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Tales Of Men And Ghosts
by Edith Wharton
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"Well, I proved my first guess, off there in the wilds, and it lived, and grew, and took care of itself. And I said 'Some day it will make itself heard; but by that time my atoms will have waltzed into a new pattern.' Then, in Cashmere one day, I met a fellow in a caravan, with a dog-eared book in his pocket. He said he never stirred without it—wanted to know where I'd been, never to have heard of it. It was my guess—in its twentieth edition! ... The globe spun round at that, and all of a sudden I was under the old stars. That's the way it happens when the ballast of vanity shifts! I'd lived a third of a life out there, unconscious of human opinion—because I supposed it was unconscious of me. But now—now! Oh, it was different. I wanted to know what they said. ... Not exactly that, either: I wanted to know what I'd made them say. There's a difference. ... And here I am," said John Pellerin, with a pull at his pipe.

So much Bernald retained of his companion's actual narrative; the rest was swept away under the tide of wonder that rose and submerged him as Pellerin—at some indefinitely later stage of their talk—picked up his manuscript and began to read. Bernald sat opposite, his elbows propped on the table, his eyes fixed on the swaying waters outside, from which the moon gradually faded, leaving them to make a denser blackness in the night. As Pellerin read, this density of blackness—which never for a moment seemed inert or unalive—was attenuated by imperceptible degrees, till a greyish pallour replaced it; then the pallour breathed and brightened, and suddenly dawn was on the sea.

Something of the same nature went on in the young man's mind while he watched and listened. He was conscious of a gradually withdrawing light, of an interval of obscurity full of the stir of invisible forces, and then of the victorious flush of day. And as the light rose, he saw how far he had travelled and what wonders the night had prepared. Pellerin had been right in saying that his first idea had survived, had borne the test of time; but he had given his hearer no hint of the extent to which it had been enlarged and modified, of the fresh implications it now unfolded. In a brief flash of retrospection Bernald saw the earlier books dwindle and fall into their place as mere precursors of this fuller revelation; then, with a leap of helpless rage, he pictured Howland Wade's pink hands on the new treasure, and his prophetic feet upon the lecture platform.



V



"IT won't do—oh, he let him down as gently as possible; but it appears it simply won't do."

Doctor Bob imparted the ineluctable fact to Bernald while the two men, accidentally meeting at their club a few nights later, sat together over the dinner they had immediately agreed to consume in company.

Bernald had left Portchester the morning after his strange discovery, and he and Bob Wade had not seen each other since. And now Bernald, moved by an irresistible instinct of postponement, had waited for his companion to bring up Winterman's name, and had even executed several conversational diversions in the hope of delaying its mention. For how could one talk of Winterman with the thought of Pellerin swelling one's breast?

"Yes; the very day Howland got back from Kenosha I brought the manuscript to town, and got him to read it. And yesterday evening I nailed him, and dragged an answer out of him."

"Then Howland hasn't seen Winterman yet?"

"No. He said: 'Before you let him loose on me I'll go over the stuff, and see if it's at all worth while.'"

Bernald drew a freer breath. "And he found it wasn't?"

"Between ourselves, he found it was of no account at all. Queer, isn't it, when the man ... but of course literature's another proposition. Howland says it's one of the cases where an idea might seem original and striking if one didn't happen to be able to trace its descent. And this is straight out of bosh—by Pellerin. ... Yes: Pellerin. It seems that everything in the article that isn't pure nonsense is just Pellerinism. Howland thinks poor Winterman must have been tremendously struck by Pellerin's writings, and have lived too much out of the world to know that they've become the text-books of modern thought. Otherwise, of course, he'd have taken more trouble to disguise his plagiarisms."

"I see," Bernald mused. "Yet you say there is an original element?"

"Yes; but unluckily it's no good."

"It's not—conceivably—in any sense a development of Pellerin's idea: a logical step farther?"

"Logical? Howland says it's twaddle at white heat."

Bernald sat silent, divided between the fierce satisfaction of seeing the Interpreter rush upon his fate, and the despair of knowing that the state of mind he represented was indestructible. Then both emotions were swept away on a wave of pure joy, as he reflected that now, at last, Howland Wade had given him back John Pellerin.

The possession was one he did not mean to part with lightly; and the dread of its being torn from him constrained him to extraordinary precautions.

"You've told Winterman, I suppose? How did he take it?"

"Why, unexpectedly, as he does most things. You can never tell which way he'll jump. I thought he'd take a high tone, or else laugh it off; but he did neither. He seemed awfully cast down. I wished myself well out of the job when I saw how cut up he was." Bernald thrilled at the words. Pellerin had shared his pang, then—the "old woe of the world" at the perpetuity of human dulness!

"But what did he say to the charge of plagiarism—if you made it?"

"Oh, I told him straight out what Howland said. I thought it fairer. And his answer to that was the rummest part of all."

"What was it?" Bernald questioned, with a tremor.

"He said: 'That's queer, for I've never read Pellerin.'"

Bernald drew a deep breath of ecstasy. "Well—and I suppose you believed him?"

"I believed him, because I know him. But the public won't—the critics won't. And if it's a pure coincidence it's just as bad for him as if it were a straight steal—isn't it?"

Bernald sighed his acquiescence.

"It bothers me awfully," Wade continued, knitting his kindly brows, "because I could see what a blow it was to him. He's got to earn his living, and I don't suppose he knows how to do anything else. At his age it's hard to start fresh. I put that to Howland—asked him if there wasn't a chance he might do better if he only had a little encouragement. I can't help feeling he's got the essential thing in him. But of course I'm no judge when it comes to books. And Howland says it would be cruel to give him any hope." Wade paused, turned his wineglass about under a meditative stare, and then leaned across the table toward Bernald. "Look here—do you know what I've proposed to Winterman? That he should come to town with me to-morrow and go in the evening to hear Howland lecture to the Uplift Club. They're to meet at Mrs. Beecher Bain's, and Howland is to repeat the lecture that he gave the other day before the Pellerin Society at Kenosha. It will give Winterman a chance to get some notion of what Pellerin was: he'll get it much straighter from Howland than if he tried to plough through Pellerin's books. And then afterward—as if accidentally—I thought I might bring him and Howland together. If Howland could only see him and hear him talk, there's no knowing what might come of it. He couldn't help feeling the man's force, as we do; and he might give him a pointer—tell him what line to take. Anyhow, it would please Winterman, and take the edge off his disappointment. I saw that as soon as I proposed it."

"Some one who's never heard of Pellerin?"

Mrs. Beecher Bain, large, smiling, diffuse, reached out parenthetically from the incoming throng on her threshold to waylay Bernald with the question as he was about to move past her in the wake of his companion.

"Oh, keep straight on, Mr. Winterman!" she interrupted herself to call after the latter. "Into the back drawing-room, please! And remember, you're to sit next to me—in the corner on the left, close under the platform."

She renewed her interrogative clutch on Bernald's sleeve. "Most curious! Doctor Wade has been telling me all about him—how remarkable you all think him. And it's actually true that he's never heard of Pellerin? Of course as soon as Doctor Wade told me that, I said 'Bring him!' It will be so extraordinarily interesting to watch the first impression.—Yes, do follow him, dear Mr. Bernald, and be sure that you and he secure the seats next to me. Of course Alice Fosdick insists on being with us. She was wild with excitement when I told her she was to meet some one who'd never heard of Pellerin!"

On the indulgent lips of Mrs. Beecher Bain conjecture speedily passed into affirmation; and as Bernald's companion, broad and shaggy in his visibly new evening clothes, moved down the length of the crowded rooms, he was already, to the ladies drawing aside their skirts to let him pass, the interesting Huron of the fable.

How far he was aware of the character ascribed to him it was impossible for Bernald to discover. He was as unconscious as a tree or a cloud, and his observer had never known any one so alive to human contacts and yet so secure from them. But the scene was playing such a lively tune on Bernald's own sensibilities that for the moment he could not adjust himself to the probable effect it produced on his companion. The young man, of late, had made but rare appearances in the group of which Mrs. Beecher Bain was one of the most indefatigable hostesses, and the Uplift Club the chief medium of expression. To a critic, obliged by his trade to cultivate convictions, it was the essence of luxury to leave them at home in his hours of ease; and Bernald gave his preference to circles in which less finality of judgment prevailed, and it was consequently less embarrassing to be caught without an opinion.

But in his fresher days he had known the spell of the Uplift Club and the thrill of moving among the Emancipated; and he felt an odd sense of rejuvenation as he looked at the rows of faces packed about the embowered platform from which Howland Wade was presently to hand down the eternal verities. Many of these countenances belonged to the old days, when the gospel of Pellerin was unknown, and it required considerable intellectual courage to avow one's acceptance of the very doctrines he had since demolished. The latter moral revolution seemed to have been accepted as submissively as a change in hair-dressing; and it even struck Bernald that, in the case of many of the assembled ladies, their convictions were rather newer than their clothes.

One of the most interesting examples of this facility of adaptation was actually, in the person of Miss Alice Fosdick, brushing his elbow with exotic amulets, and enveloping him in Arabian odours, as she leaned forward to murmur her sympathetic sense of the situation. Miss Fosdick, who was one of the most advanced exponents of Pellerinism, had large eyes and a plaintive mouth, and Bernald had always fancied that she might have been pretty if she had not been perpetually explaining things.

"Yes, I know—Isabella Bain told me all about him. (He can't hear us, can he?) And I wonder if you realize how remarkably interesting it is that we should have such an opportunity now—I mean the opportunity to see the impression of Pellerinism on a perfectly fresh mind. (You must introduce him as soon as the lecture's over.) I explained that to Isabella as soon as she showed me Doctor Wade's note. Of course you see why, don't you?" Bernald made a faint motion of acquiescence, which she instantly swept aside. "At least I think I can make you see why. (If you're sure he can't hear?) Why, it's just this—Pellerinism is in danger of becoming a truism. Oh, it's an awful thing to say! But then I'm not afraid of saying awful things! I rather believe it's my mission. What I mean is, that we're getting into the way of taking Pellerin for granted—as we do the air we breathe. We don't sufficiently lead our conscious life in him—we're gradually letting him become subliminal." She swayed closer to the young man, and he saw that she was making a graceful attempt to throw her explanatory net over his companion, who, evading Mrs. Bain's hospitable signal, had cautiously wedged himself into a seat between Bernald and the wall.

"Did you hear what I was saying, Mr. Winterman? (Yes, I know who you are, of course!) Oh, well, I don't really mind if you did. I was talking about you—about you and Pellerin. I was explaining to Mr. Bernald that what we need at this very minute is a Pellerin revival; and we need some one like you—to whom his message comes as a wonderful new interpretation of life—to lead the revival, and rouse us out of our apathy. ...

"You see," she went on winningly, "it's not only the big public that needs it (of course their Pellerin isn't ours!) It's we, his disciples, his interpreters, who discovered him and gave him to the world—we, the Chosen People, the Custodians of the Sacred Books, as Howland Wade calls us—it's we, who are in perpetual danger of sinking back into the old stagnant ideals, and practising the Seven Deadly Virtues; it's we who need to count our mercies, and realize anew what he's done for us, and what we ought to do for him! And it's for that reason that I urged Mr. Wade to speak here, in the very inner sanctuary of Pellerinism, exactly as he would speak to the uninitiated—to repeat, simply, his Kenosha lecture, 'What Pellerinism means'; and we ought all, I think, to listen to him with the hearts of little children—just as you will, Mr. Winterman—as if he were telling us new things, and we—"

"Alice, dear—" Mrs. Bain murmured with a deprecating gesture; and Howland Wade, emerging between the palms, took the centre of the platform.

A pang of commiseration shot through Bernald as he saw him there, so innocent and so exposed. His plump pulpy body, which made his evening dress fall into intimate and wrapper-like folds, was like a wide surface spread to the shafts of irony; and the mild ripples of his voice seemed to enlarge the vulnerable area as he leaned forward, poised on confidential finger-tips, to say persuasively: "Let me try to tell you what Pellerinism means."

Bernald moved restlessly in his seat. He had the obscure sense of being a party to something not wholly honourable. He ought not to have come; he ought not to have let his companion come. Yet how could he have done otherwise? John Pellerin's secret was his own. As long as he chose to remain John Winterman it was no one's business to gainsay him; and Bernald's scruples were really justifiable only in respect of his own presence on the scene. But even in this connection he ceased to feel them as soon as Howland Wade began to speak.



VI



IT had been arranged that Pellerin, after the meeting of the Uplift Club, should join Bernald at his rooms and spend the night there, instead of returning to Portchester. The plan had been eagerly elaborated by the young man, but he had been unprepared for the alacrity with which his wonderful friend accepted it. He was beginning to see that it was a part of Pellerin's wonderfulness to fall in, quite simply and naturally, with any arrangements made for his convenience, or tending to promote the convenience of others. Bernald felt that his extreme docility in such matters was proportioned to the force of resistance which, for nearly half a life-time, had kept him, with his back to the wall, fighting alone against the powers of darkness. In such a scale of values how little the small daily alternatives must weigh!

At the close of Howland Wade's discourse, Bernald, charged with his prodigious secret, had felt the need to escape for an instant from the liberated rush of talk. The interest of watching Pellerin was so perilously great that the watcher felt it might, at any moment, betray him. He lingered in the crowded drawing-room long enough to see his friend enclosed in a mounting tide, above which Mrs. Beecher Bain and Miss Fosdick actively waved their conversational tridents; then he took refuge, at the back of the house, in a small dim library where, in his younger days, he had discussed personal immortality and the problem of consciousness with beautiful girls whose names he could not remember.

In this retreat he surprised Mr. Beecher Bain, a quiet man with a mild brow, who was smoking a surreptitious cigar over the last number of the Strand. Mr. Bain, at Bernald's approach, dissembled the Strand under a copy of the Hibbert Journal, but tendered his cigar-case with the remark that stocks were heavy again; and Bernald blissfully abandoned himself to this unexpected contact with reality.

On his return to the drawing-room he found that the tide had set toward the supper-table, and when it finally carried him thither it was to land him in the welcoming arms of Bob Wade.

"Hullo, old man! Where have you been all this time?—Winterman? Oh, he's talking to Howland: yes, I managed it finally. I believe Mrs. Bain has steered them into the library, so that they shan't be disturbed. I gave her an idea of the situation, and she was awfully kind. We'd better leave them alone, don't you think? I'm trying to get a croquette for Miss Fosdick."

Bernald's secret leapt in his bosom, and he devoted himself to the task of distributing sandwiches and champagne while his pulses danced to the tune of the cosmic laughter. The vision of Pellerin and his Interpreter, face to face at last, had a Cyclopean grandeur that dwarfed all other comedy. "And I shall hear of it presently; in an hour or two he'll be telling me about it. And that hour will be all mine—mine and his!" The dizziness of the thought made it difficult for Bernald to preserve the balance of the supper-plates he was distributing. Life had for him at that moment the completeness which seems to defy disintegration.

The throng in the dining-room was thickening, and Bernald's efforts as purveyor were interrupted by frequent appeals, from ladies who had reached repleteness, that he should sit down a moment and tell them all about his interesting friend. Winterman's fame, trumpeted abroad by Miss Fosdick, had reached the four corners of the Uplift Club, and Bernald found himself fabricating de toutes pieces a Winterman legend which should in some degree respond to the Club's demand for the human document. When at length he had acquitted himself of this obligation, and was free to work his way back through the lessening groups into the drawing-room, he was at last rewarded by a glimpse of his friend, who, still densely encompassed, towered in the centre of the room in all his sovran ugliness.

Their eyes met across the crowd; but Bernald gathered only perplexity from the encounter. What were Pellerin's eyes saying to him? What orders, what confidences, what indefinable apprehension did their long look impart? The young man was still trying to decipher their complex message when he felt a tap on the arm, and turned to encounter the rueful gaze of Bob Wade, whose meaning lay clearly enough on the surface of his good blue stare.

"Well, it won't work—it won't work," the doctor groaned.

"What won't?"

"I mean with Howland. Winterman won't. Howland doesn't take to him. Says he's crude—frightfully crude. And you know how Howland hates crudeness."

"Oh, I know," Bernald exulted. It was the word he had waited for—he saw it now! Once more he was lost in wonder at Howland's miraculous faculty for always, as the naturalists said, being true to type.

"So I'm afraid it's all up with his chance of writing. At least I can do no more," said Wade, discouraged.

Bernald pressed him for farther details. "Does Winterman seem to mind much? Did you hear his version?"

"His version?"

"I mean what he said to Howland."

"Why no. What the deuce was there for him to say?"

"What indeed? I think I'll take him home," said Bernald gaily.

He turned away to join the circle from which, a few minutes before, Pellerin's eyes had vainly and enigmatically signalled to him; but the circle had dispersed, and Pellerin himself was not in sight.

Bernald, looking about him, saw that during his brief aside with Wade the party had passed into the final phase of dissolution. People still delayed, in diminishing groups, but the current had set toward the doors, and every moment or two it bore away a few more lingerers. Bernald, from his post, commanded the clearing perspective of the two drawing-rooms, and a rapid survey of their length sufficed to assure him that Pellerin was not in either. Taking leave of Wade, the young man made his way back to the drawing-room, where only a few hardened feasters remained, and then passed on to the library which had been the scene of the late momentous colloquy. But the library too was empty, and drifting back uncertainly to the inner drawing-room Bernald found Mrs. Beecher Bain domestically putting out the wax candles on the mantel-piece.

"Dear Mr. Bernald! Do sit down and have a little chat. What a wonderful privilege it has been! I don't know when I've had such an intense impression."

She made way for him, hospitably, in a corner of the sofa to which she had sunk; and he echoed her vaguely: "You were impressed, then?"

"I can't express to you how it affected me! As Alice said, it was a resurrection—it was as if John Pellerin were actually here in the room with us!"

Bernald turned on her with a half-audible gasp. "You felt that, dear Mrs. Bain?"

"We all felt it—every one of us! I don't wonder the Greeks—it was the Greeks?—regarded eloquence as a supernatural power. As Alice says, when one looked at Howland Wade one understood what they meant by the Afflatus."

Bernald rose and held out his hand. "Oh, I see—it was Howland who made you feel as if Pellerin were in the room? And he made Miss Fosdick feel so too?"

"Why, of course. But why are you rushing off?"

"Because I must hunt up my friend, who's not used to such late hours."

"Your friend?" Mrs. Bain had to collect her thoughts. "Oh, Mr. Winterman, you mean? But he's gone already."

"Gone?" Bernald exclaimed, with an odd twinge of foreboding. Remembering Pellerin's signal across the crowd, he reproached himself for not having answered it more promptly. Yet it was certainly strange that his friend should have left the house without him.

"Are you quite sure?" he asked, with a startled glance at the clock.

"Oh, perfectly. He went half an hour ago. But you needn't hurry home on his account, for Alice Fosdick carried him off with her. I saw them leave together."

"Carried him off? She took him home with her, you mean?"

"Yes. You know what strange hours she keeps. She told me she was going to give him a Welsh rabbit, and explain Pellerinism to him."

"Oh, if she's going to explain—" Bernald murmured. But his amazement at the news struggled with a confused impatience to reach his rooms in time to be there for his friend's arrival. There could be no stranger spectacle beneath the stars than that of John Pellerin carried off by Miss Fosdick, and listening, in the small hours, to her elucidation of his doctrines; but Bernald knew enough of his sex to be aware that such an experiment may present a less humorous side to its subject than to an impartial observer. Even the Uplift Club and its connotations might benefit by the attraction of the unknown; and it was conceivable that to a traveller from Mesopotamia Miss Fosdick might present elements of interest which she had lost for the frequenters of Fifth Avenue. There was, at any rate, no denying that the affair had become unexpectedly complex, and that its farther development promised to be rich in comedy.

In the charmed contemplation of these possibilities Bernald sat over his fire, listening for Pellerin's ring. He had arranged his modest quarters with the reverent care of a celebrant awaiting the descent of his deity. He guessed Pellerin to be unconscious of visual detail, but sensitive to the happy blending of sensuous impressions: to the intimate spell of lamplight on books, and of a deep chair placed where one could watch the fire. The chair was there, and Bernald, facing it across the hearth, already saw it filled by Pellerin's lounging figure. The autumn dawn came late, and even now they had before them the promise of some untroubled hours. Bernald, sitting there alone in the warm stillness of his room, and in the profounder hush of his expectancy, was conscious of gathering up all his sensibilities and perceptions into one exquisitely-adjusted instrument of notation. Until now he had tasted Pellerin's society only in unpremeditated snatches, and had always left him with a sense, on his own part, of waste and shortcoming. Now, in the lull of this dedicated hour, he felt that he should miss nothing, and forget nothing, of the initiation that awaited him. And catching sight of Pellerin's pipe, he rose and laid it carefully on a table by the arm-chair.

"No. I've never had any news of him," Bernald heard himself repeating. He spoke in a low tone, and with the automatic utterance that alone made it possible to say the words.

They were addressed to Miss Fosdick, into whose neighbourhood chance had thrown him at a dinner, a year or so later than their encounter at the Uplift Club. Hitherto he had successfully, and intentionally, avoided Miss Fosdick, not from any animosity toward that unconscious instrument of fate, but from an intense reluctance to pronounce the words which he knew he should have to speak if they met.

Now, as it turned out, his chief surprise was that she should wait so long to make him speak them. All through the dinner she had swept him along on a rapid current of talk which showed no tendency to linger or turn back upon the past. At first he ascribed her reserve to a sense of delicacy with which he reproached himself for not having previously credited her; then he saw that she had been carried so far beyond the point at which they had last faced each other, that it was by the merest hazard of associated ideas that she was now finally borne back to it. For it appeared that the very next evening, at Mrs. Beecher Bain's, a Hindu Mahatma was to lecture to the Uplift Club on the Limits of the Subliminal; and it was owing to no less a person than Howland Wade that this exceptional privilege had been obtained.

"Of course Howland's known all over the world as the interpreter of Pellerinism, and the Aga Gautch, who had absolutely declined to speak anywhere in public, wrote to Isabella that he could not refuse anything that Mr. Wade asked. Did you know that Howland's lecture, 'What Pellerinism Means,' has been translated into twenty-two languages, and gone into a fifth edition in Icelandic? Why, that reminds me," Miss Fosdick broke off—"I've never heard what became of your queer friend—what was his name?—whom you and Bob Wade accused me of spiriting away after that very lecture. And I've never seen you since you rushed into the house the next morning, and dragged me out of bed to know what I'd done with him!"

With a sharp effort Bernald gathered himself together to have it out. "Well, what did you do with him?" he retorted.

She laughed her appreciation of his humour. "Just what I told you, of course. I said good-bye to him on Isabella's door-step."

Bernald looked at her. "It's really true, then, that he didn't go home with you?"

She bantered back: "Have you suspected me, all this time, of hiding his remains in the cellar?" And with a droop of her fine lids she added: "I wish he had come home with me, for he was rather interesting, and there were things I think I could have explained to him."

Bernald helped himself to a nectarine, and Miss Fosdick continued on a note of amused curiosity: "So you've really never had any news of him since that night?"

"No—I've never had any news of him."

"Not the least little message?"

"Not the least little message."

"Or a rumour or report of any kind?"

"Or a rumour or report of any kind."

Miss Fosdick's interest seemed to be revived by the strangeness of the case. "It's rather creepy, isn't it? What could have happened? You don't suppose he could have been waylaid and murdered?" she asked with brightening eyes.

Bernald shook his head serenely. "No. I'm sure he's safe—quite safe."

"But if you're sure, you must know something."

"No. I know nothing," he repeated.

She scanned him incredulously. "But what's your theory—for you must have a theory? What in the world can have become of him?"

Bernald returned her look and hesitated. "Do you happen to remember the last thing he said to you—the very last, on the door-step, when he left you?"

"The last thing?" She poised her fork above the peach on her plate. "I don't think he said anything. Oh, yes—when I reminded him that he'd solemnly promised to come back with me and have a little talk he said he couldn't because he was going home."

"Well, then, I suppose," said Bernald, "he went home."

She glanced at him as if suspecting a trap. "Dear me, how flat! I always inclined to a mysterious murder. But of course you know more of him than you say."

She began to cut her peach, but paused above a lifted bit to ask, with a renewal of animation in her expressive eyes: "By the way, had you heard that Howland Wade has been gradually getting farther and farther away from Pellerinism? It seems he's begun to feel that there's a Positivist element in it which is narrowing to any one who has gone at all deeply into the Wisdom of the East. He was intensely interesting about it the other day, and of course I do see what he feels. ... Oh, it's too long to tell you now; but if you could manage to come in to tea some afternoon soon—any day but Wednesday—I should so like to explain—"



THE EYES

I



WE had been put in the mood for ghosts, that evening, after an excellent dinner at our old friend Culwin's, by a tale of Fred Murchard's—the narrative of a strange personal visitation.

Seen through the haze of our cigars, and by the drowsy gleam of a coal fire, Culwin's library, with its oak walls and dark old bindings, made a good setting for such evocations; and ghostly experiences at first hand being, after Murchard's brilliant opening, the only kind acceptable to us, we proceeded to take stock of our group and tax each member for a contribution. There were eight of us, and seven contrived, in a manner more or less adequate, to fulfil the condition imposed. It surprised us all to find that we could muster such a show of supernatural impressions, for none of us, excepting Murchard himself and young Phil Frenham—whose story was the slightest of the lot—had the habit of sending our souls into the invisible. So that, on the whole, we had every reason to be proud of our seven "exhibits," and none of us would have dreamed of expecting an eighth from our host.

Our old friend, Mr. Andrew Culwin, who had sat back in his arm-chair, listening and blinking through the smoke circles with the cheerful tolerance of a wise old idol, was not the kind of man likely to be favoured with such contacts, though he had imagination enough to enjoy, without envying, the superior privileges of his guests. By age and by education he belonged to the stout Positivist tradition, and his habit of thought had been formed in the days of the epic struggle between physics and metaphysics. But he had been, then and always, essentially a spectator, a humorous detached observer of the immense muddled variety show of life, slipping out of his seat now and then for a brief dip into the convivialities at the back of the house, but never, as far as one knew, showing the least desire to jump on the stage and do a "turn."

Among his contemporaries there lingered a vague tradition of his having, at a remote period, and in a romantic clime, been wounded in a duel; but this legend no more tallied with what we younger men knew of his character than my mother's assertion that he had once been "a charming little man with nice eyes" corresponded to any possible reconstitution of his dry thwarted physiognomy.

"He never can have looked like anything but a bundle of sticks," Murchard had once said of him. "Or a phosphorescent log, rather," some one else amended; and we recognized the happiness of this description of his small squat trunk, with the red blink of the eyes in a face like mottled bark. He had always been possessed of a leisure which he had nursed and protected, instead of squandering it in vain activities. His carefully guarded hours had been devoted to the cultivation of a fine intelligence and a few judiciously chosen habits; and none of the disturbances common to human experience seemed to have crossed his sky. Nevertheless, his dispassionate survey of the universe had not raised his opinion of that costly experiment, and his study of the human race seemed to have resulted in the conclusion that all men were superfluous, and women necessary only because some one had to do the cooking. On the importance of this point his convictions were absolute, and gastronomy was the only science which he revered as dogma. It must be owned that his little dinners were a strong argument in favour of this view, besides being a reason—though not the main one—for the fidelity of his friends.

Mentally he exercised a hospitality less seductive but no less stimulating. His mind was like a forum, or some open meeting-place for the exchange of ideas: somewhat cold and draughty, but light, spacious and orderly—a kind of academic grove from which all the leaves had fallen. In this privileged area a dozen of us were wont to stretch our muscles and expand our lungs; and, as if to prolong as much as possible the tradition of what we felt to be a vanishing institution, one or two neophytes were now and then added to our band.

Young Phil Frenham was the last, and the most interesting, of these recruits, and a good example of Murchard's somewhat morbid assertion that our old friend "liked 'em juicy." It was indeed a fact that Culwin, for all his mental dryness, specially tasted the lyric qualities in youth. As he was far too good an Epicurean to nip the flowers of soul which he gathered for his garden, his friendship was not a disintegrating influence: on the contrary, it forced the young idea to robuster bloom. And in Phil Frenham he had a fine subject for experimentation. The boy was really intelligent, and the soundness of his nature was like the pure paste under a delicate glaze. Culwin had fished him out of a thick fog of family dulness, and pulled him up to a peak in Darien; and the adventure hadn't hurt him a bit. Indeed, the skill with which Culwin had contrived to stimulate his curiosities without robbing them of their young bloom of awe seemed to me a sufficient answer to Murchard's ogreish metaphor. There was nothing hectic in Frenham's efflorescence, and his old friend had not laid even a finger-tip on the sacred stupidities. One wanted no better proof of that than the fact that Frenham still reverenced them in Culwin.

"There's a side of him you fellows don't see. I believe that story about the duel!" he declared; and it was of the very essence of this belief that it should impel him—just as our little party was dispersing—to turn back to our host with the absurd demand: "And now you've got to tell us about your ghost!"

The outer door had closed on Murchard and the others; only Frenham and I remained; and the vigilant servant who presided over Culwin's destinies, having brought a fresh supply of soda-water, had been laconically ordered to bed.

Culwin's sociability was a night-blooming flower, and we knew that he expected the nucleus of his group to tighten around him after midnight. But Frenham's appeal seemed to disconcert him comically, and he rose from the chair in which he had just reseated himself after his farewells in the hall.

"My ghost? Do you suppose I'm fool enough to go to the expense of keeping one of my own, when there are so many charming ones in my friends' closets?—Take another cigar," he said, revolving toward me with a laugh.

Frenham laughed too, pulling up his slender height before the chimney-piece as he turned to face his short bristling friend.

"Oh," he said, "you'd never be content to share if you met one you really liked."

Culwin had dropped back into his armchair, his shock head embedded in its habitual hollow, his little eyes glimmering over a fresh cigar.

"Liked—liked? Good Lord!" he growled.

"Ah, you have, then!" Frenham pounced on him in the same instant, with a sidewise glance of victory at me; but Culwin cowered gnomelike among his cushions, dissembling himself in a protective cloud of smoke.

"What's the use of denying it? You've seen everything, so of course you've seen a ghost!" his young friend persisted, talking intrepidly into the cloud. "Or, if you haven't seen one, it's only because you've seen two!"

The form of the challenge seemed to strike our host. He shot his head out of the mist with a queer tortoise-like motion he sometimes had, and blinked approvingly at Frenham.

"Yes," he suddenly flung at us on a shrill jerk of laughter; "it's only because I've seen two!"

The words were so unexpected that they dropped down and down into a fathomless silence, while we continued to stare at each other over Culwin's head, and Culwin stared at his ghosts. At length Frenham, without speaking, threw himself into the chair on the other side of the hearth, and leaned forward with his listening smile ...



II



"OH, of course they're not show ghosts—a collector wouldn't think anything of them ... Don't let me raise your hopes ... their one merit is their numerical strength: the exceptional fact of their being two. But, as against this, I'm bound to admit that at any moment I could probably have exorcised them both by asking my doctor for a prescription, or my oculist for a pair of spectacles. Only, as I never could make up my mind whether to go to the doctor or the oculist—whether I was afflicted by an optical or a digestive delusion—I left them to pursue their interesting double life, though at times they made mine exceedingly comfortable ...

"Yes—uncomfortable; and you know how I hate to be uncomfortable! But it was part of my stupid pride, when the thing began, not to admit that I could be disturbed by the trifling matter of seeing two—

"And then I'd no reason, really, to suppose I was ill. As far as I knew I was simply bored—horribly bored. But it was part of my boredom—I remember—that I was feeling so uncommonly well, and didn't know how on earth to work off my surplus energy. I had come back from a long journey—down in South America and Mexico—and had settled down for the winter near New York, with an old aunt who had known Washington Irving and corresponded with N. P. Willis. She lived, not far from Irvington, in a damp Gothic villa, overhung by Norway spruces, and looking exactly like a memorial emblem done in hair. Her personal appearance was in keeping with this image, and her own hair—of which there was little left—might have been sacrificed to the manufacture of the emblem.

"I had just reached the end of an agitated year, with considerable arrears to make up in money and emotion; and theoretically it seemed as though my aunt's mild hospitality would be as beneficial to my nerves as to my purse. But the deuce of it was that as soon as I felt myself safe and sheltered my energy began to revive; and how was I to work it off inside of a memorial emblem? I had, at that time, the agreeable illusion that sustained intellectual effort could engage a man's whole activity; and I decided to write a great book—I forget about what. My aunt, impressed by my plan, gave up to me her Gothic library, filled with classics in black cloth and daguerrotypes of faded celebrities; and I sat down at my desk to make myself a place among their number. And to facilitate my task she lent me a cousin to copy my manuscript.

"The cousin was a nice girl, and I had an idea that a nice girl was just what I needed to restore my faith in human nature, and principally in myself. She was neither beautiful nor intelligent—poor Alice Nowell!—but it interested me to see any woman content to be so uninteresting, and I wanted to find out the secret of her content. In doing this I handled it rather rashly, and put it out of joint—oh, just for a moment! There's no fatuity in telling you this, for the poor girl had never seen any one but cousins ...

"Well, I was sorry for what I'd done, of course, and confoundedly bothered as to how I should put it straight. She was staying in the house, and one evening, after my aunt had gone to bed, she came down to the library to fetch a book she'd mislaid, like any artless heroine on the shelves behind us. She was pink-nosed and flustered, and it suddenly occurred to me that her hair, though it was fairly thick and pretty, would look exactly like my aunt's when she grew older. I was glad I had noticed this, for it made it easier for me to do what was right; and when I had found the book she hadn't lost I told her I was leaving for Europe that week.

"Europe was terribly far off in those days, and Alice knew at once what I meant. She didn't take it in the least as I'd expected—it would have been easier if she had. She held her book very tight, and turned away a moment to wind up the lamp on my desk—it had a ground glass shade with vine leaves, and glass drops around the edge, I remember. Then she came back, held out her hand, and said: 'Good-bye.' And as she said it she looked straight at me and kissed me. I had never felt anything as fresh and shy and brave as her kiss. It was worse than any reproach, and it made me ashamed to deserve a reproach from her. I said to myself: 'I'll marry her, and when my aunt dies she'll leave us this house, and I'll sit here at the desk and go on with my book; and Alice will sit over there with her embroidery and look at me as she's looking now. And life will go on like that for any number of years.' The prospect frightened me a little, but at the time it didn't frighten me as much as doing anything to hurt her; and ten minutes later she had my seal ring on my finger, and my promise that when I went abroad she should go with me.

"You'll wonder why I'm enlarging on this familiar incident. It's because the evening on which it took place was the very evening on which I first saw the queer sight I've spoken of. Being at that time an ardent believer in a necessary sequence between cause and effect I naturally tried to trace some kind of link between what had just happened to me in my aunt's library, and what was to happen a few hours later on the same night; and so the coincidence between the two events always remained in my mind.

"I went up to bed with rather a heavy heart, for I was bowed under the weight of the first good action I had ever consciously committed; and young as I was, I saw the gravity of my situation. Don't imagine from this that I had hitherto been an instrument of destruction. I had been merely a harmless young man, who had followed his bent and declined all collaboration with Providence. Now I had suddenly undertaken to promote the moral order of the world, and I felt a good deal like the trustful spectator who has given his gold watch to the conjurer, and doesn't know in what shape he'll get it back when the trick is over ... Still, a glow of self-righteousness tempered my fears, and I said to myself as I undressed that when I'd got used to being good it probably wouldn't make me as nervous as it did at the start. And by the time I was in bed, and had blown out my candle, I felt that I really was getting used to it, and that, as far as I'd got, it was not unlike sinking down into one of my aunt's very softest wool mattresses.

"I closed my eyes on this image, and when I opened them it must have been a good deal later, for my room had grown cold, and the night was intensely still. I was waked suddenly by the feeling we all know—the feeling that there was something near me that hadn't been there when I fell asleep. I sat up and strained my eyes into the darkness. The room was pitch black, and at first I saw nothing; but gradually a vague glimmer at the foot of the bed turned into two eyes staring back at me. I couldn't see the face attached to them—on account of the darkness, I imagined—but as I looked the eyes grew more and more distinct: they gave out a light of their own.

"The sensation of being thus gazed at was far from pleasant, and you might suppose that my first impulse would have been to jump out of bed and hurl myself on the invisible figure attached to the eyes. But it wasn't—my impulse was simply to lie still ... I can't say whether this was due to an immediate sense of the uncanny nature of the apparition—to the certainty that if I did jump out of bed I should hurl myself on nothing—or merely to the benumbing effect of the eyes themselves. They were the very worst eyes I've ever seen: a man's eyes—but what a man! My first thought was that he must be frightfully old. The orbits were sunk, and the thick red-lined lids hung over the eyeballs like blinds of which the cords are broken. One lid drooped a little lower than the other, with the effect of a crooked leer; and between these pulpy folds of flesh, with their scant bristle of lashes, the eyes themselves, small glassy disks with an agate-like rim about the pupils, looked like sea-pebbles in the grip of a starfish.

"But the age of the eyes was not the most unpleasant thing about them. What turned me sick was their expression of vicious security. I don't know how else to describe the fact that they seemed to belong to a man who had done a lot of harm in his life, but had always kept just inside the danger lines. They were not the eyes of a coward, but of some one much too clever to take risks; and my gorge rose at their look of base astuteness. Yet even that wasn't the worst; for as we continued to scan each other I saw in them a tinge of faint derision, and felt myself to be its object.

"At that I was seized by an impulse of rage that jerked me out of bed and pitched me straight on the unseen figure at its foot. But of course there wasn't any figure there, and my fists struck at emptiness. Ashamed and cold, I groped about for a match and lit the candles. The room looked just as usual—as I had known it would; and I crawled back to bed, and blew out the lights.

"As soon as the room was dark again the eyes reappeared; and I now applied myself to explaining them on scientific principles. At first I thought the illusion might have been caused by the glow of the last embers in the chimney; but the fire-place was on the other side of my bed, and so placed that the fire could not possibly be reflected in my toilet glass, which was the only mirror in the room. Then it occurred to me that I might have been tricked by the reflection of the embers in some polished bit of wood or metal; and though I couldn't discover any object of the sort in my line of vision, I got up again, groped my way to the hearth, and covered what was left of the fire. But as soon as I was back in bed the eyes were back at its foot.

"They were an hallucination, then: that was plain. But the fact that they were not due to any external dupery didn't make them a bit pleasanter to see. For if they were a projection of my inner consciousness, what the deuce was the matter with that organ? I had gone deeply enough into the mystery of morbid pathological states to picture the conditions under which an exploring mind might lay itself open to such a midnight admonition; but I couldn't fit it to my present case. I had never felt more normal, mentally and physically; and the only unusual fact in my situation—that of having assured the happiness of an amiable girl—did not seem of a kind to summon unclean spirits about my pillow. But there were the eyes still looking at me ...

"I shut mine, and tried to evoke a vision of Alice Nowell's. They were not remarkable eyes, but they were as wholesome as fresh water, and if she had had more imagination—or longer lashes—their expression might have been interesting. As it was, they did not prove very efficacious, and in a few moments I perceived that they had mysteriously changed into the eyes at the foot of the bed. It exasperated me more to feel these glaring at me through my shut lids than to see them, and I opened my eyes again and looked straight into their hateful stare ...

"And so it went on all night. I can't tell you what that night was, nor how long it lasted. Have you ever lain in bed, hopelessly wide awake, and tried to keep your eyes shut, knowing that if you opened 'em you'd see something you dreaded and loathed? It sounds easy, but it's devilish hard. Those eyes hung there and drew me. I had the vertige de l'abime, and their red lids were the edge of my abyss. ... I had known nervous hours before: hours when I'd felt the wind of danger in my neck; but never this kind of strain. It wasn't that the eyes were so awful; they hadn't the majesty of the powers of darkness. But they had—how shall I say?—a physical effect that was the equivalent of a bad smell: their look left a smear like a snail's. And I didn't see what business they had with me, anyhow—and I stared and stared, trying to find out ...

"I don't know what effect they were trying to produce; but the effect they did produce was that of making me pack my portmanteau and bolt to town early the next morning. I left a note for my aunt, explaining that I was ill and had gone to see my doctor; and as a matter of fact I did feel uncommonly ill—the night seemed to have pumped all the blood out of me. But when I reached town I didn't go to the doctor's. I went to a friend's rooms, and threw myself on a bed, and slept for ten heavenly hours. When I woke it was the middle of the night, and I turned cold at the thought of what might be waiting for me. I sat up, shaking, and stared into the darkness; but there wasn't a break in its blessed surface, and when I saw that the eyes were not there I dropped back into another long sleep.

"I had left no word for Alice when I fled, because I meant to go back the next morning. But the next morning I was too exhausted to stir. As the day went on the exhaustion increased, instead of wearing off like the lassitude left by an ordinary night of insomnia: the effect of the eyes seemed to be cumulative, and the thought of seeing them again grew intolerable. For two days I struggled with my dread; but on the third evening I pulled myself together and decided to go back the next morning. I felt a good deal happier as soon as I'd decided, for I knew that my abrupt disappearance, and the strangeness of my not writing, must have been very painful for poor Alice. That night I went to bed with an easy mind, and fell asleep at once; but in the middle of the night I woke, and there were the eyes ...

"Well, I simply couldn't face them; and instead of going back to my aunt's I bundled a few things into a trunk and jumped onto the first steamer for England. I was so dead tired when I got on board that I crawled straight into my berth, and slept most of the way over; and I can't tell you the bliss it was to wake from those long stretches of dreamless sleep and look fearlessly into the darkness, knowing that I shouldn't see the eyes ...

"I stayed abroad for a year, and then I stayed for another; and during that time I never had a glimpse of them. That was enough reason for prolonging my stay if I'd been on a desert island. Another was, of course, that I had perfectly come to see, on the voyage over, the folly, complete impossibility, of my marrying Alice Nowell. The fact that I had been so slow in making this discovery annoyed me, and made me want to avoid explanations. The bliss of escaping at one stroke from the eyes, and from this other embarrassment, gave my freedom an extraordinary zest; and the longer I savoured it the better I liked its taste.

"The eyes had burned such a hole in my consciousness that for a long time I went on puzzling over the nature of the apparition, and wondering nervously if it would ever come back. But as time passed I lost this dread, and retained only the precision of the image. Then that faded in its turn.

"The second year found me settled in Rome, where I was planning, I believe, to write another great book—a definitive work on Etruscan influences in Italian art. At any rate, I'd found some pretext of the kind for taking a sunny apartment in the Piazza di Spagna and dabbling about indefinitely in the Forum; and there, one morning, a charming youth came to me. As he stood there in the warm light, slender and smooth and hyacinthine, he might have stepped from a ruined altar—one to Antinous, say—but he'd come instead from New York, with a letter (of all people) from Alice Nowell. The letter—the first I'd had from her since our break—was simply a line introducing her young cousin, Gilbert Noyes, and appealing to me to befriend him. It appeared, poor lad, that he 'had talent,' and 'wanted to write'; and, an obdurate family having insisted that his calligraphy should take the form of double entry, Alice had intervened to win him six months' respite, during which he was to travel on a meagre pittance, and somehow prove his ultimate ability to increase it by his pen. The quaint conditions of the test struck me first: it seemed about as conclusive as a mediaeval 'ordeal.' Then I was touched by her having sent him to me. I had always wanted to do her some service, to justify myself in my own eyes rather than hers; and here was a beautiful embodiment of my chance.

"Well, I imagine it's safe to lay down the general principle that predestined geniuses don't, as a rule, appear before one in the spring sunshine of the Forum looking like one of its banished gods. At any rate, poor Noyes wasn't a predestined genius. But he was beautiful to see, and charming as a comrade too. It was only when he began to talk literature that my heart failed me. I knew all the symptoms so well—the things he had 'in him,' and the things outside him that impinged! There's the real test, after all. It was always—punctually, inevitably, with the inexorableness of a mechanical law—it was always the wrong thing that struck him. I grew to find a certain grim fascination in deciding in advance exactly which wrong thing he'd select; and I acquired an astonishing skill at the game ...

"The worst of it was that his betise wasn't of the too obvious sort. Ladies who met him at picnics thought him intellectual; and even at dinners he passed for clever. I, who had him under the microscope, fancied now and then that he might develop some kind of a slim talent, something that he could make 'do' and be happy on; and wasn't that, after all, what I was concerned with? He was so charming—he continued to be so charming—that he called forth all my charity in support of this argument; and for the first few months I really believed there was a chance for him ...

"Those months were delightful. Noyes was constantly with me, and the more I saw of him the better I liked him. His stupidity was a natural grace—it was as beautiful, really, as his eye-lashes. And he was so gay, so affectionate, and so happy with me, that telling him the truth would have been about as pleasant as slitting the throat of some artless animal. At first I used to wonder what had put into that radiant head the detestable delusion that it held a brain. Then I began to see that it was simply protective mimicry—an instinctive ruse to get away from family life and an office desk. Not that Gilbert didn't—dear lad!—believe in himself. There wasn't a trace of hypocrisy in his composition. He was sure that his 'call' was irresistible, while to me it was the saving grace of his situation that it wasn't, and that a little money, a little leisure, a little pleasure would have turned him into an inoffensive idler. Unluckily, however, there was no hope of money, and with the grim alternative of the office desk before him he couldn't postpone his attempt at literature. The stuff he turned out was deplorable, and I see now that I knew it from the first. Still, the absurdity of deciding a man's whole future on a first trial seemed to justify me in withholding my verdict, and perhaps even in encouraging him a little, on the ground that the human plant generally needs warmth to flower.

"At any rate, I proceeded on that principle, and carried it to the point of getting his term of probation extended. When I left Rome he went with me, and we idled away a delicious summer between Capri and Venice. I said to myself: 'If he has anything in him, it will come out now; and it did. He was never more enchanting and enchanted. There were moments of our pilgrimage when beauty born of murmuring sound seemed actually to pass into his face—but only to issue forth in a shallow flood of the palest ink ...

"Well the time came to turn off the tap; and I knew there was no hand but mine to do it. We were back in Rome, and I had taken him to stay with me, not wanting him to be alone in his dismal pension when he had to face the necessity of renouncing his ambition. I hadn't, of course, relied solely on my own judgment in deciding to advise him to drop literature. I had sent his stuff to various people—editors and critics—and they had always sent it back with the same chilling lack of comment. Really there was nothing on earth to say about it—

"I confess I never felt more shabbily than I did on the day when I decided to have it out with Gilbert. It was well enough to tell myself that it was my duty to knock the poor boy's hopes into splinters—but I'd like to know what act of gratuitous cruelty hasn't been justified on that plea? I've always shrunk from usurping the functions of Providence, and when I have to exercise them I decidedly prefer that it shouldn't be on an errand of destruction. Besides, in the last issue, who was I to decide, even after a year's trial, if poor Gilbert had it in him or not?

"The more I looked at the part I'd resolved to play, the less I liked it; and I liked it still less when Gilbert sat opposite me, with his head thrown back in the lamplight, just as Phil's is now ... I'd been going over his last manuscript, and he knew it, and he knew that his future hung on my verdict—we'd tacitly agreed to that. The manuscript lay between us, on my table—a novel, his first novel, if you please!—and he reached over and laid his hand on it, and looked up at me with all his life in the look.

"I stood up and cleared my throat, trying to keep my eyes away from his face and on the manuscript.

"'The fact is, my dear Gilbert,' I began—

"I saw him turn pale, but he was up and facing me in an instant.

"'Oh, look here, don't take on so, my dear fellow! I'm not so awfully cut up as all that!' His hands were on my shoulders, and he was laughing down on me from his full height, with a kind of mortally-stricken gaiety that drove the knife into my side.

"He was too beautifully brave for me to keep up any humbug about my duty. And it came over me suddenly how I should hurt others in hurting him: myself first, since sending him home meant losing him; but more particularly poor Alice Nowell, to whom I had so uneasily longed to prove my good faith and my immense desire to serve her. It really seemed like failing her twice to fail Gilbert—

"But my intuition was like one of those lightning flashes that encircle the whole horizon, and in the same instant I saw what I might be letting myself in for if I didn't tell the truth. I said to myself: 'I shall have him for life'—and I'd never yet seen any one, man or woman, whom I was quite sure of wanting on those terms. Well, this impulse of egotism decided me. I was ashamed of it, and to get away from it I took a leap that landed me straight in Gilbert's arms.

"'The thing's all right, and you're all wrong!' I shouted up at him; and as he hugged me, and I laughed and shook in his incredulous clutch, I had for a minute the sense of self-complacency that is supposed to attend the footsteps of the just. Hang it all, making people happy has its charms—

"Gilbert, of course, was for celebrating his emancipation in some spectacular manner; but I sent him away alone to explode his emotions, and went to bed to sleep off mine. As I undressed I began to wonder what their after-taste would be—so many of the finest don't keep! Still, I wasn't sorry, and I meant to empty the bottle, even if it did turn a trifle flat.

"After I got into bed I lay for a long time smiling at the memory of his eyes—his blissful eyes... Then I fell asleep, and when I woke the room was deathly cold, and I sat up with a jerk—and there were the other eyes ...

"It was three years since I'd seen them, but I'd thought of them so often that I fancied they could never take me unawares again. Now, with their red sneer on me, I knew that I had never really believed they would come back, and that I was as defenceless as ever against them ... As before, it was the insane irrelevance of their coming that made it so horrible. What the deuce were they after, to leap out at me at such a time? I had lived more or less carelessly in the years since I'd seen them, though my worst indiscretions were not dark enough to invite the searchings of their infernal glare; but at this particular moment I was really in what might have been called a state of grace; and I can't tell you how the fact added to their horror ...

"But it's not enough to say they were as bad as before: they were worse. Worse by just so much as I'd learned of life in the interval; by all the damnable implications my wider experience read into them. I saw now what I hadn't seen before: that they were eyes which had grown hideous gradually, which had built up their baseness coral-wise, bit by bit, out of a series of small turpitudes slowly accumulated through the industrious years. Yes—it came to me that what made them so bad was that they'd grown bad so slowly ...

"There they hung in the darkness, their swollen lids dropped across the little watery bulbs rolling loose in the orbits, and the puff of fat flesh making a muddy shadow underneath—and as their filmy stare moved with my movements, there came over me a sense of their tacit complicity, of a deep hidden understanding between us that was worse than the first shock of their strangeness. Not that I understood them; but that they made it so clear that some day I should ... Yes, that was the worst part of it, decidedly; and it was the feeling that became stronger each time they came back to me ...

"For they got into the damnable habit of coming back. They reminded me of vampires with a taste for young flesh, they seemed so to gloat over the taste of a good conscience. Every night for a month they came to claim their morsel of mine: since I'd made Gilbert happy they simply wouldn't loosen their fangs. The coincidence almost made me hate him, poor lad, fortuitous as I felt it to be. I puzzled over it a good deal, but couldn't find any hint of an explanation except in the chance of his association with Alice Nowell. But then the eyes had let up on me the moment I had abandoned her, so they could hardly be the emissaries of a woman scorned, even if one could have pictured poor Alice charging such spirits to avenge her. That set me thinking, and I began to wonder if they would let up on me if I abandoned Gilbert. The temptation was insidious, and I had to stiffen myself against it; but really, dear boy! he was too charming to be sacrificed to such demons. And so, after all, I never found out what they wanted ..."



III



THE fire crumbled, sending up a flash which threw into relief the narrator's gnarled red face under its grey-black stubble. Pressed into the hollow of the dark leather armchair, it stood out an instant like an intaglio of yellowish red-veined stone, with spots of enamel for the eyes; then the fire sank and in the shaded lamp-light it became once more a dim Rembrandtish blur.

Phil Frenham, sitting in a low chair on the opposite side of the hearth, one long arm propped on the table behind him, one hand supporting his thrown-back head, and his eyes steadily fixed on his old friend's face, had not moved since the tale began. He continued to maintain his silent immobility after Culwin had ceased to speak, and it was I who, with a vague sense of disappointment at the sudden drop of the story, finally asked: "But how long did you keep on seeing them?"

Culwin, so sunk into his chair that he seemed like a heap of his own empty clothes, stirred a little, as if in surprise at my question. He appeared to have half-forgotten what he had been telling us.

"How long? Oh, off and on all that winter. It was infernal. I never got used to them. I grew really ill."

Frenham shifted his attitude silently, and as he did so his elbow struck against a small mirror in a bronze frame standing on the table behind him. He turned and changed its angle slightly; then he resumed his former attitude, his dark head thrown back on his lifted palm, his eyes intent on Culwin's face. Something in his stare embarrassed me, and as if to divert attention from it I pressed on with another question:

"And you never tried sacrificing Noyes?"

"Oh, no. The fact is I didn't have to. He did it for me, poor infatuated boy!"

"Did it for you? How do you mean?"

"He wore me out—wore everybody out. He kept on pouring out his lamentable twaddle, and hawking it up and down the place till he became a thing of terror. I tried to wean him from writing—oh, ever so gently, you understand, by throwing him with agreeable people, giving him a chance to make himself felt, to come to a sense of what he really had to give. I'd foreseen this solution from the beginning—felt sure that, once the first ardour of authorship was quenched, he'd drop into his place as a charming parasitic thing, the kind of chronic Cherubino for whom, in old societies, there's always a seat at table, and a shelter behind the ladies' skirts. I saw him take his place as 'the poet': the poet who doesn't write. One knows the type in every drawing-room. Living in that way doesn't cost much—I'd worked it all out in my mind, and felt sure that, with a little help, he could manage it for the next few years; and meanwhile he'd be sure to marry. I saw him married to a widow, rather older, with a good cook and a well-run house. And I actually had my eye on the widow ... Meanwhile I did everything to facilitate the transition—lent him money to ease his conscience, introduced him to pretty women to make him forget his vows. But nothing would do him: he had but one idea in his beautiful obstinate head. He wanted the laurel and not the rose, and he kept on repeating Gautier's axiom, and battering and filing at his limp prose till he'd spread it out over Lord knows how many thousand sloppy pages. Now and then he would send a pailful to a publisher, and of course it would always come back.

"At first it didn't matter—he thought he was 'misunderstood.' He took the attitudes of genius, and whenever an opus came home he wrote another to keep it company. Then he had a reaction of despair, and accused me of deceiving him, and Lord knows what. I got angry at that, and told him it was he who had deceived himself. He'd come to me determined to write, and I'd done my best to help him. That was the extent of my offence, and I'd done it for his cousin's sake, not his.

"That seemed to strike home, and he didn't answer for a minute. Then he said: 'My time's up and my money's up. What do you think I'd better do?'

"'I think you'd better not be an ass,' I said.

"He turned red, and asked: 'What do you mean by being an ass?'

"I took a letter from my desk and held it out to him.

"'I mean refusing this offer of Mrs. Ellinger's: to be her secretary at a salary of five thousand dollars. There may be a lot more in it than that.'

"He flung out his hand with a violence that struck the letter from mine. 'Oh, I know well enough what's in it!' he said, scarlet to the roots of his hair.

"'And what's your answer, if you know?' I asked.

"He made none at the minute, but turned away slowly to the door. There, with his hand on the threshold, he stopped to ask, almost under his breath: 'Then you really think my stuff's no good?'

"I was tired and exasperated, and I laughed. I don't defend my laugh—it was in wretched taste. But I must plead in extenuation that the boy was a fool, and that I'd done my best for him—I really had.

"He went out of the room, shutting the door quietly after him. That afternoon I left for Frascati, where I'd promised to spend the Sunday with some friends. I was glad to escape from Gilbert, and by the same token, as I learned that night, I had also escaped from the eyes. I dropped into the same lethargic sleep that had come to me before when their visitations ceased; and when I woke the next morning, in my peaceful painted room above the ilexes, I felt the utter weariness and deep relief that always followed on that repairing slumber. I put in two blessed nights at Frascati, and when I got back to my rooms in Rome I found that Gilbert had gone ... Oh, nothing tragic had happened—the episode never rose to that. He'd simply packed his manuscripts and left for America—for his family and the Wall Street desk. He left a decent little note to tell me of his decision, and behaved altogether, in the circumstances, as little like a fool as it's possible for a fool to behave ..."



IV



CULWIN paused again, and again Frenham sat motionless, the dusky contour of his young head reflected in the mirror at his back.

"And what became of Noyes afterward?" I finally asked, still disquieted by a sense of incompleteness, by the need of some connecting thread between the parallel lines of the tale.

Culwin twitched his shoulders. "Oh, nothing became of him—because he became nothing. There could be no question of 'becoming' about it. He vegetated in an office, I believe, and finally got a clerkship in a consulate, and married drearily in China. I saw him once in Hong Kong, years afterward. He was fat and hadn't shaved. I was told he drank. He didn't recognize me."

"And the eyes?" I asked, after another pause which Frenham's continued silence made oppressive.

Culwin, stroking his chin, blinked at me meditatively through the shadows. "I never saw them after my last talk with Gilbert. Put two and two together if you can. For my part, I haven't found the link."

He rose stiffly, his hands in his pockets, and walked over to the table on which reviving drinks had been set out.

"You must be parched after this dry tale. Here, help yourself, my dear fellow. Here, Phil—" He turned back to the hearth.

Frenham still sat in his low chair, making no response to his host's hospitable summons. But as Culwin advanced toward him, their eyes met in a long look; after which, to my intense surprise, the young man, turning suddenly in his seat, flung his arms across the table, and dropped his face upon them.

Culwin, at the unexpected gesture, stopped short, a flush on his face.

"Phil—what the deuce? Why, have the eyes scared you? My dear boy—my dear fellow—I never had such a tribute to my literary ability, never!"

He broke into a chuckle at the thought, and halted on the hearth-rug, his hands still in his pockets, gazing down in honest perplexity at the youth's bowed head. Then, as Frenham still made no answer, he moved a step or two nearer.

"Cheer up, my dear Phil! It's years since I've seen them—apparently I've done nothing lately bad enough to call them out of chaos. Unless my present evocation of them has made you see them; which would be their worst stroke yet!"

His bantering appeal quivered off into an uneasy laugh, and he moved still nearer, bending over Frenham, and laying his gouty hands on the lad's shoulders.

"Phil, my dear boy, really—what's the matter? Why don't you answer? Have you seen the eyes?"

Frenham's face was still pressed against his arms, and from where I stood behind Culwin I saw the latter, as if under the rebuff of this unaccountable attitude, draw back slowly from his friend. As he did so, the light of the lamp on the table fell full on his perplexed congested face, and I caught its sudden reflection in the mirror behind Frenham's head.

Culwin saw the reflection also. He paused, his face level with the mirror, as if scarcely recognizing the countenance in it as his own. But as he looked his expression gradually changed, and for an appreciable space of time he and the image in the glass confronted each other with a glare of slowly gathering hate. Then Culwin let go of Frenham's shoulders, and drew back a step, covering his eyes with his hands ...

Frenham, his face still hidden, did not stir.



THE BLOND BEAST

I



IT had been almost too easy—that was young Millner's first feeling, as he stood again on the Spence door-step, the great moment of his interview behind him, and Fifth Avenue rolling its grimy Pactolus at his feet.

Halting there in the winter light, with the clang of the ponderous vestibule doors in his ears, and his eyes carried down the perspective of the packed interminable thoroughfare, he even dared to remember Rastignac's apostrophe to Paris, and to hazard recklessly under his small fair moustache: "Who knows?"

He, Hugh Millner, at any rate, knew a good deal already: a good deal more than he had imagined it possible to learn in half an hour's talk with a man like Orlando G. Spence; and the loud-rumouring city spread out there before him seemed to grin like an accomplice who knew the rest.

A gust of wind, whirling down from the dizzy height of the building on the next corner, drove sharply through his overcoat and compelled him to clutch at his hat. It was a bitter January day, a day of fierce light and air, when the sunshine cut like icicles and the wind sucked one into black gulfs at the street corners. But Millner's complacency was like a warm lining to his shabby coat, and heaving steadied his hat he continued to stand on the Spence threshold, lost in the vision revealed to him from the Pisgah of its marble steps. Yes, it was wonderful what the vision showed him. ... In his absorption he might have frozen fast to the door-step if the Rhadamanthine portals behind him had not suddenly opened to let out a slim fur-coated figure, the figure, as he perceived, of the youth whom he had caught in the act of withdrawal as he entered Mr. Spence's study, and whom the latter, with a wave of his affable hand, had detained to introduce as "my son Draper."

It was characteristic of the odd friendliness of the whole scene that the great man should have thought it worth while to call back and name his heir to a mere humble applicant like Millner; and that the heir should shed on him, from a pale high-browed face, a smile of such deprecating kindness. It was characteristic, equally, of Millner, that he should at once mark the narrowness of the shoulders sustaining this ingenuous head; a narrowness, as he now observed, imperfectly concealed by the wide fur collar of young Spence's expensive and badly cut coat. But the face took on, as the youth smiled his surprise at their second meeting, a look of almost plaintive good-will: the kind of look that Millner scorned and yet could never quite resist.

"Mr. Millner? Are you—er—waiting?" the lad asked, with an intention of serviceableness that was like a finer echo of his father's resounding cordiality.

"For my motor? No," Millner jested in his frank free voice. "The fact is, I was just standing here lost in the contemplation of my luck"—and as his companion's pale blue eyes seemed to shape a question, "my extraordinary luck," he explained, "in having been engaged as your father's secretary."

"Oh," the other rejoined, with a faint colour in his sallow cheek. "I'm so glad," he murmured: "but I was sure—" He stopped, and the two looked kindly at each other.

Millner averted his gaze first, almost fearful of its betraying the added sense of his own strength and dexterity which he drew from the contrast of the other's frailness.

"Sure? How could any one be sure? I don't believe in it yet!" he laughed out in the irony of his triumph.

The boy's words did not sound like a mere civility—Millner felt in them an homage to his power.

"Oh, yes: I was sure," young Draper repeated. "Sure as soon as I saw you, I mean."

Millner tingled again with this tribute to his physical straightness and bloom. Yes, he looked his part, hang it—he looked it!

But his companion still lingered, a shy sociability in his eye.

"If you're walking, then, can I go along a little way?" And he nodded southward down the shabby gaudy avenue.

That, again, was part of the high comedy of the hour—that Millner should descend the Spence steps at young Spence's side, and stroll down Fifth Avenue with him at the proudest moment of the afternoon; O. G. Spence's secretary walking abroad with O. G. Spence's heir! He had the scientific detachment to pull out his watch and furtively note the hour. Yes—it was exactly forty minutes since he had rung the Spence door-bell and handed his card to a gelid footman, who, openly sceptical of his claim to be received, had left him unceremoniously planted on the cold tessellations of the vestibule.

"Some day," Miller grinned to himself, "I think I'll take that footman as furnace-man—or to do the boots." And he pictured his marble palace rising from the earth to form the mausoleum of a footman's pride.

Only forty minutes ago! And now he had his opportunity fast! And he never meant to let it go! It was incredible, what had happened in the interval. He had gone up the Spence steps an unknown young man, out of a job, and with no substantial hope of getting into one: a needy young man with a mother and two limp sisters to be helped, and a lengthening figure of debt that stood by his bed through the anxious nights. And he went down the steps with his present assured, and his future lit by the hues of the rainbow above the pot of gold. Certainly a fellow who made his way at that rate had it "in him," and could afford to trust his star.

Descending from this joyous flight he stooped his ear to the discourse of young Spence.

"My father'll work you rather hard, you know: but you look as if you wouldn't mind that."

Millner pulled up his inches with the self-consciousness of the man who had none to waste. "Oh, no, I shan't mind that: I don't mind any amount of work if it leads to something."

"Just so," Draper Spence assented eagerly. "That's what I feel. And you'll find that whatever my father undertakes leads to such awfully fine things."

Millner tightened his lips on a grin. He was thinking only of where the work would lead him, not in the least of where it might land the eminent Orlando G. Spence. But he looked at his companion sympathetically.

"You're a philanthropist like your father, I see?"

"Oh, I don't know." They had paused at a crossing, and young Draper, with a dubious air, stood striking his agate-headed stick against the curb-stone. "I believe in a purpose, don't you?" he asked, lifting his blue eyes suddenly to Millner's face.

"A purpose? I should rather say so! I believe in nothing else," cried Millner, feeling as if his were something he could grip in his hand and swing like a club.

Young Spence seemed relieved. "Yes—I tie up to that. There is a Purpose. And so, after all, even if I don't agree with my father on minor points ..." He coloured quickly, and looked again at Millner. "I should like to talk to you about this some day."

Millner smothered another smile. "We'll have lots of talks, I hope."

"Oh, if you can spare the time—!" said Draper, almost humbly.

"Why, I shall be there on tap!"

"For father, not me." Draper hesitated, with another self-confessing smile. "Father thinks I talk too much—that I keep going in and out of things. He doesn't believe in analyzing: he thinks it's destructive. But it hasn't destroyed my ideals." He looked wistfully up and down the clanging street. "And that's the main thing, isn't it? I mean, that one should have an Ideal." He turned back almost gaily to Millner. "I suspect you're a revolutionist too!"

"Revolutionist? Rather! I belong to the Red Syndicate and the Black Hand!" Millner joyfully assented.

Young Draper chuckled at the enormity of the joke. "First rate! We'll have incendiary meetings!" He pulled an elaborately armorial watch from his enfolding furs. "I'm so sorry, but I must say good-bye—this is my street," he explained. Millner, with a faint twinge of envy, glanced across at the colonnaded marble edifice in the farther corner. "Going to the club?" he said carelessly.

His companion looked surprised. "Oh, no: I never go there. It's too boring." And he brought out, after one of the pauses in which he seemed rather breathlessly to measure the chances of his listener's indulgence: "I'm just going over to a little Bible Class I have in Tenth Avenue."

Millner, for a moment or two, stood watching the slim figure wind its way through the mass of vehicles to the opposite corner; then he pursued his own course down Fifth Avenue, measuring his steps to the rhythmic refrain: "It's too easy—it's too easy—it's too easy!"

His own destination being the small shabby flat off University Place where three tender females awaited the result of his mission, he had time, on the way home, after abandoning himself to a general sense of triumph, to dwell specifically on the various aspects of his achievement. Viewed materially and practically, it was a thing to be proud of; yet it was chiefly on aesthetic grounds—because he had done so exactly what he had set out to do—that he glowed with pride at the afternoon's work. For, after all, any young man with the proper "pull" might have applied to Orlando G. Spence for the post of secretary, and even have penetrated as far as the great man's study; but that he, Hugh Millner, should not only have forced his way to this fastness, but have established, within a short half hour, his right to remain there permanently: well, this, if it proved anything, proved that the first rule of success was to know how to live up to one's principles.

"One must have a plan—one must have a plan," the young man murmured, looking with pity at the vague faces which the crowd bore past him, and feeling almost impelled to detain them and expound his doctrine. But the planlessness of average human nature was of course the measure of his opportunity; and he smiled to think that every purposeless face he met was a guarantee of his own advancement, a rung in the ladder he meant to climb.

Yes, the whole secret of success was to know what one wanted to do, and not to be afraid to do it. His own history was proving that already. He had not been afraid to give up his small but safe position in a real-estate office for the precarious adventure of a private secretaryship; and his first glimpse of his new employer had convinced him that he had not mistaken his calling. When one has a "way" with one—as, in all modesty, Millner knew he had—not to utilize it is a stupid waste of force. And when he had learned that Orlando G. Spence was in search of a private secretary who should be able to give him intelligent assistance in the execution of his philanthropic schemes, the young man felt that his hour had come. It was no part of his plan to associate himself with one of the masters of finance: he had a notion that minnows who go to a whale to learn how to grow bigger are likely to be swallowed in the process. The opportunity of a clever young man with a cool head and no prejudices (this again was drawn from life) lay rather in making himself indispensable to one of the beneficent rich, and in using the timidities and conformities of his patron as the means of his scruples about formulating these principles to himself. It was not for nothing that, in his college days, he had hunted the hypothetical "moral sense" to its lair, and dragged from their concealment the various self-advancing sentiments dissembled under its edifying guise. His strength lay in his precocious insight into the springs of action, and in his refusal to classify them according to the accepted moral and social sanctions. He had to the full the courage of his lack of convictions.

To a young man so untrammelled by prejudice it was self-evident that helpless philanthropists like Orlando G. Spence were just as much the natural diet of the strong as the lamb is of the wolf. It was pleasanter to eat than to be eaten, in a world where, as yet, there seemed to be no third alternative; and any scruples one might feel as to the temporary discomfort of one's victim were speedily dispelled by that larger scientific view which took into account the social destructiveness of the benevolent. Millner was persuaded that every individual woe mitigated by the philanthropy of Orlando G. Spence added just so much to the sum-total of human inefficiency, and it was one of his favourite subjects of speculation to picture the innumerable social evils that may follow upon the rescue of one infant from Mount Taygetus.

"We're all born to prey on each other, and pity for suffering is one of the most elementary stages of egotism. Until one has passed beyond, and acquired a taste for the more complex forms of the instinct—"

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