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Life Of Johnson, Vol. 1
by Boswell
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[Page 170: Parentage of Richard Savage. A.D. 1744.]

Johnson's partiality for Savage made him entertain no doubt of his story, however extraordinary and improbable. It never occurred to him to question his being the son of the Countess of Macclesfield, of whose unrelenting barbarity he so loudly complained, and the particulars of which are related in so strong and affecting a manner in Johnson's life of him. Johnson was certainly well warranted in publishing his narrative, however offensive it might be to the lady and her relations, because her alledged unnatural and cruel conduct to her son, and shameful avowal of guilt, were stated in a Life of Savage now lying before me, which came out so early as 1727, and no attempt had been made to confute it, or to punish the authour or printer as a libeller: but for the honour of human nature, we should be glad to find the shocking tale not true; and, from a respectable gentleman[493] connected with the lady's family, I have received such information and remarks, as joined to my own inquiries, will, I think, render it at least somewhat doubtful, especially when we consider that it must have originated from the person himself who went by the name of Richard Savage.

If the maxim falsum in uno, falsum in omnibus, were to be received without qualification, the credit of Savage's narrative, as conveyed to us, would be annihilated; for it contains some assertions which, beyond a question, are not true[494].

1. In order to induce a belief that Earl Rivers, on account of a criminal connection with whom, Lady Macclesfield is said to have been divorced from her husband, by Act of Parliament[495], had a peculiar anxiety about the child which she bore to him, it is alledged, that his Lordship gave him his own name, and had it duly recorded in the register of St. Andrew's, Holborn[496]. I have carefully inspected that register, but no such entry is to be found[497].

[Page 171: Lady Macclesfield's divorce. tat 35.]

2. It is stated, that 'Lady Macclesfield having lived for some time upon very uneasy terms with her husband, thought a publick confession of adultery the most obvious and expeditious method of obtaining her liberty[498];' and Johnson, assuming this to be true, stigmatises her with indignation, as 'the wretch who had, without scruple, proclaimed herself an adulteress[499].' But I have perused the Journals of both houses of Parliament at the period of her divorce, and there find it authentically ascertained, that so far from voluntarily submitting to the ignominious charge of adultery, she made a strenuous defence by her Counsel; the bill having been first moved 15th January, 1697, in the House of Lords, and proceeded on, (with various applications for time to bring up witnesses at a distance, &c.) at intervals, till the 3d of March, when it passed. It was brought to the Commons, by a message from the Lords, the 5th of March, proceeded on the 7th, 10th, 11th, 14th, and 15th, on which day, after a full examination of witnesses on both sides, and hearing of Counsel, it was reported without amendments, passed, and carried to the Lords.

[Page 172: Lady Macclesfield's alleged cruelty. A.D. 1744.]

That Lady Macclesfield was convicted of the crime of which she was accused, cannot be denied; but the question now is, whether the person calling himself Richard Savage was her son.

It has been said[500], that when Earl Rivers was dying, and anxious to provide for all his natural children, he was informed by Lady Macclesfield that her son by him was dead. Whether, then, shall we believe that this was a malignant lie, invented by a mother to prevent her own child from receiving the bounty of his father, which was accordingly the consequence, if the person whose life Johnson wrote, was her son; or shall we not rather believe that the person who then assumed the name of Richard Savage was an impostor, being in reality the son of the shoemaker, under whose wife's care[501] Lady Macclesfield's child was placed; that after the death of the real Richard Savage, he attempted to personate him; and that the fraud being known to Lady Macclesfield, he was therefore repulsed by her with just resentment?

There is a strong circumstance in support of the last supposition, though it has been mentioned as an aggravation of Lady Macclesfield's unnatural conduct, and that is, her having prevented him from obtaining the benefit of a legacy left to him by Mrs. Lloyd his god-mother. For if there was such a legacy left, his not being able to obtain payment of it, must be imputed to his consciousness that he was not the real person. The just inference should be, that by the death of Lady Macclesfield's child before its god-mother, the legacy became lapsed, and therefore that Johnson's Richard Savage was an impostor. If he had a title to the legacy, he could not have found any difficulty in recovering it; for had the executors resisted his claim, the whole costs, as well as the legacy, must have been paid by them, if he had been the child to whom it was given[502].

[Page 173: Lord Tyrconnel. tat 35.]

The talents of Savage, and the mingled fire, rudeness, pride, meanness, and ferocity of his character[503], concur in making it credible that he was fit to plan and carry on an ambitious and daring scheme of imposture, similar instances of which have not been wanting in higher spheres, in the history of different countries, and have had a considerable degree of success.

Yet, on the other hand, to the companion of Johnson, (who through whatever medium he was conveyed into this world,—be it ever so doubtful 'To whom related, or by whom begot[504],' was, unquestionably, a man of no common endowments,) we must allow the weight of general repute as to his Status or parentage, though illicit; and supposing him to be an impostor, it seems strange that Lord Tyrconnel, the nephew of Lady Macclesfield, should patronise him, and even admit him as a guest in his family[505]. Lastly, it must ever appear very suspicious, that three different accounts of the Life of Richard Savage, one published in The Plain Dealer, in 1724, another in 1727, and another by the powerful pen of Johnson, in 1744, and all of them while Lady Macclesfield was alive, should, notwithstanding the severe attacks upon her[506], have been suffered to pass without any publick and effectual contradiction.

[Page 174: Lady Macclesfield's latter career. A.D. 1744.]

I have thus endeavoured to sum up the evidence upon the case, as fairly as I can; and the result seems to be, that the world must vibrate in a state of uncertainty as to what was the truth.

This digression, I trust, will not be censured, as it relates to a matter exceedingly curious, and very intimately connected with Johnson, both as a man and an authour[507].

[Page 175: Observations of Shakespeare. tat 38.]

He this year wrote the Preface to the Harleian Miscellany[508][*] The selection of the pamphlets of which it was composed was made by Mr. Oldys[509], a man of eager curiosity and indefatigable diligence, who first exerted that spirit of inquiry into the literature of the old English writers, by which the works of our great dramatick poet have of late been so signally illustrated.

In 1745 he published a pamphlet entitled Miscellaneous Observations on the Tragedy of Macbeth, with remarks on Sir T.H.'s (Sir Thomas Hammer's) Edition of Shakspeare.[*] To which he affixed, proposals for a new edition of that poet[510].

As we do not trace any thing else published by him during the course of this year, we may conjecture that he was occupied entirely with that work. But the little encouragement which was given by the publick to his anonymous proposals for the execution of a task which Warburton was known to have undertaken, probably damped his ardour. His pamphlet, however, was highly esteemed, and was fortunate enough to obtain the approbation even of the supercilious Warburton himself, who, in the Preface to his Shakspeare published two years afterwards, thus mentioned it: 'As to all those things which have been published under the titles of Essays, Remarks, Observations, &c. on Shakspeare, if you except some critical notes on Macbeth, given as a specimen of a projected edition, and written, as appears, by a man of parts and genius, the rest are absolutely below a serious notice.'

Of this flattering distinction shewn to him by Warburton, a very grateful remembrance was ever entertained by Johnson, who said, 'He praised me at a time when praise was of value to me.'

[Page 176: The Rebellion of 1745. A.D. 1746.]

1746: TAT. 37.—In 1746 it is probable that he was still employed upon his Shakspeare, which perhaps he laid aside for a time, upon account of the high expectations which were formed of Warburton's edition of that great poet[511]. It is somewhat curious, that his literary career appears to have been almost totally suspended in the years 1745 and 1746, those years which were marked by a civil war in Great-Britain, when a rash attempt was made to restore the House of Stuart to the throne. That he had a tenderness for that unfortunate House, is well known; and some may fancifully imagine, that a sympathetick anxiety impeded the exertion of his intellectual powers: but I am inclined to think, that he was, during this time, sketching the outlines of his great philological work[512].

[Page 177: Johnson not an ardent Jacobite. tat 38.]

None of his letters during those years are extant, so far as I can discover. This is much to be regretted. It might afford some entertainment to see how he then expressed himself to his private friends, concerning State affairs. Dr. Adams informs me, that 'at this time a favourite object which he had in contemplation was The Life of Alfred; in which, from the warmth with which he spoke about it, he would, I believe, had he been master of his own will, have engaged himself, rather than on any other subject.'

[Page 178: Poems wrongly assigned to Johnson. A.D. 1747.]

1747: TAT. 38.—In 1747 it is supposed that the Gentleman's Magazine for May was enriched by him with five[513] short poetical pieces, distinguished by three asterisks. The first is a translation, or rather a paraphrase, of a Latin Epitaph on Sir Thomas Hanmer. Whether the Latin was his, or not, I have never heard, though I should think it probably was, if it be certain that he wrote the English[514]; as to which my only cause of doubt is, that his slighting character of Hanmer as an editor, in his Observations on Macbeth, is very different from that in the 'Epitaph.' It may be said, that there is the same contrariety between the character in the Observations, and that in his own Preface to Shakspeare[515]; but a considerable time elapsed between the one publication and the other, whereas the Observations and the 'Epitaph' came close together. The others are 'To Miss——, on her giving the Authour a gold and silk net-work Purse of her own weaving;' 'Stella in Mourning;' 'The Winter's Walk;' 'An Ode;' and, 'To Lyce, an elderly Lady.' I am not positive that all these were his productions[516]; but as 'The Winter's Walk' has never been controverted to be his, and all of them have the same mark, it is reasonable to conclude that they are all written by the same hand. Yet to the Ode, in which we find a passage very characteristick of him, being a learned description of the gout,

'Unhappy, whom to beds of pain Arthritick tyranny consigns;'

there is the following note: 'The authour being ill of the gout:' but Johnson was not attacked with that distemper till at a very late period of his life[517]. May not this, however, be a poetical fiction? Why may not a poet suppose himself to have the gout, as well as suppose himself to be in love, of which we have innumerable instances, and which has been admirably ridiculed by Johnson in his Life of Cowley[518]? I have also some difficulty to believe that he could produce such a group of conceits[519] as appear in the verses to Lyce, in which he claims for this ancient personage as good a right to be assimilated to heaven, as nymphs whom other poets have flattered; he therefore ironically ascribes to her the attributes of the sky, in such stanzas as this:

'Her teeth the night with darkness dies, She's starr'd with pimples o'er; Her tongue like nimble lightning plies, And can with thunder roar.'

But as at a very advanced age he could condescend to trifle in namby-pamby[520] rhymes, to please Mrs. Thrale and her daughter, he may have, in his earlier years, composed such a piece as this.

It is remarkable, that in this first edition of The Winters Walk, the concluding line is much more Johnsonian than it was afterwards printed; for in subsequent editions, after praying Stella to 'snatch him to her arms,' he says,

'And shield me from the ills of life.'

[Page 180: Verses on Lord Lovat. A.D. 1747.]

Whereas in the first edition it is

'And hide me from the sight of life.'

A horrour at life in general is more consonant with Johnson's habitual gloomy cast of thought.

I have heard him repeat with great energy the following verses, which appeared in the Gentleman's Magazine for April this year; but I have no authority to say they were his own. Indeed one of the best criticks of our age[521] suggests to me, that 'the word indifferently being used in the sense of without concern' and being also very unpoetical, renders it improbable that they should have been his composition.

'On Lord LOVAT'S Execution.

'Pity'd by gentle minds KILMARNOCK died; The brave, BALMERINO, were on thy side; RADCLIFFE, unhappy in his crimes of youth[522], Steady in what he still mistook for truth, Beheld his death so decently unmov'd, The soft lamented, and the brave approv'd. But LOVAT'S fate[523] indifferently we view, True to no King, to no religion true: No fair forgets the ruin he has done; No child laments the tyrant of his son; No tory pities, thinking what he was; No whig compassions, for he left the cause; The brave regret not, for he was not brave; The honest mourn not, knowing him a knave[524]!'

[Page 181: A Prologue by Johnson. tat 38.]

This year his old pupil and friend, David Garrick, having become joint patentee and manager of Drury-lane theatre, Johnson honoured his opening of it with a Prologue[525],[*] which for just and manly dramatick criticism, on the whole range of the English stage, as well as for poetical excellence[526], is unrivalled. Like the celebrated Epilogue to the Distressed Mother,[527] it was, during the season, often called for by the audience. The most striking and brilliant passages of it have been so often repeated, and are so well recollected by all the lovers of the drama and of poetry, that it would be superfluous to point them out. In the Gentleman's Magazine for December this year, he inserted an 'Ode on Winter,' which is, I think, an admirable specimen of his genius for lyrick poetry[528].

[Page 182: The Plan of the Dictionary. A.D. 1747.]

But the year 1747 is distinguished as the epoch, when Johnson's arduous and important work, his DICTIONARY OF THE ENGLISH LANGUAGE, was announced to the world, by the publication of its Plan or Prospectus.

How long this immense undertaking had been the object of his contemplation, I do not know. I once asked him by what means he had attained to that astonishing knowledge of our language, by which he was enabled to realise a design of such extent, and accumulated difficulty. He told me, that 'it was not the effect of particular study; but that it had grown up in his mind insensibly.' I have been informed by Mr. James Dodsley, that several years before this period, when Johnson was one day sitting in his brother Robert's shop, he heard his brother suggest to him, that a Dictionary of the English Language would be a work that would be well received by the publick[529]; that Johnson seemed at first to catch at the proposition, but, after a pause, said, in his abrupt decisive manner, 'I believe I shall not undertake it.' That he, however, had bestowed much thought upon the subject, before he published his Plan, is evident from the enlarged, clear, and accurate views which it exhibits; and we find him mentioning in that tract, that many of the writers whose testimonies were to be produced as authorities, were selected by Pope[530]; which proves that he had been furnished, probably by Mr. Robert Dodsley, with whatever hints that eminent poet had contributed towards a great literary project, that had been the subject of important consideration in a former reign.

[Page 183: Address of the Earl of Chesterfield. tat 38.]

The booksellers who contracted with Johnson, single and unaided, for the execution of a work, which in other countries has not been effected but by the co-operating exertions of many, were Mr. Robert Dodsley, Mr. Charles Hitch[531], Mr. Andrew Millar, the two Messieurs Longman, and the two Messieurs Knapton. The price stipulated was fifteen hundred and seventy-five pounds[532].

The Plan was addressed to Philip Dormer, Earl of Chesterfield, then one of his Majesty's Principal Secretaries of State[533]; a nobleman who was very ambitious of literary distinction, and who, upon being informed of the design, had expressed himself in terms very favourable to its success. There is, perhaps in every thing of any consequence, a secret history which it would be amusing to know, could we have it authentically communicated. Johnson told me[534], 'Sir, the way in which the Plan of my Dictionary came to be inscribed to Lord Chesterfield, was this: I had neglected to write it by the time appointed. Dodsley suggested a desire to have it addressed to Lord Chesterfield. I laid hold of this as a pretext for delay, that it might be better done, and let Dodsley have his desire. I said to my friend, Dr. Bathurst, "Now if any good comes of my addressing to Lord Chesterfield, it will be ascribed to deep policy, when, in fact, it was only a casual excuse for laziness."'

[Page 184: The style of the PLAN. A.D. 1747.]

It is worthy of observation, that the Plan has not only the substantial merit of comprehension, perspicuity, and precision, but that the language of it is unexceptionably excellent; it being altogether free from that inflation of style, and those uncommon but apt and energetick words[535], which in some of his writings have been censured, with more petulance than justice; and never was there a more dignified strain of compliment than that in which he courts the attention of one who, he had been persuaded to believe, would be a respectable patron.

'With regard to questions of purity or propriety, (says he) I was once in doubt whether I should not attribute to myself too much in attempting to decide them, and whether my province was to extend beyond the proposition of the question, and the display of the suffrages on each side; but I have been since determined by your Lordship's opinion, to interpose my own judgement, and shall therefore endeavour to support what appears to me most consonant to grammar and reason. Ausonius thought that modesty forbade him to plead inability for a task to which Caesar had judged him equal:

Cur me pesse negem posse quod ille putat[536]?

'And I may hope, my Lord, that since you, whose authority in our language is so generally acknowledged, have commissioned me to declare my own opinion, I shall be considered as exercising a kind of vicarious jurisdiction; and that the power which might have been denied to my own claim, will be readily allowed me as the delegate of your Lordship.'

[Page 185: The Earl of Orrery. tat 38.]

This passage proves, that Johnson's addressing his Plan to Lord Chesterfield was not merely in consequence of the result of a report by means of Dodsley, that the Earl favoured the design; but that there had been a particular communication with his Lordship concerning it. Dr. Taylor told me, that Johnson sent his Plan to him in manuscript, for his perusal; and that when it was lying upon his table, Mr. William Whitehead[537] happened to pay him a visit, and being shewn it, was highly pleased with such parts of it as he had time to read, and begged to take it home with him, which he was allowed to do; that from him it got into the hands of a noble Lord, who carried it to Lord Chesterfield[538]. When Taylor observed this might be an advantage, Johnson replied, 'No, Sir; it would have come out with more bloom, if it had not been seen before by any body.'

The opinion conceived of it by another noble authour, appears from the following extract of a letter from the Earl of Orrery to Dr. Birch:

'Caledon, Dec. 30, 1747.

'I have just now seen the specimen of Mr. Johnson's Dictionary, addressed to Lord Chesterfield. I am much pleased with the plan, and I think the specimen is one of the best that I have ever read. Most specimens disgust, rather than prejudice us in favour of the work to follow; but the language of Mr. Johnson's is good, and the arguments are properly and modestly expressed. However, some expressions may be cavilled at, but they are trifles. I'll mention one. The barren Laurel. The laurel is not barren, in any sense whatever; it bears fruits and flowers[539]. Sed hae sunt nugae, and I have great expectation from the performance[540].'

That he was fully aware of the arduous nature of the undertaking, he acknowledges; and shews himself perfectly sensible of it in the conclusion of his Plan[541]; but he had a noble consciousness of his own abilities, which enabled him to go on with undaunted spirit[542].

[Page 186: The Dictionary of the French Academy. A.D. 1748.]

Dr. Adams found him one day busy at his Dictionary, when the following dialogue ensued. 'ADAMS. This is a great work, Sir. How are you to get all the etymologies? JOHNSON. Why, Sir, here is a shelf with Junius, and Skinner[543], and others; and there is a Welch gentleman who has published a collection of Welch proverbs, who will help me with the Welch[544]. ADAMS. But, Sir, how can you do this in three years? JOHNSON. Sir, I have no doubt that I can do it in three years. ADAMS. But the French Academy, which consists of forty members, took forty years to compile their Dictionary. JOHNSON. Sir, thus it is. This is the proportion. Let me see; forty times forty is sixteen hundred. As three to sixteen hundred, so is the proportion of an Englishman to a Frenchman.' With so much ease and pleasantry could he talk of that prodigious labour which he had undertaken to execute.

The publick has had, from another pen[545], a long detail of what had been done in this country by prior Lexicographers; and no doubt Johnson was wise to avail himself of them, so far as they went: but the learned, yet judicious research of etymology[546], the various, yet accurate display of definition, and the rich collection of authorities, were reserved for the superior mind of our great philologist[547]. For the mechanical part he employed, as he told me, six amanuenses; and let it be remembered by the natives of North-Britain, to whom he is supposed to have been so hostile, that five of them were of that country. There were two Messieurs Macbean; Mr. Shiels, who we shall hereafter see partly wrote the Lives of the Poets to which the name of Cibber is affixed[548]; Mr. Stewart, son of Mr. George Stewart, bookseller at Edinburgh; and a Mr. Maitland. The sixth of these humble assistants was Mr. Peyton, who, I believe, taught French, and published some elementary tracts.

[Page 187: Johnson's amanuenses. tat 38.]

To all these painful labourers, Johnson shewed a never-ceasing kindness, so far as they stood in need of it. The elder Mr. Macbean had afterwards the honour of being Librarian to Archibald, Duke of Argyle, for many years, but was left without a shilling. Johnson wrote for him a Preface to A System of Ancient Geography; and, by the favour of Lord Thurlow, got him admitted a poor brother of the Charterhouse[549]. For Shiels, who died, of a consumption, he had much tenderness; and it has been thought that some choice sentences in the Lives of the Poets were supplied by him[550]. Peyton, when reduced to penury, had frequent aid from the bounty of Johnson, who at last was at the expense of burying both him and his wife[551].

[Page 188: The upper room in Gough-square. A.D. 1748.]

[Page 189: Authours quoted in THE DICTIONARY. tat 39.]

While the Dictionary was going forward, Johnson lived part of the time in Holborn, part in Gough-square, Fleet-street; and he had an upper room fitted up like a counting-house for the purpose, in which he gave to the copyists their several tasks[552]. The words, partly taken from other dictionaries, and partly supplied by himself, having been first written down with spaces left between them, he delivered in writing their etymologies, definitions, and various significations[553]. The authorities were copied from the books themselves, in which he had marked the passages with a black-lead pencil, the traces of which could easily be effaced[554]. I have seen several of them, in which that trouble had not been taken; so that they were just as when used by the copyists[555]. It is remarkable, that he was so attentive in the choice of the passages in which words were authorised, that one may read page after page of his Dictionary with improvement and pleasure; and it should not pass unobserved, that he has quoted no authour whose writings had a tendency to hurt sound religion and morality[556].

The necessary expense of preparing a work of such magnitude for the press, must have been a considerable deduction from the price stipulated to be paid for the copy-right. I understand that nothing was allowed by the booksellers on that account; and I remember his telling me, that a large portion of it having by mistake been written upon both sides of the paper, so as to be inconvenient for the compositor, it cost him twenty pounds to have it transcribed upon one side only.

[Page 190: The Ivy Lane Club. A.D. 1748.]

[Page 191: Mr. John Hawkins, an attorney. tat 39.]

He is now to be considered as 'tugging at his oar[557],' as engaged in a steady continued course of occupation, sufficient to employ all his time for some years; and which was the best preventive of that constitutional melancholy which was ever lurking about him, ready to trouble his quiet. But his enlarged and lively mind could not be satisfied without more diversity of employment, and the pleasure of animated relaxation[558]. He therefore not only exerted his talents in occasional composition very different from Lexicography, but formed a club in Ivy-lane, Paternoster-row, with a view to enjoy literary discussion, and amuse his evening hours. The members associated with him in this little society were his beloved friend Dr. Richard Bathurst[559], Mr. Hawkesworth[560], afterwards well known by his writings, Mr. John Hawkins, an attorney[561], and a few others of different professions[562].

[Page 192: The Vision of Theodore. A.D. 1749.]

In the Gentleman's Magazine for May of this year he wrote a 'Life of Roscommon,'[*] with Notes, which he afterwards much improved, indented the notes into text, and inserted it amongst his Lives of the English Poets.

Mr. Dodsley this year brought out his Preceptor, one of the most valuable books for the improvement of young minds that has appeared in any language; and to this meritorious work Johnson furnished 'The Preface,'[*] containing a general sketch of the book, with a short and perspicuous recommendation of each article; as also, 'The Vision of Theodore the Hermit, found in his Cell,'[*] a most beautiful allegory of human life, under the figure of ascending the mountain of Existence. The Bishop of Dromore heard Dr. Johnson say, that he thought this was the best thing he ever wrote[563].

1749: TAT. 40.—In January, 1749, he published The Vanity of Human Wishes, being the Tenth Satire of Juvenal imitated[564]. He, I believe, composed it the preceding year[565]. Mrs. Johnson, for the sake of country air, had lodgings at Hampstead, to which he resorted occasionally, and there the greatest part, if not the whole, of this Imitation was written[566]. The fervid rapidity with which it was produced, is scarcely credible. I have heard him say, that he composed seventy lines of it in one day, without putting one of them upon paper till they were finished[567].

[Page 193: The payment of poets.]

I remember when I once regretted to him that he had not given us more of Juvenal's Satires, he said he probably should give more, for he had them all in his head; by which I understood that he had the originals and correspondent allusions floating in his mind, which he could, when he pleased, embody and render permanent without much labour. Some of them, however, he observed were too gross for imitation.

The profits of a single poem, however excellent, appear to have been very small in the last reign, compared with what a publication of the same size has since been known to yield. I have mentioned, upon Johnson's own authority, that for his London he had only ten guineas; and now, after his fame was established, he got for his Vanity of Human Wishes but five guineas more, as is proved by an authentick document in my possession[568].

It will be observed, that he reserves to himself the right of printing one edition of this satire, which was his practice upon occasion of the sale of all his writings; it being his fixed intention to publish at some period, for his own profit, a complete collection of his works[569].

His Vanity of Human Wishes has less of common life, but more of a philosophick dignity than his London. More readers, therefore, will be delighted with the pointed spirit of London, than with the profound reflection of The Vanity of Human Wishes[570]. Garrick, for instance, observed in his sprightly manner, with more vivacity than regard to just discrimination, as is usual with wits, 'When Johnson lived much with the Herveys, and saw a good deal of what was passing in life, he wrote his London, which is lively and easy. When he became more retired, he gave us his Vanity of Human Wishes, which is as hard as Greek. Had he gone on to imitate another satire, it would have been as hard as Hebrew[571].'

[Page 194: Lydiat's life. A.D. 1749.]

But The Vanity of Human Wishes is, in the opinion of the best judges, as high an effort of ethick poetry as any language can shew. The instances of variety of disappointment are chosen so judiciously and painted so strongly, that, the moment they are read, they bring conviction to every thinking mind. That of the scholar must have depressed the too sanguine expectations of many an ambitious student[572]. That of the warrior, Charles of Sweden, is, I think, as highly finished a picture as can possibly be conceived.

[Page 195: The conclusion of Johnson's poem. tat 40.]

Were all the other excellencies of this poem annihilated, it must ever have our grateful reverence from its noble conclusion; in which we are consoled with the assurance that happiness may be attained, if we 'apply our hearts[573]' to piety:

'Where then shall hope and fear their objects find? Shall dull suspense corrupt the stagnant mind? Must helpless man, in ignorance sedate, Roll darkling down the torrent of his fate? Shall no dislike alarm, no wishes rise, No cries attempt the mercy of the skies? Enthusiast[574], cease; petitions yet remain, Which Heav'n may hear, nor deem Religion vain. Still raise for good the supplicating voice, But leave to Heaven the measure and the choice. Safe in His hand, whose eye discerns afar The secret ambush of a specious pray'r; Implore His aid, in His decisions rest, Secure whate'er He gives He gives the best. Yet when the sense of sacred presence fires, And strong devotion to the skies aspires, Pour forth thy fervours for a healthful mind, Obedient passions, and a will resign'd; For love, which scarce collective man can fill, For patience, sovereign o'er transmuted ill; For faith, which panting for a happier seat, Counts death kind Nature's signal for retreat. These goods for man the laws of Heaven ordain, These goods He grants, who grants the power to gain; With these celestial wisdom calms the mind, And makes the happiness she does not find.'

[Page 196: IRENE on the stage. A.D. 1749.]

Garrick being now vested with theatrical power by being manager of Drury-lane theatre, he kindly and generously made use of it to bring out Johnson's tragedy, which had been long kept back for want of encouragement. But in this benevolent purpose he met with no small difficulty from the temper of Johnson, which could not brook that a drama which he had formed with much study, and had been obliged to keep more than the nine years of Horace[575], should be revised and altered at the pleasure of an actor[576]. Yet Garrick knew well, that without some alterations it would not be fit for the stage. A violent dispute having ensued between them, Garrick applied to the Reverend Dr. Taylor to interpose. Johnson was at first very obstinate. 'Sir, (said he) the fellow wants me to make Mahomet run mad, that he may have an opportunity of tossing his hands and kicking his heels[577].' He was, however, at last, with difficulty, prevailed on to comply with Garrick's wishes, so as to allow of some changes; but still there were not enough.

[Page 197: The Epilogue to IRENE. tat 40.]

Dr. Adams was present the first night of the representation of Irene, and gave me the following account: 'Before the curtain drew up, there were catcalls whistling, which alarmed Johnson's friends. The Prologue, which was written by himself in a manly strain, soothed the audience[578], and the play went off tolerably, till it came to the conclusion, when Mrs. Pritchard[579], the heroine of the piece, was to be strangled upon the stage, and was to speak two lines with the bow-string round her neck. The audience cried out "Murder! Murder[580]!" She several times attempted to speak; but in vain. At last she was obliged to go off the stage alive.' This passage was afterwards struck out, and she was carried off to be put to death behind the scenes, as the play now has it[581]. The Epilogue, as Johnson informed me, was written by Sir William Yonge[582]. I know not how his play came to be thus graced by the pen of a person then so eminent in the political world.

Notwithstanding all the support of such performers as Garrick, Barry, Mrs. Cibber, Mrs. Pritchard, and every advantage of dress and decoration, the tragedy of Irene did not please the publick[583]. Mr. Garrick's zeal carried it through for nine nights[584], so that the authour had his three nights' profits; and from a receipt signed by him, now in the hands of Mr. James Dodsley, it appears that his friend Mr. Robert Dodsley gave him one hundred pounds for the copy, with his usual reservation of the right of one edition[585].

[Page 198: IRENE as a poem. A.D. 1749.]

[Page 199: Johnson no tragedy-writer. tat 40.]

Irene, considered as a poem, is intitled to the praise of superiour excellence[586]. Analysed into parts, it will furnish a rich store of noble sentiments, fine imagery, and beautiful language; but it is deficient in pathos, in that delicate power of touching the human feelings, which is the principal end of the drama[587]. Indeed Garrick has complained to me, that Johnson not only had not the faculty of producing the impressions of tragedy, but that he had not the sensibility to perceive them. His great friend Mr. Walmsley's prediction, that he would 'turn out a fine tragedy-writer[588],' was, therefore, ill-founded. Johnson was wise enough to be convinced that he had not the talents necessary to write successfully for the stage, and never made another attempt in that species of composition[589].

[Page 200: Deference for the general opinion. A.D. 1749.]

When asked how he felt upon the ill success of his tragedy, he replied, 'Like the Monument[590];' meaning that he continued firm and unmoved as that column. And let it be remembered, as an admonition to the genus irritabile[591] of dramatick writers, that this great man, instead of peevishly complaining of the bad taste of the town, submitted to its decision without a murmur. He had, indeed, upon all occasions, a great deference for the general opinion[592]: 'A man (said he) who writes a book, thinks himself wiser or wittier than the rest of mankind; he supposes that he can instruct or amuse them, and the publick to whom he appeals, must, after all, be the judges of his pretensions.'

[Page 201: Johnson in the Green Room. tat 41.]

On occasion of his play being brought upon the stage, Johnson had a fancy that as a dramatick authour his dress should be more gay than what he ordinarily wore; he therefore appeared behind the scenes, and even in one of the side boxes, in a scarlet waistcoat, with rich gold lace, and a gold-laced hat[593]. He humourously observed to Mr. Langton, that 'when in that dress he could not treat people with the same ease as when in his usual plain clothes[594].' Dress indeed, we must allow, has more effect even upon strong minds than one should suppose, without having had the experience of it. His necessary attendance while his play was in rehearsal, and during its performance, brought him acquainted with many of the performers of both sexes, which produced a more favourable opinion of their profession than he had harshly expressed in his Life of Savage[595]. With some of them he kept up an acquaintance as long as he and they lived, and was ever ready to shew them acts of kindness. He for a considerable time used to frequent the Green Room, and seemed to take delight in dissipating his gloom, by mixing in the sprightly chit-chat of the motley circle then to be found there[596]. Mr. David Hume related to me from Mr. Garrick, that Johnson at last denied himself this amusement, from considerations of rigid virtue; saying, 'I'll come no more behind your scenes, David; for the silk stockings and white bosoms of your actresses excite my amorous propensities.'

[Page 202: The Rambler. A.D. 1750.]

1750: TAT. 41.—In 1750 he came forth in the character for which he was eminently qualified, a majestick teacher of moral and religious wisdom. The vehicle which he chose was that of a periodical paper, which he knew had been, upon former occasions, employed with great success. The _Tatler, Spectator_, and _Guardian_, were the last of the kind published in England, which had stood the test of a long trial[597]; and such an interval had now elapsed since their publication, as made him justly think that, to many of his readers, this form of instruction would, in some degree, have the advantage of novelty. A few days before the first of his _Essays_ came out, there started another competitor for fame in the same form, under the title of _The _Tatler Revived_[598], which I believe was 'born but to die[599].' Johnson was, I think, not very happy in the choice of his title, _The Rambler_, which certainly is not suited to a series of grave and moral discourses; which the Italians have literally, but ludicrously translated by _Il Vagabondo_[600]; and which has been lately assumed as the denomination of a vehicle of licentious tales, _The Rambler's Magazine_. He gave Sir Joshua Reynolds the following account of its getting this name: 'What _must_ be done, Sir, _will_ be done. When I was to begin publishing that paper, I was at a loss how to name it. I sat down at night upon my bedside, and resolved that I would not go to sleep till I had fixed its title. _The Rambler_ seemed the best that occurred, and I took it[601].'

With what devout and conscientious sentiments this paper was undertaken, is evidenced by the following prayer, which he composed and offered up on the occasion: 'Almighty GOD, the giver of all good things, without whose help all labour is ineffectual, and without whose grace all wisdom is folly; grant, I beseech Thee, that in this undertaking[602] thy Holy Spirit may not be with-held from me, but that I may promote thy glory, and the salvation of myself and others: grant this, O LORD, for the sake of thy son JESUS CHRIST. Amen[603].'

[Page 203: Revision of The Rambler. tat 41.]

The first paper of the Rambler was published on Tuesday the 20th of March, 1750; and its authour was enabled to continue it, without interruption, every Tuesday and Friday, till Saturday the 17th of March, 1752[604], on which day it closed. This is a strong confirmation of the truth of a remark of his, which I have had occasion to quote elsewhere[605], that 'a man may write at any time, if he will set himself doggedly to it[606];' for, notwithstanding his constitutional indolence, his depression of spirits, and his labour in carrying on his Dictionary, he answered the stated calls of the press twice a week from the stores of his mind, during all that time; having received no assistance, except four billets in No. 10, by Miss Mulso, now Mrs. Chapone[607]; No. 30, by Mrs. Catharine Talbot[608]; No. 97, by Mr. Samuel Richardson, whom he describes in an introductory note as 'An author who has enlarged the knowledge of human nature, and taught the passions to move at the command of virtue;' and Nos. 44 and 100 by Mrs. Elizabeth Carter.

[Page 204: Johnson's rapid composition. A.D. 1750.]

Posterity will be astonished when they are told, upon the authority of Johnson himself, that many of these discourses, which we should suppose had been laboured with all the slow attention of literary leisure, were written in haste as the moment pressed, without even being read over by him before they were printed[609]. It can be accounted for only in this way; that by reading and meditation, and a very close inspection of life, he had accumulated a great fund of miscellaneous knowledge, which, by a peculiar promptitude of mind, was ever ready at his call, and which he had constantly accustomed himself to clothe in the most apt and energetick expression. Sir Joshua Reynolds once asked him by what means he had attained his extraordinary accuracy and flow of language. He told him, that he had early laid it down as a fixed rule to do his best on every occasion, and in every company; to impart whatever he knew in the most forcible language he could put it in; and that by constant practice, and never suffering any careless expressions to escape him, or attempting to deliver his thoughts without arranging them in the clearest manner, it became habitual to him[610].

[Page 205: Hints for the Rambler. tat 42.]

Yet he was not altogether unprepared as a periodical writer; for I have in my possession a small duodecimo volume, in which he has written, in the form of Mr. Locke's Common-Place Book, a variety of hints for essays on different subjects. He has marked upon the first blank leaf of it, 'To the 128th page, collections for the Rambler;' and in another place, 'In fifty-two there were seventeen provided; in 97-21; in 190-25.' At a subsequent period (probably after the work was finished) he added, 'In all, taken of provided materials, 30[611].'

Sir John Hawkins, who is unlucky upon all occasions, tells us, that 'this method of accumulating intelligence had been practised by Mr. Addison, and is humourously described in one of the Spectators[612], wherein he feigns to have dropped his paper of notanda, consisting of a diverting medley of broken sentences and loose hints, which he tells us he had collected, and meant to make use of. Much of the same kind is Johnson's Adversaria[613]'. But the truth is, that there is no resemblance at all between them. Addison's note was a fiction, in which unconnected fragments of his lucubrations were purposely jumbled together, in as odd a manner as he could, in order to produce a laughable effect. Whereas Johnson's abbreviations are all distinct, and applicable to each subject of which the head is mentioned.

For instance, there is the following specimen:

Youth's Entry, &c.

'Baxter's account of things in which he had changed his mind as he grew up. Voluminous.—No wonder.—If every man was to tell, or mark, on how many subjects he has changed, it would make vols. but the changes not always observed by man's self.—From pleasure to bus. [business] to quiet; from thoughtfulness to reflect. to piety; from dissipation to domestic. by impercept. gradat. but the change is certain. Dial[614] non progredi, progress. esse conspicimus. Look back, consider what was thought at some dist. period.

'Hope predom. in youth. Mind not willingly indulges unpleasing thoughts. The world lies all enameled before him, as a distant prospect sun-gilt[615]; inequalities only found by coming to it. Love is to be all joy—children excellent—Fame to be constant—caresses of the great—applauses of the learned—smiles of Beauty.

'Fear of disgrace—bashfulness—Finds things of less importance. Miscarriages forgot like excellencies;—if remembered, of no import. Danger of sinking into negligence of reputation. Lest the fear of disgrace destroy activity.

[Page 206: Hints for The Rambler. A.D. 1750.]

'Confidence in himself. Long tract of life before him.—No thought of sickness.—Embarrassment of affairs.—Distraction of family. Publick calamities.—No sense of the prevalence of bad habits.—Negligent of time—ready to undertake—careless to pursue—all changed by time.

'Confident of others—unsuspecting as unexperienced—imagining himself secure against neglect, never imagines they will venture to treat him ill. Ready to trust; expecting to be trusted. Convinced by time of the selfishness, the meanness, the cowardice, the treachery of men.

'Youth ambitious, as thinking honours easy to be had.

'Different kinds of praise pursued at different periods. Of the gay in youth, dang. hurt, &c. despised.

'Of the fancy in manhood. Ambit.—stocks—bargains.—Of the wise and sober in old age—seriousness—formality—maxims, but general—only of the rich, otherwise age is happy—but at last every thing referred to riches—no having fame, honour, influence, without subjection to caprice.

'Horace[616].

'Hard it would be if men entered life with the same views with which they leave it, or left as they enter it.—No hope—no undertaking—no regard to benevolence—no fear of disgrace, &c.

'Youth to be taught the piety of age—age to retain the honour of youth.'

This, it will be observed, is the sketch of Number 196 of the Rambler. I shall gratify my readers with another specimen:

'Confederacies difficult; why.

[Page 207: Hints for The Rambler. tat 41.]

'Seldom in war a match for single persons—nor in peace; therefore kings make themselves absolute. Confederacies in learning—every great work the work of one. Bruy. Scholar's friendship like ladies. Scribebamus, &c. Mart.[617] the apple of discord—the laurel of discord—the poverty of criticism. Swift's opinion of the power of six geniuses united[618]. That union scarce possible. His remarks just; man a social, not steady nature. Drawn to man by words, repelled by passions. Orb drawn by attraction rep. [repelled] by centrifugal.

'Common danger unites by crushing other passions—but they return. Equality hinders compliance. Superiority produces insolence and envy. Too much regard in each to private interest—too little.

'The mischiefs of private and exclusive societies—the fitness of social attraction diffused through the whole. The mischiefs of too partial love of our country. Contraction of moral duties—[Greek: oi philoi on philos][619].

'Every man moves upon his own center, and therefore repels others from too near a contact, though he may comply with some general laws.

'Of confederacy with superiours, every one knows the inconvenience. With equals, no authority;—every man his own opinion—his own interest.

'Man and wife hardly united;—scarce ever without children. Computation, if two to one against two, how many against five? If confederacies were easy—useless;—many oppresses many.—If possible only to some, dangerous. Principum amicitias[620]'.

Here we see the embryo of Number 45 of the Adventurer; and it is a confirmation of what I shall presently have occasion to mention[621], that the papers in that collection marked T. were written by Johnson.

[Page 208: The Rambler's slow sale. A.D. 1750.]

This scanty preparation of materials will not, however, much diminish our wonder at the extraordinary fertility of his mind; for the proportion which they bear to the number of essays which he wrote, is very small; and it is remarkable, that those for which he had made no preparation, are as rich and as highly finished as those for which the hints were lying by him. It is also to be observed, that the papers formed from his hints are worked up with such strength and elegance, that we almost lose sight of the hints, which become like 'drops in the bucket.' Indeed, in several instances, he has made a very slender use of them, so that many of them remain still unapplied[622].

As the Rambler was entirely the work of one man, there was, of course, such a uniformity in its texture, as very much to exclude the charm of variety[623]; and the grave and often solemn cast of thinking, which distinguished it from other periodical papers, made it, for some time, not generally liked. So slowly did this excellent work, of which twelve editions have now issued from the press, gain upon the world at large, that even in the closing number the authour says, 'I have never been much a favourite of the publick[624].'

[Page 209: George II. not an Augustus. tat 41.]

Yet, very soon after its commencement, there were who felt and acknowledged its uncommon excellence. Verses in its praise appeared in the newspapers; and the editor of the Gentleman's Magazine mentions, in October, his having received several letters to the same purpose from the learned[625]. The Student, or Oxford and Cambridge Miscellany, in which Mr. Bonnell Thornton and Mr. Colman were the principal writers, describes it as 'a work that exceeds anything of the kind ever published in this kingdom, some of the Spectators excepted—if indeed they may be excepted.' And afterwards, 'May the publick favours crown his merits, and may not the English, under the auspicious reign of GEORGE the Second, neglect a man, who, had he lived in the first century, would have been one of the greatest favourites of Augustus.' This flattery of the monarch had no effect. It is too well known, that the second George never was an Augustus to learning or genius[626].

[Page 210: Mrs. Johnson's praise of The Rambler. A.D. 1750.]

Johnson told me, with an amiable fondness, a little pleasing circumstance relative to this work. Mrs. Johnson, in whose judgement and taste he had great confidence, said to him, after a few numbers of the Rambler had come out, 'I thought very well of you before; but I did not imagine you could have written any thing equal to this[627].' Distant praise, from whatever quarter, is not so delightful as that of a wife whom a man loves and esteems. Her approbation may be said to 'come home to his bosom;' and being so near, its effect is most sensible and permanent.

Mr. James Elphinston[628], who has since published various works, and who was ever esteemed by Johnson as a worthy man, happened to be in Scotland while the Rambler was coming out in single papers at London. With a laudable zeal at once for the improvement of his countrymen, and the reputation of his friend, he suggested and took the charge of an edition of those Essays at Edinburgh, which followed progressively the London publication[629].

The following letter written at this time, though not dated, will show how much pleased Johnson was with this publication, and what kindness and regard he had for Mr. Elphinston.

[Page 211: Letters to Mr. Elphinston. tat 41.]

'To MR. JAMES ELPHINSTON.

[No date.]

'DEAR SIR,

'I cannot but confess the failures of my correspondence, but hope the same regard which you express for me on every other occasion, will incline you to forgive me. I am often, very often, ill; and, when I am well, am obliged to work: and, indeed, have never much used myself to punctuality. You are, however, not to make unkind inferences, when I forbear to reply to your kindness; for be assured, I never receive a letter from you without great pleasure, and a very warm sense of your generosity and friendship, which I heartily blame myself for not cultivating with more care. In this, as in many other cases, I go wrong, in opposition to conviction; for I think scarce any temporal good equally to be desired with the regard and familiarity of worthy men. I hope we shall be some time nearer to each other, and have a more ready way of pouring out our hearts.

'I am glad that you still find encouragement to proceed in your publication, and shall beg the favour of six more volumes to add to my former six, when you can, with any convenience, send them me. Please to present a set, in my name, to Mr. Ruddiman[630], of whom, I hear, that his learning is not his highest excellence. I have transcribed the mottos, and returned them, I hope not too late, of which I think many very happily performed. Mr. Cave has put the last in the magazine[631], in which I think he did well. I beg of you to write soon, and to write often, and to write long letters, which I hope in time to repay you; but you must be a patient creditor. I have, however, this of gratitude, that I think of you with regard, when I do not, perhaps, give the proofs which I ought, of being, Sir,

'Your most obliged and

'Most humble servant.

SAM. JOHNSON.'

This year he wrote to the same gentleman another letter, upon a mournful occasion,

[Page 212: The death of a mother. A.D. 1750.]

'To Mr. JAMES ELPHINSTON.

September 25, 1750.

'DEAR SIR,

'You have, as I find by every kind of evidence, lost an excellent mother; and I hope you will not think me incapable of partaking of your grief. I have a mother, now eighty-two years of age, whom, therefore, I must soon lose[632], unless it please GOD that she rather should mourn for me. I read the letters in which you relate your mother's death to Mrs. Strahan[633], and think I do myself honour, when I tell you that I read them with tears; but tears are neither to you nor to me of any further use, when once the tribute of nature has been paid. The business of life summons us away from useless grief, and calls us to the exercise of those virtues of which we are lamenting our deprivation. The greatest benefit which one friend can confer upon another, is to guard, and excite, and elevate his virtues. This your mother will still perform, if you diligently preserve the memory of her life, and of her death: a life, so far as I can learn, useful, wise, and innocent; and a death resigned, peaceful, and holy. I cannot forbear to mention, that neither reason nor revelation denies you to hope, that you may increase her happiness by obeying her precepts; and that she may, in her present state, look with pleasure upon every act of virtue to which her instructions or example have contributed. Whether this be more than a pleasing dream, or a just opinion of separate spirits, is, indeed, of no great importance to us, when we consider ourselves as acting under the eye of GOD: yet, surely, there is something pleasing in the belief, that our separation from those whom we love is merely corporeal; and it may be a great incitement to virtuous friendship, if it can be made probable, that that union that has received the divine approbation shall continue to eternity.

'There is one expedient by which you may, in some degree, continue her presence. If you write down minutely what you remember of her from your earliest years, you will read it with great pleasure, and receive from it many hints of soothing recollection, when time shall remove her yet farther from you, and your grief shall be matured to veneration. To this, however painful for the present, I cannot but advise you, as to a source of comfort and satisfaction in the time to come; for all comfort and all satisfaction is sincerely wished you by, dear Sir,

'Your most obliged, most obedient,

'And most humble servant,

'SAM. JOHNSON.'

[Page 213: Goldsmith's debt to Johnson. tat 41.]

The Rambler has increased in fame as in age. Soon after its first folio edition was concluded, it was published in six duodecimo volumes[634]; and its authour lived to see ten numerous editions of it in London, beside those of Ireland and Scotland[635].

I profess myself to have ever entertained a profound veneration for the astonishing force and vivacity of mind which the Rambler exhibits. That Johnson had penetration enough to see, and seeing would not disguise the general misery of man in this state of being, may have given rise to the superficial notion of his being too stern a philosopher. But men of reflection will be sensible that he has given a true representation of human existence, and that he has, at the same time, with a generous benevolence displayed every consolation which our state affords us; not only those arising from the hopes of futurity, but such as may be attained in the immediate progress through life. He has not depressed the soul to despondency and indifference. He has every where inculcated study, labour, and exertion. Nay, he has shewn, in a very odious light, a man whose practice is to go about darkening the views of others, by perpetual complaints of evil, and awakening those considerations of danger and distress, which are, for the most part, lulled into a quiet oblivion. This he has done very strongly in his character of Suspirius[636], from which Goldsmith took that of Croaker, in his comedy of The Good-Natured Man[637], as Johnson told me he acknowledged to him, and which is, indeed, very obvious[638].

[Page 214: The Beauties of Dr. Johnson. A.D. 1750.]

To point out the numerous subjects which the Rambler treats, with a dignity and perspicuity which are there united in a manner which we shall in vain look for any where else, would take up too large a portion of my book, and would, I trust, be superfluous, considering how universally those volumes are now disseminated. Even the most condensed and brilliant sentences which they contain, and which have very properly been selected under the name of Beauties[639], are of considerable bulk. But I may shortly observe, that the Rambler furnishes such an assemblage of discourses on practical religion and moral duty, of critical investigations, and allegorical and oriental tales, that no mind can be thought very deficient that has, by constant study and meditation, assimilated to itself all that may be found there. No. 7, written in Passion-week on abstraction and self-examination[640], and No. 110, on penitence and the placability of the Divine Nature, cannot be too often read. No. 54, on the effect which the death of a friend should have upon us, though rather too dispiriting, may be occasionally very medicinal to the mind. Every one must suppose the writer to have been deeply impressed by a real scene; but he told me that was not the case; which shews how well his fancy could conduct him to the 'house of mourning[641].' Some of these more solemn papers, I doubt not, particularly attracted the notice of Dr. Young, the authour of The Night Thoughts, of whom my estimation is such, as to reckon his applause an honour even to Johnson. I have seen some volumes of Dr. Young's copy of the Rambler, in which he has marked the passages which he thought particularly excellent, by folding down a corner of the page; and such as he rated in a super-eminent degree, are marked by double folds. I am sorry that some of the volumes are lost. Johnson was pleased when told of the minute attention with which Young had signified his approbation of his Essays.

[Page 215: A Club in Essex. tat 41.]

I will venture to say, that in no writings whatever can be found more bark and steel for the mind, if I may use the expression; more that can brace and invigorate every manly and noble sentiment. No. 32 on patience, even under extreme misery, is wonderfully lofty, and as much above the rant of stoicism, as the Sun of Revelation is brighter than the twilight of Pagan philosophy. I never read the following sentence without feeling my frame thrill: 'I think there is some reason for questioning whether the body and mind are not so proportioned, that the one can bear all which can be inflicted on the other; whether virtue cannot stand its ground as long as life, and whether a soul well principled, will not be sooner separated than subdued[642].'

[Page 216: The character of Prospero. A.D. 1750.]

[Page 217: The Style of The Rambler. tat 41.]

Though instruction be the predominant purpose of the Rambler, yet it is enlivened with a considerable portion of amusement. Nothing can be more erroneous than the notion which some persons have entertained, that Johnson was then a retired authour, ignorant of the world; and, of consequence, that he wrote only from his imagination when he described characters and manners. He said to me, that before he wrote that work, he had been 'running about the world,' as he expressed it, more than almost any body; and I have heard him relate, with much satisfaction, that several of the characters in the Rambler were drawn so naturally, that when it first circulated in numbers, a club in one of the towns in Essex imagined themselves to be severally exhibited in it, and were much incensed against a person who, they suspected, had thus made them objects of publick notice; nor were they quieted till authentick assurance was given them, that the Rambler was written by a person who had never heard of any one of them[643]. Some of the characters are believed to have been actually drawn from the life, particularly that of Prospero from Garrick[644], who never entirely forgave its pointed satire[645]. For instances of fertility of fancy, and accurate description of real life, I appeal to No. 19, a man who wanders from one profession to another, with most plausible reasons for every change. No. 34, female fastidiousness and timorous refinement. No. 82, a Virtuoso who has collected curiosities. No. 88[646], petty modes of entertaining a company, and conciliating kindness. No. 182, fortune-hunting. No. 194-195, a tutor's account of the follies of his pupil. No. 197-198, legacy-hunting. He has given a specimen of his nice observation of the mere external appearances of life, in the following passage in No. 179, against affectation, that frequent and most disgusting quality: 'He that stands to contemplate the crouds that fill the streets of a populous city, will see many passengers whose air and motion it will be difficult to behold without contempt and laughter; but if he examine what are the appearances that thus powerfully excite his risibility, he will find among them neither poverty nor disease, nor any involuntary or painful defect. The disposition to derision and insult, is awakened by the softness of foppery, the swell of insolence, the liveliness of levity, or the solemnity of grandeur; by the sprightly trip, the stately stalk, the formal strut, and the lofty mien; by gestures intended to catch the eye, and by looks elaborately formed as evidences of importance.'

Every page of the Rambler shews a mind teeming with classical allusion and poetical imagery: illustrations from other writers are, upon all occasions, so ready, and mingle so easily in his periods, that the whole appears of one uniform vivid texture.

[Page 218: Johnson's masters in style. A.D. 1750.]

[Page 219: A Great Personage. tat 41.]

The style of this work has been censured by some shallow criticks as involved and turgid, and abounding with antiquated and hard words. So ill-founded is the first part of this objection, that I will challenge all who may honour this book with a perusal, to point out any English writer whose language conveys his meaning with equal force and perspicuity. It must, indeed, be allowed, that the structure of his sentences is expanded, and often has somewhat of the inversion of Latin; and that he delighted to express familiar thoughts in philosophical language; being in this the reverse of Socrates, who, it was said, reduced philosophy to the simplicity of common life. But let us attend to what he himself says in his concluding paper: 'When common words were less pleasing to the ear, or less distinct in their signification, I have familiarised the terms of philosophy, by applying them to popular ideas[647].' And, as to the second part of this objection, upon a late careful revision of the work, I can with confidence say, that it is amazing how few of those words, for which it has been unjustly characterised, are actually to be found in it; I am sure, not the proportion of one to each paper. This idle charge has been echoed from one babbler to another, who have confounded Johnson's Essays with Johnson's Dictionary; and because he thought it right in a Lexicon of our language to collect many words which had fallen into disuse, but were supported by great authorities, it has been imagined that all of these have been interwoven into his own compositions. That some of them have been adopted by him unnecessarily, may, perhaps, be allowed; but, in general they are evidently an advantage, for without them his stately ideas would be confined and cramped. 'He that thinks with more extent than another, will want words of larger meaning[648].' He once told me, that he had formed his style upon that of Sir William Temple[649], and upon Chambers's Proposal for his Dictionary[650]. He certainly was mistaken; or if he imagined at first that he was imitating Temple, he was very unsuccessful; for nothing can be more unlike than the simplicity of Temple, and the richness of Johnson. Their styles differ as plain cloth and brocade. Temple, indeed, seems equally erroneous in supposing that he himself had formed his style upon Sandys's View of the State of Religion in the Western parts of the World.

The style of Johnson was, undoubtedly, much formed upon that of the great writers in the last century, Hooker, Bacon, Sanderson, Hakewell, and others; those 'GIANTS[651],' as they were well characterised by A GREAT PERSONAGE[652], whose authority, were I to name him, would stamp a reverence on the opinion.

[Page 220: The motto to the Dictionary. A.D. 1750.]

We may, with the utmost propriety, apply to his learned style that passage of Horace, a part of which he has taken as the motto to his Dictionary[653]:

'Cum tabulis animum censoris sumet honesti; Audebit quaecumque parm splendoris habebunt Et sine pondere erunt, et honore indigna ferentur, Verba movere loco, quamvis invita recedant, Et versentur adhuc intra penetralia Vesta. Obscurata diu populo bonus eruet, atque Proferet in lucem speciosa vocabula rerum, Quae priscis memorala Calonibus alque Cethegis, Nunc situs informis premit et deserta velustas: Adsciscet nova, quae genitor produxerit usus: Vehemens, et liquidus, puroque simillimus amni, Fundet opes Latiumque beabit divile lingu.[654]'

[Page 221: Johnson not a coiner of words. tat 41.]

To so great a master of thinking, to one of such vast and various knowledge as Johnson, might have been allowed a liberal indulgence of that licence which Horace claims in another place:

'Si fort necesse est Indiciis monstrare recentibus abdita rerum, Fingere cinctutis non exaudita Cethegis Continget, dabiturque licentia sumpta pudenter: Et nova fictaque nuper habebunt verba fidem si Grco fonte cadant, parce detorta. Quid autem Ccilio Plautoque dabit Romanus, ademptum Virgilio Varioque? Ego cur, acquirere pauca Si possum, invideor; cum lingua Catonis et Enni Sermonem patrium ditaverit, et nova rerum Nomina protulerit? Licuit semperque licebit Signatum prsente not producere nomen[655].'

Yet Johnson assured me, that he had not taken upon him to add more than four or five words to the English language, of his own formation[656]; and he was very much offended at the general licence, by no means 'modestly taken' in his time, not only to coin new words, but to use many words in senses quite different from their established meaning, and those frequently very fantastical[657].

[Page 222: Johnson's influence on style. A.D. 1750.]

Sir Thomas Brown[658], whose life Johnson wrote, was remarkably fond of Anglo-Latian diction; and to his example we are to ascribe Johnson's sometimes indulging himself in this kind of phraseology'. Johnson's comprehension of mind was the mould for his language. Had his conceptions been narrower, his expression would have been easier. His sentences have a dignified march; and, it is certain, that his example has given a general elevation to the language of his country, for many of our best writers have approached very near to him; and, from the influence which he has had upon our composition, scarcely any thing is written now that is not better expressed than was usual before he appeared to lead the national taste.

[Page 223: Courtenay's lines on Johnson's school. tat 41.]

This circumstance, the truth of which must strike every critical reader, has been so happily enforced by Mr. Courtenay, in his Moral and Literary Character of Dr. Johnson, that I cannot prevail on myself to withhold it, notwithstanding his, perhaps, too great partiality for one of his friends:

'By nature's gifts ordain'd mankind to rule, He, like a Titian, form'd his brilliant school; And taught congenial spirits to excel, While from his lips impressive wisdom fell. Our boasted GOLDSMITH felt the sovereign sway: From him deriv'd the sweet, yet nervous lay. To Fame's proud cliff he bade our Raphael rise; Hence REYNOLDS' pen with REYNOLDS' pencil vies. With Johnson's flame melodious BURNEY glows, While the grand strain in smoother cadence flows. And you, MALONE, to critick learning dear. Correct and elegant, refin'd though clear, By studying him, acquir'd that classick taste, Which high in Shakspeare's fane thy statue plac'd. Near Johnson STEEVENS stands, on scenick ground, Acute, laborious, fertile, and profound. Ingenious HAWKESWORTH to this school we owe. And scarce the pupil from the tutor know. Here early parts accomplish'd JONES sublimes, And science blends with Asia's lofty rhymes: Harmonious JONES! who in his splendid strains Sings Camdeo's sports, on Agra's flowery plains: In Hindu fictions while we fondly trace Love and the Muses, deck'd with Attick grace. Amid these names can BOSWELL be forgot, Scarce by North Britons now esteem'd a Scot[659]? Who to the sage devoted from his youth, Imbib'd from him the sacred love of truth; The keen research, the exercise of mind, And that best art, the art to know mankind.— Nor was his energy confin'd alone To friends around his philosophick throne; Its influence wide improv'd our letter'd isle. And lucid vigour marked the general style: As Nile's proud waves, swoln from their oozy bed. First o'er the neighbouring meads majestick spread; Till gathering force, they more and more expand. And with new virtue fertilise the land.'

Johnson's language, however, must be allowed to be too masculine for the delicate gentleness of female writing. His ladies, therefore, seem strangely formal, even to ridicule; and are well denominated by the names which he has given them as Misella[660], Zozima, Properantia, Rhodoclia.

[Page 224: The styles of addison and Johnson. A.D. 1750.]

It has of late been the fashion to compare the style of Addison and Johnson, and to depreciate, I think very unjustly, the style of Addison as nerveless and feeble[661], because it has not the strength and energy of that of Johnson. Their prose may be balanced like the poetry of Dryden and Pope. Both are excellent, though in different ways. Addison writes with the ease of a gentleman. His readers fancy that a wise and accomplished companion is talking to them; so that he insinuates his sentiments and taste into their minds by an imperceptible influence. Johnson writes like a teacher. He dictates to his readers as if from an academical chair. They attend with awe and admiration; and his precepts are impressed upon them by his commanding eloquence. Addison's style, like a light wine, pleases everybody from the first. Johnson's, like a liquor of more body, seems too strong at first, but, by degrees, is highly relished; and such is the melody of his periods, so much do they captivate the ear, and seize upon the attention, that there is scarcely any writer, however inconsiderable, who does not aim, in some degree, at the same species of excellence. But let us not ungratefully undervalue that beautiful style, which has pleasingly conveyed to us much instruction and entertainment. Though comparatively weak, opposed to Johnson's Herculean vigour, let us not call it positively feeble. Let us remember the character of his style, as given by Johnson himself[662]: 'What he attempted, he performed; he is never feeble, and he did not wish to be energetick; he is never rapid, and he never stagnates. His sentences have neither studied amplitude, nor affected brevity: his periods, though not diligently rounded, are voluble and easy[663]. Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the volumes of Addison[664].'

[Page 225: Boswell's projected works. tat 41.]

[Page 226: The last Rambler. A.D. 1750.]

Though the Rambler was not concluded till the year 1752, I shall, under this year, say all that I have to observe upon it. Some of the translations of the mottos by himself are admirably done. He acknowledges to have received 'elegant translations' of many of them from Mr. James Elphinston; and some are very happily translated by a Mr. F. Lewis[665], of whom I never heard more, except that Johnson thus described him to Mr. Malone: 'Sir, he lived in London, and hung loose upon society.' The concluding paper of his Rambler is at once dignified and pathetick. I cannot, however, but wish that he had not ended it with an unnecessary Greek verse, translated also into an English couplet[666]. It is too much like the conceit of those dramatick poets, who used to conclude each act with a rhyme; and the expression in the first line of his couplet, 'Celestial powers', though proper in Pagan poetry, is ill suited to Christianity, with 'a conformity[667]' to which he consoles himself. How much better would it have been, to have ended with the prose sentence 'I shall never envy the honours which wit and learning obtain in any other cause, if I can be numbered among the writers who have given ardour to virtue, and confidence to truth[668].'

His friend, Dr. Birch, being now engaged in preparing an edition of Ralegh's smaller pieces, Dr. Johnson wrote the following letter to that gentleman:

'To DR. BIRCH.

'Gough-square, May 12, 1750.

'SIR,

'Knowing that you are now preparing to favour the publick with a new edition of Ralegh's[669] miscellaneous pieces, I have taken the liberty to send you a Manuscript, which fell by chance within my notice. I perceive no proofs of forgery in my examination of it; and the owner tells me, that as he[670] has heard, the handwriting is Sir Walter's. If you should find reason to conclude it genuine, it will be a kindness to the owner, a blind person[671], to recommend it to the booksellers. I am, Sir,

'Your most humble servant,

'SAM. JOHNSON.'

[Page 227: Milton's grand-daughter. tat 41.]

[Page 228: Lauder's imposition. A.D. 1751.]

His just abhorrence of Milton's political notions was ever strong. But this did not prevent his warm admiration of Milton's great poetical merit, to which he has done illustrious justice, beyond all who have written upon the subject. And this year he not only wrote a Prologue, which was spoken by Mr. Garrick before the acting of Comus at Drury-lane theatre, for the benefit of Milton's grand-daughter, but took a very zealous interest in the success of the charity[672]. On the day preceding the performance, he published the following letter in the 'General Advertiser,' addressed to the printer of that paper:

'SIR,

'That a certain degree of reputation is acquired merely by approving the works of genius, and testifying a regard to the memory of authours, is a truth too evident to be denied; and therefore to ensure a participation of fame with a celebrated poet, many who would, perhaps, have contributed to starve him when alive, have heaped expensive pageants upon his grave[673].

'It must, indeed, be confessed, that this method of becoming known to posterity with honour, is peculiar to the great, or at least to the wealthy; but an opportunity now offers for almost every individual to secure the praise of paying a just regard to the illustrious dead, united with the pleasure of doing good to the living. To assist industrious indigence, struggling with distress and debilitated by age, is a display of virtue, and an acquisition of happiness and honour.

'Whoever, then, would be thought capable of pleasure in reading the works of our incomparable Milton, and not so destitute of gratitude as to refuse to lay out a trifle in rational and elegant entertainment, for the benefit of his living remains, for the exercise of their own virtue, the increase of their reputation, and the pleasing consciousness of doing good, should appear at Drury-lane theatre to-morrow, April 5, when Comus will be performed for the benefit of Mrs. Elizabeth Foster, grand-daughter to the author, and the only surviving branch of his family.

'N.B. There will be a new prologue on the occasion, written by the author of _Irene[674], and spoken by Mr. Garrick; and, by particular desire, there will be added to the Masque a dramatick satire, called _Lethe_, in which Mr. Garrick will perform.'

[Page 229: Douglas's MILTON NO PLAGIARY. tat 42.]

1751: TAT. 42.—In 1751[675] we are to consider him as carrying on both his Dictionary and Rambler. But he also wrote The Life of Cheynel[676],[*] in the miscellany called The Student; and the Reverend Dr. Douglas having, with uncommon acuteness, clearly detected a gross forgery and imposition upon the publick by William Lauder, a Scotch schoolmaster, who had, with equal impudence and ingenuity, represented Milton as a plagiary from certain modern Latin poets, Johnson, who had been so far imposed upon as to furnish a Preface and Postscript to his work, now dictated a letter for Lauder, addressed to Dr. Douglas, acknowledging his fraud in terms of suitable contrition.[677]

[Page 230: Johnson tricked by Lander. A.D. 1751.]

This extraordinary attempt of Lauder was no sudden effort. He had brooded over it for many years: and to this hour it is uncertain what his principal motive was, unless it were a vain notion of his superiority, in being able, by whatever means, to deceive mankind. To effect this, he produced certain passages from Grotius, Masenius, and others, which had a faint resemblance to some parts of the Paradise Lost. In these he interpolated some fragments of Hog's Latin translation of that poem, alledging that the mass thus fabricated was the archetype from which Milton copied.[678] These fabrications he published from time to time in the Gentleman s Magazine; and, exulting in his fancied success, he in 1750 ventured to collect them into a pamphlet, entitled An Essay on Milton's Use and Imitation of the Moderns in his Paradise Lost. To this pamphlet Johnson wrote a Preface[679], in full persuasion of Lauder's honesty, and a Postscript recommending, in the most persuasive terms[680], a subscription for the relief of a grand-daughter of Milton, of whom he thus speaks:

'It is yet in the power of a great people to reward the poet whose name they boast, and from their alliance to whose genius, they claim some kind of superiority to every other nation of the earth; that poet, whose works may possibly be read when every other monument of British greatness shall be obliterated; to reward him, not with pictures or with medals, which, if he sees, he sees with contempt, but with tokens of gratitude, which he, perhaps, may even now consider as not unworthy the regard of an immortal spirit.'

[Page 231: Johnson's admiration of Milton. tat 42.]

Surely this is inconsistent with 'enmity towards Milton,' which Sir John Hawkins[681] imputes to Johnson upon this occasion, adding,

'I could all along observe that Johnson seemed to approve not only of the design, but of the argument; and seemed to exult in a persuasion, that the reputation of Milton was likely to suffer by this discovery. That he was not privy to the imposture, I am well persuaded; but that he wished well to the argument, may be inferred from the Preface, which indubitably was written by Johnson.'

Is it possible for any man of clear judgement to suppose that Johnson, who so nobly praised the poetical excellence of Milton in a Postscript to this very 'discovery,' as he then supposed it, could, at the same time, exult in a persuasion that the great poet's reputation was likely to suffer by it? This is an inconsistency of which Johnson was incapable; nor can any thing more be fairly inferred from the Preface, than that Johnson, who was alike distinguished for ardent curiosity and love of truth, was pleased with an investigation by which both were gratified. That he was actuated by these motives, and certainly by no unworthy desire to depreciate our great epick poet, is evident from his own words; for, after mentioning the general zeal of men of genius and literature 'to advance the honour, and distinguish the beauties of Paradise Lost', he says,

'Among the inquiries to which this ardour of criticism has naturally given occasion, none is more obscure in itself, or more worthy of rational curiosity, than a retrospect[682] of the progress of this mighty genius in the construction of his work; a view of the fabrick gradually rising, perhaps, from small beginnings, till its foundation rests in the centre, and its turrets sparkle in the skies; to trace back the structure through all its varieties, to the simplicity of its first plan; to find what was first projected, whence the scheme was taken, how it was improved, by what assistance it was executed, and from what stores the materials were collected; whether its founder dug them from the quarries of Nature, or demolished other buildings to embellish his own.'

Is this the language of one who wished to blast the laurels of Milton[683]?

[Page 232: Mrs. Anna Williams. A.D. 1751.]

Though Johnson's circumstances were at this time far from being easy, his humane and charitable disposition was constantly exerting itself. Mrs. Anna Williams, daughter of a very ingenious Welsh physician, and a woman of more than ordinary talents and literature, having come to London in hopes of being cured of a cataract in both her eyes, which afterwards ended in total blindness, was kindly received as a constant visitor at his house while Mrs. Johnson lived; and after her death, having come under his roof in order to have an operation upon her eyes performed with more comfort to her than in lodgings, she had an apartment from him during the rest of her life, at all times when he had a house[684].

[Page 233: Johnson's pleasure in her company. tat 43.]

[Page 234: Death of Johnson's wife. A.D. 1752.]

1752: TAT. 43.—In 1752 he was almost entirely occupied with his Dictionary. The last paper of his Rambler was published March 2[685], this year; after which, there was a cessation for some time of any exertion of his talents as an essayist. But, in the same year, Dr. Hawkesworth, who was his warm admirer, and a studious imitator of his style[686], and then lived in great intimacy with him, began a periodical paper, entitled The Adventurer, in connection with other gentlemen, one of whom was Johnson's much-loved friend, Dr. Bathurst; and, without doubt, they received many valuable hints from his conversation, most of his friends having been so assisted in the course of their works.

[Page 235: Communications by dreams. tat 43.]

That there should be a suspension of his literary labours during a part of the year 1752, will not seem strange, when it is considered that soon after closing his Rambler, he suffered a loss which, there can be no doubt, affected him with the deepest distress[687]. For on the 17th of March, O.S., his wife died. Why Sir John Hawkins should unwarrantably take upon him even to suppose that Johnson's fondness for her was dissembled (meaning simulated or assumed,) and to assert, that if it was not the case, 'it was a lesson he had learned by rote[688],' I cannot conceive; unless it proceeded from a want of similar feelings in his own breast. To argue from her being much older than Johnson, or any other circumstances, that he could not really love her, is absurd; for love is not a subject of reasoning, but of feeling, and therefore there are no common principles upon which one can persuade another concerning it. Every man feels for himself, and knows how he is affected by particular qualities in the person he admires, the impressions of which are too minute and delicate to be substantiated in language.

The following very solemn and affecting prayer was found after Dr. Johnson's decease, by his servant, Mr. Francis Barber, who delivered it to my worthy friend the Reverend Mr. Strahan[689], Vicar of Islington, who at my earnest request has obligingly favoured me with a copy of it, which he and I compared with the original. I present it to the world as an undoubted proof of a circumstance in the character of my illustrious friend, which though some whose hard minds I never shall envy, may attack as superstitious, will I am sure endear him more to numbers of good men[690]. I have an additional, and that a personal motive for presenting it, because it sanctions what I myself have always maintained and am fond to indulge.

'April 26, 1752, being after 12 at Night of the 25th.

'O Lord! Governour of heaven and earth, in whose hands are embodied and departed Spirits, if thou hast ordained the Souls of the Dead to minister to the Living, and appointed my departed Wife to have care of me, grant that I may enjoy the good effects of her attention and ministration, whether exercised by appearance, impulses, dreams[691] or in any other manner agreeable to thy Government. Forgive my presumption, enlighten my ignorance, and however meaner agents are employed, grant me the blessed influences of thy holy Spirit, through Jesus Christ our Lord. Amen.'

[Page 236: Johnson's love for his wife. A.D. 1752.]

What actually followed upon this most interesting piece of devotion by Johnson, we are not informed; but I, whom it has pleased GOD to afflict in a similar manner to that which occasioned it, have certain experience of benignant communication by dreams[692].

That his love for his wife was of the most ardent kind, and, during the long period of fifty years, was unimpaired by the lapse of time, is evident from various passages in the series of his Prayers and Meditations, published by the Reverend Mr. Strahan, as well as from other memorials, two of which I select, as strongly marking the tenderness and sensibility of his mind.

'March 28, 1753. I kept this day[693] as the anniversary of my Tetty's death[694], with prayer and tears in the morning. In the evening I prayed for her conditionally, if it were lawful.'

[Page 237: Her wedding-ring. tat 43.]

'April 23, 1753. I know not whether I do not too much indulge the vain longings of affection; but I hope they intenerate my heart, and that when I die like my Tetty, this affection will be acknowledged in a happy interview, and that in the mean time I am incited by it to piety. I will, however, not deviate too much from common and received methods of devotion.'

Her wedding-ring, when she became his wife, was, after her death, preserved by him, as long as he lived, with an affectionate care, in a little round wooden box, in the inside of which he pasted a slip of paper, thus inscribed by him in fair characters, as follows:

'Eheu! Eliz. Johnson, Nupta Jul. 9 1736, Mortua, eheu! Mart. 17 1752[695].

After his death, Mr. Francis Barber, his faithful servant and residuary legatee, offered this memorial of tenderness to Mrs. Lucy Porter, Mrs. Johnson's daughter; but she having declined to accept of it, he had it enamelled as a mourning ring for his old master, and presented it to his wife, Mrs. Barber, who now has it.

The state of mind in which a man must be upon the death of a woman whom he sincerely loves, had been in his contemplation many years before. In his Irene, we find the following fervent and tender speech of Demetrius, addressed to his Aspasia:

'From those bright regions of eternal day, Where now thou shin'st amongst thy fellow saints, Array'd in purer light, look down on me! In pleasing visions and delusive dreams, O! sooth my soul, and teach me how to lose thee[696].'

[Page 238: The shock of separation. A.D. 1752.]

I have, indeed, been told by Mrs. Desmoulins, who, before her marriage, lived for some time with Mrs. Johnson at Hampstead[697], that she indulged herself in country air and nice living, at an unsuitable expense[698], while her husband was drudging in the smoke of London, and that she by no means treated him with that complacency which is the most engaging quality in a wife. But all this is perfectly compatible with his fondness for her, especially when it is remembered that he had a high opinion of her understanding, and that the impressions which her beauty, real or imaginary, had originally made upon his fancy, being continued by habit, had not been effaced, though she herself was doubtless much altered for the worse. The dreadful shock of separation took place in the night; and he immediately dispatched a letter to his friend, the Reverend Dr. Taylor, which, as Taylor told me, expressed grief in the strongest manner he had ever read; so that it is much to be regretted it has not been preserved[699]. The letter was brought to Dr. Taylor, at his house in the Cloisters, Westminster, about three in the morning; and as it signified an earnest desire to see him, he got up, and went to Johnson as soon as he was dressed, and found him in tears and in extreme agitation. After being a little while together, Johnson requested him to join with him in prayer. He then prayed extempore, as did Dr. Taylor; and thus, by means of that piety which was ever his primary object, his troubled mind was, in some degree, soothed and composed.

The next day he wrote as follows:

'To The Revernd Dr. Taylor.

Dear Sir,

'Let me have your company and instruction. Do not live away from me. My distress is great.

'Pray desire Mrs. Taylor to inform me what mourning I should buy for my mother and Miss Porter, and bring a note in writing with you.

'Remember me in your prayers, for vain is the help of man.

'I am, dear Sir, &c.

'SAM. JOHNSON.'

'March 18, 1752.'

[Page 239: Francis Barber. tat 43.]

[Page 240: Prayers for the dead. A.D. 1752.]

That his sufferings upon the death of his wife were severe, beyond what are commonly endured, I have no doubt, from the information of many who were then about him, to none of whom I give more credit than to Mr. Francis Barber, his faithful negro servant[700], who came into his family about a fortnight after the dismal event. These sufferings were aggravated by the melancholy inherent in his constitution; and although he probably was not oftener in the wrong than she was, in the little disagreements which sometimes troubled his married state[701], during which, he owned to me, that the gloomy irritability of his existence was more painful to him than ever, he might very naturally, after her death, be tenderly disposed to charge himself with slight omissions and offences, the sense of which would give him much uneasiness[702]. Accordingly we find, about a year after her decease, that he thus addressed the Supreme Being: 'O LORD, who givest the grace of repentance, and hearest the prayers of the penitent, grant that by true contrition I may obtain forgiveness of all the sins committed, and of all duties neglected in my union with the wife whom thou hast taken from me; for the neglect of joint devotion, patient exhortation, and mild instruction[703].' The kindness of his heart, notwithstanding the impetuosity of his temper, is well known to his friends; and I cannot trace the smallest foundation for the following dark and uncharitable assertion by Sir John Hawkins: 'The apparition of his departed wife was altogether of the terrifick kind, and hardly afforded him a hope that she was in a state of happiness[704].' That he, in conformity with the opinion of many of the most able, learned, and pious Christians in all ages, supposed that there was a middle state after death, previous to the time at which departed souls are finally received to eternal felicity, appears, I think, unquestionably from his devotions[705]: 'And, O LORD, so far as it may be lawful in me[706], I commend to thy fatherly goodness the soul of my departed wife; beseeching thee to grant her whatever is best in her present state, and finally to receive her to eternal happiness[707].' But this state has not been looked upon with horrour, but only as less gracious.

[Page 241: The funeral sermon on Mrs. Johnson. tat 43.]

He deposited the remains of Mrs. Johnson in the church of Bromley, in Kent[708], to which he was probably led by the residence of his friend Hawkesworth at that place. The funeral sermon which he composed for her, which was never preached, but having been given to Dr. Taylor, has been published since his death[709], is a performance of uncommon excellence, and full of rational and pious comfort to such as are depressed by that severe affliction which Johnson felt when he wrote it. When it is considered that it was written in such an agitation of mind, and in the short interval between her death and burial, it cannot be read without wonder[710].

From Mr. Francis Barber I have had the following authentick and artless account of the situation in which he found him recently after his wife's death:

[Page 242: Johnson's friends in 1752.]

He was in great affliction. Mrs. Williams was then living in his house, which was in Gough-square. He was busy with the Dictionary. Mr. Shiels, and some others of the gentlemen who had formerly written for him, used to come about him. He had then little for himself, but frequently sent money to Mr. Shiels when in distress[711]. The friends who visited him at that time, were chiefly Dr. Bathurst[712], and Mr. Diamond, an apothecary in Cork-street, Burlington-gardens, with whom he and Mrs. Williams generally dined every Sunday. There was a talk of his going to Iceland with him, which would probably have happened had he lived. There were also Mr. Cave, Dr. Hawkesworth, Mr. Ryland[713], merchant on Tower Hill, Mrs. Masters, the poetess[714], who lived with Mr. Cave, Mrs. Carter, and sometimes Mrs. Macaulay[715], also Mrs. Gardiner, wife of a tallow-chandler on Snow-hill, not in the learned way, but a worthy good woman[716]; Mr. (now Sir Joshua) Reynolds[717]; Mr. Millar, Mr. Dodsley, Mr. Bouquet, Mr. Payne of Paternoster-row, booksellers; Mr. Strahan, the printer; the Earl of Orrery[718], Lord Southwell[719], Mr. Garrick.

[Page 243: Robert Levet. tat 43.]

Many are, no doubt, omitted in this catalogue of his friends, and, in particular, his humble friend Mr. Robert Levet, an obscure practiser in physick amongst the lower people, his fees being sometimes very small sums, sometimes whatever provisions his patients could afford him; but of such extensive practice in that way, that Mrs. Williams has told me, his walk was from Hounsditch to Marybone. It appears from Johnson's diary that their acquaintance commenced about the year 1746; and such was Johnson's predilection for him, and fanciful estimation of his moderate abilities, that I have heard him say he should not be satisfied, though attended by all the College of Physicians, unless he had Mr. Levet with him. Ever since I was acquainted with Dr. Johnson, and many years before, as I have been assured by those who knew him earlier, Mr. Levet had an apartment in his house, or his chambers, and waited upon him every morning, through the whole course of his late and tedious breakfast. He was of a strange grotesque appearance, stiff and formal in his manner, and seldom said a word while any company was present[720].

[Page 244: Sir Joshua Reynolds. A.D. 1752.]

[Page 245: One of 'Dr. Johnson's school.' tat 43.]

The circle of his friends, indeed, at this time was extensive and various, far beyond what has been generally imagined. To trace his acquaintance with each particular person, if it could be done, would be a task, of which the labour would not be repaid by the advantage. But exceptions are to be made; one of which must be a friend so eminent as Sir Joshua Reynolds, who was truly his dulce decus[721], and with whom he maintained an uninterrupted intimacy to the last hour of his life. When Johnson lived in Castle-street, Cavendish-square, he used frequently to visit two ladies, who lived opposite to him, Miss Cotterells, daughters of Admiral Cotterell. Reynolds used also to visit there, and thus they met[722]. Mr. Reynolds, as I have observed above[723], had, from the first reading of his Life of Savage, conceived a very high admiration of Johnson's powers of writing. His conversation no less delighted him; and he cultivated his acquaintance with the laudable zeal of one who was ambitious of general improvement[724]. Sir Joshua, indeed, was lucky enough at their very first meeting to make a remark, which was so much above the common-place style of conversation, that Johnson at once perceived that Reynolds had the habit of thinking for himself. The ladies were regretting the death of a friend, to whom they owed great obligations; upon which Reynolds observed, 'You have, however, the comfort of being relieved from a burthen of gratitude[725].' They were shocked a little at this alleviating suggestion, as too selfish; but Johnson defended it in his clear and forcible manner, and was much pleased with the mind, the fair view of human nature, which it exhibited, like some of the reflections of Rochefaucault. The consequence was, that he went home with Reynolds, and supped with him.

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