Lucy Maud Montgomery Short Stories, 1902 to 1903
by Lucy Maud Montgomery
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"When Dolly was twelve years old Charles went to New Orleans on business, and while there took yellow fever and died. He was buried there, and Dolly half broke her childish heart over his death.

"One day, five years later, when Dolly was seventeen, I was writing letters in my library. That very morning my wife and Dolly had gone to New York en route for Europe. Dolly was going to school in Paris for a year. Business prevented my accompanying them even as far as New York, but Gilbert Chester, my wife's brother, was going with them. They were to sail on the Aragon the next morning.

"I had written steadily for about an hour. At last, growing tired, I threw down my pen and, leaning back in my chair, was on the point of lighting a cigar when an unaccountable impulse made me turn round. I dropped my cigar and sprang to my feet in amazement. There was only one door in the room and I had all along been facing it. I could have sworn nobody had entered, yet there, standing between me and the bookcase, was a man—and that man was my brother Charles!

"There was no mistaking him; I saw him as plainly as I see you. He was a tall, rather stout man, with curly hair and a fair, close-clipped beard. He wore the same light-grey suit which he had worn when bidding us good-bye on the morning of his departure for New Orleans. He had no hat on, but wore spectacles, and was standing in his old favourite attitude, with his hands behind him.

"I want you to understand that at this precise moment, although I was surprised beyond measure, I was not in the least frightened, because I did not for a moment suppose that what I saw was—well, a ghost or apparition of any sort. The thought that flashed across my bewildered brain was simply that there had been some absurd mistake somewhere, and that my brother had never died at all, but was here, alive and well. I took a hasty step towards him.

"'Good heavens, old fellow!' I exclaimed. 'Where on earth have you come from? Why, we all thought you were dead!'

"I was quite close to him when I stopped abruptly. Somehow I couldn't move another step. He made no motion, but his eyes looked straight into mine.

"'Do not let Dolly sail on the Aragon tomorrow,' he said in slow, clear tones that I heard distinctly.

"And then he was gone yes, Jack, I know it is a very conventional way of ending up a ghost story, but I have to tell you just what occurred, or at least what I thought occurred. One moment he was there and the next moment he wasn't. He did not pass me or go out of the door.

"For a few moments I felt dazed. I was wide awake and in my right and proper senses so far as I could judge, and yet the whole thing seemed incredible. Scared? No, I wasn't conscious of being scared. I was simply bewildered.

"In my mental confusion one thought stood out sharply—Dolly was in danger of some kind, and if the warning was really from a supernatural source, it must not be disregarded. I rushed to the station and, having first wired to my wife not to sail on the Aragon, I found that I could connect with the five-fifteen train for New York. I took it with the comfortable consciousness that my friends would certainly think I had gone out of my mind.

"I arrived in New York at eight o'clock the next morning and at once drove to the hotel where my wife, daughter and brother-in-law were staying. I found them greatly mystified by my telegram. I suppose my explanation was a very lame one. I know I felt decidedly like a fool. Gilbert laughed at me and said I had dreamed the whole thing. Virginia was perplexed, but Dolly accepted the warning unhesitatingly.

"'Of course it was Uncle Charley,' she said confidently. 'We will not sail on the Aragon now.'

"Gilbert had to give in to this decision with a very bad grace, and the Aragon sailed that day minus three of her intended passengers.

"Well, you've all heard of the historic collision between the Aragon and the Astarte in a fog, and the fearful loss of life it involved. Gilbert didn't laugh when the news came, I assure you. Virginia and Dolly sailed a month later on the Marseilles, and reached the other side in safety. That's all the story, boys—the only experience of the kind I ever had," concluded Davenport.

We had many questions to ask and several theories to advance. Jack said Davenport had dreamed it and that the collision of the Aragon and the Astarte was simply a striking coincidence. But Davenport merely smiled at all our suggestions and, as it cleared up just about three, we told no more ghost stories.

Emily's Husband

Emily Fair got out of Hiram Jameson's waggon at the gate. She took her satchel and parasol and, in her clear, musical tones, thanked him for bringing her home. Emily had a very distinctive voice. It was very sweet always and very cold generally; sometimes it softened to tenderness with those she loved, but in it there was always an undertone of inflexibility and reserve. Nobody had ever heard Emily Fair's voice tremble.

"You are more than welcome, Mrs. Fair," said Hiram Jameson, with a glance of bold admiration. Emily met it with an unflinching indifference. She disliked Hiram Jameson. She had been furious under all her external composure because he had been at the station when she left the train.

Jameson perceived her scorn, but chose to disregard it.

"Proud as Lucifer," he thought as he drove away. "Well, she's none the worse of that. I don't like your weak women—they're always sly. If Stephen Fair don't get better she'll be free and then—"

He did not round out the thought, but he gloated over the memory of Emily, standing by the gate in the harsh, crude light of the autumn sunset, with her tawny, brown hair curling about her pale, oval face and the scornful glint in her large, dark-grey eyes.

Emily stood at the gate for some time after Jameson's waggon had disappeared. When the brief burst of sunset splendour had faded out she turned and went into the garden where late asters and chrysanthemums still bloomed. She gathered some of the more perfect ones here and there. She loved flowers, but to-night the asters seemed to hurt her, for she presently dropped those she had gathered and deliberately set her foot on them.

A sudden gust of wind came over the brown, sodden fields and the ragged maples around the garden writhed and wailed. The air was raw and chill. The rain that had threatened all day was very near. Emily shivered and went into the house.

Amelia Phillips was bending over the fire. She came forward and took Emily's parcels and wraps with a certain gentleness that sat oddly on her grim personality.

"Are you tired? I'm glad you're back. Did you walk from the station?"

"No. Hiram Jameson was there and offered to drive me home. I'd rather have walked. It's going to be a storm, I think. Where is John?"

"He went to the village after supper," answered Amelia, lighting a lamp. "We needed some things from the store."

The light flared up as she spoke and brought out her strong, almost harsh features and deep-set black eyes. Amelia Phillips looked like an overdone sketch in charcoal.

"Has anything happened in Woodford while I've been away?" asked Emily indifferently. Plainly she did not expect an affirmative answer. Woodford life was not eventful.

Amelia glanced at her sharply. So she had not heard! Amelia had expected that Hiram Jameson would have told her. She wished that he had, for she never felt sure of Emily. The older sister knew that beneath that surface reserve was a passionate nature, brooking no restraint when once it overleaped the bounds of her Puritan self-control. Amelia Phillips, with all her naturally keen insight and her acquired knowledge of Emily's character, had never been able to fathom the latter's attitude of mind towards her husband. From the time that Emily had come back to her girlhood's home, five years before, Stephen Fair's name had never crossed her lips.

"I suppose you haven't heard that Stephen is very ill," said Amelia slowly.

Not a feature of Emily's face changed. Only in her voice when she spoke was a curious jarring, as if a false note had been struck in a silver melody.

"What is the matter with him?"

"Typhoid," answered Amelia briefly. She felt relieved that Emily had taken it so calmly. Amelia hated Stephen Fair with all the intensity of her nature because she believed that he had treated Emily ill, but she had always been distrustful that Emily in her heart of hearts loved her husband still. That, in Amelia Phillips' opinion, would have betrayed a weakness not to be tolerated.

Emily looked at the lamp unwinkingly.

"That wick needs trimming," she said. Then, with a sudden recurrence of the untuneful note:

"Is he dangerously ill?"

"We haven't heard for three days. The doctors were not anxious about him Monday, though they said it was a pretty severe case."

A faint, wraith-like change of expression drifted over Emily's beautiful face and was gone in a moment. What was it—relief? Regret? It would have been impossible to say. When she next spoke her vibrant voice was as perfectly melodious as usual.

"I think I will go to bed, Amelia. John will not be back until late I suppose, and I am very tired. There comes the rain. I suppose it will spoil all the flowers. They will be beaten to pieces."

In the dark hall Emily paused for a moment and opened the front door to be cut in the face with a whip-like dash of rain. She peered out into the thickly gathering gloom. Beyond, in the garden, she saw the asters tossed about, phantom-like. The wind around the many-cornered old farmhouse was full of wails and sobs.

The clock in the sitting-room struck eight. Emily shivered and shut the door. She remembered that she had been married at eight o'clock that very morning seven years ago. She thought she could see herself coming down the stairs in her white dress with her bouquet of asters. For a moment she was glad that those mocking flowers in the garden would be all beaten to death before morning by the lash of wind and rain.

Then she recovered her mental poise and put the hateful memories away from her as she went steadily up the narrow stairs and along the hall with its curious slant as the house had settled, to her own room under the north-western eaves.

When she had put out her light and gone to bed she found that she could not sleep. She pretended to believe that it was the noise of the storm that kept her awake. Not even to herself would Emily confess that she was waiting and listening nervously for John's return home. That would have been to admit a weakness, and Emily Fair, like Amelia, despised weakness.

Every few minutes a gust of wind smote the house, with a roar as of a wild beast, and bombarded Emily's window with a volley of rattling drops. In the silences that came between the gusts she heard the soft, steady pouring of the rain on the garden paths below, mingled with a faint murmur that came up from the creek beyond the barns where the pine boughs were thrashing in the storm. Emily suddenly thought of a weird story she had once read years before and long forgotten—a story of a soul that went out in a night of storm and blackness and lost its way between earth and heaven. She shuddered and drew the counterpane over her face.

"Of all things I hate a fall storm most," she muttered. "It frightens me."

Somewhat to her surprise—for even her thoughts were generally well under the control of her unbending will—she could not help thinking of Stephen—thinking of him not tenderly or remorsefully, but impersonally, as of a man who counted for nothing in her life. It was so strange to think of Stephen being ill. She had never known him to have a day's sickness in his life before. She looked back over her life much as if she were glancing with a chill interest at a series of pictures which in no way concerned her. Scene after scene, face after face, flashed out on the background of the darkness.

Emily's mother had died at her birth, but Amelia Phillips, twenty years older than the baby sister, had filled the vacant place so well and with such intuitive tenderness that Emily had never been conscious of missing a mother. John Phillips, too, the grave, silent, elder brother, loved and petted the child. Woodford people were fond of saying that John and Amelia spoiled Emily shamefully.

Emily Phillips had never been like the other Woodford girls and had no friends of her own age among them. Her uncommon beauty won her many lovers, but she had never cared for any of them until Stephen Fair, fifteen years her senior, had come a-wooing to the old, gray, willow-girdled Phillips homestead.

Amelia and John Phillips never liked him. There was an ancient feud between the families that had died out among the younger generation, but was still potent with the older.

From the first Emily had loved Stephen. Indeed, deep down in her strange, wayward heart, she had cared for him long before the memorable day when he had first looked at her with seeing eyes and realized that the quiet, unthought-of child who had been growing up at the old Phillips place had blossomed out into a woman of strange, seraph-like beauty and deep grey eyes whose expression was nevermore to go out of Stephen Fair's remembrance from then till the day of his death.

John and Amelia Phillips put their own unjustifiable dislike of Stephen aside when they found that Emily's heart was set on him. The two were married after a brief courtship and Emily went out from her girlhood's home to the Fair homestead, two miles away.

Stephen's mother lived with them. Janet Fair had never liked Emily. She had not been willing for Stephen to marry her. But, apart from this, the woman had a natural, ineradicable love of making mischief and took a keen pleasure in it. She loved her son and she had loved her husband, but nevertheless, when Thomas Fair had been alive she had fomented continual strife and discontent between him and Stephen. Now it became her pleasure to make what trouble she could between Stephen and his wife.

She had the advantage of Emily in that she was always sweet-spoken and, on the surface, sweet-tempered. Emily, hurt and galled in a score of petty ways, so subtle that they were beyond a man's courser comprehension, astonished her husband by her fierce outbursts of anger that seemed to him for the most part without reason or excuse. He tried his best to preserve the peace between his wife and mother; and when he failed, not understanding all that Emily really endured at the elder woman's merciless hands, he grew to think her capricious and easily irritated—a spoiled child whose whims must not be taken too seriously.

To a certain extent he was right. Emily had been spoiled. The unbroken indulgence which her brother and sister had always accorded her had fitted her but poorly to cope with the trials of her new life. True, Mrs. Fair was an unpleasant woman to live with, but if Emily had chosen to be more patient under petty insults, and less resentful of her husband's well-meant though clumsy efforts for harmony, the older woman could have effected real little mischief. But this Emily refused to be, and the breach between husband and wife widened insidiously.

The final rupture came two years after their marriage. Emily, in rebellious anger, told her husband that she would no longer live in the same house with his mother.

"You must choose between us," she said, her splendid voice vibrating with all the unleashed emotion of her being, yet with no faltering in it. "If she stays I go."

Stephen Fair, harassed and bewildered, was angry with the relentless anger of a patient man roused at last.

"Go, then," he said sternly, "I'll never turn my mother from my door for any woman's whim."

The stormy red went out of Emily's face, leaving it like a marble wash.

"You mean that!" she said calmly. "Think well. If I go I'll never return."

"I do mean it," said Stephen. "Leave my house if you will—if you hold your marriage vow so lightly. When your senses return you are welcome to come back to me. I will never ask you to."

Without another word Emily turned away. That night she went back to John and Amelia. They, on their part, welcomed her back gladly, believing her to be a wronged and ill-used woman. They hated Stephen Fair with a new and personal rancour. The one thing they could hardly have forgiven Emily would have been the fact of her relenting towards him.

But she did not relent. In her soul she knew that, with all her just grievances, she had been in the wrong, and for that she could not forgive him!

Two years after she had left Stephen Mrs. Fair died, and his widowed sister-in-law went to keep house for him. If he thought of Emily he made no sign. Stephen Fair never broke a word once passed.

Since their separation no greeting or look had ever passed between husband and wife. When they met, as they occasionally did, neither impassive face changed. Emily Fair had buried her love deeply. In her pride and anger she would not let herself remember even where she had dug its grave.

And now Stephen was ill. The strange woman felt a certain pride in her own inflexibility because the fact did not affect her. She told herself that she could not have felt more unconcerned had he been the merest stranger. Nevertheless she waited and watched for John Phillips' homecoming.

At ten o'clock she heard his voice in the kitchen. She leaned out of the bed and pulled open her door. She heard voices below, but could not distinguish the words, so she rose and went noiselessly out into the hall, knelt down by the stair railing and listened. The door of the kitchen was open below her and a narrow shaft of light struck on her white, intent face. She looked like a woman waiting for the decree of doom.

At first John and Amelia talked of trivial matters. Then the latter said abruptly:

"Did you hear how Stephen Fair was?"

"He's dying," was the brief response.

Emily heard Amelia's startled exclamation. She gripped the square rails with her hands until the sharp edges dinted deep into her fingers. John's voice came up to her again, harsh and expressionless:

"He took a bad turn the day before yesterday and has been getting worse ever since. The doctors don't expect him to live till morning."

Amelia began to talk rapidly in low tones. Emily heard nothing further. She got up and went blindly back into her room with such agony tearing at her heartstrings that she dully wondered why she could not shriek aloud.

Stephen—her husband—dying! In the burning anguish of that moment her own soul was as an open book before her. The love she had buried rose from the deeps of her being in an awful, accusing resurrection.

Out of her stupor and pain a purpose formed itself clearly. She must go to Stephen—she must beg and win his forgiveness before it was too late. She dared not go down to John and ask him to take her to her husband. He might refuse. The Phillipses had been known to do even harder things than that. At the best there would be a storm of protest and objection on her brother's and sister's part, and Emily felt that she could not encounter that in her present mood. It would drive her mad.

She lit a lamp and dressed herself noiselessly, but with feverish haste. Then she listened. The house was very still. Amelia and John had gone to bed. She wrapped herself in a heavy woollen shawl hanging in the hall and crept downstairs. With numbed fingers she fumbled at the key of the hall door, turned it and slipped out into the night.

The storm seemed to reach out and clutch her and swallow her up. She went through the garden, where the flowers already were crushed to earth; she crossed the long field beyond, where the rain cut her face like a whip and the wind almost twisted her in its grasp like a broken reed. Somehow or other, more by blind instinct than anything else, she found the path that led through commons and woods and waste valleys to her lost home.

In after years that frenzied walk through the storm and blackness seemed as an unbroken nightmare to Emily Fair's recollection. Often she fell. Once as she did so a jagged, dead limb of fir struck her forehead and cut in it a gash that marked her for life. As she struggled to her feet and found her way again the blood trickled down over her face.

"Oh God, don't let him die before I get to him—don't—don't—don't!" she prayed desperately with more of defiance than entreaty in her voice. Then, realizing this, she cried out in horror. Surely some fearsome punishment would come upon her for her wickedness—she would find her husband lying dead.

When Emily opened the kitchen door of the Fair homestead Almira Sentner cried out in her alarm, who or what was this creature with the white face and wild eyes, with her torn and dripping garments and dishevelled, wind-writhen hair and the big drops of blood slowly trickling from her brow?

The next moment she recognized Emily and her face hardened. This woman, Stephen's sister-in-law, had always hated Emily Fair.

"What do you want here?" she said harshly.

"Where is my husband?" asked Emily.

"You can't see him," said Mrs. Sentner defiantly. "The doctors won't allow anyone in the room but those he's used to. Strangers excite him."

The insolence and cruelty of her speech fell on unheeding ears. Emily, understanding only that her husband yet lived, turned to the hall door.

"Stand back!" she said in a voice that was little more than a thrilling whisper, but which yet had in it something that cowed Almira Sentner's malice. Sullenly she stood aside and Emily went unhindered up the stairs to the room where the sick man lay.

The two doctors in attendance were there, together with the trained nurse from the city. Emily pushed them aside and fell on her knees by the bed. One of the doctors made a hasty motion as if to draw her back, but the other checked him.

"It doesn't matter now," he said significantly.

Stephen Fair turned his languid, unshorn head on the pillow. His dull, fevered eyes met Emily's. He had not recognized anyone all day, but he knew his wife.

"Emily!" he whispered.

Emily drew his head close to her face and kissed his lips passionately.

"Stephen, I've come back to you. Forgive me—forgive me—say that you forgive me."

"It's all right, my girl," he said feebly.

She buried her face in the pillow beside his with a sob.

In the wan, grey light of the autumn dawn the old doctor came to the bedside and lifted Emily to her feet. She had not stirred the whole night. Now she raised her white face with dumb pleading in her eyes. The doctor glanced at the sleeping form on the bed.

"Your husband will live, Mrs. Fair," he said gently. "I think your coming saved him. His joy turned the ebbing tide in favour of life."

"Thank God!" said Emily.

And for the first time in her life her beautiful voice trembled.


The morning sun hung, a red, lustreless ball, in the dull grey sky. A light snow had fallen in the night and the landscape, crossed by spider-like trails of fences, was as white and lifeless as if wrapped in a shroud.

A young man was driving down the road to Rykman's Corner; the youthful face visible above the greatcoat was thoughtful and refined, the eyes deep blue and peculiarly beautiful, the mouth firm yet sensitive. It was not a handsome face, but there was a strangely subtle charm about it.

The chill breathlessness of the air seemed prophetic of more snow. The Reverend Allan Telford looked across the bare wastes and cold white hills and shivered, as if the icy lifelessness about him were slowly and relentlessly creeping into his own heart and life.

He felt utterly discouraged. In his soul he was asking bitterly what good had come of all his prayerful labours among the people of this pinched, narrow world, as rugged and unbeautiful in form and life as the barren hills that shut them in.

He had been two years among them and he counted it two years of failure. He had been too outspoken for them; they resented sullenly his direct and incisive tirades against their pet sins. They viewed his small innovations on their traditional ways of worship with disfavour and distrust and shut him out of their lives with an ever-increasing coldness. He had meant well and worked hard and he felt his failure keenly.

His thoughts reverted to a letter received the preceding day from a former classmate, stating that the pastorate of a certain desirable town church had become vacant and hinting that a call was to be moderated for him unless he signified his unwillingness to accept.

Two years before, Allan Telford, fresh from college and full of vigorous enthusiasm and high ideas, would have said:

"No, that is not for me. My work must lie among the poor and lowly of earth as did my Master's. Shall I shrink from it because, to worldly eyes, the way looks dreary and uninviting?"

Now, looking back on his two years' ministry, he said wearily:

"I can remain here no longer. If I do, I fear I shall sink down into something almost as pitiful as one of these canting, gossiping people myself. I can do them no good—they do not like or trust me. I will accept this call and go back to my own world."

Perhaps the keynote of his failure was sounded in his last words, "my own world." He had never felt, or tried to feel, that this narrow sphere was his own world. It was some lower level to which he had come with good tidings and honest intentions but, unconsciously, he had held himself above it, and his people felt and resented this. They expressed it by saying he was "stuck-up."

Rykman's Corner came into view as he drove over the brow of a long hill. He hated the place, knowing it well for what it was—a festering hotbed of gossip and malice, the habitat of all the slanderous rumours and innuendoes that permeated the social tissue of the community. The newest scandal, the worst-flavoured joke, the latest details of the most recent quarrel, were always to be had at Rykman's store.

As the minister drove down the hill, a man came out of a small house at the foot and waited on the road. Had it been possible Telford would have pretended not to see him, but it was not possible, for Isaac Galletly meant to be seen and hailed the minister cheerfully.

"Good mornin', Mr. Telford. Ye won't mind giving me a lift down to the Corner, I dessay?"

Telford checked his horse reluctantly and Galletly crawled into the cutter. He was that most despicable of created beings, a male gossip, and he spent most of his time travelling from house to house in the village, smoking his pipe in neighbourly kitchens and fanning into an active blaze all the smouldering feuds of the place. He had been nicknamed "The Morning Chronicle" by a sarcastic schoolteacher who had sojourned a winter at the Corner. The name was an apt one and clung. Telford had heard it.

I suppose he is starting out on his rounds now, he thought.

Galletly plunged undauntedly into the conversational gap.

"Quite a fall of snow last night. Reckon we'll have more 'fore long. That was a grand sermon ye gave us last Sunday, Mr. Telford. Reckon it went home to some folks, judgin' from all I've heard. It was needed and that's a fact. 'Live peaceably with all men'—that's what I lay out to do. There ain't a house in the district but what I can drop into and welcome. 'Tain't everybody in Rykman's Corner can say the same."

Galletly squinted out of the corner of his eye to see if the minister would open on the trail of this hint. Telford's passive face was discouraging but Galletly was not to be baffled.

"I s'pose ye haven't heard about the row down at Palmers' last night?"


The monosyllable was curt. Telford was vainly seeking to nip Galletly's gossip in the bud. The name of Palmer conveyed no especial meaning to his ear. He knew where the Palmer homestead was, and that the plaintive-faced, fair-haired woman, whose name was Mrs. Fuller and who came to church occasionally, lived there. His knowledge went no further. He had called three times and found nobody at home—at least, to all appearances. Now he was fated to have the whole budget of some vulgar quarrel forced on him by Galletly.

"No? Everyone's talkin' of it. The long and short of it is that Min Palmer has had a regular up-and-down row with Rose Fuller and turned her and her little gal out of doors. I believe the two women had an awful time. Min's a Tartar when her temper's up—and that's pretty often. Nobody knows how Rose managed to put up with her so long. But she has had to go at last. Goodness knows what the poor critter'll do. She hasn't a cent nor a relation—she was just an orphan girl that Palmer brought up. She is at Rawlingses now. Maybe when Min cools off, she'll let her go back but it's doubtful. Min hates her like p'isen."

To Telford this was all very unintelligible. But he understood that Mrs. Fuller was in trouble of some kind and that it was his duty to help her if possible, although he had an odd and unaccountable aversion to the woman, for which he had often reproached himself.

"Who is this woman you call Min Palmer?" he said coldly. "What are the family circumstances? I ought to know, perhaps, if I am to be of any service—but I have no wish to hear idle gossip."

His concluding sentence was quite unheeded by Galletly.

"Min Palmer's the worst woman in Rykman's Corner—or out of it. She always was an odd one. I mind her when she was a girl—a saucy, black-eyed baggage she was! Handsome, some folks called her. I never c'd see it. Her people were a queer crowd and Min was never brung up right—jest let run wild all her life. Well, Rod Palmer took to dancin' attendance on her. Rod was a worthless scamp. Old Palmer was well off and Rod was his only child, but this Rose lived there and kept house for them after Mis' Palmer died. She was a quiet, well-behaved little creetur. Folks said the old man wanted Rod to marry her—dunno if 'twas so or not. In the end, howsomever, he had to marry Min. Her brother got after him with a horse-whip, ye understand. Old Palmer was furious but he had to give in and Rod brought her home. She was a bit sobered down by her trouble and lived quiet and sullen-like at first. Her and Rod fought like cat and dog. Rose married Osh Fuller, a worthless, drunken fellow. He died in a year or so and left Rose and her baby without a roof over their heads. Then old Palmer went and brought her home. He set great store by Rose and he c'dn't bear Min. Min had to be civil to Rose as long as old Palmer lived. Fin'lly Rod up and died and 'twasn't long before his father went too. Then the queer part came in. Everyone expected that he'd purvide well for Rose and Min'd come in second best. But no will was to be found. I don't say but what it was all right, mind you. I may have my own secret opinion, of course. Old Palmer had a regular mania, as ye might say, for makin' wills. He'd have a lawyer out from town every year and have a new will made and the old one burnt. Lawyer Bell was there and made one 'bout eight months 'fore he died. It was s'posed he'd destroyed it and then died 'fore he'd time to make another. He went off awful sudden. Anyway, everything went to Min's child—to Min as ye might say. She's been boss. Rose still stayed on there and Min let her, which was more than folks expected of her. But she's turned her out at last. Min's in one of her tantrums now and 'tain't safe to cross her path."

"What is Mrs. Fuller to do?" asked Telford anxiously.

"That's the question. She's sickly—can't work much—and then she has her leetle gal. Min was always jealous of that child. It's a real purty, smart leetle creetur and old Palmer made a lot of it. Min's own is an awful-looking thing—a cripple from the time 'twas born. There's no doubt 'twas a jedgement on her. As for Rose, no doubt the god of the widow and fatherless will purvide for her."

In spite of his disgust, Telford could not repress a smile at the tone, half-whine, half-snuffle, with which Galletly ended up.

"I think I had better call and see this Mrs. Palmer," he said slowly.

"'Twould be no airthly use, Mr. Telford. Min'd slam the door in your face if she did nothing worse. She hates ministers and everything that's good. She hasn't darkened a church door for years. She never had any religious tendency to begin with, and when there was such a scandal about her, old Mr. Dinwoodie, our pastor then—a godly man, Mr. Telford—he didn't hold no truck with evildoers—he went right to her to reprove and rebuke her for her sins. Min, she flew at him. She vowed then she'd never go to church again, and she never has. People hereabouts has talked to her and tried to do her good, but it ain't no use. Why, I've heard that woman say there was no God. It's a fact, Mr. Telford—I have. Some of our ministers has tried to visit her. They didn't try it more than once. The last one—he was about your heft—he got a scare, I tell you. Min just caught him by the shoulder and shook him like a rat! Didn't see it myself but Mrs. Rawlings did. Ye ought to hear her describin' of it."

Galletly chuckled over the recollection, his wicked little eyes glistening with delight. Telford was thankful when they reached the store. He felt that he could not endure this man's society any longer.

Nevertheless, he felt strangely interested. This Min Palmer must at least be different from the rest of the Cornerites, if only in the greater force of her wickedness. He almost felt as if her sins on the grand scale were less blameworthy than the petty vices of her censorious neighbours.

Galletly eagerly joined the group of loungers on the dirty wet platform, and Telford passed into the store. A couple of slatternly women were talking to Mrs. Rykman about "the Palmer row." Telford made his small purchases hastily. As he turned from the counter, he came face to face with a woman who had paused in the doorway to survey the scene with an air of sullen scorn. By some subtle intuition Telford knew that this was Min Palmer.

The young man's first feeling was one of admiration for the woman before him, who, in spite of her grotesque attire and defiant, unwomanly air, was strikingly beautiful. She was tall, and not even the man's ragged overcoat which she wore could conceal the grace of her figure. Her abundant black hair was twisted into a sagging knot at her neck, and from beneath the old fur cap looked out a pair of large and brilliant black eyes, heavily lashed, and full of a smouldering fire. Her skin was tanned and coarsened, but the warm crimson blood glowed in her cheeks with a dusky richness, and her face was a perfect oval, with features chiselled in almost classic regularity of outline.

Telford had a curious experience at that moment. He seemed to see, looking out from behind this external mask of degraded beauty, the semblance of what this woman might have been under more favouring circumstance of birth and environment, wherein her rich, passionate nature, potent for either good or evil, might have been trained and swayed aright until it had developed grandly out into the glorious womanhood the Creator must have planned for her. He knew, as if by revelation, that this woman had nothing in common with the narrow, self-righteous souls of Rykman's Corner. Warped and perverted though her nature might be, she was yet far nobler than those who sat in judgement upon her.

Min made some scanty purchases and left the store quickly, brushing unheedingly past the minister as she did so. He saw her step on a rough wood-sleigh and drive down the river road. The platform loungers had been silent during her call, but now the talk bubbled forth anew. Telford was sick at heart as he drove swiftly away. He felt for Min Palmer a pity he could not understand or analyze. The attempt to measure the gulf between what she was and what she might have been hurt him like the stab of a knife.

He made several calls at various houses along the river during the forenoon. After dinner he suddenly turned his horse towards the Palmer place. Isaac Galletly, comfortably curled up in a neighbour's chimney corner, saw him drive past.

"Ef the minister ain't goin' to Palmers' after all!" he chuckled. "He's a set one when he does take a notion. Well, I warned him what to expect. If Min claws his eyes out, he'll only have himself to blame."

Telford was not without his own misgivings as he drove into the Palmer yard. He tied his horse to the fence and looked doubtfully about him. Untrodden snowdrifts were heaped about the front door, so he turned towards the kitchen and walked slowly past the bare lilac trees along the fence. There was no sign of life about the place. It was beginning to snow again, softly and thickly, and the hills and river were hidden behind a misty white veil.

He lifted his hand to knock, but before he could do so, the door was flung open and Min herself confronted him on the threshold.

She did not now have on the man's overcoat which she had worn at the store, and her neat, close-fitting home-spun dress revealed to perfection the full, magnificent curves of her figure. Her splendid hair was braided about her head in a glossy coronet, and her dark eyes were ablaze with ill-suppressed anger. Again Telford was overcome by a sense of her wonderful loveliness. Not all the years of bondage to ill-temper and misguided will had been able to blot out the beauty of that proud, dark face.

She lifted one large but shapely brown hand and pointed to the gate.

"Go!" she said threateningly.

"Mrs. Palmer," began Telford, but she silenced him with an imperious gesture.

"I don't want any of your kind here. I hate all you ministers. Did you come here to lecture me? I suppose some of the Corner saints set you on me. You'll never cross my threshold."

Telford returned her defiant gaze unflinchingly. His dark-blue eyes, magnetic in their power and sweetness, looked gravely, questioningly, into Min's stormy orbs. Slowly the fire and anger faded out of her face and her head drooped.

"I ain't fit for you to talk to anyway," she said with a sort of sullen humility. "Maybe you mean well but you can't do me any good. I'm past that now. The Corner saints say I'm possessed of the devil. Perhaps I am—if there is one."

"I do mean well," said Telford slowly. "I did not come here to reprove you. I came to help you if I could—if you needed help, Mrs. Palmer—"

"Don't call me that," she interrupted passionately. She flung out her hands as if pushing some loathly, invisible thing from her. "I hate the name—as I hated all who ever bore it. I never had anything but wrong and dog-usage from them all. Call me Min—that's the only name that belongs to me now. Go—why don't you go? Don't stand there looking at me like that. I'm not going to change my mind. I don't want any praying and whining round me. I've been well sickened of that. Go!"

Telford threw back his head and looked once more into her eyes. A long look passed between them. Then he silently lifted his cap and, with no word of farewell, he turned and went down to the gate. A bitter sense of defeat and disappointment filled his heart as he drove away.

Min stood in the doorway and watched the sleigh out of sight down the river road. Then she gave a long, shivering sigh that was almost a moan.

"If I had met that man long ago," she said slowly, as if groping vaguely in some hitherto unsounded depth of consciousness, "I would never have become what I am. I felt that as I looked at him—it all came over me with an awful sickening feeling—just as if we were standing alone somewhere out of the world where there was no need of words to say things. He doesn't despise me—he wouldn't sneer at me, bad as I am, like those creatures up there. He could have helped me if we had met in time, but it's too late now."

She locked her hands over her eyes and groaned, swaying her body to and fro as one in mortal agony. Presently she looked out again with hard, dry eyes.

"What a fool I am!" she said bitterly. "How the Corner saints would stare if they saw me! I suppose some of them do—" with a glance at the windows of a neighbouring house. "Yes, there's Mrs. Rawlings staring out and Rose peeking over her shoulder."

Her face hardened. The old sway of evil passion reasserted itself.

"She shall never come back here—never. Oh, she was a sweet-spoken cat of a thing—but she had claws. I've been blamed for all the trouble. But if ever I had a chance, I'd tell that minister how she used to twit and taunt me in that sugary way of hers—how she schemed and plotted against me as long as she could. More fool I to care what he thinks either! I wish I were dead. If 'twasn't for the child, I'd go and drown myself at that black spring-hole down there—I'd be well out of the way."

* * * * *

It was a dull grey afternoon a week afterwards when Allan Telford again walked up the river road to the Palmer place. The wind was bitter and he walked with bent head to avoid its fury. His face was pale and worn and he looked years older.

He paused at the rough gate and leaned over it while he scanned the house and its surroundings eagerly. As he looked, the kitchen door opened and Min, clad in the old overcoat, came out and walked swiftly across the yard.

Telford's eyes followed her with pitiful absorption. He saw her lead a horse from the stable and harness it into a wood-sleigh loaded with bags of grain. Once she paused to fling her arms about the animal's neck, laying her face against it with a caressing motion.

The pale minister groaned aloud. He longed to snatch her forever from that hard, unwomanly toil and fold her safely away from jeers and scorn in the shelter of his love. He knew it was madness—he had told himself so every hour in which Min's dark, rebellious face had haunted him—yet none the less was he under its control.

Min led the horse across the yard and left it standing before the kitchen door; she had not seen the bowed figure at the gate. When she reappeared, he saw her dark eyes and the rose-red lustre of her face gleam out from under the old crimson shawl wrapped about her head.

As she caught the horse by the bridle, the kitchen door swung heavily to with a sharp, sudden bang. The horse, a great, powerful, nervous brute, started wildly and then reared in terror.

The ice underfoot was glib and treacherous. Min lost her foothold and fell directly under the horse's hoofs as they came heavily down. The animal, freed from her detaining hand, sprang forward, dragging the laden sleigh over the prostrate woman.

It had all passed in a moment. The moveless figure lay where it had fallen, one outstretched hand still grasping the whip. Telford sprang over the gate and rushed up the slope like a madman. He flung himself on his knees beside her.

"Min! Min!" he called wildly.

There was no answer. He lifted her in his arms and staggered into the house with his burden, his heart stilling with a horrible fear as he laid her gently down on the old lounge in one corner of the kitchen.

The room was a large one and everything was neat and clean. The fire burned brightly, and a few green plants were in blossom by the south window. Beside them sat a child of about seven years who turned a startled face at Telford's reckless entrance.

The boy had Min's dark eyes and perfectly chiselled features, refined by suffering into cameo-like delicacy, and the silken hair fell in soft, waving masses about the spiritual little face. By his side nestled a tiny dog, with satin ears and paws fringed as with ravelled silk.

Telford paid heed to nothing, not even the frightened child. He was as one distraught.

"Min," he wailed again, striving tremblingly to feel her pulse while cold drops came out on his forehead.

Min's face was as pallid as marble, save for one heavy bruise across the cheek and a cruel cut at the edge of the dark hair, from which the blood trickled down on the pillow.

She opened her eyes wonderingly at his call, looking up with a dazed, appealing expression of pain and dread. A low moan broke from her white lips. Telford sprang to his feet in a tumult of quivering joy.

"Min, dear," he said gently, "you have been hurt—not seriously, I hope. I must leave you for a minute while I run for help—I will not be long."

"Come back," said Min in a low but distinct tone.

He paused impatiently.

"It is of no use to get help," Min went on calmly. "I'm dying—I know it. Oh, my God!"

She pressed her hand to her side and writhed. Telford turned desperately to the door. Min raised her arm.

"Come here," she said resolutely.

He obeyed mutely. She looked up at him with bright, unquailing eyes.

"Don't you go one step—don't leave me here to die alone. I'm past help—and I've something to say to you. I must say it and I haven't much time."

Telford hardly heeded her in his misery.

"Min, let me go for help—let me do something," he implored. "You must not die—you must not!"

Min had fallen back, gasping, on the blood-stained pillow.

He knelt beside her and put his arm about the poor, crushed body.

"I must hurry," she said faintly. "I can't die with it on my mind. Rose—it's all hers—all. There was a will—he made it—old Gran'ther Palmer. He always hated me. I found it before he died—and read it. He left everything to her—not a cent to me nor his son's child—we were to starve—beg. I was like a madwoman. When he died—I hid the will. I meant—to burn it—but I never could. It's tortured me—night and day—I've had no peace. You'll find it in a box—in my room. Tell her—tell Rose—how wicked I've been. And my boy—what will become of him? Rose hates him—she'll turn him out—or ill-treat him—"

Telford lifted his white, drawn face.

"I will take your child, Min. He shall be to me as my own son."

An expression of unspeakable relief came into the dying woman's face.

"It is good—of you. I can die—in peace—now. I'm glad to die—to get clear of it all. I'm tired—of living so. Perhaps—I'll have a chance—somewhere else. I've never—had any—here."

The dark eyes drooped—closed. Telford moaned shudderingly.

Once again Min opened her eyes and looked straight into his.

"If I had met you—long ago—you would have—loved me—and I would have been—a good woman. It is well for us—for you—that I am—dying. Your path will be clear—you will be good and successful—but you will always—remember me."

Telford bent and pressed his lips to Min's pain-blanched mouth.

"Do you think—we will—ever meet again?" she said faintly. "Out there—it's so dark—God can never—forgive me—I've been so—wicked."

"Min, the all-loving Father is more merciful than man. He will forgive you, if you ask Him, and you will wait for me till I come. I will stay here and do my duty—I will try hard—"

His voice broke. Min's great black eyes beamed out on him with passionate tenderness. The strong, deep, erring nature yielded at last. An exceeding bitter cry rose to her lips.

"Oh, God—forgive me—forgive me!"

And with the cry, the soul of poor suffering, sinning, sinned-against Min Palmer fled—who shall say whither? Who shall say that her remorseful cry was not heard, even at that late hour, by a Judge more merciful than her fellow creatures?

Telford still knelt on the bare floor, holding in his arms the dead form of the woman he loved—his, all his, in death, as she could never have been in life. Death had bridged the gulf between them.

The room was very silent. To Min's face had returned something of its girlhood's innocence. The hard, unlovely lines were all smoothed out. The little cripple crept timidly up to Telford, with the silky head of the dog pressed against his cheek. Telford gathered the distorted little body to his side and looked earnestly into the small face—Min's face, purified and spiritualized. He would have it near him always. He bent and reverently kissed the cold face, the closed eyelids and the blood-stained brow of the dead woman. Then he stood up.

"Come with me, dear," he said gently to the child.

* * * * *

The day after the funeral, Allan Telford sat in the study of his little manse among the encircling wintry hills. Close to the window sat Min's child, his small, beautiful face pressed against the panes, and the bright-eyed dog beside him.

Telford was writing in his journal.

"I shall stay here—close to her grave. I shall see it every time I look from my study window—every time I stand in my pulpit—every time I go in and out among my people. I begin to see wherein I have failed. I shall begin again patiently and humbly. I wrote today to decline the C—— church call. My heart and my work are here."

He closed the book and bowed his head on it. Outside the snow fell softly; he knew that it was wrapping that new-made grave on the cold, fir-sentinelled hillside with a stainless shroud of infinite purity and peace.

Miss Cordelia's Accommodation

"Poor little creatures!" said Miss Cordelia compassionately.

She meant the factory children. In her car ride from the school where she taught to the bridge that spanned the river between Pottstown, the sooty little manufacturing village on one side, and Point Pleasant, which was merely a hamlet, on the other, she had seen dozens of them, playing and quarrelling on the streets or peering wistfully out of dingy tenement windows.

"Tomorrow is Saturday," she reflected, "and they've no better place to play in than the back streets and yards. It's a shame. There's work for our philanthropists here, but they don't seem to see it. Well, I'm so sorry for them it hurts me to look at them, but I can't do anything."

Miss Cordelia sighed and then brightened up, because she realized that she was turning her back upon Pottstown for two blissful days and going to Point Pleasant, which had just one straggling, elm-shaded street hedging on old-fashioned gardens and cosy little houses and trailing off into the real country in a half-hour's walk.

Miss Cordelia lived alone in a tiny house at Point Pleasant. It was so tiny that you would have wondered how anyone could live in it.

"But it's plenty big for a little old maid like me," Miss Cordelia would have told you. "And it's my own—I'm queen there. There's solid comfort in having one spot for your own self. To be sure, if I had less land and more house it would be better."

Miss Cordelia always laughed here. It was one of her jokes. There was a four-acre field behind the house. Both had been left to her by an uncle. The field was of no use to Miss Cordelia; she didn't keep a cow and she hadn't time to make a garden. But she liked her field; when people asked her why she didn't sell it she said:

"I'm fond of it. I like to walk around in it when the grass grows long. And it may come in handy some time. Mother used to say if you kept anything seven years it would come to use. I've had my field a good bit longer than that, but maybe the time will come yet. Meanwhile I rejoice in the fact that I am a landed proprietor to the extent of four acres."

Miss Cordelia had thought of converting her field into a playground for the factory children and asking detachments of them over on Saturday afternoon. But she knew that her Point Pleasant neighbours would object to this, so that project was dropped.

When Miss Cordelia pushed open her little gate, hung crookedly in a very compact and prim spruce hedge, she stopped in amazement and said, "Well, for pity's sake!"

Cynthia Ann Flemming, who lived on the other side of the spruce hedge, now came hurrying over.

"Good evening, Cordelia. I have a letter that was left with me for you."

"But—that—horse," said Miss Cordelia, with a long breath between every word. "Where did he come from? Tied at my front door—and he's eaten the tops off every one of my geraniums! Where's his owner or rider or something?"

The horse in question was a mild-eyed, rather good-looking quadruped, tied by a halter to the elm at Miss Cordelia's door and contentedly munching a mouthful of geranium stalks. Cynthia Ann came through the hedge with the letter.

"Maybe this will explain," she said. "Same boy brought it as brought the horse—a little freckly chap mostly all grin and shirtsleeves. Said he was told to take the letter and horse to Miss Cordelia Herry, Elm Street, Point Pleasant, and he couldn't wait. So he tied the creature in there and left the letter with me. He came half an hour ago. Well, he has played havoc with your geraniums and no mistake."

Miss Cordelia opened and read her letter. When she finished it she looked at the curious Cynthia Ann solemnly.

"Well, if that isn't John Drew all over! I suspected he was at the bottom of it as soon as I laid my eyes on that animal. John Drew is a cousin of mine. He's been living out at Poplar Valley and he writes me that he has gone out west, and wants me to take 'old Nap.' I suppose that is the horse. He says that Nap is getting old and not much use for work and he couldn't bear the thought of shooting him or selling him to someone who might ill-treat him, so he wants me to take him and be kind to him for old times' sake. John and I were just like brother and sister when we were children. If this isn't like him nothing ever was. He was always doing odd things and thinking they were all right. And now he's off west and here is the horse. If it were a cat or a dog—but a horse!"

"Your four-acre field will come in handy now," said Cynthia Ann jestingly.

"So it will." Miss Cordelia spoke absently. "The very thing! Yes, I'll put him in there."

"But you don't really mean that you're going to keep the horse, are you?" protested Cynthia Ann. "Why, he is no good to you—and think of the expense of feeding him!"

"I'll keep him for a while," said Miss Cordelia briskly. "As you say, there is the four-acre field. It will keep him in eating for a while. I always knew that field had a mission. Poor John Drew! I'd like to oblige him for old times' sake, as he says, although this is as crazy as anything he ever did. But I have a plan. Meanwhile, I can't feed Nap on geraniums."

Miss Cordelia always adapted herself quickly and calmly to new circumstances. "It is never any use to get in a stew about things," she was wont to say. So now she untied Nap gingerly, with many rueful glances at her geraniums, and led him away to the field behind the house, where she tied him safely to a post with such an abundance of knots that there was small fear of his getting away.

When the mystified Cynthia Ann had returned home Miss Cordelia set about getting her tea and thinking over the plan that had come to her concerning her white elephant.

"I can keep him for the summer," she said. "I'll have to dispose of him in the fall for I've no place to keep him in, and anyway I couldn't afford to feed him. I'll see if I can borrow Mr. Griggs's express wagon for Saturday afternoons, and if I can those poor factory children in my grade shall have a weekly treat or my name is not Cordelia Herry. I'm not so sure but that John Drew has done a good thing after all. Poor John! He always did take things so for granted."

* * * * *

All the point pleasant people soon knew about Miss Cordelia's questionable windfall, and she was overwhelmed with advice and suggestions. She listened to all tranquilly and then placidly followed her own way. Mr. Griggs was very obliging in regard to his old express wagon, and the next Saturday Point Pleasant was treated to a mild sensation—nothing less than Miss Cordelia rattling through the village, enthroned on the high seat of Mr. Griggs's yellow express wagon, drawn by old Nap who, after a week of browsing idleness in the four-acre field, was quite frisky and went at a decided amble down Elm Street and across the bridge. The long wagon had been filled up with board seats, and when Miss Cordelia came back over the bridge the boards were crowded with factory children—pale-faced little creatures whose eyes were aglow with pleasure at this unexpected outing.

Miss Cordelia drove straight out to the big pine-clad hills of Deepdale, six miles from Pottstown. Then she tied Nap in a convenient lane and turned the children loose to revel in the woods and fields. How they did enjoy themselves! And how Miss Cordelia enjoyed seeing them enjoy themselves!

When dinner time came she gathered them all around her and went to the wagon. In it she had a basket of bread and butter.

"I can't afford anything more," she told Cynthia Ann, "but they must have something to stay their little stomachs. And I can get some water at a farmhouse."

Miss Cordelia had had her eye on a certain farmhouse all the morning. She did not know anything about the people who lived there, but she liked the looks of the place. It was a big, white, green-shuttered house, throned in wide-spreading orchards, with a green sweep of velvety lawn in front.

To this Miss Cordelia took her way, surrounded by her small passengers, and they all trooped into the great farmhouse yard just as a big man stepped out of a nearby barn. As he approached, Miss Cordelia thought she had never seen anybody so much like an incarnate smile before. Smiles of all kinds seemed literally to riot over his ruddy face and in and out of his eyes and around the corners of his mouth.

"Well, well, well!" he said, when he came near enough to be heard. "Is this a runaway school, ma'am?"

"I'm the runaway schoolma'am," responded Miss Cordelia with a twinkle. "And these are a lot of factory children I've brought out for a Saturday treat. I thought I might get some water from your well, and maybe you will lend us a tin dipper or two?"

"Water? Tut, tut!" said the big man, with three distinct smiles on his face. "Milk's the thing, ma'am—milk. I'll tell my housekeeper to bring some out. And all of you come over to the lawn and make yourselves at home. Bless you, ma'am, I'm fond of children. My name is Smiles, ma'am—Abraham Smiles."

"It suits you," said Miss Cordelia emphatically, before she thought, and then blushed rosy-red over her bluntness.

Mr. Smiles laughed. "Yes, I guess I always have an everlasting grin on. Had to live up to my name, you see, in spite of my naturally cantankerous disposition; But come this way, ma'am, I can see the hunger sticking out of those youngsters' eyes. We'll have a sort of impromptu picnic here and now, I'll tell my housekeeper to send out some jam too."

While the children devoured their lunch Miss Cordelia found herself telling Mr. Smiles all about old Nap and her little project.

"I'm going to bring out a load every fine Saturday all summer," she said. "It's all I can do. They enjoy it so, the little creatures. It's terrible to think how cramped their lives are. They just exist in soot. Some of them here never saw green fields before today."

Mr. Smiles listened and beamed and twinkled until Miss Cordelia felt almost as dazzled as if she were looking at the sun.

"Look here, ma'am, I like this plan of yours and I want to have a hand in helping it along. Bring your loads of children out here every Saturday, right here to Beechwood Farm, and turn them loose in my beech woods and upland pastures. I'll put up some swings for them and have some games, and I'll provide the refreshments also. Trouble, ma'am? No, trouble and I ain't on speaking terms. It'll be a pleasure, ma'am. I'm fond of children even if I am a grumpy cross-grained old bachelor. If you can give up your own holiday to give them a good time, surely I can do something too."

When Miss Cordelia and her brood of tired, happy little lads and lasses ambled back to town in the golden dusk she felt that the expedition had been an emphatic success. Even old Nap seemed to jog along eye-deep in satisfaction. Probably he was ruminating on the glorious afternoon he had spent in Mr. Smiles's clover pasture.

Every fine Saturday that summer Miss Cordelia took some of the factory children to the country. The Point Pleasant people nicknamed her equipage "Miss Cordelia's accommodation," and it became a mild standing joke.

As for Mr. Smiles, he proved a valuable assistant. Like Miss Cordelia, he gave his Saturdays over to the children, and high weekly revel was held at Beechwood Farm.

But when the big bronze and golden leaves began to fall in the beech woods, Miss Cordelia sorrowfully realized that the summer was over and that the weekly outings which she had enjoyed as much as the children must soon be discontinued.

"I feel so sorry," she told Mr. Smiles, "but it can't be helped. It will soon be too cold for our jaunts and of course I can't keep Nap through the winter. I hate to part with him, I've grown so fond of him, but I must."

She looked regretfully at Nap, who was nibbling Mr. Smiles's clover aftermath. He was sleek and glossy. It had been the golden summer of Nap's life.

Mr. Smiles coughed in an embarrassed fashion. Miss Cordelia looked at him and was amazed to see that not a smile was on or about his face. He looked absurdly serious.

"I want to buy Nap," he said in a sepulchral tone, "but that is not the only thing I want. I want you too, ma'am. I'm tired of being a cross old bachelor. I think I'd like to be a cross old husband, for a change. Do you think you could put up with me in that capacity, Miss Cordelia, my dear?"

Miss Cordelia gave a half gasp and then she had to laugh. "Oh, Mr. Smiles, I'll agree to anything if you'll only smile again. It seems unnatural to see you look so solemn."

The smiles at once broke loose and revelled over her wooer's face.

"Then you will come?" he said eagerly.

Half an hour later they had their plans made. At New Year's Miss Cordelia was to leave her school and sooty Pottstown and come to be mistress of Beechwood Farm.

"And look here," said Mr. Smiles. "Every fine Saturday you shall have a big, roomy sleigh and Nap, and drive into town for some children and bring them out here for their weekly treat as usual. The house is large enough to hold them, goodness knows, and if it isn't there are the barns for the overflow. This is going to be our particular pet charity all our lives, ma'am—I mean Cordelia, my dear."

"Blessings on old Nap," said Miss Cordelia with a happy light in her eyes.

"He shall live in clover for the rest of his days," added Mr. Smiles smilingly.

Ned's Stroke of Business

"Jump in, Ned; I can give you a lift if you're going my way." Mr. Rogers reined up his prancing grey horse, and Ned Allen sprang lightly into the comfortable cutter. The next minute they were flying down the long, glistening road, rosy-white in the sunset splendour. The first snow of the season had come, and the sleighing was, as Ned said, "dandy."

"Going over to Windsor, I suppose," said Mr. Rogers, with a glance at the skates that were hanging over Ned's shoulder.

"Yes, sir; all the Carleton boys are going over tonight. The moon is out, and the ice is good. We have to go in a body, or the Windsor fellows won't leave us alone. There's safety in numbers."

"Pretty hard lines when boys have to go six miles for a skate," commented Mr. Rogers.

"Well, it's that or nothing," laughed Ned. "There isn't a saucerful of ice any nearer, except that small pond in Old Dutcher's field, behind his barn. And you know Old Dutcher won't allow a boy to set foot there. He says they would knock down his fences climbing over them, and like as not set fire to his barn."

"Old Dutcher was always a crank," said Mr. Rogers, "and doubtless will be to the end. By the way, I heard a rumour to the effect that you are soon going to take a course at the business college in Trenton. I hope it's true."

Ned's frank face clouded over. "I'm afraid not, sir. The truth is, I guess Mother can't afford it. Of course, Aunt Ella has very kindly offered to board me free for the term, but fees, books, and so on would require at least fifty dollars. I don't expect to go."

"That's a pity. Can't you earn the necessary money yourself?"

Ned shook his head. "Not much chance for that in Carleton, Mr. Rogers. I've cudgelled my brains for the past month trying to think of some way, but in vain. Well, here is the crossroad, so I must get off. Thank you for the drive, sir."

"Keep on thinking, Ned," advised Mr. Rogers, as the lad jumped out. "Perhaps you'll hit on some plan yet to earn that money, and if you do—well, it will prove that you have good stuff in you."

"I think it would," laughed Ned to himself, as he trudged away. "A quiet little farming village in winter isn't exactly a promising field for financial operations."

At Winterby Corners Ned found a crowd of boys waiting for him, and soon paired off with his chum, Jim Slocum. Jim, as usual, was grumbling because they had to go all the way to Windsor to skate.

"Like as not we'll get into a free fight with the Windsorites when we get there, and be chevied off the ice," he complained.

The rivalry which existed between the Carleton and the Windsor boys was bitter and of long standing.

"We ought to be able to hold our own tonight," said Ned. "There'll be thirty of us there."

"If we could only get Old Dutcher to let us skate on his pond!" said Jim. "It wouldn't hurt his old pond! And the ice is always splendid on it. I'd give a lot if we could only go there."

Ned was silent. A sudden idea had come to him. He wondered if it were feasible. "Anyhow, I'll try it," he said to himself. "I'll interview Old Dutcher tomorrow."

The skating that night was not particularly successful. The small pond at Windsor was crowded, the Windsor boys being out in force and, although no positive disturbance arose, they contrived to make matters unpleasant for the Carletonites, who tramped moodily homeward in no very good humour, most of them declaring that, skating or no skating, they would not go to Windsor again.

The next day Ned Allen went down to see Mr. Dutcher, or Old Dutcher, as he was universally called in Carleton. Ned did not exactly look forward to the interview with pleasure. Old Dutcher was a crank—there was no getting around that fact. He had "good days" occasionally when, for him, he was fairly affable, but they were few and far between, and Ned had no reason to hope that this would be one. Old Dutcher was unmarried, and his widowed sister kept house for him. This poor lady had a decidedly lonely life of it, for Old Dutcher studiously discouraged visitors. His passion for solitude was surpassed only by his eagerness to make and save money. Although he was well-to-do, he would wrangle over a cent, and was the terror of all who had ever had dealings with him.

Fortunately for Ned and his project, this did turn out to be one of Old Dutcher's good days. He had just concluded an advantageous bargain with a Windsor cattle-dealer, and hence he received Ned with what, for Old Dutcher, might be called absolute cordiality. Besides, although Old Dutcher disliked all boys on principle, he disliked Ned less than the rest because the boy had always treated him respectfully and had never played any tricks on him on Hallowe'en or April Fool's Day.

"I've come down to see you on a little matter of business, Mr. Dutcher," said Ned, boldly and promptly. It never did to beat about the bush with Old Dutcher; you had to come straight to the point. "I want to know if you will rent your pond behind the barn to me for a skating-rink."

Old Dutcher's aspect was certainly not encouraging. "No, I won't. You ought to know that. I never allow anyone to skate there. I ain't going to have a parcel of whooping, yelling youngsters tearing over my fences, disturbing my sleep at nights, and like as not setting fire to my barns. No, sir! I ain't going to rent that pond for no skating-rink."

Ned smothered a smile. "Just wait a moment, Mr. Dutcher," he said respectfully. "I want you to hear my proposition before you refuse definitely. First, I'll give you ten dollars for the rent of the pond; then I'll see that there will be no running over your fields and climbing your fences, no lighting of fire or matches about it, and no 'whooping and yelling' at nights. My rink will be open only from two to six in the afternoon and from seven to ten in the evening. During that time I shall always be at the pond to keep everything in order. The skaters will come and go by the lane leading from the barn to the road. I think that if you agree to my proposition, Mr. Dutcher, you will not regret it."

"What's to prevent my running such a rink myself?" asked Old Dutcher gruffly.

"It wouldn't pay you, Mr. Dutcher," answered Ned promptly. "The Carleton boys wouldn't patronize a rink run by you."

Old Dutcher's eyes twinkled. It did not displease him to know that the Carleton boys hated him. In fact, it seemed as if he rather liked it.

"Besides," went on Ned, "you couldn't afford the time. You couldn't be on the pond for eight hours a day and until ten o'clock at night. I can, as I've nothing else to do just now. If I had, I wouldn't have to be trying to make money by a skating-rink."

Old Dutcher scowled. Ten dollars was ten dollars and, as Ned had said, he knew very well that he could not run a rink by himself. "Well," he said, half reluctantly, "I suppose I'll let you go ahead. Only remember I'll hold you responsible if anything happens."

Ned went home in high spirits. By the next day he had placards out in conspicuous places—on the schoolhouse, at the forge, at Mr. Rogers's store, and at Winterby Corners—announcing that he had rented Mr. Dutcher's pond for a skating-rink, and that tickets for the same at twenty-five cents a week for each skater could be had upon application to him.

Ned was not long left in doubt as to the success of his enterprise. It was popular from the start. There were about fifty boys in Carleton and Winterby, and they all patronized the rink freely. At first Ned had some trouble with two or three rowdies, who tried to evade his rules. He was backed up, however, by Old Dutcher's reputation and by the public opinion of the other boys, as well as by his own undoubted muscle, and soon had everything going smoothly. The rink flourished amain, and everybody, even Old Dutcher, was highly pleased.

At the end of the season Ned paid Old Dutcher his ten dollars, and had plenty left to pay for books and tuition at the business college in Trenton. On the eve of his departure Mr. Rogers, who had kept a keen eye on Ned's enterprise, again picked him up on the road.

"So you found a way after all, Ned," he said genially. "I had an idea you would. My bookkeeper will be leaving me about the time you will be through at the college. I will be wanting in his place a young man with a good nose for business, and I rather think that you will be that young man. What do you say?"

"Thank you, sir," stammered Ned, scarcely believing his ears. A position in Mr. Rogers's store meant good salary and promotion. He had never dared to hope for such good fortune. "If you—think I can give satisfaction—"

"You manipulated Old Dutcher, and you've earned enough in a very slow-going place to put you through your business-college term, so I am sure you are the man I'm looking for. I believe in helping those who have 'gumption' enough to help themselves, so we'll call it a bargain, Ned."

Our Runaway Kite

Of course there was nobody for us to play with on the Big Half Moon, but then, as Claude says, you can't have everything. We just had to make the most of each other, and we did.

The Big Half Moon is miles from anywhere, except the Little Half Moon. But nobody lives there, so that doesn't count.

We live on the Big Half Moon. "We" are Father and Claude and I and Aunt Esther and Mimi and Dick. It used to be only Father and Claude and I. It is all on account of the kite that there are more of us. This is what I want to tell you about.

Father is the keeper of the Big Half Moon lighthouse. He has always been the keeper ever since I can remember, although that isn't very long. I am only eleven years old. Claude is twelve.

In winter, when the harbour is frozen over, there isn't any need of a light on the Big Half Moon, and we all move over to the mainland, and Claude and Mimi and Dick and I go to school. But as soon as spring comes, back we sail to our own dear island, so glad that we don't know what to do with ourselves.

The funny part used to be that people always pitied us when the time came for us to return. They said we must be so lonesome over there, with no other children near us, and not even a woman to look after us.

Why, Claude and I were never lonesome. There was always so much to do, and Claude is splendid at making believe. He makes the very best pirate chief I ever saw. Dick is pretty good, but he can never roar out his orders in the bloodcurdling tones that Claude can.

Of course Claude and I would have liked to have someone to play with us, because it is hard to run pirate caves and things like that with only two. But we used to quarrel a good deal with the mainland children in winter, so perhaps it was just as well that there were none of them on the Big Half Moon. Claude and I never quarrelled. We used to argue sometimes and get excited, but that was as far as it ever went. When I saw Claude getting too excited I gave in to him. He is a boy, you know, and they have to be humoured; they are not like girls.

As for having a woman to look after us, I thought that just too silly, and so did Claude. What did we need with a woman when we had Father? He could cook all we wanted to eat and make molasses taffy that was just like a dream. He kept our clothes all mended, and everything about the lighthouse was neat as wax. Of course I helped him lots. I like pottering round.

He used to hear our lessons and tell us splendid stories and saw that we always said our prayers. Claude and I wouldn't have done anything to make him feel bad for the world. Father is just lovely.

To be sure, he didn't seem to have any relations except us. This used to puzzle Claude and me. Everybody on the mainland had relations; why hadn't we? Was it because we lived on an island? We thought it would be so jolly to have an uncle and aunt and some cousins. Once we asked Father about it, but he looked so sorrowful all of a sudden that we wished we hadn't. He said it was all his fault. I didn't see how that could be, but I never said anything more about it to Father. Still, I did wish we had some relations.

It is always lovely out here on the Big Half Moon in summer. When it is fine the harbour is blue and calm, with little winds and ripples purring over it, and the mainland shores look like long blue lands where fairies dwell. Away out over the bar, where the big ships go, it is always hazy and pearl-tinted, like the inside of the mussel shells. Claude says he is going to sail out there when he grows up. I would like to too, but Claude says I can't because I'm a girl. It is dreadfully inconvenient to be a girl at times.

When it storms it is grand to see the great waves come crashing up against the Big Half Moon as if they meant to swallow it right down. You can't see the Little Half Moon at all then; it is hidden by the mist and spume.

We had our pirate cave away up among the rocks, where we kept an old pistol with the lock broken, a rusty cutlass, a pair of knee boots, and Claude's jute beard and wig. Down on the shore, around one of the horns of the Half Moon, was the Mermaid's Pool, where we sailed our toy boats and watched for sea kelpies. We never saw any. Dick says there is no such thing as a kelpy. But then Dick has no imagination. It is no argument against a thing that you've never seen it. I have never seen the pyramids, either, but I know that there are pyramids.

Every summer we had some hobby. The last summer before Dick and Mimi came we were crazy about kites. A winter boy on the mainland showed Claude how to make them, and when we went back to the Big Half Moon we made kites galore. Even pirating wasn't such good fun. Claude would go around to the other side of the Big Half Moon and we would play shipwrecked mariners signalling to each other with kites. Oh, it was very exciting.

We had one kite that was a dandy. It was as big as we could make it and covered with lovely red paper; we had pasted gold tinsel stars all over it and written our names out in full on it—Claude Martin Leete and Philippa Brewster Leete, Big Half Moon Lighthouse. That kite had the most magnificent tail, too.

It used to scare the gulls nearly to death when we sent up our kites. They didn't know what to make of them. And the Big Half Moon is such a place for gulls—there are hundreds of them here.

One day there was a grand wind for kite-flying, and Claude and I were having a splendid time. We used our smaller kites for signalling, and when we got tired of that Claude sent me to the house for the big one. I'm sure I don't know how it happened, but when I was coming back over the rocks I tripped and fell, and my elbow went clear through that lovely kite. You would never have believed that one small elbow could make such a big hole. Claude said it was just like a girl to fall and stick her elbow through a kite, but I don't see why it should be any more like a girl than a boy. Do you?

We had to hurry to fix the kite if we wanted to send it up before the wind fell, so we rushed into the lighthouse to get some paper. We knew there was no more red paper, and the looks of the kite were spoiled, anyhow, so we just took the first thing that came handy—an old letter that was lying on the bookcase in the sitting-room. I suppose we shouldn't have taken it, although, as matters turned out, it was the best thing we could have done; but Father was away to the mainland to buy things, and we never thought it could make any difference about an old yellow letter. It was one Father had taken from a drawer in the bookcase which he had cleaned out the night before. We patched the kite up with the letter, a sheet on each side, and dried it by the fire. Then we started out, and up went the kite like a bird. The wind was glorious, and it soared and strained like something alive. All at once—snap! And there was Claude, standing with a bit of cord in his hand, looking as foolish as a flatfish, and our kite sailing along at a fearful rate of speed over to the mainland.

I might have said to Claude, So like a boy! but I didn't. Instead, I sympathized with him, and pointed out that it really didn't matter because I had spoiled it by jabbing my elbow through it. By this time the kite was out of sight, and we never expected to see or hear of it again.

* * * * *

A month later a letter came to the Big Half Moon for Father. Jake Wiggins brought it over in his sloop. Father went off by himself to read it, and such a queer-looking face as he had when he came back! His eyes looked as if he had been crying, but that couldn't be, I suppose, because Claude says men never cry. Anyhow, his face was all glad and soft and smiley.

"Do you two young pirates and freebooters want to know what has become of your kite?" he said.

Then he sat down beside us on the rocks at the Mermaid's Pool and told us the whole story, and read his letter to us. It was the most amazing thing.

It seems Father had had relations after all—a brother and a sister in particular. But when he was a young man he quarrelled with his brother, who didn't treat him very well—but he's been dead for years, so I won't say a word against him—and had gone away from home. He never went back, and he never even let them know he was living.

Father says that this was very wrong of him, and I suppose it was, since he says so; but I don't see how Father could do anything wrong.

Anyway, he had a sister Esther whom he loved very much; but he felt bitter against her too, because he thought she took his brother's part too much. So, though a letter of hers, asking him to go back, did reach him, he never answered it, and he never heard anything more. Years afterward he felt sorry and went back, but his brother was dead and his sister had gone away, and he couldn't find out a single thing about her.

So much for that; and now about the kite. The letter Father had just received was from his sister, our Aunt Esther and the mother of Dick and Mimi. She was living at a place hundreds of miles inland. Her husband was dead and, as we found out later, although she did not say a word about it in the letter, she was very poor. One day when Dick and Mimi were out in the woods looking for botany specimens they saw something funny in the top of a tree. Dick climbed up and got it. It was a big red kite with a patch on each side and names written on it. They carried it home to their mother. Dick has since told us that she turned as pale as the dead when she saw our names on it. You see, Philippa was her mother's name and Claude was her father's. And when she read the letter that was pasted over the hole in the kite she knew who we must be, for it was the very letter she had written to her brother so long ago. So she sat right down and wrote again, and this was the letter Jake Wiggins brought to the Big Half Moon. It was a beautiful letter. I loved Aunt Esther before I ever saw her, just from that letter.

Next day Father got Jake to take his place for a few days, and he left Claude and me over on the mainland while he went to see Aunt Esther. When he came back he brought Aunt Esther and Dick and Mimi with him, and they have been here ever since.

You don't know how splendid it is! Aunt Esther is such a dear, and Dick and Mimi are too jolly for words. They love the Big Half Moon as well as Claude and I do, and Dick makes a perfectly elegant shipwrecked mariner.

But the best of it all is that we have relations now!

The Bride Roses

Miss Corona awoke that June morning with a sigh, the cause of which she was at first too sleepy to understand. Then it all came over her with a little sickening rush; she had fallen asleep with tear-wet lashes the night before on account of it.

This was Juliet Gordon's wedding day, and she, Miss Corona, could not go to the wedding and was not even invited, all because of the Quarrel, a generation old, and so chronic and bitter and terrible that it always presented itself to Miss Corona's mental vision as spelled with a capital. Well might Miss Corona hate it. It had shut her up into a lonely life for long years. Juliet Gordon and Juliet's father, Meredith Gordon, were the only relations Miss Corona had in the world, and the old family feud divided them by a gulf which now seemed impassable.

Miss Corona turned over on her pillows, lifted one corner of the white window-blind and peeped out. Below her a river of early sunshine was flowing through the garden, and the far-away slopes were translucent green in their splendour of young day, with gauzy, uncertain mists lingering, spiritlike, in their intervales. A bird, his sleek plumage iridescent in the sunlight, was perched on the big chestnut bough that ran squarely across the window, singing as if his heart would burst with melody and the joy of his tiny life. No bride could have wished anything fairer for her day of days, and Miss Corona dropped back on her pillows with another gentle sigh.

"I'm so glad that the dear child has a fine day to be married," she said.

Juliet Gordon was always "dear child" to Miss Corona, although the two had never spoken to each other in their lives.

Miss Corona was a brisk and early riser as a rule, with a genuine horror of lazy people who lay late abed or took over-long to get their eyes well opened, but this morning she made no hurry about rising, even though scurrying footsteps, banging doors, and over-loud tinkling of dishes in the room below betokened that Charlotta was already up and about. And Charlotta, as poor Miss Corona knew only too well, was fatally sure to do something unfortunate if she were not under some careful, overseeing eye. To be sure, Charlotta's intentions were always good.

But Miss Corona was not thinking about Charlotta this morning, and she felt so strong a distaste for her lonely, purposeless life that she was in no haste to go forth to meet another day of it.

Miss Corona felt just the least little bit tired of living, although she feared it was very wicked of her to feel so. She lay there listlessly for half an hour longer, looking through a mist of tears at the portrait of her stern old father hanging on the wall at the foot of the bed, and thinking over the Quarrel.

It had happened thirty years ago, when Miss Corona had been a girl of twenty, living alone with her father at the old Gordon homestead on the hill, with the big black spruce grove behind it on the north and far-reaching slopes of green fields before it on the south. Down in the little northern valley below the spruce grove lived her uncle, Alexis Gordon. His son, Meredith, had seemed to Corona as her own brother. The mothers of both were dead; neither had any other brother or sister. The two children had grown up together, playmates and devoted friends. There had never been any sentiment or lovemaking between them to mar a perfect comradeship. They were only the best of friends, whatever plans the fathers might have cherished for the union of their estates and children, putting the property consideration first, as the Gordons were always prone to do.

But, if Roderick and Alexis Gordon had any such plans, all went by the board when they quarreled. Corona shivered yet over the bitterness of that time. The Gordons never did anything half-heartedly. The strife between the two brothers was determined and irreconcilable.

Corona's father forbade her to speak to her uncle and cousin or to hold any communication with them. Corona wept and obeyed him. She had always obeyed her father; it had never entered into her mind to do anything else. Meredith had resented her attitude hotly, and from that day they had never spoken or met, while the years came and went, each making a little wider and more hopeless the gulf of coldness and anger and distrust.

Ten years later Roderick Gordon died, and in five months Alexis Gordon followed him to the grave. The two brothers who had hated each other so unyieldingly in life slept very peaceably side by side in the old Gordon plot of the country graveyard, but their rancour still served to embitter the lives of their descendants.

Corona, with a half-guilty sense of disloyalty to her father, hoped that she and Meredith might now be friends again. He was married, and had one little daughter. In her new and intolerable loneliness Corona's heart yearned after her own people. But she was too timid to make any advances, and Meredith never made any. Corona believed that he hated her, and let slip her last fluttering hope that the old breach would ever be healed.

"Oh, dear! oh, dear!" she sobbed softly into her pillows. It seemed a terrible thing to her that one of her race and kin was to be married and she could not be present at the ceremony, she who had never seen a Gordon bride.

When Miss Corona went downstairs at last, she found Charlotta sobbing in the kitchen porch. The small handmaiden was doubled up on the floor, with her face muffled in her gingham apron and her long braids of red hair hanging with limp straightness down her back. When Charlotta was in good spirits, they always hung perkily over each shoulder, tied up with enormous bows of sky-blue ribbon.

"What have you done this time?" asked Miss Corona, without the slightest intention of being humorous or sarcastic.

"I've—I've bruk your green and yaller bowl," sniffed Charlotta. "Didn't mean to, Miss C'rona. It jest slipped out so fashion 'fore I c'd grab holt on it. And it's bruk into forty millyun pieces. Ain't I the onluckiest girl?"

"You certainly are," sighed Miss Corona. At any other time she would have been filled with dismay over the untoward fate of her green and yellow bowl, which had belonged to her great-grandmother and had stood on the hall table to hold flowers as long as she could remember. But just now her heart was so sore over the Quarrel that there was no room for other regrets. "Well, well, crying won't mend it. I suppose it is a judgment on me for staying abed so late. Go and sweep up the pieces, and do try and be a little more careful, Charlotte."

"Yes'm," said Charlotta meekly. She dared not resent being called Charlotte just then. "And I'll tell you what I'll do, ma'am, to make up, I'll go and weed the garden. Yes'm, I'll do it beautiful."

"And pull up more flowers than weeds," Miss Corona reflected mournfully. But it did not matter; nothing mattered. She saw Charlotta sally forth into the garden with a determined, do-or-die expression surmounting her freckles, without feeling interest enough to go and make sure that she did not root out all the late asters in her tardy and wilfully postponed warfare on weeds.

This mood lasted until the afternoon. Then Miss Corona, whose heart and thoughts were still down in the festive house in the valley, roused herself enough to go out and see what Charlotta was doing. After finding out, she wandered idly about the rambling, old-fashioned place, which was full of nooks and surprises. At every turn you might stumble on some clump or tangle of sweetness, showering elusive fragrance on the air, that you would never have suspected. Nothing in the garden was planted quite where it should be, yet withal it was the most delightful spot imaginable.

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