The Golden Road
by Lucy Maud Montgomery
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"It was so sweet of you to do this," said the smiling bride.

"It was lovely to be able to do it for you, dearest," whispered the Story Girl, "and oh, Miss Reade—Mrs. Dale, I mean—we all hope you'll be so, so happy for ever."

"I am sure I shall," said Alice Dale, turning to her husband. He looked down into her eyes—and we were quite forgotten by both of them. We saw it, and slipped away, while Jasper Dale drew his wife into their home and shut the world out.

We scampered joyously away through the moonlit dusk. Uncle Blair joined us at the gate and the Story Girl asked him what he thought of the bride.

"When she dies white violets will grow out of her dust," he answered.

"Uncle Blair says even queerer things than the Story Girl," Felicity whispered to me.

And so that beautiful day went away from us, slipping through our fingers as we tried to hold it. It hooded itself in shadows and fared forth on the road that is lighted by the white stars of evening. It had been a gift of Paradise. Its hours had all been fair and beloved. From dawn flush to fall of night there had been naught to mar it. It took with it its smiles and laughter. But it left the boon of memory.


"I am going away with father when he goes. He is going to spend the winter in Paris, and I am to go to school there."

The Story Girl told us this one day in the orchard. There was a little elation in her tone, but more regret. The news was not a great surprise to us. We had felt it in the air ever since Uncle Blair's arrival. Aunt Janet had been very unwilling to let the Story Girl go. But Uncle Blair was inexorable. It was time, he said, that she should go to a better school than the little country one in Carlisle; and besides, he did not want her to grow into womanhood a stranger to him. So it was finally decided that she was to go.

"Just think, you are going to Europe," said Sara Ray in an awe-struck tone. "Won't that be splendid!"

"I suppose I'll like it after a while," said the Story Girl slowly, "but I know I'll be dreadfully homesick at first. Of course, it will be lovely to be with father, but oh, I'll miss the rest of you so much!"

"Just think how WE'LL miss YOU," sighed Cecily. "It will be so lonesome here this winter, with you and Peter both gone. Oh, dear, I do wish things didn't have to change."

Felicity said nothing. She kept looking down at the grass on which she sat, absently pulling at the slender blades. Presently we saw two big tears roll down over her cheeks. The Story Girl looked surprised.

"Are you crying because I'm going away, Felicity?" she asked.

"Of course I am," answered Felicity, with a big sob. "Do you think I've no f-f-eeling?"

"I didn't think you'd care much," said the Story Girl frankly. "You've never seemed to like me very much."

"I d-don't wear my h-heart on my sleeve," said poor Felicity, with an attempt at dignity. "I think you m-might stay. Your father would let you s-stay if you c-coaxed him."

"Well, you see I'd have to go some time," sighed the Story Girl, "and the longer it was put off the harder it would be. But I do feel dreadfully about it. I can't even take poor Paddy. I'll have to leave him behind, and oh, I want you all to promise to be kind to him for my sake."

We all solemnly assured her that we would.

"I'll g-give him cream every m-morning and n-night," sobbed Felicity, "but I'll never be able to look at him without crying. He'll make me think of you."

"Well, I'm not going right away," said the Story Girl, more cheerfully. "Not till the last of October. So we have over a month yet to have a good time in. Let's all just determine to make it a splendid month for the last. We won't think about my going at all till we have to, and we won't have any quarrels among us, and we'll just enjoy ourselves all we possibly can. So don't cry any more, Felicity. I'm awfully glad you do like me and am sorry I'm going away, but let's all forget it for a month."

Felicity sighed, and tucked away her damp handkerchief.

"It isn't so easy for me to forget things, but I'll try," she said disconsolately, "and if you want any more cooking lessons before you go I'll be real glad to teach you anything I know."

This was a high plane of self-sacrifice for Felicity to attain. But the Story Girl shook her head.

"No, I'm not going to bother my head about cooking lessons this last month. It's too vexing."

"Do you remember the time you made the pudding—" began Peter, and suddenly stopped.

"Out of sawdust?" finished the Story Girl cheerfully. "You needn't be afraid to mention it to me after this. I don't mind any more. I begin to see the fun of it now. I should think I do remember it—and the time I baked the bread before it was raised enough."

"People have made worse mistakes than that," said Felicity kindly.

"Such as using tooth-powd—" but here Dan stopped abruptly, remembering the Story Girl's plea for a beautiful month. Felicity coloured, but said nothing—did not even LOOK anything.

"We HAVE had lots of fun together one way or another," said Cecily, retrospectively.

"Just think how much we've laughed this last year or so," said the Story Girl. "We've had good times together; but I think we'll have lots more splendid years ahead."

"Eden is always behind us—Paradise always before," said Uncle Blair, coming up in time to hear her. He said it with a sigh that was immediately lost in one of his delightful smiles.

"I like Uncle Blair so much better than I expected to," Felicity confided to me. "Mother says he's a rolling stone, but there really is something very nice about him, although he says a great many things I don't understand. I suppose the Story Girl will have a very gay time in Paris."

"She's going to school and she'll have to study hard," I said.

"She says she's going to study for the stage," said Felicity. "Uncle Roger thinks it is all right, and says she'll be very famous some day. But mother thinks it's dreadful, and so do I."

"Aunt Julia is a concert singer," I said.

"Oh, that's very different. But I hope poor Sara will get on all right," sighed Felicity. "You never know what may happen to a person in those foreign countries. And everybody says Paris is such a wicked place. But we must hope for the best," she concluded in a resigned tone.

That evening the Story Girl and I drove the cows to pasture after milking, and when we came home we sought out Uncle Blair in the orchard. He was sauntering up and down Uncle Stephen's Walk, his hands clasped behind him and his beautiful, youthful face uplifted to the western sky where waves of night were breaking on a dim primrose shore of sunset.

"See that star over there in the south-west?" he said, as we joined him. "The one just above that pine? An evening star shining over a dark pine tree is the whitest thing in the universe—because it is LIVING whiteness—whiteness possessing a soul. How full this old orchard is of twilight! Do you know, I have been trysting here with ghosts."

"The Family Ghost?" I asked, very stupidly.

"No, not the Family Ghost. I never saw beautiful, broken-hearted Emily yet. Your mother saw her once, Sara—that was a strange thing," he added absently, as if to himself.

"Did mother really see her?" whispered the Story Girl.

"Well, she always believed she did. Who knows?"

"Do you think there are such things as ghosts, Uncle Blair?" I asked curiously.

"I never saw any, Beverley."

"But you said you were trysting with ghosts here this evening," said the Story Girl.

"Oh, yes—the ghosts of the old years. I love this orchard because of its many ghosts. We are good comrades, those ghosts and I; we walk and talk—we even laugh together—sorrowful laughter that has sorrow's own sweetness. And always there comes to me one dear phantom and wanders hand in hand with me—a lost lady of the old years."

"My mother?" said the Story Girl very softly.

"Yes, your mother. Here, in her old haunts, it is impossible for me to believe that she can be dead—that her LAUGHTER can be dead. She was the gayest, sweetest thing—and so young—only three years older than you, Sara. Yonder old house had been glad because of her for eighteen years when I met her first."

"I wish I could remember her," said the Story Girl, with a little sigh. "I haven't even a picture of her. Why didn't you paint one, father?"

"She would never let me. She had some queer, funny, half-playful, half-earnest superstition about it. But I always meant to when she would become willing to let me. And then—she died. Her twin brother Felix died the same day. There was something strange about that, too. I was holding her in my arms and she was looking up at me; suddenly she looked past me and gave a little start. 'Felix!' she said. For a moment she trembled and then she smiled and looked up at me again a little beseechingly. 'Felix has come for me, dear,' she said. 'We were always together before you came—you must not mind—you must be glad I do not have to go alone.' Well, who knows? But she left me, Sara—she left me."

There was that in Uncle Blair's voice that kept us silent for a time. Then the Story Girl said, still very softly:

"What did mother look like, father? I don't look the least little bit like her, do I?"

"No, I wish you did, you brown thing. Your mother's face was as white as a wood-lily, with only a faint dream of rose in her cheeks. She had the eyes of one who always had a song in her heart—blue as a mist, those eyes were. She had dark lashes, and a little red mouth that quivered when she was very sad or very happy like a crimson rose too rudely shaken by the wind. She was as slim and lithe as a young, white-stemmed birch tree. How I loved her! How happy we were! But he who accepts human love must bind it to his soul with pain, and she is not lost to me. Nothing is ever really lost to us as long as we remember it."

Uncle Blair looked up at the evening star. We saw that he had forgotten us, and we slipped away, hand in hand, leaving him alone in the memory-haunted shadows of the old orchard.


October that year gathered up all the spilled sunshine of the summer and clad herself in it as in a garment. The Story Girl had asked us to try to make the last month together beautiful, and Nature seconded our efforts, giving us that most beautiful of beautiful things—a gracious and perfect moon of falling leaves. There was not in all that vanished October one day that did not come in with auroral splendour and go out attended by a fair galaxy of evening stars—not a day when there were not golden lights in the wide pastures and purple hazes in the ripened distances. Never was anything so gorgeous as the maple trees that year. Maples are trees that have primeval fire in their souls. It glows out a little in their early youth, before the leaves open, in the redness and rosy-yellowness of their blossoms, but in summer it is carefully hidden under a demure, silver-lined greenness. Then when autumn comes, the maples give up trying to be sober and flame out in all the barbaric splendour and gorgeousness of their real nature, making of the hills things out of an Arabian Nights dream in the golden prime of good Haroun Alraschid.

You may never know what scarlet and crimson really are until you see them in their perfection on an October hillside, under the unfathomable blue of an autumn sky. All the glow and radiance and joy at earth's heart seem to have broken loose in a splendid determination to express itself for once before the frost of winter chills her beating pulses. It is the year's carnival ere the dull Lenten days of leafless valleys and penitential mists come.

The time of apple-picking had come around once more and we worked joyously. Uncle Blair picked apples with us, and between him and the Story Girl it was an October never to be forgotten.

"Will you go far afield for a walk with me to-day?" he said to her and me, one idle afternoon of opal skies, pied meadows and misty hills.

It was Saturday and Peter had gone home; Felix and Dan were helping Uncle Alec top turnips; Cecily and Felicity were making cookies for Sunday, so the Story Girl and I were alone in Uncle Stephen's Walk.

We liked to be alone together that last month, to think the long, long thoughts of youth and talk about our futures. There had grown up between us that summer a bond of sympathy that did not exist between us and the others. We were older than they—the Story Girl was fifteen and I was nearly that; and all at once it seemed as if we were immeasurably older than the rest, and possessed of dreams and visions and forward-reaching hopes which they could not possibly share or understand. At times we were still children, still interested in childish things. But there came hours when we seemed to our two selves very grown up and old, and in those hours we talked our dreams and visions and hopes, vague and splendid, as all such are, over together, and so began to build up, out of the rainbow fragments of our childhood's companionship, that rare and beautiful friendship which was to last all our lives, enriching and enstarring them. For there is no bond more lasting than that formed by the mutual confidences of that magic time when youth is slipping from the sheath of childhood and beginning to wonder what lies for it beyond those misty hills that bound the golden road.

"Where are you going?" asked the Story Girl.

"To 'the woods that belt the gray hillside'—ay, and overflow beyond it into many a valley purple-folded in immemorial peace," answered Uncle Blair. "I have a fancy for one more ramble in Prince Edward Island woods before I leave Canada again. But I would not go alone. So come, you two gay youthful things to whom all life is yet fair and good, and we will seek the path to Arcady. There will be many little things along our way to make us glad. Joyful sounds will 'come ringing down the wind;' a wealth of gypsy gold will be ours for the gathering; we will learn the potent, unutterable charm of a dim spruce wood and the grace of flexile mountain ashes fringing a lonely glen; we will tryst with the folk of fur and feather; we'll hearken to the music of gray old firs. Come, and you'll have a ramble and an afternoon that you will both remember all your lives."

We did have it; never has its remembrance faded; that idyllic afternoon of roving in the old Carlisle woods with the Story Girl and Uncle Blair gleams in my book of years, a page of living beauty. Yet it was but a few hours of simplest pleasure; we wandered pathlessly through the sylvan calm of those dear places which seemed that day to be full of a great friendliness; Uncle Blair sauntered along behind us, whistling softly; sometimes he talked to himself; we delighted in those brief reveries of his; Uncle Blair was the only man I have ever known who could, when he so willed, "talk like a book," and do it without seeming ridiculous; perhaps it was because he had the knack of choosing "fit audience, though few," and the proper time to appeal to that audience.

We went across the fields, intending to skirt the woods at the back of Uncle Alec's farm and find a lane that cut through Uncle Roger's woods; but before we came to it we stumbled on a sly, winding little path quite by accident—if, indeed, there can be such a thing as accident in the woods, where I am tempted to think we are led by the Good People along such of their fairy ways as they have a mind for us to walk in.

"Go to, let us explore this," said Uncle Blair. "It always drags terribly at my heart to go past a wood lane if I can make any excuse at all for traversing it: for it is the by-ways that lead to the heart of the woods and we must follow them if we would know the forest and be known of it. When we can really feel its wild heart beating against ours its subtle life will steal into our veins and make us its own for ever, so that no matter where we go or how wide we wander in the noisy ways of cities or over the lone ways of the sea, we shall yet be drawn back to the forest to find our most enduring kinship."

"I always feel so SATISFIED in the woods," said the Story Girl dreamily, as we turned in under the low-swinging fir boughs. "Trees seem such friendly things."

"They are the most friendly things in God's good creation," said Uncle Blair emphatically. "And it is so easy to live with them. To hold converse with pines, to whisper secrets with the poplars, to listen to the tales of old romance that beeches have to tell, to walk in eloquent silence with self-contained firs, is to learn what real companionship is. Besides, trees are the same all over the world. A beech tree on the slopes of the Pyrenees is just what a beech tree here in these Carlisle woods is; and there used to be an old pine hereabouts whose twin brother I was well acquainted with in a dell among the Apennines. Listen to those squirrels, will you, chattering over yonder. Did you ever hear such a fuss over nothing? Squirrels are the gossips and busybodies of the woods; they haven't learned the fine reserve of its other denizens. But after all, there is a certain shrill friendliness in their greeting."

"They seem to be scolding us," I said, laughing.

"Oh, they are not half such scolds as they sound," answered Uncle Blair gaily. "If they would but 'tak a thought and mend' their shrew-like ways they would be dear, lovable creatures enough."

"If I had to be an animal I think I'd like to be a squirrel," said the Story Girl. "It must be next best thing to flying."

"Just see what a spring that fellow gave," laughed Uncle Blair. "And now listen to his song of triumph! I suppose that chasm he cleared seemed as wide and deep to him as Niagara Gorge would to us if we leaped over it. Well, the wood people are a happy folk and very well satisfied with themselves."

Those who have followed a dim, winding, balsamic path to the unexpected hollow where a wood-spring lies have found the rarest secret the forest can reveal. Such was our good fortune that day. At the end of our path we found it, under the pines, a crystal-clear thing with lips unkissed by so much as a stray sunbeam.

"It is easy to dream that this is one of the haunted springs of old romance," said Uncle Blair. "'Tis an enchanted spot this, I am very sure, and we should go softly, speaking low, lest we disturb the rest of a white, wet naiad, or break some spell that has cost long years of mystic weaving."

"It's so easy to believe things in the woods," said the Story Girl, shaping a cup from a bit of golden-brown birch bark and filling it at the spring.

"Drink a toast in that water, Sara," said Uncle Blair. "There's not a doubt that it has some potent quality of magic in it and the wish you wish over it will come true."

The Story Girl lifted her golden-hued flagon to her red lips. Her hazel eyes laughed at us over the brim.

"Here's to our futures," she cried, "I wish that every day of our lives may be better than the one that went before."

"An extravagant wish—a very wish of youth," commented Uncle Blair, "and yet in spite of its extravagance, a wish that will come true if you are true to yourselves. In that case, every day WILL be better than all that went before—but there will be many days, dear lad and lass, when you will not believe it."

We did not understand him, but we knew Uncle Blair never explained his meaning. When asked it he was wont to answer with a smile, "Some day you'll grow to it. Wait for that." So we addressed ourselves to follow the brook that stole away from the spring in its windings and doublings and tricky surprises.

"A brook," quoth Uncle Blair, "is the most changeful, bewitching, lovable thing in the world. It is never in the same mind or mood two minutes. Here it is sighing and murmuring as if its heart were broken. But listen—yonder by the birches it is laughing as if it were enjoying some capital joke all by itself."

It was indeed a changeful brook; here it would make a pool, dark and brooding and still, where we bent to look at our mirrored faces; then it grew communicative and gossiped shallowly over a broken pebble bed where there was a diamond dance of sunbeams and no troutling or minnow could glide through without being seen. Sometimes its banks were high and steep, hung with slender ashes and birches; again they were mere, low margins, green with delicate mosses, shelving out of the wood. Once it came to a little precipice and flung itself over undauntedly in an indignation of foam, gathering itself up rather dizzily among the mossy stones below. It was some time before it got over its vexation; it went boiling and muttering along, fighting with the rotten logs that lie across it, and making far more fuss than was necessary over every root that interfered with it. We were getting tired of its ill-humour and talked of leaving it, when it suddenly grew sweet-tempered again, swooped around a curve—and presto, we were in fairyland.

It was a little dell far in the heart of the woods. A row of birches fringed the brook, and each birch seemed more exquisitely graceful and golden than her sisters. The woods receded from it on every hand, leaving it lying in a pool of amber sunshine. The yellow trees were mirrored in the placid stream, with now and then a leaf falling on the water, mayhap to drift away and be used, as Uncle Blair suggested, by some adventurous wood sprite who had it in mind to fare forth to some far-off, legendary region where all the brooks ran into the sea.

"Oh, what a lovely place!" I exclaimed, looking around me with delight.

"A spell of eternity is woven over it, surely," murmured Uncle Blair. "Winter may not touch it, or spring ever revisit it. It should be like this for ever."

"Let us never come here again," said the Story Girl softly, "never, no matter how often we may be in Carlisle. Then we will never see it changed or different. We can always remember it just as we see it now, and it will be like this for ever for us."

"I'm going to sketch it," said Uncle Blair.

While he sketched it the Story Girl and I sat on the banks of the brook and she told me the story of the Sighing Reed. It was a very simple little story, that of the slender brown reed which grew by the forest pool and always was sad and sighing because it could not utter music like the brook and the birds and the winds. All the bright, beautiful things around it mocked it and laughed at it for its folly. Who would ever look for music in it, a plain, brown, unbeautiful thing? But one day a youth came through the wood; he was as beautiful as the spring; he cut the brown reed and fashioned it according to his liking; and then he put it to his lips and breathed on it; and, oh, the music that floated through the forest! It was so entrancing that everything—brooks and birds and winds—grew silent to listen to it. Never had anything so lovely been heard; it was the music that had for so long been shut up in the soul of the sighing reed and was set free at last through its pain and suffering.

I had heard the Story Girl tell many a more dramatic tale; but that one stands out for me in memory above them all, partly, perhaps, because of the spot in which she told it, partly because it was the last one I was to hear her tell for many years—the last one she was ever to tell me on the golden road.

When Uncle Blair had finished his sketch the shafts of sunshine were turning crimson and growing more and more remote; the early autumn twilight was falling over the woods. We left our dell, saying good-bye to it for ever, as the Story Girl had suggested, and we went slowly homeward through the fir woods, where a haunting, indescribable odour stole out to meet us.

"There is magic in the scent of dying fir," Uncle Blair was saying aloud to himself, as if forgetting he was not quite alone. "It gets into our blood like some rare, subtly-compounded wine, and thrills us with unutterable sweetnesses, as of recollections from some other fairer life, lived in some happier star. Compared to it, all other scents seem heavy and earth-born, luring to the valleys instead of the heights. But the tang of the fir summons onward and upward to some 'far-off, divine event'—some spiritual peak of attainment whence we shall see with unfaltering, unclouded vision the spires of some aerial City Beautiful, or the fulfilment of some fair, fadeless land of promise."

He was silent for a moment, then added in a lower tone,

"Felicity, you loved the scent of dying fir. If you were here tonight with me—Felicity—Felicity!"

Something in his voice made me suddenly sad. I was comforted when I felt the Story Girl slip her hand into mine. So we walked out of the woods into the autumn dusk.

We were in a little valley. Half-way up the opposite slope a brush fire was burning clearly and steadily in a maple grove. There was something indescribably alluring in that fire, glowing so redly against the dark background of forest and twilit hill.

"Let us go to it," cried Uncle Blair, gaily, casting aside his sorrowful mood and catching our hands. "A wood fire at night has a fascination not to be resisted by those of mortal race. Hasten—we must not lose time."

"Oh, it will burn a long time yet," I gasped, for Uncle Blair was whisking us up the hill at a merciless rate.

"You can't be sure. It may have been lighted by some good, honest farmer-man, bent on tidying up his sugar orchard, but it may also, for anything we know, have been kindled by no earthly woodman as a beacon or summons to the tribes of fairyland, and may vanish away if we tarry."

It did not vanish and presently we found ourselves in the grove. It was very beautiful; the fire burned with a clear, steady glow and a soft crackle; the long arcades beneath the trees were illuminated with a rosy radiance, beyond which lurked companies of gray and purple shadows. Everything was very still and dreamy and remote.

"It is impossible that out there, just over the hill, lies a village of men, where tame household lamps are shining," said Uncle Blair.

"I feel as if we must be thousands of miles away from everything we've ever known," murmured the Story Girl.

"So you are!" said Uncle Blair emphatically. "You're back in the youth of the race—back in the beguilement of the young world. Everything is in this hour—the beauty of classic myths, the primal charm of the silent and the open, the lure of mystery. Why, it's a time and place when and where everything might come true—when the men in green might creep out to join hands and dance around the fire, or dryads steal from their trees to warm their white limbs, grown chilly in October frosts, by the blaze. I wouldn't be much surprised if we should see something of the kind. Isn't that the flash of an ivory shoulder through yonder gloom? And didn't you see a queer little elfin face peering at us around that twisted gray trunk? But one can't be sure. Mortal eyesight is too slow and clumsy a thing to match against the flicker of a pixy-litten fire."

Hand in hand we wandered through that enchanted place, seeking the folk of elf-land, "and heard their mystic voices calling, from fairy knoll and haunted hill." Not till the fire died down into ashes did we leave the grove. Then we found that the full moon was gleaming lustrously from a cloudless sky across the valley. Between us and her stretched up a tall pine, wondrously straight and slender and branchless to its very top, where it overflowed in a crest of dark boughs against the silvery splendour behind it. Beyond, the hill farms were lying in a suave, white radiance.

"Doesn't it seem a long, long time to you since we left home this afternoon?" asked the Story Girl. "And yet it is only a few hours."

Only a few hours—true; yet such hours were worth a cycle of common years untouched by the glory and the dream.


Our beautiful October was marred by one day of black tragedy—the day Paddy died. For Paddy, after seven years of as happy a life as ever a cat lived, died suddenly—of poison, as was supposed. Where he had wandered in the darkness to meet his doom we did not know, but in the frosty dawnlight he dragged himself home to die. We found him lying on the doorstep when we got up, and it did not need Aunt Janet's curt announcement, or Uncle Blair's reluctant shake of the head, to tell us that there was no chance of our pet recovering this time. We felt that nothing could be done. Lard and sulphur on his paws would be of no use, nor would any visit to Peg Bowen avail. We stood around in mournful silence; the Story Girl sat down on the step and took poor Paddy upon her lap.

"I s'pose there's no use even in praying now," said Cecily desperately.

"It wouldn't do any harm to try," sobbed Felicity.

"You needn't waste your prayers," said Dan mournfully, "Pat is beyond human aid. You can tell that by his eyes. Besides, I don't believe it was the praying cured him last time."

"No, it was Peg Bowen," declared Peter, "but she couldn't have bewitched him this time for she's been away for months, nobody knows where."

"If he could only TELL us where he feels the worst!" said Cecily piteously. "It's so dreadful to see him suffering and not be able to do a single thing to help him!"

"I don't think he's suffering much now," I said comfortingly.

The Story Girl said nothing. She passed and repassed her long brown hand gently over her pet's glossy fur. Pat lifted his head and essayed to creep a little nearer to his beloved mistress. The Story Girl drew his limp body close in her arms. There was a plaintive little mew—a long quiver—and Paddy's friendly soul had fared forth to wherever it is that good cats go.

"Well, he's gone," said Dan, turning his back abruptly to us.

"It doesn't seem as if it can be true," sobbed Cecily. "This time yesterday morning he was full of life."

"He drank two full saucers of cream," moaned Felicity, "and I saw him catch a mouse in the evening. Maybe it was the last one he ever caught."

"He did for many a mouse in his day," said Peter, anxious to pay his tribute to the departed.

"'He was a cat—take him for all in all. We shall not look upon his like again,'" quoted Uncle Blair.

Felicity and Cecily and Sara Ray cried so much that Aunt Janet lost patience completely and told them sharply that they would have something to cry for some day—which did not seem to comfort them much. The Story Girl shed no tears, though the look in her eyes hurt more than weeping.

"After all, perhaps it's for the best," she said drearily. "I've been feeling so badly over having to go away and leave Paddy. No matter how kind you'd all be to him I know he'd miss me terribly. He wasn't like most cats who don't care who comes and goes as long as they get plenty to eat. Paddy wouldn't have been contented without me."

"Oh, no-o-o, oh, no-o-o," wailed Sara Ray lugubriously.

Felix shot a disgusted glance at her.

"I don't see what YOU are making such a fuss about," he said unfeelingly. "He wasn't your cat."

"But I l-l-oved him," sobbed Sara, "and I always feel bad when my friends d-do."

"I wish we could believe that cats went to heaven, like people," sighed Cecily. "Do you really think it isn't possible?"

Uncle Blair shook his head.

"I'm afraid not. I'd like to think cats have a chance for heaven, but I can't. There's nothing heavenly about cats, delightful creatures though they are."

"Blair, I'm really surprised to hear the things you say to the children," said Aunt Janet severely.

"Surely you wouldn't prefer me to tell them that cats DO go to heaven," protested Uncle Blair.

"I think it's wicked to carry on about an animal as those children do," answered Aunt Janet decidedly, "and you shouldn't encourage them. Here now, children, stop making a fuss. Bury that cat and get off to your apple picking."

We had to go to our work, but Paddy was not to be buried in any such off-hand fashion as that. It was agreed that we should bury him in the orchard at sunset that evening, and Sara Ray, who had to go home, declared she would be back for it, and implored us to wait for her if she didn't come exactly on time.

"I mayn't be able to get away till after milking," she sniffed, "but I don't want to miss it. Even a cat's funeral is better than none at all."

"Horrid thing!" said Felicity, barely waiting until Sara was out of earshot.

We worked with heavy hearts that day; the girls cried bitterly most of the time and we boys whistled defiantly. But as evening drew on we began to feel a sneaking interest in the details of the funeral. As Dan said, the thing should be done properly, since Paddy was no common cat. The Story Girl selected the spot for the grave, in a little corner behind the cherry copse, where early violets enskied the grass in spring, and we boys dug the grave, making it "soft and narrow," as the heroine of the old ballad wanted hers made. Sara Ray, who managed to come in time after all, and Felicity stood and watched us, but Cecily and the Story Girl kept far aloof.

"This time last night you never thought you'd be digging Pat's grave to-night," sighed Felicity.

"We little k-know what a day will bring forth," sobbed Sara. "I've heard the minister say that and it is true."

"Of course it's true. It's in the Bible; but I don't think you should repeat it in connection with a cat," said Felicity dubiously.

When all was in readiness the Story Girl brought her pet through the orchard where he had so often frisked and prowled. No useless coffin enclosed his breast but he reposed in a neat cardboard box.

"I wonder if it would be right to say 'ashes to ashes and dust to dust,'" said Peter.

"No, it wouldn't," averred Felicity. "It would be real wicked."

"I think we ought to sing a hymn, anyway," asseverated Sara Ray.

"Well, we might do that, if it isn't a very religious one," conceded Felicity.

"How would 'Pull for the shore, sailor, pull for the shore,' do?" asked Cecily. "That never seemed to me a very religious hymn."

"But it doesn't seem very appropriate to a funeral occasion either," said Felicity.

"I think 'Lead, kindly light,' would be ever so much more suitable," suggested Sara Ray, "and it is kind of soothing and melancholy too."

"We are not going to sing anything," said the Story Girl coldly. "Do you want to make the affair ridiculous? We will just fill up the grave quietly and put a flat stone over the top."

"It isn't much like my idea of a funeral," muttered Sara Ray discontentedly.

"Never mind, we're going to have a real obituary about him in Our Magazine," whispered Cecily consolingly.

"And Peter is going to cut his name on top of the stone," added Felicity. "Only we mustn't let on to the grown-ups until it is done, because they might say it wasn't right."

We left the orchard, a sober little band, with the wind of the gray twilight blowing round us. Uncle Roger passed us at the gate.

"So the last sad obsequies are over?" he remarked with a grin.

And we hated Uncle Roger. But we loved Uncle Blair because he said quietly,

"And so you've buried your little comrade?"

So much may depend on the way a thing is said. But not even Uncle Blair's sympathy could take the sting out of the fact that there was no Paddy to get the froth that night at milking time. Felicity cried bitterly all the time she was straining the milk. Many human beings have gone to their graves unattended by as much real regret as followed that one gray pussy cat to his.


"Here's a letter for you from father," said Felix, tossing it to me as he came through the orchard gate. We had been picking apples all day, but were taking a mid-afternoon rest around the well, with a cup of its sparkling cold water to refresh us.

I opened the letter rather indifferently, for father, with all his excellent and lovable traits, was but a poor correspondent; his letters were usually very brief and very unimportant.

This letter was brief enough, but it was freighted with a message of weighty import. I sat gazing stupidly at the sheet after I had read it until Felix exclaimed,

"Bev, what's the matter with you? What's in that letter?"

"Father is coming home," I said dazedly. "He is to leave South America in a fortnight and will be here in November to take us back to Toronto."

Everybody gasped. Sara Ray, of course, began to cry, which aggravated me unreasonably.

"Well," said Felix, when he got his second wind, "I'll be awful glad to see father again, but I tell you I don't like the thought of leaving here."

I felt exactly the same but, in view of Sara Ray's tears, admit it I would not; so I sat in grum silence while the other tongues wagged.

"If I were not going away myself I'd feel just terrible," said the Story Girl. "Even as it is I'm real sorry. I'd like to be able to think of you as all here together when I'm gone, having good times and writing me about them."

"It'll be awfully dull when you fellows go," muttered Dan.

"I'm sure I don't know what we're ever going to do here this winter," said Felicity, with the calmness of despair.

"Thank goodness there are no more fathers to come back," breathed Cecily with a vicious earnestness that made us all laugh, even in the midst of our dismay.

We worked very half-heartedly the rest of the day, and it was not until we assembled in the orchard in the evening that our spirits recovered something like their wonted level. It was clear and slightly frosty; the sun had declined behind a birch on a distant hill and it seemed a tree with a blazing heart of fire. The great golden willow at the lane gate was laughter-shaken in the wind of evening. Even amid all the changes of our shifting world we could not be hopelessly low-spirited—except Sara Ray, who was often so, and Peter, who was rarely so. But Peter had been sorely vexed in spirit for several days. The time was approaching for the October issue of Our Magazine and he had no genuine fiction ready for it. He had taken so much to heart Felicity's taunt that his stories were all true that he had determined to have a really-truly false one in the next number. But the difficulty was to get anyone to write it. He had asked the Story Girl to do it, but she refused; then he appealed to me and I shirked. Finally Peter determined to write a story himself.

"It oughtn't to be any harder than writing a poem and I managed that," he said dolefully.

He worked at it in the evenings in the granary loft, and the rest of us forebore to question him concerning it, because he evidently disliked talking about his literary efforts. But this evening I had to ask him if he would soon have it ready, as I wanted to make up the paper.

"It's done," said Peter, with an air of gloomy triumph. "It don't amount to much, but anyhow I made it all out of my own head. Not one word of it was ever printed or told before, and nobody can say there was."

"Then I guess we have all the stuff in and I'll have Our Magazine ready to read by tomorrow night," I said.

"I s'pose it will be the last one we'll have," sighed Cecily. "We can't carry it on after you all go, and it has been such fun."

"Bev will be a real newspaper editor some day," declared the Story Girl, on whom the spirit of prophecy suddenly descended that night.

She was swinging on the bough of an apple tree, with a crimson shawl wrapped about her head, and her eyes were bright with roguish fire.

"How do you know he will?" asked Felicity.

"Oh, I can tell futures," answered the Story Girl mysteriously. "I know what's going to happen to all of you. Shall I tell you?"

"Do, just for the fun of it," I said. "Then some day we'll know just how near you came to guessing right. Go on. What else about me?"

"You'll write books, too, and travel all over the world," continued the Story Girl. "Felix will be fat to the end of his life, and he will be a grandfather before he is fifty, and he will wear a long black beard."

"I won't," cried Felix disgustedly. "I hate whiskers. Maybe I can't help the grandfather part, but I CAN help having a beard."

"You can't. It's written in the stars."

"'Tain't. The stars can't prevent me from shaving."

"Won't Grandpa Felix sound awful funny?" reflected Felicity.

"Peter will be a minister," went on the Story Girl.

"Well, I might be something worse," remarked Peter, in a not ungratified tone.

"Dan will be a farmer and will marry a girl whose name begins with K and he will have eleven children. And he'll vote Grit."

"I won't," cried scandalized Dan. "You don't know a thing about it. Catch ME ever voting Grit! As for the rest of it—I don't care. Farming's well enough, though I'd rather be a sailor."

"Don't talk such nonsense," protested Felicity sharply. "What on earth do you want to be a sailor for and be drowned?"

"All sailors aren't drowned," said Dan.

"Most of them are. Look at Uncle Stephen."

"You ain't sure he was drowned."

"Well, he disappeared, and that is worse."

"How do you know? Disappearing might be real easy."

"It's not very easy for your family."

"Hush, let's hear the rest of the predictions," said Cecily.

"Felicity," resumed the Story Girl gravely, "will marry a minister."

Sara Ray giggled and Felicity blushed. Peter tried hard not to look too self-consciously delighted.

"She will be a perfect housekeeper and will teach a Sunday School class and be very happy all her life."

"Will her husband be happy?" queried Dan solemnly.

"I guess he'll be as happy as your wife," retorted Felicity reddening.

"He'll be the happiest man in the world," declared Peter warmly.

"What about me?" asked Sara Ray.

The Story Girl looked rather puzzled. It was so hard to imagine Sara Ray as having any kind of future. Yet Sara was plainly anxious to have her fortune told and must be gratified.

"You'll be married," said the Story Girl recklessly, "and you'll live to be nearly a hundred years old, and go to dozens of funerals and have a great many sick spells. You will learn not to cry after you are seventy; but your husband will never go to church."

"I'm glad you warned me," said Sara Ray solemnly, "because now I know I'll make him promise before I marry him that he will go."

"He won't keep the promise," said the Story Girl, shaking her head. "But it is getting cold and Cecily is coughing. Let us go in."

"You haven't told my fortune," protested Cecily disappointedly.

The Story Girl looked very tenderly at Cecily—at the smooth little brown head, at the soft, shining eyes, at the cheeks that were often over-rosy after slight exertion, at the little sunburned hands that were always busy doing faithful work or quiet kindnesses. A very strange look came over the Story Girl's face; her eyes grew sad and far-reaching, as if of a verity they pierced beyond the mists of hidden years.

"I couldn't tell any fortune half good enough for you, dearest," she said, slipping her arm round Cecily. "You deserve everything good and lovely. But you know I've only been in fun—of course I don't know anything about what's going to happen to us."

"Perhaps you know more than you think for," said Sara Ray, who seemed much pleased with her fortune and anxious to believe it, despite the husband who wouldn't go to church.

"But I'd like to be told my fortune, even in fun," persisted Cecily.

"Everybody you meet will love you as long as you live." said the Story Girl. "There that's the very nicest fortune I can tell you, and it will come true whether the others do or not, and now we must go in."

We went, Cecily still a little disappointed. In later years I often wondered why the Story Girl refused to tell her fortune that night. Did some strange gleam of foreknowledge fall for a moment across her mirth-making? Did she realize in a flash of prescience that there was no earthly future for our sweet Cecily? Not for her were to be the lengthening shadows or the fading garland. The end was to come while the rainbow still sparkled on her wine of life, ere a single petal had fallen from her rose of joy. Long life was before all the others who trysted that night in the old homestead orchard; but Cecily's maiden feet were never to leave the golden road.



It is with heartfelt regret that we take up our pen to announce that this will be the last number of Our Magazine. We have edited ten numbers of it and it has been successful beyond our expectations. It has to be discontinued by reason of circumstances over which we have no control and not because we have lost interest in it. Everybody has done his or her best for Our Magazine. Prince Edward Island expected everyone to do his and her duty and everyone did it.

Mr. Dan King conducted the etiquette department in a way worthy of the Family Guide itself. He is especially entitled to commendation because he laboured under the disadvantage of having to furnish most of the questions as well as the answers. Miss Felicity King has edited our helpful household department very ably, and Miss Cecily King's fashion notes were always up to date. The personal column was well looked after by Miss Sara Stanley and the story page has been a marked success under the able management of Mr. Peter Craig, to whose original story in this issue, "The Battle of the Partridge Eggs," we would call especial attention. The Exciting Adventure series has also been very popular.

And now, in closing, we bid farewell to our staff and thank them one and all for their help and co-operation in the past year. We have enjoyed our work and we trust that they have too. We wish them all happiness and success in years to come, and we hope that the recollection of Our Magazine will not be held least dear among the memories of their childhood.



On October eighteenth, Patrick Grayfur departed for that bourne whence no traveller returns. He was only a cat, but he had been our faithful friend for a long time and we aren't ashamed to be sorry for him. There are lots of people who are not as friendly and gentlemanly as Paddy was, and he was a great mouser. We buried all that was mortal of poor Pat in the orchard and we are never going to forget him. We have resolved that whenever the date of his death comes round we'll bow our heads and pronounce his name at the hour of his funeral. If we are anywhere where we can't say the name out loud we'll whisper it.

"Farewell, dearest Paddy, in all the years that are to be We'll cherish your memory faithfully."[1]


My most exciting adventure was the day I fell off Uncle Roger's loft two years ago. I wasn't excited until it was all over because I hadn't time to be. The Story Girl and I were looking for eggs in the loft. It was filled with wheat straw nearly to the roof and it was an awful distance from us to the floor. And wheat straw is so slippery. I made a little spring and the straw slipped from under my feet and there I was going head first down from the loft. It seemed to me I was an awful long time falling, but the Story Girl says I couldn't have been more than three seconds. But I know that I thought five thoughts and there seemed to be quite a long time between them. The first thing I thought was, what has happened, because I really didn't know at first, it was so sudden. Then after a spell I thought the answer, I am falling off the loft. And then I thought, what will happen to me when I strike the floor, and after another little spell I thought, I'll be killed. And then I thought, well, I don't care. I really wasn't a bit frightened. I just was quite willing to be killed. If there hadn't been a big pile of chaff on the barn floor these words would never have been written. But there was and I fell on it and wasn't a bit hurt, only my hair and mouth and eyes and ears got all full of chaff. The strange part is that I wasn't a bit frightened when I thought I was going to be killed, but after all the danger was over I was awfully frightened and trembled so the Story Girl had to help me into the house.



Once upon a time there lived about half a mile from a forrest a farmer and his wife and his sons and daughters and a granddaughter. The farmer and his wife loved this little girl very much but she caused them great trouble by running away into the woods and they often spent haf days looking for her. One day she wondered further into the forrest than usual and she begun to be hungry. Then night closed in. She asked a fox where she could get something to eat. The fox told her he knew where there was a partridges nest and a bluejays nest full of eggs. So he led her to the nests and she took five eggs out of each. When the birds came home they missed the eggs and flew into a rage. The bluejay put on his topcoat and was going to the partridge for law when he met the partridge coming to him. They lit up a fire and commenced sining their deeds when they heard a tremendous howl close behind them. They jumped up and put out the fire and were immejutly attacked by five great wolves. The next day the little girl was rambelling through the woods when they saw her and took her prisoner. After she had confessed that she had stole the eggs they told her to raise an army. They would have to fight over the nests of eggs and whoever one would have the eggs. So the partridge raised a great army of all kinds of birds except robins and the little girl got all the robins and foxes and bees and wasps. And best of all the little girl had a gun and plenty of ammunishun. The leader of her army was a wolf. The result of the battle was that all the birds were killed except the partridge and the bluejay and they were taken prisoner and starved to death.

The little girl was then taken prisoner by a witch and cast into a dunjun full of snakes where she died from their bites and people who went through the forrest after that were taken prisoner by her ghost and cast into the same dunjun where they died. About a year after the wood turned into a gold castle and one morning everything had vanished except a piece of a tree.


(DAN, WITH A WHISTLE:—"Well, I guess nobody can say Peter can't write fiction after THAT."

SARA RAY, WIPING AWAY HER TEARS:—"It's a very interesting story, but it ends SO sadly."

FELIX:—"What made you call it The Battle of the Partridge Eggs when the bluejay had just as much to do with it?"

PETER, SHORTLY:—"Because it sounded better that way."

FELICITY:—"Did she eat the eggs raw?"

SARA RAY:—"Poor little thing, I suppose if you're starving you can't be very particular."

CECILY, SIGHING:—"I wish you'd let her go home safe, Peter, and not put her to such a cruel death."

BEVERLEY:—"I don't quite understand where the little girl got her gun and ammunition."

PETER, SUSPECTING THAT HE IS BEING MADE FUN OF:—"If you could write a better story, why didn't you? I give you the chance."

THE STORY GIRL, WITH A PRETERNATURALLY SOLEMN FACE:—"You shouldn't criticize Peter's story like that. It's a fairy tale, you know, and anything can happen in a fairy tale."

FELICITY:—"There isn't a word about fairies in it!"

CECILY:—"Besides, fairy tales always end nicely and this doesn't."

PETER, SULKILY:—"I wanted to punish her for running away from home."

DAN:—"Well, I guess you did it all right."

CECILY:—"Oh, well, it was very interesting, and that is all that is really necessary in a story." )


Mr. Blair Stanley is visiting friends and relatives in Carlisle. He intends returning to Europe shortly. His daughter, Miss Sara, will accompany him.

Mr. Alan King is expected home from South America next month. His sons will return with him to Toronto. Beverley and Felix have made hosts of friends during their stay in Carlisle and will be much missed in social circles.

The Mission Band of Carlisle Presbyterian Church completed their missionary quilt last week. Miss Cecily King collected the largest sum on her square. Congratulations, Cecily.

Mr. Peter Craig will be residing in Markdale after October and will attend school there this winter. Peter is a good fellow and we all wish him success and prosperity.

Apple picking is almost ended. There was an unusually heavy crop this year. Potatoes, not so good.


Apple pies are the order of the day.

Eggs are a very good price now. Uncle Roger says it isn't fair to have to pay as much for a dozen little eggs as a dozen big ones, but they go just as far.



F-l-t-y. Is it considered good form to eat peppermints in church? Ans.; No, not if a witch gives them to you.

No, F-l-x, we would not call Treasure Island or the Pilgrim's Progress dime novels.

Yes, P-t-r, when you call on a young lady and her mother offers you a slice of bread and jam it is quite polite for you to accept it.



Necklaces of roseberries are very much worn now.

It is considered smart to wear your school hat tilted over your left eye.

Bangs are coming in. Em Frewen has them. She went to Summerside for a visit and came back with them. All the girls in school are going to bang their hair as soon as their mothers will let them. But I do not intend to bang mine.


(SARA RAY, DESPAIRINGLY:—"I know ma will never let ME have bangs.")


D-n. What are details? C-l-y. I am not sure, but I think they are things that are left over.

(CECILY, WONDERINGLY:—"I don't see why that was put among the funny paragraphs. Shouldn't it have gone in the General Information department?")

Old Mr. McIntyre's son on the Markdale Road had been very sick for several years and somebody was sympathizing with him because his son was going to die. "Oh," Mr. McIntyre said, quite easy, "he might as weel be awa'. He's only retarding buzziness."



P-t-r. What kind of people live in uninhabited places?

Ans.: Cannibals, likely.


[Footnote 1: The obituary was written by Mr. Felix King, but the two lines of poetry were composed by Miss Sara Ray.]


IT was the evening before the day on which the Story Girl and Uncle Blair were to leave us, and we were keeping our last tryst together in the orchard where we had spent so many happy hours. We had made a pilgrimage to all the old haunts—the hill field, the spruce wood, the dairy, Grandfather King's willow, the Pulpit Stone, Pat's grave, and Uncle Stephen's Walk; and now we foregathered in the sere grasses about the old well and feasted on the little jam turnovers Felicity had made that day specially for the occasion.

"I wonder if we'll ever all be together again," sighed Cecily.

"I wonder when I'll get jam turnovers like this again," said the Story Girl, trying to be gay but not making much of a success of it.

"If Paris wasn't so far away I could send you a box of nice things now and then," said Felicity forlornly, "but I suppose there's no use thinking of that. Dear knows what they'll give you to eat over there."

"Oh, the French have the reputation of being the best cooks in the world," rejoined the Story Girl, "but I know they can't beat your jam turnovers and plum puffs, Felicity. Many a time I'll be hankering after them."

"If we ever do meet again you'll be grown up," said Felicity gloomily.

"Well, you won't have stood still yourselves, you know."

"No, but that's just the worst of it. We'll all be different and everything will be changed."

"Just think," said Cecily, "last New Year's Eve we were wondering what would happen this year; and what a lot of things have happened that we never expected. Oh, dear!"

"If things never happened life would be pretty dull," said the Story Girl briskly. "Oh, don't look so dismal, all of you."

"It's hard to be cheerful when everybody's going away," sighed Cecily.

"Well, let's pretend to be, anyway," insisted the Story Girl. "Don't let's think of parting. Let's think instead of how much we've laughed this last year or so. I'm sure I shall never forget this dear old place. We've had so many good times here."

"And some bad times, too," reminded Felix.

"Remember when Dan et the bad berries last summer?"

"And the time we were so scared over that bell ringing in the house," grinned Peter.

"And the Judgment Day," added Dan.

"And the time Paddy was bewitched," suggested Sara Ray.

"And when Peter was dying of the measles," said Felicity.

"And the time Jimmy Patterson was lost," said Dan. "Gee-whiz, but that scared me out of a year's growth."

"Do you remember the time we took the magic seed," grinned Peter.

"Weren't we silly?" said Felicity. "I really can never look Billy Robinson in the face when I meet him. I'm always sure he's laughing at me in his sleeve."

"It's Billy Robinson who ought to be ashamed when he meets you or any of us," commented Cecily severely. "I'd rather be cheated than cheat other people."

"Do you mind the time we bought God's picture?" asked Peter.

"I wonder if it's where we buried it yet," speculated Felix.

"I put a stone over it, just as we did over Pat," said Cecily.

"I wish I could forget what God looks like," sighed Sara Ray. "I can't forget it—and I can't forget what the bad place is like either, ever since Peter preached that sermon on it."

"When you get to be a real minister you'll have to preach that sermon over again, Peter," grinned Dan.

"My Aunt Jane used to say that people needed a sermon on that place once in a while," retorted Peter seriously.

"Do you mind the night I et the cucumbers and milk to make me dream?" said Cecily.

And therewith we hunted out our old dream books to read them again, and, forgetful of coming partings, laughed over them till the old orchard echoed to our mirth. When we had finished we stood in a circle around the well and pledged "eternal friendship" in a cup of its unrivalled water.

Then we joined hands and sang "Auld Lang Syne." Sara Ray cried bitterly in lieu of singing.

"Look here," said the Story Girl, as we turned to leave the old orchard, "I want to ask a favour of you all. Don't say good-bye to me tomorrow morning."

"Why not?" demanded Felicity in astonishment.

"Because it's such a hopeless sort of word. Don't let's SAY it at all. Just see me off with a wave of your hands. It won't seem half so bad then. And don't any of you cry if you can help it. I want to remember you all smiling."

We went out of the old orchard where the autumn night wind was beginning to make its weird music in the russet boughs, and shut the little gate behind us. Our revels there were ended.


The morning dawned, rosy and clear and frosty. Everybody was up early, for the travellers must leave in time to catch the nine o'clock train. The horse was harnessed and Uncle Alec was waiting by the door. Aunt Janet was crying, but everybody else was making a valiant effort not to. The Awkward Man and Mrs. Dale came to see the last of their favourite. Mrs. Dale had brought her a glorious sheaf of chrysanthemums, and the Awkward Man gave her, quite gracefully, another little, old, limp book from his library.

"Read it when you are sad or happy or lonely or discouraged or hopeful," he said gravely.

"He has really improved very much since he got married," whispered Felicity to me.

Sara Stanley wore a smart new travelling suit and a blue felt hat with a white feather. She looked so horribly grown up in it that we felt as if she were lost to us already.

Sara Ray had vowed tearfully the night before that she would be up in the morning to say farewell. But at this juncture Judy Pineau appeared to say that Sara, with her usual luck, had a sore throat, and that her mother consequently would not permit her to come. So Sara had written her parting words in a three-cornered pink note.

"My OWN DARLING FRIEND:—WORDS CANNOT EXPRESS my feelings over not being able to go up this morning to say good-bye to one I so FONDLY ADORE. When I think that I cannot SEE YOU AGAIN my heart is almost TOO FULL FOR UTTERANCE. But mother says I cannot and I MUST OBEY. But I will be present IN SPIRIT. It just BREAKS MY HEART that you are going SO FAR AWAY. You have always been SO KIND to me and never hurt my feelings AS SOME DO and I shall miss you SO MUCH. But I earnestly HOPE AND PRAY that you will be HAPPY AND PROSPEROUS wherever YOUR LOT IS CAST and not be seasick on THE GREAT OCEAN. I hope you will find time AMONG YOUR MANY DUTIES to write me a letter ONCE IN A WHILE. I shall ALWAYS REMEMBER YOU and please remember me. I hope we WILL MEET AGAIN sometime, but if not may we meet in A FAR BETTER WORLD where there are no SAD PARTINGS.

"Your true and loving friend,


"Poor little Sara," said the Story Girl, with a queer catch in her voice, as she slipped the tear-blotted note into her pocket. "She isn't a bad little soul, and I'm sorry I couldn't see her once more, though maybe it's just as well for she'd have to cry and set us all off. I WON'T cry. Felicity, don't you dare. Oh, you dear, darling people, I love you all so much and I'll go on loving you always."

"Mind you write us every week at the very least," said Felicity, winking furiously.

"Blair, Blair, watch over the child well," said Aunt Janet. "Remember, she has no mother."

The Story Girl ran over to the buggy and climbed in. Uncle Blair followed her. Her arms were full of Mrs. Dale's chrysanthemums, held close up to her face, and her beautiful eyes shone softly at us over them. No good-byes were said, as she wished. We all smiled bravely and waved our hands as they drove out of the lane and down the moist red road into the shadows of the fir wood in the valley. But we still stood there, for we knew we should see the Story Girl once more. Beyond the fir wood was an open curve in the road and she had promised to wave a last farewell as they passed around it.

We watched the curve in silence, standing in a sorrowful little group in the sunshine of the autumn morning. The delight of the world had been ours on the golden road. It had enticed us with daisies and rewarded us with roses. Blossom and lyric had waited on our wishes. Thoughts, careless and sweet, had visited us. Laughter had been our comrade and fearless Hope our guide. But now the shadow of change was over it.

"There she is," cried Felicity.

The Story Girl stood up and waved her chrysanthemums at us. We waved wildly back until the buggy had driven around the curve. Then we went slowly and silently back to the house. The Story Girl was gone.


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