind, woke in his heart—the desire to be off and away. Other things could rouse this wildness too: falling water, the singing of a bird, an odour of wood-fire, a glimpse of winding road. But the cry of wind, always searching, questioning, travelling the world's great routes, remained ever the master-touch. High longing took his mood in hand. Mid seven millions he felt suddenly—lonely.

"I will arise and go now, for always night and day I hear lake water lapping with low sounds by the shore; While I stand on the roadway, or on the pavements gray, I hear it in the deep heart's core."

He murmured the words over softly to himself. The emotion that produced Innisfree passed strongly through him. He too would be over the hills and far away. He craved movement, change, adventure—somewhere far from shops and crowds and motor-'busses. For a week the fog had stifled London. This wind brought life.

Where should he go? Desire was long; his purse was short.

He glanced at his books, letters, newspapers. They had no interest now. Instead he listened. The panorama of other journeys rolled in colour through the little room, flying on one another's heels. Henriot enjoyed this remembered essence of his travels more than the travels themselves. The crying wind brought so many voices, all of them seductive:

There was a soft crashing of waves upon the Black Sea shores, where the huge Caucasus beckoned in the sky beyond; a rustling in the umbrella pines and cactus at Marseilles, whence magic steamers start about the world like flying dreams. He heard the plash of fountains upon Mount Ida's slopes, and the whisper of the tamarisk on Marathon. It was dawn once more upon the Ionian Sea, and he smelt the perfume of the Cyclades. Blue-veiled islands melted in the sunshine, and across the dewy lawns of Tempe, moistened by the spray of many waterfalls, he saw—Great Heavens above!—the dancing of white forms ... or was it only mist the sunshine painted against Pelion?... "Methought, among the lawns together, we wandered underneath the young grey dawn. And multitudes of dense white fleecy clouds shepherded by the slow, unwilling wind...."

And then, into his stuffy room, slipped the singing perfume of a wall-flower on a ruined tower, and with it the sweetness of hot ivy. He heard the "yellow bees in the ivy bloom." Wind whipped over the open hills—this very wind that laboured drearily through the London fog.

And—he was caught. The darkness melted from the city. The fog whisked off into an azure sky. The roar of traffic turned into booming of the sea. There was a whistling among cordage, and the floor swayed to and fro. He saw a sailor touch his cap and pocket the two-franc piece. The syren hooted—ominous sound that had started him on many a journey of adventure—and the roar of London became mere insignificant clatter of a child's toy carriages.

He loved that syren's call; there was something deep and pitiless in it. It drew the wanderers forth from cities everywhere: "Leave your known world behind you, and come with me for better or for worse! The anchor is up; it is too late to change. Only—beware! You shall know curious things—and alone!"

Henriot stirred uneasily in his chair. He turned with sudden energy to the shelf of guide-books, maps and time-tables—possessions he most valued in the whole room. He was a happy-go-lucky, adventure-loving soul, careless of common standards, athirst ever for the new and strange.

"That's the best of having a cheap flat," he laughed, "and no ties in the world. I can turn the key and disappear. No one cares or knows—no one but the thieving caretaker. And he's long ago found out that there's nothing here worth taking!"

There followed then no lengthy indecision. Preparation was even shorter still. He was always ready for a move, and his sojourn in cities was but breathing-space while he gathered pennies for further wanderings. An enormous kit-bag—sack-shaped, very worn and dirty—emerged speedily from the bottom of a cupboard in the wall. It was of limitless capacity. The key and padlock rattled in its depths. Cigarette ashes covered everything while he stuffed it full of ancient, indescribable garments. And his voice, singing of those "yellow bees in the ivy bloom," mingled with the crying of the rising wind about his windows. His restlessness had disappeared by magic.

This time, however, there could be no haunted Pelion, nor shady groves of Tempe, for he lived in sophisticated times when money markets regulated movement sternly. Travelling was only for the rich; mere wanderers must pig it. He remembered instead an opportune invitation to the Desert. "Objective" invitation, his genial hosts had called it, knowing his hatred of convention. And Helouan danced into letters of brilliance upon the inner map of his mind. For Egypt had ever held his spirit in thrall, though as yet he had tried in vain to touch the great buried soul of her. The excavators, the Egyptologists, the archaeologists most of all, plastered her grey ancient face with labels like hotel advertisements on travellers' portmanteaux. They told where she had come from last, but nothing of what she dreamed and thought and loved. The heart of Egypt lay beneath the sand, and the trifling robbery of little details that poked forth from tombs and temples brought no true revelation of her stupendous spiritual splendour. Henriot, in his youth, had searched and dived among what material he could find, believing once—or half believing—that the ceremonial of that ancient system veiled a weight of symbol that was reflected from genuine supersensual knowledge. The rituals, now taken literally, and so pityingly explained away, had once been genuine pathways of approach. But never yet, and least of all in his previous visits to Egypt itself, had he discovered one single person, worthy of speech, who caught at his idea. "Curious," they said, then turned away—to go on digging in the sand. Sand smothered her world to-day. Excavators discovered skeletons. Museums everywhere stored them—grinning, literal relics that told nothing.

But now, while he packed and sang, these hopes of enthusiastic younger days stirred again—because the emotion that gave them birth was real and true in him. Through the morning mists upon the Nile an old pyramid bowed hugely at him across London roofs: "Come," he heard its awful whisper beneath the ceiling, "I have things to show you, and to tell." He saw the flock of them sailing the Desert like weird grey solemn ships that make no earthly port. And he imagined them as one: multiple expressions of some single unearthly portent they adumbrated in mighty form—dead symbols of some spiritual conception long vanished from the world.

"I mustn't dream like this," he laughed, "or I shall get absent-minded and pack fire-tongs instead of boots. It looks like a jumble sale already!" And he stood on a heap of things to wedge them down still tighter.

But the pictures would not cease. He saw the kites circling high in the blue air. A couple of white vultures flapped lazily away over shining miles. Felucca sails, like giant wings emerging from the ground, curved towards him from the Nile. The palm-trees dropped long shadows over Memphis. He felt the delicious, drenching heat, and the Khamasin, that over-wind from Nubia, brushed his very cheeks. In the little gardens the mish-mish was in bloom.... He smelt the Desert ... grey sepulchre of cancelled cycles.... The stillness of her interminable reaches dropped down upon old London....

The magic of the sand stole round him in its silent-footed tempest.

And while he struggled with that strange, capacious sack, the piles of clothing ran into shapes of gleaming Bedouin faces; London garments settled down with the mournful sound of camels' feet, half dropping wind, half water flowing underground—sound that old Time has brought over into modern life and left a moment for our wonder and perhaps our tears.

He rose at length with the excitement of some deep enchantment in his eyes. The thought of Egypt plunged ever so deeply into him, carrying him into depths where he found it difficult to breathe, so strangely far away it seemed, yet indefinably familiar. He lost his way. A touch of fear came with it.

"A sack like that is the wonder of the world," he laughed again, kicking the unwieldy, sausage-shaped monster into a corner of the room, and sitting down to write the thrilling labels: "Felix Henriot, Alexandria via Marseilles." But his pen blotted the letters; there was sand in it. He rewrote the words. Then he remembered a dozen things he had left out. Impatiently, yet with confusion somewhere, he stuffed them in. They ran away into shifting heaps; they disappeared; they emerged suddenly again. It was like packing hot, dry, flowing sand. From the pockets of a coat—he had worn it last summer down Dorset way—out trickled sand. There was sand in his mind and thoughts.

And his dreams that night were full of winds, the old sad winds of Egypt, and of moving, sifting sand. Arabs and Afreets danced amazingly together across dunes he could never reach. For he could not follow fast enough. Something infinitely older than these ever caught his feet and held him back. A million tiny fingers stung and pricked him. Something flung a veil before his eyes. Once it touched him—his face and hands and neck. "Stay here with us," he heard a host of muffled voices crying, but their sound was smothered, buried, rising through the ground. A myriad throats were choked. Till, at last, with a violent effort he turned and seized it. And then the thing he grasped at slipped between his fingers and ran easily away. It had a grey and yellow face, and it moved through all its parts. It flowed as water flows, and yet was solid. It was centuries old.

He cried out to it. "Who are you? What is your name? I surely know you ... but I have forgotten ...?"

And it stopped, turning from far away its great uncovered countenance of nameless colouring. He caught a voice. It rolled and boomed and whispered like the wind. And then he woke, with a curious shaking in his heart, and a little touch of chilly perspiration on the skin.

But the voice seemed in the room still—close beside him:

"I am the Sand," he heard, before it died away.

* * * * *

And next he realised that the glitter of Paris lay behind him, and a steamer was taking him with much unnecessary motion across a sparkling sea towards Alexandria. Gladly he saw the Riviera fade below the horizon, with its hard bright sunshine, treacherous winds, and its smear of rich, conventional English. All restlessness now had left him. True vagabond still at forty, he only felt the unrest and discomfort of life when caught in the network of routine and rigid streets, no chance of breaking loose. He was off again at last, money scarce enough indeed, but the joy of wandering expressing itself in happy emotions of release. Every warning of calculation was stifled. He thought of the American woman who walked out of her Long Island house one summer's day to look at a passing sail—and was gone eight years before she walked in again. Eight years of roving travel! He had always felt respect and admiration for that woman.

For Felix Henriot, with his admixture of foreign blood, was philosopher as well as vagabond, a strong poetic and religious strain sometimes breaking out through fissures in his complex nature. He had seen much life; had read many books. The passionate desire of youth to solve the world's big riddles had given place to a resignation filled to the brim with wonder. Anything might be true. Nothing surprised him. The most outlandish beliefs, for all he knew, might fringe truth somewhere. He had escaped that cheap cynicism with which disappointed men soothe their vanity when they realise that an intelligible explanation of the universe lies beyond their powers. He no longer expected final answers.

For him, even the smallest journeys held the spice of some adventure; all minutes were loaded with enticing potentialities. And they shaped for themselves somehow a dramatic form. "It's like a story," his friends said when he told his travels. It always was a story.

But the adventure that lay waiting for him where the silent streets of little Helouan kiss the great Desert's lips, was of a different kind to any Henriot had yet encountered. Looking back, he has often asked himself, "How in the world can I accept it?"

And, perhaps, he never yet has accepted it. It was sand that brought it. For the Desert, the stupendous thing that mothers little Helouan, produced it.



II

He slipped through Cairo with the same relief that he left the Riviera, resenting its social vulgarity so close to the imperial aristocracy of the Desert; he settled down into the peace of soft and silent little Helouan. The hotel in which he had a room on the top floor had been formerly a Khedivial Palace. It had the air of a palace still. He felt himself in a country-house, with lofty ceilings, cool and airy corridors, spacious halls. Soft-footed Arabs attended to his wants; white walls let in light and air without a sign of heat; there was a feeling of a large, spread tent pitched on the very sand; and the wind that stirred the oleanders in the shady gardens also crept in to rustle the palm leaves of his favourite corner seat. Through the large windows where once the Khedive held high court, the sunshine blazed upon vistaed leagues of Desert.

And from his bedroom windows he watched the sun dip into gold and crimson behind the swelling Libyan sands. This side of the pyramids he saw the Nile meander among palm groves and tilled fields. Across his balcony railings the Egyptian stars trooped down beside his very bed, shaping old constellations for his dreams; while, to the south, he looked out upon the vast untamable Body of the sands that carpeted the world for thousands of miles towards Upper Egypt, Nubia, and the dread Sahara itself. He wondered again why people thought it necessary to go so far afield to know the Desert. Here, within half an hour of Cairo, it lay breathing solemnly at his very doors.

For little Helouan, caught thus between the shoulders of the Libyan and Arabian Deserts, is utterly sand-haunted. The Desert lies all round it like a sea. Henriot felt he never could escape from it, as he moved about the island whose coasts are washed with sand. Down each broad and shining street the two end houses framed a vista of its dim immensity—glimpses of shimmering blue, or flame-touched purple. There were stretches of deep sea-green as well, far off upon its bosom. The streets were open channels of approach, and the eye ran down them as along the tube of a telescope laid to catch incredible distance out of space. Through them the Desert reached in with long, thin feelers towards the village. Its Being flooded into Helouan, and over it. Past walls and houses, churches and hotels, the sea of Desert pressed in silently with its myriad soft feet of sand. It poured in everywhere, through crack and slit and crannie. These were reminders of possession and ownership. And every passing wind that lifted eddies of dust at the street corners were messages from the quiet, powerful Thing that permitted Helouan to lie and dream so peacefully in the sunshine. Mere artificial oasis, its existence was temporary, held on lease, just for ninety-nine centuries or so.

This sea idea became insistent. For, in certain lights, and especially in the brief, bewildering dusk, the Desert rose—swaying towards the small white houses. The waves of it ran for fifty miles without a break. It was too deep for foam or surface agitation, yet it knew the swell of tides. And underneath flowed resolute currents, linking distance to the centre. These many deserts were really one. A storm, just retreated, had tossed Helouan upon the shore and left it there to dry; but any morning he would wake to find it had been carried off again into the depths. Some fragment, at least, would disappear. The grim Mokattam Hills were rollers that ever threatened to topple down and submerge the sandy bar that men called Helouan.

Being soundless, and devoid of perfume, the Desert's message reached him through two senses only—sight and touch; chiefly, of course, the former. Its invasion was concentrated through the eyes. And vision, thus uncorrected, went what pace it pleased. The Desert played with him. Sand stole into his being—through the eyes.

And so obsessing was this majesty of its close presence, that Henriot sometimes wondered how people dared their little social activities within its very sight and hearing; how they played golf and tennis upon reclaimed edges of its face, picnicked so blithely hard upon its frontiers, and danced at night while this stern, unfathomable Thing lay breathing just beyond the trumpery walls that kept it out. The challenge of their shallow admiration seemed presumptuous, almost provocative. Their pursuit of pleasure suggested insolent indifference. They ran fool-hardy hazards, he felt; for there was no worship in their vulgar hearts. With a mental shudder, sometimes he watched the cheap tourist horde go laughing, chattering past within view of its ancient, half-closed eyes. It was like defying deity.

For, to his stirred imagination the sublimity of the Desert dwarfed humanity. These people had been wiser to choose another place for the flaunting of their tawdry insignificance. Any minute this Wilderness, "huddled in grey annihilation," might awake and notice them ...!

In his own hotel were several "smart," so-called "Society" people who emphasised the protest in him to the point of definite contempt. Overdressed, the latest worldly novel under their arms, they strutted the narrow pavements of their tiny world, immensely pleased with themselves. Their vacuous minds expressed themselves in the slang of their exclusive circle—value being the element excluded. The pettiness of their outlook hardly distressed him—he was too familiar with it at home—but their essential vulgarity, their innate ugliness, seemed more than usually offensive in the grandeur of its present setting. Into the mighty sands they took the latest London scandal, gabbling it over even among the Tombs and Temples. And "it was to laugh," the pains they spent wondering whom they might condescend to know, never dreaming that they themselves were not worth knowing. Against the background of the noble Desert their titles seemed the cap and bells of clowns.

And Henriot, knowing some of them personally, could not always escape their insipid company. Yet he was the gainer. They little guessed how their commonness heightened contrast, set mercilessly thus beside the strange, eternal beauty of the sand.

Occasionally the protest in his soul betrayed itself in words, which of course they did not understand. "He is so clever, isn't he?" And then, having relieved his feelings, he would comfort himself characteristically:

"The Desert has not noticed them. The Sand is not aware of their existence. How should the sea take note of rubbish that lies above its tide-line?"

For Henriot drew near to its great shifting altars in an attitude of worship. The wilderness made him kneel in heart. Its shining reaches led to the oldest Temple in the world, and every journey that he made was like a sacrament. For him the Desert was a consecrated place. It was sacred.

And his tactful hosts, knowing his peculiarities, left their house open to him when he cared to come—they lived upon the northern edge of the oasis—and he was as free as though he were absolutely alone. He blessed them; he rejoiced that he had come. Little Helouan accepted him. The Desert knew that he was there.

* * * * *

From his corner of the big dining-room he could see the other guests, but his roving eye always returned to the figure of a solitary man who sat at an adjoining table, and whose personality stirred his interest. While affecting to look elsewhere, he studied him as closely as might be. There was something about the stranger that touched his curiosity—a certain air of expectation that he wore. But it was more than that: it was anticipation, apprehension in it somewhere. The man was nervous, uneasy. His restless way of suddenly looking about him proved it. Henriot tried every one else in the room as well; but, though his thought settled on others too, he always came back to the figure of this solitary being opposite, who ate his dinner as if afraid of being seen, and glanced up sometimes as if fearful of being watched. Henriot's curiosity, before he knew it, became suspicion. There was mystery here. The table, he noticed, was laid for two.

"Is he an actor, a priest of some strange religion, an enquiry agent, or just—a crank?" was the thought that first occurred to him. And the question suggested itself without amusement. The impression of subterfuge and caution he conveyed left his observer unsatisfied.

The face was clean shaven, dark, and strong; thick hair, straight yet bushy, was slightly unkempt; it was streaked with grey; and an unexpected mobility when he smiled ran over the features that he seemed to hold rigid by deliberate effort. The man was cut to no quite common measure. Henriot jumped to an intuitive conclusion: "He's not here for pleasure or merely sight-seeing. Something serious has brought him out to Egypt." For the face combined too ill-assorted qualities: an obstinate tenacity that might even mean brutality, and was certainly repulsive, yet, with it, an undecipherable dreaminess betrayed by lines of the mouth, but above all in the very light blue eyes, so rarely raised. Those eyes, he felt, had looked upon unusual things; "dreaminess" was not an adequate description; "searching" conveyed it better. The true source of the queer impression remained elusive. And hence, perhaps, the incongruous marriage in the face—mobility laid upon a matter-of-fact foundation underneath. The face showed conflict.

And Henriot, watching him, felt decidedly intrigued. "I'd like to know that man, and all about him." His name, he learned later, was Richard Vance; from Birmingham; a business man. But it was not the Birmingham he wished to know; it was the—other: cause of the elusive, dreamy searching. Though facing one another at so short a distance, their eyes, however, did not meet. And this, Henriot well knew, was a sure sign that he himself was also under observation. Richard Vance, from Birmingham, was equally taking careful note of Felix Henriot, from London.

Thus, he could wait his time. They would come together later. An opportunity would certainly present itself. The first links in a curious chain had already caught; soon the chain would tighten, pull as though by chance, and bring their lives into one and the same circle. Wondering in particular for what kind of a companion the second cover was laid, Henriot felt certain that their eventual coming together was inevitable. He possessed this kind of divination from first impressions, and not uncommonly it proved correct.

Following instinct, therefore, he took no steps towards acquaintance, and for several days, owing to the fact that he dined frequently with his hosts, he saw nothing more of Richard Vance, the business man from Birmingham. Then, one night, coming home late from his friend's house, he had passed along the great corridor, and was actually a step or so into his bedroom, when a drawling voice sounded close behind him. It was an unpleasant sound. It was very near him too—

"I beg your pardon, but have you, by any chance, such a thing as a compass you could lend me?"

The voice was so close that he started. Vance stood within touching distance of his body. He had stolen up like a ghostly Arab, must have followed him, too, some little distance, for further down the passage the light of an open door—he had passed it on his way—showed where he came from.

"Eh? I beg your pardon? A—compass, did you say?" He felt disconcerted for a moment. How short the man was, now that he saw him standing. Broad and powerful too. Henriot looked down upon his thick head of hair. The personality and voice repelled him. Possibly his face, caught unawares, betrayed this.

"Forgive my startling you," said the other apologetically, while the softer expression danced in for a moment and disorganised the rigid set of the face. "The soft carpet, you know. I'm afraid you didn't hear my tread. I wondered"—he smiled again slightly at the nature of the request—"if—by any chance—you had a pocket compass you could lend me?"

"Ah, a compass, yes! Please don't apologise. I believe I have one—if you'll wait a moment. Come in, won't you? I'll have a look."

The other thanked him but waited in the passage. Henriot, it so happened, had a compass, and produced it after a moment's search.

"I am greatly indebted to you—if I may return it in the morning. You will forgive my disturbing you at such an hour. My own is broken, and I wanted—er—to find the true north."

Henriot stammered some reply, and the man was gone. It was all over in a minute. He locked his door and sat down in his chair to think. The little incident had upset him, though for the life of him he could not imagine why. It ought by rights to have been almost ludicrous, yet instead it was the exact reverse—half threatening. Why should not a man want a compass? But, again, why should he? And at midnight? The voice, the eyes, the near presence—what did they bring that set his nerves thus asking unusual questions? This strange impression that something grave was happening, something unearthly—how was it born exactly? The man's proximity came like a shock. It had made him start. He brought—thus the idea came unbidden to his mind—something with him that galvanised him quite absurdly, as fear does, or delight, or great wonder. There was a music in his voice too—a certain—well, he could only call it lilt, that reminded him of plainsong, intoning, chanting. Drawling was not the word at all.

He tried to dismiss it as imagination, but it would not be dismissed. The disturbance in himself was caused by something not imaginary, but real. And then, for the first time, he discovered that the man had brought a faint, elusive suggestion of perfume with him, an aromatic odour, that made him think of priests and churches. The ghost of it still lingered in the air. Ah, here then was the origin of the notion that his voice had chanted: it was surely the suggestion of incense. But incense, intoning, a compass to find the true north—at midnight in a Desert hotel!

A touch of uneasiness ran through the curiosity and excitement that he felt.

And he undressed for bed. "Confound my old imagination," he thought, "what tricks it plays me! It'll keep me awake!"

But the questions, once started in his mind, continued. He must find explanation of one kind or another before he could lie down and sleep, and he found it at length in—the stars. The man was an astronomer of sorts; possibly an astrologer into the bargain! Why not? The stars were wonderful above Helouan. Was there not an observatory on the Mokattam Hills, too, where tourists could use the telescopes on privileged days? He had it at last. He even stole out on to his balcony to see if the stranger perhaps was looking through some wonderful apparatus at the heavens. Their rooms were on the same side. But the shuttered windows revealed no stooping figure with eyes glued to a telescope. The stars blinked in their many thousands down upon the silent desert. The night held neither sound nor movement. There was a cool breeze blowing across the Nile from the Lybian Sands. It nipped; and he stepped back quickly into the room again. Drawing the mosquito curtains carefully about the bed, he put the light out and turned over to sleep.

And sleep came quickly, contrary to his expectations, though it was a light and surface sleep. That last glimpse of the darkened Desert lying beneath the Egyptian stars had touched him with some hand of awful power that ousted the first, lesser excitement. It calmed and soothed him in one sense, yet in another, a sense he could not understand, it caught him in a net of deep, deep feelings whose mesh, while infinitely delicate, was utterly stupendous. His nerves this deeper emotion left alone: it reached instead to something infinite in him that mere nerves could neither deal with nor interpret. The soul awoke and whispered in him while his body slept.

And the little, foolish dreams that ran to and fro across this veil of surface sleep brought oddly tangled pictures of things quite tiny and at the same time of others that were mighty beyond words. With these two counters Nightmare played. They interwove. There was the figure of this dark-faced man with the compass, measuring the sky to find the true north, and there were hints of giant Presences that hovered just outside some curious outline that he traced upon the ground, copied in some nightmare fashion from the heavens. The excitement caused by his visitor's singular request mingled with the profounder sensations his final look at the stars and Desert stirred. The two were somehow inter-related.

Some hours later, before this surface sleep passed into genuine slumber, Henriot woke—with an appalling feeling that the Desert had come creeping into his room and now stared down upon him where he lay in bed. The wind was crying audibly about the walls outside. A faint, sharp tapping came against the window panes.

He sprang instantly out of bed, not yet awake enough to feel actual alarm, yet with the nightmare touch still close enough to cause a sort of feverish, loose bewilderment. He switched the lights on. A moment later he knew the meaning of that curious tapping, for the rising wind was flinging tiny specks of sand against the glass. The idea that they had summoned him belonged, of course, to dream.

He opened the window, and stepped out on to the balcony. The stone was very cold under his bare feet. There was a wash of wind all over him. He saw the sheet of glimmering, pale desert near and far; and something stung his skin below the eyes.

"The sand," he whispered, "again the sand; always the sand. Waking or sleeping, the sand is everywhere—nothing but sand, sand, Sand...."

He rubbed his eyes. It was like talking in his sleep, talking to Someone who had questioned him just before he woke. But was he really properly awake? It seemed next day that he had dreamed it. Something enormous, with rustling skirts of sand, had just retreated far into the Desert. Sand went with it—flowing, trailing, smothering the world. The wind died down.

And Henriot went back to sleep, caught instantly away into unconsciousness; covered, blinded, swept over by this spreading thing of reddish brown with the great, grey face, whose Being was colossal yet quite tiny, and whose fingers, wings and eyes were countless as the stars.

But all night long it watched and waited, rising to peer above the little balcony, and sometimes entering the room and piling up beside his very pillow. He dreamed of Sand.



III

For some days Henriot saw little of the man who came from Birmingham and pushed curiosity to a climax by asking for a compass in the middle of the night. For one thing, he was a good deal with his friends upon the other side of Helouan, and for another, he slept several nights in the Desert.

He loved the gigantic peace the Desert gave him. The world was forgotten there; and not the world merely, but all memory of it. Everything faded out. The soul turned inwards upon itself.

An Arab boy and donkey took out sleeping-bag, food and water to the Wadi Hof, a desolate gorge about an hour eastwards. It winds between cliffs whose summits rise some thousand feet above the sea. It opens suddenly, cut deep into the swaying world of level plateaux and undulating hills. It moves about too; he never found it in the same place twice—like an arm of the Desert that shifted with the changing lights. Here he watched dawns and sunsets, slept through the mid-day heat, and enjoyed the unearthly colouring that swept Day and Night across the huge horizons. In solitude the Desert soaked down into him. At night the jackals cried in the darkness round his cautiously-fed camp fire—small, because wood had to be carried—and in the day-time kites circled overhead to inspect him, and an occasional white vulture flapped across the blue. The weird desolation of this rocky valley, he thought, was like the scenery of the moon. He took no watch with him, and the arrival of the donkey boy an hour after sunrise came almost from another planet, bringing things of time and common life out of some distant gulf where they had lain forgotten among lost ages.

The short hour of twilight brought, too, a bewitchment into the silence that was a little less than comfortable. Full light or darkness he could manage, but this time of half things made him want to shut his eyes and hide. Its effect stepped over imagination. The mind got lost. He could not understand it. For the cliffs and boulders of discoloured limestone shone then with an inward glow that signalled to the Desert with veiled lanterns. The misshappen hills, carved by wind and rain into ominous outlines, stirred and nodded. In the morning light they retired into themselves, asleep. But at dusk the tide retreated. They rose from the sea, emerging naked, threatening. They ran together and joined shoulders, the entire army of them. And the glow of their sandy bodies, self-luminous, continued even beneath the stars. Only the moonlight drowned it. For the moonrise over the Mokattam Hills brought a white, grand loveliness that drenched the entire Desert. It drew a marvellous sweetness from the sand. It shone across a world as yet unfinished, whereon no life might show itself for ages yet to come. He was alone then upon an empty star, before the creation of things that breathed and moved.

What impressed him, however, more than everything else was the enormous vitality that rose out of all this apparent death. There was no hint of the melancholy that belongs commonly to flatness; the sadness of wide, monotonous landscape was not here. The endless repetition of sweeping vale and plateau brought infinity within measurable comprehension. He grasped a definite meaning in the phrase "world without end": the Desert had no end and no beginning. It gave him a sense of eternal peace, the silent peace that star-fields know. Instead of subduing the soul with bewilderment, it inspired with courage, confidence, hope. Through this sand which was the wreck of countless geological ages, rushed life that was terrific and uplifting, too huge to include melancholy, too deep to betray itself in movement. Here was the stillness of eternity. Behind the spread grey masque of apparent death lay stores of accumulated life, ready to break forth at any point. In the Desert he felt himself absolutely royal.

And this contrast of Life, veiling itself in Death, was a contradiction that somehow intoxicated. The Desert exhilaration never left him. He was never alone. A companionship of millions went with him, and he felt the Desert close, as stars are close to one another, or grains of sand.

It was the Khamasin, the hot wind bringing sand, that drove him in—with the feeling that these few days and nights had been immeasurable, and that he had been away a thousand years. He came back with the magic of the Desert in his blood, hotel-life tasteless and insipid by comparison. To human impressions thus he was fresh and vividly sensitive. His being, cleaned and sensitized by pure grandeur, "felt" people—for a time at any rate—with an uncommon sharpness of receptive judgment. He returned to a life somehow mean and meagre, resuming insignificance with his dinner jacket. Out with the sand he had been regal; now, like a slave, he strutted self-conscious and reduced.

But this imperial standard of the Desert stayed a little time beside him, its purity focussing judgment like a lens. The specks of smaller emotions left it clear at first, and as his eye wandered vaguely over the people assembled in the dining-room, it was arrested with a vivid shock upon two figures at the little table facing him.

He had forgotten Vance, the Birmingham man who sought the North at midnight with a pocket compass. He now saw him again, with an intuitive discernment entirely fresh. Before memory brought up her clouding associations, some brilliance flashed a light upon him. "That man," Henriot thought, "might have come with me. He would have understood and loved it!" But the thought was really this—a moment's reflection spread it, rather: "He belongs somewhere to the Desert; the Desert brought him out here." And, again, hidden swiftly behind it like a movement running below water—"What does he want with it? What is the deeper motive he conceals? For there is a deeper motive; and it is concealed."

But it was the woman seated next him who absorbed his attention really, even while this thought flashed and went its way. The empty chair was occupied at last. Unlike his first encounter with the man, she looked straight at him. Their eyes met fully. For several seconds there was steady mutual inspection, while her penetrating stare, intent without being rude, passed searchingly all over his face. It was disconcerting. Crumbling his bread, he looked equally hard at her, unable to turn away, determined not to be the first to shift his gaze. And when at length she lowered her eyes he felt that many things had happened, as in a long period of intimate conversation. Her mind had judged him through and through. Questions and answer flashed. They were no longer strangers. For the rest of dinner, though he was careful to avoid direct inspection, he was aware that she felt his presence and was secretly speaking with him. She asked questions beneath her breath. The answers rose with the quickened pulses in his blood. Moreover, she explained Richard Vance. It was this woman's power that shone reflected in the man. She was the one who knew the big, unusual things. Vance merely echoed the rush of her vital personality.

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