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Ranson's Folly
by Richard Harding Davis
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"He's not for sale," he growls, like he was frightened, and the man looks black and walks away.

"Why, Nolan!" cries Miss Dorothy, "Mr. Polk knows more about bull- terriers than any amateur in America. What can he mean? Why, Kid is no more than a puppy! Three hundred dollars for a puppy!"

"And he ain't no thoroughbred neither!" cries the Master. "He's 'Unknown,' ain't he? Kid can't help it, of course, but his mother, Miss—"

I dropped my head. I couldn't bear he should tell Miss Dorothy. I couldn't bear she should know I had stolen my blue ribbon.

But the Master never told, for at that, a gentleman runs up, calling, "Three Twenty-Six, Three Twenty-Six," and Miss Dorothy says, "Here he is, what is it?"

"The Winner's Class," says the gentleman "Hurry, please. The Judge is waiting for him."

Nolan tries to get me off the chain onto a showing leash, but he shakes so, he only chokes me. "What is it, Miss?" he says. "What is it?"

"The Winner's Class," says Miss Dorothy. "The Judge wants him with the winners of the other classes—to decide which is the best. It's only a form," says she. "He has the champions against him now."

"Yes," says the gentleman, as he hurries us to the ring. "I'm afraid it's only a form for your dog, but the Judge wants all the winners, puppy class even."

We had got to the gate, and the gentleman there was writing down my number.

"Who won the open?" asks Miss Dorothy.

"Oh, who would?" laughs the gentleman. "The old champion, of course. He's won for three years now. There he is. Isn't he wonderful?" says he, and he points to a dog that's standing proud and haughty on the platform in the middle of the ring.

I never see so beautiful a dog, so fine and clean and noble, so white like he had rolled hisself in flour, holding his nose up and his eyes shut, same as though no one was worth looking at. Aside of him, we other dogs, even though we had a blue ribbon apiece, seemed like lumps of mud. He was a royal gentleman, a king, he was. His Master didn't have to hold his head with no leash. He held it hisself, standing as still as an iron dog on a lawn, like he knew all the people was looking at him. And so they was, and no one around the ring pointed at no other dog but him.

"Oh, what a picture," cried Miss Dorothy; "he's like a marble figure by a great artist—one who loved dogs. Who is he?" says she, looking in her book. "I don't keep up with terriers."

"Oh, you know him," says the gentleman. "He is the Champion of champions, Regent Royal."

The Master's face went red.

"And this is Regent Royal's son," cries he, and he pulls me quick into the ring, and plants me on the platform next my father.

I trembled so that I near fall. My legs twisted like a leash. But my father he never looked at me. He only smiled, the same sleepy smile, and he still keep his eyes half-shut, like as no one, no, not even his son, was worth his lookin' at.

The Judge, he didn't let me stay beside my father, but, one by one, he placed the other dogs next to him and measured and felt and pulled at them. And each one he put down, but he never put my father down. And then he comes over and picks up me and sets me back on the platform, shoulder to shoulder with the Champion Regent Royal, and goes down on his knees, and looks into our eyes.

The gentleman with my father, he laughs, and says to the Judge, "Thinking of keeping us here all day. John?" but the Judge, he doesn't hear him, and goes behind us and runs his hand down my side, and holds back my ears, and takes my jaws between his fingers. The crowd around the ring is very deep now, and nobody says nothing. The gentleman at the score-table, he is leaning forward, with his elbows on his knees, and his eyes very wide, and the gentleman at the gate is whispering quick to Miss Dorothy, who has turned white. I stood as stiff as stone. I didn't even breathe. But out of the corner of my eye I could see my father licking his pink chops, and yawning just a little, like he was bored.

The Judge, he had stopped looking fierce, and was looking solemn. Something inside him seemed a troubling him awful. The more he stares at us now, the more solemn he gets, and when he touches us he does it gentle, like he was patting us. For a long time he kneels in the sawdust, looking at my father and at me, and no one around the ring says nothing to nobody.

Then the Judge takes a breath and touches me sudden. "It's his," he says, but he lays his hand just as quick on my father. "I'm sorry," says he.

The gentleman holding my father cries:

"Do you mean to tell me—"

And the Judge, he answers, "I mean the other is the better dog." He takes my father's head between his hands and looks down at him, most sorrowful. "The King is dead," says he, "long live the King. Good-by, Regent," he says.

The crowd around the railings clapped their hands, and some laughed scornful, and everyone talks fast, and I start for the gate so dizzy that I can't see my way. But my father pushes in front of me, walking very daintily, and smiling sleepy, same as he had just been waked, with his head high, and his eyes shut, looking at nobody.

So that is how I "came by my inheritance," as Miss Dorothy calls it, and just for that, though I couldn't feel where I was any different, the crowd follows me to my bench, and pats me, and coos at me, like I was a baby in a baby-carriage. And the handlers have to hold 'em back so that the gentlemen from the papers can make pictures of me, and Nolan walks me up and down so proud, and the men shakes their heads and says, "He certainly is the true type, he is!" And the pretty ladies asks Miss Dorothy, who sits beside me letting me lick her gloves to show the crowd what friends we is, "Aren't you afraid he'll bite you?" and Jimmy Jocks calls to me, "Didn't I tell you so! I always knew you were one of us. Blood will out, Kid, blood will out. I saw your grandfather," says he, "make his debut at the Crystal Palace. But he was never the dog you are!"

After that, if I could have asked for it, there was nothing I couldn't get. You might have thought I was a snow-dog, and they was afeerd I'd melt. If I wet my pats, Nolan gave me a hot bath and chained me to the stove; if I couldn't eat my food, being stuffed full by the cook, for I am a house-dog now, and let in to lunch whether there is visitors or not, Nolan would run to bring the vet. It was all tommy-rot, as Jimmy says, but meant most kind. I couldn't scratch myself comfortable, without Nolan giving me nasty drinks, and rubbing me outside till it burnt awful, and I wasn't let to eat bones for fear of spoiling my "beautiful" mouth, what mother used to call my "punishing jaw," and my food was cooked special on a gas-stove, and Miss Dorothy gives me an overcoat, cut very stylish like the champions', to wear when we goes out carriage-driving.

After the next show, where I takes three blue ribbons, four silver cups, two medals, and brings home forty-five dollars for Nolan, they gives me a "Registered" name, same as Jimmy's. Miss Dorothy wanted to call me "Regent Heir Apparent," but I was THAT glad when Nolan says, "No, Kid don't owe nothing to his father, only to you and hisself. So, if you please, Miss, we'll call him Wyndham Kid." And so they did, and you can see it on my overcoat in blue letters, and painted top of my kennel. It was all too hard to understand. For days I just sat and wondered if I was really me, and how it all come about, and why everybody was so kind. But, oh, it was so good they was, for if they hadn't been, I'd never have got the thing I most wished after. But, because they was kind, and not liking to deny me nothing, they gave it me, and it was more to me than anything in the world.

It came about one day when we was out driving. We was in the cart they calls the dog-cart, because it's the one Miss Dorothy keeps to take Jimmy and me for an airing. Nolan was up behind, and me in my new overcoat was sitting beside Miss Dorothy. I was admiring the view, and thinking how good it was to have a horse pull you about so that you needn't get yourself splashed and have to be washed, when I hears a dog calling loud for help, and I pricks up my ears and looks over the horse's head. And I sees something that makes me tremble down to my toes. In the road before us three big dogs was chasing a little, old lady-dog. She had a string to her tail, where some boys had tied a can, and she was dirty with mud and ashes, and torn most awful. She was too far done up to get away, and too old to help herself, but she was making a fight for her life, snapping her old gums savage, and dying game. All this I see in a wink, and then the three dogs pinned her down, and I can't stand it no longer and clears the wheel and lands in the road on my head. It was my stylish overcoat done that, and I curse it proper, but I gets my pats again quick, and makes a rush for the fighting. Behind me I hear Miss Dorothy cry, "They'll kill that old dog. Wait, take my whip. Beat them off her! The Kid can take care of himself," and I hear Nolan fall into the road, and the horse come to a stop. The old lady-dog was down, and the three was eating her vicious, but as I come up, scattering the pebbles, she hears, and thinking it's one more of them, she lifts her head and my heart breaks open like someone had sunk his teeth in it. For, under the ashes and the dirt and the blood, I can see who it is, and I know that my mother has come back to me.

I gives a yell that throws them three dogs off their legs.

"Mother!" I cries. "I'm the Kid," I cries. "I'm coming to you, mother, I'm coming."

And I shoots over her, at the throat of the big dog, and the other two, they sinks their teeth into that stylish overcoat, and tears it off me, and that sets me free, and I lets them have it. I never had so fine a fight as that! What with mother being there to see, and not having been let to mix up in no fights since I become a prize-winner, it just naturally did me good, and it wasn't three shakes before I had 'em yelping. Quick as a wink, mother, she jumps in to help me, and I just laughed to see her. It was so like old times. And Nolan, he made me laugh too. He was like a hen on a bank, shaking the butt of his whip, but not daring to cut in for fear of hitting me.

"Stop it, Kid," he says, "stop it. Do you want to be all torn up?" says he. "Think of the Boston show next week," says he, "Think of Chicago. Think of Danbury. Don't you never want to be a champion?" How was I to think of all them places when I had three dogs to cut up at the same time. But in a minute two of 'em begs for mercy, and mother and me lets 'em run away. The big one, he ain't able to run away. Then mother and me, we dances and jumps, and barks and laughs, and bites each other and rolls each other in the road. There never was two dogs so happy as we, and Nolan, he whistles and calls and begs me to come to him, but I just laugh and play larks with mother.

"Now, you come with me," says I, "to my new home, and never try to run away again." And I shows her our house with the five red roofs, set on the top of the hill. But mother trembles awful, and says: "They'd never let the likes of me in such a place. Does the Viceroy live there, Kid?" says she. And I laugh at her. "No, I do," I says; "and if they won't let you live there, too, you and me will go back to the streets together, for we must never be parted no more." So we trots up the hill, side by side, with Nolan trying to catch me, and Miss Dorothy laughing at him from the cart.

"The Kid's made friends with the poor old dog," says she. "Maybe he knew her long ago when he ran the streets himself. Put her in here beside me, and see if he doesn't follow."

So, when I hears that, I tells mother to go with Nolan and sit in the cart, but she says no, that she'd soil the pretty lady's frock; but I tells her to do as I say, and so Nolan lifts her, trembling still, into the cart, and I runs alongside, barking joyful.

When we drives into the stables I takes mother to my kennel, and tells her to go inside it and make herself at home. "Oh, but he won't let me!" says she.

"Who won't let you?" says I, keeping my eye on Nolan, and growling a bit nasty, just to show I was meaning to have my way. "Why, Wyndham Kid," says she, looking up at the name on my kennel.

"But I'm Wyndham Kid!" says I.

"You!" cries mother. "You! Is my little Kid the great Wyndham Kid the dogs all talk about?" And at that, she, being very old, and sick, and hungry, and nervous, as mothers are, just drops down in the straw and weeps bitter.

Well, there ain't much more than that to tell. Miss Dorothy, she settled it.

"If the Kid wants the poor old thing in the stables," says she, "let her stay."

"You see," says she, "she's a black-and-tan, and his mother was a black-and-tan, and maybe that's what makes Kid feel so friendly toward her," says she.

"Indeed, for me," says Nolan, "she can have the best there is. I'd never drive out no dog that asks for a crust nor a shelter," he says. "But what will Mr. Wyndham do?"

"He'll do what I say," says Miss Dorothy, "and if I say she's to stay, she will stay, and I say—she's to stay!"

And so mother and Nolan, and me, found a home. Mother was scared at first—not being used to kind people—but she was so gentle and loving, that the grooms got fonder of her than of me, and tried to make me jealous by patting of her, and giving her the pick of the vittles. But that was the wrong way to hurt my feelings. That's all, I think. Mother is so happy here that I tell her we ought to call it the Happy Hunting Grounds, because no one hunts you, and there is nothing to hunt; it just all comes to you. And so we live in peace, mother sleeping all day in the sun, or behind the stove in the head- groom's office, being fed twice a day regular by Nolan, and all the day by the other grooms most irregular, And, as for me, I go hurrying around the country to the bench-shows; winning money and cups for Nolan, and taking the blue ribbons away from father.



A DERELICT

When the war-ships of a navy lie cleared for action outside a harbor, and the war-ships of the country with which they are at war lie cleared for action inside the harbor, there is likely to be trouble. Trouble between war-ships is news, and wherever there is news there is always a representative of the Consolidated Press.

As long as Sampson blockaded Havana and the army beat time back of the Tampa Bay Hotel, the central office for news was at Key West, but when Cervera slipped into Santiago Harbor and Sampson stationed his battle-ships at its mouth, Key West lost her only excuse for existence, and the press-boats burled their bows in the waters of the Florida Straits and raced for the cable-station at Port Antonio. It was then that Keating, the "star" man of the Consolidated Press Syndicate, was forced to abandon his young bride and the rooms he had engaged for her at the Key West Hotel, and accompany his tug to the distant island of Jamaica.

Keating was a good and faithful servant to the Consolidated Press. He was a correspondent after its own making, an industrious collector of facts. The Consolidated Press did not ask him to comment on what it sent him to see; it did not require nor desire his editorial opinions or impressions. It was no part of his work to go into the motives which led to the event of news interest which he was sent to report, nor to point out what there was of it which was dramatic, pathetic, or outrageous.

The Consolidated Press, being a mighty corporation, which daily fed seven hundred different newspapers, could not hope to please the policy of each, so it compromised by giving the facts of the day fairly set down, without heat, prejudice, or enthusiasm. This was an excellent arrangement for the papers that subscribed for the service of the Consolidated Press, but it was death to the literary strivings of the Consolidated Press correspondents.

"We do not want descriptive writing," was the warning which the manager of the great syndicate was always flashing to its correspondents. "We do not pay you to send us pen-pictures or prose poems. We want the facts, all the facts, and nothing but the facts."

And so, when at a presidential convention a theatrical speaker sat down after calling James G. Blaine "a plumed knight," each of the "special" correspondents present wrote two columns in an effort to describe how the people who heard the speech behaved in consequence, but the Consolidated Press man telegraphed, "At the conclusion of these remarks the cheering lasted sixteen minutes."

No event of news value was too insignificant to escape the watchfulness of the Consolidated Press, none so great that it could not handle it from its inception up to the moment when it ceased to be quoted in the news-market of the world. Each night, from thousands of spots all over the surface of the globe, it received thousands of facts, of cold, accomplished facts. It knew that a tidal wave had swept through China, a cabinet had changed in Chili, in Texas an express train had been held up and robbed, "Spike" Kennedy had defeated the "Dutchman" in New Orleans, the Oregon had coaled outside of Rio Janeiro Harbor, the Cape Verde fleet had been seen at anchor off Cadiz; it had been located in the harbor of San Juan, Porto Rico; it had been sighted steaming slowly past Fortress Monroe; and the Navy Department reported that the St. Paul had discovered the lost squadron of Spain in the harbor of Santiago. This last fact was the one which sent Keating to Jamaica. Where he was sent was a matter of indifference to Keating. He had worn the collar of the Consolidated Press for so long a time that he was callous. A board meeting—a mine disaster—an Indian uprising—it was all one to Keating. He collected facts and his salary. He had no enthusiasms, he held no illusions. The prestige of the mammoth syndicate he represented gained him an audience where men who wrote for one paper only were repulsed on the threshold. Senators, governors, the presidents of great trusts and railroad systems, who fled from the reporter of a local paper as from a leper, would send for Keating and dictate to him whatever it was they wanted the people of the United States to believe, for when they talked to Keating they talked to many millions of readers. Keating, in turn, wrote out what they had said to him and transmitted it, without color or bias, to the clearinghouse of the Consolidated Press. His "stories," as all newspaper writings are called by men who write them, were as picturesque reading as the quotations of a stock- ticker. The personal equation appeared no more offensively than it does in a page of typewriting in his work.

Consequently, he was dear to the heart of the Consolidated Press, and, as a "safe" man, was sent to the beautiful harbor of Santiago— to a spot where there were war-ships cleared for action, Cubans in ambush, naked marines fighting for a foothold at Guantanamo, palm- trees and coral-reefs—in order that he might look for "facts."

There was not a newspaper man left at Key West who did not writhe with envy and anger when he heard of it. When the wire was closed for the night, and they had gathered at Josh Kerry's, Keating was the storm-centre of their indignation.

"What a chance!" they protested. "What a story! It's the chance of a lifetime." They shook their heads mournfully and lashed themselves with pictures of its possibilities.

"And just fancy its being wasted on old Keating," said the Journal man. "Why, everything's likely to happen out there, and whatever does happen, he'll make it read like a Congressional Record. Why, when I heard of it I cabled the office that if the paper would send me I'd not ask for any salary for six months."

"And Keating's kicking because he has to go," growled the Sun man. "Yes, he is, I saw him last night, and he was sore because he'd just moved his wife down here. He said if he'd known this was coming he'd have let her stay in New York. He says he'll lose money on this assignment, having to support himself and his wife in two different places."

Norris, "the star man" of the World, howled with indignation.

"Good Lord!" he said, "is that all he sees in it? Why, there never was such a chance. I tell you, some day soon all of those war-ships will let loose at each other and there will be the best story that ever came over the wire, and if there isn't, it's a regular loaf anyway. It's a picnic, that's what it is, at the expense of the Consolidated Press. Why, he ought to pay them to let him go. Can't you see him, confound him, sitting under a palm-tree in white flannels, with a glass of Jamaica rum in his fist, while we're dodging yellow fever on this coral-reef, and losing our salaries on a crooked roulette-wheel."

"I wonder what Jamaica rum is like as a steady drink," mused the ex- baseball reporter, who had been converted into a war-correspondent by the purchase of a white yachting-cap.

"It won't be long before Keating finds out," said the Journal man.

"Oh, I didn't know that," ventured the new reporter, who had just come South from Boston. "I thought he didn't drink. I never see Keating in here with the rest of the boys."

"You wouldn't," said Norris. "He only comes in here by himself, and he drinks by himself. He's one of those confidential drunkards, You give some men whiskey, and it's like throwing kerosene on a fire, isn't it? It makes them wave their arms about and talk loud and break things, but you give it to another man and it's like throwing kerosene on a cork mat. It just soaks in. That's what Keating is. He's a sort of a cork mat."

"I shouldn't think the C. P. would stand for that," said the Boston man.

"It wouldn't, if it ever interfered with his work, but he's never fallen down on a story yet. And the sort of stuff he writes is machine-made; a man can write C. P. stuff in his sleep."

One of the World men looked up and laughed.

"I wonder if he'll run across Channing out there," he said. The men at the table smiled, a kindly, indulgent smile. The name seemed to act upon their indignation as a shower upon the close air of a summer-day. "That's so," said Norris. "He wrote me last month from Port-au-Prince that he was moving on to Jamaica. He wrote me from that club there at the end of the wharf. He said he was at that moment introducing the President to a new cocktail, and as he had no money to pay his passage to Kingston he was trying to persuade him to send him on there as his Haitian Consul. He said in case he couldn't get appointed Consul, he had an offer to go as cook on a fruit- tramp."

The men around the table laughed. It was the pleased, proud laugh that flutters the family dinner-table when the infant son and heir says something precocious and impudent.

"Who is Channing?" asked the Boston man.

There was a pause, and the correspondents looked at Norris.

"Channing is a sort of a derelict," he said. "He drifted into New York last Christmas from the Omaha Bee. He's been on pretty nearly every paper in the country."

"What's he doing in Haiti?"

"He went there on the Admiral Decatur to write a filibustering story about carrying arms across to Cuba. Then the war broke out and he's been trying to get back to Key West, and now, of course, he'll make for Kingston. He cabled me yesterday, at my expense, to try and get him a job on our paper. If the war hadn't come on he had a plan to beat his way around the world. And he'd have done it, too. I never saw a man who wouldn't help Charlie along, or lend him a dollar." He glanced at the faces about him and winked at the Boston man. "They all of them look guilty, don't they?" he said.

"Charlie Channing," murmured the baseball reporter, gently, as though he were pronouncing the name of a girl. He raised his glass. "Here's to Charlie Channing," he repeated. Norris set down his empty glass and showed it to the Boston man.

"That's his only enemy," he said. "Write! Heavens, how that man can write, and he'd almost rather do anything else. There isn't a paper in New York that wasn't glad to get him, but they couldn't keep him a week. It was no use talking to him. Talk! I've talked to him until three o'clock in the morning. Why, it was I made him send his first Chinatown story to the International Magazine, and they took it like a flash and wrote him for more, but he blew in the check they sent him and didn't even answer their letter. He said after he'd had the fun of writing a story, he didn't care whether it was published in a Sunday paper or in white vellum, or never published at all. And so long as he knew he wrote it, he didn't care whether anyone else knew it or not. Why, when that English reviewer—what's his name—that friend of Kipling's—passed through New York, he said to a lot of us at the Press Club, 'You've got a young man here on Park Row—an opium-eater, I should say, by the look of him, who if he would work and leave whiskey alone, would make us all sweat.' That's just what he said, and he's the best in England!"

"Charlie's a genius," growled the baseball reporter, defiantly. "I say, he's a genius."

The Boston man shook his head. "My boy," he began, sententiously, "genius is nothing more than hard work, and a man—"

Norris slapped the table with his hand.

"Oh, no, it's not," he jeered, fiercely, "and don't you go off believing it is, neither. I've worked. I've worked twelve hours a day. Keating even has worked eighteen hours a day—all his life—but we never wrote 'The Passing of the Highbinders,' nor the 'Ships that Never Came Home,' nor 'Tales of the Tenderloin,' and we never will. I'm a better news-gatherer than Charlie, I can collect facts and I can put them together well enough, too, so that if a man starts to read my story he'll probably follow it to the bottom of the column, and he may turn over the page, too. But I can't say the things, because I can't see the things that Charlie sees. Why, one night we sent him out on a big railroad-story. It was a beat, we'd got it by accident, and we had it all to ourselves, but Charlie came across a blind beggar on Broadway with a dead dog. The dog had been run over, and the blind beggar couldn't find his way home without him, and was sitting on the curb-stone, weeping over the mongrel. Well, when Charlie came back to the office he said he couldn't find out anything about that railroad deal, but that he'd write them a dog-story. Of course, they were raging crazy, but he sat down just as though it was no concern of his, and, sure enough, he wrote the dog-story. And the next day over five hundred people stopped in at the office on their way downtown and left dimes and dollars to buy that man a new dog. Now, hard work won't do that."

Keating had been taking breakfast in the ward-room of H. M. S. Indefatigable. As an acquaintance the officers had not found him an undoubted acquisition, but he was the representative of seven hundred papers, and when the Indefatigable's ice-machine broke, he had loaned the officers' mess a hundred pounds of it from his own boat.

The cruiser's gig carried Keating to the wharf, the crew tossed their oars and the boatswain touched his cap and asked, mechanically, "Shall I return to the ship, sir?"

Channing, stretched on the beach, with his back to a palm-tree, observed the approach of Keating with cheerful approbation.

"It is gratifying to me," he said, "to see the press treated with such consideration. You came in just like Cleopatra in her barge. If the flag had been flying, and you hadn't steered so badly, I should have thought you were at least an admiral. How many guns does the British Navy give a Consolidated Press reporter when he comes over the side?"

Keating dropped to the sand and, crossing his legs under him, began tossing shells at the water.

"They gave this one a damned good breakfast," he said, "and some very excellent white wine. Of course, the ice-machine was broken, it always is, but then Chablis never should be iced, if it's the real thing."

"Chablis! Ice! Hah!" snorted Channing. "Listen to him! Do you know what I had for breakfast?"

Keating turned away uncomfortably and looked toward the ships in the harbor.

"Well, never mind," said Channing, yawning luxuriously. "The sun is bright, the sea is blue, and the confidences of this old palm are soothing. He's a great old gossip, this palm." He looked up into the rustling fronds and smiled. "He whispers me to sleep," he went on, "or he talks me awake—talks about all sorts of things—things he has seen—cyclones, wrecks, and strange ships and Cuban refugees and Spanish spies and lovers that meet here on moonlight nights. It's always moonlight in Port Antonio, isn't it?"

"You ought to know, you've been here longer than I," said Keating.

"And how do you like it, now that you have got to know it better? Pretty heavenly? eh?"

"Pretty heavenly!" snorted Keating. "Pretty much the other place! What good am I doing? What's the sense of keeping me here? Cervera isn't going to come out, and the people at Washington won't let Sampson go in. Why, those ships have been there a month now, and they'll be there just where they are now when you and I are bald. I'm no use here. All I do is to thrash across there every day and eat up more coal than the whole squadron burns in a month. Why, that tug of mine's costing the C. P. six hundred dollars a day, and I'm not sending them news enough to pay for setting it up. Have you seen 'em yet?"

"Seen what? Your stories?"

"No, the ships!"

"Yes, Scudder took me across once in the Iduna. I haven't got a paper yet, so I couldn't write anything, but—"

"Well, you've seen all there is to it, then; you wouldn't see any more if you went over every day. It's just the same old harbor-mouth, and the same old Morro Castle, and same old ships, drifting up and down; the Brooklyn, full of smoke-stacks, and the New York, with her two bridges, and all the rest of them looking just as they've looked for the last four weeks. There's nothing in that. Why don't they send me to Tampa with the army and Shafter—that's where the story is."

"Oh, I don't know," said Channing, shaking his head. "I thought it was bully!"

"Bully, what was bully?"

"Oh, the picture," said Channing, doubtfully, "and—and what it meant. What struck me about it was that it was so hot, and lazy, and peaceful, that they seemed to be just drifting about, just what you complain of. I don't know what I expected to see; I think I expected they'd be racing around in circles, tearing up the water and throwing broadsides at Morro Castle as fast as fire-crackers.

"But they lay broiling there in the heat just as though they were becalmed. They seemed to be asleep on their anchor-chains. It reminded me of a big bull-dog lying in the sun with his head on his paws and his eyes shut. You think he's asleep, and you try to tiptoe past him, but when you're in reach of his chain—he's at your throat, what? It seemed so funny to think of our being really at war. I mean the United States, and with such an old-established firm as Spain. It seems so presumptuous in a young republic, as though we were strutting around, singing, 'I'm getting a big boy now.' I felt like saying, 'Oh, come off, and stop playing you're a world power, and get back into your red sash and knickerbockers, or you'll get spanked!' It seems as though we must be such a lot of amateurs. But when I went over the side of the New York I felt like kneeling down on her deck and begging every jackey to kick me. I felt about as useless as a fly on a locomotive-engine. Amateurs! Why, they might have been in the business since the days of the ark; all of them might have been descended from bloody pirates; they twisted those eight-inch guns around for us just as though they were bicycles, and the whole ship moved and breathed and thought, too, like a human being, and all the captains of the other war-ships about her were watching for her to give the word. All of them stripped and eager and ready—like a lot of jockeys holding in the big race-horses, and each of them with his eyes on the starter. And I liked the way they all talk about Sampson, and the way the ships move over the stations like parts of one machine, just as he had told them to do.

"Scudder introduced me to him, and he listened while we did the talking, but it was easy to see who was the man in the Conning Tower. Keating—my boy!" Channing cried, sitting upright in his enthusiasm, "he's put a combination-lock on that harbor that can't be picked—and it'll work whether Sampson's asleep in his berth, or fifteen miles away, or killed on the bridge. He doesn't have to worry, he knows his trap will work—he ought to, he set it."

Keating shrugged his shoulders, tolerantly.

"Oh, I see that side of it," he assented. "I see all there is in it for YOU, the sort of stuff you write, Sunday-special stuff, but there's no NEWS in it. I'm not paid to write mail-letters, and I'm not down here to interview palm-trees either."

"Why, you old fraud!" laughed Channing. "You know you're having the time of your life here. You're the pet of Kingston society—you know you are. I only wish I were half as popular. I don't seem to belong, do I? I guess it's my clothes. That English Colonel at Kingston always scowls at me as though he'd like to put me in irons, and whenever I meet our Consul he sees something very peculiar on the horizon-line."

Keating frowned for a moment in silence, and then coughed, consciously.

"Channing," he began, uncomfortably, "you ought to brace up."

"Brace up?" asked Channing.

"Well, it isn't fair to the rest of us," protested Keating, launching into his grievance. "There's only a few of us here, and we—we think you ought to see that and not give the crowd a bad name. All the other correspondents have some regard for—for their position and for the paper, but you loaf around here looking like an old tramp—like any old beach-comber, and it queers the rest of us. Why, those English artillerymen at the Club asked me about you, and when I told them you were a New York correspondent they made all sorts of jokes about American newspapers, and what could I say?"

Channing eyed the other man with keen delight.

"I see, by Jove! I'm sorry," he said. But the next moment he laughed, and then apologized, remorsefully.

"Indeed, I beg your pardon," he begged, "but it struck me as a sort of—I had no idea you fellows were such swells—I knew I was a social outcast, but I didn't know my being a social outcast was hurting anyone else. Tell me some more."

"Well, that's all," said Keating, suspiciously. "The fellows asked me to speak to you about it and to tell you to take a brace. Now, for instance, we have a sort of mess-table at the hotels and we'd like to ask you to belong, but—well—you see how it is—we have the officers to lunch whenever they're on shore, and you're so disreputable"— Keating scowled at Channing, and concluded, impotently, "Why don't you get yourself some decent clothes and—and a new hat?"

Channing removed his hat to his knee and stroked it with affectionate pity.

"It is a shocking bad hat," he said. "Well, go on."

"Oh, it's none of my business," exclaimed Keating, impatiently. "I'm just telling you what they're saying. Now, there's the Cuban refugees, for instance. No one knows what they're doing here, or whether they're real Cubans or Spaniards."

"Well, what of it?"

"Why, the way you go round with them and visit them, it's no wonder they say you're a spy."

Channing stared incredulously, and then threw back his head and laughed with a shout of delight.

"They don't, do they?" he asked.

"Yes, they do, since you think it's so funny. If it hadn't been for us the day you went over to Guantanamo the marines would have had you arrested and court-martialed."

Channing's face clouded with a quick frown, "Oh," he exclaimed, in a hurt voice, "they couldn't have thought that."

"Well, no," Keating admitted grudgingly, "not after the fight, perhaps, but before that, when you were snooping around the camp like a Cuban after rations." Channing recognized the picture with a laugh.

"I do," he said, "I do. But you should have had me court-martialed and shot; it would have made a good story. 'Our reporter shot as a spy, his last words were—' what were my last words, Keating?"

Keating turned upon him with impatience, "But why do you do it?" he demanded. "Why don't you act like the rest of us? Why do you hang out with all those filibusters and runaway Cubans?"

"They have been very kind to me," said Channing, soberly. "They are a very courteous race, and they have ideas of hospitality which make the average New Yorker look like a dog hiding a bone."

"Oh, I suppose you mean that for us," demanded Keating. "That's a slap at me, eh?"

Channing gave a sigh and threw himself back against the trunk of the palm, with his hands clasped behind his head.

"Oh, I wasn't thinking of you at all, Keating," he said. "I don't consider you in the least." He stretched himself and yawned wearily. "I've got troubles of my own." He sat up suddenly and adjusted the objectionable hat to his head.

"Why don't you wire the C. P.," he asked, briskly, "and see if they don't want an extra man? It won't cost you anything to wire, and I need the job, and I haven't the money to cable."

"The Consolidated Press," began Keating, jealously. "Why—well, you know what the Consolidated Press is? They don't want descriptive writers—and I've got all the men I need."

Keating rose and stood hesitating in some embarrassment. "I'll tell you what I could do, Channing," he said, "I could take you on as a stoker, or steward, say. They're always deserting and mutinying; I have to carry a gun on me to make them mind. How would you like that? Forty dollars a month, and eat with the crew?"

For a moment Channing stood in silence, smoothing the sand with the sole of his shoe. When he raised his head his face was flushing.

"Oh, thank you," he said. "I think I'll keep on trying for a paper— I'll try a little longer. I want to see something of this war, of course, and if I'm not too lazy I'd like to write something about it, but—well—I'm much obliged to you, anyway."

"Of course, if it were my money, I'd take you on at once," said Keating, hurriedly.

Channing smiled and nodded. "You're very kind," he answered. "Well, good-by."

A half-hour later, in the smoking-room of the hotel, Keating addressed himself to a group of correspondents.

"There is no doing anything with that man Channing," he said, in a tone of offended pride. "I offered him a good job and he wouldn't take it. Because he got a story in the International Magazine, he's stuck on himself, and he won't hustle for news—he wants to write pipe-dreams. What the public wants just now is news."

"That's it," said one of the group, "and we must give it to them— even if we have to fake it."

Great events followed each other with great rapidity. The army ceased beating time, shook itself together, adjusted its armor and moved, and, to the delight of the flotilla of press-boats at Port Antonio, moved, not as it had at first intended, to the north coast of Cuba, but to Santiago, where its transports were within reach of their megaphones.

"Why, everything's coming our way now!" exclaimed the World manager in ecstasy. "We've got the transports to starboard at Siboney, and the war-ships to port at Santiago, and all we'll need to do is to sit on the deck with a field-glass, and take down the news with both hands."

Channing followed these events with envy. Once or twice, as a special favor, the press-boats carried him across to Siboney and Daiquiri, and he was able to write stories of what he saw there; of the landing of the army, of the wounded after the Guasimas fight, and of the fever-camp at Siboney. His friends on the press-boats sent this work home by mail on the chance that the Sunday editor might take it at space rates. But mail matter moved slowly and the army moved quickly, and events crowded so closely upon each other that Channing's stories, when they reached New York, were ancient history and were unpublished, and, what was of more importance to him, unpaid for. He had no money now, and he had become a beach-comber in the real sense of the word. He slept the warm nights away among the bananas and cocoanuts on the Fruit Company's wharf, and by calling alternately on his Cuban exiles and the different press-boats, he was able to obtain a meal a day without arousing any suspicions in the minds of his hosts that it was his only one.

He was sitting on the stringer of the pier-head one morning, waiting for a press-boat from the "front," when the Three Friends ran in and lowered her dingy, and the "World" manager came ashore, clasping a precious bundle of closely written cable-forms. Channing scrambled to his feet and hailed him.

"Have you heard from the chief about me yet?" he asked. The "World" man frowned and stammered, and then, taking Channing by the arm, hurried with him toward the cable-office.

"Charlie, I think they're crazy up there," he began, "they think they know it all. Here I am on the spot, but they think—"

"You mean they won't have me," said Channing. "But why?" he asked, patiently. "They used to give me all the space I wanted."

"Yes, I know, confound them, and so they should now," said the "World" man, with sympathetic indignation. "But here's their cable; you can see it's not my fault." He read the message aloud. "Channing, no. Not safe, take reliable man from Siboney." He folded the cablegram around a dozen others and stuck it back in his hip-pocket.

"What queered you, Charlie," he explained, importantly, "was that last break of yours, New Year's, when you didn't turn up for a week. It was once too often, and the chief's had it in for you ever since. You remember?"

Channing screwed up his lips in an effort of recollection.

"Yes, I remember," he answered, slowly. "It began on New Year's eve in Perry's drug-store, and I woke up a week later in a hack in Boston. So I didn't have such a run for my money, did I? Not good enough to have to pay for it like this. I tell you," he burst out suddenly, "I feel like hell being left out of this war, with all the rest of the boys working so hard. If it weren't playing it low down on the fellows that have been in it from the start, I'd like to enlist. But they enlisted for glory, and I'd only do it because I can't see the war any other way, and it doesn't seem fair to them. What do you think?"

"Oh, don't do that," protested the World manager. "You stick to your own trade. We'll get you something to do. Have you tried the Consolidated Press yet?"

Channing smiled grimly at the recollection.

"Yes, I tried it first."

"It would be throwing pearls to swine to have you write for them, I know, but they're using so many men now. I should think you could get on their boat."

"No, I saw Keating," Channing explained. "He said I could come along as a stoker, and I guess I'll take him up, it seems—"

"Keating said—what?" exclaimed the "World" man. "Keating? Why, he stands to lose his own job, if he isn't careful. If it wasn't that he's just married, the C. P. boys would have reported him a dozen times."

"Reported him, what for?"

"Why—you know. His old complaint."

"Oh, that," said Channing. "My old complaint?" he added.

"Well, yes, but Keating hasn't been sober for two weeks, and he'd have fallen down on the Guasimas story if those men hadn't pulled him through. They had to, because they're in the syndicate. He ought to go shoot himself; he's only been married three months and he's handling the biggest piece of news the country's had in thirty years, and he can't talk straight. There's a time for everything, I say," growled the "World" man.

"It takes it out of a man, this boat-work," Channing ventured, in extenuation. "It's very hard on him."

"You bet it is," agreed the "World" manager, with enthusiasm. "Sloshing about in those waves, sea-sick mostly, and wet all the time, and with a mutinous crew, and so afraid you'll miss something that you can't write what you have got." Then he added, as an after- thought, "And our cruisers thinking you're a Spanish torpedo-boat and chucking shells at you."

"No wonder Keating drinks," Channing said, gravely. "You make it seem almost necessary."

Many thousand American soldiers had lost themselves in a jungle, and had broken out of it at the foot of San Juan Hill. Not wishing to return into the jungle, they took the hill. On the day they did this Channing had the good fortune to be in Siboney. The "World" man had carried him there and asked him to wait around the waterfront while he went up to the real front, thirteen miles inland. Channing's duty was to signal the press-boat when the first despatch-rider rode in with word that the battle was on. The World man would have liked to ask Channing to act as his despatch-rider, but he did not do so, because the despatch-riders were either Jamaica negroes or newsboys from Park Row—and he remembered that Keating had asked Channing to be his stoker.

Channing tramped through the damp, ill-smelling sand of the beach, sick with self-pity. On the other side of those glaring, inscrutable mountains, a battle, glorious, dramatic, and terrible, was going forward, and he was thirteen miles away. He was at the base, with the supplies, the sick, and the skulkers.

It was cruelly hot. The heat-waves flashed over the sea until the transports in the harbor quivered like pictures on a biograph. From the refuse of company kitchens, from reeking huts, from thousands of empty cans, rose foul, enervating odors, which deadened the senses like a drug. The atmosphere steamed with a heavy, moist humidity. Channing staggered and sank down suddenly on a pile of railroad-ties in front of the commissary's depot. There were some Cubans seated near him, dividing their Government rations, and the sight reminded him that he had had nothing to eat. He walked over to the wide door of the freight-depot, where a white-haired, kindly faced, and perspiring officer was, with his own hands, serving out canned beef to a line of Cubans. The officer's flannel shirt was open at the throat. The shoulder-straps of a colonel were fastened to it by safety-pins. Channing smiled at him uneasily.

"Could I draw on you for some rations?" he asked. "I'm from the Three Friends. I'm not one of their regular accredited correspondents," he added, conscientiously, "I'm just helping them for to-day."

"Haven't you got a correspondent's pass?" asked the officer. He was busily pouring square hardtack down the throat of a saddle-bag a Cuban soldier held open before him.

"No," said Channing, turning away, "I'm just helping."

The officer looked after him, and what he saw caused him to reach under the counter for a tin cup and a bottle of lime-juice.

"Here," he said, "drink this. What's the matter with you—fever? Come in here out of that sun. You can lie down on my cot, if you like."

Channing took the tin cup and swallowed a warm mixture of boiled water and acrid lime-juice.

"Thank you," he said, "but I must keep watch for the first news from the front."

A man riding a Government mule appeared on the bridge of the lower trail, and came toward them at a gallop. He was followed and surrounded by a hurrying mob of volunteers, hospital stewards, and Cubans.

The Colonel vaulted the counter and ran to meet him.

"This looks like news from the front now," he cried.

The man on the mule was from civil life. His eyes bulged from their sockets and his face was purple. The sweat ran over it and glistened on the cords of his thick neck.

"They're driving us back!" he shrieked.

"Chaffee's killed, an' Roosevelt's killed, an' the whole army's beaten!" He waved his arms wildly toward the glaring, inscrutable mountains. The volunteers and stevedores and Cubans heard him, open- mouthed and with panic-stricken eyes. In the pitiless sunlight he was a hideous and awful spectacle.

"They're driving us into the sea!" he foamed.

"We've got to get out of here, they're just behind me. The army's running for its life. They're running away!"

Channing saw the man dimly, through a cloud that came between him and the yellow sunlight. The man in the saddle swayed, the group about him swayed, like persons on the floor of a vast ball-room. Inside he burned with a mad, fierce hatred for this shrieking figure in the saddle. He raised the tin cup and hurled it so that it hit the man's purple face.

"You lie!" Channing shouted, staggering. "You lie! You're a damned coward. You lie!" He heard his voice repeating this in different places at greater distances. Then the cloud closed about him, shutting out the man in the saddle, and the glaring, inscrutable mountains, and the ground at his feet rose and struck him in the face.

Channing knew he was on a boat because it lifted and sank with him, and he could hear the rush of her engines. When he opened his eyes he was in the wheel-house of the Three Friends, and her captain was at the wheel, smiling down at him. Channing raised himself on his elbow.

"The despatch-rider?" he asked.

"That's all right," said the captain, soothingly. "Don't you worry. He come along same time you fell, and brought you out to us. What ailed you—sunstroke?"

Channing sat up. "I guess so," he said.

When the Three Friends reached Port Antonio, Channing sought out the pile of coffee-bags on which he slept at night and dropped upon them. Before this he had been careful to avoid the place in the daytime, so that no one might guess that it was there that he slept at night, but this day he felt that if he should drop in the gutter he would not care whether anyone saw him there or not. His limbs were hot and heavy and refused to support him, his bones burned like quicklime.

The next morning, with the fever still upon him, he hurried restlessly between the wharves and the cable-office, seeking for news. There was much of it; it was great and trying news, the situation outside of Santiago was grim and critical. The men who had climbed San Juan Hill were clinging to it like sailors shipwrecked on a reef unwilling to remain, but unable to depart. If they attacked the city Cervera promised to send it crashing about their ears. They would enter Santiago only to find it in ruins. If they abandoned the hill, 2,000 killed and wounded would have been sacrificed in vain.

The war-critics of the press-boats and of the Twitchell House saw but two courses left open. Either Sampson must force the harbor and destroy the squadron, and so make it possible for the army to enter the city, or the army must be reinforced with artillery and troops in sufficient numbers to make it independent of Sampson and indifferent to Cervera.

On the night of July 2d, a thousand lies, a thousand rumors, a thousand prophecies rolled through the streets of Port Antonio, were filed at the cable-office, and flashed to the bulletin-boards of New York City.

That morning, so they told, the batteries on Morro Castle had sunk three of Sampson's ships; the batteries on Morro Castle had surrendered to Sampson; General Miles with 8,000 reinforcements had sailed from Charleston; eighty guns had started from Tampa Bay, they would occupy the mountains opposite Santiago and shell the Spanish fleet; the authorities at Washington had at last consented to allow Sampson to run the forts and mines, and attack the Spanish fleet; the army had not been fed for two days, the Spaniards had cut it off from its base at Siboney; the army would eat its Fourth of July dinner in the Governor's Palace; the army was in full retreat; the army was to attack at daybreak.

When Channing turned in under the fruit-shed on the night of July 2d, there was but one press-boat remaining in the harbor. That was the Consolidated Press boat, and Keating himself was on the wharf, signalling for his dingy. Channing sprang to his feet and ran toward him, calling him by name. The thought that he must for another day remain so near the march of great events and yet not see and feel them for himself, was intolerable. He felt if it would pay his passage to the coast of Cuba, there was no sacrifice to which he would not stoop. Keating watched him approach, but without sign of recognition. His eyes were heavy and bloodshot.

"Keating," Channing begged, as he halted, panting, "won't you take me with you? I'll not be in the way, and I'll stoke or wait on table, or anything you want, if you'll only take me."

Keating's eyes opened and closed, sleepily. He removed an unlit cigar from his mouth and shook the wet end of it at Channing, as though it were an accusing finger.

"I know your game," he murmured, thickly. "You haven't got a boat and you want to steal a ride on mine—for your paper. You can't do it, you see, you can't do it."

One of the crew of the dingy climbed up the gangway of the wharf and took Keating by the elbow. He looked at him and then at Channing and winked. He was apparently accustomed to this complication. "I haven't got a paper, Keating," Channing argued, soothingly. "Who have you got to help you?" he asked. It came to him that there might be on the boat some Philip sober, to whom he could appeal from Philip drunk.

"I haven't got anyone to help me," Keating answered, with dignity. "I don't need anyone to help me." He placed his hand heavily and familiarly on the shoulder of the deck-hand. "You see that man?" he asked. "You see tha' man, do you? Well, tha' man he's too good for me an' you. Tha' man—used to be the best reporter in New York City, an' he was too good to hustle for news, an' now he's—now he can't get a job—see? Nobody'll have him, see? He's got to come and be a stoker."

He stamped his foot with indignation.

"You come an' be a stoker," he commanded. "How long you think I'm going to wait for a stoker? You stoker, come on board and be a stoker."

Channing smiled, guiltily, at his good fortune, He jumped into the bow of the dingy, and Keating fell heavily in the stern.

The captain of the press-boat helped Keating safely to a bunk in the cabin and received his instructions to proceed to Santiago Harbor. Then he joined Channing. "Mr. Keating is feeling bad to-night. That bombardment off Morro," he explained, tactfully, "was too exciting. We always let him sleep going across, and when we get there he's fresh as a daisy. What's this he tells me of your doing stoking?"

"I thought there might be another fight tomorrow, so I said I'd come as a stoker."

The captain grinned.

"Our Sam, that deck-hand, was telling me. He said Mr. Keating put it on you, sort of to spite you—is that so?"

"Oh, I wanted to come," said Channing.

The captain laughed, comprehendingly. "I guess we'll be in a bad way," he said, "when we need you in the engine-room." He settled himself for conversation, with his feet against the rail and his thumbs in his suspenders. The lamps of Port Antonio were sinking into the water, the moonlight was flooding the deck.

"That was quite something of a bombardment Sampson put up against Morro Castle this morning," he began, critically. He spoke of bombardments from the full experience of a man who had seen shells strike off Coney Island from the proving-grounds at Sandy Hook. But Channing heard him, eagerly. He begged the tugboat-captain to tell him what it looked like, and as the captain told him he filled it in and saw it as it really was.

"Perhaps they'll bombard again to-morrow," he hazarded, hopefully.

"We can't tell till we see how they're placed on the station," the captain answered. "If there's any firing we ought to hear it about eight o'clock to-morrow morning. We'll hear 'em before we see 'em."

Channing's conscience began to tweak him. It was time, he thought, that Keating should be aroused and brought up to the reviving air of the sea, but when he reached the foot of the companion-ladder, he found that Keating was already awake and in the act of drawing the cork from a bottle. His irritation against Channing had evaporated and he greeted him with sleepy good-humor.

"Why, it's ol' Charlie Channing," he exclaimed, drowsily. Channing advanced upon him swiftly.

"Here, you've had enough of that!" he commanded. "We'll be off Morro by breakfast-time. You don't want that."

Keating, giggling foolishly, pushed him from him and retreated with the bottle toward his berth. He lurched into it, rolled over with his face to the ship's side, and began breathing heavily.

"You leave me 'lone," he murmured, from the darkness of the bunk. "You mind your own business, you leave me 'lone."

Channing returned to the bow and placed the situation before the captain. That gentleman did not hesitate. He disappeared down the companion-way, and, when an instant later he returned, hurled a bottle over the ship's side.

The next morning when Channing came on deck the land was just in sight, a rampart of dark green mountains rising in heavy masses against the bright, glaring blue of the sky. He strained his eyes for the first sight of the ships, and his ears for the faintest echoes of distant firing, but there was no sound save the swift rush of the waters at the bow. The sea lay smooth and flat before him, the sun flashed upon it; the calm and hush of early morning hung over the whole coast of Cuba.

An hour later the captain came forward and stood at his elbow.

"How's Keating?" Channing asked. "I tried to wake him, but I couldn't."

The captain kept his binoculars to his eyes, and shut his lips grimly. "Mr. Keating's very bad," he said. "He had another bottle hidden somewhere, and all last night—" he broke off with a relieved sigh. "It's lucky for him," he added, lowering the glasses, "that there'll be no fight to-day."

Channing gave a gasp of disappointment. "What do you mean?" he protested.

"You can look for yourself," said the captain, handing him the glasses. "They're at their same old stations. There'll be no bombardment to-day. That's the Iowa, nearest us, the Oregon's to starboard of her, and the next is the Indiana. That little fellow close under the land is the Gloucester."

He glanced up at the mast to see that the press-boat's signal was conspicuous, they were drawing within range.

With the naked eye, Channing could see the monster, mouse-colored war-ships, basking in the sun, solemn and motionless in a great crescent, with its one horn resting off the harbor-mouth. They made great blots on the sparkling, glancing surface of the water. Above each superstructure, their fighting-tops, giant davits, funnels, and gibbet-like yards twisted into the air, fantastic and incomprehensible, but the bulk below seemed to rest solidly on the bottom of the ocean, like an island of lead. The muzzles of their guns peered from the turrets as from ramparts of rock.

Channing gave a sigh of admiration.

"Don't tell me they move," he said. "They're not ships, they're fortresses!"

On the shore there was no sign of human life nor of human habitation. Except for the Spanish flag floating over the streaked walls of Morro, and the tiny blockhouse on every mountain-top, the squadron might have been anchored off a deserted coast. The hills rose from the water's edge like a wall, their peaks green and glaring in the sun, their valleys dark with shadows. Nothing moved upon the white beach at their feet, no smoke rose from their ridges, not even a palm stirred. The great range slept in a blue haze of heat. But only a few miles distant, masked by its frowning front, lay a gayly colored, red-roofed city, besieged by encircling regiments, a broad bay holding a squadron of great war-ships, and gliding cat-like through its choked undergrowth and crouched among the fronds of its motionless palms were the ragged patriots of the Cuban army, silent, watchful, waiting. But the great range gave no sign. It frowned in the sunlight, grim and impenetrable.

"It's Sunday," exclaimed the captain. He pointed with his finger at the decks of the battleships, where hundreds of snow-white figures had gone to quarters. "It's church service," he said, "or it's general inspection."

Channing looked at his watch. It was thirty minutes past nine. "It's church service," he said. "I can see them carrying out the chaplain's reading-desk on the Indiana." The press-boat pushed her way nearer into the circle of battleships until their leaden-hued hulls towered high above her. On the deck of each, the ship's company stood, ranged in motionless ranks. The calm of a Sabbath morning hung about them, the sun fell upon them like a benediction, and so still was the air that those on the press-boat could hear, from the stripped and naked decks, the voices of the men answering the roll-call in rising monotone, "one, two, three, FOUR; one, two, three, FOUR." The white- clad sailors might have been a chorus of surpliced choir-boys.

But, up above them, the battle-flags, slumbering at the mast-heads, stirred restlessly and whimpered in their sleep.

Out through the crack in the wall of mountains, where the sea runs in to meet the waters of Santiago Harbor, and from behind the shield of Morro Castle, a great, gray ship, like a great, gray rat, stuck out her nose and peered about her, and then struck boldly for the open sea. High before her she bore the gold and blood-red flag of Spain, and, like a fugitive leaping from behind his prison-walls, she raced forward for her freedom, to give battle, to meet her death.

A shell from the Iowa shrieked its warning in a shrill crescendo, a flutter of flags painted their message against the sky. "The enemy's ships are coming out," they signalled, and the ranks of white-clad figures which the moment before stood motionless on the decks, broke into thousands of separate beings who flung themselves, panting, down the hatchways, or sprang, cheering, to the fighting-tops.

Heavily, but swiftly, as islands slip into the water when a volcano shakes the ocean-bed, the great battle-ships buried their bows in the sea, their sides ripped apart with flame and smoke, the thunder of their guns roared and beat against the mountains, and, from the shore, the Spanish forts roared back at them, until the air between was split and riven. The Spanish war-ships were already scudding clouds of smoke, pierced with flashes of red flame, and as they fled, fighting, their batteries rattled with unceasing, feverish fury. But the guns of the American ships, straining in pursuit, answered steadily, carefully, with relentless accuracy, with cruel persistence. At regular intervals they boomed above the hurricane of sound, like great bells tolling for the dead.

It seemed to Channing that he had lived through many years; that the strain of the spectacle would leave its mark upon his nerves forever. He had been buffeted and beaten by a storm of all the great emotions; pride of race and country, pity for the dead, agony for the dying, who clung to blistering armor-plates, or sank to suffocation in the sea; the lust of the hunter, when the hunted thing is a fellow-man; the joys of danger and of excitement, when the shells lashed the waves about him, and the triumph of victory, final, overwhelming and complete.

Four of the enemy's squadron had struck their colors, two were on the beach, broken and burning, two had sunk to the bottom of the sea, two were in abject flight. Three battle-ships were hammering them with thirteen-inch guns. The battle was won.

"It's all over," Channing said. His tone questioned his own words.

The captain of the tugboat was staring at the face of his silver watch, as though it were a thing bewitched. He was pale and panting. He looked at Channing, piteously, as though he doubted his own senses, and turned the face of the watch toward him.

"Twenty minutes!" Channing said. "Good God! Twenty minutes!"

He had been to hell and back again in twenty minutes. He had seen an empire, which had begun with Christopher Columbus and which had spread over two continents, wiped off the map in twenty minutes. The captain gave a sudden cry of concern. "Mr. Keating," he gasped. "Oh, Lord, but I forgot Mr. Keating. Where is Mr. Keating?"

"I went below twice," Channing answered. "He's insensible. See what you can do with him, but first—take me to the Iowa. The Consolidated Press will want the 'facts.'"

In the dark cabin the captain found Keating on the floor, where Channing had dragged him, and dripping with the water which Channing had thrown in his face. He was breathing heavily, comfortably. He was not concerned with battles.

With a megaphone, Channing gathered his facts from an officer of the Iowa, who looked like a chimney-sweep, and who was surrounded by a crew of half-naked pirates, with bodies streaked with sweat and powder.

Then he ordered all steam for Port Antonio, and, going forward to the chart-room, seated himself at the captain's desk, and, pushing the captain's charts to the floor, spread out his elbows, and began to write the story of his life.

In the joy of creating it, he was lost to all about him. He did not know that the engines, driven to the breaking-point, were filling the ship with their groans and protests, that the deck beneath his feet was quivering like the floor of a planing-mill, nor that his fever was rising again, and feeding on his veins. The turmoil of leaping engines and of throbbing pulses was confused with the story he was writing, and while his mind was inflamed with pictures of warring battle-ships, his body was swept by the fever, which overran him like an army of tiny mice, touching his hot skin with cold, tingling taps of their scampering feet.

From time to time the captain stopped at the door of the chart-room and observed him in silent admiration. To the man who with difficulty composed a letter to his family, the fact that Channing was writing something to be read by millions of people, and more rapidly than he could have spoken the same words, seemed a superhuman effort. He even hesitated to interrupt it by an offer of food.

But the fever would not let Channing taste of the food when they placed it at his elbow, and even as he pushed it away, his mind was still fixed upon the paragraph before him. He wrote, sprawling across the desk, covering page upon page with giant hieroglyphics, lighting cigarette after cigarette at the end of the last one, but with his thoughts far away, and, as he performed the act, staring uncomprehendingly at the captain's colored calendar pinned on the wall before him. For many months later the Battle of Santiago was associated in his mind with a calendar for the month of July, illuminated by a colored picture of six white kittens in a basket.

At three o'clock Channing ceased writing and stood up, shivering and shaking with a violent chill. He cursed himself for this weakness, and called aloud for the captain.

"I can't stop now," he cried. He seized the rough fist of the captain as a child clings to the hand of his nurse.

"Give me something," he begged. "Medicine, quinine, give me something to keep my head straight until it's finished. Go, quick," he commanded. His teeth were chattering, and his body jerked with sharp, uncontrollable shudders. The captain ran, muttering, to his medicine- chest.

"We've got one drunken man on board," he said to the mate, "and now we've got a crazy one. You mark my words, he'll go off his head at sunset."

But at sunset Channing called to him and addressed him sanely. He held in his hand a mass of papers carefully numbered and arranged, and he gave them up to the captain as though it hurt him to part with them.

"There's the story," he said. "You've got to do the rest. I can't—I- -I'm going to be very ill." He was swaying as he spoke. His eyes burned with the fever, and his eyelids closed of themselves. He looked as though he had been heavily drugged.

"You put that on the wire at Port Antonio," he commanded, faintly; "pay the tolls to Kingston. From there they are to send it by way of Panama, you understand, by the Panama wire."

"Panama!" gasped the captain. "Good Lord, that's two dollars a word." He shook out the pages in his hand until he found the last one. "And there's sixty-eight pages here," he expostulated. "Why the tolls will be five thousand dollars!" Channing dropped feebly to the bench of the chart-room and fell in a heap, shivering and trembling.

"I guess it's worth it," he murmured, drowsily.

The captain was still staring at the last page.

"But—but, look here," he cried, "you've—you've signed Mr. Keating's name to it! 'James R. Keating.' You've signed his name to it!"

Channing raised his head from his folded arms and stared at him dully.

"You don't want to get Keating in trouble, do you?" he asked with patience. "You don't want the C. P. to know why he couldn't write the best story of the war? Do you want him to lose his job? Of course you don't. Well, then, let it go as his story. I won't tell, and see you don't tell, and Keating won't remember."

His head sank back again upon his crossed arms. "It's not a bad story," he murmured.

But the captain shook his head; his loyalty to his employer was still uppermost. "It doesn't seem right!" he protested. "It's a sort of a liberty, isn't it, signing another man's name to it, it's a sort of forgery."

Channing made no answer. His eyes were shut and he was shivering violently, hugging himself in his arms.

A quarter of an hour later, when the captain returned with fresh quinine, Channing sat upright and saluted him.

"Your information, sir," he said, addressing the open door politely, "is of the greatest value. Tell the executive officer to proceed under full steam to Panama. He will first fire a shot across her bows, and then sink her!" He sprang upright and stood for a moment, sustained by the false strength of the fever. "To Panama, you hear me!" he shouted. He beat the floor with his foot. "Faster, faster, faster," he cried. "We've got a great story! We want a clear wire, we want the wire clear from Panama to City Hall. It's the greatest story ever written—full of facts, facts, facts, facts for the Consolidated Press—and Keating wrote it. I tell you, Keating wrote it. I saw him write it. I was a stoker on the same ship."

The mate and crew came running forward and stood gaping stupidly through the doors and windows of the chart-room. Channing welcomed them joyously, and then crumpled up in a heap and pitched forward into the arms of the captain. His head swung weakly from shoulder to shoulder.

"I beg your pardon," he muttered, "I beg your pardon, captain, but your engine-room is too hot. I'm only a stoker and I know my place, sir, but I tell you, your engine-room is too hot. It's a burning hell, sir, it's a hell!"

The captain nodded to the crew and they closed in on him, and bore him, struggling feebly, to a bunk in the cabin below. In the berth opposite, Keating was snoring peacefully.

After the six weeks' siege the Fruit Company's doctor told Channing he was cured, and that he might walk abroad. In this first walk he found that, during his illness, Port Antonio had reverted to her original condition of complete isolation from the world, the press- boats had left her wharves, the correspondents had departed from the veranda of her only hotel, the war was over, and the Peace Commissioners had sailed for Paris. Channing expressed his great gratitude to the people of the hotel and to the Fruit Company's doctor. He made it clear to them that if they ever hoped to be paid those lesser debts than that of gratitude which he still owed them, they must return him to New York and Newspaper Row. It was either that, he said, or, if they preferred, he would remain and work out his indebtedness, checking bunches of bananas at twenty dollars a month. The Fruit Company decided it would be paid more quickly if Channing worked at his own trade, and accordingly sent him North in one of its steamers. She landed him in Boston, and he borrowed five dollars from the chief engineer to pay his way to New York.

It was late in the evening of the same day when he stepped out of the smoking-car into the roar and riot of the Grand Central Station. He had no baggage to detain him, and, as he had no money either, he made his way to an Italian restaurant where he knew they would trust him to pay later for what he ate. It was a place where the newspaper men were accustomed to meet, men who knew him, and who, until he found work, would lend him money to buy a bath, clean clothes, and a hall bedroom.

Norris, the World man, greeted him as he entered the door of the restaurant, and hailed him with a cry of mingled fright and pleasure.

"Why, we didn't know but you were dead," he exclaimed. "The boys said when they left Kingston you weren't expected to live. Did you ever get the money and things we sent you by the Red Cross boat?"

Channing glanced at himself and laughed.

"Do I look it?" he asked. He was wearing the same clothes in which he had slept under the fruit-sheds at Port Antonio. They had been soaked and stained by the night-dews and by the sweat of the fever.

"Well, it's great luck, your turning up here just now," Norris assured him, heartily. "That is, if you're as hungry as the rest of the boys are who have had the fever. You struck it just right; we're giving a big dinner here to-night," he explained, "one of Maria's best. You come in with me. It's a celebration for old Keating, a farewell blow-out."

Channing started and laughed.

"Keating?" he asked. "That's funny," he said. "I haven't seen him since—since before I was ill."

"Yes, old Jimmie Keating. You've got nothing against him, have you?"

Channing shook his head vehemently, and Norris glanced back complacently toward the door of the dining-room, from whence came the sound of intimate revelry.

"You might have had, once," Norris said, laughing; "we were all up against him once. But since he's turned out such a wonder and a war- hero, we're going to recognize it. They're always saying we newspaper men have it in for each other, and so we're just giving him this subscription-dinner to show it's not so. He's going abroad, you know. He sails to-morrow morning."

"No, I didn't know," said Channing.

"Of course not, how could you? Well, the Consolidated Press's sending him and his wife to Paris. He's to cover the Peace negotiations there. It's really a honeymoon-trip at the expense of the C. P. It's their reward for his work, for his Santiago story, and the beat and all that—"

Channing's face expressed his bewilderment.

Norris drew back dramatically.

"Don't tell me," he exclaimed, "that you haven't heard about that!"

Channing laughed a short, frightened laugh, and moved nearer to the street.

"No," he said. "No, I hadn't."

"Yes, but, good Lord! it was the story of the war. You never read such a story! And he got it through by Panama a day ahead of all the other stories! And nobody read them, anyway. Why, Captain Mahan said it was 'naval history,' and the Evening Post had an editorial on it, and said it was 'the only piece of literature the war has produced.' We never thought Keating had it in him, did you? The Consolidated Press people felt so good over it that they've promised, when he comes back from Paris, they'll make him their Washington correspondent. He's their 'star' reporter now. It just shows you that the occasion produces the man. Come on in, and have a drink with him."

Channing pulled his arm away, and threw a frightened look toward the open door of the dining-room. Through the layers of tobacco-smoke he saw Keating seated at the head of a long, crowded table, smiling, clear-eyed, and alert.

"Oh, no, I couldn't," he said, with sudden panic. "I can't drink; doctor won't let me. I wasn't coming in, I was just passing when I saw you. Good-night, I'm much obliged. Good-night."

But the hospitable Norris would not be denied.

"Oh, come in and say 'good-by' to him, anyhow," he insisted. "You needn't stay."

"No, I can't," Channing protested. "I—they'd make me drink or eat and the doctor says I can't. You mustn't tempt me. You say 'good-by' to him for me," he urged. "And Norris—tell him—tell him—that I asked you to say to him, 'It's all right,' that's all, just that, 'It's all right.' He'll understand."

There was the sound of men's feet scraping on the floor, and of chairs being moved from their places.

Norris started away eagerly. "I guess they're drinking his health," he said. "I must go. I'll tell him what you said, 'It's all right.' That's enough, is it? There's nothing more?"

Channing shook his head, and moved away from the only place where he was sure to find food and a welcome that night.

"There's nothing more," he said.

As he stepped from the door and stood irresolutely in the twilight of the street, he heard the voices of the men who had gathered in Keating's honor upraised in a joyous chorus.

"For he's a jolly good fellow," they sang, "for he's a jolly good fellow, which nobody can deny!"



LA LETTRE D'AMOUR

When Bardini, who led the Hungarian Band at the Savoy Restaurant, was promoted to play at the Casino at Trouville, his place was taken by the second violin. The second violin was a boy, and when he greeted his brother Tziganes and the habitues of the restaurant with an apologetic and deprecatory bow, he showed that he was fully conscious of the inadequacy of his years. The maitre d'hotel glided from table to table, busying himself in explanations.

"The boy's name is Edouard; he comes from Budapest," he said. "The season is too late to make it worth the while of the management to engage a new chef d'orchestre. So this boy will play. He plays very good, but he is not like Bardini."

He was not in the least like Bardini. In appearance, Bardini suggested a Roumanian gypsy or a Portuguese sailor; his skin was deeply tanned, his hair was plastered on his low forehead in thick, oily curls, and his body, through much rich living on the scraps that fell from the tables of Girot's and the Casino des Fleurs, was stout and gross. He was the typical leader of an orchestra condemned to entertain a noisy restaurant. His school of music was the school of Maxim's. To his skill with the violin he had added the arts of the head waiter, and he and the cook ran a race for popularity, he pampering to one taste, and the cook, with his sauces, pampering to another. When so commanded, his pride as an artist did not prevent him from breaking off in the middle of Schubert's Serenade to play Daisy Bell, nor was he above breaking it off on his own accord to salute the American patron, as he entered with the Belle of New York, or any one of the Gaiety Girls, hurrying in late for supper, with the Soldiers in the Park. When he walked slowly through the restaurant, pausing at each table, his eyes, even while they ogled the women to whom he played, followed the brother Tzigane—who was passing the plate—and noted which of the patrons gave silver and which gave gold.

Edouard, the second violin, was all that Bardini was not, consequently he was entirely unsuited to lead an orchestra in a restaurant. Indeed, so little did he understand of what was required of him that on the only occasion when Bardini sent him to pass the plate he was so unsophisticated as not to hide the sixpences and shillings under the napkin, and so leave only the half-crowns and gold pieces exposed. And, instead of smiling mockingly at those who gave the sixpences, and waiting for them to give more, he even looked grateful, and at the same time deeply ashamed. He differed from Bardini also in that he was very thin and tall, with the serious, smooth-shaven face of a priest. Except for his fantastic costume, there was nothing about him to recall the poses of the musician: his hair was neither long nor curly; it lay straight across his forehead and flat on either side, and when he played, his eyes neither sought out the admiring auditor nor invited his applause. On the contrary, they looked steadfastly ahead. It was as though they belonged to someone apart, who was listening intently to the music. But in the waits between the numbers the boy's eyes turned from table to table, observing the people in his audience. He knew nearly all of them by sight: the head waiters who brought him their "commands," and his brother-musicians, had often discussed them in his hearing. They represented every city of the world, every part of the social edifice: there were those who came to look at the spectacle, and those who came to be looked at; those who gave a dinner for the sake of the diners, those who dined for the dinner alone. To some the restaurant was a club; others ventured in counting the cost, taking it seriously, even considering that it conferred upon them some social distinction. There were pretty women in paint and spangles, with conscious, half-grown boys just up from Oxford; company- promoters dining and wining possible subscribers or "guinea-pigs" into an acquiescent state; Guardsmen giving a dinner of farewell to brother-officers departing for the Soudan or the Cape; wide-eyed Americans just off the steamer in high dresses, great ladies in low dresses and lofty tiaras, and ladies of the stage, utterly unconscious of the boon they were conferring on the people about them, who, an hour before, had paid ten shillings to look at them from the stalls.

Edouard, as he sat with his violin on his knee, his fingers fretting the silent strings, observed them all without envy and without interest. Had he been able to choose, it would not have been to such a well-dressed mob as this that he would have given his music. For at times a burst of laughter killed a phrase that was sacred to him, and sometimes the murmur of the voices and the clatter of the waiters would drown him out altogether. But the artist in him forced him to play all things well, and for his own comfort he would assure himself that no doubt somewhere in the room someone was listening, someone who thought more of the strange, elusive melodies of the Hungarian folksongs than of the chefs entrees, and that for this unknown one he must be true to himself and true to his work. Covertly, he would seek out some face to which he could make the violin speak—not openly and impertinently, as did Bardini, but secretly and for sympathy, so that only one could understand. It pleased young Edouard to see such a one raise her head as though she had heard her name spoken, and hold it poised to listen, and turn slowly in her chair, so completely engaged that she forgot the man at her elbow, and the food before her was taken away untouched. It delighted him to think that she knew that the music was speaking to her alone. But he would not have had her think that the musician spoke, too—it was the soul of the music, not his soul, that was reaching out to the pretty stranger. When his soul spoke through the music it would not be, so he assured himself, to such chatterers as gathered on the terrace of the Savoy Restaurant.

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