By degrees, the prospect receded more and more on either hand, and as they had been shut out from rich and extensive scenery, so they emerged once again upon the open country. The knowledge that they were drawing near their place of destination, gave them fresh courage to proceed; but the way had been difficult, and they had loitered on the road, and Smike was tired. Thus, twilight had already closed in, when they turned off the path to the door of a roadside inn, yet twelve miles short of Portsmouth.
'Twelve miles,' said Nicholas, leaning with both hands on his stick, and looking doubtfully at Smike.
'Twelve long miles,' repeated the landlord.
'Is it a good road?' inquired Nicholas.
'Very bad,' said the landlord. As of course, being a landlord, he would say.
'I want to get on,' observed Nicholas, hesitating. 'I scarcely know what to do.'
'Don't let me influence you,' rejoined the landlord. 'I wouldn't go on if it was me.'
'Wouldn't you?' asked Nicholas, with the same uncertainty.
'Not if I knew when I was well off,' said the landlord. And having said it he pulled up his apron, put his hands into his pockets, and, taking a step or two outside the door, looked down the dark road with an assumption of great indifference.
A glance at the toil-worn face of Smike determined Nicholas, so without any further consideration he made up his mind to stay where he was.
The landlord led them into the kitchen, and as there was a good fire he remarked that it was very cold. If there had happened to be a bad one he would have observed that it was very warm.
'What can you give us for supper?' was Nicholas's natural question.
'Why—what would you like?' was the landlord's no less natural answer.
Nicholas suggested cold meat, but there was no cold meat—poached eggs, but there were no eggs—mutton chops, but there wasn't a mutton chop within three miles, though there had been more last week than they knew what to do with, and would be an extraordinary supply the day after tomorrow.
'Then,' said Nicholas, 'I must leave it entirely to you, as I would have done, at first, if you had allowed me.'
'Why, then I'll tell you what,' rejoined the landlord. 'There's a gentleman in the parlour that's ordered a hot beef-steak pudding and potatoes, at nine. There's more of it than he can manage, and I have very little doubt that if I ask leave, you can sup with him. I'll do that, in a minute.'
'No, no,' said Nicholas, detaining him. 'I would rather not. I—at least—pshaw! why cannot I speak out? Here; you see that I am travelling in a very humble manner, and have made my way hither on foot. It is more than probable, I think, that the gentleman may not relish my company; and although I am the dusty figure you see, I am too proud to thrust myself into his.'
'Lord love you,' said the landlord, 'it's only Mr Crummles; HE isn't particular.'
'Is he not?' asked Nicholas, on whose mind, to tell the truth, the prospect of the savoury pudding was making some impression.
'Not he,' replied the landlord. 'He'll like your way of talking, I know. But we'll soon see all about that. Just wait a minute.'
The landlord hurried into the parlour, without staying for further permission, nor did Nicholas strive to prevent him: wisely considering that supper, under the circumstances, was too serious a matter to be trifled with. It was not long before the host returned, in a condition of much excitement.
'All right,' he said in a low voice. 'I knew he would. You'll see something rather worth seeing, in there. Ecod, how they are a-going of it!'
There was no time to inquire to what this exclamation, which was delivered in a very rapturous tone, referred; for he had already thrown open the door of the room; into which Nicholas, followed by Smike with the bundle on his shoulder (he carried it about with him as vigilantly as if it had been a sack of gold), straightway repaired.
Nicholas was prepared for something odd, but not for something quite so odd as the sight he encountered. At the upper end of the room, were a couple of boys, one of them very tall and the other very short, both dressed as sailors—or at least as theatrical sailors, with belts, buckles, pigtails, and pistols complete—fighting what is called in play-bills a terrific combat, with two of those short broad-swords with basket hilts which are commonly used at our minor theatres. The short boy had gained a great advantage over the tall boy, who was reduced to mortal strait, and both were overlooked by a large heavy man, perched against the corner of a table, who emphatically adjured them to strike a little more fire out of the swords, and they couldn't fail to bring the house down, on the very first night.
'Mr Vincent Crummles,' said the landlord with an air of great deference. 'This is the young gentleman.'
Mr Vincent Crummles received Nicholas with an inclination of the head, something between the courtesy of a Roman emperor and the nod of a pot companion; and bade the landlord shut the door and begone.
'There's a picture,' said Mr Crummles, motioning Nicholas not to advance and spoil it. 'The little 'un has him; if the big 'un doesn't knock under, in three seconds, he's a dead man. Do that again, boys.'
The two combatants went to work afresh, and chopped away until the swords emitted a shower of sparks: to the great satisfaction of Mr Crummles, who appeared to consider this a very great point indeed. The engagement commenced with about two hundred chops administered by the short sailor and the tall sailor alternately, without producing any particular result, until the short sailor was chopped down on one knee; but this was nothing to him, for he worked himself about on the one knee with the assistance of his left hand, and fought most desperately until the tall sailor chopped his sword out of his grasp. Now, the inference was, that the short sailor, reduced to this extremity, would give in at once and cry quarter, but, instead of that, he all of a sudden drew a large pistol from his belt and presented it at the face of the tall sailor, who was so overcome at this (not expecting it) that he let the short sailor pick up his sword and begin again. Then, the chopping recommenced, and a variety of fancy chops were administered on both sides; such as chops dealt with the left hand, and under the leg, and over the right shoulder, and over the left; and when the short sailor made a vigorous cut at the tall sailor's legs, which would have shaved them clean off if it had taken effect, the tall sailor jumped over the short sailor's sword, wherefore to balance the matter, and make it all fair, the tall sailor administered the same cut, and the short sailor jumped over HIS sword. After this, there was a good deal of dodging about, and hitching up of the inexpressibles in the absence of braces, and then the short sailor (who was the moral character evidently, for he always had the best of it) made a violent demonstration and closed with the tall sailor, who, after a few unavailing struggles, went down, and expired in great torture as the short sailor put his foot upon his breast, and bored a hole in him through and through.
'That'll be a double ENCORE if you take care, boys,' said Mr Crummles. 'You had better get your wind now and change your clothes.'
Having addressed these words to the combatants, he saluted Nicholas, who then observed that the face of Mr Crummles was quite proportionate in size to his body; that he had a very full under-lip, a hoarse voice, as though he were in the habit of shouting very much, and very short black hair, shaved off nearly to the crown of his head—to admit (as he afterwards learnt) of his more easily wearing character wigs of any shape or pattern.
'What did you think of that, sir?' inquired Mr Crummles.
'Very good, indeed—capital,' answered Nicholas.
'You won't see such boys as those very often, I think,' said Mr Crummles.
Nicholas assented—observing that if they were a little better match—
'Match!' cried Mr Crummles.
'I mean if they were a little more of a size,' said Nicholas, explaining himself.
'Size!' repeated Mr Crummles; 'why, it's the essence of the combat that there should be a foot or two between them. How are you to get up the sympathies of the audience in a legitimate manner, if there isn't a little man contending against a big one?—unless there's at least five to one, and we haven't hands enough for that business in our company.'
'I see,' replied Nicholas. 'I beg your pardon. That didn't occur to me, I confess.'
'It's the main point,' said Mr Crummles. 'I open at Portsmouth the day after tomorrow. If you're going there, look into the theatre, and see how that'll tell.'
Nicholas promised to do so, if he could, and drawing a chair near the fire, fell into conversation with the manager at once. He was very talkative and communicative, stimulated perhaps, not only by his natural disposition, but by the spirits and water he sipped very plentifully, or the snuff he took in large quantities from a piece of whitey-brown paper in his waistcoat pocket. He laid open his affairs without the smallest reserve, and descanted at some length upon the merits of his company, and the acquirements of his family; of both of which, the two broad-sword boys formed an honourable portion. There was to be a gathering, it seemed, of the different ladies and gentlemen at Portsmouth on the morrow, whither the father and sons were proceeding (not for the regular season, but in the course of a wandering speculation), after fulfilling an engagement at Guildford with the greatest applause.
'You are going that way?' asked the manager.
'Ye-yes,' said Nicholas. 'Yes, I am.'
'Do you know the town at all?' inquired the manager, who seemed to consider himself entitled to the same degree of confidence as he had himself exhibited.
'No,' replied Nicholas.
Mr Vincent Crummles gave a short dry cough, as much as to say, 'If you won't be communicative, you won't;' and took so many pinches of snuff from the piece of paper, one after another, that Nicholas quite wondered where it all went to.
While he was thus engaged, Mr Crummles looked, from time to time, with great interest at Smike, with whom he had appeared considerably struck from the first. He had now fallen asleep, and was nodding in his chair.
'Excuse my saying so,' said the manager, leaning over to Nicholas, and sinking his voice, 'but what a capital countenance your friend has got!'
'Poor fellow!' said Nicholas, with a half-smile, 'I wish it were a little more plump, and less haggard.'
'Plump!' exclaimed the manager, quite horrified, 'you'd spoil it for ever.'
'Do you think so?'
'Think so, sir! Why, as he is now,' said the manager, striking his knee emphatically; 'without a pad upon his body, and hardly a touch of paint upon his face, he'd make such an actor for the starved business as was never seen in this country. Only let him be tolerably well up in the Apothecary in Romeo and Juliet, with the slightest possible dab of red on the tip of his nose, and he'd be certain of three rounds the moment he put his head out of the practicable door in the front grooves O.P.'
'You view him with a professional eye,' said Nicholas, laughing.
'And well I may,' rejoined the manager. 'I never saw a young fellow so regularly cut out for that line, since I've been in the profession. And I played the heavy children when I was eighteen months old.'
The appearance of the beef-steak pudding, which came in simultaneously with the junior Vincent Crummleses, turned the conversation to other matters, and indeed, for a time, stopped it altogether. These two young gentlemen wielded their knives and forks with scarcely less address than their broad-swords, and as the whole party were quite as sharp set as either class of weapons, there was no time for talking until the supper had been disposed of.
The Master Crummleses had no sooner swallowed the last procurable morsel of food, than they evinced, by various half-suppressed yawns and stretchings of their limbs, an obvious inclination to retire for the night, which Smike had betrayed still more strongly: he having, in the course of the meal, fallen asleep several times while in the very act of eating. Nicholas therefore proposed that they should break up at once, but the manager would by no means hear of it; vowing that he had promised himself the pleasure of inviting his new acquaintance to share a bowl of punch, and that if he declined, he should deem it very unhandsome behaviour.
'Let them go,' said Mr Vincent Crummles, 'and we'll have it snugly and cosily together by the fire.'
Nicholas was not much disposed to sleep—being in truth too anxious—so, after a little demur, he accepted the offer, and having exchanged a shake of the hand with the young Crummleses, and the manager having on his part bestowed a most affectionate benediction on Smike, he sat himself down opposite to that gentleman by the fireside to assist in emptying the bowl, which soon afterwards appeared, steaming in a manner which was quite exhilarating to behold, and sending forth a most grateful and inviting fragrance.
But, despite the punch and the manager, who told a variety of stories, and smoked tobacco from a pipe, and inhaled it in the shape of snuff, with a most astonishing power, Nicholas was absent and dispirited. His thoughts were in his old home, and when they reverted to his present condition, the uncertainty of the morrow cast a gloom upon him, which his utmost efforts were unable to dispel. His attention wandered; although he heard the manager's voice, he was deaf to what he said; and when Mr Vincent Crummles concluded the history of some long adventure with a loud laugh, and an inquiry what Nicholas would have done under the same circumstances, he was obliged to make the best apology in his power, and to confess his entire ignorance of all he had been talking about.
'Why, so I saw,' observed Mr Crummles. 'You're uneasy in your mind. What's the matter?'
Nicholas could not refrain from smiling at the abruptness of the question; but, thinking it scarcely worth while to parry it, owned that he was under some apprehensions lest he might not succeed in the object which had brought him to that part of the country.
'And what's that?' asked the manager.
'Getting something to do which will keep me and my poor fellow-traveller in the common necessaries of life,' said Nicholas. 'That's the truth. You guessed it long ago, I dare say, so I may as well have the credit of telling it you with a good grace.'
'What's to be got to do at Portsmouth more than anywhere else?' asked Mr Vincent Crummles, melting the sealing-wax on the stem of his pipe in the candle, and rolling it out afresh with his little finger.
'There are many vessels leaving the port, I suppose,' replied Nicholas. 'I shall try for a berth in some ship or other. There is meat and drink there at all events.'
'Salt meat and new rum; pease-pudding and chaff-biscuits,' said the manager, taking a whiff at his pipe to keep it alight, and returning to his work of embellishment.
'One may do worse than that,' said Nicholas. 'I can rough it, I believe, as well as most young men of my age and previous habits.'
'You need be able to,' said the manager, 'if you go on board ship; but you won't.'
'Because there's not a skipper or mate that would think you worth your salt, when he could get a practised hand,' replied the manager; 'and they as plentiful there, as the oysters in the streets.'
'What do you mean?' asked Nicholas, alarmed by this prediction, and the confident tone in which it had been uttered. 'Men are not born able seamen. They must be reared, I suppose?'
Mr Vincent Crummles nodded his head. 'They must; but not at your age, or from young gentlemen like you.'
There was a pause. The countenance of Nicholas fell, and he gazed ruefully at the fire.
'Does no other profession occur to you, which a young man of your figure and address could take up easily, and see the world to advantage in?' asked the manager.
'No,' said Nicholas, shaking his head.
'Why, then, I'll tell you one,' said Mr Crummles, throwing his pipe into the fire, and raising his voice. 'The stage.'
'The stage!' cried Nicholas, in a voice almost as loud.
'The theatrical profession,' said Mr Vincent Crummles. 'I am in the theatrical profession myself, my wife is in the theatrical profession, my children are in the theatrical profession. I had a dog that lived and died in it from a puppy; and my chaise-pony goes on, in Timour the Tartar. I'll bring you out, and your friend too. Say the word. I want a novelty.'
'I don't know anything about it,' rejoined Nicholas, whose breath had been almost taken away by this sudden proposal. 'I never acted a part in my life, except at school.'
'There's genteel comedy in your walk and manner, juvenile tragedy in your eye, and touch-and-go farce in your laugh,' said Mr Vincent Crummles. 'You'll do as well as if you had thought of nothing else but the lamps, from your birth downwards.'
Nicholas thought of the small amount of small change that would remain in his pocket after paying the tavern bill; and he hesitated.
'You can be useful to us in a hundred ways,' said Mr Crummles. 'Think what capital bills a man of your education could write for the shop-windows.'
'Well, I think I could manage that department,' said Nicholas.
'To be sure you could,' replied Mr Crummles. '"For further particulars see small hand-bills"—we might have half a volume in every one of 'em. Pieces too; why, you could write us a piece to bring out the whole strength of the company, whenever we wanted one.'
'I am not quite so confident about that,' replied Nicholas. 'But I dare say I could scribble something now and then, that would suit you.'
'We'll have a new show-piece out directly,' said the manager. 'Let me see—peculiar resources of this establishment—new and splendid scenery—you must manage to introduce a real pump and two washing-tubs.'
'Into the piece?' said Nicholas.
'Yes,' replied the manager. 'I bought 'em cheap, at a sale the other day, and they'll come in admirably. That's the London plan. They look up some dresses, and properties, and have a piece written to fit 'em. Most of the theatres keep an author on purpose.'
'Indeed!' cried Nicholas.
'Oh, yes,' said the manager; 'a common thing. It'll look very well in the bills in separate lines—Real pump!—Splendid tubs!—Great attraction! You don't happen to be anything of an artist, do you?'
'That is not one of my accomplishments,' rejoined Nicholas.
'Ah! Then it can't be helped,' said the manager. 'If you had been, we might have had a large woodcut of the last scene for the posters, showing the whole depth of the stage, with the pump and tubs in the middle; but, however, if you're not, it can't be helped.'
'What should I get for all this?' inquired Nicholas, after a few moments' reflection. 'Could I live by it?'
'Live by it!' said the manager. 'Like a prince! With your own salary, and your friend's, and your writings, you'd make—ah! you'd make a pound a week!'
'You don't say so!'
'I do indeed, and if we had a run of good houses, nearly double the money.'
Nicholas shrugged his shoulders; but sheer destitution was before him; and if he could summon fortitude to undergo the extremes of want and hardship, for what had he rescued his helpless charge if it were only to bear as hard a fate as that from which he had wrested him? It was easy to think of seventy miles as nothing, when he was in the same town with the man who had treated him so ill and roused his bitterest thoughts; but now, it seemed far enough. What if he went abroad, and his mother or Kate were to die the while?
Without more deliberation, he hastily declared that it was a bargain, and gave Mr Vincent Crummles his hand upon it.
Treats of the Company of Mr Vincent Crummles, and of his Affairs, Domestic and Theatrical
As Mr Crummles had a strange four-legged animal in the inn stables, which he called a pony, and a vehicle of unknown design, on which he bestowed the appellation of a four-wheeled phaeton, Nicholas proceeded on his journey next morning with greater ease than he had expected: the manager and himself occupying the front seat: and the Master Crummleses and Smike being packed together behind, in company with a wicker basket defended from wet by a stout oilskin, in which were the broad-swords, pistols, pigtails, nautical costumes, and other professional necessaries of the aforesaid young gentlemen.
The pony took his time upon the road, and—possibly in consequence of his theatrical education—evinced, every now and then, a strong inclination to lie down. However, Mr Vincent Crummles kept him up pretty well, by jerking the rein, and plying the whip; and when these means failed, and the animal came to a stand, the elder Master Crummles got out and kicked him. By dint of these encouragements, he was persuaded to move from time to time, and they jogged on (as Mr Crummles truly observed) very comfortably for all parties.
'He's a good pony at bottom,' said Mr Crummles, turning to Nicholas.
He might have been at bottom, but he certainly was not at top, seeing that his coat was of the roughest and most ill-favoured kind. So, Nicholas merely observed that he shouldn't wonder if he was.
'Many and many is the circuit this pony has gone,' said Mr Crummles, flicking him skilfully on the eyelid for old acquaintance' sake. 'He is quite one of us. His mother was on the stage.'
'Was she?' rejoined Nicholas.
'She ate apple-pie at a circus for upwards of fourteen years,' said the manager; 'fired pistols, and went to bed in a nightcap; and, in short, took the low comedy entirely. His father was a dancer.'
'Was he at all distinguished?'
'Not very,' said the manager. 'He was rather a low sort of pony. The fact is, he had been originally jobbed out by the day, and he never quite got over his old habits. He was clever in melodrama too, but too broad—too broad. When the mother died, he took the port-wine business.'
'The port-wine business!' cried Nicholas.
'Drinking port-wine with the clown,' said the manager; 'but he was greedy, and one night bit off the bowl of the glass, and choked himself, so his vulgarity was the death of him at last.'
The descendant of this ill-starred animal requiring increased attention from Mr Crummles as he progressed in his day's work, that gentleman had very little time for conversation. Nicholas was thus left at leisure to entertain himself with his own thoughts, until they arrived at the drawbridge at Portsmouth, when Mr Crummles pulled up.
'We'll get down here,' said the manager, 'and the boys will take him round to the stable, and call at my lodgings with the luggage. You had better let yours be taken there, for the present.'
Thanking Mr Vincent Crummles for his obliging offer, Nicholas jumped out, and, giving Smike his arm, accompanied the manager up High Street on their way to the theatre; feeling nervous and uncomfortable enough at the prospect of an immediate introduction to a scene so new to him.
They passed a great many bills, pasted against the walls and displayed in windows, wherein the names of Mr Vincent Crummles, Mrs Vincent Crummles, Master Crummles, Master P. Crummles, and Miss Crummles, were printed in very large letters, and everything else in very small ones; and, turning at length into an entry, in which was a strong smell of orange-peel and lamp-oil, with an under-current of sawdust, groped their way through a dark passage, and, descending a step or two, threaded a little maze of canvas screens and paint pots, and emerged upon the stage of the Portsmouth Theatre.
'Here we are,' said Mr Crummles.
It was not very light, but Nicholas found himself close to the first entrance on the prompt side, among bare walls, dusty scenes, mildewed clouds, heavily daubed draperies, and dirty floors. He looked about him; ceiling, pit, boxes, gallery, orchestra, fittings, and decorations of every kind,—all looked coarse, cold, gloomy, and wretched.
'Is this a theatre?' whispered Smike, in amazement; 'I thought it was a blaze of light and finery.'
'Why, so it is,' replied Nicholas, hardly less surprised; 'but not by day, Smike—not by day.'
The manager's voice recalled him from a more careful inspection of the building, to the opposite side of the proscenium, where, at a small mahogany table with rickety legs and of an oblong shape, sat a stout, portly female, apparently between forty and fifty, in a tarnished silk cloak, with her bonnet dangling by the strings in her hand, and her hair (of which she had a great quantity) braided in a large festoon over each temple.
'Mr Johnson,' said the manager (for Nicholas had given the name which Newman Noggs had bestowed upon him in his conversation with Mrs Kenwigs), 'let me introduce Mrs Vincent Crummles.'
'I am glad to see you, sir,' said Mrs Vincent Crummles, in a sepulchral voice. 'I am very glad to see you, and still more happy to hail you as a promising member of our corps.'
The lady shook Nicholas by the hand as she addressed him in these terms; he saw it was a large one, but had not expected quite such an iron grip as that with which she honoured him.
'And this,' said the lady, crossing to Smike, as tragic actresses cross when they obey a stage direction, 'and this is the other. You too, are welcome, sir.'
'He'll do, I think, my dear?' said the manager, taking a pinch of snuff.
'He is admirable,' replied the lady. 'An acquisition indeed.'
As Mrs Vincent Crummles recrossed back to the table, there bounded on to the stage from some mysterious inlet, a little girl in a dirty white frock with tucks up to the knees, short trousers, sandaled shoes, white spencer, pink gauze bonnet, green veil and curl papers; who turned a pirouette, cut twice in the air, turned another pirouette, then, looking off at the opposite wing, shrieked, bounded forward to within six inches of the footlights, and fell into a beautiful attitude of terror, as a shabby gentleman in an old pair of buff slippers came in at one powerful slide, and chattering his teeth, fiercely brandished a walking-stick.
'They are going through the Indian Savage and the Maiden,' said Mrs Crummles.
'Oh!' said the manager, 'the little ballet interlude. Very good, go on. A little this way, if you please, Mr Johnson. That'll do. Now!'
The manager clapped his hands as a signal to proceed, and the savage, becoming ferocious, made a slide towards the maiden; but the maiden avoided him in six twirls, and came down, at the end of the last one, upon the very points of her toes. This seemed to make some impression upon the savage; for, after a little more ferocity and chasing of the maiden into corners, he began to relent, and stroked his face several times with his right thumb and four fingers, thereby intimating that he was struck with admiration of the maiden's beauty. Acting upon the impulse of this passion, he (the savage) began to hit himself severe thumps in the chest, and to exhibit other indications of being desperately in love, which being rather a prosy proceeding, was very likely the cause of the maiden's falling asleep; whether it was or no, asleep she did fall, sound as a church, on a sloping bank, and the savage perceiving it, leant his left ear on his left hand, and nodded sideways, to intimate to all whom it might concern that she WAS asleep, and no shamming. Being left to himself, the savage had a dance, all alone. Just as he left off, the maiden woke up, rubbed her eyes, got off the bank, and had a dance all alone too—such a dance that the savage looked on in ecstasy all the while, and when it was done, plucked from a neighbouring tree some botanical curiosity, resembling a small pickled cabbage, and offered it to the maiden, who at first wouldn't have it, but on the savage shedding tears relented. Then the savage jumped for joy; then the maiden jumped for rapture at the sweet smell of the pickled cabbage. Then the savage and the maiden danced violently together, and, finally, the savage dropped down on one knee, and the maiden stood on one leg upon his other knee; thus concluding the ballet, and leaving the spectators in a state of pleasing uncertainty, whether she would ultimately marry the savage, or return to her friends.
'Very well indeed,' said Mr Crummles; 'bravo!'
'Bravo!' cried Nicholas, resolved to make the best of everything. 'Beautiful!'
'This, sir,' said Mr Vincent Crummles, bringing the maiden forward, 'this is the infant phenomenon—Miss Ninetta Crummles.'
'Your daughter?' inquired Nicholas.
'My daughter—my daughter,' replied Mr Vincent Crummles; 'the idol of every place we go into, sir. We have had complimentary letters about this girl, sir, from the nobility and gentry of almost every town in England.'
'I am not surprised at that,' said Nicholas; 'she must be quite a natural genius.'
'Quite a—!' Mr Crummles stopped: language was not powerful enough to describe the infant phenomenon. 'I'll tell you what, sir,' he said; 'the talent of this child is not to be imagined. She must be seen, sir—seen—to be ever so faintly appreciated. There; go to your mother, my dear.'
'May I ask how old she is?' inquired Nicholas.
'You may, sir,' replied Mr Crummles, looking steadily in his questioner's face, as some men do when they have doubts about being implicitly believed in what they are going to say. 'She is ten years of age, sir.'
'Not a day.'
'Dear me!' said Nicholas, 'it's extraordinary.'
It was; for the infant phenomenon, though of short stature, had a comparatively aged countenance, and had moreover been precisely the same age—not perhaps to the full extent of the memory of the oldest inhabitant, but certainly for five good years. But she had been kept up late every night, and put upon an unlimited allowance of gin-and-water from infancy, to prevent her growing tall, and perhaps this system of training had produced in the infant phenomenon these additional phenomena.
While this short dialogue was going on, the gentleman who had enacted the savage, came up, with his walking shoes on his feet, and his slippers in his hand, to within a few paces, as if desirous to join in the conversation. Deeming this a good opportunity, he put in his word.
'Talent there, sir!' said the savage, nodding towards Miss Crummles.
'Ah!' said the actor, setting his teeth together, and drawing in his breath with a hissing sound, 'she oughtn't to be in the provinces, she oughtn't.'
'What do you mean?' asked the manager.
'I mean to say,' replied the other, warmly, 'that she is too good for country boards, and that she ought to be in one of the large houses in London, or nowhere; and I tell you more, without mincing the matter, that if it wasn't for envy and jealousy in some quarter that you know of, she would be. Perhaps you'll introduce me here, Mr Crummles.'
'Mr Folair,' said the manager, presenting him to Nicholas.
'Happy to know you, sir.' Mr Folair touched the brim of his hat with his forefinger, and then shook hands. 'A recruit, sir, I understand?'
'An unworthy one,' replied Nicholas.
'Did you ever see such a set-out as that?' whispered the actor, drawing him away, as Crummles left them to speak to his wife.
Mr Folair made a funny face from his pantomime collection, and pointed over his shoulder.
'You don't mean the infant phenomenon?'
'Infant humbug, sir,' replied Mr Folair. 'There isn't a female child of common sharpness in a charity school, that couldn't do better than that. She may thank her stars she was born a manager's daughter.'
'You seem to take it to heart,' observed Nicholas, with a smile.
'Yes, by Jove, and well I may,' said Mr Folair, drawing his arm through his, and walking him up and down the stage. 'Isn't it enough to make a man crusty to see that little sprawler put up in the best business every night, and actually keeping money out of the house, by being forced down the people's throats, while other people are passed over? Isn't it extraordinary to see a man's confounded family conceit blinding him, even to his own interest? Why I KNOW of fifteen and sixpence that came to Southampton one night last month, to see me dance the Highland Fling; and what's the consequence? I've never been put up in it since—never once—while the "infant phenomenon" has been grinning through artificial flowers at five people and a baby in the pit, and two boys in the gallery, every night.'
'If I may judge from what I have seen of you,' said Nicholas, 'you must be a valuable member of the company.'
'Oh!' replied Mr Folair, beating his slippers together, to knock the dust out; 'I CAN come it pretty well—nobody better, perhaps, in my own line—but having such business as one gets here, is like putting lead on one's feet instead of chalk, and dancing in fetters without the credit of it. Holloa, old fellow, how are you?'
The gentleman addressed in these latter words was a dark-complexioned man, inclining indeed to sallow, with long thick black hair, and very evident inclinations (although he was close shaved) of a stiff beard, and whiskers of the same deep shade. His age did not appear to exceed thirty, though many at first sight would have considered him much older, as his face was long, and very pale, from the constant application of stage paint. He wore a checked shirt, an old green coat with new gilt buttons, a neckerchief of broad red and green stripes, and full blue trousers; he carried, too, a common ash walking-stick, apparently more for show than use, as he flourished it about, with the hooked end downwards, except when he raised it for a few seconds, and throwing himself into a fencing attitude, made a pass or two at the side-scenes, or at any other object, animate or inanimate, that chanced to afford him a pretty good mark at the moment.
'Well, Tommy,' said this gentleman, making a thrust at his friend, who parried it dexterously with his slipper, 'what's the news?'
'A new appearance, that's all,' replied Mr Folair, looking at Nicholas.
'Do the honours, Tommy, do the honours,' said the other gentleman, tapping him reproachfully on the crown of the hat with his stick.
'This is Mr Lenville, who does our first tragedy, Mr Johnson,' said the pantomimist.
'Except when old bricks and mortar takes it into his head to do it himself, you should add, Tommy,' remarked Mr Lenville. 'You know who bricks and mortar is, I suppose, sir?'
'I do not, indeed,' replied Nicholas.
'We call Crummles that, because his style of acting is rather in the heavy and ponderous way,' said Mr Lenville. 'I mustn't be cracking jokes though, for I've got a part of twelve lengths here, which I must be up in tomorrow night, and I haven't had time to look at it yet; I'm a confounded quick study, that's one comfort.'
Consoling himself with this reflection, Mr Lenville drew from his coat pocket a greasy and crumpled manuscript, and, having made another pass at his friend, proceeded to walk to and fro, conning it to himself and indulging occasionally in such appropriate action as his imagination and the text suggested.
A pretty general muster of the company had by this time taken place; for besides Mr Lenville and his friend Tommy, there were present, a slim young gentleman with weak eyes, who played the low-spirited lovers and sang tenor songs, and who had come arm-in-arm with the comic countryman—a man with a turned-up nose, large mouth, broad face, and staring eyes. Making himself very amiable to the infant phenomenon, was an inebriated elderly gentleman in the last depths of shabbiness, who played the calm and virtuous old men; and paying especial court to Mrs Crummles was another elderly gentleman, a shade more respectable, who played the irascible old men—those funny fellows who have nephews in the army and perpetually run about with thick sticks to compel them to marry heiresses. Besides these, there was a roving-looking person in a rough great-coat, who strode up and down in front of the lamps, flourishing a dress cane, and rattling away, in an undertone, with great vivacity for the amusement of an ideal audience. He was not quite so young as he had been, and his figure was rather running to seed; but there was an air of exaggerated gentility about him, which bespoke the hero of swaggering comedy. There was, also, a little group of three or four young men with lantern jaws and thick eyebrows, who were conversing in one corner; but they seemed to be of secondary importance, and laughed and talked together without attracting any attention.
The ladies were gathered in a little knot by themselves round the rickety table before mentioned. There was Miss Snevellicci—who could do anything, from a medley dance to Lady Macbeth, and also always played some part in blue silk knee-smalls at her benefit—glancing, from the depths of her coal-scuttle straw bonnet, at Nicholas, and affecting to be absorbed in the recital of a diverting story to her friend Miss Ledrook, who had brought her work, and was making up a ruff in the most natural manner possible. There was Miss Belvawney—who seldom aspired to speaking parts, and usually went on as a page in white silk hose, to stand with one leg bent, and contemplate the audience, or to go in and out after Mr Crummles in stately tragedy—twisting up the ringlets of the beautiful Miss Bravassa, who had once had her likeness taken 'in character' by an engraver's apprentice, whereof impressions were hung up for sale in the pastry-cook's window, and the greengrocer's, and at the circulating library, and the box-office, whenever the announce bills came out for her annual night. There was Mrs Lenville, in a very limp bonnet and veil, decidedly in that way in which she would wish to be if she truly loved Mr Lenville; there was Miss Gazingi, with an imitation ermine boa tied in a loose knot round her neck, flogging Mr Crummles, junior, with both ends, in fun. Lastly, there was Mrs Grudden in a brown cloth pelisse and a beaver bonnet, who assisted Mrs Crummles in her domestic affairs, and took money at the doors, and dressed the ladies, and swept the house, and held the prompt book when everybody else was on for the last scene, and acted any kind of part on any emergency without ever learning it, and was put down in the bills under my name or names whatever, that occurred to Mr Crummles as looking well in print.
Mr Folair having obligingly confided these particulars to Nicholas, left him to mingle with his fellows; the work of personal introduction was completed by Mr Vincent Crummles, who publicly heralded the new actor as a prodigy of genius and learning.
'I beg your pardon,' said Miss Snevellicci, sidling towards Nicholas, 'but did you ever play at Canterbury?'
'I never did,' replied Nicholas.
'I recollect meeting a gentleman at Canterbury,' said Miss Snevellicci, 'only for a few moments, for I was leaving the company as he joined it, so like you that I felt almost certain it was the same.'
'I see you now for the first time,' rejoined Nicholas with all due gallantry. 'I am sure I never saw you before; I couldn't have forgotten it.'
'Oh, I'm sure—it's very flattering of you to say so,' retorted Miss Snevellicci with a graceful bend. 'Now I look at you again, I see that the gentleman at Canterbury hadn't the same eyes as you—you'll think me very foolish for taking notice of such things, won't you?'
'Not at all,' said Nicholas. 'How can I feel otherwise than flattered by your notice in any way?'
'Oh! you men are such vain creatures!' cried Miss Snevellicci. Whereupon, she became charmingly confused, and, pulling out her pocket-handkerchief from a faded pink silk reticule with a gilt clasp, called to Miss Ledrook—
'Led, my dear,' said Miss Snevellicci.
'Well, what is the matter?' said Miss Ledrook.
'It's not the same.'
'Not the same what?'
'Canterbury—you know what I mean. Come here! I want to speak to you.'
But Miss Ledrook wouldn't come to Miss Snevellicci, so Miss Snevellicci was obliged to go to Miss Ledrook, which she did, in a skipping manner that was quite fascinating; and Miss Ledrook evidently joked Miss Snevellicci about being struck with Nicholas; for, after some playful whispering, Miss Snevellicci hit Miss Ledrook very hard on the backs of her hands, and retired up, in a state of pleasing confusion.
'Ladies and gentlemen,' said Mr Vincent Crummles, who had been writing on a piece of paper, 'we'll call the Mortal Struggle tomorrow at ten; everybody for the procession. Intrigue, and Ways and Means, you're all up in, so we shall only want one rehearsal. Everybody at ten, if you please.'
'Everybody at ten,' repeated Mrs Grudden, looking about her.
'On Monday morning we shall read a new piece,' said Mr Crummles; 'the name's not known yet, but everybody will have a good part. Mr Johnson will take care of that.'
'Hallo!' said Nicholas, starting. 'I—'
'On Monday morning,' repeated Mr Crummles, raising his voice, to drown the unfortunate Mr Johnson's remonstrance; 'that'll do, ladies and gentlemen.'
The ladies and gentlemen required no second notice to quit; and, in a few minutes, the theatre was deserted, save by the Crummles family, Nicholas, and Smike.
'Upon my word,' said Nicholas, taking the manager aside, 'I don't think I can be ready by Monday.'
'Pooh, pooh,' replied Mr Crummles.
'But really I can't,' returned Nicholas; 'my invention is not accustomed to these demands, or possibly I might produce—'
'Invention! what the devil's that got to do with it!' cried the manager hastily.
'Everything, my dear sir.'
'Nothing, my dear sir,' retorted the manager, with evident impatience. 'Do you understand French?'
'Very good,' said the manager, opening the table drawer, and giving a roll of paper from it to Nicholas. 'There! Just turn that into English, and put your name on the title-page. Damn me,' said Mr Crummles, angrily, 'if I haven't often said that I wouldn't have a man or woman in my company that wasn't master of the language, so that they might learn it from the original, and play it in English, and save all this trouble and expense.'
Nicholas smiled and pocketed the play.
'What are you going to do about your lodgings?' said Mr Crummles.
Nicholas could not help thinking that, for the first week, it would be an uncommon convenience to have a turn-up bedstead in the pit, but he merely remarked that he had not turned his thoughts that way.
'Come home with me then,' said Mr Crummles, 'and my boys shall go with you after dinner, and show you the most likely place.'
The offer was not to be refused; Nicholas and Mr Crummles gave Mrs Crummles an arm each, and walked up the street in stately array. Smike, the boys, and the phenomenon, went home by a shorter cut, and Mrs Grudden remained behind to take some cold Irish stew and a pint of porter in the box-office.
Mrs Crummles trod the pavement as if she were going to immediate execution with an animating consciousness of innocence, and that heroic fortitude which virtue alone inspires. Mr Crummles, on the other hand, assumed the look and gait of a hardened despot; but they both attracted some notice from many of the passers-by, and when they heard a whisper of 'Mr and Mrs Crummles!' or saw a little boy run back to stare them in the face, the severe expression of their countenances relaxed, for they felt it was popularity.
Mr Crummles lived in St Thomas's Street, at the house of one Bulph, a pilot, who sported a boat-green door, with window-frames of the same colour, and had the little finger of a drowned man on his parlour mantelshelf, with other maritime and natural curiosities. He displayed also a brass knocker, a brass plate, and a brass bell-handle, all very bright and shining; and had a mast, with a vane on the top of it, in his back yard.
'You are welcome,' said Mrs Crummles, turning round to Nicholas when they reached the bow-windowed front room on the first floor.
Nicholas bowed his acknowledgments, and was unfeignedly glad to see the cloth laid.
'We have but a shoulder of mutton with onion sauce,' said Mrs Crummles, in the same charnel-house voice; 'but such as our dinner is, we beg you to partake of it.'
'You are very good,' replied Nicholas, 'I shall do it ample justice.'
'Vincent,' said Mrs Crummles, 'what is the hour?'
'Five minutes past dinner-time,' said Mr Crummles.
Mrs Crummles rang the bell. 'Let the mutton and onion sauce appear.'
The slave who attended upon Mr Bulph's lodgers, disappeared, and after a short interval reappeared with the festive banquet. Nicholas and the infant phenomenon opposed each other at the pembroke-table, and Smike and the master Crummleses dined on the sofa bedstead.
'Are they very theatrical people here?' asked Nicholas.
'No,' replied Mr Crummles, shaking his head, 'far from it—far from it.'
'I pity them,' observed Mrs Crummles.
'So do I,' said Nicholas; 'if they have no relish for theatrical entertainments, properly conducted.'
'Then they have none, sir,' rejoined Mr Crummles. 'To the infant's benefit, last year, on which occasion she repeated three of her most popular characters, and also appeared in the Fairy Porcupine, as originally performed by her, there was a house of no more than four pound twelve.'
'Is it possible?' cried Nicholas.
'And two pound of that was trust, pa,' said the phenomenon.
'And two pound of that was trust,' repeated Mr Crummles. 'Mrs Crummles herself has played to mere handfuls.'
'But they are always a taking audience, Vincent,' said the manager's wife.
'Most audiences are, when they have good acting—real good acting—the regular thing,' replied Mr Crummles, forcibly.
'Do you give lessons, ma'am?' inquired Nicholas.
'I do,' said Mrs Crummles.
'There is no teaching here, I suppose?'
'There has been,' said Mrs Crummles. 'I have received pupils here. I imparted tuition to the daughter of a dealer in ships' provision; but it afterwards appeared that she was insane when she first came to me. It was very extraordinary that she should come, under such circumstances.'
Not feeling quite so sure of that, Nicholas thought it best to hold his peace.
'Let me see,' said the manager cogitating after dinner. 'Would you like some nice little part with the infant?'
'You are very good,' replied Nicholas hastily; 'but I think perhaps it would be better if I had somebody of my own size at first, in case I should turn out awkward. I should feel more at home, perhaps.'
'True,' said the manager. 'Perhaps you would. And you could play up to the infant, in time, you know.'
'Certainly,' replied Nicholas: devoutly hoping that it would be a very long time before he was honoured with this distinction.
'Then I'll tell you what we'll do,' said Mr Crummles. 'You shall study Romeo when you've done that piece—don't forget to throw the pump and tubs in by-the-bye—Juliet Miss Snevellicci, old Grudden the nurse.—Yes, that'll do very well. Rover too;—you might get up Rover while you were about it, and Cassio, and Jeremy Diddler. You can easily knock them off; one part helps the other so much. Here they are, cues and all.'
With these hasty general directions Mr Crummles thrust a number of little books into the faltering hands of Nicholas, and bidding his eldest son go with him and show where lodgings were to be had, shook him by the hand, and wished him good night.
There is no lack of comfortable furnished apartments in Portsmouth, and no difficulty in finding some that are proportionate to very slender finances; but the former were too good, and the latter too bad, and they went into so many houses, and came out unsuited, that Nicholas seriously began to think he should be obliged to ask permission to spend the night in the theatre, after all.
Eventually, however, they stumbled upon two small rooms up three pair of stairs, or rather two pair and a ladder, at a tobacconist's shop, on the Common Hard: a dirty street leading down to the dockyard. These Nicholas engaged, only too happy to have escaped any request for payment of a week's rent beforehand.
'There! Lay down our personal property, Smike,' he said, after showing young Crummles downstairs. 'We have fallen upon strange times, and Heaven only knows the end of them; but I am tired with the events of these three days, and will postpone reflection till tomorrow—if I can.'
Of the Great Bespeak for Miss Snevellicci, and the first Appearance of Nicholas upon any Stage
Nicholas was up betimes in the morning; but he had scarcely begun to dress, notwithstanding, when he heard footsteps ascending the stairs, and was presently saluted by the voices of Mr Folair the pantomimist, and Mr Lenville, the tragedian.
'House, house, house!' cried Mr Folair.
'What, ho! within there,' said Mr Lenville, in a deep voice.
'Confound these fellows!' thought Nicholas; 'they have come to breakfast, I suppose. I'll open the door directly, if you'll wait an instant.'
The gentlemen entreated him not to hurry himself; and, to beguile the interval, had a fencing bout with their walking-sticks on the very small landing-place: to the unspeakable discomposure of all the other lodgers downstairs.
'Here, come in,' said Nicholas, when he had completed his toilet. 'In the name of all that's horrible, don't make that noise outside.'
'An uncommon snug little box this,' said Mr Lenville, stepping into the front room, and taking his hat off, before he could get in at all. 'Pernicious snug.'
'For a man at all particular in such matters, it might be a trifle too snug,' said Nicholas; 'for, although it is, undoubtedly, a great convenience to be able to reach anything you want from the ceiling or the floor, or either side of the room, without having to move from your chair, still these advantages can only be had in an apartment of the most limited size.'
'It isn't a bit too confined for a single man,' returned Mr Lenville. 'That reminds me,—my wife, Mr Johnson,—I hope she'll have some good part in this piece of yours?'
'I glanced at the French copy last night,' said Nicholas. 'It looks very good, I think.'
'What do you mean to do for me, old fellow?' asked Mr Lenville, poking the struggling fire with his walking-stick, and afterwards wiping it on the skirt of his coat. 'Anything in the gruff and grumble way?'
'You turn your wife and child out of doors,' said Nicholas; 'and, in a fit of rage and jealousy, stab your eldest son in the library.'
'Do I though!' exclaimed Mr Lenville. 'That's very good business.'
'After which,' said Nicholas, 'you are troubled with remorse till the last act, and then you make up your mind to destroy yourself. But, just as you are raising the pistol to your head, a clock strikes—ten.'
'I see,' cried Mr Lenville. 'Very good.'
'You pause,' said Nicholas; 'you recollect to have heard a clock strike ten in your infancy. The pistol falls from your hand—you are overcome—you burst into tears, and become a virtuous and exemplary character for ever afterwards.'
'Capital!' said Mr Lenville: 'that's a sure card, a sure card. Get the curtain down with a touch of nature like that, and it'll be a triumphant success.'
'Is there anything good for me?' inquired Mr Folair, anxiously.
'Let me see,' said Nicholas. 'You play the faithful and attached servant; you are turned out of doors with the wife and child.'
'Always coupled with that infernal phenomenon,' sighed Mr Folair; 'and we go into poor lodgings, where I won't take any wages, and talk sentiment, I suppose?'
'Why—yes,' replied Nicholas: 'that is the course of the piece.'
'I must have a dance of some kind, you know,' said Mr Folair. 'You'll have to introduce one for the phenomenon, so you'd better make a PAS DE DEUX, and save time.'
'There's nothing easier than that,' said Mr Lenville, observing the disturbed looks of the young dramatist.
'Upon my word I don't see how it's to be done,' rejoined Nicholas.
'Why, isn't it obvious?' reasoned Mr Lenville. 'Gadzooks, who can help seeing the way to do it?—you astonish me! You get the distressed lady, and the little child, and the attached servant, into the poor lodgings, don't you?—Well, look here. The distressed lady sinks into a chair, and buries her face in her pocket-handkerchief. "What makes you weep, mama?" says the child. "Don't weep, mama, or you'll make me weep too!"—"And me!" says the favourite servant, rubbing his eyes with his arm. "What can we do to raise your spirits, dear mama?" says the little child. "Ay, what CAN we do?" says the faithful servant. "Oh, Pierre!" says the distressed lady; "would that I could shake off these painful thoughts."—"Try, ma'am, try," says the faithful servant; "rouse yourself, ma'am; be amused."—"I will," says the lady, "I will learn to suffer with fortitude. Do you remember that dance, my honest friend, which, in happier days, you practised with this sweet angel? It never failed to calm my spirits then. Oh! let me see it once again before I die!"—There it is—cue for the band, BEFORE I DIE,—and off they go. That's the regular thing; isn't it, Tommy?'
'That's it,' replied Mr Folair. 'The distressed lady, overpowered by old recollections, faints at the end of the dance, and you close in with a picture.'
Profiting by these and other lessons, which were the result of the personal experience of the two actors, Nicholas willingly gave them the best breakfast he could, and, when he at length got rid of them, applied himself to his task: by no means displeased to find that it was so much easier than he had at first supposed. He worked very hard all day, and did not leave his room until the evening, when he went down to the theatre, whither Smike had repaired before him to go on with another gentleman as a general rebellion.
Here all the people were so much changed, that he scarcely knew them. False hair, false colour, false calves, false muscles—they had become different beings. Mr Lenville was a blooming warrior of most exquisite proportions; Mr Crummles, his large face shaded by a profusion of black hair, a Highland outlaw of most majestic bearing; one of the old gentlemen a jailer, and the other a venerable patriarch; the comic countryman, a fighting-man of great valour, relieved by a touch of humour; each of the Master Crummleses a prince in his own right; and the low-spirited lover, a desponding captive. There was a gorgeous banquet ready spread for the third act, consisting of two pasteboard vases, one plate of biscuits, a black bottle, and a vinegar cruet; and, in short, everything was on a scale of the utmost splendour and preparation.
Nicholas was standing with his back to the curtain, now contemplating the first scene, which was a Gothic archway, about two feet shorter than Mr Crummles, through which that gentleman was to make his first entrance, and now listening to a couple of people who were cracking nuts in the gallery, wondering whether they made the whole audience, when the manager himself walked familiarly up and accosted him.
'Been in front tonight?' said Mr Crummles.
'No,' replied Nicholas, 'not yet. I am going to see the play.'
'We've had a pretty good Let,' said Mr Crummles. 'Four front places in the centre, and the whole of the stage-box.'
'Oh, indeed!' said Nicholas; 'a family, I suppose?'
'Yes,' replied Mr Crummles, 'yes. It's an affecting thing. There are six children, and they never come unless the phenomenon plays.'
It would have been difficult for any party, family, or otherwise, to have visited the theatre on a night when the phenomenon did NOT play, inasmuch as she always sustained one, and not uncommonly two or three, characters, every night; but Nicholas, sympathising with the feelings of a father, refrained from hinting at this trifling circumstance, and Mr Crummles continued to talk, uninterrupted by him.
'Six,' said that gentleman; 'pa and ma eight, aunt nine, governess ten, grandfather and grandmother twelve. Then, there's the footman, who stands outside, with a bag of oranges and a jug of toast-and-water, and sees the play for nothing through the little pane of glass in the box-door—it's cheap at a guinea; they gain by taking a box.'
'I wonder you allow so many,' observed Nicholas.
'There's no help for it,' replied Mr Crummles; 'it's always expected in the country. If there are six children, six people come to hold them in their laps. A family-box carries double always. Ring in the orchestra, Grudden!'
That useful lady did as she was requested, and shortly afterwards the tuning of three fiddles was heard. Which process having been protracted as long as it was supposed that the patience of the audience could possibly bear it, was put a stop to by another jerk of the bell, which, being the signal to begin in earnest, set the orchestra playing a variety of popular airs, with involuntary variations.
If Nicholas had been astonished at the alteration for the better which the gentlemen displayed, the transformation of the ladies was still more extraordinary. When, from a snug corner of the manager's box, he beheld Miss Snevellicci in all the glories of white muslin with a golden hem, and Mrs Crummles in all the dignity of the outlaw's wife, and Miss Bravassa in all the sweetness of Miss Snevellicci's confidential friend, and Miss Belvawney in the white silks of a page doing duty everywhere and swearing to live and die in the service of everybody, he could scarcely contain his admiration, which testified itself in great applause, and the closest possible attention to the business of the scene. The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody's previous information could afford the remotest glimmering of what would ever come of it. An outlaw had been very successful in doing something somewhere, and came home, in triumph, to the sound of shouts and fiddles, to greet his wife—a lady of masculine mind, who talked a good deal about her father's bones, which it seemed were unburied, though whether from a peculiar taste on the part of the old gentleman himself, or the reprehensible neglect of his relations, did not appear. This outlaw's wife was, somehow or other, mixed up with a patriarch, living in a castle a long way off, and this patriarch was the father of several of the characters, but he didn't exactly know which, and was uncertain whether he had brought up the right ones in his castle, or the wrong ones; he rather inclined to the latter opinion, and, being uneasy, relieved his mind with a banquet, during which solemnity somebody in a cloak said 'Beware!' which somebody was known by nobody (except the audience) to be the outlaw himself, who had come there, for reasons unexplained, but possibly with an eye to the spoons. There was an agreeable little surprise in the way of certain love passages between the desponding captive and Miss Snevellicci, and the comic fighting-man and Miss Bravassa; besides which, Mr Lenville had several very tragic scenes in the dark, while on throat-cutting expeditions, which were all baffled by the skill and bravery of the comic fighting-man (who overheard whatever was said all through the piece) and the intrepidity of Miss Snevellicci, who adopted tights, and therein repaired to the prison of her captive lover, with a small basket of refreshments and a dark lantern. At last, it came out that the patriarch was the man who had treated the bones of the outlaw's father-in-law with so much disrespect, for which cause and reason the outlaw's wife repaired to his castle to kill him, and so got into a dark room, where, after a good deal of groping in the dark, everybody got hold of everybody else, and took them for somebody besides, which occasioned a vast quantity of confusion, with some pistolling, loss of life, and torchlight; after which, the patriarch came forward, and observing, with a knowing look, that he knew all about his children now, and would tell them when they got inside, said that there could not be a more appropriate occasion for marrying the young people than that; and therefore he joined their hands, with the full consent of the indefatigable page, who (being the only other person surviving) pointed with his cap into the clouds, and his right hand to the ground; thereby invoking a blessing and giving the cue for the curtain to come down, which it did, amidst general applause.
'What did you think of that?' asked Mr Crummles, when Nicholas went round to the stage again. Mr Crummles was very red and hot, for your outlaws are desperate fellows to shout.
'I think it was very capital indeed,' replied Nicholas; 'Miss Snevellicci in particular was uncommonly good.'
'She's a genius,' said Mr Crummles; 'quite a genius, that girl. By-the-bye, I've been thinking of bringing out that piece of yours on her bespeak night.'
'When?' asked Nicholas.
'The night of her bespeak. Her benefit night, when her friends and patrons bespeak the play,' said Mr Crummles.
'Oh! I understand,' replied Nicholas.
'You see,' said Mr. Crummles, 'it's sure to go, on such an occasion, and even if it should not work up quite as well as we expect, why it will be her risk, you know, and not ours.'
'Yours, you mean,' said Nicholas.
'I said mine, didn't I?' returned Mr Crummles. 'Next Monday week. What do you say? You'll have done it, and are sure to be up in the lover's part, long before that time.'
'I don't know about "long before,"' replied Nicholas; 'but BY that time I think I can undertake to be ready.'
'Very good,' pursued Mr Crummles, 'then we'll call that settled. Now, I want to ask you something else. There's a little—what shall I call it?—a little canvassing takes place on these occasions.'
'Among the patrons, I suppose?' said Nicholas.
'Among the patrons; and the fact is, that Snevellicci has had so many bespeaks in this place, that she wants an attraction. She had a bespeak when her mother-in-law died, and a bespeak when her uncle died; and Mrs Crummles and myself have had bespeaks on the anniversary of the phenomenon's birthday, and our wedding-day, and occasions of that description, so that, in fact, there's some difficulty in getting a good one. Now, won't you help this poor girl, Mr Johnson?' said Crummles, sitting himself down on a drum, and taking a great pinch of snuff, as he looked him steadily in the face.
'How do you mean?' rejoined Nicholas.
'Don't you think you could spare half an hour tomorrow morning, to call with her at the houses of one or two of the principal people?' murmured the manager in a persuasive tone.
'Oh dear me,' said Nicholas, with an air of very strong objection, 'I shouldn't like to do that.'
'The infant will accompany her,' said Mr Crummles. 'The moment it was suggested to me, I gave permission for the infant to go. There will not be the smallest impropriety—Miss Snevellicci, sir, is the very soul of honour. It would be of material service—the gentleman from London—author of the new piece—actor in the new piece—first appearance on any boards—it would lead to a great bespeak, Mr Johnson.'
'I am very sorry to throw a damp upon the prospects of anybody, and more especially a lady,' replied Nicholas; 'but really I must decidedly object to making one of the canvassing party.'
'What does Mr Johnson say, Vincent?' inquired a voice close to his ear; and, looking round, he found Mrs Crummles and Miss Snevellicci herself standing behind him.
'He has some objection, my dear,' replied Mr Crummles, looking at Nicholas.
'Objection!' exclaimed Mrs Crummles. 'Can it be possible?'
'Oh, I hope not!' cried Miss Snevellicci. 'You surely are not so cruel—oh, dear me!—Well, I—to think of that now, after all one's looking forward to it!'
'Mr Johnson will not persist, my dear,' said Mrs Crummles. 'Think better of him than to suppose it. Gallantry, humanity, all the best feelings of his nature, must be enlisted in this interesting cause.'
'Which moves even a manager,' said Mr Crummles, smiling.
'And a manager's wife,' added Mrs Crummles, in her accustomed tragedy tones. 'Come, come, you will relent, I know you will.'
'It is not in my nature,' said Nicholas, moved by these appeals, 'to resist any entreaty, unless it is to do something positively wrong; and, beyond a feeling of pride, I know nothing which should prevent my doing this. I know nobody here, and nobody knows me. So be it then. I yield.'
Miss Snevellicci was at once overwhelmed with blushes and expressions of gratitude, of which latter commodity neither Mr nor Mrs Crummles was by any means sparing. It was arranged that Nicholas should call upon her, at her lodgings, at eleven next morning, and soon after they parted: he to return home to his authorship: Miss Snevellicci to dress for the after-piece: and the disinterested manager and his wife to discuss the probable gains of the forthcoming bespeak, of which they were to have two-thirds of the profits by solemn treaty of agreement.
At the stipulated hour next morning, Nicholas repaired to the lodgings of Miss Snevellicci, which were in a place called Lombard Street, at the house of a tailor. A strong smell of ironing pervaded the little passage; and the tailor's daughter, who opened the door, appeared in that flutter of spirits which is so often attendant upon the periodical getting up of a family's linen.
'Miss Snevellicci lives here, I believe?' said Nicholas, when the door was opened.
The tailor's daughter replied in the affirmative.
'Will you have the goodness to let her know that Mr Johnson is here?' said Nicholas.
'Oh, if you please, you're to come upstairs,' replied the tailor's daughter, with a smile.
Nicholas followed the young lady, and was shown into a small apartment on the first floor, communicating with a back-room; in which, as he judged from a certain half-subdued clinking sound, as of cups and saucers, Miss Snevellicci was then taking her breakfast in bed.
'You're to wait, if you please,' said the tailor's daughter, after a short period of absence, during which the clinking in the back-room had ceased, and been succeeded by whispering—'She won't be long.'
As she spoke, she pulled up the window-blind, and having by this means (as she thought) diverted Mr Johnson's attention from the room to the street, caught up some articles which were airing on the fender, and had very much the appearance of stockings, and darted off.
As there were not many objects of interest outside the window, Nicholas looked about the room with more curiosity than he might otherwise have bestowed upon it. On the sofa lay an old guitar, several thumbed pieces of music, and a scattered litter of curl-papers; together with a confused heap of play-bills, and a pair of soiled white satin shoes with large blue rosettes. Hanging over the back of a chair was a half-finished muslin apron with little pockets ornamented with red ribbons, such as waiting-women wear on the stage, and (by consequence) are never seen with anywhere else. In one corner stood the diminutive pair of top-boots in which Miss Snevellicci was accustomed to enact the little jockey, and, folded on a chair hard by, was a small parcel, which bore a very suspicious resemblance to the companion smalls.
But the most interesting object of all was, perhaps, the open scrapbook, displayed in the midst of some theatrical duodecimos that were strewn upon the table; and pasted into which scrapbook were various critical notices of Miss Snevellicci's acting, extracted from different provincial journals, together with one poetic address in her honour, commencing—
Sing, God of Love, and tell me in what dearth Thrice-gifted SNEVELLICCI came on earth, To thrill us with her smile, her tear, her eye, Sing, God of Love, and tell me quickly why.
Besides this effusion, there were innumerable complimentary allusions, also extracted from newspapers, such as—'We observe from an advertisement in another part of our paper of today, that the charming and highly-talented Miss Snevellicci takes her benefit on Wednesday, for which occasion she has put forth a bill of fare that might kindle exhilaration in the breast of a misanthrope. In the confidence that our fellow-townsmen have not lost that high appreciation of public utility and private worth, for which they have long been so pre-eminently distinguished, we predict that this charming actress will be greeted with a bumper.' 'To Correspondents.—J.S. is misinformed when he supposes that the highly-gifted and beautiful Miss Snevellicci, nightly captivating all hearts at our pretty and commodious little theatre, is NOT the same lady to whom the young gentleman of immense fortune, residing within a hundred miles of the good city of York, lately made honourable proposals. We have reason to know that Miss Snevellicci IS the lady who was implicated in that mysterious and romantic affair, and whose conduct on that occasion did no less honour to her head and heart, than do her histrionic triumphs to her brilliant genius.' A copious assortment of such paragraphs as these, with long bills of benefits all ending with 'Come Early', in large capitals, formed the principal contents of Miss Snevellicci's scrapbook.
Nicholas had read a great many of these scraps, and was absorbed in a circumstantial and melancholy account of the train of events which had led to Miss Snevellicci's spraining her ankle by slipping on a piece of orange-peel flung by a monster in human form, (so the paper said,) upon the stage at Winchester,—when that young lady herself, attired in the coal-scuttle bonnet and walking-dress complete, tripped into the room, with a thousand apologies for having detained him so long after the appointed time.
'But really,' said Miss Snevellicci, 'my darling Led, who lives with me here, was taken so very ill in the night that I thought she would have expired in my arms.'
'Such a fate is almost to be envied,' returned Nicholas, 'but I am very sorry to hear it nevertheless.'
'What a creature you are to flatter!' said Miss Snevellicci, buttoning her glove in much confusion.
'If it be flattery to admire your charms and accomplishments,' rejoined Nicholas, laying his hand upon the scrapbook, 'you have better specimens of it here.'
'Oh you cruel creature, to read such things as those! I'm almost ashamed to look you in the face afterwards, positively I am,' said Miss Snevellicci, seizing the book and putting it away in a closet. 'How careless of Led! How could she be so naughty!'
'I thought you had kindly left it here, on purpose for me to read,' said Nicholas. And really it did seem possible.
'I wouldn't have had you see it for the world!' rejoined Miss Snevellicci. 'I never was so vexed—never! But she is such a careless thing, there's no trusting her.'
The conversation was here interrupted by the entrance of the phenomenon, who had discreetly remained in the bedroom up to this moment, and now presented herself, with much grace and lightness, bearing in her hand a very little green parasol with a broad fringe border, and no handle. After a few words of course, they sallied into the street.
The phenomenon was rather a troublesome companion, for first the right sandal came down, and then the left, and these mischances being repaired, one leg of the little white trousers was discovered to be longer than the other; besides these accidents, the green parasol was dropped down an iron grating, and only fished up again with great difficulty and by dint of much exertion. However, it was impossible to scold her, as she was the manager's daughter, so Nicholas took it all in perfect good humour, and walked on, with Miss Snevellicci, arm-in-arm on one side, and the offending infant on the other.
The first house to which they bent their steps, was situated in a terrace of respectable appearance. Miss Snevellicci's modest double-knock was answered by a foot-boy, who, in reply to her inquiry whether Mrs Curdle was at home, opened his eyes very wide, grinned very much, and said he didn't know, but he'd inquire. With this he showed them into a parlour where he kept them waiting, until the two women-servants had repaired thither, under false pretences, to see the play-actors; and having compared notes with them in the passage, and joined in a vast quantity of whispering and giggling, he at length went upstairs with Miss Snevellicci's name.
Now, Mrs Curdle was supposed, by those who were best informed on such points, to possess quite the London taste in matters relating to literature and the drama; and as to Mr Curdle, he had written a pamphlet of sixty-four pages, post octavo, on the character of the Nurse's deceased husband in Romeo and Juliet, with an inquiry whether he really had been a 'merry man' in his lifetime, or whether it was merely his widow's affectionate partiality that induced her so to report him. He had likewise proved, that by altering the received mode of punctuation, any one of Shakespeare's plays could be made quite different, and the sense completely changed; it is needless to say, therefore, that he was a great critic, and a very profound and most original thinker.
'Well, Miss Snevellicci,' said Mrs Curdle, entering the parlour, 'and how do YOU do?'
Miss Snevellicci made a graceful obeisance, and hoped Mrs Curdle was well, as also Mr Curdle, who at the same time appeared. Mrs Curdle was dressed in a morning wrapper, with a little cap stuck upon the top of her head. Mr Curdle wore a loose robe on his back, and his right forefinger on his forehead after the portraits of Sterne, to whom somebody or other had once said he bore a striking resemblance.
'I venture to call, for the purpose of asking whether you would put your name to my bespeak, ma'am,' said Miss Snevellicci, producing documents.
'Oh! I really don't know what to say,' replied Mrs Curdle. 'It's not as if the theatre was in its high and palmy days—you needn't stand, Miss Snevellicci—the drama is gone, perfectly gone.'
'As an exquisite embodiment of the poet's visions, and a realisation of human intellectuality, gilding with refulgent light our dreamy moments, and laying open a new and magic world before the mental eye, the drama is gone, perfectly gone,' said Mr Curdle.
'What man is there, now living, who can present before us all those changing and prismatic colours with which the character of Hamlet is invested?' exclaimed Mrs Curdle.
'What man indeed—upon the stage,' said Mr Curdle, with a small reservation in favour of himself. 'Hamlet! Pooh! ridiculous! Hamlet is gone, perfectly gone.'
Quite overcome by these dismal reflections, Mr and Mrs Curdle sighed, and sat for some short time without speaking. At length, the lady, turning to Miss Snevellicci, inquired what play she proposed to have.
'Quite a new one,' said Miss Snevellicci, 'of which this gentleman is the author, and in which he plays; being his first appearance on any stage. Mr Johnson is the gentleman's name.'
'I hope you have preserved the unities, sir?' said Mr Curdle.
'The original piece is a French one,' said Nicholas. 'There is abundance of incident, sprightly dialogue, strongly-marked characters—'
'—All unavailing without a strict observance of the unities, sir,' returned Mr Curdle. 'The unities of the drama, before everything.'
'Might I ask you,' said Nicholas, hesitating between the respect he ought to assume, and his love of the whimsical, 'might I ask you what the unities are?'
Mr Curdle coughed and considered. 'The unities, sir,' he said, 'are a completeness—a kind of universal dovetailedness with regard to place and time—a sort of a general oneness, if I may be allowed to use so strong an expression. I take those to be the dramatic unities, so far as I have been enabled to bestow attention upon them, and I have read much upon the subject, and thought much. I find, running through the performances of this child,' said Mr Curdle, turning to the phenomenon, 'a unity of feeling, a breadth, a light and shade, a warmth of colouring, a tone, a harmony, a glow, an artistical development of original conceptions, which I look for, in vain, among older performers—I don't know whether I make myself understood?'
'Perfectly,' replied Nicholas.
'Just so,' said Mr Curdle, pulling up his neckcloth. 'That is my definition of the unities of the drama.'
Mrs Curdle had sat listening to this lucid explanation with great complacency. It being finished, she inquired what Mr Curdle thought, about putting down their names.
'I don't know, my dear; upon my word I don't know,' said Mr Curdle. 'If we do, it must be distinctly understood that we do not pledge ourselves to the quality of the performances. Let it go forth to the world, that we do not give THEM the sanction of our names, but that we confer the distinction merely upon Miss Snevellicci. That being clearly stated, I take it to be, as it were, a duty, that we should extend our patronage to a degraded stage, even for the sake of the associations with which it is entwined. Have you got two-and-sixpence for half-a-crown, Miss Snevellicci?' said Mr Curdle, turning over four of those pieces of money.
Miss Snevellicci felt in all the corners of the pink reticule, but there was nothing in any of them. Nicholas murmured a jest about his being an author, and thought it best not to go through the form of feeling in his own pockets at all.
'Let me see,' said Mr Curdle; 'twice four's eight—four shillings a-piece to the boxes, Miss Snevellicci, is exceedingly dear in the present state of the drama—three half-crowns is seven-and-six; we shall not differ about sixpence, I suppose? Sixpence will not part us, Miss Snevellicci?'
Poor Miss Snevellicci took the three half-crowns, with many smiles and bends, and Mrs Curdle, adding several supplementary directions relative to keeping the places for them, and dusting the seat, and sending two clean bills as soon as they came out, rang the bell, as a signal for breaking up the conference.
'Odd people those,' said Nicholas, when they got clear of the house.
'I assure you,' said Miss Snevellicci, taking his arm, 'that I think myself very lucky they did not owe all the money instead of being sixpence short. Now, if you were to succeed, they would give people to understand that they had always patronised you; and if you were to fail, they would have been quite certain of that from the very beginning.'
At the next house they visited, they were in great glory; for, there, resided the six children who were so enraptured with the public actions of the phenomenon, and who, being called down from the nursery to be treated with a private view of that young lady, proceeded to poke their fingers into her eyes, and tread upon her toes, and show her many other little attentions peculiar to their time of life.
'I shall certainly persuade Mr Borum to take a private box,' said the lady of the house, after a most gracious reception. 'I shall only take two of the children, and will make up the rest of the party, of gentlemen—your admirers, Miss Snevellicci. Augustus, you naughty boy, leave the little girl alone.'
This was addressed to a young gentleman who was pinching the phenomenon behind, apparently with a view of ascertaining whether she was real.
'I am sure you must be very tired,' said the mama, turning to Miss Snevellicci. 'I cannot think of allowing you to go, without first taking a glass of wine. Fie, Charlotte, I am ashamed of you! Miss Lane, my dear, pray see to the children.'
Miss Lane was the governess, and this entreaty was rendered necessary by the abrupt behaviour of the youngest Miss Borum, who, having filched the phenomenon's little green parasol, was now carrying it bodily off, while the distracted infant looked helplessly on.
'I am sure, where you ever learnt to act as you do,' said good-natured Mrs Borum, turning again to Miss Snevellicci, 'I cannot understand (Emma, don't stare so); laughing in one piece, and crying in the next, and so natural in all—oh, dear!'
'I am very happy to hear you express so favourable an opinion,' said Miss Snevellicci. 'It's quite delightful to think you like it.'
'Like it!' cried Mrs Borum. 'Who can help liking it? I would go to the play, twice a week if I could: I dote upon it—only you're too affecting sometimes. You do put me in such a state—into such fits of crying! Goodness gracious me, Miss Lane, how can you let them torment that poor child so!'
The phenomenon was really in a fair way of being torn limb from limb; for two strong little boys, one holding on by each of her hands, were dragging her in different directions as a trial of strength. However, Miss Lane (who had herself been too much occupied in contemplating the grown-up actors, to pay the necessary attention to these proceedings) rescued the unhappy infant at this juncture, who, being recruited with a glass of wine, was shortly afterwards taken away by her friends, after sustaining no more serious damage than a flattening of the pink gauze bonnet, and a rather extensive creasing of the white frock and trousers.
It was a trying morning; for there were a great many calls to make, and everybody wanted a different thing. Some wanted tragedies, and others comedies; some objected to dancing; some wanted scarcely anything else. Some thought the comic singer decidedly low, and others hoped he would have more to do than he usually had. Some people wouldn't promise to go, because other people wouldn't promise to go; and other people wouldn't go at all, because other people went. At length, and by little and little, omitting something in this place, and adding something in that, Miss Snevellicci pledged herself to a bill of fare which was comprehensive enough, if it had no other merit (it included among other trifles, four pieces, divers songs, a few combats, and several dances); and they returned home, pretty well exhausted with the business of the day.
Nicholas worked away at the piece, which was speedily put into rehearsal, and then worked away at his own part, which he studied with great perseverance and acted—as the whole company said—to perfection. And at length the great day arrived. The crier was sent round, in the morning, to proclaim the entertainments with the sound of bell in all the thoroughfares; and extra bills of three feet long by nine inches wide, were dispersed in all directions, flung down all the areas, thrust under all the knockers, and developed in all the shops. They were placarded on all the walls too, though not with complete success, for an illiterate person having undertaken this office during the indisposition of the regular bill-sticker, a part were posted sideways, and the remainder upside down.
At half-past five, there was a rush of four people to the gallery-door; at a quarter before six, there were at least a dozen; at six o'clock the kicks were terrific; and when the elder Master Crummles opened the door, he was obliged to run behind it for his life. Fifteen shillings were taken by Mrs Grudden in the first ten minutes.
Behind the scenes, the same unwonted excitement prevailed. Miss Snevellicci was in such a perspiration that the paint would scarcely stay on her face. Mrs Crummles was so nervous that she could hardly remember her part. Miss Bravassa's ringlets came out of curl with the heat and anxiety; even Mr Crummles himself kept peeping through the hole in the curtain, and running back, every now and then, to announce that another man had come into the pit.
At last, the orchestra left off, and the curtain rose upon the new piece. The first scene, in which there was nobody particular, passed off calmly enough, but when Miss Snevellicci went on in the second, accompanied by the phenomenon as child, what a roar of applause broke out! The people in the Borum box rose as one man, waving their hats and handkerchiefs, and uttering shouts of 'Bravo!' Mrs Borum and the governess cast wreaths upon the stage, of which, some fluttered into the lamps, and one crowned the temples of a fat gentleman in the pit, who, looking eagerly towards the scene, remained unconscious of the honour; the tailor and his family kicked at the panels of the upper boxes till they threatened to come out altogether; the very ginger-beer boy remained transfixed in the centre of the house; a young officer, supposed to entertain a passion for Miss Snevellicci, stuck his glass in his eye as though to hide a tear. Again and again Miss Snevellicci curtseyed lower and lower, and again and again the applause came down, louder and louder. At length, when the phenomenon picked up one of the smoking wreaths and put it on, sideways, over Miss Snevellicci's eye, it reached its climax, and the play proceeded.
But when Nicholas came on for his crack scene with Mrs Crummles, what a clapping of hands there was! When Mrs Crummles (who was his unworthy mother), sneered, and called him 'presumptuous boy,' and he defied her, what a tumult of applause came on! When he quarrelled with the other gentleman about the young lady, and producing a case of pistols, said, that if he WAS a gentleman, he would fight him in that drawing-room, until the furniture was sprinkled with the blood of one, if not of two—how boxes, pit, and gallery, joined in one most vigorous cheer! When he called his mother names, because she wouldn't give up the young lady's property, and she relenting, caused him to relent likewise, and fall down on one knee and ask her blessing, how the ladies in the audience sobbed! When he was hid behind the curtain in the dark, and the wicked relation poked a sharp sword in every direction, save where his legs were plainly visible, what a thrill of anxious fear ran through the house! His air, his figure, his walk, his look, everything he said or did, was the subject of commendation. There was a round of applause every time he spoke. And when, at last, in the pump-and-tub scene, Mrs Grudden lighted the blue fire, and all the unemployed members of the company came in, and tumbled down in various directions—not because that had anything to do with the plot, but in order to finish off with a tableau—the audience (who had by this time increased considerably) gave vent to such a shout of enthusiasm as had not been heard in those walls for many and many a day.
In short, the success both of new piece and new actor was complete, and when Miss Snevellicci was called for at the end of the play, Nicholas led her on, and divided the applause.
Concerning a young Lady from London, who joins the Company, and an elderly Admirer who follows in her Train; with an affecting Ceremony consequent on their Arrival
The new piece being a decided hit, was announced for every evening of performance until further notice, and the evenings when the theatre was closed, were reduced from three in the week to two. Nor were these the only tokens of extraordinary success; for, on the succeeding Saturday, Nicholas received, by favour of the indefatigable Mrs Grudden, no less a sum than thirty shillings; besides which substantial reward, he enjoyed considerable fame and honour: having a presentation copy of Mr Curdle's pamphlet forwarded to the theatre, with that gentleman's own autograph (in itself an inestimable treasure) on the fly-leaf, accompanied with a note, containing many expressions of approval, and an unsolicited assurance that Mr Curdle would be very happy to read Shakespeare to him for three hours every morning before breakfast during his stay in the town.
'I've got another novelty, Johnson,' said Mr Crummles one morning in great glee.
'What's that?' rejoined Nicholas. 'The pony?'
'No, no, we never come to the pony till everything else has failed,' said Mr Crummles. 'I don't think we shall come to the pony at all, this season. No, no, not the pony.'
'A boy phenomenon, perhaps?' suggested Nicholas.
'There is only one phenomenon, sir,' replied Mr Crummles impressively, 'and that's a girl.'
'Very true,' said Nicholas. 'I beg your pardon. Then I don't know what it is, I am sure.'
'What should you say to a young lady from London?' inquired Mr Crummles. 'Miss So-and-so, of the Theatre Royal, Drury Lane?'
'I should say she would look very well in the bills,' said Nicholas.
'You're about right there,' said Mr Crummles; 'and if you had said she would look very well upon the stage too, you wouldn't have been far out. Look here; what do you think of this?'
With this inquiry Mr Crummles unfolded a red poster, and a blue poster, and a yellow poster, at the top of each of which public notification was inscribed in enormous characters—'First appearance of the unrivalled Miss Petowker of the Theatre Royal, Drury Lane!'