"That I couldn't say, Madam." Trimmle, standing there by the lamp, seemed suddenly to grow less round and rosy, as though eclipsed by the same creeping shade of apprehension.
"But the kitchen-maid knows—wasn't it the kitchen-maid who let him in?"
"She doesn't know either, Madam, for he wrote his name on a folded paper."
Mary, through her agitation, was aware that they were both designating the unknown visitor by a vague pronoun, instead of the conventional formula which, till then, had kept their allusions within the bounds of custom. And at the same moment her mind caught at the suggestion of the folded paper.
"But he must have a name! Where is the paper?"
She moved to the desk, and began to turn over the scattered documents that littered it. The first that caught her eye was an unfinished letter in her husband's hand, with his pen lying across it, as though dropped there at a sudden summons.
"My dear Parvis,"—who was Parvis?—"I have just received your letter announcing Elwell's death, and while I suppose there is now no farther risk of trouble, it might be safer—"
She tossed the sheet aside, and continued her search; but no folded paper was discoverable among the letters and pages of manuscript which had been swept together in a promiscuous heap, as if by a hurried or a startled gesture.
"But the kitchen-maid saw him. Send her here," she commanded, wondering at her dullness in not thinking sooner of so simple a solution.
Trimmle, at the behest, vanished in a flash, as if thankful to be out of the room, and when she reappeared, conducting the agitated underling, Mary had regained her self-possession, and had her questions pat.
The gentleman was a stranger, yes—that she understood. But what had he said? And, above all, what had he looked like? The first question was easily enough answered, for the disconcerting reason that he had said so little—had merely asked for Mr. Boyne, and, scribbling something on a bit of paper, had requested that it should at once be carried in to him.
"Then you don't know what he wrote? You're not sure it was his name?"
The kitchen-maid was not sure, but supposed it was, since he had written it in answer to her inquiry as to whom she should announce.
"And when you carried the paper in to Mr. Boyne, what did he say?"
The kitchen-maid did not think that Mr. Boyne had said anything, but she could not be sure, for just as she had handed him the paper and he was opening it, she had become aware that the visitor had followed her into the library, and she had slipped out, leaving the two gentlemen together.
"But then, if you left them in the library, how do you know that they went out of the house?"
This question plunged the witness into momentary inarticulateness, from which she was rescued by Trimmle, who, by means of ingenious circumlocutions, elicited the statement that before she could cross the hall to the back passage she had heard the gentlemen behind her, and had seen them go out of the front door together.
"Then, if you saw the gentleman twice, you must be able to tell me what he looked like."
But with this final challenge to her powers of expression it became clear that the limit of the kitchen-maid's endurance had been reached. The obligation of going to the front door to "show in" a visitor was in itself so subversive of the fundamental order of things that it had thrown her faculties into hopeless disarray, and she could only stammer out, after various panting efforts at evocation, "His hat, mum, was different-like, as you might say—"
"Different? How different?" Mary flashed out at her, her own mind, in the same instant, leaping back to an image left on it that morning, but temporarily lost under layers of subsequent impressions.
"His hat had a wide brim, you mean? and his face was pale—a youngish face?" Mary pressed her, with a white-lipped intensity of interrogation. But if the kitchen-maid found any adequate answer to this challenge, it was swept away for her listener down the rushing current of her own convictions. The stranger—the stranger in the garden! Why had Mary not thought of him before? She needed no one now to tell her that it was he who had called for her husband and gone away with him. But who was he, and why had Boyne obeyed his call?
It leaped out at her suddenly, like a grin out of the dark, that they had often called England so little—"such a confoundedly hard place to get lost in."
A confoundedly hard place to get lost in! That had been her husband's phrase. And now, with the whole machinery of official investigation sweeping its flash-lights from shore to shore, and across the dividing straits; now, with Boyne's name blazing from the walls of every town and village, his portrait (how that wrung her!) hawked up and down the country like the image of a hunted criminal; now the little compact, populous island, so policed, surveyed, and administered, revealed itself as a Sphinx-like guardian of abysmal mysteries, staring back into his wife's anguished eyes as if with the malicious joy of knowing something they would never know!
In the fortnight since Boyne's disappearance there had been no word of him, no trace of his movements. Even the usual misleading reports that raise expectancy in tortured bosoms had been few and fleeting. No one but the bewildered kitchen-maid had seen him leave the house, and no one else had seen "the gentleman" who accompanied him. All inquiries in the neighborhood failed to elicit the memory of a stranger's presence that day in the neighborhood of Lyng. And no one had met Edward Boyne, either alone or in company, in any of the neighboring villages, or on the road across the downs, or at either of the local railway-stations. The sunny English noon had swallowed him as completely as if he had gone out into Cimmerian night.
Mary, while every external means of investigation was working at its highest pressure, had ransacked her husband's papers for any trace of antecedent complications, of entanglements or obligations unknown to her, that might throw a faint ray into the darkness. But if any such had existed in the background of Boyne's life, they had disappeared as completely as the slip of paper on which the visitor had written his name. There remained no possible thread of guidance except—if it were indeed an exception—the letter which Boyne had apparently been in the act of writing when he received his mysterious summons. That letter, read and reread by his wife, and submitted by her to the police, yielded little enough for conjecture to feed on.
"I have just heard of Elwell's death, and while I suppose there is now no farther risk of trouble, it might be safer—" That was all. The "risk of trouble" was easily explained by the newspaper clipping which had apprised Mary of the suit brought against her husband by one of his associates in the Blue Star enterprise. The only new information conveyed in the letter was the fact of its showing Boyne, when he wrote it, to be still apprehensive of the results of the suit, though he had assured his wife that it had been withdrawn, and though the letter itself declared that the plaintiff was dead. It took several weeks of exhaustive cabling to fix the identity of the "Parvis" to whom the fragmentary communication was addressed, but even after these inquiries had shown him to be a Waukesha lawyer, no new facts concerning the Elwell suit were elicited. He appeared to have had no direct concern in it, but to have been conversant with the facts merely as an acquaintance, and possible intermediary; and he declared himself unable to divine with what object Boyne intended to seek his assistance.
This negative information, sole fruit of the first fortnight's feverish search, was not increased by a jot during the slow weeks that followed. Mary knew that the investigations were still being carried on, but she had a vague sense of their gradually slackening, as the actual march of time seemed to slacken. It was as though the days, flying horror-struck from the shrouded image of the one inscrutable day, gained assurance as the distance lengthened, till at last they fell back into their normal gait. And so with the human imaginations at work on the dark event. No doubt it occupied them still, but week by week and hour by hour it grew less absorbing, took up less space, was slowly but inevitably crowded out of the foreground of consciousness by the new problems perpetually bubbling up from the vaporous caldron of human experience.
Even Mary Boyne's consciousness gradually felt the same lowering of velocity. It still swayed with the incessant oscillations of conjecture; but they were slower, more rhythmical in their beat. There were moments of overwhelming lassitude when, like the victim of some poison which leaves the brain clear, but holds the body motionless, she saw herself domesticated with the Horror, accepting its perpetual presence as one of the fixed conditions of life.
These moments lengthened into hours and days, till she passed into a phase of stolid acquiescence. She watched the familiar routine of life with the incurious eye of a savage on whom the meaningless processes of civilization make but the faintest impression. She had come to regard herself as part of the routine, a spoke of the wheel, revolving with its motion; she felt almost like the furniture of the room in which she sat, an insensate object to be dusted and pushed about with the chairs and tables. And this deepening apathy held her fast at Lyng, in spite of the urgent entreaties of friends and the usual medical recommendation of "change." Her friends supposed that her refusal to move was inspired by the belief that her husband would one day return to the spot from which he had vanished, and a beautiful legend grew up about this imaginary state of waiting. But in reality she had no such belief: the depths of anguish inclosing her were no longer lighted by flashes of hope. She was sure that Boyne would never come back, that he had gone out of her sight as completely as if Death itself had waited that day on the threshold. She had even renounced, one by one, the various theories as to his disappearance which had been advanced by the press, the police, and her own agonized imagination. In sheer lassitude her mind turned from these alternatives of horror, and sank back into the blank fact that he was gone.
No, she would never know what had become of him—no one would ever know. But the house knew; the library in which she spent her long, lonely evenings knew. For it was here that the last scene had been enacted, here that the stranger had come, and spoken the word which had caused Boyne to rise and follow him. The floor she trod had felt his tread; the books on the shelves had seen his face; and there were moments when the intense consciousness of the old, dusky walls seemed about to break out into some audible revelation of their secret. But the revelation never came, and she knew it would never come. Lyng was not one of the garrulous old houses that betray the secrets intrusted to them. Its very legend proved that it had always been the mute accomplice, the incorruptible custodian of the mysteries it had surprised. And Mary Boyne, sitting face to face with its portentous silence, felt the futility of seeking to break it by any human means.
"I don't say it wasn't straight, yet don't say it was straight. It was business."
Mary, at the words, lifted her head with a start, and looked intently at the speaker.
When, half an hour before, a card with "Mr. Parvis" on it had been brought up to her, she had been immediately aware that the name had been a part of her consciousness ever since she had read it at the head of Boyne's unfinished letter. In the library she had found awaiting her a small neutral-tinted man with a bald head and gold eye-glasses, and it sent a strange tremor through her to know that this was the person to whom her husband's last known thought had been directed.
Parvis, civilly, but without vain preamble,—in the manner of a man who has his watch in his hand,—had set forth the object of his visit. He had "run over" to England on business, and finding himself in the neighborhood of Dorchester, had not wished to leave it without paying his respects to Mrs. Boyne; without asking her, if the occasion offered, what she meant to do about Bob Elwell's family.
The words touched the spring of some obscure dread in Mary's bosom. Did her visitor, after all, know what Boyne had meant by his unfinished phrase? She asked for an elucidation of his question, and noticed at once that he seemed surprised at her continued ignorance of the subject. Was it possible that she really knew as little as she said?
"I know nothing—you must tell me," she faltered out; and her visitor thereupon proceeded to unfold his story. It threw, even to her confused perceptions, and imperfectly initiated vision, a lurid glare on the whole hazy episode of the Blue Star Mine. Her husband had made his money in that brilliant speculation at the cost of "getting ahead" of some one less alert to seize the chance; the victim of his ingenuity was young Robert Elwell, who had "put him on" to the Blue Star scheme.
Parvis, at Mary's first startled cry, had thrown her a sobering glance through his impartial glasses.
"Bob Elwell wasn't smart enough, that's all; if he had been, he might have turned round and served Boyne the same way. It's the kind of thing that happens every day in business. I guess it's what the scientists call the survival of the fittest," said Mr. Parvis, evidently pleased with the aptness of his analogy.
Mary felt a physical shrinking from the next question she tried to frame; it was as though the words on her lips had a taste that nauseated her.
"But then—you accuse my husband of doing something dishonorable?"
Mr. Parvis surveyed the question dispassionately. "Oh, no, I don't. I don't even say it wasn't straight." He glanced up and down the long lines of books, as if one of them might have supplied him with the definition he sought. "I don't say it wasn't straight, and yet I don't say it was straight. It was business." After all, no definition in his category could be more comprehensive than that.
Mary sat staring at him with a look of terror. He seemed to her like the indifferent, implacable emissary of some dark, formless power.
"But Mr. Elwell's lawyers apparently did not take your view, since I suppose the suit was withdrawn by their advice."
"Oh, yes, they knew he hadn't a leg to stand on, technically. It was when they advised him to withdraw the suit that he got desperate. You see, he'd borrowed most of the money he lost in the Blue Star, and he was up a tree. That's why he shot himself when they told him he had no show."
The horror was sweeping over Mary in great, deafening waves.
"He shot himself? He killed himself because of that?"
"Well, he didn't kill himself, exactly. He dragged on two months before he died." Parvis emitted the statement as unemotionally as a gramophone grinding out its "record."
"You mean that he tried to kill himself, and failed? And tried again?"
"Oh, he didn't have to try again," said Parvis, grimly.
They sat opposite each other in silence, he swinging his eye-glass thoughtfully about his finger, she, motionless, her arms stretched along her knees in an attitude of rigid tension.
"But if you knew all this," she began at length, hardly able to force her voice above a whisper, "how is it that when I wrote you at the time of my husband's disappearance you said you didn't understand his letter?"
Parvis received this without perceptible discomfiture. "Why, I didn't understand it—strictly speaking. And it wasn't the time to talk about it, if I had. The Elwell business was settled when the suit was withdrawn. Nothing I could have told you would have helped you to find your husband."
Mary continued to scrutinize him. "Then why are you telling me now?"
Still Parvis did not hesitate. "Well, to begin with, I supposed you knew more than you appear to—I mean about the circumstances of Elwell's death. And then people are talking of it now; the whole matter's been raked up again. And I thought, if you didn't know, you ought to."
She remained silent, and he continued: "You see, it's only come out lately what a bad state Elwell's affairs were in. His wife's a proud woman, and she fought on as long as she could, going out to work, and taking sewing at home, when she got too sick—something with the heart, I believe. But she had his bedridden mother to look after, and the children, and she broke down under it, and finally had to ask for help. That attracted attention to the case, and the papers took it up, and a subscription was started. Everybody out there liked Bob Elwell, and most of the prominent names in the place are down on the list, and people began to wonder why—"
Parvis broke off to fumble in an inner pocket. "Here," he continued, "here's an account of the whole thing from the 'Sentinel'—a little sensational, of course. But I guess you'd better look it over."
He held out a newspaper to Mary, who unfolded it slowly, remembering, as she did so, the evening when, in that same room, the perusal of a clipping from the "Sentinel" had first shaken the depths of her security.
As she opened the paper, her eyes, shrinking from the glaring head-lines, "Widow of Boyne's Victim Forced to Appeal for Aid," ran down the column of text to two portraits inserted in it. The first was her husband's, taken from a photograph made the year they had come to England. It was the picture of him that she liked best, the one that stood on the writing-table up-stairs in her bedroom. As the eyes in the photograph met hers, she felt it would be impossible to read what was said of him, and closed her lids with the sharpness of the pain.
"I thought if you felt disposed to put your name down—" she heard Parvis continue.
She opened her eyes with an effort, and they fell on the other portrait. It was that of a youngish man, slightly built, in rough clothes, with features somewhat blurred by the shadow of a projecting hat-brim. Where had she seen that outline before? She stared at it confusedly, her heart hammering in her throat and ears. Then she gave a cry.
"This is the man—the man who came for my husband!"
She heard Parvis start to his feet, and was dimly aware that she had slipped backward into the corner of the sofa, and that he was bending above her in alarm. With an intense effort she straightened herself, and reached out for the paper, which she had dropped.
"It's the man! I should know him anywhere!" she cried in a voice that sounded in her own ears like a scream.
Parvis's voice seemed to come to her from far off, down endless, fog-muffled windings.
"Mrs. Boyne, you're not very well. Shall I call somebody? Shall I get a glass of water?"
"No, no, no!" She threw herself toward him, her hand frantically clenching the newspaper. "I tell you, it's the man! I know him! He spoke to me in the garden!"
Parvis took the journal from her, directing his glasses to the portrait. "It can't be, Mrs. Boyne. It's Robert Elwell."
"Robert Elwell?" Her white stare seemed to travel into space. "Then it was Robert Elwell who came for him."
"Came for Boyne? The day he went away?" Parvis's voice dropped as hers rose. He bent over, laying a fraternal hand on her, as if to coax her gently back into her seat. "Why, Elwell was dead! Don't you remember?"
Mary sat with her eyes fixed on the picture, unconscious of what he was saying.
"Don't you remember Boyne's unfinished letter to me—the one you found on his desk that day? It was written just after he'd heard of Elwell's death." She noticed an odd shake in Parvis's unemotional voice. "Surely you remember that!" he urged her.
Yes, she remembered: that was the profoundest horror of it. Elwell had died the day before her husband's disappearance; and this was Elwell's portrait; and it was the portrait of the man who had spoken to her in the garden. She lifted her head and looked slowly about the library. The library could have borne witness that it was also the portrait of the man who had come in that day to call Boyne from his unfinished letter. Through the misty surgings of her brain she heard the faint boom of half-forgotten words—words spoken by Alida Stair on the lawn at Pangbourne before Boyne and his wife had ever seen the house at Lyng, or had imagined that they might one day live there.
"This was the man who spoke to me," she repeated.
She looked again at Parvis. He was trying to conceal his disturbance under what he imagined to be an expression of indulgent commiseration; but the edges of his lips were blue. "He thinks me mad; but I'm not mad," she reflected; and suddenly there flashed upon her a way of justifying her strange affirmation.
She sat quiet, controlling the quiver of her lips, and waiting till she could trust her voice to keep its habitual level; then she said, looking straight at Parvis: "Will you answer me one question, please? When was it that Robert Elwell tried to kill himself?"
"When—when?" Parvis stammered.
"Yes; the date. Please try to remember."
She saw that he was growing still more afraid of her. "I have a reason," she insisted gently.
"Yes, yes. Only I can't remember. About two months before, I should say."
"I want the date," she repeated.
Parvis picked up the newspaper. "We might see here," he said, still humoring her. He ran his eyes down the page. "Here it is. Last October—the—"
She caught the words from him. "The 20th, wasn't it?" With a sharp look at her, he verified. "Yes, the 20th. Then you did know?"
"I know now." Her white stare continued to travel past him. "Sunday, the 20th—that was the day he came first."
Parvis's voice was almost inaudible. "Came here first?"
"You saw him twice, then?"
"Yes, twice." She breathed it at him with dilated eyes. "He came first on the 20th of October. I remember the date because it was the day we went up Meldon Steep for the first time." She felt a faint gasp of inward laughter at the thought that but for that she might have forgotten.
Parvis continued to scrutinize her, as if trying to intercept her gaze.
"We saw him from the roof," she went on. "He came down the lime-avenue toward the house. He was dressed just as he is in that picture. My husband saw him first. He was frightened, and ran down ahead of me; but there was no one there. He had vanished."
"Elwell had vanished?" Parvis faltered.
"Yes." Their two whispers seemed to grope for each other. "I couldn't think what had happened. I see now. He tried to come then; but he wasn't dead enough—he couldn't reach us. He had to wait for two months; and then he came back again—and Ned went with him."
She nodded at Parvis with the look of triumph of a child who has successfully worked out a difficult puzzle. But suddenly she lifted her hands with a desperate gesture, pressing them to her bursting temples.
"Oh, my God! I sent him to Ned—I told him where to go! I sent him to this room!" she screamed out.
She felt the walls of the room rush toward her, like inward falling ruins; and she heard Parvis, a long way off, as if through the ruins, crying to her, and struggling to get at her. But she was numb to his touch, she did not know what he was saying. Through the tumult she heard but one clear note, the voice of Alida Stair, speaking on the lawn at Pangbourne.
"You won't know till afterward," it said. "You won't know till long, long afterward."
UP the long hill from the station at St.-Cloud, Lizzie West climbed in the cold spring sunshine. As she breasted the incline, she noticed the first waves of wistaria over courtyard railings and the high lights of new foliage against the walls of ivy-matted gardens; and she thought again, as she had thought a hundred times before, that she had never seen so beautiful a spring.
She was on her way to the Deerings' house, in a street near the hilltop; and every step was dear and familiar to her. She went there five times a week to teach little Juliet Deering, the daughter of Mr. Vincent Deering, the distinguished American artist. Juliet had been her pupil for two years, and day after day, during that time, Lizzie West had mounted the hill in all weathers; sometimes with her umbrella bent against a driving rain, sometimes with her frail cotton parasol unfurled beneath a fiery sun, sometimes with the snow soaking through her patched boots or a bitter wind piercing her thin jacket, sometimes with the dust whirling about her and bleaching the flowers of the poor little hat that had to "carry her through" till next summer.
At first the ascent had seemed tedious enough, as dull as the trudge to her other lessons. Lizzie was not a heaven-sent teacher; she had no born zeal for her calling, and though she dealt kindlyand dutifully with her pupils, she did not fly to them on winged feet. But one day something had happened to change the face of life, and since then the climb to the Deering house had seemed like a dream-flight up a heavenly stairway.
Her heart beat faster as she remembered it—no longer in a tumult of fright and self-reproach, but softly, peacefully, as ifbrooding over a possession that none could take from her.
It was on a day of the previous October that she had stopped, after Juliet's lesson, to ask if she might speak to Juliet's papa. One had always to apply to Mr. Deering if there was anything to be said about the lessons. Mrs. Deering lay on her lounge up-stairs, reading greasy relays of dog-eared novels, the choice of which she left to the cook and the nurse, who were always fetching them forher from the cabinet de lecture; and it was understood inthe house that she was not to be "bothered" about Juliet. Mr. Deering's interest in his daughter was fitful rather than consecutive; but at least he was approachable, and listened sympathetically, if a little absently, stroking his long, fair mustache, while Lizzie stated her difficulty or put in her plea for maps or copy-books.
"Yes, yes—of course—whatever you think right," he would always assent, sometimes drawing a five-franc piece from his pocket, and laying it carelessly on the table, or oftener saying, with his charming smile: "Get what you please, and just put it onyour account, you know."
But this time Lizzie had not come to ask for maps or copy-books, or even to hint, in crimson misery,—as once, poor soul! she had had to do,—that Mr. Deering had overlooked her last little account had probably not noticed that she had left it, some two months earlier, on a corner of his littered writing-table. That hour had been bad enough, though he had done his best to make it easy to carry it off gallantly and gaily; but this was infinitely worse. For she had come to complain of her pupil; to say that, much as she loved little Juliet, it was useless, unless Mr. Deering could "do something," to go on with the lessons.
"It wouldn't be honest—I should be robbing you; I'm not sure that I haven't already," she half laughed, through mounting tears, as she put her case. Little Juliet would not work, would not obey. Her poor, little, drifting existence floated aimlessly between the kitchen and the lingerie, and all the groping tendrils ofher curiosity were fastened about the doings of the backstairs.
It was the same kind of curiosity that Mrs. Deering, overhead in her drug-scented room, lavished on her dog-eared novels and onthe "society notes" of the morning paper; but since Juliet's horizon was not yet wide enough to embrace these loftier objects, her interest was centered in the anecdotes that Celeste and Suzanne brought back from the market and the library. That these were not always of an edifying nature the child's artless prattle too often betrayed; but unhappily they occupied her fancy to the complete exclusion of such nourishing items as dates and dynasties, and the sources of the principal European rivers.
At length the crisis became so acute that poor Lizzie felt herself bound to resign her charge or ask Mr. Deering's intervention; and for Juliet's sake she chose the harder alternative. It was hard to speak to him not onlybecause one hated still more to ascribe it to such vulgar causes, but becauseone blushed to bring them to the notice of a spirit engaged with higher things. Mr. Deering was very busy at that moment: he had a new picture "on." And Lizzie entered the studio with the flutterof one profanely intruding on some sacred rite; she almost heard the rustle of retreating wings as she approached.
And then—and then—how differently it had all turned out! Perhaps it wouldn't have, if she hadn't been such a goose—she who so seldom cried, so prided herself on a stoic control of her little twittering cageful of "feelings." But if she had cried, it was because he had looked at her so kindly, so softly, and because she had nevertheless felt him so pained and shamed by what she said. The pain, of course, lay for both in the implication behind her words—in the one word they left unspoken. If little Juliet was as she was, it was because of the mother up-stairs—the mother who had given her child her futile impulses, and grudged her the care that might have guided them. The wretched case so obviously revolved in its own vicious circle that when Mr. Deering had murmured, "Of course if my wife were not an invalid," they both turned with a simultaneous spring to the flagrant "bad example" of Celeste and Suzanne, fastening on that with a mutual insistence that ended inhis crying out, "All the more, then, how can you leave her to them?"
"But if I do her no good?" Lizzie wailed; and it was then that,—when he took her hand and assured her gently, "But you do, you do!"—it was then that, in the traditional phrase, she "brokedown," and her conventional protest quivered off into tears.
"You do me good, at any rate—you make the houseseem less like a desert," she heard him say; and the next moment she felt herself drawn to him, and they kissed each other through her weeping.
They kissed each other—there was the new fact. One does not, if one is a poor little teacher living in Mme. Clopin's Pension Suisse at Passy, and if one has pretty brown hair and eyes that reach out trustfully to other eyes—one does not, under these common but defenseless conditions, arrive at the age of twenty-five without being now and then kissed,—waylaid once by a noisy student between two doors, surprised once by one's gray-bearded professoras one bent over the "theme" he was correcting,—but these episodes, if they tarnish the surface, do not reach the heart: itis not the kiss endured, but the kiss returned, that lives. And Lizzie West's first kiss was for Vincent Deering.
As she drew back from it, something new awoke in her—something deeper than the fright and the shame, and the penitent thought of Mrs. Deering. A sleeping germ of life thrilled and unfolded, and started out blindly to seek the sun.
She might have felt differently, perhaps,—the shame and penitence might have prevailed,—had she not known him so kind and tender, and guessed him so baffled, poor, and disappointed. She knew the failure of his married life, and she divined a corresponding failure in his artistic career. Lizzie, who had made her own faltering snatch at the same laurels, brought her thwarted proficiency to bear on the question of his pictures, which she judged to be extremely brilliant, but suspected of having somehowfailed to affirm their merit publicly. She understood that he had tasted an earlier moment of success: a mention, a medal, something official and tangible; then the tide of publicity had somehow setthe other way, and left him stranded in a noble isolation. It was extraordinary and unbelievable that any one so naturally eminent and exceptional should have been subject to the same vulgar necessities that governed her own life, should have known povertyand obscurity and indifference. But she gathered that this had been the case, and felt that it formed the miraculous link between them. For through what medium less revealing than that of sharedmisfortune would he ever have perceived so inconspicuous an object as herself? And she recalled now how gently his eyes had rested on her from the first—the gray eyes that might have seemed mocking if they had not been so gentle.
She remembered how he had met her the first day, when Mrs. Deering's inevitable headache had prevented her from receiving the new teacher, and how his few questions had at once revealed his interest in the little stranded, compatriot, doomed to earn a precarious living so far from her native shore. Sweet as the moment of unburdening had been, she wondered afterward what had determined it: how she, so shy and sequestered, had found herselfletting slip her whole poverty-stricken story, even to the avowalof the ineffectual "artistic" tendencies that had drawn her to Paris, and had then left her there to the dry task of tuition. She wondered at first, but she understood now; she understood everything after he had kissed her. It was simply because he wasas kind as he was great.
She thought of this now as she mounted the hill in the spring sunshine, and she thought of all that had happened since. The intervening months, as she looked back at them, were merged in a vast golden haze, through which here and there rose the outline of a shining island. The haze was the general enveloping sense of his love, and the shining islands were the days they had spent together. They had never kissed again under his own roof. Lizzie's professional honor had a keen edge, but she had been spared the vulgar necessity of making him feel it. It was of theessence of her fatality that he always "understood" when his failing to do so might have imperiled his hold on her.
But her Thursdays and Sundays were free, and it soon became a habit to give them to him. She knew, for her peace of mind, onlytoo much about pictures, and galleries and churches had been the one bright outlet from the grayness of her personal atmosphere. For poetry, too, and the other imaginative forms of literature, she had always felt more than she had hitherto had occasion to betray; and now all these folded sympathies shot out their tendrils to the light. Mr. Deering knew how to express with unmatched clearness and competence the thoughts that trembled in her mind: to talk with him was to soar up into the azure on the outspread wings of his intelligence, and look down dizzily yet distinctly, on all the wonders and glories of the world. She was a little ashamed, sometimes, to find how few definite impressions she brought back from these flights; but that was doubtless because her heart beatso fast when he was near, and his smile made his words like a long quiver of light. Afterward, in quieter hours, fragments of theirtalk emerged in her memory with wondrous precision, every syllable as minutely chiseled as some of the delicate objects in crystal or ivory that he pointed out in the museums they frequented. It wasalways a puzzle to Lizzie that some of their hours should be so blurred and others so vivid.
On the morning in question she was reliving all these memories with unusual distinctness, for it was a fortnight since she had seen her friend. Mrs. Deering, some six weeks previously, had gone to visit a relation at St.-Raphael; and, after she had been a month absent, her husband and the little girl had joined her. Lizzie'sadieux to Deering had been made on a rainy afternoon in the damp corridors of the Aquarium at the Trocadero. She could not receive him at her own pension. That a teacher should bevisited by the father of a pupil, especially when that father wasstill, as Madame Clopin said, si bien, was against that lady's austere Helvetian code. From Deering's first tentative hint of another solution Lizzie had recoiled in a wild unreasoned flurry of all her scruples, he took her "No, no, no!" as he tookall her twists and turns of conscience, with eyes half-tender and half-mocking, and an instant acquiescence which was the finest homage to the "lady" she felt he divined and honored in her.
So they continued to meet in museums and galleries, or to extend, on fine days, their explorations to the suburbs, where now and then, in the solitude of grove or garden, the kiss renewed itself, fleeting, isolated, or prolonged in a shy, silent pressure of the hand. But on the day of his leave-taking the rain kept them under cover; and as they threaded the subterranean windings of the Aquarium, and Lizzie looked unseeingly at the monstrous faces glaring at her through walls of glass, she felt like a poor drowned wretch at the bottom of the sea, with all her glancing, sunlit memories rolling over her like the waves of its surface.
"You'll never see him again—never see him again," the wavesboomed in her ears through his last words; and when she had said good-by to him at the corner, and had scrambled, wet and shivering, into the Passy omnibus, its great, grinding wheels took up the derisive burden—"Never see him, never see him again."
All that was only two weeks ago, and here she was, as happy as a lark, mounting the hill to his door in the spring sunshine. Soweak a heart did not deserve such a radiant fate; and Lizzie saidto herself that she would never again distrust her star.
THE cracked bell tinkled sweetly through her heart as she stood listening for the scamper of Juliet's feet. Juliet, anticipatingthe laggard Suzanne, almost always opened the door for her governess, not from any unnatural zeal to hasten the hour of her studies, but from the irrepressible desire to see what was going on in the street. But on this occasion Lizzie listened vainly for astep, and at length gave the bell another twitch. Doubtless someunusually absorbing incident had detained the child below-stairs; thus only could her absence be explained.
A third ring produced no response, and Lizzie, full of dawning fears, drew back to look up at the shabby, blistered house. She saw that the studio shutters stood wide, and then noticed, without surprise, that Mrs. Deering's were still unopened. No doubt Mrs. Deering was resting after the fatigue of the journey. Instinctively Lizzie's eyes turned again to the studio; and as she looked, she saw Deering at the window. He caught sight of her, and an instant later came to the door. He looked paler than usual, and she noticed that he wore a black coat.
"I rang and rang—where is Juliet?"
He looked at her gravely, almost solemnly; then, without answering, he led her down the passage to the studio, and closed the door when she had entered.
"My wife is dead—she died suddenly ten days ago. Didn't you see it in the papers?"
Lizzie, with a little cry, sank down on the rickety divan. She seldom saw a newspaper, since she could not afford one for her own perusal, and those supplied to the Pension Clopin were usually in the hands of its more privileged lodgers till long after the hour when she set out on her morning round.
"No; I didn't see it," she stammered.
Deering was silent. He stood a little way off, twisting an unlit cigarette in his hand, and looking down at her with a gaze that was both hesitating and constrained.
She, too, felt the constraint of the situation, the impossibility of finding words that, after what had passed between them, should seem neither false nor heartless; and at last she exclaimed, standing up: "Poor little Juliet! Can't I go to her?"
"Juliet is not here. I left her at St.-Raphael with the relations with whom my wife was staying."
"Oh," Lizzie murmured, feeling vaguely that this added to the difficulty of the moment. How differently she had pictured theirmeeting!
"I'm so—so sorry for her!" she faltered out.
Deering made no reply, but, turning on his heel, walked the length of the studio, and then halted vaguely before the picture on the easel. It was the landscape he had begun the previous autumn, with the intention of sending it to the Salon that spring. But it was still unfinished—seemed, indeed, hardly moreadvanced than on the fateful October day when Lizzie, standing before it for the first time, had confessed her inability to dealwith Juliet. Perhaps the same thought struck its creator, for hebroke into a dry laugh, and turned from the easel with a shrug.
Under his protracted silence Lizzie roused herself to the fact that, since her pupil was absent, there was no reason for her remaining any longer; and as Deering again moved toward her she said with an effort: "I'll go, then. You'll send for me when shecomes back?"
Deering still hesitated, tormenting the cigarette between his fingers.
"She's not coming back—not at present."
Lizzie heard him with a drop of the heart. Was everything to be changed in their lives? But of course; how could she have dreamed it would be otherwise? She could only stupidly repeat: "Not coming back? Not this spring?"
"Probably not, since are friends are so good as to keep her. The fact is, I've got to go to America. My wife left a little property, a few pennies, that I must go and see to—for the child."
Lizzie stood before him, a cold knife in her breast. "I see—I see," she reiterated, feeling all the while that she strained her eyes into impenetrable blackness.
"It's a nuisance, having to pull up stakes," he went on, with a fretful glance about the studio.
She lifted her eyes slowly to his face. "Shall you be gone long?" she took courage to ask.
"There again—I can't tell. It's all so frightfully mixed up." He met her look for an incredibly long, strange moment. "Ihate to go!" he murmured as if to himself.
Lizzie felt a rush of moisture to her lashes, and the old, familiar wave of weakness at her heart. She raised her hand to her face with an instinctive gesture, and as she did so he held out his arms.
"Come here, Lizzie!" he said.
And she went—went with a sweet, wild throb of liberation, with the sense that at last the house was his, that she was his, if he wanted her; that never again would that silent, rebuking presence in the room above constrain and shame her rapture.
He pushed back her veil and covered her face with kisses. "Don't cry, you little goose!" he said.
THAT they must see each other again before his departure, in someplace less exposed than their usual haunts, was as clear to Lizzie as it appeared to be to Deering. His expressing the wish seemed, indeed, the sweetest testimony to the quality of his feeling, since, in the first weeks of the most perfunctory widowerhood, a man of his stamp is presumed to abstain from light adventures. If, then, at such a moment, he wished so much to be quietly and gravely with her, it could be only for reasons she did not call by name, but of which she felt the sacred tremor in her heart; and it would have seemed incredibly vain and vulgar to put forward, at such a crisis, the conventional objections by means of which such littleexposed existences defend the treasure of their freshness.
In such a mood as this one may descend from the Passy omnibus at the corner of the Pont de la Concorde (she had not let him fetch her in a cab) with a sense of dedication almost solemn, and may advance to meet one's fate, in the shape of a gentleman of melancholy elegance, with an auto-taxi at his call, as one has advanced to the altar-steps in some girlish bridal vision.
Even the experienced waiter ushering them into an upper roomof the quiet restaurant on the Seine could hardly have supposed their quest for seclusion to be based on sentimental motives, so soberly did Deering give his orders, while his companion sat small and grave at his side. She did not, indeed, mean to let her private pang obscure their hour together: she was already learning that Deering shrank from sadness. He should see that she had courage and gaiety to face their coming separation, and yet give herself meanwhile to this completer nearness; but she waited, as always, for him to strike the opening note.
Looking back at it later, she wondered at the mild suavity of the hour. Her heart was unversed inhappiness, but he had found the tone to lull her apprehensions, and make her trust her fate for any golden wonder. Deepest of all, he gave her the sense of something tacit and confirmed between them, as if his tenderness were a habit of the heart hardly needing the support of outward proof.
Such proof as he offered came, therefore, as a kind of crowning luxury, the flower of a profoundly rooted sentiment; andhere again the instinctive reserves and defenses would have seemed to vulgarize what his trust ennobled. But if all the tender casuistries of her heart were at his service, he took no grave advantage of them. Even when they sat alone after dinner, with the lights of the river trembling through their one low window, and the vast rumor of Paris inclosing them in a heart of silence, he seemed, as much as herself, under the spell of hallowing influences. She felt it most of all as she yielded to the arm hepresently put about her, to the long caress he laid on her lips and eyes: not a word or gesture missed the note of quiet union, or cast a doubt, in retrospect, on the pact they sealed with their last look.
That pact, as she reviewed it through a sleepless night, seemed to have consisted mainly, on his part, in pleadings for full and frequent news of her, on hers in the assurance that it shouldbe given as often as he asked it. She had felt an intense desirenot to betray any undue eagerness, any crude desire to affirm anddefine her hold on him. Her life had given her a certain acquaintance with the arts of defense: girls in her situation were commonly supposed to know them all, and to use them as occasion called. But Lizzie's very need of them had intensified her disdain. Just because she was so poor, and had always, materially, so to count her change and calculate her margin, she would at least know the joy of emotional prodigality, would give her heart as recklessly as the rich their millions. She was sure now that Deering loved her, and if he had seized the occasion of their farewell to give her some definitely worded sign of his feeling—if, more plainly, he had asked her to marry him,—his doing so would have seemed less like a proof of his sincerity than of his suspecting in her the need of a verbal warrant. That he had abstained seemed to show that he trusted her as she trusted him, and that they were one most of all in this deep security of understanding.
She had tried to make him divine all this in the chariness of her promise to write. She would write; of course she would. Buthe would be busy, preoccupied, on the move: it was for him to lether know when he wished a word, to spare her the embarrassment ofill-timed intrusions.
"Intrusions?" He had smiled the word away. "You can't wellintrude, my darling, on a heart where you're already established, to the complete exclusion of other lodgers." And then, taking her hands, and looking up from them into her happy, dizzy eyes: "You don't know much about being in love, do you, Lizzie?" he laughingly ended.
It seemed easy enough to reject this imputation in a kiss; but she wondered afterward if she had not deserved it. Was she really cold and conventional, and did other women give more richly and recklessly? She found that it was possible to turn about every one of her reserves and delicacies so that they looked like selfish scruples and petty pruderies, and at this game she came in time to exhaust all the resources of an over-abundant casuistry.
Meanwhile the first days after Deering's departure wore a soft, refracted light like the radiance lingering after sunset. He, at any rate, was taxable with no reserves, nocalculations, and his letters of farewell, from train and steamer, filled her with long murmurs and echoes of his presence. How he loved her, how he loved her—and how he knew how to tell her so!
She was not sure of possessing the same aptitude. Unused tothe expression of personal emotion, she fluctuated between the impulse to pour out all she felt and the fear lest her extravagance should amuse or even bore him. She never lost the sense that what was to her the central crisis of experience must be a mere episode in a life so predestined as his to romantic accidents. All that she felt and said would be subjected to the test of comparison with what others had already given him: from all quarters of the globeshe saw passionate missives winging their way toward Deering, forwhom her poor little swallow-flight ofdevotion could certainly not make a summer. But such moments were succeeded by others in which she raised her head and dared inwardly to affirm her conviction that no woman had ever loved him just as she had, and that none, therefore, had probably found just such things to say to him. And this conviction strengthened the other less solidly based belief that he also, for the same reason, had found new accents to express his tenderness, and that the three letters she wore all day in her shabby blouse, and hid all night beneath her pillow, surpassed not only in beauty, but in quality, all he had ever penned for other eyes.
They gave her, at any rate, during the weeks that she wore them on her heart, sensations even more complex and delicate than Deering's actual presence had ever occasioned. To be with him was always like breasting a bright, rough sea, that blinded while it buoyed her: but his letters formed a still pool of contemplation, above which she could bend, and see the reflection of the sky, and the myriad movements of life that flitted and gleamed below the surface. The wealth of his hidden life—that was what most surprised her! It was incredible to her now that she had had no inkling of it, but had kept on blindly along the narrow track of habit, like a traveler climbing a road in a fog, who suddenly finds himself on a sunlit crag between blue leagues of sky and dizzy depths of valley. And the odd thing was that all the people about her—the whole world of the Passy pension—were still plodding along the same dull path, preoccupied with the pebbles underfoot, and unconscious of the glory beyond the fog!
There were wild hours when she longed to cry out to them what one saw from the summit—and hours of tremulous abasement when she asked herself why her happy feet had been guided there, while others, no doubt as worthy, stumbled and blundered in obscurity. She felt, in particular, a sudden urgent pity for the two or three other girls at Mme. Clopin's—girls older, duller, less alive than she, and by that very token more appealingly flung upon her sympathy. Would they ever know? Had they ever known?—those were the questions that haunted her as she crossed her companions on the stairs, faced them at the dinner-table, and listened to their poor, pining talk in the dim-lit slippery-seated salon. One ofthe girls was Swiss, the other English; the third, Andora Macy, was ayoung lady from the Southern States who was studying French with the ultimate object of imparting it to the inmates of a girls' school at Macon, Georgia.
Andora Macy was pale, faded, immature. She had a drooping Southern accent, and a manner which fluctuated between arch audacity and fits of panicky hauteur. She yearned to be admired, and feared to be insulted; and yet seemed tragically conscious that she was destined to miss both these extremes of sensation, or to enjoy them only at second hand in the experiences of her more privileged friends.
It was perhaps for this reason that she took a wistful interest in Lizzie, who had shrunk from her at first, as the depressing image of her own probable future, but to whom she had now suddenly become an object of sentimental pity.
MISS MACY's room was next to Miss West's, and the Southerner's knock often appealed to Lizzie's hospitality when Mme. Clopin's early curfew had driven her boarders from the salon. It sounded thus one evening just as Lizzie, tired from an unusually long day of tuition, was in the act of removing her dress. She was in too indulgent a mood to withhold her "Come in," and as Miss Macy crossed the threshold, Lizzie felt that Vincent Deering's first letter—the letter from the train—had slipped from her loosened bodice to the floor.
Miss Macy, as promptly noting the fact, darted forward to recover the letter. Lizzie stooped also, fiercely jealous of her touch; but the other reached the precious paper first, andas she seized it, Lizzie knew that she had seen whence it fell, and was weaving round the incident a rapid web of romance.
Lizzie blushed with annoyance. "It's too stupid, having no pockets! If one gets a letter as she is going out in the morning, she has to carry it in her blouse all day."
Miss Macy looked at her with swimming eyes. "It's warm fromyour heart!" she breathed, reluctantly yielding up the missive.
Lizzie laughed, for she knew better: she knew it was the letter that had warmed her heart. Poor Andora Macy! She would never know. Her bleak bosom would never take fire from such a contact. Lizzie looked at her with kind eyes, secretly chafing at the injustice of fate.
The next evening, on her return home, she found Andora hovering in the entrance hall.
"I thought you'd like me to put this in your own hand," Miss Macy whispered significantly, pressing a letter upon Lizzie. "I couldn't bear to see it lying on the table with theothers."
It was Deering's letter from the steamer. Lizzie blushed tothe forehead, but without resenting Andora's divination. She could not have breathed a word of her bliss, but she was not altogethersorry to have it guessed, and pity for Andora's destitution yielded to the pleasure of using it as a mirror for her own abundance. DEERING wrote again on reaching New York, a long, fond, dissatisfied letter, vague in its indication of his own projects, specific in the expression of his love. Lizzie brooded over every syllable of it till they formed the undercurrent of all her waking thoughts, and murmured through her midnight dreams; but she wouldhave been happier if they had shed some definite light on the future.
That would come, no doubt, when he had had time to look about and get his bearings. She counted up the days that must elapse before she received his next letter, and stole down early to peepat the papers, and learn when the next American mail was due. Atlength the happy date arrived, and she hurried distractedly through the day's work, trying to conceal her impatience by the endearments she bestowed upon her pupils. It was easier, in her present mood, to kiss them than to keep them at their grammars.
That evening, on Mme. Clopin's threshold, her heart beat so wildly that she had to lean a moment against the door-post beforeentering. But on the hall table, where the letters lay, there was none for her.
She went over them with a feverish hand, her heart dropping down and down, as she had sometimes fallen down an endless stairway in a dream—the very same stairway up which she had seemed to flywhen she climbed the long hill to Deering's door. Then it suddenly struck her that Andora might have found and secreted her letter, and with a spring she was on the actual stairs and rattling Miss Macy's door-handle.
"You've a letter for me, haven't you?" she panted.
Miss Macy, turning from the toilet-table, inclosed her in attenuated arms. "Oh, darling, did you expect one to-day?"
"Do give it to me!" Lizzie pleaded with burning eyes.
"But I haven't any! There hasn't been a sign of a letter for you."
"I know there is. There must be," Lizzie persisted, stamping her foot.
"But, dearest, I've watched for you, and there'sbeen nothing, absolutely nothing."
Day after day, for the ensuing weeks, the same scene reenacted itself with endless variations. Lizzie, after the first sharp spasm of disappointment, made no effort to conceal her anxiety from Miss Macy, and the fond Andora was charged to keep a vigilant eyeupon the postman's coming, and to spy on the bonne for possible negligence or perfidy. But these elaborate precautions remained fruitless, and no letter from Deering came.
During the first fortnight of silence Lizzie exhausted all the ingenuities of explanation. She marveled afterward at the reasons she had found for Deering's silence: there were moments when she almost argued herself into thinking it more natural than his continuing to write. There was only one reason which her intelligence consistently rejected, and that was the possibility that he had forgotten her, that the wholeepisode had faded from his mind like a breath from a mirror. From that she resolutely turned her thoughts, aware that if she suffered herself to contemplate it, the motive power of life would fail, and she would no longer understand why she rose up in the morning and laydown at night.
If she had had leisure to indulge her anguish she might havebeen unable to keep such speculations at bay. But she had to be up and working: the blanchisseuse had to be paid, and Mme. Clopin's weekly bill, and all the little "extras" that even her frugal habits had to reckon with. And in the depths of her thought dwelt the dogging fear of illness and incapacity, goading her to work while she could. She hardly remembered the time when she had been without that fear; it was second nature now, and it kept her on her feet when other incentives might have failed. In the blankness of her misery shefelt no dread of death; but the horror of being ill and "dependent" was in her blood.
In the first weeks of silence she wrote again and again to Deering, entreating him for a word, for a mere sign of life. From the first she had shrunk from seeming to assert any claim on his future, yet in her aching bewilderment she now charged herself with having been too possessive, too exacting in her tone. She told herself that his fastidiousness shrank from any but a "light touch," and that hers had not been light enough. She should havekept to the character of the "little friend," the artless consciousness in which tormented genius may find an escape from its complexities; and instead, she had dramatized their relation, exaggerated her own part in it, presumed, forsooth, to share the front of the stage with him, instead of being content to serve asscenery or chorus.
But though to herself she admitted, and even insisted on, the episodical nature of the experience, on the fact that for Deeringit could be no more than an incident, she was still convinced that his sentiment for her, however fugitive, had been genuine.
His had not been the attitude of the unscrupulous male seeking a vulgar "advantage." For a moment he had really needed her, andif he was silent now, it was perhaps because he feared that she had mistaken the nature of the need and built vain hopes on its possible duration.
It was of the very essence of Lizzie's devotion that it sought instinctively the larger freedom of its object; she could not conceive of love under any form of exaction or compulsion. To make this clear to Deering became an overwhelming need, and in a last short letter she explicitly freed him from whatever sentimental obligation its predecessors might have seemed to impose. In thisstudied communication she playfully accused herself of having unwittingly sentimentalized their relation, affirming, in self-defense, a retrospective astuteness, a sense of the impermanence of the tenderer sentiments, that almost put Deering in the fatuous position of having mistaken coquetry for surrender. And she ended gracefully with a plea for the continuance of the friendly regardwhich she had "always understood" to be the basis of their sympathy. The document, when completed, seemed to her worthy of what she conceived to be Deering's conception of a woman of the world, and she found a spectral satisfaction in the thought of making her final appearance before him in that distinguished character. But she was never destined to learn what effect the appearance produced; for the letter, like those it sought to excuse, remained unanswered.
THE fresh spring sunshine which had so often attended Lizzie Weston her dusty climb up the hill of St.-Cloud beamed on her, some two years later, in a scene and a situation of altered import.
The horse-chestnuts of the Champs-Elysees filtered its rays through the symmetrical umbrage inclosing the graveled space about Daurent's restaurant, and Miss West, seated at a table within that privileged circle, presented to the light a hat much better able to sustain its scrutiny than those which had sheltered the brow of Juliet Deering's instructress.
Her dress was in keeping with the hat, and both belonged to a situation rich in such possibilities as the act of a leisurely luncheon at Daurent's in the opening week of the Salon. Her companions, of both sexes, confirmed and emphasized this impression by an elaborateness of garb and an ease of attitude implying the largest range of selection between the forms of Parisian idleness; and even Andora Macy, seated opposite, as in the place of co-hostess or companion, reflected, in coy grays and mauves, the festal note of the occasion.
This note reverberated persistently in the ears of a solitary gentleman straining for glimpses of the group from a table wedgedin the remotest corner of the garden; but to Miss West herself the occurrence did not rise above the usual. For nearly a year she had been acquiring the habit of such situations, and the act of offering a luncheon at Daurent's to her cousins, the Harvey Mearses of Providence, and their friend Mr. Jackson Benn, produced in herno emotion beyond the languid glow which Mr. Benn's presence was beginning to impart to such scenes.
"It's frightful, the way you've got used to it," Andora Macyhad wailed in the first days of her friend's transfigured fortune, when Lizzie West had waked one morning to find herself among the heirs of an old and miserly cousin whose testamentary dispositions had formed, since her earliest childhood, the subject of pleasantry and conjecture in her own improvident family. Old Hezron Mears had never given any sign of life to the luckless Wests; had perhaps hardly been conscious of including them in the carefully drawn will which, following the old American convention, scrupulously divided his hoarded millions among his kin. It was by a mere genealogical accident that Lizzie, falling just within the golden circle, found herself possessed of a pittance sufficient to release her from the prospect of a long gray future in Mme. Clopin's pension.
The release had seemed wonderful at first; yet she presentlyfound that it had destroyed her former world without giving her anew one. On the ruins of the old pension life bloomed the only flower that had ever sweetened her path; and beyond the sense of present ease, and the removal of anxiety for the future, her reconstructed existence blossomed with no compensating joys. Shehad hoped great things from the opportunity to rest, to travel, to look about her, above all, in various artful feminine ways, to be "nice" to the companions of her less privileged state; but such widenings of scope left her, as it were, but the more conscious of the empty margin of personal life beyond them. It was not till she woke to the leisure of her new days that she had the full sense of what was gone from them.
Their very emptiness made her strain to pack them with transient sensations: she was like the possessor of an unfurnished house, with random furniture and bric-a-brac perpetually pouring in "on approval." It was in this experimental character that Mr. Jackson Benn had fixed her attention, and the languid effort of her imagination to adjust him to her requirements was seconded by thefond complicity of Andora and the smiling approval of her cousins. Lizzie did not discourage these demonstrations: she suffered serenely Andora's allusions to Mr. Benn's infatuation, and Mrs. Mears's casual boast of his business standing. All the better ifthey could drape his narrow square-shouldered frame and round unwinking countenance in the trailing mists of sentiment: Lizzie looked and listened, not unhopeful of the miracle.
"I never saw anything like the way these Frenchmen stare! Doesn't it make you nervous, Lizzie?" Mrs. Mears broke out suddenly, ruffling her feather boa about an outraged bosom. Mrs. Mears was still in that stage of development when her countrywomen taste to the full the peril of being exposed to the gaze of the licentious Gaul.
Lizzie roused herself from the contemplation of Mr. Benn's round baby cheeks and the square blue jaw resting on his perpendicular collar. "Is some one staring at me?" she asked with a smile.
"Don't turn round, whatever you do! There—just over there, between the rhododendrons—the tall fair man alone at that table. Really, Harvey, I think you ought to speak to the head-waiter, orsomething; though I suppose in one of these places they'd only laugh at you," Mrs. Mears shudderingly concluded.
Her husband, as if inclining to this probability, continued the undisturbed dissection of his chicken wing; but Mr. Benn, perhaps aware that his situation demanded a more punctilious attitude, sternly revolved upon the parapet of his high collar inthe direction of Mrs. Mears's glance.
"What, that fellow all alone over there? Why, he's not French; he's an American," he then proclaimed with a perceptible relaxing of the facial muscles.
"Oh!" murmured Mrs. Mears, as perceptibly disappointed, and Mr. Benn continued carelessly: "He came over on the steamer with me. He's some kind of an artist—a fellow named Deering. He wasstaring at me, I guess: wondering whether I was going to remember him. Why, how d' 'e do? How are you? Why, yes, of course; with pleasure—my friends, Mrs. Harvey Mears—Mr. Mears; my friends Miss Macy and Miss West."
"I have the pleasure of knowing Miss West," said Vincent Deering with a smile.
EVEN through his smile Lizzie had seen, in the first moment, how changed he was; and the impression of the change deepened to the point of pain when, a few days later, in reply to his brief note, she accorded him a private hour.
That the first sight of his writing—the first answer to hisletters—should have come, after three long years, in the shape of this impersonal line, too curt to be called humble, yet confessing to a consciousness of the past by the studied avoidance of its language! As she read, her mind flashed back over what she had dreamed his letters would be, over the exquisite answers she had composed above his name. There was nothing exquisite in the conventional lines before her; but dormant nerves began to throb again at the mere touch of the paper he had touched, and she threw the little note into the fire before she dared to reply to it.
Now that he was actually before her again, he became, as usual, the one live spot in her consciousness. Once more her tormented throbbing self sank back passive and numb, but now withall its power of suffering mysteriously transferred to the presence, so known, yet so unknown, at the opposite corner of herhearth. She was still Lizzie West, and he was still Vincent Deering; but the Styx rolled between them, and she saw his face through its fog. It was his face, really, rather than his words, that told her, as she furtively studied it, the tale of failure and slow discouragement which had so blurred its handsome lines. Shekept afterward no precise memory of the actual details of his narrative: the pain it evidently cost him to impart it was so much the sharpest fact in her new vision of him. Confusedly, however, she gathered that on reaching America he had found his wife's small property gravely impaired; and that, while lingering on to securewhat remained of it, he had contrived to sell a picture or two, and had even known a brief moment of success, during which he received orders and set up a studio. But inexplicably the tide had ebbed, his work remained on his hands, and a tedious illness, with its miserable sequel of debt, soon wiped out his small advantage. There followed a period of eclipse, still more vaguely pictured, during which she was allowed to infer that he had tried his hand at divers means of livelihood, accepting employment from a fashionable house-decorator, designing wall-papers, illustrating magazine articles, and acting for a time, she dimly understood, as the social tout of a new hotel desirous of advertising its restaurant. These disjointed facts were strung on a slender thread of personal allusions—references to friends who had been kind (jealously, she guessed them to be women), and to enemies who had darkly schemed against him. But, true to his tradition of "correctness," he carefully avoided the mention of names, and left her trembling conjectures to grope dimly through an alien crowded world in which there seemed little room for her small shy presence.
As she listened, her private pang was merged in the intolerable sense of his unhappiness. Nothing he had said explained or excused his conduct to her; but he had suffered, he had been lonely, had been humiliated, and she suddenly felt, with a fierce maternal rage, that there was no conceivable justification for any scheme of things in which such facts were possible. She could not have said why: she simply knew that it hurt too much tosee him hurt.
Gradually it came to her that her unconsciousness of any personal grievance was due to her having so definitely determinedher own future. She was glad she had decided, as she now felt she had, to marry Jackson Benn, if only for the sense of detachment it gave her in dealing with the case of Vincent Deering. Her personal safety insured her the requisite impartiality, and justified her in dwelling as long as she chose on the last lines of a chapter to which her own act had deliberately fixed the close. Any lingering hesitations as to the finality of her decision were dispelled by the imminent need of making it known to Deering; and when her visitor paused in his reminiscences to say, with a sigh, "But many things have happened to you too," his words did not so much evokethe sense of her altered fortunes as the image of the protector to whom she was about to intrust them.
"Yes, many things; it's three years," she answered.
Deering sat leaning forward, in his sad exiled elegance, hiseyes gently bent on hers; and at his side she saw the solid form of Mr. Jackson Benn, with shoulders preternaturally squared by the cut of his tight black coat, and a tall shiny collar sustaining his baby cheeks and hard blue chin. Then the vision faded as Deeringbegan to speak.
"Three years," he repeated, musingly taking up her words. "I've so often wondered what they'd brought you."
She lifted her head with a quick blush, and the terrified wish that he should not, at the cost of all his notions of correctness, lapse into the blunder of becoming "personal."
"You've wondered?" She smiled back bravely.
"Do you suppose I haven't?" His look dwelt on her. "Yes, Idaresay that was what you thought of me."
She had her answer pat—"Why, frankly, you know, I didn't think of you." But the mounting tide of her poor dishonored memories swept it indignantly away. If it was his correctness toignore, it could never be hers to disavow.
" Was that what you thought of me?" she heard himrepeat in a tone of sad insistence; and at that, with a quick lift of her head, she resolutely answered: "How could I know what to think? I had no word from you."
If she had expected, and perhaps almost hoped, that this answer would create a difficulty for him, the gaze of quiet fortitude with which he met it proved that she had underestimatedhis resources.
"No, you had no word. I kept my vow," he said.
"That you shouldn't have a word—not a syllable. Oh, I kept it through everything!"
Lizzie's heart was sounding in her ears the old confused rumor of the sea of life, but through it she desperately tried to distinguish the still small voice of reason.
"What was your vow? Why shouldn't I have had asyllable from you?"
He sat motionless, still holding her with a look so gentle that it almost seemed forgiving.
Then abruptly he rose, and crossing the space between them, sat down in a chair at her side. The deliberation of his movement might have implied a forgetfulness of changed conditions, and Lizzie, as if thus viewing it, drew slightly back; but he appeared not to notice her recoil, and his eyes, at last leaving her face, slowly and approvingly made the round of the small bright drawing-room. "This is charming. Yes, things have changed foryou," he said.
A moment before she had prayed that he might be spared the error of a vain return upon the past. It was as if all her retrospective tenderness, dreading to see him at such a disadvantage, rose up to protect him from it. But his evasiveness exasperated her, and suddenly she felt the inconsistent desire tohold him fast, face to face with his own words.
Before she could reiterate her question, however, he had mether with another.
"You did think of me, then? Why are you afraid totell me that you did?"
The unexpectedness of the challenge wrung an indignant cry from her.
"Didn't my letters tell you so enough?"
"Ah, your letters!" Keeping her gaze on his in a passion ofunrelenting fixity, she could detect in him no confusion, not theleast quiver of a sensitive nerve. He only gazed back at her more sadly.
"They went everywhere with me—your letters," he said.
"Yet you never answered them." At last the accusation trembled to her lips.
"Yet I never answered them."
"Did you ever so much as read them, I wonder?"
All the demons of self-torture were up in her now, and she loosed them on him, as if to escape from their rage.
Deering hardly seemed to hear her question. He merely shifted his attitude, leaning a little nearer to her, but without attempting, by the least gesture, to remind her of the privilegeswhich such nearness had once implied.
"There were beautiful, wonderful things in them," he said, smiling.
She felt herself stiffen under his smile.
"You've waited three years to tell me so!"
He looked at her with grave surprise. "And do you resent mytelling you even now?"
His parries were incredible. They left her with a breathless sense of thrusting at emptiness, and a desperate, almost vindictive desire to drive him against thewall and pin him there.
"No. Only I wonder you should take the trouble to tell me, when at the time—"
And now, with a sudden turn, he gave her the final surprise of meeting her squarely on her own ground.
"When at the time I didn't? But how could I—at thetime?"
"Why couldn't you? You've not yet told me?"
He gave her again his look of disarming patience. "Do I need to? Hasn't my whole wretched story told you?"
"Told me why you never answered my letters?"
"Yes, since I could only answer them in one way—by protesting my love and my longing."
There was a long pause of resigned expectancy on his part, on hers, of a wild confused reconstruction of her shattered past. "You mean, then, that you didn't write because—"
"Because I found, when I reached America, that I was a pauper; that my wife's money was gone, and that what I could earn—I've so little gift that way!—was barely enough to keep Juliet clothed and educated. It was as if an iron door had been suddenly locked andbarred between us."
Lizzie felt herself driven back, panting upon the last defenses of her incredulity. "You might at least have told me—have explained. Do you think I shouldn't have understood?"
He did not hesitate. "You would have understood. It wasn'tthat."
"What was it then?" she quavered.
"It's wonderful you shouldn't see! Simply that I couldn't write you that. Anything else—not that!"
"And so you preferred to let me suffer?"
There was a shade of reproach in his eyes. "I suffered too," he said.
It was his first direct appeal to her compassion, and for a moment it nearly unsettled the delicate poise of her sympathies, and sent them trembling in the direction of scorn and irony. Buteven as the impulse rose, it was stayed by another sensation. Once again, as so often in the past, she became aware of a fact which, in his absence, she always failed to reckon with—the fact of thedeep irreducible difference between his image in her mind and hisactual self, the mysterious alteration in her judgment produced by the inflections of his voice, the look of his eyes, the whole complex pressure of his personality. She had phrased it once self-reproachfully by saying to herself that she "never could rememberhim," so completely did the sight of him supersede the counterfeit about which her fancy wove its perpetual wonders. Bright and breathing as that counterfeit was, it became a gray figment of the mind at the touch of his presence; and on this occasion the immediate result was to cause her to feel his possible unhappiness with an intensity beside which her private injury paled.
"I suffered horribly," he repeated, "and all the more that Icouldn't make a sign, couldn't cry out my misery. There was onlyone escape from it all—to hold my tongue, and pray that you might hate me."
The blood rushed to Lizzie's forehead. "Hate you—you prayed that I might hate you?"
He rose from his seat, and moving closer, lifted her hand gently in his. "Yes; because your letters showed me that, if youdidn't, you'd be unhappier still."
Her hand lay motionless, with the warmth of his flowing through it, and her thoughts, too—her poor fluttering stormy thoughts—felt themselves suddenly penetrated by the same soft current of communion.
"And I meant to keep my resolve," he went on, slowly releasing his clasp. "I meant to keep it even after the random stream of things swept me back here in your way; but when I saw you the other day, I felt that what had been possible at a distance was impossible now that we were near each other. How was it possibleto see you and want you to hate me?"
He had moved away, but not to resume his seat. He merely paused at a little distance, his hand resting on a chair-back, inthe transient attitude that precedes departure.
Lizzie's heart contracted. He was going, then, and this washis farewell. He was going, and she could find no word to detainhim but the senseless stammer "I never hated you."
He considered her with his faint grave smile. "It's not necessary, at any rate, that you should do so now. Time and circumstances have made me so harmless—that's exactly why I've dared to venture back. And I wanted to tell you how I rejoice inyour good fortune. It's the only obstacle between us that I can't bring myself to wish away."
Lizzie sat silent, spellbound, as she listened, by the sudden evocation of Mr. Jackson Benn. He stood there again, between herself and Deering, perpendicular and reproachful, but less solid and sharply outlined than before, with a look in his small hard eyes that desperately wailed for reembodiment.
Deering was continuing his farewell speech. "You're rich now, you're free. You will marry." She vaguely saw him holding out his hand.
"It's not true that I'm engaged!" she broke out. They were the last words she had meant to utter; they were hardly related to her conscious thoughts; but she felt her whole will suddenly gathered up in the irrepressible impulse to repudiate and fling away from her forever the spectral claim of Mr. Jackson Benn.
IT was the firm conviction of Andora Macy that every object in the Vincent Deerings' charming little house at Neuilly had been expressly designed for the Deerings' son to play with.
The house was full of pretty things, some not obviously applicable to the purpose; but Miss Macy's casuistry was equal tothe baby's appetite, and the baby's mother was no match for them in the art of defending her possessions. There were moments, in fact, when Lizzie almost fell in with Andora's summary division of her works of art into articles safe or unsafe for the baby to lick, or resisted it only to the extent of occasionally substituting some less precious or less perishable object for the particular fragility on which her son's desire was fixed. And it was with this intention that, on a certain fair spring morning—which worethe added luster of being the baby's second birthday—she had murmured, with her mouth in his curls, and one hand holding a bitof Chelsea above his dangerous clutch: "Wouldn't he rather have that beautiful shiny thing over there in Aunt Andorra's hand?"
The two friends were together in Lizzie's little morning-room—the room she had chosen, on acquiring the house, because, when she sat there, she could hear Deering's step as he paced up and down before his easel in the studio she had built for him. His step had been less regularly audible than she had hoped, for, after three years of wedded bliss, he had somehow failed to settle downto the great work which was to result from that privileged state; but even when she did not hear him she knew that he was there, above her head, stretched out on the old divan from Passy, and smoking endless cigarettes while he skimmed the morning papers; and the sense of his nearness had not yet lost its first keen edge of bliss.
Lizzie herself, on the day in question, was engaged in a more arduous task than the study of the morning's news. She had neverunlearned the habit of orderly activity, and the trait she least understood in her husband's character was his way of letting the loose ends of life hang as they would. She had been disposed at first to ascribe this to the chronic incoherence of his first menage; but now she knew that, though he basked under therule of her beneficent hand, he would never feel any active impulse to further its work. He liked to see things fall into place about him at a wave of her wand; but his enjoyment of her household magic in no way diminished his smiling irresponsibility, and it was with one of its least amiable consequences that his wife and her friend were now dealing.
Before them stood two travel-worn trunks and a distended portmanteau, which had shed their contents in heterogeneous heapsover Lizzie's rosy carpet. They represented the hostages left byher husband on his somewhat precipitate departure from a New Yorkboarding-house, and indignantly redeemed by her on her learning, in a curt letter from his landlady, that the latter was not disposedto regard them as an equivalent for the arrears of Deering's board.
Lizzie had not been shocked by the discovery that her husband had left America in debt. She had too sad an acquaintance with the economic strain to see any humiliation in such accidents; but it offended her sense of order that he should not have liquidated his obligation in the three years since their marriage. He took her remonstrance with his usual disarming grace, and left her to forward the liberating draft, though her delicacy had provided him with a bank-account which assured his personal independence. Lizzie had discharged the duty without repugnance, since she knewthat his delegating it to her was the result of his good-humored indolence and not of any design on her exchequer. Deering was not dazzled by money; his altered fortunes had tempted him to no excesses: he was simply too lazy to draw the check, as he had been too lazy to remember the debt it canceled.
"No, dear! No!" Lizzie lifted the Chelsea figure higher. "Can't you find something for him, Andora, among that rubbish over there? Where's the beaded bag you had in your hand just now? I don't think it could hurt him to lick that."
Miss Macy, bag in hand, rose from her knees, and stumbled through the slough of frayed garments and old studio properties. Before the group of mother and son she fell into a raptured attitude.
"Do look at him reach for it, the tyrant! Isn't he just like the young Napoleon?"
Lizzie laughed and swung her son in air. "Dangle it before him, Andora. If you let him have it too quickly, he won't care for it. He's just like any man, I think."
Andora slowly lowered the shining bag till the heir of the Deerings closed his masterful fist upon it. "There—my Chelsea'ssafe!" Lizzie smiled, setting her boy on the floor, and watchinghim stagger away with his booty.
Andora stood beside her, watching too. "Have you any idea where that bag came from, Lizzie?"
Mrs. Deering, bent above a pile of dis-collared shirts, shook an inattentive head. "I never saw such wicked washing! There isn't one that's fit to mend. The bag? No; I've not the least idea."
Andora surveyed her dramatically. "Doesn't it make you utterly miserable to think that some woman may have made it for him?"