Little Folks' Handy Book
by Lina Beard
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Little Folks' Handy Book


Illustrated by the Authors








Little Folks' Handy Book



With Many Illustrations

by the Authors

Charles Scribner's Sons NEW YORK CHICAGO BOSTON


Printed in the United States of America



All the material in this book, both text and cuts, is original with the authors and invented by them; and warning is hereby given that the unauthorized printing of any portion of the text and the reproduction of any of the illustrations or diagrams are expressly forbidden.


"LET me do it. Let me make it," is the cry when a child sees an older person putting together the different parts of an interesting piece of work; and it is this desire to do things himself, this impulse toward self-expression, that, when properly directed, forms so great a factor in his all-around development and education. Using the hands and brain together stimulates interest and quickens observation and intelligence, and, as the object takes form beneath the little fingers, the act of making, of creating, brings with it a delight and satisfaction which the mere possession of the same thing made by another can not give. "Look! See what I have made," comes with a ring of triumph as the childish hands gleefully hold up the finished article for inspection.

In this book we have endeavored to open a new and large field of simple handicrafts for little folk, giving them an original line of toys and a new line of materials with which to make them. We hope in these pages to bring to children the joy of making creditable and instructive toys of such ordinary things as empty spools, sticks of kindling wood, wooden clothespins, natural twigs, old envelopes and newspapers, and in this way to encourage resourcefulness, originality, inventiveness, and the power to do with supplies at hand.

Everything described in the book has been actually made by the authors, and made by such practical and simple methods that a child's mind can grasp them, and a child's hands be easily trained to manufacture the articles. It is, therefore, our hope that the "Little Folks' Handy Book" will be found useful both in Kindergarten and Primary grades of the schools and in the home nursery; a helpful friend to teachers and to mothers.


FLUSHING, N. Y., February 10, 1910.






















MAKE your building cards of ordinary writing-paper. You may have as many cards as you like, though twelve are all that are used to make the things shown in our photographs.

For each card cut an oblong of paper five inches long and two and a half inches wide. This is a very good size, but you can make them a little larger or smaller. Always remember, however, to have them just twice as long as they are wide, and all of one size. When you have cut out the oblong (Fig. 1) fold it through the middle, bringing the two short edges evenly together. The dotted line in Fig. 1 shows where it is to be folded. Now open the oblong half-way and you will have the building card (Fig. 2). They are very simple and easy to make, aren't they? But wonderful and delightful things can be built with these pieces of paper. You can have a whole camp of little tents by standing the cards with the folded edge up; and to make

A Camp Chair

all you need do is to push two of your tents close together, then on top of their folded edges lay another card with one flat side down to form the seat and the other side up for the back.

The second illustration (Fig. 3) shows just how to do this. Use the tents again for

The Pyramid

in Fig. 4. Stand three tents in a row close together. On top of these make a floor by laying two cards across with one side of each card extending down at the back of the tents. Then build a second story—two tents this time, with a floor on top.

The third and top story will be one tent, which forms the peak of the pyramid. Of course you can make your pyramid very much larger by adding more tents to the first row and then building it up higher.

The Stable

is very cunning with its four little stalls. To build it you must stand the cards on their side edges as in Fig. 2. One side forms the back wall of the stall, the other the side wall. When you have reached the end of the row you will find the last stall lacks a side wall, but all you have to do is to slide another back wall behind the last and there you have the needed side wall. Put a roof over the stalls just as you made the floors for your pyramid, and then stand a tent on top for the cupola. Place a card at each end of the stalls, as shown in the illustration, and your stable is ready for its tiny horses.


The Garden Wall

(Fig. 6) by standing the cards on their side edges. You can make the garden any size or shape you like, but always have the gateway just wide enough to hold the tent roof on top. See how the cards stand with edges in on either side of the opening. This will support the tent-shaped roof. Perhaps the children will want a house in the garden. You can build one if you try. Then see how many more things can be made of the paper cards, for I have not told you half of them.



USE a one-quart wooden berry-box for the china closet (Fig. 7). Turn the empty box facing you, and slide the prongs of a clothespin up through the open crack at the lower right hand of the box. Allow one prong of the clothespin to come on the outside and the other prong on the inside of the thin wooden side of the box; adjust the clothespin well to the front edge of the box, and it will form the right-hand front leg of the china closet. Add another leg in like manner on the same side of the box for the back leg; then slide two more clothespins up on the opposite side of the box to form the remaining two legs (Fig. 8).

The prongs of the clothespins do not reach up to the top of the inside of the box, but leave sufficient space for a shelf. Make the shelf by laying a clothespin across from side to side, supported by the prongs of the back legs, and another across, supported by the prongs of the front legs (Fig. 8). The clothespin used for the front of the shelf will probably have to be a trifle longer than that for the back, as the box is wider in front than at the back. Set some toy dishes on the top, the shelf, and the inside bottom of the china closet, as in Fig. 7.

With another quart berry-box and four more clothespins make the

Doll's Table

Slide the prongs of a clothespin down on either side of the box at the four corners (Fig. 9), then turn the table right side up, placing it on its feet. Set the table with toy dishes, and dinner will be ready (Fig. 10).

The table can be turned into a dressing-case by standing two clothespins on their heads at each side of the back of the top of the table, and sliding a piece of stiff paper across from clothespin to clothespin between the prongs for a mirror (Fig. 11). Of course, the addition of a fringed white paper, or cloth scarf, over the top of the dressing-case would enhance its appearance, as would also a table-cloth over the top of the dinner table, but the covers were purposely omitted in the photographs that one may see exactly how the articles were made.

Make a

Dolly's Bassinet

(Fig. 12) of a small oblong berry-basket with four clothespin legs slanting outward at the bottom and the prongs of the legs on each side brought together at the top (Fig. 13). On the centre of one end of the basket slide down the prongs of a fifth clothespin to form the upright for holding drapery (Fig. 13). When adjusted, fold a lady's handkerchief diagonally through the centre and hang it over the support, as in Fig. 12. The bassinet will then be ready for a folded handkerchief as bedding and a little baby doll.

A comical little berry-basket


(Fig. 14) can be made by using a two-quart basket for the body, the bassinet basket for a head, and clothespins for ears, tail, and legs. Fasten the legs on the body so that the front legs will slant forward and the back legs backward, that the dog may appear to be running (Fig. 15); slide a clothespin on the end of the basket for a tail; then fasten two clothespins slanting backward on the small basket for ears; set the small basket on the front end of the large one, placing it so that almost half of it projects over the large basket, and the comical little dog will be finished.

Fig. 16 shows two clothespin horses attached to a

Berry-basket Wagon

with clothespin wheels. The driver is a clothespin held up by a clothespin seat, and the wagon is filled with clothespin people along each side edge.



A HANDFUL of straws, such as are used for lemonade and soda-water, several large sheets of writing-paper, and some small-sized pins—these are your materials. A pair of sharp scissors, a ruler marked off into whole, half, and quarter inches, and a lead pencil—these are your tools.

We will begin with the old-fashioned four-post bedstead with its canopy and valances (Fig. 17). It is easily put together, but you must be careful to cut the straws for the posts all exactly the same length, making them about seven inches long, and to have your measurements for the other parts quite correct, in order that the bedstead may stand perfectly upright. Select four straight straws for the posts—sound and whole. Split straws will not do.

The mattress and canopy are exactly alike; each has its valance, and they are just the same size; so directions for one will answer for both. Cut an oblong of writing-paper eight and a half inches long and six and a half inches wide. Be sure that the ends and side edges form perfect right angles; if they do not, the bed will be crooked. The edges of your sheet of writing-paper are at right angles to one another, and if you use the top edge of your paper for the top edge of your oblong, and the side edge of the paper for one side edge of your oblong, the rest will come out all right.

Now draw perfectly straight lines across your oblong from top to bottom, just one and a half inches from each edge (Fig. 18). Then from side to side draw two more straight lines; the first one and a half inches below the top edge and the other one and a half inches above the bottom edge. This gives the mattress with a border all around. In each corner of the mattress, a little more than a quarter of an inch from the end and side lines, draw a small cross as shown in Fig. 18. Be sure these crosses are placed correctly, and are exactly alike in mattress and canopy. Now cut out the four squares at the corners of the oblong, as indicated by the heavy lines in Fig. 18, and insert the point of your scissors in the centre of each little cross and snip along each line of the cross. Do not make the slashes too deep.

Cut the edges of the border, or valance, into small points, as in Fig. 17; then bend the valance down at the sides and ends of the mattress. The dotted lines in the diagrams show where to bend the paper. Make the canopy just as you have made the mattress, but cut deeper points on the edge of the valance.

Through each of the four straw bedposts run a small pin two and a quarter inches from the end of the straw (Fig. 19).

Push the long ends of the straws up through the slashed crosses in the corners of the mattress (Fig. 19) until the bottom of the mattress rests on the pins, then run a pin through each straw just above and close to the top of the mattress. Between the two pins the paper can slip neither up nor down. Run another pin in each straw post half an inch from the top, slide the canopy down upon these, and fasten with more pins, as you did the mattress. Make the bolster by folding a piece of paper the proper shape and cutting the end edges in points for trimming.

Now you not only know how to make the bedstead, but

The Little Table

as well, for if you will look at Fig. 20 you will see that it is put together in the same manner as the bedstead.

Make the legs of the table three inches long. Cut the top of the table four inches long and three and a half inches wide, and the shelf three and a half inches long and three inches wide. Measure one-quarter of an inch from each edge of the table top and draw straight lines as in Fig. 21. This will give you a narrow border all around the top.

Make and cut the little crosses in the corners of top and shelf, then cut out the squares at the corners of the top and bend down the edges. The shelf of the table should be one inch above the bottom ends of the straws, and the top of the table one-quarter of an inch below the top ends of the straws.

By making the straw legs of the table twice as long, and the top and shelves narrower, you can have another useful article of furniture, for by adding two shelves of paper on the straws, and fastening them in the same way, this can be used as a cupboard or shelves on which to place the tiny doll dishes or clothes. The table can also be made into a little dressing-table, by simply using for the back legs straws twice as long as the front legs and then slipping a square piece of paper on the straws that extend above the table, to serve as a mirror. Just as the paper is slipped on the straws for the back of the chair (Fig. 22), silver paper is pasted on this to make it look like glass.

With these few patterns you can make any number of useful articles to furnish Miss Dolly's house. You can make small beds and large beds, small tables and large tables, and many sizes of chairs.

You can make

The Chair

by merely looking at Fig. 22 and the diagrams, Figs. 23 and 24. No pins were used in this, but if you want the chair to last it is best to fasten it securely like the rest of the furniture. The straws for the back should be six inches long and for the front legs two and a quarter inches long. The shelf under the chair is the size of the seat.

This furniture will be especially useful in playing with paper dolls, and by using different colors, in colored papers, you can have a blue room, a pink room, and a green room.

You can make tissue-paper sheets and spread for the bed and pillow-slips, too, if you like. Thus dolly can be tucked away snugly for the night.

The ingenuity exercised in the construction of these simple articles will encourage the development of deftness and skill in the little fingers, which are ever ready to imitate anything that teacher can make.



YOU can fold a thirteen-and-a-half-inch square of newspaper into a fine boat measuring thirteen inches from stem to stern. It will be a good, stanch craft like Fig. 25, to float and sail out in the open on pond, lake, or river, or at home in basin or bath tub.

Cut your square of paper even and straight. Place it out flat on top of a bare table and fold at the centre along the dotted line (Fig. 26), which will make Fig. 27. Bend each side of this down outwardly along its centre at the dotted line and bring the edges a quarter of an inch lower than the bottom fold A; then your paper will be four layers like Fig. 28. Turn up the lower edge B of Fig. 28, making Fig. 29. Fold back the three lower layers of the corners at the dotted lines (Fig. 29) and you will have Fig. 30. Bend back the upper corners at the dotted lines to make Fig. 31. Open Fig. 31 at the top and it will be your boat. Turn the boat upside down and slide one loose edge on the bottom under the other loose edge; then pinch each bottom point and bend it down toward the centre of the boat, creasing it flat (Fig. 32). Turn the boat right side up again, set it on the table, bend the two sides well up and crease them along the bottom until the boat resembles Fig. 33.

To render the craft water-proof melt a piece of wax candle, turn the boat upside down again and give the bottom a coat of the melted white wax, extending the coat half way or more up the sides. Use a teaspoon for pouring the wax over the boat; the hot wax soon hardens and in a few moments you may launch the little craft on the water.

If you want to make a

Sailing Vessel

of your boat, roll up a one-inch-wide strip of newspaper into an old-fashioned paper lighter, which is merely rolling the strip spirally into a round stick; this is the mast. Cut a paper sail, not too large, puncture holes in it and slide the sail on the mast; add a small paper pennant on the extreme top; then insert the base of the mast into a common wooden spool and glue the spool tight to the bottom of the boat at the centre of the bow.

With thread and needle take a stitch or two in the lower corner of the sail and attach it with a short length of the thread to the stern; fasten securely. Also fasten the pennant to the mast, so that it cannot turn, for in this vessel both sail and pennant must be stationary and not swing to either side. Be careful not to have the sail too heavy.



ORDINARY brown wrapping paper is the best to use for this paper jewelry. Indeed the pale, creamy yellow of some wrapping paper is much like ivory in color, and the chains and ornaments made of it are really charming.

The Necklace

See how simply the necklace is made without glue or paste. It is a system of double rings that shift and slide in one's hands like the links of a metal chain. When the principle is understood it is all very easy.

The rings may be cut out free-hand by folding the paper as in Fig. 34. Cut an oblong about six inches long and three inches wide and fold it crosswise through the middle, then bring the two side edges together and fold it again lengthwise. Start at the top where the paper is folded and cut out the ring as in Fig. 34. You will notice in the drawing that the circle at the top is slightly elongated; this is necessary in fitting the rings together. The ring when opened will look like Fig. 35. Cut out six rings the size and shape of Fig. 35, then make two smaller ones, like A (Fig. 36), and eight still smaller ones, like B (Fig. 36). Now cut a single ring perfectly round, a trifle larger than Fig. 34, a double ring like C (Fig. 37), and a pearl-shaped pendant like Fig. 38. Open Fig. 38 and cut the three-cornered catch in one half and the slit in the other half, as shown in Fig. 39. Cut the catch first, then fold the pendant again, as in Fig. 38, and punch small holes with a pin at the base of the catch through the other half, to mark the place for the slit. The slit must not be as long as the base of the catch, else the catch will not hold.

Put the necklace together by slipping the half of one ring over both halves of another, as in Fig. 40. Commence with the single ring. Slip half of a large double ring through the single ring, bring the double ring together and slip another large ring through that, then add another large ring and you will have a chain of three large rings with the single ring at the end.

To the end double ring attach a ring, like A (Fig. 36); to A add a chain of four rings like B (Fig. 36). This gives you just half of the necklace, for the single ring is to be the middle one. Make the other half in the same way, starting on the opposite side of the single ring and slipping ring into ring as you did before. Attach the ring pendant, C (Fig. 37), to the single ring between the two side rings, then add the pendant. Fasten the two halves of the pendant together by folding the two points of the catch inward, slipping the catch through the slit and then spreading the points out again flat. This makes a very secure fastening and, unless the neck of the catch is too slender, it will neither break nor pull apart.

Fig. 41 is the clasp for the necklace. Cut it out like the pattern and make it about three inches long. Slip one end of the clasp through the last ring on one end of the necklace, the other end of the clasp through the last ring on the other end of the necklace, then bring the clasp together and slip the catch through the slit, as in Fig. 42. The photograph (Fig. 43) shows how pretty the necklace is when finished.

The Coronet

The coronet shown in the illustration of the "Little queen" is cut in one piece (Fig. 44). At the widest part, from top to bottom, it is three inches wide, and the ends may be lengthened or shortened to fit any head. The ends must meet and fasten at the back.

Little rings, one inch in diameter, cut like Fig. 45, ornament the coronet, as shown in Fig. 44. They are fastened by the catch at the top through slits cut in the coronet. Make three slits, one below the other, a little over one inch apart, down the middle of the coronet, and on either side of these make six more slits in the position shown on the right half of Fig. 44. This gives fifteen slits, for which you must have fifteen rings. These dangling little rings that shake and twinkle with every movement are fascinating little ornaments, and are far prettier than more elaborate designs.


Quite oriental-looking ear-rings are made like Fig. 46. Cut first two single elongated hoops like Fig. 47, making them almost three inches long and one and three-quarter inches from side to side. These long hoops are to slip over the ears to hold the ear-rings on. Cut two hoops, like D (Fig. 46), and two pendants, like E (Fig. 46). Fasten the hoop D upon the hoop (Fig. 46), and the pendant E upon the hoop D, clasping the pendant by its catch as you did the pendant of the necklace. The children need not follow exactly the shapes of the "danglers" and pendants shown here—let them exercise their own taste in these.

The Bangle Bracelet

The bangle bracelet (Fig. 48) is made as in Fig. 49. Cut a strip of paper half an inch wide and about eight inches long; make a catch at one end and a slit in the other end, then a little below the middle cut six slits half an inch apart, as in Fig. 49.

Cut six round charms, three-quarters of an inch in diameter, with a catch at the top like Fig. 50, and fasten the charms on the bracelet. Fig. 49 gives the inside of the bracelet with three charms attached. This bracelet is large for a small child, but can be shortened at the end to fit any little arm.

A Link Bracelet

Fig. 51 is a link bracelet. Make this by folding a strip of paper eight inches long crosswise through the middle. Bring the folded end half way down and fold, turn back the other end and fold like a fan. This divides the paper into six equal parts. Now cut out the outer edge of all the links at once. Free the two end links and cut out the centres of the others, then cut the centres of the two links, as shown in Fig. 51, making the catch and slit like the pattern.

The links of the long chain shown in the photograph of "The queen and her captive," are cut exactly like the bangle bracelet (Fig. 49). The slits and charms are, of course, omitted. Fig. 52 shows how the chain is put together by slipping one link through another and fastening it with its catch. You can make the chain any length. It is so strong that only rough handling will pull it apart.

The Lorgnette

Now comes the lorgnette, which works beautifully made of rather stiff paper. Make the case of a strip of paper three inches wide and eight inches long. Fold the paper lengthwise through the middle and cut it, rounding at the top like Fig. 53. In one side cut a small round hole at the top, rather near the edge of the case, F (Fig. 53), and fold back the lower corners according to the dotted lines. Cut out the eyeglasses like Fig. 54. Curl the edges of the ball G together and slide the ball through the hole F in the case, as in Fig. 55.

The glasses swing quite loosely by this hinge, and will slide easily in and out of the case. When tucked away inside the case a little flirt of the hand, a turn of the wrist, will throw them out and they can be lifted to a piquant little nose in the most approved and fine-ladylike fashion.

The lorgnette in use is shown in the photograph, "Playing lady." "The little queen" displays jewelry, and "The queen and her captive" show the long chain.



GATHER up all the spools you can find, big, little, thick, and thin; no matter how many, you can use them all. There is no end of fun to be had with these always-on-hand, easily found toys; they may be made into almost everything.

Spool Houses

are very simply constructed. Begin building by standing ten spools in a straight row for the front of the house. Make one side with seven spools placed at right angles with the front. This gives you one corner of the house. Build the back parallel to the front by standing nine spools at right angles with the side. You will then have two corners of the house and three sides. Add a row of six spools along the empty space between the front and back of the house for the fourth side, as in Fig. 56. Remove the third and fourth spools from the left-hand corner of the front of the house to form the doorway, and examine the foundation—see that it is even and straight before erecting the walls; then continue the building, placing a spool on top of each foundation spool (Fig. 57). Build on another layer of spools, except over the second and third spools at the right hand of the doorway opening (Fig. 58). Add another row of spools (Fig. 59), and another (Fig. 60). Lay a piece of pasteboard box over the top of the walls (Fig. 61), and make the roof of a piece of almost any kind of paper by bending and creasing the paper down along the lengthwise centre and up along the lengthwise edges. Place the roof on top of the pasteboard ceiling (Fig. 62). Do not have the roof project over the end of the house where you are to build the chimney, for the chimney must be quite close to the house. Select large spools for the chimney and build it by standing one spool on top of another until the chimney extends above the roof. You can top the chimney by laying a piece of cardboard over the last spool and placing two small spools on it side by side. Enclose the yard with a spool fence; standing the spools a short distance from each other, as in the photograph. Use spools of larger size for the gateway, topping them with two smaller ones (Fig. 62).

Make the yard into a cheerful

Sunshiny Garden

(Fig. 63), with flowers and trees of paper and tubs and flower-pots of spools, where the clothespin people may go for recreation.

The trees are easy to make and are very effective; they are simply fringed strips of paper rolled like a paper lighter with the large ends stuck into spools. Cut a strip of green tissue-paper fifteen inches long and five wide; then cut one-third of the strip narrow, about one inch wide, and fringe the remaining two thirds (Fig. 64). With the thumb and first finger of your right hand begin to roll the corner as shown at A (Fig. 64). Continue rolling, and the fringe, which forms the foliage, will stand out on the outside of the rolled part or trunk of the tree. When you reach the solid, narrow part of the paper strip it will roll into a smooth, round stick, forming the lower part of the tree trunk. Paste the last wrapped corner of the paper roll in place and clip the tree trunk off even across the bottom edge; then press it into a hole in the centre of an empty spool of ordinary size, and there's your tree! You can vary the foliage by crimping the fringe with knife or scissors before the strip is rolled into a tree and by having the fringe of some much longer than that of others. If you use different tones, tints, and shades of green, running from very light to dark, and make a lot of them varying in height, the trees will look very pretty and they can form a jungle where toy wild animals can live; or a number of the trees might form a playground or a grove where dolls may go for a picnic.

In the photograph of the group of trees you will see a number of pots of flowers. The flowers are disks and squares of different bright-colored tissue-paper, each one with its centre pinched together and twisted into a stemlike piece, which is pushed down into a buttonhole-twist spool. Around some of the flowers a smaller square of green may be used for foliage.

You could make an extensive flower garden by using a great number of these short, flat spools and bits of gay tissue-paper, and they can be arranged and rearranged in many different ways.

It is possible to make all kinds of toy furniture of spools. If you want

A Bedroom Set,

use four spools for the legs of a bedstead, place them in position and lay a piece of stiff white paper, bent up at one end, on top of the spools. The bed will then be ready for the doll (Fig. 65).

A little table can be made in a moment's time. All that is necessary is to choose a large spool and place a round piece of paper on the top (Fig. 66). Make the bureau of six spools close together in two rows of three spools each, and cut the top of a piece of paper with a high extension in the centre, which you must bend upright for a mirror. The washstand can be four spools quite close together covered with a piece of paper. A piano is easily made, but you must think it out for yourself. Use a small spool for the piano-stool.

The Lamp

(Fig. 67) is a spool with a little roll of white paper shoved into the hole and a circular piece of paper crimped around the edge for the shade. Unless you need the spool to use again in other ways, you might paste the paper on and make a lamp which will not come apart.

You can glue the tops on the table and washstand and the mirror on the bureau also; though this is not necessary, for if you are careful and do not knock against the furniture it will remain secure.

Now make the toy


with empty spools, and the entire kitchen will not cost one cent of money.

See how firm and substantial the little kitchen furniture looks in the photograph with its fine stove, dresser, and wash-tub (Fig. 68). Use four spools for the feet of the stove. Over these lay a piece of pasteboard about six inches long and four inches wide, allowing it to project beyond the front feet to form the apron; then build on the body of the stove, making it of spools two layers deep, as in Fig. 69. Cut a piece of pasteboard to fit over the spools for the stove top, and have it long enough to stand out a short distance at the back; then you can build on the stovepipe (Fig. 70).

Make the dresser of spools and strips cut from pasteboard boxes (Fig. 71).

For the tubs stand four spools close together, and set a little round box on top of them. Make the washboard of a piece of paper folded many times backward and forward, fan fashion. After carefully creasing the folds, pull the paper out slightly and put it in the tub for the next washday (Fig. 68).

After cooking,

A Dining Table

will be needed. With eight spools and a piece of pasteboard cut from a box you can make a fine dining table; the legs of the table are four columns of two spools each, as you see in Fig. 72, and the chairs are made of spools with bent pieces of cardboard pasted on top. The decorations of the table are small spools with bright tissue-paper for flowers arranged at the four corners of the table, and the plates are the round pasteboard tops from milk bottles.

When enough furniture has been manufactured, build

A Wagon

Cut Fig. 73 from heavy paper or cardboard that will fold without breaking. Bend all the dotted lines and cut all the heavy lines in the pattern. Push a burnt match, or a wooden toothpick through one hub, then through an empty spool and the second hub. The spool forms the wheels. Screw a small pin cautiously through each of the two projecting ends of the match, piercing the wood and leaving the head and point of the pin standing out (Fig. 74). Tie a knot in the end of a string to prevent its sliding out and thread it through the hole in the dashboard.

By laying narrow strips of paper on a table or on the floor to form a boundary line, you may make a

Sunday-School Room

Leave an open space for the doorway at the opposite end of the room from the organ. Build up a column of four large spools at each side of the space and connect them with a strip of paper laid from the top of one column to the top of the other.

Build the fine, large pipe-organ close to the edge of the back room. Stand eight spools in a row tight to each other at equal distances from each boundary side line. Build the row up three spools high, then skipping the end spools, build on two layers of six spools each; again skip the end spools and build on a layer of four spools. Crown the last layer with two top spools. Across the centre front of the organ stand a row of spools, two high and three long. Over them lay a piece of paper bent lengthwise through the centre for the key-board and music-rack. Bend another piece of paper for the music and stand it on the key-board against the rack. Make the organ seat of two spools placed side by side in front of the organ with a strip of paper laid over them. Let the seats for the doll children be rows of three spools each. Place the seats one in front of another in parallel lines a short distance apart and allow a wide, lengthwise central aisle between them. All this is shown in Fig. 75.

Trolley Car

Hunt up an old pasteboard box, for you will need a box lid about fifteen inches long and eight inches wide as a foundation for the realistic trolley car (Fig. 76). Use eight spools for the wheels; place two spool wheels near the front and two near the back on each side. Lay the spools down flat and rest the edge of the box lid on the body of the spools; then stand a row of eleven spools on each side of the top of the box lid. Beginning at one end of the row, build up every other spool into three-spool columns; the intervening spaces form the open windows of the car.

Leave windows on the opposite side of the car in the same way, and place a row of spools close up against the bottom spools of each side of the car to form the car seats. Roof the car with a piece of cardboard cut off square at one end and rounded at the other. On top of each side of this roof place one row of six buttonhole-twist spools, the spools of each row separated equal distances (Fig. 76). Stand a spool on the front of the car platform for the motorman's wheel and you have a car like that in the photograph.

When the trolley is taken apart use the spools in building

A Bridge

Fig. 77 shows that the piers can be built to a good height and be solid and substantial.

Stand three large-sized spools together, forming a triangle, with one point turned to face the opposite pier. This group of three spools is the foundation of one of the two columns, which together form one pier of the bridge.

About two inches distant and on a line with the triangle of spools stand a group of three more spools, and build up each group into a column four spools high. You will need two more columns for the opposite pier of the bridge; build them as you did the first, and place the second pier exactly opposite to and as far from the first as you desire the span should reach—say about fourteen inches.

Lay a strip of pasteboard six inches wide across from pier to pier, allowing the ends to rest on the piers, but not extend beyond the outside end edges of the piers; then if your span is fourteen, inches long, cut from a pasteboard box two more strips fourteen inches long and of the same width as the span; score each strip across one end, one inch from the edge, bend slightly and fit the bent edge of each strip on one end of the bridge, allowing the other end of the strip to extend away from the pier and rest on the floor, forming an inclined approach to the bridge proper as in Fig. 77.

When your pasteboard strips are well settled in place, continue building up the piers on top of the pasteboard, making each group of three spools two layers high; then build up one spool two layers high on top of the four columns.

Complete the archway by spanning the two columns of each pier with a narrow strip of stiff white paper bent up into a point at the centre and out into a flap at each end (Fig. 78). The flaps rest on top of the spools. The photograph shows how the entire bridge should look, and in the photograph you will find a little lady hurrying across the bridge on her way home, and following in her wake Mr. Clothespin and Mrs. Clothespin. A paper boat under the bridge would make the scene more realistic.

Next build

A Memorial Arch

(Fig. 79), something like the one which was erected in New York City. Commence with two groups of spools a short distance apart; have three in each group, two in the back and one in the front. Build up columns four spools high; then lay a strip of pasteboard across from one to the other. On top of the pasteboard place two more groups of smaller spools a little nearer together than the first groups. Make these columns two spools high and crown each with a single spool decorated with a bright-colored paper flag fastened on a stick pushed down into the spool. At the base of the arch add three more spools on each side, o and o (Fig. 79), and the structure will be completed. This is not exactly like the original, but for a spool arch it is fine, and a spool procession will feel honored to march through it.

The Parthenon

If you have enough spools, you can make a miniature representation of one of the most beautiful temples ever built. Begin by standing four spools in a row for the first end of the building, allowing about the width of a spool between each two. Place eight in a row for the first side, four for the other end, and eight for the second side (Fig. 80). Have the spools all of the same size, that the walls may be alike and perfectly even, because, as you know, the walls are to be formed of columns, not as many as in the original, but enough to give an idea of the Greek temple. Build up the spools three deep into pillars; then lay a piece of pasteboard on the top of the columns for a ceiling. Bend another piece of pasteboard lengthwise through the centre for the roof, and stand it tent-like on top of the ceiling. You can measure the correct size of the ceiling by laying a piece of pasteboard down flat on the floor along the eight-columned side of the Parthenon to obtain the length, and placing it flat on the floor across the four-columned side to mark the width. Make the roof the same length and a little wider than the ceiling, to allow for the height of the bend through the centre.

You must imagine a space immediately beneath the roof of the little Greek temple filled in with the most beautiful statuary, and think of the spools as white marble columns, and you should see, in fancy, another row of stately columns inside the ones you have built. Tell all about the real Parthenon and hunt up a picture of the temple that all may see just how near you came to making the little model look like the wonderful Parthenon on the Acropolis, in Athens.

After admiring the building for a while, pretend that a left-over spool

Is a Venetian Shell

shot from a cannon, and toss it gently against the roof at one end of the temple, then see the columns totter and fall, leaving only a portion of the Parthenon standing, in the same way that the real marble columns fell when the original structure was shattered and practically destroyed by the soldiers.

You can

Blow Bubbles with a Spool,

beautiful bubbles, which float and glide in the air with all the charm of clay-pipe bubbles. Mix strong soap-suds, dip one end of a large spool in the water, wet the spool, then blow. If the bubble refuses to appear, dip the spool in the water again, put your head down to the spool and blow a few bubbles while the spool is in the water, then quickly raise it and try again. Nine times out of ten you will succeed, and a bubble will swell out from the spool as in Fig. 81. These wooden bubble-blowers last a long time, with no danger of breaking when accidentally dropped on the floor, and you can always find enough to provide one for each of the players who meet for a trial of skill in bubble-blowing.

Now try

Pretty Butterflies

which fly from spools. Cut a butterfly (Fig. 82) from bright-colored tissue paper or thin writing paper, bend at the dotted line and paste on the large end of a very small cork. Fit the small end of the cork into the top of the hole of an empty spool (Fig. 83). Then blow through the spool and see the butterfly ascend rapidly to the ceiling and float down again. A number of different colored butterflies in the air at one time fill the room with charming bits of fluttering brightness that will delight the children.

Take another empty spool and stick a common wire hairpin partially into the hole, bend the hairpin slightly down against the edges of the hole, do the same with three more hairpins, and you will have a spool with a funnel-like opening of hairpins at the top (Fig. 84). In the funnel place a small, light-weight ball made of a crushed bit of bright paper wound around with thread. Raise the spool to your lips and blow gently (Fig. 85). The ball will rise and fall in mid-air, in the same way that you have seen one of rubber dance at the top of a small fountain or jet of water.



DON'T throw away your old envelopes; see what amusing toys can be made of them simply by folding and cutting. No paste or glue is needed, and any one of the toys given here can be made in five minutes or less.

The Frog

The frog is one of the simplest and at the same time the funniest of the collection. Fig. 86 gives a side view in which his beautiful open mouth can be seen to advantage. Fig. 87 shows him sprawled out on the table. Fig. 88 gives the pattern of the frog as it appears when drawn on the envelope. You will notice that the bottom fold of the envelope is used for the top of the animal. Draw the outlines as in Fig. 88, then cut along the lines you have drawn. The under part of the body follows the edge of the lower lap of the envelope from front to hind leg. Now flatten out the fold at the top and bend the paper under at the corners, which forms the head and tail. Cut a slit along the folded edge of the head for the mouth, pull the lower part down and the mouth will open wide as a frog's mouth naturally does. By working the lower jaw the frog can be made to snap at imaginary flies. Draw the eyes as shown in Fig. 87 and bend down the lower part of the body along the dotted line, shown in Fig. 88, spread out the hind legs, and Master Frog is finished.

The Little Bed

For the little bed (Fig. 89) use a long envelope. If the top lap is open, cut it off. Flatten out the bottom fold as you did for the frog's back, then bend the ends and sides as in Fig. 90. Bend up the points at each end for head and footboards, and there is your bed.

The Table

Make the table (Fig. 91) of a smaller envelope in the same way, but leave the points extending out at the ends (Fig. 90) and cut short legs on the bottom edge (Fig. 91).

Plates and other dishes can be made very easily. For circular dishes use a cent or a ten-cent piece for a pattern. Very effective cups and goblets can be made from old pieces of tinfoil. The table, however, is strong enough to hold the little china or tin dishes usually found among a child's collection of toys.

The Sofa

The comfortable little high-backed sofa (Fig. 92) is made of a long envelope with the top left open. Fold the envelope into the box shape, as for the bed, with the points turned up. Then fold the tips of the points inward, as in Fig. 93. Now reverse the box and slit down the two front edges which gives an opening in front. Bend down this front piece and cut it off on a line with the two ends.

The Arm-Chair

A deep, low-seated arm-chair can be made of an oblong envelope of ordinary size by following the directions for the sofa and allowing the back to curve instead of making it flat, then slitting down the sides and bending them over to form the arms (Fig. 94).

The Bath Tub.

A little bath tub, but one that will scarcely hold water, is shown in Fig. 95. In this the upper lap is left open, the points are bent under, and the sides left to curve naturally. A baby carriage can also be made in this way, but for the carriage the points must extend down and have wheels drawn on them and the tips must be cut off squarely at the bottom so that the carriage will stand. The lap is the back and the handle in one (Fig. 96).

The Bungalow

The little bungalow (Fig. 97) is something very different, yet it, too, is made of an envelope. Though it appears to have many parts it is all in one piece. The envelope is a long one, such as is used for legal papers. Fig. 98 gives the pattern. The heavy lines show where to cut and the dotted lines where to bend. The lap forms the front porch, but the porch may be left off entirely if the envelope has been slit at the top in opening it. With a little care, however, many envelopes can be opened intact. Cut along the heavy lines of the door and windows, then open the door and the little shutters. Bend back the ends of the house and in the middle of each end take a little plait from top to bottom. This is to make the ends narrower and give room for the roof to slant. Bend the roof back from the eaves along the dotted line. The back of the bungalow is made like the front, except that it has no door, windows, or porch.

Children who have a knack at drawing can greatly improve the bungalow by drawing the slats to the blinds, drawing in the panelling on the front door, putting on the knob, putting shingles on the roof, etc., etc.

The Cart

The little cart (Fig. 99), that will hold quite a heavy doll, and can be trundled about like one made of wood, is not cut at all.

Fold an oblong envelope into the box shape (Fig. 93), with points turned up, but let the points be deeper than for the bed or sofa. This is because the ends of the envelope are to form the sides of the cart and must be longer from front to back. Bend the tips of the points in and crease the folds sharply that they may lie flat against the sides. Sharpen one end of a small, round stick and push it through the middle of the folded point on one side, then slide a large, empty spool on the stick and thrust the point of the stick through the opposite side (Fig. 100). The stick should stand out beyond the cart about half an inch on each side, and will need no fastening.

Puncture a hole in one end of the cart, thread a cotton string through the hole, tie a large knot on the inside end and pull the string through until the knot presses close against the end of the cart. Let the string be long enough to reach easily from the floor to the little hand that will hold the other end.

Besides all these toys, a baby's cradle that has rockers and will rock, a cunning little dressing-table with its mirror, boxes of different shapes and sizes, and various kinds of baskets can be made of the old envelope. Probably there are other forms it may be made to assume—boats perhaps, that for a time at least will float on the water, and animals other than the frog.



YOU can make cunning, soft, downy hens and roosters simply of raw cotton and clothespins (Fig. 101). The little creatures may be pure white, dark colored, or part dark and part light, according to the cotton used.

All of

The Chickens

have the same kind of foundation. It is made by sliding the prongs of two clothespins into each other (Fig. 102). Be sure the clothespins, when together, stand firm on the prong ends, for these form the legs and feet of the chickens.

With a string tie a piece of raw cotton over the head of one clothespin; have the string tight, but the cotton cover rather loose. Bring the cotton partly down the clothespin and tie it again (Fig. 103); then use your fingers to shape the top cotton into the form of a rooster's head; gently pull a little of it out to make the beak; tie a string around the beak where it joins the head, and, with thumb and finger slightly dampened, twist the end of the beak into a point (Fig. 104). Cotton which comes in sheets is best for the tail, but the other will do. Lay the centre of a generous piece of cotton over the head of the second clothespin, plait the loose ends around the pin, and fasten with a string, making the edge of the tail in a line with the opening of the prongs of the pin. Cut the folded end rounded on top, and slit it up a short distance into wide fringe to form the long feathers of the rooster's tail (Fig. 104).

With another piece of cotton cover the back and sides of the rooster, as you would put a saddle on a horse. Bring the edges of the cover together down the neck and body; when fitted lift the cover, put paste here and there on its under side near the edge, replace the cover and it will stick fast; then, with the top of a wire hairpin, push the edges of the cover, front and back, in between the open prongs of the clothespin. Ink round bits of paper and paste on the rooster for eyes; make his comb and wattles of red tissue paper (Fig. 105), and you will have a fine rooster which can actually

Move His Little Cotton Head

up and down, fast or slow, as you wish. To make him do so, hold the front leg steady with your left hand, while with your right hand you raise and lower the other leg. Try it, and see how naturally the little fellow appears to pick up corn in an eager, hungry manner.

Fashion the hen in the same way you made the rooster, only have the tail smaller and without long feathers (Fig. 106). The comb on the hen must also be smaller than that on the rooster. The general shape of the hen is the same as that of the rooster. Notice that the direction of outline along the lower edge of tail and body is one continuous slanting line; remember this when adjusting the tail that it may not stand out backward at right angles from the body.

The Little Lambs

are made in much the same way as the chickens. Slide two clothespins together for the foundation (Fig. 102); tie a wad of cotton over the head of one pin, then pull the head out a trifle on each side for ears, and tie with a string as you made the rooster's beak. Cover the second clothespin, making the upper part, which extends down, quite thick; then lift the upper part, and bring it across to the lamb's neck, for the little animal must have an almost level back (Fig. 107). Cut a piece of cotton large enough to cover the entire back and sides of the lamb, lay it over the lamb like a very large saddle, and fasten it in place with paste. Use small inked papers for eyes, and tie a gay ribbon around his neck (Fig. 108). Make a number of little lambs, for they are so attractive and pretty grouped together (Fig. 109).

The Rabbit

(Fig. 110) has the same kind of foundation as the lamb, but stretched out more, bringing the heads of the pins lower and farther apart. He needs very long ears, so they must be of separate pieces of sheet cotton tied to the head. Make his head rather large, and in other respects manufacture him much the same as the lamb.

The Ears and Tail of a Dog

are too large for pulling out and tying from the main piece of cotton, so cut them separate and tie on at the proper places. Make the doggie's head large, and the saddle-like cover thick, that the little fellow may be plump and fat; cut inked paper for eyes and end of nose; with these exceptions the work is the same as on the lamb (Fig. 107).

When tying beaks, ears, and tails of the various animals, cut the string ends close to the knot; then the string will sink into the cotton.

To dress a

Little Girl Doll,

cut a strip of cotton extending from below the neck line of the clothespin to within a short distance of the ends of the prongs; tie the cotton in gathers around the lower edge of the neck, and again lower down at the belt line (Fig. 112). Make the arms of a strip of cotton about four and a quarter inches long and one inch wide; slash in the middle a short distance, and slip the strip over the head of the pin (Fig. 113); bend at the shoulders, fold remaining lengths once for arms, and, with dampened thumb and finger, lightly twist the ends into hands. The edges of the cotton forming arms and hands will cling together. Tie a bright ribbon sash around Miss Dolly's waist; then make her hair of a strip of dark raw cotton; fit and press it on the wooden head, twisting the ends to resemble long braids; pinch the cotton up on the top of the head to form a pompadour; when adjusted take the wig off; cover the wooden head with paste, and replace the wig, setting it well back from the front of the head. Fasten a ribbon bow back of the pompadour, and tie the braids together at the nape of the neck with another ribbon; then ink the features. Insert the ends of the prongs of the clothespin forming dolly's feet into a small piece of double-faced corrugated straw board, fasten them in with paste, and the little girl will stand alone (Fig. 114). The doll's back is shown in Fig. 115.

Make the

Boy Doll

(Fig. 116) stand in the same manner; fashion his hair of dark cotton, his trousers of a strip of white cotton tied around the waist and pushed in between the prongs of the clothespins. Cut the coat from a folded piece of cotton, a hole in the centre of the fold for the head to pass through; straight sleeves horizontally cut along the fold; and the remainder in sacque form like a Japanese coat or pajamas. The sleeves form the arms and the hands of the boy.

Fasten a belt high at the back and low in the front around his waist, giving the coat a Russian-blouse effect; make him a ribbon bow necktie, and ink the features.

These small people are very bewitching, as are also the animals.

You can color the sheet cotton slightly here and there with water-color paint if you are clever with a paint brush. As you work with these little dolls and animals you will find ever so many ways to vary them in effect. They are so soft and fluffy that a baby can play with them without injury, and a school or college boy may be amused by being presented with one, appropriately dressed, as a souvenir of pleasant experiences at a college luncheon or dinner.

To make a foot-ball player, finish the blouse without necktie or belt; make the shoulders wide and the hair rather short, like a college boy's rough head. So much for the boy. Paste a letter cut out of colored paper on the front of the blouse to make it look like a college sweater, and gather the trousers in a little at the knees. You can tuck an egg-shaped ball made of brown raw wool under one arm for a realistic touch, if you choose.

Little girl dolls may be similarly made to represent basket-ball players in short skirts and school or college sweaters, with appropriate emblems on the front, for a special entertainment.

Making these figures is much less trouble than dressing dolls entails, and much more of a novelty, too. They take so many shapes that they fit almost any occasion.

In fact, the possibilities of these cotton and clothespin toys are almost endless in the hands of ingenious young people.



Mother Goose Scrap-Book

THE nursery scrap-books made of linen or colored cambric are, perhaps, familiar to most of our readers; but for the benefit of those who may not yet have seen these durable little books, we will give the following directions for making one:

Cut from a piece of strong linen, colored cambric, or white muslin, four oblongs twenty-four inches long by twelve inches wide. Buttonhole-stitch the edges all around with some bright-colored worsted, then place the oblongs neatly together and stitch them directly through the centre with strong thread (Fig. 117). Fold them over, stitch again, as in Fig. 118, and your book is finished and ready for the pictures.

It is in the preparation of these pictures that you will find the novelty of the plan I propose. Instead of pasting in cards and pictures which have become too familiar to awaken interest, let the young book-makers design and form their own pictures by cutting special figures, or parts of figures, from different cards, and then pasting them together so as to form new combinations.

Any subject which pleases the fancy can be illustrated in this way, and the children will soon be deeply interested in the work and delighted at the strange and striking pictorial characters that can be produced by ingenious combinations.

Stories and little poems may be very nicely and aptly illustrated; but the "Mother Goose Melodies" are, perhaps, the most suitable subjects with which to interest younger children, as they will be easily recognized by the little folk.

Take, for instance, the "Three Wise Men of Gotham," who went to sea in a bowl. Will not Fig. 119 serve very well as an illustration of the subject? Yet these figures are cut from advertising cards, and no two from the same card. Fig. 120 shows the materials; Fig. 119 shows the result of combining them.

Again, the little man dancing so gaily (Fig. 122) is turned into "Little Jack Horner" eating his Christmas pie (Fig. 121), by merely cutting off his legs and substituting a dress skirt and pair of feet clipped from another card. The Christmas pie in his lap is from still another card.

In making pictures of this kind, figures that were originally standing may be forced to sit; babies may be placed in arms which, on the cards they were stolen from, held only cakes of soap, perhaps, or boxes of blacking; heads may be ruthlessly torn from bodies to which they belong, and as ruthlessly clapped upon strange shoulders; and you will be surprised to see what amusing, and often excellent, illustrations present themselves as the result of a little ingenuity in clipping and pasting.

Another kind, which we shall call the

Transformation Scrap-Book

will be found exceedingly amusing on account of the various and ever-changing pictures it presents.

Unlike any other, where the picture once pasted in must remain ever the same, the transformation scrap-book alters one picture many times. To work these transformations, a blank book is the first article required; one eight inches long by six and a half or seven wide is a good size.

Cut the pages of this book across, one-third the way down. Fig. 123 shows how this should be done. The three-cornered piece cut out near the binding allows the pages to be turned without catching or tearing. Leave the first page uncut; also the one in the middle of the book.

Cut from picture-cards, or old toy-books which have colored illustrations, the odd and funny figures of men and women, boys and girls, selecting those which will give variety of costumes and attitudes.

Paste the figure of a woman or a girl on the first page, placing it so that when the lower part of the next page is turned the upper edge of it will come across the neck of the figure where it is joined on to the shoulders.

Cut the heads from the rest of the pictured women, turn the lower part of the next page and, choosing a body as different as possible from the one just used, paste it upon the lower part of the second page, directly under the head belonging to the first body. Upon the upper part of the second page paste any one of the other heads, being careful to place it so that it will fit the body. Continue in this way, pasting the heads upon the upper, and the bodies on the lower, part of the page, until the space allowed for the women is filled up; then, commencing at the page left in the middle of the book, paste upon it the figure of a man, and continue in the same manner as with the women, until the spaces are all used and the book is complete.

The combinations formed in this way are very funny. Old heads with young bodies; young heads with old bodies; then one head with a great variety of bodies, and so on.

The first picture may represent a man, tall, thin, dressed in a rowing costume, as shown in the illustration. Turn the lower part of the next page, and no longer is he thin and tall, but short and stout, the position of this body giving the expression of amazement, even to the face. The next page turned shows him to be neither tall nor short, thick nor thin, but a soldier, well-proportioned, who is looking over his shoulder in the most natural manner possible (Fig. 124).

The figures in Fig. 124 were cut from advertising cards, and the head belongs to none of the bodies.

A curious fact in arranging the pictures in this way is that the heads all look as though they might really belong to any of the various bodies given them.

Instead of having but one figure on a page, groups may be formed of both men and women, and in the different arrangement of the figures they can be made very ludicrous indeed.

Flour Paste

Mix one-half cup of flour with enough cold water to make a very thin batter, which must be smooth and free from lumps; put the batter on top of the stove—not next to the fire—in a tin saucepan, and stir continually until it boils; then remove from the stove, add three drops of oil of cloves, and pour the paste into a cup or tumbler. This will keep for a long time and will not become sour.



JUST a glance at a pile of ordinary every-day kindling wood could hardly suggest to one the possibilities existing in the crude material for building all sorts of interesting and realistic things for the little folks, but experiment and you will find that Klondike log-houses, rail-fences and lumber camps, bridges, and substantial little rafts which will float on water in laundry or bath tub, pond or stream, can be easily and readily built from the little sticks we use to start our fires.

Let us build

The Bridge

first, that Indians and men may cross the water to the lumber region beyond, and cut logs for their rafts (Fig. 125).

Select two sticks of kindling wood as near of a size as you can find, and lay them side by side, a short distance apart; then connect the two by placing sticks across the ends, log-cabin fashion. These four sticks form the square foundation of one bridge pier.

Continue building by crossing the second layer of sticks with a third layer, the third layer with a fourth layer, and so on until the pier is built up sufficiently high, six or more layers, according to the thickness of the sticks. As you build be sure that the two sticks forming each layer lie absolutely steady and are of about the same thickness, that those built on top of them may not slant, but lie level and steady.

All sticks should be of the same length, but the layers may vary in thickness; one layer of sticks might be thin and the next thick; it matters not, provided that the two forming the same layer are nearly of a size.

When the first pier is finished, build a second one like it a short distance from the first one, and lay a strip of stiff pasteboard, cut from an old box, across from pier to pier; then lay a second strip of pasteboard from one pier to the ground, a third strip from the remaining pier to the ground on the opposite side (Fig. 125). If you wish, the two end strips can be longer than those shown in the photograph, and slant from the piers down to the ground on a level with the water. The banks in the photograph are built up with boxes and covered with green cloth.

For each of the two archways, take two thin sticks of wood and stand them at the top outward edge of the pier, with ends braced together at the top, and spread out at the bottom, as in the photograph.

Use either natural or tissue-paper trees stuck into empty spools for foliage, or little toy trees, if you happen to have them among the children's store toys.

Though the bridge is not intended to be over real water, you might try the experiment and strengthen the hollow piers by filling them with stones, when building the bridge out-of-doors.

Fig. 126 shows two little

Kindling-Wood Rafts

which will float on real water. Have the slender sticks for the raft all of the same length, and use about sixteen or eighteen sticks for each raft. Weave them together with a string. Begin by tying the centre of a long string around each end of a stick, which should be about eight inches in length (Fig. 127).

Place one end of a second stick up against one tie, allowing one string to come over and the other string under the second stick (Fig. 128). Cross the two lengths of the string over the second stick, bringing the lower string up and the upper string down (Fig. 129); then lay another stick up against the crossed strings, carrying the strings in turn over this stick (Fig. 130). Again, bring the lower string up and the upper string down, before placing another stick. Continue crossing the string and adding kindling wood until the raft is of the desired length. Tie the ends of the string securely on the last stick, and weave the opposite loose ends of the sticks together in the same way, tying the string firmly together on the last stick. Clip off the ends of the string and the raft will then be ready for the water, and will carry either passengers or freight.

Put up log-houses for the toy people to live in. Select two different lengths of kindling wood for

The Houses

that the buildings may be longer one way than the other. They will look better and be more comfortable than if square.

Place two long sticks of kindling wood a short distance apart and running parallel; across these sticks lay two shorter ones, bridging the space at each end between the long sticks, then place two long sticks over the ends of the two short ones; keep building in this way until the little house is seven or eight layers high.

Cut a piece of white cardboard or light-weight pasteboard the length of the house, and wider than the width of the house, to allow for the slant of the roof. Bend the roof lengthwise through the centre and lay it on top of the house (Fig. 131). Make a door of stiff pasteboard painted or covered with a layer of brown tissue-paper pasted on the outside. Cut the door a suitable size and stand it up in front of the house.

If you want

An Arctic Scene

spread a piece of white cloth over a table for the snowy ground. Canton flannel, fleecy side up, is best, but any kind will answer the purpose. Then erect several kindling-wood houses and form a Klondike settlement (Fig. 131).

Original home-made toy men, dogs, and sled may be used to complete the scene, or they can be cut from newspapers or old magazines. Stiffen by pasting them on cardboard; then cut out the men, dogs, and sled more carefully in detail. Bend one leg forward and one backward to make the men stand alone, and bend two legs outward and two inward to enable the dogs to stand. Paste narrow strips of paper on the dogs for harness.

Make another kindling-wood scene like Fig. 132.


are peculiar to America. You cannot find them abroad, and every little boy and girl will want to know how to build one of these old-fashioned "snake" or Virginia rail-fences. The fence may be of any length, its zigzag lines can run in any direction, all the way across the room if you choose.

Lay down one piece of kindling wood, and over one end place the end of another stick, forming a rude letter V (Fig. 133). Across the end of the second stick which rests on the ground, place the end of a third stick (Fig. 134). Keep on building the first layer of the fence in this way until it stretches as far as you wish; then go back to the starting point and begin building the second layer of sticks, by placing a stick over the first stick, resting one end on the far end of the first stick, the other end on the top of the end of the second stick; lay another stick across over the second stick, another over the third, and so on until the second layer is finished. Build other layers in like manner, and make the fence high or low, as desired. Pile up kindling wood into a wood-pile with small pieces scattered on the ground, and if there is a toy horse you can make him haul more wood (Fig. 132).

These kindling-wood toys will give a realistic idea of log-houses, rail-fences, log rafts, and primitive bridges, and while building them the children might be told stories of the way early settlers lived and made their homes, or the children may "make up" stories about the different scenes.


Substantial little hammocks which will hold good-sized dolls, and even a real pussy with no danger of the material breaking, can be made of ordinary kindling wood or strips of pasteboard (Fig. 135). Both styles of hammocks are woven in the same manner. The weaving is like that used for the raft and is of the simplest, most primitive kind, merely crossing of the two ends of each side string between each piece of wood (or pasteboard) slat, with loops of string left at each end of the hammock for hanging it up. When fashioned of kindling wood, like that in the photograph, have the sticks slender and all of the same length. When made of pasteboard, cut seven-inch-wide strips from a heavy pasteboard box and cut the strips crosswise into one-half-inch slats. Have ready two long strings measuring about two and a half yards each. Double each string and tie a knot in the closed end, fifteen inches from the extreme folded end, then place your work on the top of the table, or some other flat surface where you can keep the slats flat and even. Begin to weave by laying a slat between the loose ends of each string.

Push the slat up tight against the knots and cross the strings on the outer edge of the slat. Slide another slat between the two ends of each side string, shoving it close up against the crossed strings at the outer edge of the first slat. Bring one end of each string over and one under the second slat, cross them, and add the third slat. Continue weaving in this way until the hammock is of sufficient length, then tie the strings securely at the outer edge of the last slat.

After you have put in the last board bring the slats up very close together and draw the strings firm and tight. Tie the double lengths of string together at each end of the hammock, making two long loops by which to hang up the hammock.



HAVE you seen the little people who live up in the trees? Little twig people who dance and swing and bob about, who nod and bow and flutter hither and yon; some astride funny twig horses, others dangling head down, many waiting to run a race when a stiff breeze comes along, and all as merry as merry can be, tossing their long, thin arms and legs in the air just for the fun of it. Perhaps some of these queer folk are outside your window now, and it may be near enough to the ground for even the littlest boys and girls to reach if they stand on their toes. Here are several of the twig people who came down and posed for their photographs. We will give each one a name.

Fig. 145 is Miss Daffy-down-dilly, who has just come to town and is feeling very bashful about it.

Fig. 148 is Jack-be-nimble Jack-be-quick, who thinks he can jump over any candlestick, high or low.

Fig. 151 is the Little Crooked Man who ran a crooked mile.

Fig. 152 is Little Miss Muffet, who is so terribly afraid of the spider.

Fig. 153 is Peter White, who follows his nose wherever he goes.

Fig. 154 is Doctor Foster, who went to Gloster in a shower of rain, and he is stepping very high to avoid falling into the puddle we have all heard about.

The little twig people do not look quite as real when separated from the tree as when you see them dancing in the breeze, so it is necessary to help out their appearance with paper heads and hands and feet.

Use care in selecting your twigs, for they are not all alike. Some are quite choice and unique, others more commonplace and less amusing. Suitable ones may be found in plenty.

When a small branch is broken from a tree or bush, you will find that some of the twigs attached look like queer, crooked, little legs, and some, just the right distance above, seem made for arms. Then comes the long neck that is joined, perhaps, to the still larger branch or to the trunk of the tree. Sometimes there are several arms and several legs too many and you must look closely and decide which are the real ones; then cut off the others.

You will know the real

Arms and Legs

for they are always the funniest ones and the most suggestive of comical action.

Cut the long neck down in proportion to the rest of the body and trim the arms and legs off to the proper length. Remember that one inch of the neck of the dolls must be inserted in the head and allow for that in cutting the long stem.

Fig. 136 gives a branch as it looks when taken from the tree, and the black bands on the twigs show where they should be trimmed off to bring the little figure into proportions. The parts left white or in outline, below the bands, are to be cut away. There are two legs to this branch and three arms, one of which must be dispensed with. The left arm must remain and it matters but little which of the right arms is selected. In this case the lower one is marked to be cut.

Now comes the making of the

Heads, Hands, and Feet

These must all be double, for, to hold them on, the twigs are pasted between the two halves. In some cases, where the neck is quite thick, you will find it best to shave off a little at front and back to flatten it, so that the neck may lie easily between the two parts of the head and not push the face out of shape (Fig. 137). This is seldom necessary, however, unless the doll is unusually large.

Figs. 138, 139, 140, 141, 142, and 143 give the heads of all our little troupe sufficiently large to be copied. Fig. 144 shows the hands and feet.

Use a heavy brown wrapping paper for the heads and draw the faces simply with pen and ink in broad lines, or, if the children want to color them, they can use water-colors or colored pencils. In any case the features should be strongly marked, that the character of the face may not be lost.

You can make the hands of paper like the face, or of dark brown paper (not tissue), to match the dark brown arms. White hands will give the effect of white gloves. Make the feet brown or black, or use bright colored paper to represent colored shoes.


is quite a tall girl, standing eighteen inches high in her heel-less shoes (Fig. 145). Her head, shown in Fig. 138, measures three inches from top to chin; this does not include the swirl of hair which rises in a peak above the head. Her hands, A (Fig. 144), are two and a quarter inches long from wrist to tip of middle finger, and her feet, B (Fig. 144), are two and three-quarter inches long.

These are the proportions. Of course, for a smaller doll they should be smaller.

Fold a piece of wrapping paper, making it double, and on the paper draw Daffy's head, copying the one in Fig. 138, or making an original head if you prefer. The back hair may be drawn in or painted if the children insist upon having an all-around doll. If the neck is thick shave it off as in Fig. 137. Draw two hands on double pieces of paper and two feet on double pieces of paper, and cut them out. Daffy's hands are the color of her face, and her shoes are black.

Now cover the inside of the back of the head with paste, lay the neck on the head and cover that too with paste (Fig. 137). Then fit the front of the head to the back and press it down until the two halves, with the twig between, are pasted firmly together. In the same way paste on the hands and feet. Make Daffy's dress of yellow tissue-paper, the color of a daffodil. Cut a circle for the skirt with a small hole in the centre and slit it down the back;' then draw it through your hands to shape it and make it hang nicely.

Cut out a little waist with pointed sleeves, like Fig. 146, and a pointed collar, like Fig. 147. Make the waist double with the fold at the top, cut a hole for the neck, and slit down the back. Use green tissue-paper for the collar.

Put the waist on the doll, gather it at the belt line, front and back, and paste. Paste it also at the neck and along the under edge of the sleeves. Paste the skirt to the waist at the belt, bring the edges of the slit together at the back, lap them, and paste. Wrap a strip of the yellow paper around the waist for a belt, then put the collar around the neck, and fasten with a touch of paste.


came from the elm tree. He is ten inches tall from his cap to the sole of his shoe (Fig. 148). You will find his head in Fig. 140. C (Fig. 144) is the pattern for his hands, and D (Fig. 144) the pattern for his feet, which are made of brown paper. His brilliant costume is fashioned of orange-colored tissue-paper. Cut the coat like Fig. 149, making it double, with the fold at the top of the high flaring collar. Cut a hole for the neck and make a small slit down in front, then turn back the points of the collar at the neck. To avoid slitting the coat all the way to the bottom, put it on little Jack before you adjust his head. His neck can be slipped through the hole without trouble; then the edges of the coat are pasted together. Each leg of the short trousers is made separately, of an oblong piece of tissue-paper. This is gathered at the knee and waist line and pasted in place (Fig. 150). If the stripes on Jack's cap are painted orange color and his pointed shoes are also orange, the effect of his bright costume will be still more glowing.

The Little Crooked Man

belongs to the fir-tree family, and as he is clothed only in his little rough suit of brown bark, you can see (Fig. 151) how the twigs grow that form his arms and legs. These are in such positions and have such peculiar curves he would look as if running even without hands and feet, but the proper adjustment of hands as well as feet emphasizes the action. Both are turned in the direction in which he is going, and one foot is lifted while the other rests on its heel, giving the stepping-forward effect.

You will find the Crooked Man's head in Fig. 141. His hands are cut from brown paper, like C (Fig. 144), and his feet, which are also brown, are like E (Fig. 144).

Little Miss Muffet

the largest of the dolls (Fig. 152), is twenty inches high. Her head (Fig. 139) measures four inches from top to chin and four inches across at its widest part. Her hands are made of brown paper, like F (Fig. 144), and her high-heeled shoes, like G (Fig. 144), are black. Her head is tilted to one side and the thumbs of both hands turn in.

You can make Miss Muffet's dress any color you like, the brighter and gayer the better. Cut the skirt and waist as you did for Daffy-down-dilly, but do not point the sleeves. Make an apron of two squares of white tissue-paper—a large and a small one. Use the large square for the skirt of the apron and the small square for the bib. Gather the top edge of the large square and the bottom edge of the small square, and paste to the dress at the belt line; then make a white belt and tie in a bow at the back.

For the hat, cut a circle of tissue-paper the color of the dress, put a little paste in the centre, and pinch it down on the top loop of Miss Muffet's hair, tipping it a little to one side. This will give a crown. Turn up the brim at the back and lift it in front to stand out straight. Fringe a small piece of black paper for a feather and paste it to the crown of the hat.

Peter White

is sturdy compared with the other people (Fig. 153). He came from the cherry tree and is ten inches high. The main stem, to which the smaller twigs are attached, forms his neck, body, and left leg, and is so large that both neck and ankle had to be shaved off somewhat before his head and left shoe could be pasted on. Originally the twig that forms his left arm extended beyond the joint at the elbow, but it was cut off, and the smaller twig was allowed to remain to give the comical bend to the arm which adds greatly to the appearance of the haste and the swinging arms of a pedestrian.

Peter White's head is given in Fig. 142. His brown hands are cut like H (Fig. 144), and his black shoes like I (Fig. 144).

This doll is the only one whose head is in profile, but it shows that when the shape of the twig suggests it, a profile is very effective; and it is usually the easiest for children to draw.

Doctor Foster

is also ten inches high (Fig. 154). His head, with smiling face, is given in Fig. 143. His brown paper hands are cut like J (Fig. 144), and his black shoes like E (Fig. 144). He wears his trousers quite short, that they may not get wet in the famous Gloster puddle, or if they do they will dry quickly. The trousers are made of wrapping paper, double, of course, and pasted together at the edges after they have been adjusted. They are cut like Fig. 155.



FROM old visiting cards you can build all the different houses and furniture seen in the accompanying illustrations.

For the little

Tropical House

in Uncle Sam's newly acquired possessions (Fig. 156), select eight of your largest and stiffest visiting cards; these are for the four walls of the first or lower story of the house. If the cards are not alike in size, make them so by trimming off the edges of the larger cards.

Place two of the cards together and cut two slashes, one on each side of the centre, through one end of the double layer (Fig. 157). Slide the two cut ends together, allowing the centre divisions, A (Fig. 157), to lie, one over and one under the two cards. This will bring under the side divisions B and B (Fig. 157), on the card whose centre division A comes on top, while the divisions B and B of the other card will come over on the outside (Fig. 158). Fasten all of the remaining cards together in pairs in the same manner; then cut a long slit near the outer edge of each of the four pairs of cards, C and C (Fig. 159). Slide the walls together at right angles, and form a square by means of the long slits. Do this by holding the open end of one long slit in one wall under, and at right angles to the open end of one long slit in another wall, and then fitting the two walls into each other so that they will stand firm and form one corner of the lower story of the house (Fig. 160).

Strengthen the house with an extra inside wall. Cut long slits in each end of the extra wall, then a long slit near the centre of each side wall in which to fit the extra wall.

Make the ceiling of the lower story of two more pairs of cards fastened together like Fig. 158, and on the ends of each pair of cards cut similar divisions, only have them quite short (Fig. 161). Bend down all of the end divisions and fit the strips over across the top of the first story from front to back, bringing the two corner divisions, D and D (Fig. 161), on the outside of the wall, while you slide the centre part, E, on the inside (Fig. 162). Dotted lines indicate the division E on the inside.

The second story must be built entire before it can be fastened on top of the first story.

Make each of the four walls of the second story three cards long. Cut divisions on both ends of the middle card to fit in the end cards (Fig. 163).

When cutting divisions, always fit together the two cards that are to be joined, and cut through the double layer, which will insure having the divisions alike.

When the four walls are ready to be put together, cut a window in the two end cards of the wall which you intend for the front (Fig. 164). Only the lower edge and sides of the window may be cut; the upper edge is merely bent and throws the solid window shutter, formed of the piece cut, outward, as shown in the photograph.

Slide the four walls together and add a fifth wall, to run through the centre from side to side, for strength. Use the long slit method for joining the centre wall to the side walls.

When built, turn the second story upside down and fit a strip of three cards, bridge-like, over the centre from front to back, and fasten it to the bottom of the walls as you attached the ceiling of the first story; then fit on another strip in like manner over the centre from side to side, and fasten it to the bottom of the side walls. The two strips will cross each other at their centres, one lying at right angles over the other.

Carefully lift the second story and adjust it squarely and evenly on top of the first story, as in the photograph (Fig. 156).

Make the projecting roof of the second story of four strips of four cards each. Run the strips from side to side of the house and lap them a trifle, one over the other. The roof is merely laid on and is supported by the walls.

The peak is made of two strips of two cards each, and slid into a base of one strip of three cards by means of long slits. At the apex the cards are also fastened together with long slits.

The little summer-house in Fig. 156 has each of the four sides made of one card. The cards are fastened together by means of long slits. A doorway opening is cut in the front wall, much in the same manner as the windows are cut in the large house, only in this case the incision is made directly on the lower edge of the card, and, when finished, the lower half of the door is cut off. The door is bent outward and forms a little canopy for the open doorway, as in the photograph.

Make the roof of two strips of cards of two cards each by merely laying the strips across the top opening of the house.

Fasten the ends of the two cards together with long slits to form the apex of the peak, and bend the bottom ends of the cards out flat, so the peak will stand steady on the roof.

If the children would like to keep the buildings intact to play with at any future time, as they build up the structures let them add a little glue or strong paste here and there to hold the various parts firmly together. The toys will then last a long time and stand considerable wear.

Tissue-paper trees in spools furnish the foliage in the photograph, while a miniature flag, with its pole supported in an empty spool, shows the nation to which the country belongs.

Cut little paper people from cardboard and place them on the grounds.

A fine setting for the scene can be made by tacking a piece of green canton flannel, fleecy side uppermost, taut over a pastry board, or pinning it on a piece of the light-weight patent straw pasteboard.

The fleecy green gives the appearance of grass, and when the glistening white buildings are set down on the grass among the trees with Old Glory floating overhead, and gaily dressed dolls in the foreground, the children will be delighted with the scene; nor will the appreciation be confined to the children, for older people will also enjoy it.

The Pagoda

in Fig. 165 is extremely easy to build. Make the base square of four cards fastened together with long slits. On this foundation build up one card on the front and one on the back, by cutting two short slits on the lower edge of the lengthwise bottom of the cards, one slit near each end (Fig. 166), and sliding one card across the front on the uncut top edges of the sides of the foundation by means of the slits; then fastening the other card across the back from side to side in like manner. On top of these two cards build two more, reaching across the sides from front to back. Continue building in this way until the pagoda is ten stories high. The projections along the sides are made of two long narrow cards each, the two cards fastened together at the centre like Fig. 158; then the ends are bent up and the strip laid across from side to side on the top edge of the two side cards which form every other story. The apex roof is built of two cards with the top edges fastened together, tent-like, by means of long slits, on a foundation strip of two cards bent up at the ends.

The Furniture

in Fig. 167 is also made of visiting cards. Take two long, narrow cards, place them together, and about one-third the distance from one end of the double layer cut a slit through the two cards, extending it a little more than half-way across the cards; then take the cards apart and slide them into each other. Be sure that the two short ends of the cards come together. Open out the two short ends tent-fashion, and bend down one of the long ends across its centre for the seat, leaving the other long end erect to form the back of the chair for the paper doll (Fig. 167). Make several chairs; then make the dressing-table. Place two long cards evenly together and cut a slash through and more than half-way across the centre of the two cards. Slide the cards together, making an X. Bend out the top and bottom ends of the X flat. For the top of the table select a rather large card, but not too wide. Cut one slash on each side of the centre of one of the lengthwise edges. This will make three divisions. Cut corresponding slashes, but much deeper, in one of the short ends of a smaller card, which is to be the mirror. Trim off the end of the middle division in the table top and slide the two cards together, bringing the B and B divisions (Fig. 157) of the mirror well forward, so that the top of the table extends back beyond the mirror; then bend up the B and B divisions of the mirror, as in the photograph. Place the top with the mirror attached on the X, allowing the X to come back directly under the mirror in order that the top may be steady. If you paste a piece of silver paper or tinfoil well smoothed out on the card for the mirror, the dressing-table will, from a little distance, appear quite realistic.



THE best framework for a newspaper wigwam can be made of long-handled feather dusters, but long-handled brushes, or poles of any kind you may happen to have, will answer the purpose; all that is necessary is something you can make into a framework similar to Fig. 168. Tie your poles together at the top and spread them out at the base, tent-fashion.

Make the

Covering for the Wigwam

of six large double sheets of newspaper pasted together.

Only three poles will be needed when the covering is of newspaper, but if you do not happen to have enough newspapers on hand for the entire outfit of tepees and costumes, you can use a white muslin sheet for the wigwam, in which case four poles will be needed (Fig. 169). The sheet, not being stiff like the paper, requires more supports to make it stand out sufficiently. Should it be inclined to fall in between the poles, pull it out a little and lay a book over the edge which lies on the floor, as a weight, to keep the sheet in place.

If you would like the wigwam decorated in real Indian fashion, cut out large colored paper pictures and paste them around the lower part of the wigwam, forming a band of pictures. Be the covering either cloth or paper, it will look well decorated, but the covering must be taken off and the pictures pasted on. The covering should then be adjusted over the poles. One great beauty and attraction of this newspaper Indian material is that effective results can be produced quickly and with little work.



of newspaper, cut like the pattern (Fig. 170). For a small pair the paper should measure fifteen inches in length and three and a half inches in width; larger sizes require larger paper.

Fringe the central portion of the longest edge according to the fringe lines on Fig. 170. Cut the two boundary lines of fringe, A and A, up to the dotted line; then bend down all dotted lines. Bring the two ends together, allowing the fringe to come on the outside, and fit the point B over the other point B. This finishes the newspaper moccasin (Fig. 171).


The Little Dress Skirt

of two newspapers pasted together along the shortest edge, then folded lengthwise through the centre, and the two lower loose ends cut into a deep fringe. This skirt needs no belt; it should be simply fastened together at the back over the ordinary dress with safety-pins.

Use one sheet of paper for the little fringed sacque. Allow the paper to remain folded along the white central band, and fold the double layers crosswise through the centre, making four thicknesses. Cut an opening for the head according to dotted line C (Fig. 172). Fringe the sides along dotted line D, as shown in diagram (Fig. 172).

Unfold carefully, that the paper may not tear, and after cutting a slit from the neck partially down the centre of the front, you will have Fig. 173. If you wish to make the garment less liable to tear, paste narrow strips of muslin on the under side of the sacque, around the neck, down each side of the slit, and at the head of the fringe.

From a folded piece of newspaper cut the little squaw a head-dress (Fig. 174). Let the top of the feather come on the fold of the paper. Turn over and crease down the straight edge of the band at the dotted line (Fig. 174), making four layers.

Crown the little girl with the head-dress, pinning the ends together at the back with a safety-pin. Slip the moccasins on her feet, fastening them to the toe of the shoe with a little stiff paste, and your charming little squaw will be ready to play in the wigwam (Fig. 175).

Older girls can make the Indian costume from the same patterns by cutting them larger.

The Indian boy needs a lot of fringed newspaper for his costume. Cut folded strips to make the fringe thick and in two layers. Fold down the solid edge of one strip and with safety-pins fasten the fold along the outside line of the boy's trousers and stockings, as in the photograph (Fig. 176). Trim the other trouser leg and stocking in the same manner.

Cut a generous strip of double-layer fringe to fasten entirely around the boy's shoulders, extending across both back and chest. Reinforce the top edge of the band of fringe, and along the line where the solid paper meets the fringe, with strips of muslin, pasted on, to prevent tearing.

For the chief's

Feather Head-Dress

cut a folded strip of newspaper long enough to encircle the boy's head and allow for a lap—twenty-two inches will probably be correct. Make the strip six inches wide; the tops of the feathers must be along the folded edge. Let the feathers be fully four inches high, and allow a space of one inch on the band at the base of each feather, F (Fig. 177). The widest part of each feather should be one and three-quarters inches. Make the band four thicknesses by folding it over at the dotted line; then crease each separate feather on the right side lengthwise, through the centre, to stiffen them and insure their standing erect. Cut another long strip of feathers in the same way, to fall from the head down the back. On this strip paste the front and back of each feather together at its base. Also paste together lengthwise the upper portion of the band, and, instead of folding as you did the first band, separate and open out its two lower lengthwise halves. Crease them backward away from each other, so that the feathers may stand erect and the band be at right angles on each side of the feathers (Fig. 178).

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