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I Say No
by Wilkie Collins
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Nothing had been said at the fatal interview with Emily, which could have given him the slightest warning of what was to come. Her father's name—absolutely unknown to him when he fled from the inn—had only been communicated to the public by the newspaper reports of the adjourned inquest. At the time when those reports appeared, he was in hiding, under circumstances which prevented him from seeing a newspaper. While the murder was still a subject of conversation, he was in France—far out of the track of English travelers—and he remained on the continent until the summer of eighteen hundred and eighty-one. No exercise of discretion, on his part, could have extricated him from the terrible position in which he was now placed. He stood pledged to Emily to discover the man suspected of the murder of her father; and that man was—himself!

What refuge was left open to him?

If he took to flight, his sudden disappearance would be a suspicious circumstance in itself, and would therefore provoke inquiries which might lead to serious results. Supposing that he overlooked the risk thus presented, would he be capable of enduring a separation from Emily, which might be a separation for life? Even in the first horror of discovering his situation, her influence remained unshaken—the animating spirit of the one manly capacity for resistance which raised him above the reach of his own fears. The only prospect before him which he felt himself to be incapable of contemplating, was the prospect of leaving Emily.

Having arrived at this conclusion, his fears urged him to think of providing for his own safety.

The first precaution to adopt was to separate Emily from friends whose advice might be hostile to his interests—perhaps even subversive of his security. To effect this design, he had need of an ally whom he could trust. That ally was at his disposal, far away in the north.

At the time when Francine's jealousy began to interfere with all freedom of intercourse between Emily and himself at Monksmoor, he had contemplated making arrangements which might enable them to meet at the house of his invalid sister, Mrs. Delvin. He had spoken of her, and of the bodily affliction which confined her to her room, in terms which had already interested Emily. In the present emergency, he decided on returning to the subject, and on hastening the meeting between the two women which he had first suggested at Mr. Wyvil's country seat.

No time was to be lost in carrying out this intention. He wrote to Mrs. Delvin by that day's post; confiding to her, in the first place, the critical position in which he now found himself. This done, he proceeded as follows:

"To your sound judgment, dearest Agatha, it may appear that I am making myself needlessly uneasy about the future. Two persons only know that I am the man who escaped from the inn at Zeeland. You are one of them, and Miss Jethro is the other. On you I can absolutely rely; and, after my experience of her, I ought to feel sure of Miss Jethro. I admit this; but I cannot get over my distrust of Emily's friends. I fear the cunning old doctor; I doubt Mr. Wyvil; I hate Alban Morris.

"Do me a favor, my dear. Invite Emily to be your guest, and so separate her from these friends. The old servant who attends on her will be included in the invitation, of course. Mrs. Ellmother is, as I believe, devoted to the interests of Mr. Alban Morris: she will be well out of the way of doing mischief, while we have her safe in your northern solitude.

"There is no fear that Emily will refuse your invitation.

"In the first place, she is already interested in you. In the second place, I shall consider the small proprieties of social life; and, instead of traveling with her to your house, I shall follow by a later train. In the third place, I am now the chosen adviser in whom she trusts; and what I tell her to do, she will do. It pains me, really and truly pains me, to be compelled to deceive her—but the other alternative is to reveal myself as the wretch of whom she is in search. Was there ever such a situation? And, oh, Agatha, I am so fond of her! If I fail to persuade her to be my wife, I don't care what becomes of me. I used to think disgrace, and death on the scaffold, the most frightful prospect that a man can contemplate. In my present frame of mind, a life without Emily may just as well end in that way as in any other. When we are together in your old sea-beaten tower, do your best, my dear, to incline the heart of this sweet girl toward me. If she remains in London, how do I know that Mr. Morris may not recover the place he has lost in her good opinion? The bare idea of it turns me cold.

"There is one more point on which I must touch, before I can finish my letter.

"When you last wrote, you told me that Sir Jervis Redwood was not expected to live much longer, and that the establishment would be broken up after his death. Can you find out for me what will become, under the circumstances, of Mr. and Mrs. Rook? So far as I am concerned, I don't doubt that the alteration in my personal appearance, which has protected me for years past, may be trusted to preserve me from recognition by these two people. But it is of the utmost importance, remembering the project to which Emily has devoted herself, that she should not meet with Mrs. Rook. They have been already in correspondence; and Mrs. Rook has expressed an intention (if the opportunity offers itself) of calling at the cottage. Another reason, and a pressing reason, for removing Emily from London! We can easily keep the Rooks out of your house; but I own I should feel more at my ease, if I heard that they had left Northumberland."

With that confession, Mrs. Delvin's brother closed his letter.



CHAPTER LVI. ALBAN SEES HIS WAY.

During the first days of Mirabel's sojourn at his hotel in London, events were in progress at Netherwoods, affecting the interests of the man who was the especial object of his distrust. Not long after Miss Ladd had returned to her school, she heard of an artist who was capable of filling the place to be vacated by Alban Morris. It was then the twenty-third of the month. In four days more the new master would be ready to enter on his duties; and Alban would be at liberty.

On the twenty-fourth, Alban received a telegram which startled him. The person sending the message was Mrs. Ellmother; and the words were: "Meet me at your railway station to-day, at two o'clock."

He found the old woman in the waiting-room; and he met with a rough reception.

"Minutes are precious, Mr. Morris," she said; "you are two minutes late. The next train to London stops here in half an hour—and I must go back by it."

"Good heavens, what brings you here? Is Emily—?"

"Emily is well enough in health—if that's what you mean? As to why I come here, the reason is that it's a deal easier for me (worse luck!) to take this journey than to write a letter. One good turn deserves another. I don't forget how kind you were to me, away there at the school—and I can't, and won't, see what's going on at the cottage, behind your back, without letting you know of it. Oh, you needn't be alarmed about her! I've made an excuse to get away for a few hours—but I haven't left her by herself. Miss Wyvil has come to London again; and Mr. Mirabel spends the best part of his time with her. Excuse me for a moment, will you? I'm so thirsty after the journey, I can hardly speak."

She presented herself at the counter in the waiting-room. "I'll trouble you, young woman, for a glass of ale." She returned to Alban in a better humor. "It's not bad stuff, that! When I have said my say, I'll have a drop more—just to wash the taste of Mr. Mirabel out of my mouth. Wait a bit; I have something to ask you. How much longer are you obliged to stop here, teaching the girls to draw?"

"I leave Netherwoods in three days more," Alban replied.

"That's all right! You may be in time to bring Miss Emily to her senses, yet."

"What do you mean?"

"I mean—if you don't stop it—she will marry the parson."

"I can't believe it, Mrs. Ellmother! I won't believe it!"

"Ah, it's a comfort to him, poor fellow, to say that! Look here, Mr. Morris; this is how it stands. You're in disgrace with Miss Emily—and he profits by it. I was fool enough to take a liking to Mr. Mirabel when I first opened the door to him; I know better now. He got on the blind side of me; and now he has got on the blind side of her. Shall I tell you how? By doing what you would have done if you had had the chance. He's helping her—or pretending to help her, I don't know which—to find the man who murdered poor Mr. Brown. After four years! And when all the police in England (with a reward to encourage them) did their best, and it came to nothing!"

"Never mind that!" Alban said impatiently. "I want to know how Mr. Mirabel is helping her?"

"That's more than I can tell you. You don't suppose they take me into their confidence? All I can do is to pick up a word, here and there, when fine weather tempts them out into the garden. She tells him to suspect Mrs. Rook, and to make inquiries after Miss Jethro. And he has his plans; and he writes them down, which is dead against his doing anything useful, in my opinion. I don't hold with your scribblers. At the same time I wouldn't count too positively, in your place, on his being likely to fail. That little Mirabel—if it wasn't for his beard, I should believe he was a woman, and a sickly woman too; he fainted in our house the other day—that little Mirabel is in earnest. Rather than leave Miss Emily from Saturday to Monday, he has got a parson out of employment to do his Sunday work for him. And, what's more, he has persuaded her (for some reasons of his own) to leave London next week."

"Is she going back to Monksmoor?"

"Not she! Mr. Mirabel has got a sister, a widow lady; she's a cripple, or something of the sort. Her name is Mrs. Delvin. She lives far away in the north country, by the sea; and Miss Emily is going to stay with her."

"Are you sure of that?"

"Sure? I've seen the letter."

"Do you mean the letter of invitation?"

"Yes—I do. Miss Emily herself showed it to me. I'm to go with her—'in attendance on my mistress,' as the lady puts it. This I will say for Mrs. Delvin: her handwriting is a credit to the school that taught her; and the poor bedridden creature words her invitation so nicely, that I myself couldn't have resisted it—and I'm a hard one, as you know. You don't seem to heed me, Mr. Morris."

"I beg your pardon, I was thinking."

"Thinking of what—if I may make so bold?"

"Of going back to London with you, instead of waiting till the new master comes to take my place."

"Don't do that, sir! You would do harm instead of good, if you showed yourself at the cottage now. Besides, it would not be fair to Miss Ladd, to leave her before the other man takes your girls off your hands. Trust me to look after your interests; and don't go near Miss Emily—don't even write to her—unless you have got something to say about the murder, which she will be eager to hear. Make some discovery in that direction, Mr. Morris, while the parson is only trying to do it or pretending to do it—and I'll answer for the result. Look at the clock! In ten minutes more the train will be here. My memory isn't as good as it was; but I do think I have told you all I had to tell."

"You are the best of good friends!" Alban said warmly.

"Never mind about that, sir. If you want to do a friendly thing in return, tell me if you know what has become of Miss de Sor."

"She has returned to Netherwoods."

"Aha! Miss Ladd is as good as her word. Would you mind writing to tell me of it, if Miss de Sor leaves the school again? Good Lord! there she is on the platform with bag and baggage. Don't let her see me, Mr. Morris! If she comes in here, I shall set the marks of my ten finger-nails on that false face of hers, as sure as I am a Christian woman."

Alban placed himself at the door, so as to hide Mrs. Ellmother. There indeed was Francine, accompanied by one of the teachers at the school. She took a seat on the bench outside the booking-office, in a state of sullen indifference—absorbed in herself—noticing nothing. Urged by ungovernable curiosity, Mrs. Ellmother stole on tiptoe to Alban's side to look at her. To a person acquainted with the circumstances there could be no possible doubt of what had happened. Francine had failed to excuse herself, and had been dismissed from Miss Ladd's house.

"I would have traveled to the world's end," Mrs. Ellmother said, "to see that!"

She returned to her place in the waiting-room, perfectly satisfied.

The teacher noticed Alban, on leaving the booking-office after taking the tickets. "I shall be glad," she said, looking toward Francine, "when I have resigned the charge of that young lady to the person who is to receive her in London."

"Is she to be sent back to her parents?" Alban asked.

"We don't know yet. Miss Ladd will write to St. Domingo by the next mail. In the meantime, her father's agent in London—the same person who pays her allowance—takes care of her until he hears from the West Indies."

"Does she consent to this?"

"She doesn't seem to care what becomes of her. Miss Ladd has given her every opportunity of explaining and excusing herself, and has produced no impression. You can see the state she is in. Our good mistress—always hopeful even in the worst cases, as you know—thinks she is feeling ashamed of herself, and is too proud and self-willed to own it. My own idea is, that some secret disappointment is weighing on her mind. Perhaps I am wrong."

No. Miss Ladd was wrong; and the teacher was right.

The passion of revenge, being essentially selfish in its nature, is of all passions the narrowest in its range of view. In gratifying her jealous hatred of Emily, Francine had correctly foreseen consequences, as they might affect the other object of her enmity—Alban Morris. But she had failed to perceive the imminent danger of another result, which in a calmer frame of mind might not have escaped discovery. In triumphing over Emily and Alban, she had been the indirect means of inflicting on herself the bitterest of all disappointments—she had brought Emily and Mirabel together. The first forewarning of this catastrophe had reached her, on hearing that Mirabel would not return to Monksmoor. Her worst fears had been thereafter confirmed by a letter from Cecilia, which had followed her to Netherwoods. From that moment, she, who had made others wretched, paid the penalty in suffering as keen as any that she had inflicted. Completely prostrated; powerless, through ignorance of his address in London, to make a last appeal to Mirabel; she was literally, as had just been said, careless what became of her. When the train approached, she sprang to her feet—advanced to the edge of the platform—and suddenly drew back, shuddering. The teacher looked in terror at Alban. Had the desperate girl meditated throwing herself under the wheels of the engine? The thought had been in both their minds; but neither of them acknowledged it. Francine stepped quietly into the carriage, when the train drew up, and laid her head back in a corner, and closed her eyes. Mrs. Ellmother took her place in another compartment, and beckoned to Alban to speak to her at the window.

"Where can I see you, when you go to London?" she asked.

"At Doctor Allday's house."

"On what day?"

"On Tuesday next."



CHAPTER LVII. APPROACHING THE END.

Alban reached London early enough in the afternoon to find the doctor at his luncheon. "Too late to see Mrs. Ellmother," he announced. "Sit down and have something to eat."

"Has she left any message for me?"

"A message, my good friend, that you won't like to hear. She is off with her mistress, this morning, on a visit to Mr. Mirabel's sister."

"Does he go with them?"

"No; he follows by a later train."

"Has Mrs. Ellmother mentioned the address?"

"There it is, in her own handwriting."

Alban read the address:—"Mrs. Delvin, The Clink, Belford, Northumberland."

"Turn to the back of that bit of paper," the doctor said. "Mrs. Ellmother has written something on it."

She had written these words: "No discoveries made by Mr. Mirabel, up to this time. Sir Jervis Redwood is dead. The Rooks are believed to be in Scotland; and Miss Emily, if need be, is to help the parson to find them. No news of Miss Jethro."

"Now you have got your information," Doctor Allday resumed, "let me have a look at you. You're not in a rage: that's a good sign to begin with."

"I am not the less determined," Alban answered.

"To bring Emily to her senses?" the doctor asked.

"To do what Mirabel has not done—and then to let her choose between us."

"Ay? ay? Your good opinion of her hasn't altered, though she has treated you so badly?"

"My good opinion makes allowance for the state of my poor darling's mind, after the shock that has fallen on her," Alban answered quietly. "She is not my Emily now. She will be my Emily yet. I told her I was convinced of it, in the old days at school—and my conviction is as strong as ever. Have you seen her, since I have been away at Netherwoods?"

"Yes; and she is as angry with me as she is with you."

"For the same reason?"

"No, no. I heard enough to warn me to hold my tongue. I refused to help her—that's all. You are a man, and you may run risks which no young girl ought to encounter. Do you remember when I asked you to drop all further inquiries into the murder, for Emily's sake? The circumstances have altered since that time. Can I be of any use?"

"Of the greatest use, if you can give me Miss Jethro's address."

"Oh! You mean to begin in that way, do you?"

"Yes. You know that Miss Jethro visited me at Netherwoods?"

"Go on."

"She showed me your answer to a letter which she had written to you. Have you got that letter?"

Doctor Allday produced it. The address was at a post-office, in a town on the south coast. Looking up when he had copied it, Alban saw the doctor's eyes fixed on him with an oddly-mingled expression: partly of sympathy, partly of hesitation.

"Have you anything to suggest?" he asked.

"You will get nothing out of Miss Jethro," the doctor answered, "unless—" there he stopped.

"Unless, what?"

"Unless you can frighten her."

"How am I to do that?"

After a little reflection, Doctor Allday returned, without any apparent reason, to the subject of his last visit to Emily.

"There was one thing she said, in the course of our talk," he continued, "which struck me as being sensible: possibly (for we are all more or less conceited), because I agreed with her myself. She suspects Miss Jethro of knowing more about that damnable murder than Miss Jethro is willing to acknowledge. If you want to produce the right effect on her—" he looked hard at Alban and checked himself once more.

"Well? what am I to do?"

"Tell her you have an idea of who the murderer is."

"But I have no idea."

"But I have."

"Good God! what do you mean?"

"Don't mistake me! An impression has been produced on my mind—that's all. Call it a freak or fancy; worth trying perhaps as a bold experiment, and worth nothing more. Come a little nearer. My housekeeper is an excellent woman, but I have once or twice caught her rather too near to that door. I think I'll whisper it."

He did whisper it. In breathless wonder, Alban heard of the doubt which had crossed Doctor Allday's mind, on the evening when Mirabel had called at his house.

"You look as if you didn't believe it," the doctor remarked.

"I'm thinking of Emily. For her sake I hope and trust you are wrong. Ought I to go to her at once? I don't know what to do!"

"Find out first, my good fellow, whether I am right or wrong. You can do it, if you will run the risk with Miss Jethro."

Alban recovered himself. His old friend's advice was clearly the right advice to follow. He examined his railway guide, and then looked at his watch. "If I can find Miss Jethro," he answered, "I'll risk it before the day is out."

The doctor accompanied him to the door. "You will write to me, won't you?"

"Without fail. Thank you—and good-by."

BOOK THE SEVENTH—THE CLINK.



CHAPTER LVIII. A COUNCIL OF TWO.

Early in the last century one of the picturesque race of robbers and murderers, practicing the vices of humanity on the borderlands watered by the river Tweed, built a tower of stone on the coast of Northumberland. He lived joyously in the perpetration of atrocities; and he died penitent, under the direction of his priest. Since that event, he has figured in poems and pictures; and has been greatly admired by modern ladies and gentlemen, whom he would have outraged and robbed if he had been lucky enough to meet with them in the good old times.

His son succeeded him, and failed to profit by the paternal example: that is to say, he made the fatal mistake of fighting for other people instead of fighting for himself.

In the rebellion of Forty-Five, this northern squire sided to serious purpose with Prince Charles and the Highlanders. He lost his head; and his children lost their inheritance. In the lapse of years, the confiscated property fell into the hands of strangers; the last of whom (having a taste for the turf) discovered, in course of time, that he was in want of money. A retired merchant, named Delvin (originally of French extraction), took a liking to the wild situation, and purchased the tower. His wife—already in failing health—had been ordered by the doctors to live a quiet life by the sea. Her husband's death left her a rich and lonely widow; by day and night alike, a prisoner in her room; wasted by disease, and having but two interests which reconciled her to life—writing poetry in the intervals of pain, and paying the debts of a reverend brother who succeeded in the pulpit, and prospered nowhere else.

In the later days of its life, the tower had been greatly improved as a place of residence. The contrast was remarkable between the dreary gray outer walls, and the luxuriously furnished rooms inside, rising by two at a time to the lofty eighth story of the building. Among the scattered populace of the country round, the tower was still known by the odd name given to it in the bygone time—"The Clink." It had been so called (as was supposed) in allusion to the noise made by loose stones, washed backward and forward at certain times of the tide, in hollows of the rock on which the building stood.

On the evening of her arrival at Mrs. Delvin's retreat, Emily retired at an early hour, fatigued by her long journey. Mirabel had an opportunity of speaking with his sister privately in her own room.

"Send me away, Agatha, if I disturb you," he said, "and let me know when I can see you in the morning."

"My dear Miles, have you forgotten that I am never able to sleep in calm weather? My lullaby, for years past, has been the moaning of the great North Sea, under my window. Listen! There is not a sound outside on this peaceful night. It is the right time of the tide, just now—and yet, 'the clink' is not to be heard. Is the moon up?"

Mirabel opened the curtains. "The whole sky is one great abyss of black," he answered. "If I was superstitious, I should think that horrid darkness a bad omen for the future. Are you suffering, Agatha?"

"Not just now. I suppose I look sadly changed for the worse since you saw me last?"

But for the feverish brightness of her eyes, she would have looked like a corpse. Her wrinkled forehead, her hollow cheeks, her white lips told their terrible tale of the suffering of years. The ghastly appearance of her face was heightened by the furnishing of the room. This doomed woman, dying slowly day by day, delighted in bright colors and sumptuous materials. The paper on the walls, the curtains, the carpet presented the hues of the rainbow. She lay on a couch covered with purple silk, under draperies of green velvet to keep her warm. Rich lace hid h er scanty hair, turning prematurely gray; brilliant rings glittered on her bony fingers. The room was in a blaze of light from lamps and candles. Even the wine at her side that kept her alive had been decanted into a bottle of lustrous Venetian glass. "My grave is open," she used to say; "and I want all these beautiful things to keep me from looking at it. I should die at once, if I was left in the dark."

Her brother sat by the couch, thinking "Shall I tell you what is in your mind?" she asked.

Mirabel humored the caprice of the moment. "Tell me!" he said.

"You want to know what I think of Emily," she answered. "Your letter told me you were in love; but I didn't believe your letter. I have always doubted whether you were capable of feeling true love—until I saw Emily. The moment she entered the room, I knew that I had never properly appreciated my brother. You are in love with her, Miles; and you are a better man than I thought you. Does that express my opinion?"

Mirabel took her wasted hand, and kissed it gratefully.

"What a position I am in!" he said. "To love her as I love her; and, if she knew the truth, to be the object of her horror—to be the man whom she would hunt to the scaffold, as an act of duty to the memory of her father!"

"You have left out the worst part of it," Mrs. Delvin reminded him. "You have bound yourself to help her to find the man. Your one hope of persuading her to become your wife rests on your success in finding him. And you are the man. There is your situation! You can't submit to it. How can you escape from it?"

"You are trying to frighten me, Agatha."

"I am trying to encourage you to face your position boldly."

"I am doing my best," Mirabel said, with sullen resignation. "Fortune has favored me so far. I have, really and truly, been unable to satisfy Emily by discovering Miss Jethro. She has left the place at which I saw her last—there is no trace to be found of her—and Emily knows it."

"Don't forget," Mrs. Delvin replied, "that there is a trace to be found of Mrs. Rook, and that Emily expects you to follow it."

Mirabel shuddered. "I am surrounded by dangers, whichever way I look," he said. "Do what I may, it turns out to be wrong. I was wrong, perhaps, when I brought Emily here."

"No!"

"I could easily make an excuse," Mirabel persisted "and take her back to London."

"And for all you know to the contrary," his wiser sister replied, "Mrs. Rook may go to London; and you may take Emily back in time to receive her at the cottage. In every way you are safer in my old tower. And—don't forget—you have got my money to help you, if you want it. In my belief, Miles, you will want it."

"You are the dearest and best of sisters! What do you recommend me to do?"

"What you would have been obliged to do," Mrs. Delvin answered, "if you had remained in London. You must go to Redwood Hall tomorrow, as Emily has arranged it. If Mrs. Rook is not there, you must ask for her address in Scotland. If nobody knows the address, you must still bestir yourself in trying to find it. And, when you do fall in with Mrs. Rook—"

"Well?"

"Take care, wherever it may be, that you see her privately."

Mirabel was alarmed. "Don't keep me in suspense," he burst out. "Tell me what you propose."

"Never mind what I propose, to-night. Before I can tell you what I have in my mind, I must know whether Mrs. Rook is in England or Scotland. Bring me that information to-morrow, and I shall have something to say to you. Hark! The wind is rising, the rain is falling. There is a chance of sleep for me—I shall soon hear the sea. Good-night."

"Good-night, dearest—and thank you again, and again!"



CHAPTER LIX. THE ACCIDENT AT BELFORD.

Early in the morning Mirabel set forth for Redwood Hall, in one of the vehicles which Mrs. Delvin still kept at "The Clink" for the convenience of visitors. He returned soon after noon; having obtained information of the whereabout of Mrs. Rook and her husband. When they had last been heard of, they were at Lasswade, near Edinburgh. Whether they had, or had not, obtained the situation of which they were in search, neither Miss Redwood nor any one else at the Hall could tell.

In half an hour more, another horse was harnessed, and Mirabel was on his way to the railway station at Belford, to follow Mrs. Rook at Emily's urgent request. Before his departure, he had an interview with his sister.

Mrs. Delvin was rich enough to believe implicitly in the power of money. Her method of extricating her brother from the serious difficulties that beset him, was to make it worth the while of Mr. and Mrs. Rook to leave England. Their passage to America would be secretly paid; and they would take with them a letter of credit addressed to a banker in New York. If Mirabel failed to discover them, after they had sailed, Emily could not blame his want of devotion to her interests. He understood this; but he remained desponding and irresolute, even with the money in his hands. The one person who could rouse his courage and animate his hope, was also the one person who must know nothing of what had passed between his sister and himself. He had no choice but to leave Emily, without being cheered by her bright looks, invigorated by her inspiriting words. Mirabel went away on his doubtful errand with a heavy heart.

"The Clink" was so far from the nearest post town, that the few letters, usually addressed to the tower, were delivered by private arrangement with a messenger. The man's punctuality depended on the convenience of his superiors employed at the office. Sometimes he arrived early, and sometimes he arrived late. On this particular morning he presented himself, at half past one o'clock, with a letter for Emily; and when Mrs. Ellmother smartly reproved him for the delay, he coolly attributed it to the hospitality of friends whom he had met on the road.

The letter, directed to Emily at the cottage, had been forwarded from London by the person left in charge. It addressed her as "Honored Miss." She turned at once to the end—and discovered the signature of Mrs. Rook!

"And Mr. Mirabel has gone," Emily exclaimed, "just when his presence is of the greatest importance to us!"

Shrewd Mrs. Ellmother suggested that it might be as well to read the letter first—and then to form an opinion.

Emily read it.

"Lasswade, near Edinburgh, Sept. 26th.

"HONORED MISS—I take up my pen to bespeak your kind sympathy for my husband and myself; two old people thrown on the world again by the death of our excellent master. We are under a month's notice to leave Redwood Hall.

"Hearing of a situation at this place (also that our expenses would be paid if we applied personally), we got leave of absence, and made our application. The lady and her son are either the stingiest people that ever lived—or they have taken a dislike to me and my husband, and they make money a means of getting rid of us easily. Suffice it to say that we have refused to accept starvation wages, and that we are still out of place. It is just possible that you may have heard of something to suit us. So I write at once, knowing that good chances are often lost through needless delay.

"We stop at Belford on our way back, to see some friends of my husband, and we hope to get to Redwood Hall in good time on the 28th. Would you please address me to care of Miss Redwood, in case you know of any good situation for which we could apply. Perhaps we may be driven to try our luck in London. In this case, will you permit me to have the honor of presenting my respects, as I ventured to propose when I wrote to you a little time since.

"I beg to remain, Honored Miss,

"Your humble servant,

"R. ROOK."

Emily handed the letter to Mrs. Ellmother. "Read it," she said, "and tell me what you think."

"I think you had better be careful."

"Careful of Mrs. Rook?"

"Yes—and careful of Mrs. Delvin too."

Emily was astonished. "Are you really speaking seriously?" she said. "Mrs. Delvin is a most interesting person; so patient under her sufferings; so kind, so clever; so interested in all that interests me. I shall take the letter to her at once, and ask her advice."

"Have your own way, miss. I can't tell you why—but I don't like her!"

Mrs. Delvin's devotion to the interests of her guest took even Emily by surprise. After reading Mrs. Rook's letter, she rang the bell on her table in a frenzy of impatience. "My brother must be instantly recalled," she said. "Telegraph to him in your own name, telling him what has happened. He will find the message waiting for him, at the end of his journey."

The groom, summoned by the bell, was ordered to saddle the third and last horse left in the stables; to take the telegram to Belford, and to wait there until the answer arrived.

"How far is it to Redwood Hall?" Emily asked, when the man had received his orders.

"Ten miles," Mrs. Delvin answered.

"How can I get there to-day?"

"My dear, you can't get there."

"Pardon me, Mrs. Delvin, I must get there."

"Pardon me. My brother represents you in this matter. Leave it to my brother."

The tone taken by Mirabel's sister was positive, to say the least of it. Emily thought of what her faithful old servant had said, and began to doubt her own discretion in so readily showing the letter. The mistake—if a mistake it was—had however been committed; and, wrong or right, she was not disposed to occupy the subordinate position which Mrs. Delvin had assigned to her.

"If you will look at Mrs. Rook's letter again," Emily replied, "you will see that I ought to answer it. She supposes I am in London."

"Do you propose to tell Mrs. Rook that you are in this house?" Mrs. Delvin asked.

"Certainly."

"You had better consult my brother, before you take any responsibility on yourself."

Emily kept her temper. "Allow me to remind you," she said, "that Mr. Mirabel is not acquainted with Mrs. Rook—and that I am. If I speak to her personally, I can do much to assist the object of our inquiries, before he returns. She is not an easy woman to deal with—"

"And therefore," Mrs. Delvin interposed, "the sort of person who requires careful handling by a man like my brother—a man of the world."

"The sort of person, as I venture to think," Emily persisted, "whom I ought to see with as little loss of time as possible."

Mrs. Delvin waited a while before she replied. In her condition of health, anxiety was not easy to bear. Mrs. Rook's letter and Emily's obstinacy had seriously irritated her. But, like all persons of ability, she was capable, when there was serious occasion for it, of exerting self-control. She really liked and admired Emily; and, as the elder woman and the hostess, she set an example of forbearance and good humor.

"It is out of my power to send you to Redwood Hall at once," she resumed. "The only one of my three horses now at your disposal is the horse which took my brother to the Hall this morning. A distance, there and back, of twenty miles. You are not in too great a hurry, I am sure, to allow the horse time to rest?"

Emily made her excuses with perfect grace and sincerity. "I had no idea the distance was so great," she confessed. "I will wait, dear Mrs. Delvin, as long as you like."

They parted as good friends as ever—with a certain reserve, nevertheless, on either side. Emily's eager nature was depressed and irritated by the prospect of delay. Mrs. Delvin, on the other hand (devoted to her brother's interests), thought hopefully of obstacles which might present themselves with the lapse of time. The horse might prove to be incapable of further exertion for that day. Or the threatening aspect of the weather might end in a storm.

But the hours passed—and the sky cleared—and the horse was reported to be fit for work again. Fortune was against the lady of the tower; she had no choice but to submit.

Mrs. Delvin had just sent word to Emily that the carriage would be ready for her in ten minutes, when the coachman who had driven Mirabel to Belford returned. He brought news which agreeably surprised both the ladies. Mirabel had reached the station five minutes too late; the coachman had left him waiting the arrival of the next train to the North. He would now receive the telegraphic message at Belford, and might return immediately by taking the groom's horse. Mrs. Delvin left it to Emily to decide whether she would proceed by herself to Redwood Hall, or wait for Mirabel's return.

Under the changed circumstances, Emily would have acted ungraciously if she had persisted in holding to her first intention. She consented to wait.

The sea still remained calm. In the stillness of the moorland solitude on the western side of "The Clink," the rapid steps of a horse were heard at some little distance on the highroad.

Emily ran out, followed by careful Mrs. Ellmother, expecting to meet Mirabel.

She was disappointed: it was the groom who had returned. As he pulled up at the house, and dismounted, Emily noticed that the man looked excited.

"Is there anything wrong?" she asked.

"There has been an accident, miss."

"Not to Mr. Mirabel!''

"No, no, miss. An accident to a poor foolish woman, traveling from Lasswade."

Emily looked at Mrs. Ellmother. "It can't be Mrs. Rook!" she said.

"That's the name, miss! She got out before the train had quite stopped, and fell on the platform."

"Was she hurt?"

"Seriously hurt, as I heard. They carried her into a house hard by—and sent for the doctor."

"Was Mr. Mirabel one of the people who helped her?"

"He was on the other side of the platform, miss; waiting for the train from London. I got to the station and gave him the telegram, just as the accident took place. We crossed over to hear more about it. Mr. Mirabel was telling me that he would return to 'The Clink' on my horse—when he heard the woman's name mentioned. Upon that, he changed his mind and went to the house."

"Was he let in?"

"The doctor wouldn't hear of it. He was making his examination; and he said nobody was to be in the room but her husband and the woman of the house."

"Is Mr. Mirabel waiting to see her?"

"Yes, miss. He said he would wait all day, if necessary; and he gave me this bit of a note to take to the mistress."

Emily turned to Mrs. Ellmother. "It's impossible to stay here, not knowing whether Mrs. Rook is going to live or die," she said. "I shall go to Belford—and you will go with me."

The groom interfered. "I beg your pardon, miss. It was Mr. Mirabel's most particular wish that you were not, on any account, to go to Belford."

"Why not?"

"He didn't say."

Emily eyed the note in the man's hand with well-grounded distrust. In all probability, Mirabel's object in writing was to instruct his sister to prevent her guest from going to Belford. The carriage was waiting at the door. With her usual promptness of resolution, Emily decided on taking it for granted that she was free to use as she pleased a carriage which had been already placed at her disposal.

"Tell your mistress," she said to the groom, "that I am going to Belford instead of to Redwood Hall."

In a minute more, she and Mrs. Ellmother were on their way to join Mirabel at the station.



CHAPTER LX. OUTSIDE THE ROOM.

Emily found Mirabel in the waiting room at Belford. Her sudden appearance might well have amazed him; but his face expressed a more serious emotion than surprise—he looked at her as if she had alarmed him.

"Didn't you get my message?" he asked. "I told the groom I wished you to wait for my return. I sent a note to my sister, in case he made any mistake."

"The man made no mistake," Emily answered. "I was in too great a hurry to be able to speak with Mrs. Delvin. Did you really suppose I could endure the suspense of waiting till you came back? Do you think I can be of no use—I who know Mrs. Rook?"

"They won't let you see her."

"Why not? You seem to be waiting to see her."

"I am waiting for the return of the rector of Belford. He is at Berwick; and he has been sent for at Mrs. Rook's urgent request."

"Is she dying?"

"She is in fear of death—whether rightly or wrongly, I don't know. There is some internal injury from the fall. I hope to see her when the rector returns. As a brother clergyman, I may with perfect propriety ask him to use his influence in my favor."

"I am glad to find you so eager about it."

"I am always eager in your interests."

"Don't think me ungrateful," Emily replied gently. "I am no stranger to Mrs. Rook; and, if I send in my name, I may be able to see her before the clergyman returns."

She stopped. Mirabel suddenly moved so as to place himself between her and the door. "I must really beg of you to give up that idea," he said; "you don't know what horrid sight you may see—what dreadful agonies of pain this unhappy woman may be suffering."

His manner suggested to Emily that he might be acting under some motive which he was unwilling to acknowledge. "If you have a reason for wishing that I should keep away from Mrs. Rook," she said, "let me hear what it is. Surely we trust each other? I have done my best to set the example, at any rate."

Mirabel seemed to be at a loss for a reply.

While he was hesitating, the station-master passed the door. Emily asked him to direct her to the house in which Mrs. Rook had been received. He led the way to the end of the platform, and pointed to the house. Emily and Mrs. Ellmother immediately left the station. Mirabel accompanied them, still remonstrating, still raising obstacles.

The house door was opened by an old man. He looked reproachfully at Mirabel. "You have been told already," he said, "that no strangers are to see my wife?"

Encouraged by discovering that the man was Mr. Rook, Emily mentioned her name. "Perhaps you may have heard Mrs. Rook speak of me," she added.

"I've heard her speak of you oftentimes."

"What does the doctor say?"

"He thinks she may get over it. She doesn't believe him."

"Will you say that I am anxious to see her, if she feels well enough to receive me?"

Mr. Rook looked at Mrs. Ellmother. "Are there two of you wanting to go upstairs?" he inquired.

"This is my old friend and servant," Emily answered. "She will wait for me down here."

"She can wait in the parlor; the good people of this house are well known to me." He pointed to the parlor door—and then led the way to the first floor. Emily followed him. Mirabel, as obstinate as ever, followed Emily.

Mr. Rook opened a door at the end of the landing; and, turning round to speak to Emily, noticed Mirabel standing behind her. Without making any remarks, the old man pointed significantly down the stairs. His resolution was evidently immovable. Mirabel appealed to Emily to help him.

"She will see me, if you ask her," he said, "Let me wait here?"

The sound of his voice was instantly followed by a cry from the bed-chamber—a cry of terror.

Mr. Rook hurried into the room, and closed the door. In less than a minute, he opened it again, with doubt and horror plainly visible in his face. He stepped up to Mirabel—eyed him with the closest scrutiny—and drew back again with a look of relief.

"She's wrong," he said; "you are not the man."

This strange proceeding startled Emily.

"What man do you mean?" she asked.

Mr. Rook took no notice of the question. Still looking at Mirabel, he pointed down the stairs once more. With vacant eyes—moving mechanically, like a sleep-walker in his dream—Mirabel silently obeyed. Mr. Rook turned to Emily.

"Are you easily frightened?" he said

"I don't understand you," Emily replied. "Who is going to frighten me? Why did you speak to Mr. Mirabel in that strange way?"

Mr. Rook looked toward the bedroom door. "Maybe you'll hear why, inside there. If I could have my way, you shouldn't see her—but she's not to be reasoned with. A caution, miss. Don't be too ready to believe what my wife may say to you. She's had a fright." He opened the door. "In my belief," he whispered, "she's off her head."

Emily crossed the threshold. Mr. Rook softly closed the door behind her.



CHAPTER LXI. INSIDE THE ROOM.

A decent elderly woman was seated at the bedside. She rose, and spoke to Emily with a mingling of sorrow and confusion strikingly expressed on her face. "It isn't my fault," she said, "that Mrs. Rook receives you in this manner; I am obliged to humor her."

She drew aside, and showed Mrs. Rook with her head supported by many pillows, and her face strangely hidden from view under a veil. Emily started back in horror. "Is her face injured?" she asked.

Mrs. Rook answered the question herself. Her voice was low and weak; but she still spoke with the same nervous hurry of articulation which had been remarked by Alban Morris, on the day when she asked him to direct her to Netherwoods.

"Not exactly injured," she explained; "but one's appearance is a matter of some anxiety even on one's death-bed. I am disfigured by a thoughtless use of water, to bring me to when I had my fall—and I can't get at my toilet-things to put myself right again. I don't wish to shock you. Please excuse the veil."

Emily remembered the rouge on her cheeks, and the dye on her hair, when they had first seen each other at the school. Vanity—of all human frailties the longest-lived—still held its firmly-rooted place in this woman's nature; superior to torment of conscience, unassailable by terror of death!

The good woman of the house waited a moment before she left the room. "What shall I say," she asked, "if the clergyman comes?"

Mrs. Rook lifted her hand solemnly "Say," she answered, "that a dying sinner is making atonement for sin. Say this young lady is present, by the decree of an all-wise Providence. No mortal creature must disturb us." Her hand dropped back heavily on the bed. "Are we alone?" she asked.

"We are alone," Emily answered. "What made you scream just before I came in?"

"No! I can't allow you to remind me of that," Mrs. Rook protested. "I must compose myself. Be quiet. Let me think."

Recovering her composure, she also recovered that sense of enjoyment in talking of herself, which was one of the marked peculiarities in her character.

"You will excuse me if I exhibit religion," she resumed. "My dear parents were exemplary people; I was most carefully brought up. Are you pious? Let us hope so."

Emily was once more reminded of the past.

The bygone time returned to her memory—the time when she had accepted Sir Jervis Redwood's offer of employment, and when Mrs. Rook had arrived at the school to be her traveling companion to the North. The wretched creature had entirely forgotten her own loose talk, after she had drunk Miss Ladd's good wine to the last drop in the bottle. As she was boasting now of her piety, so she had boasted then of her lost faith and hope, and had mockingly declared her free-thinking opinions to be the result of her ill-assorted marriage. Forgotten—all forgotten, in this later time of pain and fear. Prostrate under the dread of death, her innermost nature—stripped of the concealments of her later life—was revealed to view. The early religious training, at which she had scoffed in the insolence of health and strength, revealed its latent influence—intermitted, but a living influence always from first to last. Mrs. Rook was tenderly mindful of her exemplary parents, and proud of exhibiting religion, on the bed from which she was never to rise again.

"Did I tell you that I am a miserable sinner?" she asked, after an interval of silence.

Emily could endure it no longer. "Say that to the clergyman," she answered—"not to me."

"Oh, but I must say it," Mrs. Rook insisted. "I am a miserable sinner. Let me give you an instance of it," she continued, with a shameless relish of the memory of her own frailties. "I have been a drinker, in my time. Anything was welcome, when the fit was on me, as long as it got into my head. Like other persons in liquor, I sometimes talked of things that had better have been kept secret. We bore that in mind—my old man and I—-when we were engaged by Sir Jervis. Miss Redwood wanted to put us in the next bedroom to hers—a risk not to be run. I might have talked of the murder at the inn; and she might have heard me. Please to remark a curious thing. Whatever else I might let out, when I was in my cups, not a word about the pocketbook ever dropped from me. You will ask how I know it. My dear, I should have heard of it from my husband, if I had let that out—and he is as much in the dark as you are. Wonderful are the workings of the human mind, as the poet says; and drink drowns care, as the proverb says. But can drink deliver a person from fear by day, and fear by night? I believe, if I had dropped a word about the pocketbook, it would have sobered me in an instant. Have you any remark to make on this curious circumstance?"

Thus far, Emily had allowed the woman to ramble on, in the hope of getting information which direct inquiry might fail to produce. It was impossible, however, to pass over the allusion to the pocketbook. After giving her time to recover from the exhaustion which her heavy breathing sufficiently revealed, Emily put the question:

"Who did the pocketbook belong to?"

"Wait a little," said Mrs. Rook. "Everything in its right place, is my motto. I mustn't begin with the pocketbook. Why did I begin with it? Do you think this veil on my face confuses me? Suppose I take it off. But you must promise first—solemnly promise you won't look at my face. How can I tell you about the murder (the murder is part of my confession, you know), with this lace tickling my skin? Go away—and stand there with your back to me. Thank you. Now I'll take it off. Ha! the air feels refreshing; I know what I am about. Good heavens, I have forgotten something! I have forgotten him. And after such a fright as he gave me! Did you see him on the landing?"

"Who are you talking of?" Emily asked.

Mrs. Rook's failing voice sank lower still.

"Come closer," she said, "this must be whispered. Who am I talking of?" she repeated. "I am talking of the man who slept in the other bed at the inn; the man who did the deed with his own razor. He was gone when I looked into the outhouse in the gray of the morning. Oh, I have done my duty! I have told Mr. Rook to keep an eye on him downstairs. You haven't an idea how obstinate and stupid my husband is. He says I couldn't know the man, because I didn't see him. Ha! there's such a thing as hearing, when you don't see. I heard—and I knew it again."

Emily turned cold from head to foot.

"What did you know again?" she said.

"His voice," Mrs. Rook answered. "I'll swear to his voice before all the judges in England."

Emily rushed to the bed. She looked at the woman who had said those dreadful words, speechless with horror.

"You're breaking your promise!" cried Mrs. Rook. "You false girl, you're breaking your promise!"

She snatched at the veil, and put it on again. The sight of her face, momentary as it had been, reassured Emily. Her wild eyes, made wilder still by the blurred stains of rouge below them, half washed away—her disheveled hair, with streaks of gray showing through the dye—presented a spectacle which would have been grotesque under other circumstances, but which now reminded Emily of Mr. Rook's last words; warning her not to believe what his wife said, and even declaring his conviction that her intellect was deranged. Emily drew back from the bed, conscious of an overpowering sense of self-reproach. Although it was only for a moment, she had allowed her faith in Mirabel to be shaken by a woman who was out of her mind.

"Try to forgive me," she said. "I didn't willfully break my promise; you frightened me."

Mrs. Rook began to cry. "I was a handsome woman in my time," she murmured. "You would say I was handsome still, if the clumsy fools about me had not spoiled my appearance. Oh, I do feel so weak! Where's my medicine?"

The bottle was on the table. Emily gave her the prescribed dose, and revived her failing strength.

"I am an extraordinary person," she resumed. "My resolution has always been the admiration of every one who knew me. But my mind feels—how shall I express it?—a little vacant. Have mercy on my poor wicked soul! Help me."

"How can I help you?"

"I want to recollect. Something happened in the summer time, when we were talking at Netherwoods. I mean when that impudent master at the school showed his suspicions of me. (Lord! how he frightened me, when he turned up afterward at Sir Jervis's house.) You must have seen yourself he suspected me. How did he show it?"

"He showed you my locket," Emily answered.

"Oh, the horrid reminder of the murder!" Mrs. Rook exclaimed. "I didn't mention it: don't blame Me. You poor innocent, I have something dreadful to tell you."

Emily's horror of the woman forced her to speak. "Don't tell me!" she cried. "I know more than you suppose; I know what I was ignorant of when you saw the locket."

Mrs. Rook took offense at the interruption.

"Clever as you are, there's one thing you don't know," she said. "You asked me, just now, who the pocketbook belonged to. It belonged to your father. What's the matter? Are you crying?"

Emily was thinking of her father. The pocketbook was the last present she had given to him—a present on his birthday. "Is it lost?" she asked sadly.

"No; it's not lost. You will hear more of it directly. Dry your eyes, and expect something interesting—I'm going to talk about love. Love, my dear, means myself. Why shouldn't it? I'm not the only nice-looking woman, married to an old man, who has had a lover."

"Wretch! what has that got to do with it?"

"Everything, you rude girl! My lover was like the rest of them; he would bet on race-horses, and he lost. He owned it to me, on the day when your father came to our inn. He said, 'I must find the money—or be off to America, and say good-by forever.' I was fool enough to be fond of him. It broke my heart to hear him talk in that way. I said, 'If I find the money, and more than the money, will you take me with you wherever you go?' Of course, he said Yes. I suppose you have heard of the inquest held at our old place by the coroner and jury? Oh, what idiots! They believed I was asleep on the night of the murder. I never closed my eyes—I was so miserable, I was so tempted."

"Tempted? What tempted you?"

"Do you think I had any money to spare? Your father's pocketbook tempted me. I had seen him open it, to pay his bill over-night. It was full of bank-notes. Oh, what an overpowering thing love is! Perhaps you have known it yourself."

Emily's indignation once more got the better of her prudence. "Have you no feeling of decency on your death-bed!" she said.

Mrs. Rook forgot her piety; she was ready with an impudent rejoinder. "You hot-headed little woman, your time will come," she answered. "But you're right—I am wandering from the point; I am not sufficiently sensible of this solemn occasion. By-the-by, do you notice my language? I inherit correct English from my mother—a cultivated person, who married beneath her. My paternal grandfather was a gentleman. Did I tell you that there came a time, on that dreadful night, when I could stay in bed no longer? The pocketbook—I did nothing but think of that devilish pocketbook, full of bank-notes. My husband was fast asleep all the time. I got a chair and stood on it. I looked into the place where the two men were sleeping, through the glass in the top of the door. Your father was awake; he was walking up and down the room. What do you say? Was he agitated? I didn't notice. I don't know whether the other man was asleep or awake. I saw nothing but the pocketbook stuck under the pillow, half in and half out. Your father kept on walking up and down. I thought to myself, 'I'll wait till he gets tired, and then I'll have another look at the pocketbook.' Where's the wine? The doctor said I might have a glass of wine when I wanted it."

Emily found the wine and gave it to her. She shuddered as she accidentally touched Mrs. Rook's hand.

The wine helped the sinking woman.

"I must have got up more than once," she resumed. "And more than once my heart must have failed me. I don't clearly remember what I did, till the gray of the morning came. I think that must have been the last time I looked through the glass in the door."

She began to tremble. She tore the veil off her face. She cried out piteously, "Lord, be merciful to me a sinner! Come here," she said to Emily. "Where are you? No! I daren't tell you what I saw; I daren't tell you what I did. When you're pos sessed by the devil, there's nothing, nothing, nothing you can't do! Where did I find the courage to unlock the door? Where did I find the courage to go in? Any other woman would have lost her senses, when she found blood on her fingers after taking the pocketbook—"

Emily's head swam; her heart beat furiously—she staggered to the door, and opened it to escape from the room.

"I'm guilty of robbing him; but I'm innocent of his blood!" Mrs. Rook called after her wildly. "The deed was done—the yard door was wide open, and the man was gone—when I looked in for the last time. Come back, come back!"

Emily looked round.

"I can't go near you," she said, faintly.

"Come near enough to see this."

She opened her bed-gown at the throat, and drew up a loop of ribbon over her head. 'The pocketbook was attached to the ribbon. She held it out.

"Your father's book," she said. "Won't you take your father's book?"

For a moment, and only for a moment, Emily was repelled by the profanation associated with her birthday gift. Then, the loving remembrance of the dear hands that had so often touched that relic, drew the faithful daughter back to the woman whom she abhorred. Her eyes rested tenderly on the book. Before it had lain in that guilty bosom, it had been his book. The beloved memory was all that was left to her now; the beloved memory consecrated it to her hand. She took the book.

"Open it," said Mrs. Rook.

There were two five-pound bank-notes in it.

"His?" Emily asked.

"No; mine—the little I have been able to save toward restoring what I stole."

"Oh!" Emily cried, "is there some good in this woman, after all?"

"There's no good in the woman!" Mrs. Rook answered desperately. "There's nothing but fear—fear of hell now; fear of the pocketbook in the past time. Twice I tried to destroy it—and twice it came back, to remind me of the duty that I owed to my miserable soul. I tried to throw it into the fire. It struck the bar, and fell back into the fender at my feet. I went out, and cast it into the well. It came back again in the first bucket of water that was drawn up. From that moment, I began to save what I could. Restitution! Atonement! I tell you the book found a tongue—and those were the grand words it dinned in my ears, morning and night." She stooped to fetch her breath—stopped, and struck her bosom. "I hid it here, so that no person should see it, and no person take it from me. Superstition? Oh, yes, superstition! Shall tell you something? You may find yourself superstitious, if you are ever cut to the heart as I was. He left me! The man I had disgraced myself for, deserted me on the day when I gave him the stolen money. He suspected it was stolen; he took care of his own cowardly self—and left me to the hard mercy of the law, if the theft was found out. What do you call that, in the way of punishment? Haven't I suffered? Haven't I made atonement? Be a Christian—say you forgive me."

"I do forgive you."

"Say you will pray for me."

"I will."

"Ah! that comforts me! Now you can go."

Emily looked at her imploringly. "Don't send me away, knowing no more of the murder than I knew when I came here! Is there nothing, really nothing, you can tell me?"

Mrs. Rook pointed to the door.

"Haven't I told you already? Go downstairs, and see the wretch who escaped in the dawn of the morning!"

"Gently, ma'am, gently! You're talking too loud," cried a mocking voice from outside.

"It's only the doctor," said Mrs. Rook. She crossed her hands over her bosom with a deep-drawn sigh. "I want no doctor, now. My peace is made with my Maker. I'm ready for death; I'm fit for Heaven. Go away! go away!"



CHAPTER LXII. DOWNSTAIRS.

In a moment more, the doctor came in—a brisk, smiling, self-sufficient man—smartly dressed, with a flower in his button-hole. A stifling odor of musk filled the room, as he drew out his handkerchief with a flourish, and wiped his forehead.

"Plenty of hard work in my line, just now," he said. "Hullo, Mrs. Rook! somebody has been allowing you to excite yourself. I heard you, before I opened the door. Have you been encouraging her to talk?" he asked, turning to Emily, and shaking his finger at her with an air of facetious remonstrance.

Incapable of answering him; forgetful of the ordinary restraints of social intercourse—with the one doubt that preserved her belief in Mirabel, eager for confirmation—Emily signed to this stranger to follow her into a corner of the room, out of hearing. She made no excuses: she took no notice of his look of surprise. One hope was all she could feel, one word was all she could say, after that second assertion of Mirabel's guilt. Indicating Mrs. Rook by a glance at the bed, she whispered the word:

"Mad?"

Flippant and familiar, the doctor imitated her; he too looked at the bed.

"No more mad than you are, miss. As I said just now, my patient has been exciting herself; I daresay she has talked a little wildly in consequence. Hers isn't a brain to give way, I can tell you. But there's somebody else—"

Emily had fled from the room. He had destroyed her last fragment of belief in Mirabel's innocence. She was on the landing trying to console herself, when the doctor joined her.

"Are you acquainted with the gentleman downstairs?" he asked.

"What gentleman?"

"I haven't heard his name; he looks like a clergyman. If you know him—"

"I do know him. I can't answer questions! My mind—"

"Steady your mind, miss! and take your friend home as soon as you can. He hasn't got Mrs. Rook's hard brain; he's in a state of nervous prostration, which may end badly. Do you know where he lives?"

"He is staying with his sister—Mrs. Delvin."

"Mrs. Delvin! she's a friend and patient of mine. Say I'll look in to-morrow morning, and see what I can do for her brother. In the meantime, get him to bed, and to rest; and don't be afraid of giving him brandy."

The doctor returned to the bedroom. Emily heard Mrs. Ellmother's voice below.

"Are you up there, miss?"

"Yes."

Mrs. Ellmother ascended the stairs. "It was an evil hour," she said, "that you insisted on going to this place. Mr. Mirabel—" The sight of Emily's face suspended the next words on her lips. She took the poor young mistress in her motherly arms. "Oh, my child! what has happened to you?"

"Don't ask me now. Give me your arm—let us go downstairs."

"You won't be startled when you see Mr. Mirabel—will you, my dear? I wouldn't let them disturb you; I said nobody should speak to you but myself. The truth is, Mr. Mirabel has had a dreadful fright. What are you looking for?"

"Is there a garden here? Any place where we can breathe the fresh air?"

There was a courtyard at the back of the house. They found their way to it. A bench was placed against one of the walls. They sat down.

"Shall I wait till you're better before I say any more?" Mrs. Ellmother asked. "No? You want to hear about Mr. Mirabel? My dear, he came into the parlor where I was; and Mr. Rook came in too—-and waited, looking at him. Mr. Mirabel sat down in a corner, in a dazed state as I thought. It wasn't for long. He jumped up, and clapped his hand on his heart as if his heart hurt him. 'I must and will know what's going on upstairs,' he says. Mr. Rook pulled him back, and told him to wait till the young lady came down. Mr. Mirabel wouldn't hear of it. 'Your wife's frightening her,' he says; 'your wife's telling her horrible things about me.' He was taken on a sudden with a shivering fit; his eyes rolled, and his teeth chattered. Mr. Rook made matters worse; he lost his temper. 'I'm damned,' he says, 'if I don't begin to think you are the man, after all; I've half a mind to send for the police.' Mr. Mirabel dropped into his chair. His eyes stared, his mouth fell open. I took hold of his hand. Cold—cold as ice. What it all meant I can't say. Oh, miss, you know! Let me tell you the rest of it some other time."

Emily insisted on hearing more. "The end!" she cried. "How did it end?"

"I don't know how it might have ended, if the doctor hadn't come in—to pay his visit, you know, upstairs. He said some learned words. When he came to plain English, he asked if anybody had frightened the gentleman. I said Mr. Rook had frightened him. The doctor says to Mr. Rook, 'Mind what you are about. If you frighten him again, you may have his death to answer for.' That cowed Mr. Rook. He asked what he had better do. 'Give me some brandy for him first,' says the doctor; 'and then get him home at once.' I found the brandy, and went away to the inn to order the carriage. Your ears are quicker than mine, miss—do I hear it now?"

They rose, and went to the house door. The carriage was there.

Still cowed by what the doctor had said, Mr. Rook appeared, carefully leading Mirabel out. He had revived under the action of the stimulant. Passing Emily he raised his eyes to her—trembled—and looked down again. When Mr. Rook opened the door of the carriage he paused, with one of his feet on the step. A momentary impulse inspired him with a false courage, and brought a flush into his ghastly face. He turned to Emily.

"May I speak to you?" he asked.

She started back from him. He looked at Mrs. Ellmother. "Tell her I am innocent," he said. The trembling seized on him again. Mr. Rook was obliged to lift him into the carriage.

Emily caught at Mrs. Ellmother's arm. "You go with him," she said. "I can't."

"How are you to get back, miss?"

She turned away and spoke to the coachman. "I am not very well. I want the fresh air—I'll sit by you."

Mrs. Ellmother remonstrated and protested, in vain. As Emily had determined it should be, so it was.

"Has he said anything?" she asked, when they had arrived at their journey's end.

"He has been like a man frozen up; he hasn't said a word; he hasn't even moved."

"Take him to his sister; and tell her all that you know. Be careful to repeat what the doctor said. I can't face Mrs. Delvin. Be patient, my good old friend; I have no secrets from you. Only wait till to-morrow; and leave me by myself to-night."

Alone in her room, Emily opened her writing-case. Searching among the letters in it, she drew out a printed paper. It was the Handbill describing the man who had escaped from the inn, and offering a reward for the discovery of him.

At the first line of the personal description of the fugitive, the paper dropped from her hand. Burning tears forced their way into her eyes. Feeling for her handkerchief, she touched the pocketbook which she had received from Mrs. Rook. After a little hesitation she took it out. She looked at it. She opened it.

The sight of the bank-notes repelled her; she hid them in one of the pockets of the book. There was a second pocket which she had not yet examined. She pat her hand into it, and, touching something, drew out a letter.

The envelope (already open) was addressed to "James Brown, Esq., Post Office, Zeeland." Would it be inconsistent with her respect for her father's memory to examine the letter? No; a glance would decide whether she ought to read it or not.

It was without date or address; a startling letter to look at—for it only contained three words:

"I say No."

The words were signed in initials:

"S. J."

In the instant when she read the initials, the name occurred to her.

Sara Jethro.



CHAPTER LXIII. THE DEFENSE OF MIRABEL.

The discovery of the letter gave a new direction to Emily's thoughts—and so, for the time at least, relieved her mind from the burden that weighed on it. To what question, on her father's part, had "I say No" been Miss Jethro's brief and stern reply? Neither letter nor envelope offered the slightest hint that might assist inquiry; even the postmark had been so carelessly impressed that it was illegible.

Emily was still pondering over the three mysterious words, when she was interrupted by Mrs. Ellmother's voice at the door.

"I must ask you to let me come in, miss; though I know you wished to be left by yourself till to-morrow. Mrs. Delvin says she must positively see you to-night. It's my belief that she will send for the servants, and have herself carried in here, if you refuse to do what she asks. You needn't be afraid of seeing Mr. Mirabel."

"Where is he?"

"His sister has given up her bedroom to him," Mrs. Ellmother answered. "She thought of your feelings before she sent me here—and had the curtains closed between the sitting-room and the bedroom. I suspect my nasty temper misled me, when I took a dislike to Mrs. Delvin. She's a good creature; I'm sorry you didn't go to her as soon as we got back."

"Did she seem to be angry, when she sent you here?"

"Angry! She was crying when I left her."

Emily hesitated no longer.

She noticed a remarkable change in the invalid's sitting-room—so brilliantly lighted on other occasions—the moment she entered it. The lamps were shaded, and the candles were all extinguished. "My eyes don't bear the light so well as usual," Mrs. Delvin said. "Come and sit near me, Emily; I hope to quiet your mind. I should be grieved if you left my house with a wrong impression of me."

Knowing what she knew, suffering as she must have suffered, the quiet kindness of her tone implied an exercise of self-restraint which appealed irresistibly to Emily's sympathies. "Forgive me," she said, "for having done you an injustice. I am ashamed to think that I shrank from seeing you when I returned from Belford."

"I will endeavor to be worthy of your better opinion of me," Mrs. Delvin replied. "In one respect at least, I may claim to have had your best interests at heart—while we were still personally strangers. I tried to prevail on my poor brother to own the truth, when he discovered the terrible position in which he was placed toward you. He was too conscious of the absence of any proof which might induce you to believe him, if he attempted to defend himself—in one word, he was too timid—to take my advice. He has paid the penalty, and I have paid the penalty, of deceiving you."

Emily started. "In what way have you deceived me?" she asked.

"In the way that was forced on us by our own conduct," Mrs. Delvin said. "We have appeared to help you, without really doing so; we calculated on inducing you to marry my brother, and then (when he could speak with the authority of a husband) on prevailing on you to give up all further inquiries. When you insisted on seeing Mrs. Rook, Miles had the money in his hand to bribe her and her husband to leave England."

"Oh, Mrs. Delvin!"

"I don't attempt to excuse myself. I don't expect you to consider how sorely I was tempted to secure the happiness of my brother's life, by marriage with such a woman as yourself. I don't remind you that I knew—when I put obstacles in your way—that you were blindly devoting yourself to the discovery of an innocent man."

Emily heard her with angry surprise. "Innocent?" she repeated. "Mrs. Rook recognized his voice the instant she heard him speak."

Impenetrable to interruption, Mrs. Delvin went on. "But what I do ask," she persisted, "even after our short acquaintance, is this. Do you suspect me of deliberately scheming to make you the wife of a murderer?"

Emily had never viewed the serious question between them in this light. Warmly, generously, she answered the appeal that had been made to her. "Oh, don't think that of me! I know I spoke thoughtlessly and cruelly to you, just now—"

"You spoke impulsively," Mrs. Delvin interposed; "that was all. My one desire before we part—how can I expect you to remain here, after what has happened?—is to tell you the truth. I have no interested object in view; for all hope of your marriage with my brother is now at an end. May I ask if you have heard that he and your father were strangers, when they met at the inn?"

"Yes; I know that."

"If there had been any conversation between them, when they retired to rest, they might have mentioned their names. But your father was preoccupied; and my brother, after a long day's walk, was so tired that he fell asleep as soon as his head was on the pillow. He only woke when the morning dawned. What he saw when he looked toward the opposite bed might have struck with terror the boldest man that ever lived. His first impulse was naturally to alarm the house. When he got on his feet, he saw his own razor—a blood-stained razor on the bed by the side of the corpse. At that discovery, he lost all control over himself. In a panic of terror, he snatched up his knapsack, unfastened the yard door, and fled from the house. Knowing him, as you and I know him, can we wonder at it? Many a man has been hanged for murder, on circumstantial evidence less direct than the evidence against poor Miles. His horror of his own recollections was so overpowering that he forbade me even to mention the inn at Zeeland in my letters, while he was abroad. 'Never tell me (he wrote) who that wretched murdered stranger was, if I only heard of his name, I believe it would haunt me to my dying day. I ought not to trouble you with these details—and yet, I am surely not without excuse. In the absence of any proof, I cannot expect you to believe as I do in my brother's innocence. But I may at least hope to show you that there is some reason for doubt. Will you give him the benefit of that doubt?"

"Willingly!" Emily replied. "Am I right in supposing that you don't despair of proving his innocence, even yet'?"

"I don't quite despair. But my hopes have grown fainter and fainter, as the years have gone on. There is a person associated with his escape from Zeeland; a person named Jethro—"

"You mean Miss Jethro!"

"Yes. Do you know her?"

"I know her—and my father knew her. I have found a letter, addressed to him, which I have no doubt was written by Miss Jethro. It is barely possible that you may understand what it means. Pray look at it."

"I am quite unable to help you," Mrs. Delvin answered, after reading the letter. "All I know of Miss Jethro is that, but for her interposition, my brother might have fallen into the hands of the police. She saved him."

"Knowing him, of course?"

"That is the remarkable part of it: they were perfect strangers to each other."

"But she must have had some motive."

"There is the foundation of my hope for Miles. Miss Jethro declared, when I wrote and put the question to her, that the one motive by which she was actuated was the motive of mercy. I don't believe her. To my mind, it is in the last degree improbable that she would consent to protect a stranger from discovery, who owned to her (as my brother did) that he was a fugitive suspected of murder. She knows something, I am firmly convinced, of that dreadful event at Zeeland—and she has some reason for keeping it secret. Have you any influence over her?"

"Tell me where I can find her."

"I can't tell you. She has removed from the address at which my brother saw her last. He has made every possible inquiry—without result."

As she replied in those discouraging terms, the curtains which divided Mrs. Delvin's bedroom from her sitting-room were drawn aside. An elderly woman-servant approached her mistress's couch.

"Mr. Mirabel is awake, ma'am. He is very low; I can hardly feel his pulse. Shall I give him some more brandy?"

Mrs. Delvin held out her hand to Emily. "Come to me to-morrow morning," she said—and signed to the servant to wheel her couch into the next room. As the curtain closed over them, Emily heard Mirabel's voice. "Where am I?" he said faintly. "Is it all a dream?"

The prospect of his recovery the next morning was gloomy indeed. He had sunk into a state of deplorable weakness, in mind as well as in body. The little memory of events that he still preserved was regarded by him as the memory of a dream. He alluded to Emily, and to his meeting with her unexpectedly. But from that point his recollection failed him. They had talked of something interesting, he said—but he was unable to remember what it was. And they had waited together at a railway station—but for what purpose he could not tell. He sighed and wondered when Emily would marry him—and so fell asleep again, weaker than ever.

Not having any confidence in the doctor at Belford, Mrs. Delvin had sent an urgent message to a physician at Edinburgh, famous for his skill in treating diseases of the nervous system. "I cannot expect him to reach this remote place, without some delay," she said; "I must bear my suspense as well as I can."

"You shall not bear it alone," Emily answered. "I will wait with you till the doctor comes."

Mrs. Delvin lifted her frail wasted hands to Emily's face, drew it a little nearer—and kissed her.



CHAPTER LXIV. ON THE WAY TO LONDON.

The parting words had been spoken. Emily and her companion were on their way to London.

For some little time, they traveled in silence—alone in the railway carriage. After submitting as long as she could to lay an embargo on the use of her tongue, Mrs. Ellmother started the conversation by means of a question: "Do you think Mr. Mirabel will get over it, miss?"

"It's useless to ask me," Emily said. "Even the great man from Edinburgh is not able to decide yet, whether he will recover or not."

"You have taken me into your confidence, Miss Emily, as you promised—and I have got something in my mind in consequence. May I mention it without giving offense?"

"What is it?"

"I wish you had never taken up with Mr. Mirabel."

Emily was silent. Mrs. Ellmother, having a design of her own to accomplish, ventured to speak more plainly. "I often think of Mr. Alban Morris," she proceeded. "I always did like him, and I always shall."

Emily suddenly pulled down her veil. "Don't speak of him!" she said.

"I didn't mean to offend you."

"You don't offend me. You distress me. Oh, how often I have wished—!" She threw herself back in a corner of the carriage and said no more.

Although not remarkable for the possession of delicate tact, Mrs. Ellmother discovered that the best course she could now follow was a course of silence.

Even at the time when she had most implicitly trusted Mirabel, the fear that she might have acted hastily and harshly toward Alban had occasionally troubled Emily's mind. The impression produced by later events had not only intensified this feeling, but had presented the motives of that true friend under an entirely new point of view. If she had been left in ignorance of the manner of her father's death—as Alban had designed to leave her; as she would have been left, but for the treachery of Francine—how happily free she would have been from thoughts which it was now a terror to her to recall. She would have parted from Mirabel, when the visit to the pleasant country house had come to an end, remembering him as an amusing acquaintance and nothing more. He would have been spared, and she would have been spared, the shock that had so cruelly assailed them both. What had she gained by Mrs. Rook's detestable confession? The result had been perpetual disturbance of mind provoked by self-torturing speculations on the subject of the murder. If Mirabel was innocent, who was guilty? The false wife, without pity and without shame—or the brutal husband, who looked capable of any enormity? What was her future to be? How was it all to end? In the despair of that bitter moment—seeing her devoted old servant looking at her with kind compassionate eyes—Emily's troubled spirit sought refuge in impetuous self-betrayal; the very betrayal which she had resolved should not escape her, hardly a minute since!

She bent forward out of her corner, and suddenly drew up her veil. "Do you expect to see Mr. Alban Morris, when we get back?" she asked.

"I should like to see him, miss—if you have no objection."

"Tell him I am ashamed of myself! and say I ask his pardon with all my heart!"

"The Lord be praised!" Mrs. Ellmother burst out—and then, when it was too late, remembered the conventional restraints appropriate to the occasion. "Gracious, what a fool I am!" she said to herself. "Beautiful weather, Miss Emily, isn't it?" she continued, in a desperate hurry to change the subject.

Emily reclined again in her corner of the carriage. She smiled, for the first time since she had become Mrs. Delvin's guest at the tower.



BOOK THE LAST—AT HOME AGAIN.



CHAPTER LXV. CECILIA IN A NEW CHARACTER.

Reaching the cottage at night, Emily found the card of a visitor who had called during the day. It bore the name of "Miss Wyvil," and had a message written on it which strongly excited Emily's curiosity.

"I have seen the telegram which tells your servant that you return to-night. Expect me early to-morrow morning—with news that will deeply interest you."

To what news did Cecilia allude? Emily questioned the woman who had been left in charge of the cottage, and found that she had next to nothing to tell. Miss Wyvil had flushed up, and had looked excited, when she read the telegraphic message—that was all. Emily's impatience was, as usual, not to be concealed. Expert Mrs. Ellmother treated the case in the right way—first with supper, and then with an adjournment to bed. The clock struck twelve, when she put out the young mistress's candle. "Ten hours to pass before Cecilia comes here!" Emily exclaimed. "Not ten minutes," Mrs. Ellmother reminded her, "if you will only go to sleep."

Cecilia arrived before the breakfast-table was cleared; as lovely, as gentle, as affectionate as ever—but looking unusually serious and subdued.

"Out with it at once!" Emily cried. "What have you got to tell me?'

"Perhaps, I had better tell you first," Cecilia said, "that I know what you kept from me when I came here, after you left us at Monksmoor. Don't think, my dear, that I say this by way of complaint. Mr. Alban Morris says you had good reasons for keeping your secret."

"Mr. Alban Morris! Did you get your information from him?"

"Yes. Do I surprise you?"

"More than words can tell!"

"Can you bear another surprise? Mr. Morris has seen Miss Jethro, and has discovered that Mr. Mirabel has been wrongly suspected of a dreadful crime. Our amiable little clergyman is guilty of being a coward—and guilty of nothing else. Are you really quiet enough to read about it?"

She produced some leaves of paper filled with writing. "There," she explained, "is Mr. Morris's own account of all that passed between Miss Jethro and himself."

"But how do you come by it?"

"Mr. Morris gave it to me. He said, 'Show it to Emily as soon as possible; and take care to be with her while she reads it.' There is a reason for this—" Cecilia's voice faltered. On the brink of some explanation, she seemed to recoil from it. "I will tell you by-and-by what the reason is," she said.

Emily looked nervously at the manuscript. "Why doesn't he tell me himself what he has discovered? Is he—" The leaves began to flutter in her trembling fingers—"is he angry with me?"

"Oh, Emily, angry with You! Read what he has written and you shall know why he keeps away."

Emily opened the manuscript.



CHAPTER LXVI. ALBAN'S NARRATIVE.

"The information which I have obtained from Miss Jethro has been communicated to me, on the condition that I shall not disclose the place of her residence. 'Let me pass out of notice (she said) as completely as if I had passed out of life; I wish to be forgotten by some, and to be unknown by others.'" With this one stipulation, she left me free to write the present narrative of what passed at the interview between us. I feel that the discoveries which I have made are too important to the persons interested to be trusted to memory.

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