Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3 - "Banks" to "Bassoon"
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See Ligon, History of Barbados (1657); Oldmixon, British Empire in America (1741); A Short History of Barbados (1768); Remarks upon the Short History (1768); Poyer, History of Barbados (1808); Capt. Thom. Southey, Chron. Hist. of W. Indies (1827); Schomburgk, History of Barbados (1848); J. H. S. Moxby, Account of a West Indian Sanatorium (1886); N. D. Davis, The Cavaliers and Roundheads of Barbados (1887); J. H. Stark, History and Guide to Barbados (1893); R. T. Hill, Cuba and Porto Rico (1897). For geology, see A. J. Jukes-Browne and J. B. Harrison, "The Geology of Barbados," Quart. Journ. Geol. Soc. London vol. xlvii. (1891), pp. 197-250, vol. xlviii. (1892), pp. 170-226; J. W. Gregory, "Contributions to the Palaeontology and Physical Geology of the West Indies," ibid. vol. li. (1895), pp. 255-310; G. F. Franks and J. B. Harrison, "The Globigerina-marls and Basal Reef-rocks of Barbados," ibid. vol. liv. (1898), pp. 540-555; J. W. Spencer, "On the Geological and Physical Development of Barbados; with Notes on Trinidad," ibid. vol. lviii. (1902), pp. 354-367.

BARBARA, SAINT, a virgin martyr and saint of the Roman Catholic and Orthodox Eastern Churches, whose festival day is December 4th. Her legend is that she was immured in a tower [v.03 p.0382] by her father who was opposed to her marriage; that she was converted to Christianity by a follower of Origen, and that when her father learnt this, he beheaded her. The place of her martyrdom is variously given as Heliopolis, as a town of Tuscany, and as Nicomedia, Bithynia, about the year 235. St Barbara is the patron saint of armourers and gunsmiths, and her protection is sought specially against lightning.

BARBARIAN (Gr. [Greek: barbaros], the name among the early Greeks for all foreigners. The word is probably onomatopoetic, designed to represent the uncouth babbling of which languages other than their own appeared to the Greeks to consist. Even the Romans were included in the term. The word soon assumed an evil meaning, becoming associated with the vices and savage natures of which they believed their enemies to be possessed. The Romans adopted the word for all peoples other than those under Graeco-Roman influence and domination. It has long become synonymous with a general lack of civilization.

BARBARO, ERMOLAO (HERMOLAUS BARBARUS) (1454-1493), Italian scholar, was born at Venice on the 21st of May 1454. At an early age he was sent to Rome, where he studied under Pomponius Laetus. He completed his education at the university of Padua, where he was appointed professor of philosophy in 1477. Two years later he revisited Venice, but returned to Padua when the plague broke out in his native city. He was sent on various missions to persons of high rank, amongst them Pope Innocent VIII., by whom he was nominated to the important office of patriarch of Aquileia (1491). The Venetian senate, however, refused to ratify the appointment, which, contrary to the law, he had accepted without first obtaining its sanction. He was banished and forced to resign the patriarchate, under the threat of being punished vicariously by the confiscation of his father's property. Barbarus remained at Rome, in receipt of a small pension from the pontifical government, until his death (probably from the plague) on the 14th of June 1493 (according to some, two years later). He edited and translated a number of classical works, of which the most important were: Castigationes Plinianae (1492), in which he boasted of having made 5000 corrections in the text of Pliny's Natural History; Themistius' Paraphrases of certain works of Aristotle (1480); Aristotle's Rhetorica (published in 1544); Castigationes in Pomponium Melam (1493).

BARBAROSSA ("Redbeard"), the name given by the Christians to a family of Turkish admirals and sea rovers of the 16th century,—Arouj and Khizr (alias Khair-ed-Din) and Hassan the son of Khair-ed-Din. As late as 1840, Captain Walsin Esterhazy, author of a history of the Turkish rule in Africa, ventured the guess that "Barbarossa" was simply a mispronunciation of Baba Arouj, and the supposition has been widely accepted. But the prefix Baba was not applied to Arouj by contemporaries. His name is given in Spanish or Italian form as "Orux" or "Harrach" or "Ordiche." The contemporary Arab chronicle published by S. Rang and F. Denis in 1837 says explicitly that Barbarossa was the name applied by Christians to Khair-ed-Din. It was no doubt a nickname given to the family on account of their red or tawny beards (Lat. barba). The founder of the family was Yakub, a Roumeliot, probably of Albanian blood, who settled in Mitylene after its conquest by the Turks. He was a coasting trader and skipper, and had four sons—Elias, Isaak, Arouj and Khizr, all said to have been born after 1482. Khizr became a potter and Isaak a trader. Elias and Arouj took to sea roving. In an action with a galley of the Knights of Saint John, then established at Rhodes, Elias was killed and Arouj taken prisoner; the latter was ransomed by a Turkish pasha and returned to the sea. For some time he served the Mamelukes who still held Egypt. During the conflict between the Mamelukes and the sultan Selim I., he considered it more prudent to transfer himself to Tunis. The incessant conflicts among the Berber princes of northern Africa gave him employment as a mercenary, which he varied by piratical raids on the trade of the Christians. At Tunis he was joined by Khizr, who took, or was endowed with, the name of Khair-ed-Din. Isaak soon followed his brothers. Arouj and Khair-ed-Din joined the exiled Moors of Granada in raids on the Spanish coast. They also pushed their fortunes by fighting for, or murdering and supplanting, the native African princes. Their headquarters were in the island of Jerba in the Gulf of Gabes. They attempted in 1512 to take Bougie from the Spaniards, but were beaten off, and Arouj lost an arm, shattered by an arquebus shot. In 1514 they took Jijelli from the Genoese, and after a second beating at Bougie in 1515 were called in by the natives of Cherchel and Algiers to aid them against the Spaniards. They occupied the towns and murdered the native ruler who called them in. The Spaniards still held the little rocky island which gives Algiers its name and forms the harbour. In 1518 Arouj was drawn away to take part in a civil war in Tlemcen. He promptly murdered the prince he came to support and seized the town for himself. The rival party then called in the Spaniards, by whom Arouj was expelled and slain while fleeing at the Rio Salado. Khair-ed-Din clung to his possessions on the coast and appealed to the sultan Selim I. He was named beylerbey by the sultan, and with him began the establishment of Turkish rule in northern Africa. For years he was engaged in subduing the native princes, and in carrying on warfare with the Christians. In 1519 he repelled a Spanish attack on Algiers, but could not expel his enemies from the island till 1529. As a combatant in the forefront of the war with the Christians he became a great hero in Islam, and dreaded by its enemies under his name of Barbarossa. In 1534 he seized Tunis, acting as capitan pasha for the sultan Suleiman. The emperor Charles V. intervened on behalf of the native prince, retook the town, and destroyed great part of Barbarossa's fleet. The corsair retaliated by leading what remained of his navy on a plundering raid to the Balearic Islands. During the remainder of his life—till 1547—Barbarossa, though still beylerbey of northern Africa, was mainly engaged as capitan pasha in co-operating with the armies of the sultan Suleiman in the east. He was absent from Algiers when it was attacked by Charles V. in 1541. In 1543-1544 he commanded the fleet which Suleiman sent to the coast of Provence to support Francis I. Barbarossa would not allow the bells of the Christian churches to be rung while his fleet was at anchor in the ports. He plundered the coast of Italy on his way back to Constantinople. When he died in his palace at Constantinople he was succeeded as beylerbey of Africa by his son Hassan. Hassan Barbarossa, like his father, spent most of his life in the Levant, but was occasionally in Africa when the influence of his family was required to suppress the disorders of the Turkish garrisons. He left it for the last time in 1567, and is said by Hammer-Purgstall to have been present at Lepanto in 1571. His last years are obscure.

AUTHORITIES.—The History of the Ottoman Empire, by Joseph von Hammer-Purgstall (French translation J. J. Hellert, 1835-1843), contains accounts of the Barbarossas, but requires to be corrected by other authorities. See La Fondation de la regence d'Alger, histoire des Barberousse, chronique arabe du XVI^{eme} siecle published by Sander Rang and Ferdinand Denis, Paris, 1837—for a curious Moslem version of their story. H. D. de Grammont has collected later evidence in his Histoire d'Alger (Paris, 1887); and he discusses the origin of the name in a paper contributed to the Revue Africaine, No. 171. Their campaigns are told in a readable way with the advantage of technical knowledge by Ad. Jurien de la Graviere in Les Corsaires barbaresques et la marine de Soliman le Grand (1887), and Doria et Barberousse (1886). The History of the Maritime Wars of the Turks, by Hajji Khalifa (translated by J. Mitchell for the Oriental Translation Fund, 1831), is said to have been founded on evidence collected by order of the sultan Suleiman.

BARBAROUX, CHARLES JEAN MARIE (1767-1794), French revolutionist, was educated at first by the Oratorians of Marseilles, then studied law, and became a successful advocate. He was appointed secretary (greffier) to the commune of Marseilles, and in 1792 was commissioned to go to the Legislative Assembly and demand the accusation of the directory of the department of Bouches-du-Rhone, as accomplice in a royalist movement in Arles. At Paris he was received in the Jacobin club and entered into relations with J. P. Brissot and the Rolands. It was at his instigation that Marseilles sent to Paris the battalion of volunteers which contributed to the insurrection of the 10th of August 1792 against the king. Returning to Marseilles he helped to repress a royalist movement at Avignon and an ultra-Jacobin movement [v.03 p.0383] at Marseilles, and was elected deputy to the Convention by 775 votes out of 776 voting. From the first he posed as an opponent of the Mountain, accused Robespierre of aiming at the dictatorship (25th of September 1792), attacked Marat, and proposed to break up the commune of Paris. Then he got the act of accusation against Louis XVI. adopted, and in the trial voted for his death "without appeal and without delay." During the final struggle between the Girondists and the Mountain, he refused to resign as deputy and rejected the offer made by the sections of Paris to give hostages for the arrested representatives. He succeeded in escaping, first to Caen, where he organized the civil war, then to Saint-Emilion near Bordeaux, where he wrote his Memoires, which were published in 1822 by his son, and re-edited in 1866. Discovered, he attempted to shoot himself, but was only wounded, and was taken to Bordeaux, where he was guillotined when his identity was established.

See Ch. Vatel, Charlotte Corday et les Girondins (Paris, 1873); A. Aulard, Les Orateurs de la Legislative et de la Convention (Paris, 2nd ed., 1906).

BARBARY, the general designation of that part of northern Africa bounded E. by Egypt, W. by the Atlantic, S. by the Sahara and N. by the Mediterranean, comprising the states of Morocco, Algeria, Tunisia and Tripoli. The name is derived from the Berbers, the chief inhabitants of the region.

BARBARY APE, a tailless monkey inhabiting Algeria, Morocco, and the rock of Gibraltar (where it may have been introduced), and referable to the otherwise Asiatic group of macaques, in which it alone represents the subgenus Inuus. This monkey, Macacus inuus, is light yellowish-brown above and yellowish-white below, with the naked part of the face flesh-coloured. It is entirely terrestrial in habits, at least on Gibraltar, and goes about in droves.

BARBARY PIRATES. The coast population of northern Africa has in past ages been addicted to piratical attacks on the shores of Europe opposite. Throughout the decline of the Roman empire, the barbarian invasions, the Mahommedan conquest and the middle ages, mere piracy always existed by the side of the great strife of peoples and religions. In the course of the 14th century, when the native Berber dynasties were in decadence, piracy became particularly flagrant. The town of Bougie was then the most notorious haunt of these "skimmers of the sea." But the savage robber powers which, to the disgrace of Europe, infested the commerce and the coasts, not only of the Mediterranean but even for a time of the ocean; who were not finally suppressed till the 19th century was well advanced; and who are properly known as the Barbary pirates, arose in the 16th century, attained their greatest height in the 17th, declined gradually throughout the 18th and were extinguished about 1830. Isolated cases of piracy have occurred on the Rif coast of Morocco even in our time, but the pirate communities which lived by plunder and could live by no other resource, vanished with the French conquest of Algiers in 1830. They are intimately connected with the general history of northern Africa from about 1492 to their end. The story of the establishment of Turkish rule in northern Africa and of the revolutions of Morocco must be sought under the heads of TURKEY, TRIPOLI, TUNISIA, ALGERIA and MOROCCO.

In dealing with the pirates, it will be sufficient to note a few leading dates. The conquest of Granada in 1492 by the Catholic sovereigns of Spain drove many Moors into exile. They revenged themselves by piratical attacks on the Spanish coast. They had the help of Moslem adventurers from the Levant, of whom the most successful were Arouj and his brother Khair-ed-Din, natives of Mitylene, both of whom were known to the Christians by the nickname of Barbarossa (q.v.) or "Redbeard." Spain in self-defence began to conquer the coast towns of Oran, Algiers and Tunis. Arouj having fallen in battle with the Spaniards in 1518, his brother Khair-ed-Din appealed to Selim, the sultan of Turkey, who sent him troops. He drove the Spaniards in 1529 from the rocky island in front of Algiers, where they had a fort, and was the founder of the Turkish power. From about 1518 till the death of Uluch Ali in 1587, Algiers was the main seat of government of the beylerbeys of northern Africa, who ruled over Tripoli, Tunisia and Algeria. From 1587 till 1659, they were ruled by Turkish pashas, sent from Constantinople to govern for three years; but in the latter year a military revolt in Algiers reduced the pashas to nonentities. From 1659 onwards, these African cities, though nominally forming parts of the Turkish empire, were in fact anarchical military republics which chose their own rulers and lived by plunder.

It may be pointed out that during the first period (1518-1587) the beylerbeys were admirals of the sultan, commanding great fleets and conducting serious operations of war for political ends. They were slave-hunters and their methods were ferocious, but their Christian enemies were neither more humane nor more chivalrous. After 1587, plunder became the sole object of their successors—plunder of the native tribes on land and of all who went upon the sea. The maritime side of this long-lived brigandage was conducted by the captains, or reises, who formed a class or even a corporation. Cruisers were fitted out by capitalists and commanded by the reises. Ten per cent of the value of the prizes was paid to the treasury of the pasha or his successors, who bore the titles of Agha or Dey or Bey. Bougie was the chief shipbuilding port and the timber was mainly drawn from the country behind it. Until the 17th century the pirates used galleys, but a Flemish renegade of the name of Simon Danser taught them the advantage of using sailing ships. In this century, indeed, the main strength of the pirates was supplied by renegades from all parts of Christendom. An English gentleman of the distinguished Buckinghamshire family of Verney was for a time among them at Algiers. This port was so much the most formidable that the name of Algerine came to be used as synonymous with Barbary pirate, but the same trade was carried on, though with less energy, from Tripoli and Tunis—as also from towns in the empire of Morocco, of which the most notorious was Salli. The introduction of sailing ships gave increased scope to the activity of the pirates. While the galleys, being unfit for the high seas, were confined to the Mediterranean and the coast, the sailing vessels ranged into the Atlantic as far as the Canaries or even to Iceland. In 1631 a Flemish renegade, known as Murad Reis, sacked Baltimore in Ireland, and carried away a number of captives who were seen in the slave-market of Algiers by the French historian Pierre Dan.

The first half of the 17th century may be described as the flowering time of the Barbary pirates. More than 20,000 captives were said to be imprisoned in Algiers alone. The rich were allowed to redeem themselves, but the poor were condemned to slavery. Their masters would not in many cases allow them to secure freedom by professing Mahommedanism. A long list might be given of people of good social position, not only Italians or Spaniards, but German or English travellers in the south, who were captives for a time. The chief sufferers were the inhabitants of the coasts of Sicily, Naples and Spain. But all traders belonging to nations which did not pay blackmail in order to secure immunity were liable to be taken at sea. The payment of blackmail, disguised as presents or ransoms, did not always secure safety with these faithless barbarians. The most powerful states in Europe condescended to make payments to them and to tolerate their insults. Religious orders—the Redemptionists and Lazarites—were engaged in working for the redemption of captives and large legacies were left for that purpose in many countries. The continued existence of this African piracy was indeed a disgrace to Europe, for it was due to the jealousies of the powers themselves. France encouraged them during her rivalry with Spain; and when she had no further need of them they were supported against her by Great Britain and Holland. In the 18th century British public men were not ashamed to say that Barbary piracy was a useful check on the competition of the weaker Mediterranean nations in the carrying trade. When Lord Exmouth sailed to coerce Algiers in 1816, he expressed doubts in a private letter whether the suppression of piracy would be acceptable to the trading community. Every power was, indeed, desirous to secure immunity for itself and more or less ready to compel Tripoli, Tunis, Algiers, Salli and [v.03 p.0384] the rest to respect its trade and its subjects. In 1655 the British admiral, Robert Blake, was sent to teach them a lesson, and he gave the Tunisians a severe beating. A long series of expeditions was undertaken by the British fleet during the reign of Charles II., sometimes single-handed, sometimes in combination with the Dutch. In 1682 and 1683 the French bombarded Algiers. On the second occasion the Algerines blew the French consul from a gun during the action. An extensive list of such punitive expeditions could be made out, down to the American operations of 1801-5 and 1815. But in no case was the attack pushed home, and it rarely happened that the aggrieved Christian state refused in the end to make a money payment in order to secure peace. The frequent wars among them gave the pirates numerous opportunities of breaking their engagements, of which they never failed to take advantage.

After the general pacification of 1815, the suppression of African piracy was universally felt to be a necessity. The insolence of a Tunisian squadron which sacked Palma in the island of Sardinia and carried off 158 of its inhabitants, roused widespread indignation. Other influences were at work to bring about their extinction. Great Britain had acquired Malta and the Ionian Islands and had now many Mediterranean subjects. She was also engaged in pressing the other European powers to join with her in the suppression of the slave trade which the Barbary states practised on a large scale and at the expense of Europe. The suppression of the trade was one of the objects of the congress of Vienna. Great Britain was called on to act for Europe, and in 1816 Lord Exmouth was sent to obtain treaties from Tunis and Algiers. His first visit produced diplomatic documents and promises and he sailed for England. While he was negotiating, a number of British subjects had been brutally ill-treated at Bona, without his knowledge. The British government sent him back to secure reparation, and on the 27th of August, in combination with a Dutch squadron under Admiral Van de Capellen, he administered a smashing bombardment to Algiers. The lesson terrified the pirates both of that city and of Tunis into giving up over 3000 prisoners and making fresh promises. But they were not reformed and were not capable of reformation. Algiers renewed its piracies and slave-taking, though on a smaller scale, and the measures to be taken with it were discussed at the conference or congress of Aix-la-Chapelle in 1818. In 1824 another British fleet under Admiral Sir Harry Neal had again to bombard Algiers. The great pirate city was not in fact thoroughly tamed till its conquest by France in 1830.

AUTHORITIES.—The Histoire d'Alger of H. D. de Grammont (Paris, 1887) is based on original authorities. Sir R. L. Playfair's Scourge of Christendom (London, 1884) gives the history of the British consulate in Algiers. The main authorities for the early history of the Barbary states are:—Luis del Marmol Carvajal, Descripcion de Africa (Granada, 1573); Diego de Haedo, Topographia e Historia General de Argel (Valladolid, 1612); and Pere Pierre Dan, Histoire de Barbarie et de ses corsaires (Paris, 1637). The readable treatises of Ad. Jurien de la Graviere, all published in Paris, Doria et Barberousse (1886), Les Corsaires barbaresques (1887), Les Chevaliers de Malte (1887), and La Guerre de Chypre (1888), deal with the epoch of the beylerbeys and the regular wars. For American work see Gardner Weld Allen, Our Navy and the Barbary Corsairs (New York, 1905).

(D. H.)

BARBAULD, ANNA LETITIA (1743-1825), English poet and miscellaneous writer, was born at Kibworth-Harcourt, in Leicestershire, on the 20th of June 1743. Her father, the Rev. John Aikin, a Presbyterian minister and schoolmaster, taught his daughter Latin and Greek. In 1758 Mr Aikin removed his family to Warrington, to act as theological tutor in a dissenting academy there. In 1773 Miss Aikin published a volume of Poems, which was very successful, and co-operated with her brother, Dr John Aikin, in a volume of Miscellaneous Pieces in Prose. In 1774 she married Rochemont Barbauld, a member of a French Protestant family settled in England. He had been educated in the academy at Warrington, and was minister of a Presbyterian church at Palgrave, in Suffolk, where, with his wife's help, he established a boarding school. Her admirable Hymns in Prose and Early Lessons were written for their pupils. In 1785 she left England for the continent with her husband, whose health was seriously impaired. On their return about two years later, Mr Barbauld was appointed to a church at Hampstead. In 1802 they removed to Stoke Newington. Mrs Barbauld became well known in London literary circles. She collaborated with Dr Aikin in his Evenings at Home; in 1795 she published an edition of Akenside's Pleasures of Imagination, with a critical essay; two years later she edited Collins's Odes; in 1804 she published a selection of papers from the English Essayists, and a selection from Samuel Richardson's correspondence, with a biographical notice; in 1810 a collection of the British Novelists (50 vols.) with biographical and critical notices; and in 1811 her longest poem, Eighteen Hundred and Eleven, giving a gloomy view of the existing state and future prospects of Britain. This poem anticipated Macaulay in contemplating the prospect of a visitor from the antipodes regarding at a future day the ruins of St Paul's from a broken arch of Blackfriars Bridge. Mrs Barbauld died on the 9th of March 1825; her husband had died in 1808. A collected edition of her works, with memoir, was published by her niece, Lucy Aikin, in 2 vols., 1825.

See A. L. le Breton, Memoir of Mrs Barbauld (1874); G. A. Ellis, Life and Letters of Mrs A. L. Barbauld (1874); and Lady Thackeray Ritchie, A Book of Sibyls (1883).

BARBECUE (Span. barbacoa), originally a framework on posts placed over a fire on which to dry or smoke meat; hence, a gridiron for roasting whole animals, and in Cuba an upper floor on which fruit or grain is stored. In the United States the word means an open-air feast, either political or social, where whole animals are roasted and eaten and hogsheads of beer and other vast quantities of food and drink consumed.

BARBED WIRE, a protective variety of fencing, consisting usually of several strands of wire twisted together with sharp spikes or points clinched or fastened into the strands.

In the United States, barbed wire for fencing was originally suggested to meet conditions existing in the western states, by reason of the large cattle-raising industry in sections where timber was scarce. Prior to its introduction, a No. 9 round or oval iron wire was popular on the frontier of the United States and in South America, as a fencing material. Large amounts were used annually for this purpose, but iron lacked strength, and single wire strand was not fully satisfactory on account of stretching in warm and contracting in cold weather, and of thus being broken. Cattle would rub against a smooth fence, and this constant pressure loosened the posts and broke the wire. To overcome this defect, ingenious people—the most successful being farmers—set themselves to find a way by which wire could be used and at the same time be free from destruction by the animals it was intended to confine. This investigation resulted in the invention of barbed wire. Soon after, automatic machinery was invented for rapidly and cheaply placing the barb upon the smooth wire, so that the cost of barbed wire is much less than the cost of smooth wire when it was in general use. So immediately did barbed wire find favour with the farmers of the United States, and, in fact, all over the world, that the manufacture of wire was revolutionized.

The history of barbed wire fencing is of recent date. In the United States—the real home of this industry—patents were taken out by Lucien B. Smith, Kent, Ohio, in 1867; by William B. Hunt, of Scott, N.Y., at almost the same time; and by Michael Kelly, of New York, a year later. The practical beginning of the industry, however, was in the patents issued to Joseph F. Glidden, De Kalb, Ill., 1874, on barbed fence wire, and during the same year, to Joseph F. Glidden and Phineas W. Vaughan, for a machine to manufacture the same. These inventions were the foundation of the system of patents under which barbed wire has been protected and sold. The development of the barbed wire industry would hardly have been possible without steel. Iron wire, used for fencing prior to the introduction of steel, was not suitable, seeing that iron does not possess sufficient tensile strength and lacks homogeneity, qualities which Bessemer and open-hearth steels possess in a high degree.

The advantages of galvanized barbed wire fencing are that it is almost imperishable, is no burden on the posts; does not [v.03 p.0385] oppose the wind with enough surface to rack the posts, thus allowing water to settle around them and rot them; is economical, not only in the comparative cheapness of its first cost but also in the amount of land covered by it; and is effective as a barrier against all kinds of stock and a protection against dogs and wild beasts. Cattle, once discovering what it is, will not press against it, nor even go near it, and thus it becomes an effective means of dividing the farmer's ranch into such fields as he may desire. It is quickly and cheaply constructed, and has the advantage of freedom from harbouring weeds. It affords no impediment to the view. A man can see across his farm, and ascertain what is going on in every portion within the scope of vision, as plainly as if there were no fences. It does not contribute to the formation of snow drifts as do other kinds of efficient fence. This makes it a favourite form of fencing for railroads and along highways. Finally, barbed wire composed of two wires twisted together, once firmly put in place, will retain its taut condition through many seasons without repair. The fact of the wire being twisted allows it to adapt itself to all the varying temperatures.

The introduction of barbed wire met with some opposition in America on supposed humanitarian grounds, but ample and extended tests, both of the economy and the humanity of the new material, silenced this objection. Now no American farmer, especially in the west, ever thinks of putting any other kind of fencing on his farm, unless it may be the new types of meshed wire field fencing which have been coming so generally into use since 1899. Generally speaking, the use of barbed wire fencing in other countries has not been as extensive as in the western United States. While it has been used on a comparatively large scale in Argentina and Australia, both these countries use a much larger quantity of plain wire fence, and in Argentina there is an important consumption of high-carbon oval fence wire of great strength, which apparently forms the only kind of fence that meets the conditions in a satisfactory manner.

It is interesting to note the largely increased demand for meshed wire field fencing in the more thickly settled-portions of the United States, and along the lines of railway. Beginning with 1899, there has been an annual increase in this demand, owing to the scarcity and high cost of labour, and the discontinuing of the building of rail fences. Meshed wire is considered by many a better enclosure for small animals, like sheep and hogs, than the barbed wire fence. Barbed wire has been popular with railroads, but of late meshed wire fencing has been substituted with advantage, the fabric being made of wires of larger diameter than formerly, to insure greater stability. The popularity of barbed wire is best shown by the following statistics:—


- - Year. Tons barbed wire. Tons meshed field fencing. - - 1874 5 1875 300 1876 1,500 1877 7,000 1878 13,000 1879 25,000 1880 40,000 1890 125,000 1900 200,000 50,000 1907 250,000 425,000 - -

Barbed wire is usually shipped to customers on wooden spools, each holding approximately 100 lb or 80 to 100 rods. A hole is provided through the centre of the spool for inserting a bar, on which the reel can revolve for unwinding the wire as it is put up. After the wire is stretched in place, it is attached to the wooden posts by means of galvanized steel wire staples, ordinarily made from No. 9 wire. They are cut with a sharp, long, diagonal point and can be easily driven into the posts. On account of the rapid decay and destruction of wooden posts, steel posts have become popular, as also have reinforced concrete posts, which add materially to the durability of the fence. It is essential that barbed wire should be stretched with great care. For this purpose a suitable barbed wire stretcher is necessary.

Barbed wire fencing is now manufactured in various patterns. The general process may be outlined briefly as follows:—The wire is made of soft Bessemer or Siemens-Martin steel, and is drawn in the wire mill in the usual way. Galvanizing is done by a continuous process. The coil of wire to be galvanized is placed on a reel. The first end of the wire is led longitudinally through an annealing medium—either red-hot lead or heated fire-brick tubes—of sufficient length to soften the wire. From the annealing furnace, the wire is fed longitudinally through a bath of muriatic acid, which removes the scale, and from the acid, after a thorough washing in water, the wire passes through a bath of spelter, heated slightly above the melting point. After coming from the spelter and being cooled by water, the wire is wound on suitable take-up blocks into finished coils. From 30 to 60 wires are passing simultaneously in parallel lines through this continuous galvanizing apparatus, thus insuring a large output. The galvanizing gives the wire a bright finish and serves to protect it from the corrosive action of the atmosphere. There is a considerable demand for painted fencing, in the manufacture of which the galvanizing is dispensed with, and the spools of finished barbed wire, as they come from the barbing machine, are submerged in paint and dried. The barbing and twisting together of the two longitudinal strand wires is done by automatic machinery. A brief description of the manufacture of 2 and 4 point Glidden wire is as follows:—Two coils of wire on reels are placed behind the machine, designed to form the main or strand wires of the fence. One of the main wires passes through the machine longitudinally. One or two coils of wire are placed on reels at either side of the machine for making 2 or 4 point wire respectively. These wires are fed into the machine at right angles to the strand wire. At each movement of the feeding mechanism, when fabricating 2 point wire, one cross wire is fed forward. A diagonal cut forms a sharp point on the first end. The wire is again fed forward and instantly wrapped firmly around one strand wire and cut off so as to leave a sharp point on the incoming wire as before, while the bit of pointed wire cut off remains as a double-pointed steel barb attached firmly to the strand wire. This wire armed with barbs at regular intervals passes on through a guide, where it is met by a second strand wire—a plain wire without barbs. The duplex strand wires are attached to a take-up reel, which is caused to revolve and take up the finished barbed wire simultaneously and in unison with the barbing machine. In this way the strand wires are loosely twisted into a 2-ply strand, armed with barbs projecting at right angles in every direction.

When once started, the operation of barbed wire making is continuous and rapid. The advantage of two strands is the automatic adjustment to changes of temperature. When heat expands the strands, the twist simply loosens without causing a sag, and when cold contracts them, the twist tightens, all without materially altering the relative lengths of the combined wires. A barbed wire machine produces from 2000 to 3000 lb of wire per day of ten hours.

In some American states, the use of barbed wire is regulated by law, but as a rule these laws apply to placing barbed wire on highways. Others prohibit the use of barbed wire fencing to indicate the property line between different owners, unless both agree to its use. In some states the use of barbed wire is prohibited unless it has a top rail of lumber.

Barbed wire is also employed in connexion with "obstacles" in field fortifications, especially in what are known as "high wire entanglements." Pointed stakes or "pickets," 4 ft. high, are planted in rows and secured by ordinary wire to holdfasts or pegs in the ground. Each picket is connected to all around it, top and bottom, by lengths of barbed wire.

In England, where the use of barbed wire has also become common, the Barbed Wire Act 1893 enacted that, where there is on any land adjoining a highway within the county or district of a local authority, a fence which is made with barbed wire (i.e. any wire with spikes or jagged projections), or in which barbed wire has been placed, and where such barbed wire may probably be injurious to persons or animals lawfully using the highway, the local authority may require the occupier of the land to abate the nuisance by serving notice in writing upon him. If the occupier fails to do so within the specified time, the local authority may apply to a court of summary jurisdiction, and such court, if satisfied that the barbed wire is a nuisance, may by summary order direct the occupier to abate it, and on his failure to comply with the order within a reasonable time, the local authority may execute it and recover in a summary manner from the occupier the expenses incurred.

BARBEL (Barbus vulgaris), a fish of the Cyprinid family, which is an inhabitant of the rivers of central Europe, and is very locally distributed in England. It has four barbels (Lat. barba, beard; fleshy appendages hanging from the mouth), and the first ray of the short dorsal fin is strong, spine-like and serrated behind. It attains a weight of 50 lb on the continent of Europe. The genus of which it is the type is a very large one, comprising about 300 species from Europe, Asia and Africa, among which is the mahseer or mahaseer, the great sporting fish of India.

BARBE-MARBOIS, FRANCOIS, MARQUIS DE (1745-1837), French politician, was born at Metz. He began his public career as intendant of San Domingo under the old regime. At the close of 1789 he returned to France, and then placed his services at the disposal of the revolutionary government. In 1791 he was sent to Regensburg to help de Noailles, the French ambassador, in the negotiations with the diet of the Empire concerning the [v.03 p.0386] possessions of German princes in Alsace and Lorraine. Suspected of treason, he was arrested on his return but set at liberty again. In 1795 he was elected to the Council of the Ancients, where the general moderation of his attitude, especially in his opposition to the exclusion of nobles and the relations of emigres from public life, brought him under suspicion of being a royalist, though he pronounced a eulogy on Bonaparte for his success in Italy. At the coup d'etat of the 18th Fructidor (September 4) 1797, he was arrested and transported to French Guiana. Transferred to Oleron in 1799, he owed his liberty to Napoleon, after the 18th Brumaire. In 1801 he became councillor of state and director of the public treasury, and in 1802 a senator. In 1803 he negotiated the treaty by which Louisiana was ceded to the United States, and was rewarded by the First Consul with a gift of 152,000 francs. In 1805 he was made grand officer of the legion of honour and a count, and in 1808 he became president of the cour des comptes. In return for these favours, he addressed Napoleon with servile compliments; yet in 1814 he helped to draw up the act of abdication of the emperor, and declared to the cour des comptes, with reference to the invasion of France by the allies, "united for the most beautiful of causes, it is long since we have been so free as we now are in the presence of the foreigner in arms." In June 1814, Louis XVIII. named him peer of France and confirmed him in his office as president of the cour des comptes. Deprived of his positions by Napoleon during the Hundred Days he was appointed minister of justice in the ministry of the duc de Richelieu (August 1815). In this office he tried unsuccessfully to gain the confidence of the ultra-royalists, and withdrew at the end of nine months (May 10, 1816).

In 1830, when Louis Philippe assumed the reins of government, Barbe-Marbois went, as president of the cour des comptes, to compliment him and was confirmed in his position. It was the sixth government he had served and all with servility. He held his office until April 1834, and died on the 12th of February 1837. He published various works, of which may be mentioned: Reflexions sur la colonie de Saint-Domingue (1794), De la Guyane, &c. (1822), an Histoire de la Louisiane et la cession de cette colonie par la France aux Etats-Unis, &c. (1828), and the story of his transportation after the 18th Fructidor in Journal d'un deporte non juge, 2 vols. (1834).

BARBER (from Lat. barba, beard), one whose occupation it is to shave or trim beards, a hairdresser. In former times the barber's craft was dignified with the title of a profession, being conjoined with the art of surgery. In France the barber-surgeons were separated from the perruquiers, and incorporated as a distinct body in the reign of Louis XIV. In England barbers first received incorporation from Edward IV. in 1461. By 32 Henry VIII. c. 42, they were united with the company of surgeons, it being enacted that the barbers should confine themselves to the minor operations of blood-letting and drawing teeth, while the surgeons were prohibited from "barbery or shaving." In 1745 barbers and surgeons were separated into distinct corporations by 18 George II. c. 15. The barber's shop was a favourite resort of idle persons; and in addition to its attraction as a focus of news, a lute, viol, or some such musical instrument, was always kept for the entertainment of waiting customers. The barber's sign consisted of a striped pole, from which was suspended a basin, symbols the use of which is still preserved. The fillet round the pole indicated the ribbon for bandaging the arm in bleeding, and the basin the vessel to receive the blood.

See also BEARD, and Annals of the Barber Surgeons of London (1890).

BARBERINI, the name of a powerful Italian family, originally of Tuscan extraction, who settled in Florence during the early part of the 11th century. They acquired great wealth and influence, and in 1623 Maffeo Barberini was raised to the papal throne as Urban VIII. He made his brother, Antonio, a distinguished soldier, and two nephews, cardinals, and gave to a third nephew, Taddeo, the principality of Palestrina. Great jealousy of their increasing power was excited amongst the neighbouring princes, and Odoardo Farnese, duke of Parma, made war upon Taddeo, and defeated the papal troops. After the death of Urban in 1644 his successor, Innocent X., showed hostility to the Barberini family. Taddeo fled to Paris, where he died in 1647, and with him the family became extinct in the male line. His daughter Cornelia married Prince Giulio Cesare Colonna di Sciarra in 1728, who added her name to his own. On the death of Prince Enrico Barberini-Colonna the name went to his daughter and heiress Donna Maria and her husband Marquis Luigi Sacchetti, who received the title of prince of Palestrina and permission to bear the name of Barberini. The fine Barberini palace and library in Rome give evidence of their wealth and magnificence. The ruthless way in which they plundered ancient buildings to adorn their own palaces is the origin of the saying, "Quod non fecerunt barbari, fecerunt Barberini."

See A. von Reumont, Geschichte der Stadt Rom (Berlin, 1868), iii. b. 611-612, 615, 617, &c.; Almanach de Gotha (Gotha, 1902); J. H. Douglas, The Principal Noble Families of Rome (Rome, 1905).

BARBERRY (Berberis vulgaris), a shrub with spiny-toothed leaves, which on the woody shoots are reduced to forked spines, and pale yellow flowers in hanging racemes, which are succeeded by orange-red berries. It is a member of the botanical natural order Berberidaceae, and contains about 100 species in the north temperate zone and in the Andes of South America extending into Patagonia. The order is nearly allied to the buttercup order in having the parts of the flowers all free and arranged in regular succession below the ovary which consists of only one carpel. It is distinguished by having the sepals, petals and stamens in multiples of 2, 3 or 4, never of 5. The berries of Berberis are edible; those of the native barberry are sometimes made into preserves. The alkaloid berberine (q.v.) occurs in the roots.

BARBERTON, a town of the Transvaal, 283 m. by rail (175 m. in a direct line) E. of Pretoria and 136 m. W.N.W. of Delagoa Bay. Pop. (1904) 2433, of whom 1214 were whites. Barberton lies 2825 ft. above the sea and is built on the side of a valley named De Kaap, from a bold headland of the Drakensberg which towers above it. The chief town of a district of the same name, it owes its existence to the discovery of gold in the Kaap valley, and dates from 1886. There are several fine public buildings grouped mainly round President Square. The town is connected with the Lourenco Marques-Pretoria trunk railway by a branch line, 35 m. long, which runs N.E. through fine mountainous country and joins the main line at Kaapmuiden. During the war of 1899-1902 the Boers were driven out of Barberton (13th of September 1900) by General (afterwards Sir John) French.

BARBETTE (Fr. diminutive of barbe, a beard), a platform inside a fortification raised sufficiently high for artillery placed thereon to be able to fire en barbette, viz. over the top of the parapet; also in warships a raised platform, protected by armour on the sides, upon which guns are mounted en barbette.

BARBEY D'AUREVILLY, JULES AMEDEE (1808-1889), French man of letters, was born at Saint-Sauveur-le-Vicomte (Manche) on the 2nd of November 1808. His most famous novels are Une Vieille Maitresse (1851), attacked at the time of its publication on the charge of immorality; L'Ensorcelee (1854), an episode of the royalist rising among the Norman peasants against the first republic; the Chevalier Destouches (1864); and a collection of extraordinary stories entitled Les Diaboliques (1874). Barbey d'Aurevilly is an extreme example of the eccentricities of which the Romanticists were capable, and to read him is to understand the discredit that fell upon the manner. He held extreme Catholic views and wrote on the most risque subjects, he gave himself aristocratic airs and hinted at a mysterious past, though his parentage was entirely bourgeois and his youth very hum-drum and innocent. In the 'fifties d'Aurevilly became literary critic of the Pays, and a number of his essays, contributed to this and other journals, were collected as Les Oeuvres et les hommes du XIX^e siecle (1861-1865). Other literary studies are Les Romanciers (1866) and Goethe et Diderot (1880). He died in Paris on the 23rd of April 1889. Paul Bourget describes him as a dreamer with an exquisite sense of vision, who sought and found in his work a refuge from the [v.03 p.0387] uncongenial world of every day. Jules Lemaitre, a less sympathetic critic, finds in the extraordinary crimes of his heroes and heroines, his reactionary views, his dandyism and snobbery, an exaggerated Byronism.

See also Alcide Dusolier, Jules Barbey d'Aurevilly (1862), a collection of eulogies and interviews; Paul Bourget, Preface to d'Aurevilly's Memoranda (1883); Jules Lemaitre, Les Contemporains; Eugene Grele, Barbey d'Aurevilly, sa vie et son oeuvre (1902); Rene Doumic, in the Revue des deux mondes (Sept. 1902).

BARBEYRAC, JEAN (1674-1744), French jurist, the nephew of Charles Barbeyrac, a distinguished physician of Montpellier, was born at Beziers in Lower Languedoc on the 15th of March 1674. He removed with his family into Switzerland after the revocation of the edict of Nantes, and there studied jurisprudence. After spending some time at Geneva and Frankfort-on-Main, he became professor of belles-lettres in the French school of Berlin. Thence, in 1711, he was called to the professorship of history and civil law at Lausanne, and finally settled as professor of public law at Groningen. He died on the 3rd of March 1744. His fame rests chiefly on the preface and notes to his translation of Pufendorf's treatise De Jure Naturae et Gentium. In fundamental principles he follows almost entirely Locke and Pufendorf; but he works out with great skill the theory of moral obligation, referring it to the command or will of God. He indicates the distinction, developed more fully by Thomasius and Kant, between the legal and the moral qualities of action. The principles of international law he reduces to those of the law of nature, and combats, in so doing, many of the positions taken up by Grotius. He rejects the notion that sovereignty in any way resembles property, and makes even marriage a matter of civil contract. Barbeyrac also translated Grotius's De Jure Belli et Pacis, Cumberland's De Legibus Naturae, and Pufendorf's smaller treatise De Officio Hominis et Civis. Among his own productions are a treatise, De la morale des peres, a history of ancient treaties contained in the Supplement au grand corps diplomatique, and the curious Traite du jeu (1709), in which he defends the morality of games of chance.

BARBICAN (from Fr. barbacane, probably of Arabic or Persian origin), an outwork for the defence of a gate or drawbridge; also a sort of pent-house or construction of timber to shelter warders or sentries from arrows or other missiles.

BARBIER, ANTOINE ALEXANDRE (1765-1825), French librarian and bibliographer, was born on the 11th of January 1765 at Coulommiers (Seine-et-Marne). He took priest's orders, from which, however, he was finally released by the pope in 1801. In 1794 he became a member of the temporary commission of the arts, and was charged with the duty of distributing among the various libraries of Paris the books that had been confiscated during the Revolution. In the execution of this task he discovered the letters of Huet, bishop of Avranches, and the MSS. of the works of Fenelon. He became librarian successively to the Directory, to the Conseil d'Etat, and in 1807 to Napoleon, from whom he carried out a number of commissions. He produced a standard work in his Dictionnaire des ouvrages anonymes et pseudonymes (4 vols., 1806-1809; 3rd edition 1872-1879). Only the first part of his Examen critique des dictionnaires historiques (1820) was published. He had a share in the foundation of the libraries of the Louvre, of Fontainebleau, of Compiegne and Saint-Cloud; under Louis XVIII. he became administrator of the king's private libraries, but in 1822 he was deprived of all his offices. Barbier died in Paris on the 5th of December 1825.

See also a notice by his son, Louis Barbier, and a list of his works prefixed to the 3rd edition of the Dict. des ouvrages anonymes et pseudonymes.

BARBIER, HENRI AUGUSTE (1805-1882), French dramatist and poet, was born in Paris on the 29th of April 1805. Inspired by the revolution of July he poured forth a series of eager, vigorous poems, denouncing, crudely enough, the evils of the time. They are spoken of collectively as the Iambes (1831), though the designation is not strictly applicable to all. As the name suggests, they are modelled on the verse of Andre Chenier. They include La Curee, La Popularite, L'Idole, Paris, Dante, Quatre-vingt-treize and Varsovie. The rest of Barbier's poems are forgotten, and when, in 1869, he received the long delayed honour of admission to the Academy, Montalembert expressed the general sentiment in his Barbier? mais il est mort! It was even asserted, though without foundation, that he was not the real author of the Iambes. He died at Nice on the 13th of February 1882. He collaborated with Leon de Wailly in the libretto of Berlioz's opera, Benvenuto Cellini, and his works include two series of poems on the political and social troubles of Italy and England, printed in later editions of Iambes et poemes.

See also Sainte-Beuve, Portraits Contemporains, vol. ii.

BARBIER, LOUIS, known as the ABBE DE LA RIVIERE (1593-1670), French bishop, was born of humble parents in Vaudelaincourt, near Compiegne. He entered the church and made his way by his wit and cleverness, until he was appointed tutor, and then became the friend and adviser, of Gaston d'Orleans, brother of Louis XIII. He thus gained an entrance to the court, became grand almoner of the queen, and received the revenue of rich abbeys. In March 1655 he was named bishop of Langres, but he spent his time at court, where his wit was always in demand, and where he gained great sums by gambling. He died very rich.

BARBIERI, GIOVANNI FRANCESCO (otherwise called GUERCINO, from his squinting), (1591-1666), Italian historical painter, was born at Cento, a village not far from Bologna. His artistic powers were developed very rapidly, and at the age of seventeen he was associated with Benedetto Gennari (1550-1610), a well-known painter of the Bolognese school. The fame of the young painter spread beyond his native village, and in 1615 he removed to Bologna, where his paintings were much admired. His first style was formed after that of the Caracci; but the strong colouring and shadows employed by Caravaggio made a deep impression on his mind, and for a considerable period his productions showed evident traces of that painter's influence. Some of his latest pieces approach rather to the manner of his great contemporary Guido, and are painted with more lightness and clearness. Guercino was esteemed very highly in his lifetime, not only by the nobles and princes of Italy, but by his brother artists, who placed him in the first rank of painters. He was remarkable for the extreme rapidity of his execution; he completed no fewer than 106 large altar-pieces for churches, and his other paintings amount to about 144. His most famous piece is thought to be the St Petronilla, which was painted at Rome for Gregory XV. and is now in the Capitol. In 1626 he began his frescoes in the Duomo at Piacenza. Guercino continued to paint and teach up to the time of his death in 1666. He had amassed a handsome fortune by his labours. His life, by J. A. Calvi, appeared at Bologna in 1808.

His brother, PAOLO ANTONIO BARBIERI (1603-1649), was a celebrated painter of still life and animals. He chose for his subjects fruits, flowers, insects and animals, which he painted after nature with a lively tint of colour, great tenderness of pencil, and a strong character of truth and life.

BARBITON, or BARBITOS (Gr. [Greek: barbiton] or [Greek: barbitos]; Lat. barbitus; Pers. barbat, barbud), an ancient stringed instrument known to us from the Greek and Roman classics, but derived from Persia. Theocritus (xvi. 45), the Sicilian poet, calls it an instrument of many strings, i.e. more than seven, which was by the Hellenes accounted the perfect number, as in the cithara of the best period. Anacreon,[1] (a native of Teos in Asia Minor) sings that his barbitos only gives out erotic tones. Pollux (Onomasticon iv. chap. 8, s. 59) calls the instrument barbiton or barymite (from [Greek: barus], heavy and [Greek: mitos], a string), an instrument producing deep sounds; the strings were twice as long as those of the pectis and sounded an octave lower. Pindar (in Athen. xiv. p. 635), in the same line wherein he attributes the introduction of the instrument into Greece to Terpander, tells us one could magadize, i.e. play in two parts at an interval of an octave on the two instruments. The word barbiton was frequently used for the lyre itself. Although in use in Asia Minor, Italy, [v.03 p.0388] Sicily, and Greece, it is evident that the barbiton never won for itself a place in the affections of the Greeks of Hellas; it was regarded as a barbarian instrument affected by those only whose tastes in matters of art were unorthodox. It had fallen into disuse in the days of Aristotle,[2] but reappeared under the Romans.

In spite of the few meagre shreds of authentic information extant concerning this somewhat elusive instrument, it is possible nevertheless to identify the barbiton as it was known among the Greeks and Romans. From the Greek writers we know that it was an instrument having some feature or features in common with the lyre, which warranted classification with it. From the Persians and Arabs we learn that it was a kind of rebab or lute, or a chelys-lyre,[3] first introduced into Europe through Asia Minor by way of Greece, and centuries later into Spain by the Moors, amongst whom it was in the 14th century known as al-barbet.[4] There is a stringed instrument, as yet unidentified by name, of which there are at least four different representations in sculpture,[5] which combines the characteristics of both lyre and rebab, having the vaulted back and gradual narrowing to form a neck which are typical of the rebab and the stringing of the lyre. In outline it resembles a large lute with a wide neck, and the seven strings of the lyre of the best period, or sometimes nine, following the decadent lyre. Most authors in reproducing these sculptures showing the barbiton represent the instrument as boat-shaped and without a neck, as, for instance, Carl Engel. This is due to the fact that the part of the instrument where neck joins body is in deep shadow, so that the correct outline can hardly be distinguished, being almost hidden by hand on one side and drapery on the other.

The barbiton, as pictured here, had probably undergone considerable modification at the hands of the Greeks and had diverged from the archetype. The barbiton, however, although it underwent many changes, retained until the end the characteristics of the instruments of the Greek lyre whose strings were plucked, whereas the rebab was sounded by means of the bow at the time of its introduction into Europe. At some period not yet determined, which we can but conjecture, the barbat approximated to the form of the large lute (q.v.). An instrument called barbiton was known in the early part of the 16th[6] and during the 17th century. It was a kind of theorbo or bass-lute, but with one neck only, bent back at right angles to form the head. Robert Fludd[7] gives a detailed description of it with an illustration:—"Inter quas instrumenta non nulla barbito simillima effinxerunt cujus modi sunt illa quae vulgo appellantur theorba, quae sonos graviores reddunt chordasque nervosas habent." The people called it theorbo, but the scholar having identified it with the instrument of classic Greece and Rome called it barbiton. The barbiton had nine pairs of gut strings, each pair being in unison. Dictionaries of the 18th century support Fludd's use of the name barbiton. G. B. Doni[8] mentions the barbiton, defining it in his index as Barbitos seu major chelys italice tiorba, and deriving it from lyre and cithara in common with testudines, tiorbas and all tortoiseshell instruments. Claude Perrault,[9] writing in the 18th century, states that "les modernes appellent notre luth barbiton" (the moderns call our lute barbiton). Constantijn Huygens[10] declares that he learnt to play the barbiton in a few weeks, but took two years to learn the cittern.

The barbat was a variety of rebab (q.v.), a bass instrument, differing only in size and number of strings. This is quite in accordance with what we know of the nomenclature of musical instruments among Persians and Arabs, with whom a slight deviation in the construction of an instrument called for a new name.[11] The word barbud applied to the barbiton is said to be derived[12] from a famous musician living at the time of Chosroes II. (A.D. 590-628), who excelled in playing upon the instrument. From a later translation of part of the same authority into German[13] we obtain the following reference to Persian musical instruments: "Die Saenger stehen bei seinem Gastmahl; in ihrer Hand Barbiton^{(i.)} und Leyer^{(ii.)} und Laute^{(iii.)} und Floete^{(iv.)} und Deff (Handpauke)." Mr Ellis, of the Oriental Department of the British Museum, has kindly supplied the original Persian names translated above, i.e. (i.) barbut, (ii.) chang, (iii.) rubāb, (iv.) nei. The barbut and rubab thus were different instruments as late as the 19th century in Persia. There were but slight differences if any between the archetypes of the pear-shaped rebab and of the lute before the application of the bow to the former—both had vaulted backs, body and neck in one, and gut strings plucked by the fingers.

(K. S.)

[1] See Bergk's Poetae Lyrici Graeci (4th ed., 1882), p. 291, fr. 143 [113]; and p. 311, 23 [1], 3; and 14 [9], 34, p. 306.

[2] Polit. viii. (v.), 6, ed. Susemihl-Hicks (1894), pp. 604 (= 1341a 40) and 632; Daremberg and Saglio, Dict. d'ant. gr. et rom., article "Lyre," p. 1450, for a few more references to the classics.

[3] Johnson's Persian-Arabic-English dictionary: barbat, a harp or lute, barbatzan, player upon lute, pl.barābit; G. W. Freytag, Lexicon Arabico-Latinum, i. p. 102; barbat (Persian and Arabic), barbitus, genus testudinis, plerumque sex septamve chordis instructum (rotundam habet formam in Africa); Lexicon Aegidii Forcellini (Prato, 1858; "Barbito aurataque chely ac doctis fidibus personare" (Martianus Capella i. 36); G. B. Doni, Lyra Barberina, ii. index.

[4] Enumeration of Arab Musical Instruments, xiv. c.

[5] (a) See C. Clarac, Musee du Louvre, vol. i. pl. 202, No. 261. (b) Accompanying illustration. See also Kathleen Schlesinger, "Orchestral Instruments", part ii., "Precursors of the Violin Family," fig. 108 and p. 23, pp. 106-107, fig. 144 and appendix. (c) Sarcophagus in the cathedral of Girgenti in Sicily, illustrated by Carl Engel, Early History of the Violin Family, p. 112. A cast is preserved in the sepulchral basement at the British Museum. Domenico, Lo Faso Pietra-Santa, le antichita della Sicilia (Palermo, 1834), vol. 3, pl. 45 (2), text p. 89. (d) C. Zoega, Antike Basreliefe von Rom (Giessen, 1812), atlas, pl. 98, sarcophagus representing a scene in the story of Hippolytus and Phaedra.

[6] In Jacob Locher's Navis Stultifera (Basil, 1506), titulus 7, is an illustration of a small harp and lute with the legend nec cytharum tangit nec barbiton.

[7] Historia Utriusque Cosmi (Oppenheim, 1617), tom. i. tract ii. part ii. lib. iv. cap. i. p. 226.

[8] Lyra Barberina, vol. ii. index, and also vol. i. p. 29.

[9] "La Musique des anciens," Oeuvres completes (ed. Amsterdam, 1727), tom. i. p. 306.

[10] De Vita propria sermonum inter liberos libri duo (Haarlem, 1817). See also Edmund van der Straeten, La Musique aux Pays-Bas, vol. ii. p. 349.

[11] See The Seven Seas, a dictionary and grammar of the Persian language, by Ghazi ud-din Haidar, king of Oudh, in seven parts (Lucknow, 1822) (only the title of the book is in English). A review of this book in German with copious quotations by von Hammer-Purgstall is published in Jahrbuecher der Literatur (Vienna, 1826), Bd. 35 and 36; names of musical instruments, Bd. 36, p. 292 et seq. See also R. G. Kiesewetter, Die Musik der Araber, nach Originalquellen dargestellt (Leipzig, 1843, p. 91, classification of instruments).

[12] The Seven Seas, part i. p. 153; Jahrb. d. Literatur, Bd. 36, p. 294.

[13] Fr. Rueckert, Grammatik, Poetik und Rhetorik der Perser, nach dem 7^{ten} Bde. des Hefts Kolzum (Gotha, 1874), p. 80.

BARBIZON, a French village, near the forest of Fontainebleau, which gave its name to the "Barbizon school" of painters, whose leaders were Corot, Rousseau, Millet and Daubigny, together with Diaz, Dupre, Jacque, Francais, Harpignies and others. They put aside the conventional idea of "subject" in their pictures of landscape and peasant life, and went direct to the fields and woods for their inspiration. The distinctive note of the school is seen in the work of Rousseau and of Millet, each of whom, after spending his early years in Paris, made his home in Barbizon. Unappreciated, poor and neglected, it was not until after years of struggle that they attained recognition and success. They both died at Barbizon—Rousseau in 1867 and Millet in 1875. It is difficult now to realize that their work, so unaffected and beautiful, should have been so hardly received. To understand this, it is necessary to remember the conflicts that existed between the classic and romantic schools in the first half of the 19th century, when the classicists, followers of the tradition of [v.03 p.0389] David, were the predominant school. The romantic movement, with Gericault, Bonington and Delacroix, was gaining favour. In 1824 Constable's pictures were shown in the Salon, and confirmed the younger men in their resolution to abandon the lifeless pedantry of the schools and to seek inspiration from nature. In those troubled times Rousseau and Millet unburdened their souls to their friends, and their published lives contain many letters, some extracts from which will express the ideals which these artists held in common, and show clearly the true and firmly-based foundation on which their art stands. Rousseau wrote, "It is good composition when the objects represented are not there solely as they are, but when they contain under a natural appearance the sentiments which they have stirred in our souls.... For God's sake, and in recompense for the life He has given us, let us try in our works to make the manifestation of life our first thought: let us make a man breathe, a tree really vegetate." And Millet—"I try not to have things look as if chance had brought them together, but as if they had a necessary bond between themselves. I want the people I represent to look as if they really belonged to their station, so that imagination cannot conceive of their ever being anything else. People and things should always be there with an object. I want to put strongly and completely all that is necessary, for I think things weakly said might as well not be said at all, for they are, as it were, deflowered and spoiled—but I profess the greatest horror for uselessness (however brilliant) and filling up. These things can only weaken a picture by distracting the attention toward secondary things." In another letter he says—"Art began to decline from the moment that the artist did not lean directly and naively upon impressions made by nature. Cleverness naturally and rapidly took the place of nature, and decadence then began.... At bottom it always comes to this: a man must be moved himself in order to move others, and all that is done from theory, however clever, can never attain this end, for it is impossible that it should have the breath of life." The ideas of the "Barbizon school" only gradually obtained acceptance, but the chief members of it now rank among the greater artists of their time.

See D. Croal Thomson, The Barbizon School (1891), with a full list of the French authorities to be consulted; Jules Breton, Nos peintres du siecle, Paris, 1900.

BARBON, NICHOLAS (c. 1640-1698), English economist, probably the son of Praise-god Barbon, was born in London, studied medicine at Leiden, graduated M.D. at Utrecht in 1661, and was admitted an honorary fellow of the College of Physicians in 1664. He took a considerable part in the rebuilding of London after the great fire of 1666, and has a claim to be considered the institutor of fire-insurance in England, which he started somewhere about 1680. He was M.P. for Bramber in 1690 and 1695. He founded a land bank which, according to contemporaries, was fairly successful and was united with that of John Briscoe in 1696. He died in 1698. His writings are interesting as expressing views much in advance of his time and very near akin to those of modern times on such important topics as value, rent and foreign trade. The more important were Apology for the Builder; or a Discourse showing the Cause and Effects of the Increase of Building (1685); A Discourse of Trade (1690); and A Discourse Concerning Coining the New Money Lighter (1696).

BARBON (BAREBONE or BAREBONES), PRAISE-GOD (c. 1596-1679), English leather-seller and Fifth Monarchy man, was admitted freeman of the Leathersellers Company on the 20th of January 1623 and liveryman on the 13th of October 1634. About the same time he became minister to a congregation which assembled at his own house, "The Lock and Key," in Fleet Street, where his preaching attracted large audiences. The exact nature of his religious opinions is not perfectly clear. He is styled by his enemies a Brownist and Anabaptist, i.e. probably Baptist, but he wrote two books in support of paedobaptism, and his congregation had separated from a larger one of Baptists on that point of controversy. Later he belonged to the sect of Fifth Monarchy men. He was the object of the abuse and ridicule of the opposite party, and his meetings were frequently disturbed by riots. On the 20th of December 1641 his house was stormed by a mob and he narrowly escaped with his life. Barbon, who was a man of substantial property, was summoned by Cromwell on the 6th of June 1653 as a member for London to the assembly of nominees called after him in derision Barebone's Parliament. His name is occasionally mentioned, but he appears to have taken no part in the debates. In 1660 he showed great activity in endeavouring to prevent the Restoration. He published Needham's book, News from Brussels in a Letter from a Near Attendant on His Majesty's Person ..., which retailed unfavourable anecdotes relating to Charles's morals, and on the 9th of February he presented the petition to the Parliament, which proposed that all officials should abjure the Stuarts, and all publicly proposing the Restoration should be deemed guilty of high treason. His conduct drew upon him several royalist attacks. On the 31st of March he was obliged to sign an engagement to the council not to disturb the peace, and on the 26th of November 1661 he was arrested, together with John Wildman and James Harrington, and was imprisoned in the Tower till the 27th of July 1662, when he was released on bail. Barbon, who was married, was buried on the 5th of January 1680. He was the author of A Discourse tending to prove ... Baptism ... to be the ordinance of Jesus Christ. As also that the Baptism of Infants is warentable (1642), the preface of which shows a spirit of wide religious tolerance; and A Reply to the Frivolous and Impertinent answer of R. B. and E. B. to the Discourse of P. B. (1643).

BARBOUR, JOHN (? 1316-1395), Scottish poet, was born, perhaps in Aberdeenshire, early in the 14th century, approximately 1316. In a letter of safe-conduct dated 1357, allowing him to go to Oxford for study, he is described as archdeacon of Aberdeen. He is named in a similar letter in 1364 and in another in 1368 granting him permission to pass to France, probably for further study, at the university of Paris. In 1372 he was one of the auditors of exchequer, and in 1373 a clerk of audit in the king's household. In 1375 (he gives the date, and his age as 60) he composed his best known poem The Brus, for which he received, in 1377, the gift of ten pounds, and, in 1378, a life-pension of twenty shillings. Additional rewards followed, including the renewal of his exchequer auditorship (though he may have continued to enjoy it since his first appointment) and ten pounds to his pension. The only biographical evidence of his closing years is his signature as a witness to sundry deeds in the "Register of Aberdeen" as late as 1392. According to the obit-book of the cathedral of Aberdeen, he died on the 13th of March 1395. The state records show that his life-pension was not paid after that date.

Considerable controversy has arisen regarding Barbour's literary work. If he be the author of the five or six long poems which have been ascribed to him by different writers, he adds to his importance as the father of Scots poetry the reputation of being one of the most voluminous writers in Middle English, certainly the most voluminous of all Scots poets.

(1) The Brus, in twenty books, and running to over 13,500 four-accent lines, in couplets, is a narrative poem with a purpose partly historical, partly patriotic. It opens with a description of the state of Scotland at the death of Alexander III. (1286) and concludes with the death of Douglas and the burial of the Bruce's heart (1332). The central episode is the battle of Bannockburn. Patriotic as the sentiment is, it is in more general terms than is found in later Scots literature. The king is a hero of the chivalric type common in contemporary romance; freedom is a "noble thing" to be sought and won at all costs; the opponents of such freedom are shown in the dark colours which history and poetic propriety require; but there is none of the complacency of the merely provincial habit of mind. The lines do not lack vigour; and there are passages of high merit, notably the oft-quoted section beginning "A! fredome is a noble thing." Despite a number of errors of fact, notably the confusion of the three Bruces in the person of the hero, the poem is historically trustworthy as compared with contemporary verse-chronicle, and especially with the Wallace of the next century. No one [v.03 p.0390] has doubted Barbour's authorship of the Brus, but argument has been attempted to show that the text as we have it is an edited copy, perhaps by John Ramsay, a Perth scribe, who wrote out the two extant texts, preserved in the Advocates' library, Edinburgh, and in the library of St John's College, Cambridge. Extensive portions of the poem have been incorporated by Wyntoun (q.v.) in his Chronicle. The first printed edition extant is Charteris's (Edinburgh, 1571); the second is Hart's (Edinburgh, 1616).

(2) Wyntoun speaks (Chronicle III. iii.) of a "Treteis" which Barbour made by way of "a genealogy" of "Brutus lynagis"; and elsewhere in that poem there are references to the archdeacon's "Stewartis Oryginale." This "Brut" is unknown; but the reference has been held by some to be to (3) a Troy-book, based on Guido da Colonna's Historia Destructionis Troiae. Two fragments of such a work have been preserved in texts of Lydgate's Troy-book, the first in MS. Camb. Univ. Lib. Kk. v. 30, the second in the same and in MS. Douce 148 in the Bodleian library, Oxford. This ascription was first made by Henry Bradshaw, the librarian of Cambridge University; but the consensus of critical opinion is now against it. Though it were proved that these Troy fragments are Barbour's, there remains the question whether their identification with the book on the Stewart line is justified. The scale of the story in these fragments forces us to doubt this identification. They contain 595 + 3118 = 3713 lines and are concerned entirely with "Trojan" matters. This would be an undue allowance in a Scottish "genealogy."

(4) Yet another work was added to the list of Barbour's works by the discovery in the university library of Cambridge, by Henry Bradshaw, of a long Scots poem of over 33,000 lines, dealing with Legends of the Saints, as told in the Legenda Aurea and other legendaries. The general likeness of this poem to Barbour's accepted work in verse-length, dialect and style, and the facts that the lives of English saints are excluded and those of St Machar (the patron saint of Aberdeen) and St Ninian are inserted, made the ascription plausible. Later criticism, though divided, has tended in the contrary direction, and has based its strongest negative judgment on the consideration of rhymes, assonance and vocabulary (see bibliography). That the "district" of the author is the north-east of Scotland cannot be doubted in the face of a passage such as this, in the fortieth legend (St Ninian), 11, 1359 et seq.

"A lytil tale [gh]et herd I tel, that in to my tyme befel, of a gudman, in murrefe [Moray] borne in elgyne [Elgin], and his kine beforne, and callit was a faithful man vith al thame that hyme knew than; & this mare trastely I say, for I kend hyme weile mony day. John balormy ves his name, a man of ful gud fame."

But whether this north-east Scots author is Barbour is a question which we cannot answer by means of the data at present available.

(5) If Barbour be the author of the Legends, then (so does one conclusion hang upon another) he is the author of a Gospel story with the later life of the Virgin, described in the prologue to the Legends and in other passages as a book "of the birth of Jhesu criste" and one "quhare-in I recordit the genology of our lady sanct Mary."

(6) In recent years an attempt has been made to name Barbour as the author of the Buik of Alexander (a translation of the Roman d'Alexandre and associated pieces, including the Voeux du Paon), as known in the unique edition, c. 1580, printed at the Edinburgh press of Alexander Arbuthnot. The "argument" as it stands is nothing more than an exaggerated inference from parallel-passages in the Bruce and Alexander; and it makes no allowance for the tags, epithets and general vocabulary common to all writers of the period. Should the assumption be proved to be correct, and should it be found that the "Troy fragments were written first of all, followed by Alexander and Bruce or Bruce and Alexander, and that the Legends end the chapter," it will be by "evidence" other than that which has been produced to this date.

For Barbour's life see Exchequer Rolls of Scotland, ii. and iii.; Registrum Episcopatus Aberdonensis (Spalding Club); Rymer's Foedera.

WORKS.—(1)The Brus MSS. and early editions u.s. Modern editions: J. Pinkerton, 3 vols. (1790) (called by the editor "the first genuine edition," because printed from the Advocates' Library text, but carelessly); Jamieson (1820); Cosmo Innes (Spalding Club, 1856); W. W. Skeat (Early English Text Society, 1870-1889; reprinted, after revision by the editor, by the Scottish Text Society, 1893-1895). On the question of the recension of Barbour's text, see J. T. T. Brown, The Wallace and The Bruce restudied (Bonn, 1900). (2 and 3) Troy Fragments. C. Horstmann has printed the text in his Legendensammlung (ut infra). See Bradshaw, Transactions of the Cambridge Antiquarian Society (1866); the prolegomena in Horstmann's edition; Skeat, Brus (S. T. S. edit. u.s. pp. xlvi. et seq.); Koeppel, "Die Fragmente von Barbours Trojanerkrieg," in Englische Studien, x. 373; Panton and Donaldson, The Gest Historiale of the Destruction of Troye (E. E. T. S. pt. ii. Introd. pp. x. et seq.); G. Neilson (ut infra); and J. T. T. Brown (ut supra) passim. (4) Legends of the Saints. C. Horstmann, who upholds Barbour's authorship, has printed the text in his Barbours des schottischen Nationaldichters Legendensammlung nebst den Fragmenten seines Trojanerkrieges, 2 vols. (Heilbronn, 1881-1882), and that of the legend of St Machor in his Altenglische Legenden. Neue Folge (Heilbronn, 1881) pp. 189-208. A later edition by W. M. Metcalfe, who disputes Barbour's claim, appeared in 1896 (Legends of the Saints in the Scottish Dialect of the Fourteenth Century, 3 vols., Scottish Text Society). See the introductions to these editions; also Skeat and Koppel u.s., and P. Buss, Sind die von Horstmann herausgegebenen schottischen Legenden ein Werk Barberes? (Halle, 1886) (cf. Anglia, ix. 3, 1886). (5) For the Gospel-story evidence see Metcalfe, u.s. I. xxix. (6) On the Alexander Book and its assumed relationships, see G. Neilson, John Barbour, Poet and Translator (1900) (a reprint from the Transactions of the Philological Society); J. T. T. Brown u.s., "Postscript," pp. 156-171; and Athenaeum, 17th of November, 1st and 8th December 1900, and the 9th of February 1901.

(G. G. S.)

BARBUDA, an island in the British West Indies. It lies 25 m. N. of Antigua, of which it is a dependency, in 17deg 33' N. and 61deg 43' W., and it has an area of 62 sq. m. Pop. (1901) 775. It is flat and densely wooded. On the western side there is a large lagoon, separated from the sea by a spit of sand. The part of the island under cultivation is very fertile, and the air is remarkable for its purity. Cattle and horses are bred and wild deer are still found. Salt and phosphates of lime are exported. The island was annexed by Great Britain in 1628 and was bestowed in 1680 upon the Codrington family who, for more than 200 years, held it as a kind of feudal fief.

BARBY, a town of Germany, in the kingdom of Prussia, on the left bank of the Elbe, 82 m. S.W. of Berlin on the direct railway to Cassel. Pop. (1900) 5136. It has two evangelical churches and a seminary for school teachers, which is housed in the former castle of the lords of Barby. The industries are mainly agricultural, but there are sugar factories and breweries. Here from 1749 to 1809 was a settlement of the Herrnhut evangelical brotherhood.

BARCA (mod. Merj), an ancient city founded in the territory of Cyrene in the middle of the 6th century B.C. Rising quickly to importance it became a rival of the older city, and gave its name to the western province of the latter's territory. The name as a provincial designation is still in occasional use, but is now applied to all the province of Bengazi. Barca is said to have owed its origin to Greek refugees flying from the tyranny of Arcesilaus II. (see CYRENE), but it is certain that it was rather a Libyan than a Greek town at all times. A Persian force invited by the notorious Pheretima, mother of Arcesilaus III., in revenge for Barcan support of a rival faction, sacked it towards the close of the 6th century and deported a number of its inhabitants to Bactria. Under Ptolemaic rule it began to decline, like Cyrene, and its port Ptolemais (Tolmeita) took its place: but after the Arab conquest (A.D. 641) it became the chief place of the Cyrenaica for a time and a principal station on the Kairawan road. Though now a mere village, Merj is still the chief centre of administration inland, and has a fort and small garrison. No ruins of earlier period than the late Roman and early Arab seem to be visible on the site. The latter lies, like Cyrene, about ten miles from the coast on the crest of Jebel Akhdar, here sunk to a low downland. It owed its early prosperity to its easy access to the sea, and to the fact that natural conditions in Cyrenaica and the [v.03 p.0391] Sahara behind it, tend to divert trade to the west of the district—a fact which is exemplified by the final survival of Berenice (mod. Bengazi). Merj stands in a rich but ill-cultivated stretch of red soil.

(D. G. H.)

BARCAROLE, or BARCAROLLE (Ital. barcaruola, a boat-song) properly a musical term for the songs sung by the Venetian gondoliers, and hence for an instrumental or vocal composition, generally in 6-8 time, written in imitation of their characteristic rhythm.

BARCELONA, a maritime province of north-eastern Spain, formed in 1833 out of districts belonging to the ancient kingdom of Catalonia, and bounded on the N.E. and E. by Gerona; S. by the Mediterranean Sea; S.W. by Tarragona; and W. and N.W. by Lerida. Pop. (1900) 1,054,541; area 2968 sq. m. Apart from a few tracts of level country along the coast and near Igualada, Manresa, Sabadell and Vich, almost the whole surface consists of mountain ranges, often densely wooded, rich in minerals and intersected by deep ravines. These ranges are outliers of the Pyrenees, which extend along the northern frontier, forming there the lofty Sierra del Cadi with the peak of Tosa (8317 ft.). Towards the sea, the altitudes become gradually less, although not with a uniform decrease; for several isolated peaks and minor ranges such as Montserrat and Monseny rise conspicuously amid the lower summits to a height of 4000-6000 ft. The central districts are watered by the Llobregat, which rises at the base of the Sierra del Cadi, and flows into the sea near Barcelona, the capital, after receiving many small tributaries. The river Ter crosses the eastern extremity of the province.

Barcelona can be divided into three climatic zones; a temperate one near the sea, where even palm and orange trees grow; a colder one in the valleys and plains, more inland; and a colder still among the mountains, where not a few peaks are snow-clad for a great part of the year. Agriculture and stock-keeping are comparatively unimportant in this province, which is the centre of Spanish industry and commerce. In every direction the country looks like a veritable hive of human activity and enterprise, every town and village full of factories, and alive with the din of machinery. Lead, zinc, lignite, coal and salt are worked, and there are numerous mineral springs; but the prosperity of the province chiefly depends on its transit trade and manufactures. These are described in detail in articles on the chief towns. Barcelona (pop. 1900, 533,000), Badalona (19,240), Cardona (3855), Igualada (10,442), Manresa (23,252), Mataro (19,704), Sabadell (23,294), Tarrasa (15,956), Vich (11,628) and Villanueva y Geltru (11,856). Berga (5465), perhaps the Roman Castrum Bergium, on the Llobregat, is the home of the Catalonian cotton industry. None of the rivers is navigable, and the roads are in general indifferent and insufficient. The province is better off in regard to railways, of which there are 349 m. Important lines radiate from the city of Barcelona north-east along the coast to Gerona and to Perpignan in France; south-west along the coast to Tarragona and Valencia; and west to Saragossa and Madrid. Several local railways link together the principal towns. For a general description of the people, and for the history of this region see CATALONIA. The population is greater and increases more rapidly than that of any other Spanish province, a fact due not to any large excess of births over deaths, but to the industrial life which attracts many immigrants. In the last quarter of the 19th century the increase exceeded 200,000, while the average yearly number of emigrants was below 2000. In point of education this province is quite among the first in Spain, and as far back as 1880 there were 97,077 children enrolled on the school registers; the figures have since steadily increased.

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