HAU: Will you, master Truewit?
DAUP: Ay, but noble ladies, do not confess in your countenance, or outward bearing to them, any discovery of their follies, that we may see how they will bear up again, with what assurance and erection.
HAU: We will not, sir Dauphine.
CEN. MAV: Upon our honours, sir Dauphine.
TRUE [GOES TO THE FIRST CLOSET.]: Sir Amorous, sir Amorous! The ladies are here.
LA-F [WITHIN.]: Are they?
TRUE: Yes; but slip out by and by, as their backs are turn'd, and meet sir John here, as by chance, when I call you. [goes to the other.] —Jack Daw.
DAW: What say you, sir?
TRUE: Whip out behind me suddenly, and no anger in your looks to your adversary. Now, now!
[LA-FOOLE AND DAW SLIP OUT OF THEIR RESPECTIVE CLOSETS, AND SALUTE EACH OTHER.]
LA-F: Noble sir John Daw, where have you been?
DAW: To seek you, sir Amorous.
LA-F: Me! I honour you.
DAW: I prevent you, sir.
CLER: They have forgot their rapiers.
TRUE: O, they meet in peace, man.
DAUP: Where's your sword, sir John?
CLER: And yours, sir Amorous?
DAW: Mine! my boy had it forth to mend the handle, e'en now.
LA-F: And my gold handle was broke too, and my boy had it forth.
DAUP: Indeed, sir!—How their excuses meet!
CLER: What a consent there is in the handles!
TRUE: Nay, there is so in the points too, I warrant you.
[ENTER MOROSE, WITH THE TWO SWORDS, DRAWN IN HIS HANDS.]
MRS. OTT: O me! madam, he comes again, the madman! Away!
[LADIES, DAW, AND LA-FOOLE, RUN OFF.]
MOR: What make these naked weapons here, gentlemen?
TRUE: O sir! here hath like to have been murder since you went; a couple of knights fallen out about the bride's favours! We were fain to take away their weapons; your house had been begg'd by this time else.
MOR: For what?
CLER: For manslaughter, sir, as being accessary.
MOR: And for her favours?
TRUE: Ay, sir, heretofore, not present—Clerimont, carry them their swords, now. They have done all the hurt they will do.
[EXIT CLER. WITH THE TWO SWORDS.]
DAUP: Have you spoke with the lawyer, sir?
MOR: O, no! there is such a noise in the court, that they have frighted me home with more violence then I went! such speaking and counter-speaking, with their several voices of citations, appellations, allegations, certificates, attachments, intergatories, references, convictions, and afflictions indeed, among the doctors and proctors, that the noise here is silence to't! a kind of calm midnight!
TRUE: Why, sir, if you would be resolved indeed, I can bring you hither a very sufficient lawyer, and a learned divine, that shall enquire into every least scruple for you.
MOR: Can you, master Truewit?
TRUE: Yes, and are very sober, grave persons, that will dispatch it in a chamber, with a whisper or two.
MOR: Good sir, shall I hope this benefit from you, and trust myself into your hands?
TRUE: Alas, sir! your nephew and I have been ashamed and oft-times mad, since you went, to think how you are abused. Go in, good sir, and lock yourself up till we call you; we'll tell you more anon, sir.
MOR: Do your pleasure with me gentlemen; I believe in you: and that deserves no delusion.
TRUE: You shall find none, sir: but heap'd, heap'd plenty of vexation.
DAUP: What wilt thou do now, Wit?
TRUE: Recover me hither Otter and the barber, if you can, by any means, presently.
DAUP: Why? to what purpose?
TRUE: O, I'll make the deepest divine, and gravest lawyer, out of them two for him—
DAUP: Thou canst not, man; these are waking dreams.
TRUE: Do not fear me. Clap but a civil gown with a welt on the one; and a canonical cloak with sleeves on the other: and give them a few terms in their mouths, if there come not forth as able a doctor, and complete a parson, for this turn, as may be wish'd, trust not my election: and, I hope, without wronging the dignity of either profession, since they are but persons put on, and for mirth's sake, to torment him. The barber smatters Latin, I remember.
DAUP: Yes, and Otter too.
TRUE: Well then, if I make them not wrangle out this case to his no comfort, let me be thought a Jack Daw or La-Foole or anything worse. Go you to your ladies, but first send for them.
DAUP: I will.
A ROOM IN MOROSE'S HOUSE.
ENTER LA-FOOLE, CLERIMONT, AND DAW.
LA-F: Where had you our swords, master Clerimont?
CLER: Why, Dauphine took them from the madman.
LA-F: And he took them from our boys, I warrant you.
CLER: Very like, sir.
LA-F: Thank you, good master Clerimont. Sir John Daw and I are both beholden to you.
CLER: Would I knew how to make you so, gentlemen!
DAW: Sir Amorous and I are your servants, sir.
MAV: Gentlemen, have any of you a pen and ink? I would fain write out a riddle in Italian, for sir Dauphine, to translate.
CLER: Not I, in troth lady; I am no scrivener.
DAW: I can furnish you, I think, lady.
[EXEUNT DAW AND MAVIS.]
CLER: He has it in the haft of a knife, I believe.
LA-F: No, he has his box of instruments.
CLER: Like a surgeon!
LA-F: For the mathematics: his square, his compasses, his brass pens, and black-lead, to draw maps of every place and person where he comes.
CLER: How, maps of persons!
LA-F: Yes, sir, of Nomentack when he was here, and of the Prince of Moldavia, and of his mistress, mistress Epicoene.
CLER: Away! he hath not found out her latitude, I hope.
LA-F: You are a pleasant gentleman, sir.
CLER: Faith, now we are in private, let's wanton it a little, and talk waggishly.—Sir John, I am telling sir Amorous here, that you two govern the ladies wherever you come; you carry the feminine gender afore you.
DAW: They shall rather carry us afore them, if they will, sir.
CLER: Nay, I believe that they do, withal—but that you are the prime men in their affections, and direct all their actions—
DAW: Not I: sir Amorous is.
LA-F: I protest, sir John is.
DAW: As I hope to rise in the state, sir Amorous, you have the person.
LA-F: Sir John, you have the person, and the discourse too.
DAW: Not I, sir. I have no discourse—and then you have activity beside.
LA-F: I protest, sir John, you come as high from Tripoly as I do, every whit: and lift as many join'd stools, and leap over them, if you would use it.
CLER: Well, agree on't together knights; for between you, you divide the kingdom or commonwealth of ladies' affections: I see it, and can perceive a little how they observe you, and fear you, indeed. You could tell strange stories, my masters, if you would, I know.
DAW: Faith, we have seen somewhat, sir.
LA-F: That we have—velvet petticoats, and wrought smocks, or so.
DAW: Ay, and—
CLER: Nay, out with it, sir John: do not envy your friend the pleasure of hearing, when you have had the delight of tasting.
DAW: Why—a—do you speak, sir Amorous.
LA-F: No, do you, sir John Daw.
DAW: I'faith, you shall.
LA-F: I'faith, you shall.
DAW: Why, we have been—
LA-F: In the great bed at Ware together in our time. On, sir John.
DAW: Nay, do you, sir Amorous.
CLER: And these ladies with you, knights?
LA-F: No, excuse us, sir.
DAW: We must not wound reputation.
LA-F: No matter—they were these, or others. Our bath cost us fifteen pound when we came home.
CLER: Do you hear, sir John? You shall tell me but one thing truly, as you love me.
DAW: If I can, I will, sir.
CLER: You lay in the same house with the bride, here?
DAW: Yes, and conversed with her hourly, sir.
CLER: And what humour is she of? Is she coming, and open, free?
DAW: O, exceeding open, sir. I was her servant, and sir Amorous was to be.
CLER: Come, you have both had favours from her: I know, and have heard so much.
DAW: O no, sir.
LA-F: You shall excuse us, sir: we must not wound reputation.
CLER: Tut, she is married now, and you cannot hurt her with any report; and therefore speak plainly: how many times, i'faith? which of you led first? ha!
LA-F: Sir John had her maidenhead, indeed.
DAW: O, it pleases him to say so, sir, but sir Amorous knows what is what, as well.
CLER: Dost thou i'faith, Amorous?
LA-F: In a manner, sir.
CLER: Why, I commend you lads. Little knows don Bridegroom of this. Nor shall he, for me.
DAW: Hang him, mad ox!
CLER: Speak softly: here comes his nephew, with the lady Haughty. He'll get the ladies from you, sirs, if you look not to him in time.
LA-F: Why, if he do, we'll fetch them home again, I warrant you.
[EXIT WITH DAW. CLER. WALKS ASIDE.]
[ENTER DAUPHINE AND HAUGHTY.]
HAU: I assure you, sir Dauphine, it is the price and estimation of your virtue only, that hath embark'd me to this adventure; and I could not but make out to tell you so; nor can I repent me of the act, since it is always an argument of some virtue in our selves, that we love and affect it so in others.
DAUP: Your ladyship sets too high a price on my weakness.
HAU: Sir, I can distinguish gems from pebbles—
DAUP [ASIDE.]: Are you so skilful in stones?
HAU: And howsover I may suffer in such a judgment as yours, by admitting equality of rank or society with Centaure or Mavis—
DAUP: You do not, madam; I perceive they are your mere foils.
HAU: Then, are you a friend to truth, sir; it makes me love you the more. It is not the outward, but the inward man that I affect. They are not apprehensive of an eminent perfection, but love flat, and dully.
CEN [within.]: Where are you, my lady Haughty?
HAU: I come presently, Centaure.—My chamber, sir, my page shall shew you; and Trusty, my woman, shall be ever awake for you: you need not fear to communicate any thing with her, for she is a Fidelia. I pray you wear this jewel for my sake, sir Dauphine.— [ENTER CENTAURE.] Where is Mavis, Centaure?
CEN: Within, madam, a writing. I'll follow you presently: [EXIT HAU.] I'll but speak a word with sir Dauphine.
DAUP: With me, madam?
CEN: Good sir Dauphine, do not trust Haughty, nor make any credit to her, whatever you do besides. Sir Dauphine, I give you this caution, she is a perfect courtier, and loves nobody but for her uses: and for her uses she loves all. Besides, her physicians give her out to be none o' the clearest, whether she pay them or no, heaven knows: and she's above fifty too, and pargets! See her in a forenoon. Here comes Mavis, a worse face then she! you would not like this, by candle-light. [RE-ENTER MAVIS.] If you'll come to my chamber one o' these mornings early, or late in an evening, I will tell you more. Where's Haughty, Mavis?
MAV: Within, Centaure.
CEN: What have you, there?
MAV: An Italian riddle for sir Dauphine,—you shall not see it i'faith, Centaure.— [EXIT CEN.] Good sir Dauphine, solve it for me. I'll call for it anon.
CLER [COMING FORWARD.]: How now, Dauphine! how dost thou quit thyself of these females?
DAUP: 'Slight, they haunt me like fairies, and give me jewels here; I cannot be rid of them.
CLER: O, you must not tell though.
DAUP: Mass, I forgot that: I was never so assaulted. One loves for virtue, and bribes me with this; [SHEWS THE JEWEL.] —another loves me with caution, and so would possess me; a third brings me a riddle here: and all are jealous: and rail each at other.
CLER: A riddle! pray let me see it. [READS.] Sir Dauphine, I chose this way of intimation for privacy. The ladies here, I know, have both hope and purpose to make a collegiate and servant of you. If I might be so honoured, as to appear at any end of so noble a work, I would enter into a fame of taking physic to-morrow, and continue it four or five days, or longer, for your visitation. Mavis. By my faith, a subtle one! Call you this a riddle? what's their plain dealing, trow?
DAUP: We lack Truewit to tell us that.
CLER: We lack him for somewhat else too: his knights reformadoes are wound up as high and insolent as ever they were.
DAUP: You jest.
CLER: No drunkards, either with wine or vanity, ever confess'd such stories of themselves. I would not give a fly's leg, in balance against all the womens' reputations here, if they could be but thought to speak truth: and for the bride, they have made their affidavit against her directly—
DAUP: What, that they have lain with her?
CLER: Yes; and tell times and circumstances, with the cause why, and the place where. I had almost brought them to affirm that they had done it to-day.
DAUP: Not both of them?
CLER: Yes, faith: with a sooth or two more I had effected it. They would have set it down under their hands.
DAUP: Why, they will be our sport, I see, still, whether we will or no.
TRUE: O, are you here? Come, Dauphine; go call your uncle presently: I have fitted my divine, and my canonist, dyed their beards and all. The knaves do not know themselves, they are so exalted and altered. Preferment changes any man. Thou shalt keep one door and I another, and then Clerimont in the midst, that he may have no means of escape from their cavilling, when they grow hot once again. And then the women, as I have given the bride her instructions, to break in upon him in the l'enuoy. O, 'twill be full and twanging! Away! fetch him. [EXIT DAUPHINE.] [ENTER OTTER DISGUISED AS A DIVINE, AND CUTBEARD AS A CANON LAWYER.] Come, master doctor, and master parson, look to your parts now, and discharge them bravely: you are well set forth, perform it as well. If you chance to be out, do not confess it with standing still, or humming, or gaping one at another: but go on, and talk aloud and eagerly; use vehement action, and only remember your terms, and you are safe. Let the matter go where it will: you have many will do so. But at first be very solemn, and grave like your garments, though you loose your selves after, and skip out like a brace of jugglers on a table. Here he comes: set your faces, and look superciliously, while I present you.
[RE-ENTER DAUPHINE WITH MOROSE.]
MOR: Are these the two learned men?
TRUE: Yes, sir; please you salute them.
MOR: Salute them! I had rather do any thing, than wear out time so unfruitfully, sir. I wonder how these common forms, as God save you, and You are welcome, are come to be a habit in our lives: or, I am glad to see you! when I cannot see what the profit can be of these words, so long as it is no whit better with him whose affairs are sad and grievous, that he hears this salutation.
TRUE: 'Tis true, sir; we'll go to the matter then.—Gentlemen, master doctor, and master parson, I have acquainted you sufficiently with the business for which you are come hither; and you are not now to inform yourselves in the state of the question, I know. This is the gentleman who expects your resolution, and therefore, when you please, begin.
OTT: Please you, master doctor.
CUT: Please you, good master parson.
OTT: I would hear the canon-law speak first.
CUT: It must give place to positive divinity, sir.
MOR: Nay, good gentlemen, do not throw me into circumstances. Let your comforts arrive quickly at me, those that are. Be swift in affording me my peace, if so I shall hope any. I love not your disputations, or your court-tumults. And that it be not strange to you, I will tell you: My father, in my education, was wont to advise me, that I should always collect and contain my mind, not suffering it to flow loosely; that I should look to what things were necessary to the carriage of my life, and what not; embracing the one and eschewing the other: in short, that I should endear myself to rest, and avoid turmoil: which now is grown to be another nature to me. So that I come not to your public pleadings, or your places of noise; not that I neglect those things that make for the dignity of the commonwealth: but for the mere avoiding of clamours and impertinencies of orators, that know not how to be silent. And for the cause of noise, am I now a suitor to you. You do not know in what a misery I have been exercised this day, what a torrent of evil! my very house turns round with the tumult! I dwell in a windmill: The perpetual motion is here, and not at Eltham.
TRUE: Well, good master doctor, will you break the ice? master parson will wade after.
CUT: Sir, though unworthy, and the weaker, I will presume.
OTT: 'Tis no presumption, domine doctor.
MOR: Yet again!
CUT: Your question is, For how many causes a man may have divortium legitimum, a lawful divorce? First, you must understand the nature of the word, divorce, a divertendo—
MOR: No excursions upon words, good doctor, to the question briefly.
CUT: I answer then, the canon-law affords divorce but in a few cases; and the principal is in the common case, the adulterous case: But there are duodecim impedimenta, twelve impediments, as we call them, all which do not dirimere contractum, but irritum reddere matrimonium, as we say in the canon-law, not take away the bond, but cause a nullity therein.
MOR: I understood you before: good sir, avoid your impertinency of translation.
OTT: He cannot open this too much, sir, by your favour.
MOR: Yet more!
TRUE: O, you must give the learned men leave, sir.—To your impediments, master Doctor.
CUT: The first is impedimentum erroris.
OTT: Of which there are several species.
CUT: Ay, as error personae.
OTT: If you contract yourself to one person, thinking her another.
CUT: Then, error fortunae.
OTT: If she be a begger, and you thought her rich.
CUT: Then, error qualitatis.
OTT: If she prove stubborn or head-strong, that you thought obedient.
MOR: How! is that, sir, a lawful impediment? One at once, I pray you gentlemen.
OTT: Ay, ante copulam, but not post copulam, sir.
CUT: Master Parson says right. Nec post nuptiarum benedictionem. It doth indeed but irrita reddere sponsalia, annul the contract: after marriage it is of no obstancy.
TRUE: Alas, sir, what a hope are we fallen from by this time!
CUT: The next is conditio: if you thought her free born, and she prove a bond-woman, there is impediment of estate and condition.
OTT: Ay, but, master doctor, those servitudes are sublatae now, among us Christians.
CUT: By your favour, master parson—
OTT: You shall give me leave, master doctor.
MOR: Nay, gentlemen, quarrel not in that question; it concerns not my case: pass to the third.
CUT: Well then, the third is votum: if either party have made a vow of chastity. But that practice, as master parson said of the other, is taken away among us, thanks be to discipline. The fourth is cognatio: if the persons be of kin within the degrees.
OTT: Ay: do you know what the degrees are, sir?
MOR: No, nor I care not, sir: they offer me no comfort in the question, I am sure.
CUT: But there is a branch of this impediment may, which is cognatio spiritualis: if you were her godfather, sir, then the marriage is incestuous.
OTT: That comment is absurd and superstitious, master doctor: I cannot endure it. Are we not all brothers and sisters, and as much akin in that, as godfathers and god-daughters?
MOR: O me! to end the controversy, I never was a godfather, I never was a godfather in my life, sir. Pass to the next.
CUT: The fifth is crimen adulterii; the known case. The sixth, cultus disparitas, difference of religion: have you ever examined her, what religion she is of?
MOR: No, I would rather she were of none, than be put to the trouble of it!
OTT: You may have it done for you, sir.
MOR: By no means, good sir; on to the rest: shall you ever come to an end, think you?
TRUE: Yes, he has done half, sir. On, to the rest.—Be patient, and expect, sir.
CUT: The seventh is, vis: if it were upon compulsion or force.
MOR: O no, it was too voluntary, mine; too voluntary.
CUT: The eight is, ordo; if ever she have taken holy orders.
OTT: That's supersitious too.
MOR: No matter, master parson: Would she would go into a nunnery yet.
CUT: The ninth is, ligamen; if you were bound, sir, to any other before.
MOR: I thrust myself too soon into these fetters.
CUT: The tenth is, publica honestas: which is inchoata quaedam affinitas.
OTT: Ay, or affinitas orta ex sponsalibus; and is but leve impedimentum.
MOR: I feel no air of comfort blowing to me, in all this.
CUT: The eleventh is, affinitas ex fornicatione.
OTT: Which is no less vera affinitas, than the other, master doctor.
CUT: True, quae oritur ex legitimo matrimonio.
OTT: You say right, venerable doctor: and, nascitur ex eo, quod per conjugium duae personae efficiuntur una caro—
MOR: Hey-day, now they begin!
CUT: I conceive you, master parson: ita per fornicationem aeque est verus pater, qui sic generat—
OTT: Et vere filius qui sic generatur—
MOR: What's all this to me?
CLER: Now it grows warm.
CUT: The twelfth, and last is, si forte coire nequibis.
OTT: Ay, that is impedimentum gravissimum: it doth utterly annul, and annihilate, that. If you have manifestam frigiditatem, you are well, sir.
TRUE: Why, there is comfort come at length, sir. Confess yourself but a man unable, and she will sue to be divorced first.
OTT: Ay, or if there be morbus perpetuus, et insanabilis; as paralysis, elephantiasis, or so—
DAUP: O, but frigiditas is the fairer way, gentlemen.
OTT: You say troth, sir, and as it is in the canon, master doctor—
CUT: I conceive you, sir.
CLER: Before he speaks!
OTT: That a boy, or child, under years, is not fit for marriage, because he cannot reddere debitum. So your omnipotentes—
TRUE [ASIDE TO OTT.]: Your impotentes, you whoreson lobster!
OTT: Your impotentes, I should say, are minime apti ad contrahenda matrimonium.
TRUE: Matrimonium! we shall have most unmatrimonial Latin with you: matrimonia, and be hang'd.
DAUP: You put them out, man.
CUT: But then there will arise a doubt, master parson, in our case, post matrimonium: that frigiditate praeditus—do you conceive me, sir?
OTT: Very well, sir.
CUT: Who cannot uti uxore pro uxore, may habere eam pro sorore.
OTT: Absurd, absurd, absurd, and merely apostatical!
CUT: You shall pardon me, master parson, I can prove it.
OTT: You can prove a will, master doctor, you can prove nothing else. Does not the verse of your own canon say, Haec socianda vetant connubia, facta retractant?
CUT: I grant you; but how do they retractare, master parson?
MOR: O, this was it I feared.
OTT: In aeternum, sir.
CUT: That's false in divinity, by your favour.
OTT: 'Tis false in humanity to say so. Is he not prorsus inutilis ad thorum? Can he praestare fidem datam? I would fain know.
CUT: Yes; how if he do convalere?
OTT: He cannot convalere, it is impossible.
TRUE: Nay, good sir, attend the learned men, they will think you neglect them else.
CUT: Or, if he do simulare himself frigidum, odio uxoris, or so?
OTT: I say, he is adulter manifestus then.
DAUP: They dispute it very learnedly, i'faith.
OTT: And prostitutor uxoris; and this is positive.
MOR: Good sir, let me escape.
TRUE: You will not do me that wrong, sir?
OTT: And, therefore, if he be manifeste frigidus, sir—
CUT: Ay, if he be manifeste frigidus, I grant you—
OTT: Why, that was my conclusion.
CUT: And mine too.
TRUE: Nay, hear the conclusion, sir.
OTT: Then, frigiditatis causa—
CUT: Yes, causa frigiditatis—
MOR: O, mine ears!
OTT: She may have libellum divortii against you.
CUT: Ay, divortii libellum she will sure have.
MOR: Good echoes, forbear.
OTT: If you confess it.
CUT: Which I would do, sir—
MOR: I will do any thing.
OTT: And clear myself in foro conscientiae—
CUT: Because you want indeed—
MOR: Yet more?
OTT: Exercendi potestate.
[EPICOENE RUSHES IN, FOLLOWED BY HAUGHTY, CENTAURE, MAVIS, MISTRESS OTTER, DAW, AND LA-FOOLE.]
EPI: I will not endure it any longer. Ladies, I beseech you, help me. This is such a wrong as never was offered to poor bride before: upon her marriage day, to have her husband conspire against her, and a couple of mercenary companions to be brought in for form's sake, to persuade a separation! If you had blood or virtue in you, gentlemen, you would not suffer such ear-wigs about a husband, or scorpions to creep between man and wife.
MOR: O the variety and changes of my torment!
HAU: Let them be cudgell'd out of doors, by our grooms.
CEN: I'll lend you my foot-man.
MAV: We'll have our men blanket them in the hall.
MRS. OTT: As there was one at our house, madam, for peeping in at the door.
DAW: Content, i'faith.
TRUE: Stay, ladies and gentlemen; you'll hear, before you proceed?
MAV: I'd have the bridegroom blanketted too.
CEN: Begin with him first.
HAU: Yes, by my troth.
MOR: O mankind generation!
DAUP: Ladies, for my sake forbear.
HAU: Yes, for sir Dauphine's sake.
CEN: He shall command us.
LA-F: He is as fine a gentleman of his inches, madam, as any is about the town, and wears as good colours when he lists.
TRUE: Be brief, sir, and confess your infirmity, she'll be a-fire to be quit of you, if she but hear that named once, you shall not entreat her to stay: she'll fly you like one that had the marks upon him.
MOR: Ladies, I must crave all your pardons—
TRUE: Silence, ladies.
MOR: For a wrong I have done to your whole sex, in marrying this fair, and virtuous gentlewoman—
CLER: Hear him, good ladies.
MOR: Being guilty of an infirmity, which, before I conferred with these learned men, I thought I might have concealed—
TRUE: But now being better informed in his conscience by them, he is to declare it, and give satisfaction, by asking your public forgiveness.
MOR: I am no man, ladies.
MOR: Utterly unabled in nature, by reason of frigidity, to perform the duties, or any the least office of a husband.
MAV: Now out upon him, prodigious creature!
CEN: Bridegroom uncarnate!
HAU: And would you offer it to a young gentlewoman?
MRS. OTT: A lady of her longings?
EPI: Tut, a device, a device, this, it smells rankly, ladies. A mere comment of his own.
TRUE: Why, if you suspect that, ladies, you may have him search'd—
DAW: As the custom is, by a jury of physicians.
LA-F: Yes faith, 'twill be brave.
MOR: O me, must I undergo that?
MRS. OTT: No, let women search him, madam: we can do it ourselves.
MOR: Out on me! worse.
EPI: No, ladies, you shall not need, I will take him with all his faults.
MOR: Worst of all!
CLER: Why then, 'tis no divorce, doctor, if she consent not?
CUT: No, if the man be frigidus, it is de parte uxoris, that we grant libellum divortii, in the law.
OTT: Ay, it is the same in theology.
MOR: Worse, worse than worst!
TRUE: Nay, sir, be not utterly disheartened; we have yet a small relic of hope left, as near as our comfort is blown out. Clerimont, produce your brace of knights. What was that, master parson, you told me in errore qualitatis, e'en now?— [ASIDE.] Dauphine, whisper the bride, that she carry it as if she were guilty, and ashamed.
OTT: Marry, sir, in errore qualitatis (which master doctor did forbear to urge,) if she be found corrupta, that is, vitiated or broken up, that was pro virgine desponsa, espoused for a maid—
MOR: What then, sir?
OTT: It doth dirimere contractum, and irritum reddere too.
TRUE: If this be true, we are happy again, sir, once more. Here are an honourable brace of knights, that shall affirm so much.
DAW: Pardon us, good master Clerimont.
LA-F: You shall excuse us, master Clerimont.
CLER: Nay, you must make it good now, knights, there is no remedy; I'll eat no words for you, nor no men: you know you spoke it to me.
DAW: Is this gentleman-like, sir?
TRUE [ASIDE TO DAW.]: Jack Daw, he's worse then sir Amorous; fiercer a great deal. [ASIDE TO LA-FOOLE.]—Sir Amorous, beware, there be ten Daws in this Clerimont.
LA-F: I'll confess it, sir.
DAW: Will you, sir Amorous, will you wound reputation?
LA-F: I am resolved.
TRUE: So should you be too, Jack Daw: what should keep you off? she's but a woman, and in disgrace: he'll be glad on't.
DAW: Will he? I thought he would have been angry.
CLER: You will dispatch, knights, it must be done, i'faith.
TRUE: Why, an it must, it shall, sir, they say: they'll ne'er go back. [ASIDE TO THEM.] —Do not tempt his patience.
DAW: It is true indeed, sir?
LA-F: Yes, I assure you, sir.
MOR: What is true gentlemen? what do you assure me?
DAW: That we have known your bride, sir—
LA-F: In good fashion. She was our mistress, or so—
CLER: Nay, you must be plain, knights, as you were to me.
OTT: Ay, the question is, if you have carnaliter, or no?
LA-F: Carnaliter! what else, sir?
OTT: It is enough: a plain nullity.
EPI: I am undone, I am undone!
MOR: O, let me worship and adore you, gentlemen!
EPI [WEEPS.]: I am undone!
MOR: Yes, to my hand, I thank these knights. Master parson, let me thank you otherwise. [GIVES HIM MONEY.]
HAU: And have they confess'd?
MAV: Now out upon them, informers!
TRUE: You see what creatures you may bestow your favours on, madams.
HAU: I would except against them as beaten knights, wench, and not good witnesses in law.
MRS. OTT: Poor gentlewoman, how she takes it!
HAU: Be comforted, Morose, I love you the better for't.
CEN: so do I, I protest.
CUT: But, gentlemen, you have not known her since matrimonium?
DAW: Not to-day, master doctor.
LA-F: No, sir, not to-day.
CUT: Why, then I say, for any act before, the matrimonium is good and perfect: unless the worshipful bridegroom did precisely, before witness, demand, if she were virgo ante nuptias.
EPI: No, that he did not, I assure you, master doctor.
CUT: If he cannot prove that, it is ratum conjugium, notwithstanding the premisses. And they do no way impedire. And this is my sentence, this I pronounce.
OTT: I am of master doctor's resolution too, sir: if you made not that demand, ante nuptias.
MOR: O my heart! wilt thou break? wilt thou break? this is worst of all worst worsts that hell could have devised! Marry a whore, and so much noise!
DAUP: Come, I see now plain confederacy in this doctor and this parson, to abuse a gentleman. You study his affliction. I pray be gone companions.—And, gentlemen, I begin to suspect you for having parts with them.—Sir, will it please you hear me?
MOR: O do not talk to me, take not from me the pleasure of dying in silence, nephew.
DAUP: Sir, I must speak to you. I have been long your poor despised kinsman, and many a hard thought has strengthened you against me: but now it shall appear if either I love you or your peace, and prefer them to all the world beside. I will not be long or grievous to you, sir. If I free you of this unhappy match absolutely, and instantly, after all this trouble, and almost in your despair, now—
MOR: It cannot be.
DAUP: Sir, that you be never troubled with a murmur of it more, what shall I hope for, or deserve of you?
MOR: O, what thou wilt, nephew! thou shalt deserve me, and have me.
DAUP: Shall I have your favour perfect to me, and love hereafter?
MOR: That, and any thing beside. Make thine own conditions. My whole estate is thine; manage it, I will become thy ward.
DAUP: Nay, sir, I will not be so unreasonable.
EPI: Will sir Dauphine be mine enemy too?
DAUP: You know I have been long a suitor to you, uncle, that out of your estate, which is fifteen hundred a-year, you would allow me but five hundred during life, and assure the rest upon me after: to which I have often, by myself and friends tendered you a writing to sign, which you would never consent or incline to. If you please but to effect it now—
MOR: Thou shalt have it, nephew: I will do it, and more.
DAUP: If I quit you not presently, and for ever of this cumber, you shall have power instantly, afore all these, to revoke your act, and I will become whose slave you will give me to, for ever.
MOR: Where is the writing? I will seal to it, that, or to a blank, and write thine own conditions.
EPI: O me, most unfortunate, wretched gentlewoman!
HAU: Will sir Dauphine do this?
EPI: Good sir, have some compassion on me.
MOR: O, my nephew knows you, belike; away, crocodile!
HAU: He does it not sure without good ground.
DAUP: Here, sir. [GIVES HIM THE PARCHMENTS.]
MOR: Come, nephew, give me the pen. I will subscribe to any thing, and seal to what thou wilt, for my deliverance. Thou art my restorer. Here, I deliver it thee as my deed. If there be a word in it lacking, or writ with false orthography, I protest before [heaven] I will not take the advantage. [RETURNS THE WRITINGS.]
DAUP: Then here is your release, sir. [TAKES OFF EPICOENE'S PERUKE AND OTHER DISGUISES.] You have married a boy, a gentleman's son, that I have brought up this half year at my great charges, and for this composition, which I have now made with you.—What say you, master doctor? This is justum impedimentum, I hope, error personae?
OTT: Yes sir, in primo gradu.
CUT: In primo gradu.
DAUP: I thank you, good doctor Cutbeard, and parson Otter. [PULLS THEIR FALSE BEARDS AND GOWNS OFF.] You are beholden to them, sir, that have taken this pains for you; and my friend, master Truewit, who enabled them for the business. Now you may go in and rest; be as private as you will, sir. [EXIT MOROSE.] I'll not trouble you, till you trouble me with your funeral, which I care not how soon it come. —Cutbeard, I'll make your lease good. "Thank me not, but with your leg, Cutbeard." And Tom Otter, your princess shall be reconciled to you.—How now, gentlemen, do you look at me?
CLER: A boy!
DAUP: Yes, mistress Epicoene.
TRUE: Well, Dauphine, you have lurch'd your friends of the better half of the garland, by concealing this part of the plot: but much good do it thee, thou deserv'st it, lad. And, Clerimont, for thy unexpected bringing these two to confession, wear my part of it freely. Nay, sir Daw, and sir La-Foole, you see the gentlewoman that has done you the favours! we are all thankful to you, and so should the woman-kind here, specially for lying on her, though not with her! you meant so, I am sure? But that we have stuck it upon you to-day, in your own imagined persons, and so lately, this Amazon, the champion of the sex, should beat you now thriftily, for the common slanders which ladies receive from such cuckoos as you are. You are they that, when no merit or fortune can make you hope to enjoy their bodies, will yet lie with their reputations, and make their fame suffer. Away, you common moths of these, and all ladies' honours. Go, travel to make legs and faces, and come home with some new matter to be laugh'd at: you deserve to live in an air as corrupted as that wherewith you feed rumour. [EXEUNT DAW AND LA-FOOLE.] Madams, you are mute, upon this new metamorphosis! But here stands she that has vindicated your fames. Take heed of such insectae hereafter. And let it not trouble you, that you have discovered any mysteries to this young gentleman: he is almost of years, and will make a good visitant within this twelvemonth. In the mean time, we'll all undertake for his secrecy, that can speak so well of his silence. [COMING FORWARD.] —Spectators, if you like this comedy, rise cheerfully, and now Morose is gone in, clap your hands. It may be, that noise will cure him, at least please him. [EXEUNT.]
ABATE, cast down, subdue.
ABHORRING, repugnant (to), at variance.
ABJECT, base, degraded thing, outcast.
ABRASE, smooth, blank.
ABSTRACTED, abstract, abstruse.
ABUSE, deceive, insult, dishonour, make ill use of.
ACCEPTIVE, willing, ready to accept, receive.
ACCOMMODATE, fit, befitting. (The word was a fashionable one and used on all occasions. See "Henry IV.," pt. 2, iii. 4).
ACCOST, draw near, approach.
ACKNOWN, confessedly acquainted with.
ACME, full maturity.
ADALANTADO, lord deputy or governor of a Spanish province.
ADMIRE, wonder, wonder at.
ADROP, philosopher's stone, or substance from which obtained.
ADULTERATE, spurious, counterfeit.
ADVERTISE, inform, give intelligence.
ADVERTISED, "be —," be it known to you.
ADVISE, consider, bethink oneself, deliberate.
ADVISED, informed, aware; "are you —?" have you found that out?
AFFECT, love, like; aim at; move.
AFFECTED, disposed; beloved.
AFFECTIONATE, obstinate; prejudiced.
AFFRONT, "give the —," face.
AFFY, have confidence in; betroth.
AFTER, after the manner of.
AGAIN, AGAINST, in anticipation of.
AGGRAVATE, increase, magnify, enlarge upon.
AGNOMINATION. See Paranomasie.
AIERY, nest, brood.
ALL HID, children's cry at hide-and-seek.
ALL-TO, completely, entirely ("all-to-be-laden").
ALLOWANCE, approbation, recognition.
ALMA-CANTARAS (astronomy), parallels of altitude.
ALMAIN, name of a dance.
ALMUTEN, planet of chief influence in the horoscope.
ALONE, unequalled, without peer.
ALUDELS, subliming pots.
AMAZED, confused, perplexed.
AMBER, AMBRE, ambergris.
AMBREE, MARY, a woman noted for her valour at the siege of Ghent, 1458.
AMES-ACE, lowest throw at dice.
AMUSED, bewildered, amazed.
ANATOMY, skeleton, or dissected body.
ANGEL, gold coin worth 10 shillings, stamped with the figure of the archangel Michael.
ANNESH CLEARE, spring known as Agnes le Clare.
ANSWER, return hit in fencing.
ANTIC, ANTIQUE, clown, buffoon.
ANTIC, like a buffoon.
ANTIPERISTASIS, an opposition which enhances the quality it opposes.
APPLE-JOHN, APPLE-SQUIRE, pimp, pander.
APPREHEND, take into custody.
APPREHENSIVE, quick of perception; able to perceive and appreciate.
APPROVE, prove, confirm.
APT, suit, adapt; train, prepare; dispose, incline.
APT(LY), suitable(y), opportune(ly).
ARBOR, "make the —," cut up the game (Gifford).
ARCHES, Court of Arches.
ARCHIE, Archibald Armstrong, jester to James I. and Charles I.
ARGAILE, argol, crust or sediment in wine casks.
ARGUMENT, plot of a drama; theme, subject; matter in question; token, proof.
ARSEDINE, mixture of copper and zinc, used as an imitation of gold-leaf.
ARTHUR, PRINCE, reference to an archery show by a society who assumed arms, etc., of Arthur's knights.
ASCENSION, evaporation, distillation.
ASPIRE, try to reach, obtain, long for.
ASSALTO (Italian), assault.
ASSAY, draw a knife along the belly of the deer, a ceremony of the hunting-field.
ASSURE, secure possession or reversion of.
ATHANOR, a digesting furnace, calculated to keep up a constant heat.
ATTACH, attack, seize.
AUDACIOUS, having spirit and confidence.
AUTHENTIC(AL), of authority, authorised, trustworthy, genuine.
AVISEMENT, reflection, consideration.
AVOID, begone! get rid of.
AWAY WITH, endure.
AZOCH, Mercurius Philosophorum.
BACK-SIDE, back premises.
BAFFLE, treat with contempt.
BAGATINE, Italian coin, worth about the third of a farthing.
BAIARD, horse of magic powers known to old romance.
BALDRICK, belt worn across the breast to support bugle, etc.
BALE (of dice), pair.
BALK, overlook, pass by, avoid.
BALLOO, game at ball.
BALNEUM (BAIN MARIE), a vessel for holding hot water in which other vessels are stood for heating.
BANBURY, "brother of —," Puritan.
BANDOG, dog tied or chained up.
BANE, woe, ruin.
BANQUET, a light repast; dessert.
BARB, to clip gold.
BARBEL, fresh-water fish.
BARE, meer; bareheaded; it was "a particular mark of state and grandeur for the coachman to be uncovered" (Gifford).
BARLEY-BREAK, game somewhat similar to base.
BASE, game of prisoner's base.
BASES, richly embroidered skirt reaching to the knees, or lower.
BASILISK, fabulous reptile, believed to slay with its eye.
BASKET, used for the broken provision collected for prisoners.
BASON, basons, etc., were beaten by the attendant mob when bad characters were "carted."
BATE, be reduced; abate, reduce.
BATOON, baton, stick.
BATTEN, feed, grow fat.
BEADSMAN, prayer-man, one engaged to pray for another.
BEAGLE, small hound; fig. spy.
BEAR IN HAND, keep in suspense, deceive with false hopes.
BEARWARD, bear leader.
BEDPHERE. See Phere.
BEDSTAFF, (?) wooden pin in the side of the bedstead for supporting the bedclothes (Johnson); one of the sticks or "laths"; a stick used in making a bed.
BEETLE, heavy mallet.
BEG, "I'd — him," the custody of minors and idiots was begged for; likewise property fallen forfeit to the Crown ("your house had been begged").
BELL-MAN, night watchman.
BENJAMIN, an aromatic gum.
BETHLEHEM GABOR, Transylvanian hero, proclaimed King of Hungary.
BEVIS, SIR, knight of romance whose horse was equally celebrated.
BEWRAY, reveal, make known.
BEZANT, heraldic term: small gold circle.
BEZOAR'S STONE, a remedy known by this name was a supposed antidote to poison.
BIGGIN, cap, similar to that worn by the Beguines; nightcap.
BILIVE (belive), with haste.
BILK, nothing, empty talk.
BILL, kind of pike.
BILLET, wood cut for fuel, stick.
BLACK SANCTUS, burlesque hymn, any unholy riot.
BLANK, originally a small French coin.
BLANKET, toss in a blanket.
BLAZE, outburst of violence.
BLAZE, (her.) blazon; publish abroad.
BLAZON, armorial bearings; fig. all that pertains to good birth and breeding.
BLIN, "withouten —," without ceasing.
BLOW, puff up.
BLUE, colour of servants' livery, hence "— order," "— waiters."
BLUSHET, blushing one.
BOB, jest, taunt.
BOB, beat, thump.
BODKIN, dagger, or other short, pointed weapon; long pin with which the women fastened up their hair.
BOLT, roll (of material).
BOLT, dislodge, rout out; sift (boulting-tub).
BOLT'S-HEAD, long, straight-necked vessel for distillation.
BOMBARD SLOPS, padded, puffed-out breeches.
BONA ROBA, "good, wholesome, plum-cheeked wench" (Johnson) — not always used in compliment.
BONNY-CLABBER, sour butter-milk.
BOOT, "to —," into the bargain; "no —," of no avail.
BORACHIO, bottle made of skin.
BORNE IT, conducted, carried it through.
BOTTLE (of hay), bundle, truss.
BOTTOM, skein or ball of thread; vessel.
BOVOLI, snails or cockles dressed in the Italian manner (Gifford).
BOW-POT, flower vase or pot.
BOYS, "terrible —," "angry —," roystering young bucks. (See Nares).
BRABBLES (BRABBLESH), brawls.
BRADAMANTE, a heroine in "Orlando Furioso."
BRADLEY, ARTHUR OF, a lively character commemorated in ballads.
BRAKE, frame for confining a horse's feet while being shod, or strong curb or bridle; trap.
BRANCHED, with "detached sleeve ornaments, projecting from the shoulders of the gown" (Gifford).
BRANDISH, flourish of weapon.
BRAVE, bravado, braggart speech.
BRAVE (adv.), gaily, finely (apparelled).
BRAVERY, extravagant gaiety of apparel.
BRAVO, bravado, swaggerer.
BRAZEN-HEAD, speaking head made by Roger Bacon.
BREATHE, pause for relaxation; exercise.
BREATH UPON, speak dispraisingly of.
BRIDE-ALE, wedding feast.
BRIEF, abstract; (mus.) breve.
BRISK, smartly dressed.
BRIZE, breese, gadfly.
BROAD-SEAL, state seal.
BROCK, badger (term of contempt).
BROKE, transact business as a broker.
BROOK, endure, put up with.
BROUGHTON, HUGH, an English divine and Hebrew scholar.
BUFF, leather made of buffalo skin, used for military and serjeants' coats, etc.
BUFO, black tincture.
BUGLE, long-shaped bead.
BULLED, (?) bolled, swelled.
BULLIONS, trunk hose.
BULLY, term of familiar endearment.
BUNGY, Friar Bungay, who had a familiar in the shape of a dog.
BURDEN, refrain, chorus.
BURGONET, closely-fitting helmet with visor.
BURN, mark wooden measures ("—ing of cans").
BURROUGH, pledge, security.
BUSKIN, half-boot, foot gear reaching high up the leg.
BUTT-SHAFT, barbless arrow for shooting at butts.
BUTTER, NATHANIEL ("Staple of News"), a compiler of general news. (See Cunningham).
BUTTERY-HATCH, half-door shutting off the buttery, where provisions and liquors were stored.
BUY, "he bought me," formerly the guardianship of wards could be bought.
BUZ, exclamation to enjoin silence.
BY AND BY, at once.
BY(E), "on the _," incidentally, as of minor or secondary importance; at the side.
BY-CHOP, by-blow, bastard.
CADUCEUS, Mercury's wand.
CALIVER, light kind of musket.
CALLET, woman of ill repute.
CALLOT, coif worn on the wigs of our judges or serjeants-at-law (Gifford).
CALVERED, crimped, or sliced and pickled. (See Nares).
CAMOUCCIO, wretch, knave.
CANDLE-RENT, rent from house property.
CANDLE-WASTER, one who studies late.
CANTER, sturdy beggar.
CAP OF MAINTENCE, an insignia of dignity, a cap of state borne before kings at their coronation; also an heraldic term.
CAPABLE, able to comprehend, fit to receive instruction, impression.
CAPANEUS, one of the "Seven against Thebes."
CARACT, carat, unit of weight for precious stones, etc.; value, worth.
CARANZA, Spanish author of a book on duelling.
CARCANET, jewelled ornament for the neck.
CARE, take care; object.
CAROSH, coach, carriage.
CARRIAGE, bearing, behaviour.
CARWHITCHET, quip, pun.
CASAMATE, casemate, fortress.
CASE, a pair.
CASE, "in —," in condition.
CASSOCK, soldier's loose overcoat.
CAST, flight of hawks, couple.
CAST, throw dice; vomit; forecast, calculate.
CASTING-GLASS, bottle for sprinkling perfume.
CASTRIL, kestrel, falcon.
CAT, structure used in sieges.
CATAMITE, old form of "ganymede."
CATCHPOLE, sheriff's officer.
CATES, dainties, provisions.
CATSO, rogue, cheat.
CAUTELOUS, crafty, artful.
CENSURE, criticism; sentence.
CENSURE, criticise; pass sentence, doom.
CERUSE, cosmetic containing white lead.
CHANGE, "hunt —," follow a fresh scent.
CHAPMAN, retail dealer.
CHARM, subdue with magic, lay a spell on, silence.
CHARMING, exercising magic power.
CHEAP, bargain, market.
CHEAR, CHEER, comfort, encouragement; food, entertainment.
CHECK AT, aim reproof at.
CHEQUIN, gold Italian coin.
CHEVRIL, from kidskin, which is elastic and pliable.
CHIAUS, Turkish envoy; used for a cheat, swindler.
CHILDERMASS DAY, Innocents' Day.
CHOKE-BAIL, action which does not allow of bail.
CHRYSOSPERM, ways of producing gold.
CIBATION, adding fresh substances to supply the waste of evaporation.
CIOPPINI, chopine, lady's high shoe.
CIRCLING BOY, "a species of roarer; one who in some way drew a man into a snare, to cheat or rob him" (Nares).
CIRCUMSTANCE, circumlocution, beating about the bush; ceremony, everything pertaining to a certain condition; detail, particular.
CITRONISE, turn citron colour.
CITTERN, kind of guitar.
CITY-WIRES, woman of fashion, who made use of wires for hair and dress.
CLAP, clack, chatter.
CLAPPER-DUDGEON, downright beggar.
CLAPS HIS DISH, a clap, or clack, dish (dish with a movable lid) was carried by beggars and lepers to show that the vessel was empty, and to give sound of their approach.
CLARIDIANA, heroine of an old romance.
CLARISSIMO, Venetian noble.
CLIM O' THE CLOUGHS, etc., wordy heroes of romance.
CLOSE, secret, private; secretive.
CLOTH, arras, hangings.
CLOUT, mark shot at, bull's eye.
CLOWN, countryman, clodhopper.
COACH-LEAVES, folding blinds.
COALS, "bear no —," submit to no affront.
COAT-ARMOUR, coat of arms.
COB-HERRING, HERRING-COB, a young herring.
COB-SWAN, male swan.
COCK-A-HOOP, denoting unstinted jollity; thought to be derived from turning on the tap that all might drink to the full of the flowing liquor.
COCKATRICE, reptile supposed to be produced from a cock's egg and to kill by its eye — used as a term of reproach for a woman.
COCK-BRAINED, giddy, wild.
COCKSCOMB, fool's cap.
COCKSTONE, stone said to be found in a cock's gizzard, and to possess particular virtues.
CODLING, softening by boiling.
COFFIN, raised crust of a pie.
COG, cheat, wheedle.
COIL, turmoil, confusion, ado.
COKELY, master of a puppet-show (Whalley).
COKES, fool, gull.
COLD-CONCEITED, having cold opinion of, coldly affected towards.
COLE-HARBOUR, a retreat for people of all sorts.
COLLECTION, composure; deduction.
COLLOP, small slice, piece of flesh.
COLOURS, "fear no —," no enemy (quibble).
COLSTAFF, cowlstaff, pole for carrying a cowl=tub.
COME ABOUT, charge, turn round.
COMFORTABLE BREAD, spiced gingerbread.
COMING, forward, ready to respond, complaisant.
COMMENT, commentary; "sometime it is taken for a lie or fayned tale" (Bullokar, 1616).
COMMODITY, "current for —," allusion to practice of money-lenders, who forced the borrower to take part of the loan in the shape of worthless goods on which the latter had to make money if he could.
COMPASS, "in —," within the range, sphere.
COMPLEMENT, completion, completement; anything required for the perfecting or carrying out of a person or affair; accomplishment.
COMPLEXION, natural disposition, constitution.
COMPLIMENT, See Complement.
COMPLIMENTARIES, masters of accomplishments.
COMPOSITION, constitution; agreement, contract.
COMPTER, COUNTER, debtors' prison.
CONCEALMENT, a certain amount of church property had been retained at the dissolution of the monasteries; Elizabeth sent commissioners to search it out, and the courtiers begged for it.
CONCEIT, idea, fancy, witty invention, conception, opinion.
CONCEITED, fancifully, ingeniously devised or conceived; possessed of intelligence, witty, ingenious (hence well conceited, etc.); disposed to joke; of opinion, possessed of an idea.
CONCENT, harmony, agreement.
CONCLUDE, infer, prove.
CONCOCT, assimilate, digest.
CONDEN'T, probably conducted.
CONDUCT, escort, conductor.
CONNIVE, give a look, wink, of secret intelligence.
CONSORT, company, concert.
CONSTANCY, fidelity, ardour, persistence.
CONSTANT, confirmed, persistent, faithful.
CONSTANTLY, firmly, persistently.
CONTINENT, holding together.
CONTROL (the point), bear or beat down.
CONVENT, assembly, meeting.
CONVERT, turn (oneself).
CONVEY, transmit from one to another.
CONVINCE, evince, prove; overcome, overpower; convict.
COP, head, top; tuft on head of birds; "a cop" may have reference to one or other meaning; Gifford and others interpret as "conical, terminating in a point."
COPY (Lat. copia), abundance, copiousness.
CORN ("powder —"), grain.
COROLLARY, finishing part or touch.
CORTINE, curtain, (arch.) wall between two towers, etc.
CORYAT, famous for his travels, published as "Coryat's Crudities."
COSSET, pet lamb, pet.
COSTARD-MONGER, apple-seller, coster-monger.
COTHURNAL, from "cothurnus," a particular boot worn by actors in Greek tragedy.
COUNTENANCE, means necessary for support; credit, standing.
COUNTER. See Compter.
COUNTER, pieces of metal or ivory for calculating at play.
COUNTER, "hunt —," follow scent in reverse direction.
COUNTERFEIT, false coin.
COUNTERPANE, one part or counterpart of a deed or indenture.
COUNTERPOINT, opposite, contrary point.
COURT-DISH, a kind of drinking-cup (Halliwell); N.E.D. quotes from Bp. Goodman's "Court of James I.": "The king...caused his carver to cut him out a court-dish, that is, something of every dish, which he sent him as part of his reversion," but this does not sound like short allowance or small receptacle.
COURTEAU, curtal, small horse with docked tail.
COWSHARD, cow dung.
COXCOMB, fool's cap, fool.
COY, shrink; disdain.
COYSTREL, low varlet.
CRACK, lively young rogue, wag.
CRACK, crack up, boast; come to grief.
CRAMBE, game of crambo, in which the players find rhymes for a given word.
CRANION, spider-like; also fairy appellation for a fly (Gifford, who refers to lines in Drayton's "Nimphidia").
CRIMP, game at cards.
CRINCLE, draw back, turn aside.
CRISPED, with curled or waved hair.
CROP, gather, reap.
CROPSHIRE, a kind of herring. (See N.E.D.)
CROSS, any piece of money, many coins being stamped with a cross.
CROSS AND PILE, heads and tails.
CRUDITIES, undigested matter.
CRUMP, curl up.
CRUSADO, Portuguese gold coin, marked with a cross.
CRY ("he that cried Italian"), "speak in a musical cadence," intone, or declaim (?); cry up.
CUCKING-STOOL, used for the ducking of scolds, etc.
CUCURBITE, a gourd-shaped vessel used for distillation.
CUERPO, "in —," in undress.
CULLION, base fellow, coward.
CULLISEN, badge worn on their arm by servants.
CULVERIN, kind of cannon.
CURE, care for.
CURIOUS(LY), scrupulous, particular; elaborate, elegant(ly), dainty(ly) (hence "in curious").
CURST, shrewish, mischievous.
CURTAL, dog with docked tail, of inferior sort.
CUSTARD, "quaking —," " — politic," reference to a large custard which formed part of a city feast and afforded huge entertainment, for the fool jumped into it, and other like tricks were played. (See "All's Well, etc." ii. 5, 40.)
CUTWORK, embroidery, open-work.
CYPRES (CYPRUS) (quibble), cypress (or cyprus) being a transparent material, and when black used for mourning.
DAGGER (" — frumety"), name of tavern.
DARGISON, apparently some person known in ballad or tale.
DAUPHIN MY BOY, refrain of old comic song.
DEAD LIFT, desperate emergency.
DEAR, applied to that which in any way touches us nearly.
DECLINE, turn off from; turn away, aside.
DEFALK, deduct, abate.
DEMI-CULVERIN, cannon carrying a ball of about ten pounds.
DENIER, the smallest possible coin, being the twelfth part of a sou.
DEPART, part with.
DEPENDANCE, ground of quarrel in duello language.
DESPERATE, rash, reckless.
DETECT, allow to be detected, betray, inform against.
DETRACT, draw back, refuse.
DEVICE, masque, show; a thing moved by wires, etc., puppet.
DEVISE, exact in every particular.
DIAPASM, powdered aromatic herbs, made into balls of perfumed paste. (See Pomander.)
DIBBLE, (?) moustache (N.E.D.); (?) dagger (Cunningham).
DIFFUSED, disordered, scattered, irregular.
DILDO, refrain of popular songs; vague term of low meaning.
DIMBLE, dingle, ravine.
DIMENSUM, stated allowance.
DISCERN, distinguish, show a difference between.
DISCHARGE, settle for.
DISCIPLINE, reformation; ecclesiastical system.
DISCLAIM, renounce all part in.
DISCOURSE, process of reasoning, reasoning faculty.
DISCOVER, betray, reveal; display.
DISPARAGEMENT, legal term applied to the unfitness in any way of a marriage arranged for in the case of wards.
DISPENSE WITH, grant dispensation for.
DIS'PLE, discipline, teach by the whip.
DISPOSED, inclined to merriment.
DISPUNCT, not punctilious.
DISSOLVED, enervated by grief.
DISTANCE, (?) proper measure.
DISTASTE, offence, cause of offence.
DISTASTE, render distasteful.
DISTEMPERED, upset, out of humour.
DIVISION (mus.), variation, modulation.
DOG-BOLT, term of contempt.
DOLE, given in dole, charity.
DOLE OF FACES, distribution of grimaces.
DOOM, verdict, sentence.
DOP, dip, low bow.
DOR, beetle, buzzing insect, drone, idler.
DOR, (?) buzz; "give the —," make a fool of.
DOSSER, pannier, basket.
DOTES, endowments, qualities.
DOTTEREL, plover; gull, fool.
DOUBLE, behave deceitfully.
DOXY, wench, mistress.
DRACHM, Greek silver coin.
DRESS, groom, curry.
DRYFOOT, track by mere scent of foot.
DUCKING, punishment for minor offences.
DUMPS, melancholy, originally a mournful melody.
DURINDANA, Orlando's sword.
DWINDLE, shrink away, be overawed.
EAN, yean, bring forth young.
EGREGIOUS, eminently excellent.
EKE, also, moreover.
E-LA, highest note in the scale.
EGGS ON THE SPIT, important business on hand.
ELF-LOCK, tangled hair, supposed to be the work of elves.
ENGHLE. See Ingle.
ENGHLE, cajole; fondle.
ENGIN(E), device, contrivance; agent; ingenuity, wit.
ENGINER, engineer, deviser, plotter.
ENGINOUS, crafty, full of devices; witty, ingenious.
ENS, an existing thing, a substance.
ENSIGNS, tokens, wounds.
ENTERTAIN, take into service.
ENTRY, place where a deer has lately passed.
ENVOY, denouement, conclusion.
ENVY, spite, calumny, dislike, odium.
EQUAL, just, impartial.
ERECTION, elevation in esteem.
ERINGO, candied root of the sea-holly, formerly used as a sweetmeat and aphrodisiac.
ESSENTIATE, become assimilated.
EURIPUS, flux and reflux.
EVEN, just equable.
EVENT, fate, issue.
EXAMPLESS, without example or parallel.
EXCALIBUR, King Arthur's sword.
EXEMPLIFY, make an example of.
EXEMPT, separate, exclude.
EXHALE, drag out.
EXHIBITION, allowance for keep, pocket-money.
EXORBITANT, exceeding limits of propriety or law, inordinate.
EXPLICATE, explain, unfold.
EXTEMPORAL, extempore, unpremeditated.
EXTRAORDINARY, employed for a special or temporary purpose.
EYE, "in —," in view.
EYEBRIGHT, (?) a malt liquor in which the herb of this name was infused, or a person who sold the same (Gifford).
EYE-TINGE, least shade or gleam.
FACES ABOUT, military word of command.
FACINOROUS, extremely wicked.
FACT, deed, act, crime.
FACTIOUS, seditious, belonging to a party, given to party feeling.
FAGIOLI, French beans.
FAIN, forced, necessitated.
FALL, ruff or band turned back on the shoulders; or, veil.
FALSIFY, feign (fencing term).
FAMILIAR, attendant spirit.
FANTASTICAL, capricious, whimsical.
FAR-FET. See Fet.
FARTHINGAL, hooped petticoat.
FAULT, lack; loss, break in line of scent; "for —," in default of.
FAYLES, old table game similar to backgammon.
FEAT, activity, operation; deed, action.
FEAT, elegant, trim.
FEE, "in —" by feudal obligation.
FEIZE, beat, belabour.
FELLOW, term of contempt.
FENNEL, emblem of flattery.
FERE, companion, fellow.
FERN-SEED, supposed to have power of rendering invisible.
FEUTERER (Fr. vautrier), dog-keeper.
FIGGUM, (?) jugglery.
FIGMENT, fiction, invention.
FIRK, frisk, move suddenly, or in jerks; "— up," stir up, rouse; "firks mad," suddenly behaves like a madman.
FIT, pay one out, punish.
FITTON (FITTEN), lie, invention.
FIVE-AND-FIFTY, "highest number to stand on at primero" (Gifford).
FLAG, to fly low and waveringly.
FLAGON CHAIN, for hanging a smelling-bottle (Fr. flacon) round the neck (?). (See N.E.D.).
FLAP-DRAGON, game similar to snap-dragon.
FLASKET, some kind of basket.
FLAW, sudden gust or squall of wind.
FLEA, catch fleas.
FLEER, sneer, laugh derisively.
FLESH, feed a hawk or dog with flesh to incite it to the chase; initiate in blood-shed; satiate.
FLIGHT, light arrow.
FLOUT, mock, speak and act contemptuously.
FLOWERS, pulverised substance.
FLY, familiar spirit.
FOIL, weapon used in fencing; that which sets anything off to advantage.
FOIST, cut-purse, sharper.
FOOT-CLOTH, housings of ornamental cloth which hung down on either side a horse to the ground.
FOOTING, foothold; footstep; dancing.
FOR, "— failing," for fear of failing.
FORBEAR, bear with; abstain from.
FORCE, "hunt at —," run the game down with dogs.
FOREHEAD, modesty; face, assurance, effrontery.
FORESPEAK, bewitch; foretell.
FORETOP, front lock of hair which fashion required to be worn upright.
FORM, state formally.
FORMAL, shapely; normal; conventional.
FORTHCOMING, produced when required.
FOUNDER, disable with over-riding.
FOURM, form, lair.
FRAIL, rush basket in which figs or raisins were packed.
FRAMPULL, peevish, sour-tempered.
FRAPLER, blusterer, wrangler.
FRAYING, "a stag is said to fray his head when he rubs it against a tree to...cause the outward coat of the new horns to fall off" (Gifford).
FREIGHT (of the gazetti), burden (of the newspapers).
FRICATRICE, woman of low character.
FRIPPERY, old clothes shop.
FROLICS, (?) humorous verses circulated at a feast (N.E.D.); couplets wrapped round sweetmeats (Cunningham).
FRUMETY, hulled wheat boiled in milk and spiced.
FRUMP, flout, sneer.
FUGEAND, (?) figent: fidgety, restless (N.E.D.).
FULLAM, false dice.
FULSOME, foul, offensive.
FURIBUND, raging, furious.
GALLEY-FOIST, city-barge, used on Lord Mayor's Day, when he was sworn into his office at Westminster (Whalley).
GALLIARD, lively dance in triple time.
GAPE, be eager after.
GARAGANTUA, Rabelais' giant.
GARB, sheaf (Fr. gerbe); manner, fashion, behaviour.
GARD, guard, trimming, gold or silver lace, or other ornament.
GARDED, faced or trimmed.
GAVEL-KIND, name of a land-tenure existing chiefly in Kent; from 16th century often used to denote custom of dividing a deceased man's property equally among his sons (N.E.D.).
GAZETTE, small Venetian coin worth about three-farthings.
GEANCE, jaunt, errand.
GEAR (GEER), stuff, matter, affair.
GEMONIES, steps from which the bodies of criminals were thrown into the river.
GENERAL, free, affable.
GENIUS, attendant spirit.
GENTRY, gentlemen; manners characteristic of gentry, good breeding.
GIGANTOMACHIZE, start a giants' war.
GLASS ("taking in of shadows, etc."), crystal or beryl.
GLEEK, card game played by three; party of three, trio; side glance.
GLICK (GLEEK), jest, gibe.
GLORIOUSLY, of vain glory.
GODWIT, bird of the snipe family.
GOLD-END-MAN, a buyer of broken gold and silver.
GONFALIONIER, standard-bearer, chief magistrate, etc.
GOOD, sound in credit.
GOOD-YEAR, good luck.
GOOSE-TURD, colour of. (See Turd).
GORCROW, carrion crow.
GORGET, neck armour.
GOWKED, from "gowk," to stand staring and gaping like a fool.
GRASS, (?) grease, fat.
GRATEFUL, agreeable, welcome.
GRATIFY, give thanks to.
GRATULATE, welcome, congratulate.
GRIPE, vulture, griffin.
GRIPE'S EGG, vessel in shape of.
GROGRAN, coarse stuff made of silk and mohair, or of coarse silk.
GROOM-PORTER, officer in the royal household.
GROPE, handle, probe.
GROUND, pit (hence "grounded judgments").
GUARD, caution, heed.
GUARDANT, heraldic term: turning the head only.
GUILDER, Dutch coin worth about 4d.
GULES, gullet, throat; heraldic term for red.
GULL, simpleton, dupe.
HAB NAB, by, on, chance.
HABERGEON, coat of mail.
HAGGARD, wild female hawk; hence coy, wild.
HALBERD, combination of lance and battle-axe.
HALL, "a —!" a cry to clear the room for the dancers.
HANDSEL, first money taken.
HANGER, loop or strap on a sword-belt from which the sword was suspended.
HAP, fortune, luck.
HAPPINESS, appropriateness, fitness.
HARBOUR, track, trace (an animal) to its shelter.
HARPOCRATES, Horus the child, son of Osiris, figured with a finger pointing to his mouth, indicative of silence.
HARRINGTON, a patent was granted to Lord H. for the coinage of tokens (q.v.).
HARRY NICHOLAS, founder of a community called the "Family of Love."
HAY, net for catching rabbits, etc.
HAY! (Ital. hai!), you have it (a fencing term).
HAY IN HIS HORN, ill-tempered person.
HAZARD, game at dice; that which is staked.
HEAD, "first —," young deer with antlers first sprouting; fig. a newly-ennobled man.
HEARKEN AFTER, inquire; "hearken out," find, search out.
HEAVEN AND HELL ("Alchemist"), names of taverns.
HEDGE IN, include.
HELM, upper part of a retort.
HER'NSEW, hernshaw, heron.
HIERONIMO (JERONIMO), hero of Kyd's "Spanish Tragedy."
HOBBY-HORSE, imitation horse of some light material, fastened round the waist of the morrice-dancer, who imitated the movements of a skittish horse.
HOIDEN, hoyden, formerly applied to both sexes (ancient term for leveret? Gifford).
HOLLAND, name of two famous chemists.
HONE AND HONERO, wailing expressions of lament or discontent.
HORN-MAD, stark mad (quibble).
HORN-THUMB, cut-purses were in the habit of wearing a horn shield on the thumb.
HORSE-BREAD-EATING, horses were often fed on coarse bread.
HOSPITAL, Christ's Hospital.
HOWLEGLAS, Eulenspiegel, the hero of a popular German tale which relates his buffooneries and knavish tricks.
HUFF, hectoring, arrogance.
HUFF IT, swagger.
HUISHER (Fr. huissier), usher.
HUM, beer and spirits mixed together.
HUMANITIAN, humanist, scholar.
HUMOROUS, capricious, moody, out of humour; moist.
HUMOUR, a word used in and out of season in the time of Shakespeare and Ben Jonson, and ridiculed by both.
HUMPHREY, DUKE, those who were dinnerless spent the dinner-hour in a part of St. Paul's where stood a monument said to be that of the duke's; hence "dine with Duke Humphrey," to go hungry.
IDLE, useless, unprofitable.
IMBIBITION, saturation, steeping.
IMBROCATA, fencing term: a thrust in tierce.
IMPART, give money.
IMPARTER, any one ready to be cheated and to part with his money.
IMPERTINENT(LY), irrelevant(ly), without reason or purpose.
IMPOSITION, duty imposed by.
IMPOTENTLY, beyond power of control.
IMPRESS, money in advance.
IN AND IN, a game played by two or three persons with four dice.
INCENSE, incite, stir up.
INCERATION, act of covering with wax; or reducing a substance to softness of wax.
INCH, "to their —es," according to their stature, capabilities.
INCONVENIENCE, inconsistency, absurdity.
INCONY, delicate, rare (used as a term of affection).
INCUBUS, evil spirit that oppresses us in sleep, nightmare.
INCURIOUS, unfastidious, uncritical.
INDENT, enter into engagement.
INDIFFERENT, tolerable, passable.
INDIGESTED, shapeless, chaotic.
INFANTED, born, produced.
INFLAME, augment charge.
INGENIOUS, used indiscriminantly for ingenuous; intelligent, talented.
INGINE. See Engin.
INGINER, engineer. (See Enginer).
INGLE, OR ENGHLE, bosom friend, intimate, minion.
INJURY, insult, affront.
IN-MATE, resident, indwelling.
INQUEST, jury, or other official body of inquiry.
INSTRUMENT, legal document.
INTEGRATE, complete, perfect.
INTELLIGENCE, secret information, news.
INTEND, note carefully, attend, give ear to, be occupied with.
INTENT, intention, wish.
INTENTION, concentration of attention or gaze.
INTRUDE, bring in forcibly or without leave.
IRPE (uncertain), "a fantastic grimace, or contortion of the body: (Gifford).
JACK, Jack o' the clock, automaton figure that strikes the hour; Jack-a-lent, puppet thrown at in Lent.
JACK, key of a virginal.
JACOB'S STAFF, an instrument for taking altitudes and distances.
JEALOUSY, JEALOUS, suspicion, suspicious.
JEW'S TRUMP, Jew's harp.
JIG, merry ballad or tune; a fanciful dialogue or light comic act introduced at the end or during an interlude of a play.
JOINED (JOINT)-STOOL, folding stool.
JUMP, agree, tally.
JUST YEAR, no one was capable of the consulship until he was forty-three.
KELLY, an alchemist.
KEMIA, vessel for distillation.
KIBE, chap, sore.
KILDERKIN, small barrel.
KIND, nature; species; "do one's —," act according to one's nature.
KIRTLE, woman's gown of jacket and petticoat.
KISS OR DRINK AFORE ME, "this is a familiar expression, employed when what the speaker is just about to say is anticipated by another" (Gifford).
KNACK, snap, click.
KNIPPER-DOLING, a well-known Anabaptist.
KNITTING CUP, marriage cup.
KNOCKING, striking, weighty.
KNOT, company, band; a sandpiper or robin snipe (Tringa canutus); flower-bed laid out in fanciful design.
KURSINED, KYRSIN, christened.
LABOURED, wrought with labour and care.
LANCE-KNIGHT (Lanzknecht), a German mercenary foot-soldier.
LAR, household god.
LARUM, alarum, call to arms.
LATTICE, tavern windows were furnished with lattices of various colours.
LAUNDER, to wash gold in aqua regia, so as imperceptibly to extract some of it.
LAVE, ladle, bale.
LAW, "give —," give a start (term of chase).
LAY ABOARD, run alongside generally with intent to board.
LEAGUER, siege, or camp of besieging army.
LEAVE, leave off, desist.
LEER, leering or "empty, hence, perhaps, leer horse, a horse without a rider; leer is an adjective meaning uncontrolled, hence 'leer drunkards'" (Halliwell); according to Nares, a leer (empty) horse meant also a led horse; leeward, left.
LEGS, "make —," do obeisance.
LEIGER, resident representative.
LEMMA, subject proposed, or title of the epigram.
LEVEL COIL, a rough game...in which one hunted another from his seat. Hence used for any noisy riot (Halliwell).
LEYSTALLS, receptacles of filth.
LIEGER, ledger, register.
LIFT(ING), steal(ing); theft.
LIGHTLY, commonly, usually, often.
LIKELY, agreeable, pleasing.
LIME-HOUND, leash-, blood-hound.
LIMMER, vile, worthless.
LIN, leave off.
Line, "by —," by rule.
LINSTOCK, staff to stick in the ground, with forked head to hold a lighted match for firing cannon.
LIST, listen, hark; like, please.
LIVERY, legal term, delivery of the possession, etc.
LOGGET, small log, stick.
LOOSE, solution; upshot, issue; release of an arrow.
LOSE, give over, desist from; waste.
LOUTING, bowing, cringing.
LUCULENT, bright of beauty.
LUDGATHIANS, dealers on Ludgate Hill.
LURCH, rob, cheat.
LUTE, to close a vessel with some kind of cement.
MACK, unmeaning expletive.
MADGE-HOWLET or OWL, barn-owl.
MAIM, hurt, injury.
MAIN, chief concern (used as a quibble on heraldic term for "hand").
MAINPRISE, becoming surety for a prisoner so as to procure his release.
MAINTENANCE, giving aid, or abetting.
MAKE, MADE, acquaint with business, prepare(d), instruct(ed).
MALLANDERS, disease of horses.
MALT HORSE, dray horse.
MAMMOTHREPT, spoiled child.
MANAGE, control (term used for breaking-in horses); handling, administration.
MANGONISE, polish up for sale.
MANIPLES, bundles, handfuls.
MANKIND, masculine, like a virago.
MAPLE FACE, spotted face (N.E.D.).
MARCHPANE, a confection of almonds, sugar, etc.
MARK, "fly to the —," "generally said of a goshawk when, having 'put in' a covey of partridges, she takes stand, marking the spot where they disappeared from view until the falconer arrives to put them out to her" (Harting, Bibl. Accip. Gloss. 226).
MARROW-BONE MAN, one often on his knees for prayer.
MARRY! exclamation derived from the Virgin's name.
MARRY GIP, "probably originated from By Mary Gipcy = St. Mary of Egypt, (N.E.D.).
MARTAGAN, Turk's cap lily.
MASORETH, Masora, correct form of the scriptural text according to Hebrew tradition.
MASS, abb. for master.
MAUTHER, girl, maid.
MEASURE, dance, more especially a stately one.
MEAT, "carry — in one's mouth," be a source of money or entertainment.
MECHANICAL, belonging to mechanics, mean, vulgar.
MEDITERRANEO, middle aisle of St. Paul's, a general resort for business and amusement.
MEET WITH, even with.
MELICOTTON, a late kind of peach.
MERE, undiluted; absolute, unmitigated.
MESS, party of four.
METHEGLIN, fermented liquor, of which one ingredient was honey.
METOPOSCOPY, study of physiognomy.
MIDDLING GOSSIP, go-between.
MIGNIARD, dainty, delicate.
MILE-END, training-ground of the city.
MINION, form of cannon.
MINSITIVE, (?) mincing, affected (N.E.D.).
MISCELLANY MADAM, "a female trader in miscellaneous articles; a dealer in trinkets or ornaments of various kinds, such as kept shops in the New Exchange" (Nares).
MISCELLINE, mixed grain; medley.
MISPRISE, MISPRISION, mistake, misunderstanding.
MISTAKE AWAY, carry away as if by mistake.
MITHRIDATE, an antidote against poison.
MOCCINIGO, small Venetian coin, worth about ninepence.
MODERN, in the mode; ordinary, commonplace.
MOMENT, force or influence of value.
MONTANTO, upward stroke.
MONTH'S MIND, violent desire.
MOORISH, like a moor or waste.
MORGLAY, sword of Bevis of Southampton.
MORRICE-DANCE, dance on May Day, etc., in which certain personages were represented.
MORT-MAL, old sore, gangrene.
MOSCADINO, confection flavoured with musk.
MOTHER, Hysterica passio.
MOTION, proposal, request; puppet, puppet-show; "one of the small figures on the face of a large clock which was moved by the vibration of the pendulum" (Whalley).
MOTION, suggest, propose.
MOTLEY, parti-coloured dress of a fool; hence used to signify pertaining to, or like, a fool.
MOURNIVAL, set of four aces or court cards in a hand; a quartette.
MOW, setord hay or sheaves of grain.
MUCH! expressive of irony and incredulity.
MULE, "born to ride on —," judges or serjeants-at-law formerly rode on mules when going in state to Westminster (Whally).
MULLETS, small pincers.
MUM-CHANCE, game of chance, played in silence.
MUREY, dark crimson red.
MUSICAL, in harmony.
MUSS, mouse; scramble.
MYROBOLANE, foreign conserve, "a dried plum, brought from the Indies."
MYSTERY, art, trade, profession.
NAIL, "to the —" (ad unguem), to perfection, to the very utmost.
NEAT, smartly apparelled; unmixed; dainty.
NEATLY, neatly finished.
NEIS, nose, scent.
NEUF (NEAF, NEIF), fist.
NIAISE, foolish, inexperienced person.
NICE, fastidious, trivial, finical, scrupulous.
NICK, exact amount; right moment; "set in the —," meaning uncertain.
NICE, suit, fit; hit, seize the right moment, etc., exactly hit on, hit off.
NOBLE, gold coin worth 6s. 8d.
NIL, not will.
NOISE, company of musicians.
NOMENTACK, an Indian chief from Virginia.
NOTE, sign, token.
NOUGHT, "be —," go to the devil, be hanged, etc.
NUPSON, oaf, simpleton.
OBARNI, preparation of mead.
OBJECT, oppose; expose; interpose.
OBLATRANT, barking, railing.
OBNOXIOUS, liable, exposed; offensive.
OBSERVANCE, homage, devoted service.
OBSERVANT, attentive, obsequious.
OBSERVE, show deference, respect.
OBSERVER, one who shows deference, or waits upon another.
OBSTANCY, legal phrase, "juridical opposition."
OBSTREPEROUS, clamorous, vociferous.
ODLING, (?) "must have some relation to tricking and cheating" (Nares).
OMINOUS, deadly, fatal.
ONCE, at once; for good and all; used also for additional emphasis.
ONLY, pre-eminent, special.
OPEN, make public; expound.
ORT, remnant, scrap.
OUT, "to be —," to have forgotten one's part; not at one with each other.
OUTCRY, sale by auction.
OUTRECUIDANCE, arrogance, presumption.
OUTSPEAK, speak more than.
OVERPARTED, given too difficult a part to play.
OWLSPIEGEL. See Howleglass.
OYEZ! (O YES!), hear ye! call of the public crier when about to make a proclamation.
PACKING PENNY, "give a —," dismiss, send packing.
PAINED (PANED) SLOPS, full breeches made of strips of different colour and material.
PAINFUL, diligent, painstaking.
PALINODE, ode of recantation.
PALL, weaken, dim, make stale.
PAN, skirt of dress or coat.
PANNEL, pad, or rough kind of saddle.
PANNIER-ALLY, inhabited by tripe-sellers.
PANNIER-MAN, hawker; a man employed about the inns of court to bring in provisions, set the table, etc.
PANTOFLE, indoor shoe, slipper.
PARAMENTOS, fine trappings.
PARANOMASIE, a play upon words.
PARANTORY, (?) peremptory.
PARCEL, particle, fragment (used contemptuously); article.
PARCEL, part, partly.
PARERGA, subordinate matters.
PARGET, to paint or plaster the face.
PARLOUS, clever, shrewd.
PARTAKE, participate in.
PARTED, endowed, talented.
PARTICULAR, individual person.
PARTIZAN, kind of halberd.
PARTS, qualities, endowments.
PASH, dash, smash.
PASS, care, trouble oneself.
PASSADO, fencing term: a thrust.
PASSAGE, game at dice.
PASSION, effect caused by external agency.
PASSION, "in —," in so melancholy a tone, so pathetically.
PATOUN, (?) Fr. Paton, pellet of dough; perhaps the "moulding of the tobacco...for the pipe" (Gifford); (?) variant of Petun, South American name of tobacco.
PATRICO, the recorder, priest, orator of strolling beggars or gipsies.
PATTEN, shoe with wooden sole; "go —," keep step with, accompany.
PAUCA VERBA, few words.
PAVIN, a stately dance.
PEACE, "with my master's —," by leave, favour.
PECULIAR, individual, single.
PEDANT, teacher of the languages.
PEEL, baker's shovel.
PEEP, speak in a small or shrill voice.
PEEVISH(LY), foolish(ly), capricious(ly); childish(ly).
PELICAN, a retort fitted with tube or tubes, for continuous distillation.
PENCIL, small tuft of hair.
PERDUE, soldier accustomed to hazardous service.
PEREMPTORY, resolute, bold; imperious; thorough, utter, absolute(ly).
PERIMETER, circumference of a figure.
PERIOD, limit, end.
PERK, perk up.
PERPETUANA, "this seems to be that glossy kind of stuff now called everlasting, and anciently worn by serjeants and other city officers" (Gifford).
PERSPECTIVE, a view, scene or scenery; an optical device which gave a distortion to the picture unless seen from a particular point; a relief, modelled to produce an optical illusion.
PERSPICIL, optic glass.
PERSTRINGE, criticise, censure.
PERSUADE, inculcate, commend.
PESTLING, pounding, pulverising, like a pestle.
PETASUS, broad-brimmed hat or winged cap worn by Mercury.
PETRONEL, a kind of carbine or light gun carried by horsemen.
PETULANT, pert, insolent.
PHERE. See Fere.
PHLEGMA, watery distilled liquor (old chem. "water").
PICARDIL, stiff upright collar fastened on to the coat (Whalley).
PICT-HATCH, disreputable quarter of London.
PIECE, person, used for woman or girl; a gold coin worth in Jonson's time 20s. or 22s.
PIECES OF EIGHT, Spanish coin: piastre equal to eight reals.
PIE-POUDRES (Fr. pied-poudreux, dusty-foot), court held at fairs to administer justice to itinerant vendors and buyers.
PILCHER, term of contempt; one who wore a buff or leather jerkin, as did the serjeants of the counter; a pilferer.
PILED, pilled, peeled, bald.
PILL'D, polled, fleeced.
PIMLICO, "sometimes spoken of as a person — perhaps master of a house famous for a particular ale" (Gifford).
PINE, afflict, distress.
PINK, stab with a weapon; pierce or cut in scallops for ornament.
PINNACE, a go-between in infamous sense.
PISTOLET, gold coin, worth about 6s.
PITCH, height of a bird of prey's flight.
PLAGUE, punishment, torment.
PLAIN SONG, simple melody.
PLANET, "struck with a —," planets were supposed to have powers of blasting or exercising secret influences.
PLY, apply oneself to.
POESIE, posy, motto inside a ring.
POINT IN HIS DEVICE, exact in every particular.
POINTS, tagged laces or cords for fastening the breeches to the doublet.
POINT-TRUSSER, one who trussed (tied) his master's points (q.v.).
POISE, weigh, balance.
POKING-STICK, stick used for setting the plaits of ruffs.
POLITIC, judicious, prudent, political.
POLITICIAN, plotter, intriguer.
POLL, strip, plunder, gain by extortion.
POMANDER, ball of perfume, worn or hung about the person to prevent infection, or for foppery.
POMMADO, vaulting on a horse without the aid of stirrups.
POPULAR, vulgar, of the populace.
PORT, gate; print of a deer's foot.
PORTAGUE, Portuguese gold coin, worth over 3 or 4 pounds.
PORTCULLIS, "— of coin," some old coins have a portcullis stamped on their reverse (Whalley).
PORTENT, marvel, prodigy; sinister omen.
PORTENTOUS, prophesying evil, threatening.
PORTER, references appear "to allude to Parsons, the king's porter, who was...near seven feet high" (Whalley).
POSSESS, inform, acquaint.
POST AND PAIR, a game at cards.
POSY, motto. (See Poesie).
POUNCE, claw, talon.
PRACTICE, intrigue, concerted plot.
PRACTISE, plot, conspire.
PRAGMATIC, an expert, agent.
PRAGMATIC, officious, conceited, meddling.
PRECEDENT, record of proceedings.
PRECEPT, warrant, summons.
PRECISIAN(ISM), Puritan(ism), preciseness.
PRESENCE, presence chamber.
PRESENT(LY), immediate(ly), without delay; at the present time; actually.
PRESS, force into service.
PRETEND, assert, allege.
PRICE, worth, excellence.
PRICK, point, dot used in the writing of Hebrew and other languages.
PRICK, prick out, mark off, select; trace, track; "— away," make off with speed.
PRIMERO, game of cards.
PRINCOX, pert boy.
PRINT, "in —," to the letter, exactly.
PRIVATE, private interests.
PRIVATE, privy, intimate.
PROCLIVE, prone to.
PRODIGIOUS, monstrous, unnatural.
PROJECTION, the throwing of the "powder of projection" into the crucible to turn the melted metal into gold or silver.
PROLATE, pronounce drawlingly.
PROPER, of good appearance, handsome; own, particular.
PROPERTIES, stage necessaries.
PROPERTY, duty; tool.
PRORUMPED, burst out.
PROTEST, vow, proclaim (an affected word of that time); formally declare non-payment, etc., of bill of exchange; fig. failure of personal credit, etc.
PROVANT, soldier's allowance — hence, of common make.
PROVIDENCE, foresight, prudence.
PUBLICATION, making a thing public of common property (N.E.D.).
PUCKFIST, puff-ball; insipid, insignificant, boasting fellow.
PUFF-WING, shoulder puff.
PUISNE, judge of inferior rank, a junior.
PUNTO, point, hit.
PURCEPT, precept, warrant.
PURE, fine, capital, excellent.
PURELY, perfectly, utterly.
PURL, pleat or fold of a ruff.
PURSE-NET, net of which the mouth is drawn together with a string.
PURSUIVANT, state messenger who summoned the persecuted seminaries; warrant officer.
PURSY, PURSINESS, shortwinded(ness).
PUT, make a push, exert yourself (N.E.D.).
PUT OFF, excuse, shift.
PUT ON, incite, encourage; proceed with, take in hand, try.
QUAINT, elegant, elaborated, ingenious, clever.
QUARRIED, seized, or fed upon, as prey.
QUEAN, hussy, jade.
QUEASY, hazardous, delicate.
QUELL, kill, destroy.
QUEST, request; inquiry.
QUESTION, decision by force of arms.
QUESTMAN, one appointed to make official inquiry.
QUIB, QUIBLIN, quibble, quip.
QUICK, the living.
QUIDDIT, quiddity, legal subtlety.
QUIRK, clever turn or trick.
QUIT, requite, repay; acquit, absolve; rid; forsake, leave.
QUITTER-BONE, disease of horses.
QUOIT, throw like a quoit, chuck.
QUOTE, take note, observe, write down.
RACK, neck of mutton or pork (Halliwell).
RAKE UP, cover over.
RAMP, rear, as a lion, etc.
RAPT, carry away.
RASCAL, young or inferior deer.
RASH, strike with a glancing oblique blow, as a boar with its tusk.
RATSEY, GOMALIEL, a famous highwayman.
REBATU, ruff, turned-down collar.
RECTOR, RECTRESS, director, governor.
REDUCE, bring back.
REED, rede, counsel, advice.
REEL, run riot.
REFORMADOES, disgraced or disbanded soldiers.
REGULAR ("Tale of a Tub"), regular noun (quibble) (N.E.D.).
RELIGION, "make — of," make a point of, scruple of.
REMNANT, scrap of quotation.
REMORA, species of fish.
RENDER, depict, exhibit, show.
REPETITION, recital, narration.
RESOLUTION, judgment, decision.
RESOLVE, inform; assure; prepare, make up one's mind; dissolve; come to a decision, be convinced; relax, set at ease.
RESPECTIVE, worthy of respect; regardful, discriminative.
RESPECTIVELY, with reverence.
RESPIRE, exhale; inhale.
REST, "set up one's —," venture one's all, one's last stake (from game of primero).
RESTIVE, RESTY, dull, inactive.
RETIRE, cause to retire.
RETRICATO, fencing term.
RETRIEVE, rediscovery of game once sprung.
RETURNS, ventures sent abroad, for the safe return of which so much money is received.
REVERBERATE, dissolve or blend by reflected heat.
REVERSE, REVERSO, back-handed thrust, etc., in fencing.
REVISE, reconsider a sentence.
RHEUM, spleen, caprice.
RIBIBE, abusive term for an old woman.
RID, destroy, do away with.
RIFLING, raffling, dicing.
RING, "cracked within the —," coins so cracked were unfit for currency.
RISSE, risen, rose.
ROCHET, fish of the gurnet kind.
ROGUE, vagrant, vagabond.
RONDEL, "a round mark in the score of a public-house" (Nares); roundel.
ROOK, sharper; fool, dupe.
ROSAKER, similar to ratsbane.
ROSA-SOLIS, a spiced spirituous liquor.
ROUND, "gentlemen of the —," officers of inferior rank.
ROUND TRUNKS, trunk hose, short loose breeches reaching almost or quite to the knees.
ROUSE, carouse, bumper.
ROVER, arrow used for shooting at a random mark at uncertain distance.
RUDE, RUDENESS, unpolished, rough(ness), coarse(ness).
RUFFLE, flaunt, swagger.
RUG, coarse frieze.
RUG-GOWNS, gown made of rug.
RUSH, reference to rushes with which the floors were then strewn.
RUSHER, one who strewed the floor with rushes.
RUSSET, homespun cloth of neutral or reddish-brown colour.
SACK, loose, flowing gown.
SADLY, seriously, with gravity.
SAD(NESS), sober, serious(ness).
ST. THOMAS A WATERINGS, place in Surrey where criminals were executed.
SAKER, small piece of ordnance.
SAMPSUCHINE, sweet marjoram.
SARABAND, a slow dance.
SATURNALS, began December 17.
SAUCINESS, presumption, insolence.
SAUCY, bold, impudent, wanton.
SAUNA (Lat.), a gesture of contempt.
SAVOUR, perceive; gratify, please; to partake of the nature.
SAY, assay, try.
SCALD, word of contempt, implying dirt and disease.
SCALLION, shalot, small onion.