I Say No
by Wilkie Collins
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One person was still out of bed—and that person was the mistress of the house. They recognized her voice in the customary question: "Who's there?" The door having been opened, good Miss Ladd looked backward and forward between Alban and Mrs. Ellmother, with the bewildered air of a lady who doubted the evidence of her own eyes. The next moment, her sense of humor overpowered her. She burst out laughing.

"Close the door, Mr. Morris," she said, "and be so good as to tell me what this means. Have you been giving a lesson in drawing by starlight?"

Mrs. Ellmother moved, so that the light of the lamp in Miss Ladd's hand fell on her face. "I am faint and giddy," she said; "let me go to my bed."

Miss Ladd instantly followed her. "Pray forgive me! I didn't see you were ill, when I spoke," she gently explained. "What can I do for you?"

"Thank you kindly, ma'am. I want nothing but peace and quiet. I wish you good-night."

Alban followed Miss Ladd to her study, on the front side of the house. He had just mentioned the circumstances under which he and Mrs. Ellmother had met, when they were interrupted by a tap at the door. Francine had got back to her room unperceived, by way of the French window. She now presented herself, with an elaborate apology, and with the nearest approach to a penitent expression of which her face was capable.

"I am ashamed, Miss Ladd, to intrude on you at this time of night. My only excuse is, that I am anxious about Mrs. Ellmother. I heard you just now in the hall. If she is really ill, I am the unfortunate cause of it."

"In what way, Miss de Sor?"

"I am sorry to say I frightened her—while we were talking in my room—quite unintentionally. She rushed to the door and ran out. I supposed she had gone to her bedroom; I had no idea she was in the grounds."

In this false statement there was mingled a grain of truth. It was true that Francine believed Mrs. Ellmother to have taken refuge in her room—for she had examined the room. Finding it empty, and failing to discover the fugitive in other parts of the house, she had become alarmed, and had tried the grounds next—with the formidable result which has been already related. Concealing this circumstance, she had lied in such a skillfully artless manner that Alban (having no suspicion of what had really happened to sharpen his wits) was as completely deceived as Miss Ladd. Proceeding to further explanation—and remembering that she was in Alban's presence—Francine was careful to keep herself within the strict limit of truth. Confessing that she had frightened her servant by a description of sorcery, as it was practiced among the slaves on her father's estate, she only lied again, in declaring that Mrs. Ellmother had supposed she was in earnest, when she was guilty of no more serious offense than playing a practical joke.

In this case, Alban was necessarily in a position to detect the falsehood. But it was so evidently in Francine's interests to present her conduct in the most favorable light, that the discovery failed to excite his suspicion. He waited in silence, while Miss Ladd administered a severe reproof. Francine having left the room, as penitently as she had entered it (with her handkerchief over her tearless eyes), he was at liberty, with certain reserves, to return to what had passed between Mrs. Ellmother and himself.

"The fright which the poor old woman has suffered," he said, "has led to one good result. I have found her ready at last to acknowledge that she is ill, and inclined to believe that the change to Netherwoods has had something to do with it. I have advised her to take the course which you suggested, by leaving this house. Is it possible to dispense with the usual delay, when she gives notice to leave Miss de Sor's service?"

"She need feel no anxiety, poor soul, on that account," Miss Ladd replied. "In any case, I had arranged that a week's notice on either side should be enough. As it is, I will speak to Francine myself. The least she can do, to express her regret, is to place no difficulties in Mrs. Ellmother's way."

The next day was Sunday.

Miss Ladd broke through her rule of attending to secular affairs on week days only; and, after consulting with Mrs. Ellmother, arranged with Francine that her servant should be at liberty to leave Netherwoods (health permitting) on the next day. But one difficulty remained. Mrs. Ellmother was in no condition to take the long journey to her birthplace in Cumberland; and her own lodgings in London had been let.

Under these circumstances, what was the best arrangement that could be made for her? Miss Ladd wisely and kindly wrote to Emily on the subject, and asked for a speedy reply.

Later in the day, Alban was sent for to see Mrs. Ellmother. He found her anxiously waiting to hear what had passed, on the previous night, between Miss Ladd and himself. "Were you careful, sir, to say nothing about Miss Emily?"

"I was especially careful; I never alluded to her in any way."

"Has Miss de Sor spoken to you?"

"I have not given her the opportunity."

"She's an obstinate one—she might try."

"If she does, she shall hear my opinion of her in plain words." The talk between them turned next on Alban's discovery of the secret, of which Mrs. Ellmother had believed herself to be the sole depositary since Miss Letitia's death. Without alarming her by any needless allusion to Doctor Allday or to Miss Jethro, he answered her inquiries (so far as he was himself concerned) without reserve. Her curiosity once satisfied, she showed no disposition to pursue the topic. She pointed to Miss Ladd's cat, fast asleep by the side of an empty saucer.

"Is it a sin, Mr. Morris, to wish I was Tom? He doesn't trouble himself about his life that is past or his life that is to come. If I could only empty my saucer and go to sleep, I shouldn't be thinking of the number of people in this world, like myself, who would be better out of it than in it. Miss Ladd has got me my liberty tomorrow; and I don't even know where to go, when I leave this place."

"Suppose you follow Tom's example?" Alban suggested. "Enjoy to-day (in that comfortable chair) and let to-morrow take care of itself."

To-morrow arrived, and justified Alban's system of philosophy. Emily answered Miss Ladd's letter, to excellent purpose, by telegraph.

"I leave London to-day with Cecilia" (the message announced) "for Monksmoor Park, Hants. Will Mrs. Ellmother take care of the cottage in my absence? I shall be away for a month, at least. All is prepared for her if she consents."

Mrs. Ellmother gladly accepted this proposal. In the interval of Emily's absence, she could easily arrange to return to her own lodgings. With words of sincere gratitude she took leave of Miss Ladd; but no persuasion would induce her to say good-by to Francine. "Do me one more kindness, ma'am; don't tell Miss de Sor when I go away." Ignorant of the provocation which had produced this unforgiving temper of mind, Miss Ladd gently remonstrated. "Miss de Sor received my reproof in a penitent spirit; she expresses sincere sorrow for having thoughtlessly frightened you. Both yesterday and to-day she has made kind inquiries after your health. Come! come! don't bear malice—wish her good-by." Mrs. Ellmother's answer was characteristic. "I'll say good-by by telegraph, when I get to London."

Her last words were addressed to Alban. "If you can find a way of doing it, sir, keep those two apart."

"Do you mean Emily and Miss de Sor?


"What are you afraid of?"

"I don't know."

"Is that quite reasonable, Mrs. Ellmother?"

"I daresay not. I only know that I am afraid."

The pony chaise took her away. Alban's class was not yet ready for him. He waited on the terrace.

Innocent alike of all knowledge of the serious reason for fear which did really exist, Mrs. Ellmother and Alban felt, nevertheless, the same vague distrust of an intimacy between the two girls. Idle, vain, malicious, false—to know that Francine's character presented these faults, without any discoverable merits to set against them, was surely enough to justify a gloomy view of the prospect, if she succeeded in winning the position of Emily's friend. Alban reasoned it out logically in this way—without satisfying himself, and without accounting for the remembrance that haunted him of Mrs. Ellmother's farewell look. "A commonplace man would say we are both in a morbid state of mind," he thought; "and sometimes commonplace men turn out to be right."

He was too deeply preoccupied to notice that he had advanced perilously near Francine's window. She suddenly stepped out of her room, and spoke to him.

"Do you happen to know, Mr. Morris, why Mrs. Ellmother has gone away without bidding me good-by?"

"She was probably afraid, Miss de Sor, that you might make her the victim of another joke."

Francine eyed him steadily. "Have you any particular reason for speaking to me in that way?"

"I am not aware that I have answered you rudely—if that is what you mean."

"That is not what I mean. You seem to have taken a dislike to me. I should be glad to know why."

"I dislike cruelty—and you have behaved cruelly to Mrs. Ellmother."

"Meaning to be cruel?" Francine inquired.

"You know as well as I do, Miss de Sor, that I can't answer that question."

Francine looked at him again "Am I to understand that we are enemies?" she asked.

"You are to understand," he replied, "that a person whom Miss Ladd employs to help her in teaching, cannot always presume to express his sentiments in speaking to the young ladies."

"If that means anything, Mr. Morris, it means that we are enemies."

"It means, Miss de Sor, that I am the drawing-master at this school, and that I am called to my class."

Francine returned to her room, relieved of the only doubt that had troubled her. Plainly no suspicion that she had overheard what passed between Mrs. Ellmother and himself existed in Alban's mind. As to the use to be made of her discovery, she felt no difficulty in deciding to wait, and be guided by events. Her curiosity and her self-esteem had been alike gratified—she had got the better of Mrs. Ellmother at last, and with that triumph she was content. While Emily remained her friend, it would be an act of useless cruelty to disclose the terrible truth. There had certainly been a coolness between them at Brighton. But Francine—still influenced by the magnetic attraction which drew her to Emily—did not conceal from herself that she had offered the provocation, and had been therefore the person to blame. "I can set all that right," she thought, "when we meet at Monksmoor Park." She opened her desk and wrote the shortest and sweetest of letters to Cecilia. "I am entirely at the disposal of my charming friend, on any convenient day—may I add, my dear, the sooner the better?"


The pupils of the drawing-class put away their pencils and color-boxes in high good humor: the teacher's vigilant eye for faults had failed him for the first time in their experience. Not one of them had been reproved; they had chattered and giggled and drawn caricatures on the margin of the paper, as freely as if the master had left the room. Alban's wandering attention was indeed beyond the reach of control. His interview with Francine had doubled his sense of responsibility toward Emily—while he was further than ever from seeing how he could interfere, to any useful purpose, in his present position, and with his reasons for writing under reserve.

One of the servants addressed him as he was leaving the schoolroom. The landlady's boy was waiting in the hall, with a message from his lodgings.

"Now then! what is it?" he asked, irritably.

"The lady wants you, sir." With this mysterious answer, the boy presented a visiting card. The name inscribed on it was—"Miss Jethro."

She had arrived by the train, and she was then waiting at Alban's lodgings. "Say I will be with her directly." Having given the message, he stood for a while, with his hat in his hand—literally lost in astonishment. It was simply impossible to guess at Miss Jethro's object: and yet, with the usual perversity of human nature, he was still wondering what she could possibly want with him, up to the final moment when he opened the door of his sitting-room.

She rose and bowed with the same grace of movement, and the same well-bred composure of manner, which Doctor Allday had noticed when she entered his consulting-room. Her dark melancholy eyes rested on Alban with a look of gentle interest. A faint flush of color animated for a moment the faded beauty of her face—passed away again—and left it paler than before.

"I cannot conceal from myself," she began, "that I am intruding on you under embarrassing circumstances."

"May I ask, Miss Jethro, to what circumstances you allude?"

"You forget, Mr. Morris, that I left Miss Ladd's school, in a manner which justified doubt of me in the minds of strangers."

"Speaking as one of those strangers," Alban replied, "I cannot feel that I had any right to form an opinion, on a matter which only concerned Miss Ladd and yourself."

Miss Jethro bowed gravely. "You encourage me to hope," she said. "I think you will place a favorable construction on my visit when I mention my motive. I ask you to receive me, in the interests of Miss Emily Brown."

Stating her purpose in calling on him in those plain terms, she added to the amazement which Alban already felt, by handing to him—as if she was presenting an introduction—a letter marked, "Private," addressed to her by Doctor Allday.

"I may tell you," she premised, "that I had no idea of troubling you, until Doctor Allday suggested it. I wrote to him in the first instance; and there is his reply. Pray read it."

The letter was dated, "Penzance"; and the doctor wrote, as he spoke, without ceremony.

"MADAM—Your letter has been forwarded to me. I am spending my autumn holiday in the far West of Cornwall. However, if I had been at home, it would have made no difference. I should have begged leave to decline holding any further conversation with you, on the subject of Miss Emily Brown, for the following reasons:

"In the first place, though I cannot doubt your sincere interest in the young lady's welfare, I don't like your mysterious way of showing it. In the second place, when I called at your address in London, after you had left my house, I found that you had taken to flight. I place my own interpretation on this circumstance; but as it is not founded on any knowledge of facts, I merely allude to it, and say no more."

Arrived at that point, Alban offered to return the letter. "Do you really mean me to go on reading it?" he asked.

"Yes," she said quietly.

Alban returned to the letter.

"In the third place, I have good reason to believe that you entered Miss Ladd's school as a teacher, under false pretenses. After that discovery, I tell you plainly I hesitate to attach credit to any statement that you may wish to make. At the same time, I must not permit my prejudices (as you will probably call them) to stand in the way of Miss Emily's interests—supposing them to be really depending on any interference of yours. Miss Ladd's drawing-master, Mr. Alban Morris, is even more devoted to Miss Emily's service than I am. Whatever you might have said to me, you can say to him—with this possible advantage, that he may believe you."

There the letter ended. Alban handed it back in silence.

Miss Jethro pointed to the words, "Mr. Alban Morris is even more devoted to Miss Emily's service than I am."

"Is that true?" she asked.

"Quite true."

"I don't complain, Mr. Morris, of the hard things said of me in that letter; you are at liberty to suppose, if you like, that I deserve them. Attribute it to pride, or attribute it to reluctance to make needless demands on your time—I shall not attempt to defend myself. I leave you to decide whether the woman who has shown you that letter—having something important to say to you—is a person who is mean enough to say it under false pretenses."

"Tell me what I can do for you, Miss Jethro: and be assured, beforehand, that I don't doubt your sincerity."

"My purpose in coming here," she answered, "is to induce you to use your influence over Miss Emily Brown—"

"With what object?" Alban asked, interrupting her.

"My object is her own good. Some years since, I happened to become acquainted with a person who has attained some celebrity as a preacher. You have perhaps heard of Mr. Miles Mirabel?"

"I have heard of him."

"I have been in correspondence with him," Miss Jethro proceeded. "He tells me he has been introduced to a young lady, who was formerly one of Miss Ladd's pupils, and who is the daughter of Mr. Wyvil, of Monksmoor Park. He has called on Mr. Wyvil; and he has since received an invitation to stay at Mr. Wyvil's house. The day fixed for the visit is Monday, the fifth of next month."

Alban listened—at a loss to know what interest he was supposed to have in being made acquainted with Mr. Mirabel's engagements. Miss Jethro's next words enlightened him.

"You are perhaps aware," she resumed, "that Miss Emily Brown is Miss Wyvil's intimate friend. She will be one of the guests at Monksmoor Park. If there are any obstacles which you can place in her way—if there is any influence which you can exert, without exciting suspicion of your motive—prevent her, I entreat you, from accepting Miss Wyvil's invitation, until Mr. Mirabel's visit has come to an end."

"Is there anything against Mr. Mirabel?" he asked.

"I say nothing against him."

"Is Miss Emily acquainted with him?"


"Is he a person with whom it would be disagreeable to her to associate?"

"Quite the contrary."

"And yet you expect me to prevent them from meeting! Be reasonable, Miss Jethro."

"I can only be in earnest, Mr. Morris—more truly, more deeply in earnest than you can suppose. I declare to you that I am speaking in Miss Emily's interests. Do you still refuse to exert yourself for her sake?"

"I am spared the pain of refusal," Alban answered. "The time for interference has gone by. She is, at this moment, on her way to Monksmoor Park."

Miss Jethro attempted to rise—and dropped back into her chair. "Water!" she said faintly. After drinking from the glass to the last drop, she began to revive. Her little traveling-bag was on the floor at her side. She took out a railway guide, and tried to consult it. Her fingers trembled incessantly; she was unable to find the page to which she wished to refer. "Help me," she said, "I must leave this place—by the first train that passes."

"To see Emily?" Alban asked.

"Quite useless! You have said it yourself—the time for interference has gone by. Look at the guide."

"What place shall I look for?"

"Look for Vale Regis."

Alban found the place. The train was due in ten minutes. "Surely you are not fit to travel so soon?" he suggested.

"Fit or not, I must see Mr. Mirabel—I must make the effort to keep them apart by appealing to him."

"With any hope of success?"

"With no hope—and with no interest in the man himself. Still I must try."

"Out of anxiety for Emily's welfare?"

"Out of anxiety for more than that."

"For what?"

"If you can't guess, I daren't tell you."

That strange reply startled Alban. Before he could ask what it meant, Miss Jethro had left him.

In the emergencies of life, a person readier of resource than Alban Morris it would not have been easy to discover. The extraordinary interview that had now come to an end had found its limits. Bewildered and helpless, he stood at the window of his room, and asked himself (as if he had been the weakest man living), "What shall I do?"



The windows of the long drawing-room at Monksmoor are all thrown open to the conservatory. Distant masses of plants and flowers, mingled in ever-varying forms of beauty, are touched by the melancholy luster of the rising moon. Nearer to the house, the restful shadows are disturbed at intervals, where streams of light fall over them aslant from the lamps in the room. The fountain is playing. In rivalry with its lighter music, the nightingales are singing their song of ecstasy. Sometimes, the laughter of girls is heard—and, sometimes, the melody of a waltz. The younger guests at Monksmoor are dancing.

Emily and Cecilia are dressed alike in white, with flowers in their hair. Francine rivals them by means of a gorgeous contrast of color, and declares that she is rich with the bright emphasis of diamonds and the soft persuasion of pearls.

Miss Plym (from the rectory) is fat and fair and prosperous: she overflows with good spirits; she has a waist which defies tight-lacing, and she dances joyously on large flat feet. Miss Darnaway (officer's daughter with small means) is the exact opposite of Miss Plym. She is thin and tall and faded—poor soul. Destiny has made it her hard lot in life to fill the place of head-nursemaid at home. In her pensive moments, she thinks of the little brothers and sisters, whose patient servant she is, and wonders who comforts them in their tumbles and tells them stories at bedtime, while she is holiday-making at the pleasant country house.

Tender-hearted Cecilia, remembering how few pleasures this young friend has, and knowing how well she dances, never allows her to be without a partner. There are three invaluable young gentlemen present, who are excellent dancers. Members of different families, they are nevertheless fearfully and wonderfully like each other. They present the same rosy complexions and straw-colored mustachios, the same plump cheeks, vacant eyes and low forehead; and they utter, with the same stolid gravity, the same imbecile small talk. On sofas facing each other sit the two remaining guests, who have not joined the elders at the card-table in another room. They are both men. One of them is drowsy and middle-aged—happy in the possession of large landed property: happier still in a capacity for drinking Mr. Wyvil's famous port-wine without gouty results.

The other gentleman—ah, who is the other? He is the confidential adviser and bosom friend of every young lady in the house. Is it necessary to name the Reverend Miles Mirabel?

There he sits enthroned, with room for a fair admirer on either side of him—the clerical sultan of a platonic harem. His persuasive ministry is felt as well as heard: he has an innocent habit of fondling young persons. One of his arms is even long enough to embrace the circumference of Miss Plym—while the other clasps the rigid silken waist of Francine. "I do it everywhere else," he says innocently, "why not here?" Why not indeed—with that delicate complexion and those beautiful blue eyes; with the glorious golden hair that rests on his shoulders, and the glossy beard that flows over his breast? Familiarities, forbidden to mere men, become privileges and condescensions when an angel enters society—and more especially when that angel has enough of mortality in him to be amusing. Mr. Mirabel, on his social side, is an irresistible companion. He is cheerfulness itself; he takes a favorable view of everything; his sweet temper never differs with anybody. "In my humble way," he confesses, "I like to make the world about me brighter." Laughter (harmlessly produced, observe!) is the element in which he lives and breathes. Miss Darnaway's serious face puts him out; he has laid a bet with Emily—not in money, not even in gloves, only in flowers—that he will make Miss Darnaway laugh; and he has won the wager. Emily's flowers are in his button-hole, peeping through the curly interstices of his beard. "Must you leave me?" he asks tenderly, when there is a dancing man at liberty, and it is Francine's turn to claim him. She leaves her seat not very willingly. For a while, the place is vacant; Miss Plym seizes the opportunity of consulting the ladies' bosom friend.

"Dear Mr. Mirabel, do tell me what you think of Miss de Sor?"

Dear Mr. Mirabel bursts into enthusiasm and makes a charming reply. His large experience of young ladies warns him that they will tell each other what he thinks of them, when they retire for the night; and he is careful on these occasions to say something that will bear repetition.

"I see in Miss de Sor," he declares, "the resolution of a man, tempered by the sweetness of a woman. When that interesting creature marries, her husband will be—shall I use the vulgar word?—henpecked. Dear Miss Plym, he will enjoy it; and he will be quite right too; and, if I am asked to the wedding, I shall say, with heartfelt sincerity, Enviable man!"

In the height of her admiration for Mr. Mirabel's wonderful eye for character, Miss Plym is called away to the piano. Cecilia succeeds to her friend's place—and has her waist taken in charge as a matter of course.

"How do you like Miss Plym?" she asks directly.

Mr. Mirabel smiles, and shows the prettiest little pearly teeth. "I was just thinking of her," he confesses pleasantly; "Miss Plym is so nice and plump, so comforting and domestic—such a perfect clergyman's daughter. You love her, don't you? Is she engaged to be married? In that case—between ourselves, dear Miss Wyvil, a clergyman is obliged to be cautious—I may own that I love her too."

Delicious titillations of flattered self-esteem betray themselves in Cecilia's lovely complexion. She is the chosen confidante of this irresistible man; and she would like to express her sense of obligation. But Mr. Mirabel is a master in the art of putting the right words in the right places; and simple Cecilia distrusts herself and her grammar.

At that moment of embarrassment, a friend leaves the dance, and helps Cecilia out of the difficulty.

Emily approaches the sofa-throne, breathless—followed by her partner, entreating her to give him "one turn more." She is not to be tempted; she means to rest. Cecilia sees an act of mercy, suggested by the presence of the disengaged young man. She seizes his arm, and hurries him off to poor Miss Darnaway; sitting forlorn in a corner, and thinking of the nursery at home. In the meanwhile a circumstance occurs. Mr. Mirabel's all-embracing arm shows itself in a new character, when Emily sits by his side.

It becomes, for the first time, an irresolute arm. It advances a little—and hesitates. Emily at once administers an unexpected check; she insists on preserving a free waist, in her own outspoken language. "No, Mr. Mirabel, keep that for the others. You can't imagine how ridiculous you and the young ladies look, and how absurdly unaware of it you all seem to be." For the first time in his life, the reverend and ready-witted man of the world is at a loss for an answer. Why?

For this simple reason. He too has felt the magnetic attraction of the irresistible little creature whom every one likes. Miss Jethro has been doubly defeated. She has failed to keep them apart; and her unexplained misgivings have not been justified by events: Emily and Mr. Mirabel are good friends already. The brilliant clergyman is poor; his interests in life point to a marriage for money; he has fascinated the heiresses of two rich fathers, Mr. Tyvil and Mr. de Sor—and yet he is conscious of an influence (an alien influence, without a balance at its bankers), which has, in some mysterious way, got between him and his interests.

On Emily's side, the attraction felt is of another nature altogether. Among the merry young people at Monksmoor she is her old happy self again; and she finds in Mr. Mirabel the most agreeable and amusing man whom she has ever met. After those dismal night watches by the bed of her dying aunt, and the dreary weeks of solitude that followed, to live in this new world of luxury and gayety is like escaping from the darkness of night, and basking in the fall brightn ess of day. Cecilia declares that she looks, once more, like the joyous queen of the bedroom, in the bygone time at school; and Francine (profaning Shakespeare without knowing it), says, "Emily is herself again!"

"Now that your arm is in its right place, reverend sir," she gayly resumes, "I may admit that there are exceptions to all rules. My waist is at your disposal, in a case of necessity—that is to say, in a case of waltzing."

"The one case of all others," Mirabel answers, with the engaging frankness that has won him so many friends, "which can never happen in my unhappy experience. Waltzing, I blush to own it, means picking me up off the floor, and putting smelling salts to my nostrils. In other words, dear Miss Emily, it is the room that waltzes—not I. I can't look at those whirling couples there, with a steady head. Even the exquisite figure of our young hostess, when it describes flying circles, turns me giddy."

Hearing this allusion to Cecilia, Emily drops to the level of the other girls. She too pays her homage to the Pope of private life. "You promised me your unbiased opinion of Cecilia," she reminds him; "and you haven't given it yet."

The ladies' friend gently remonstrates. "Miss Wyvil's beauty dazzles me. How can I give an unbiased opinion? Besides, I am not thinking of her; I can only think of you."

Emily lifts her eyes, half merrily, half tenderly, and looks at him over the top of her fan. It is her first effort at flirtation. She is tempted to engage in the most interesting of all games to a girl—the game which plays at making love. What has Cecilia told her, in those bedroom gossipings, dear to the hearts of the two friends? Cecilia has whispered, "Mr. Mirabel admires your figure; he calls you 'the Venus of Milo, in a state of perfect abridgment.'" Where is the daughter of Eve, who would not have been flattered by that pretty compliment—who would not have talked soft nonsense in return? "You can only think of Me," Emily repeats coquettishly. "Have you said that to the last young lady who occupied my place, and will you say it again to the next who follows me?"

"Not to one of them! Mere compliments are for the others—not for you."

"What is for me, Mr. Mirabel?"

"What I have just offered you—a confession of the truth."

Emily is startled by the tone in which he replies. He seems to be in earnest; not a vestige is left of the easy gayety of his manner. His face shows an expression of anxiety which she has never seen in it yet. "Do you believe me?" he asks in a whisper.

She tries to change the subject.

"When am I to hear you preach, Mr. Mirabel?"

He persists. "When you believe me," he says.

His eyes add an emphasis to that reply which is not to be mistaken. Emily turns away from him, and notices Francine. She has left the dance, and is looking with marked attention at Emily and Mirabel. "I want to speak to you," she says, and beckons impatiently to Emily.

Mirabel whispers, "Don't go!"

Emily rises nevertheless—ready to avail herself of the first excuse for leaving him. Francine meets her half way, and takes her roughly by the arm.

"What is it?" Emily asks.

"Suppose you leave off flirting with Mr. Mirabel, and make yourself of some use."

"In what way?"

"Use your ears—and look at that girl."

She points disdainfully to innocent Miss Plym. The rector's daughter possesses all the virtues, with one exception—the virtue of having an ear for music. When she sings, she is out of tune; and, when she plays, she murders time.

"Who can dance to such music as that?" says Francine. "Finish the waltz for her."

Emily naturally hesitates. "How can I take her place, unless she asks me?"

Francine laughs scornfully. "Say at once, you want to go back to Mr. Mirabel."

"Do you think I should have got up, when you beckoned to me," Emily rejoins, "if I had not wanted to get away from Mr. Mirabel?"

Instead of resenting this sharp retort, Francine suddenly breaks into good humor. "Come along, you little spit-fire; I'll manage it for you."

She leads Emily to the piano, and stops Miss Plym without a word of apology: "It's your turn to dance now. Here's Miss Brown waiting to relieve you."

Cecilia has not been unobservant, in her own quiet way, of what has been going on. Waiting until Francine and Miss Plym are out of hearing, she bends over Emily, and says, "My dear, I really do think Francine is in love with Mr. Mirabel."

"After having only been a week in the same house with him!" Emily exclaims.

"At any rate," said Cecilia, more smartly than usual, "she is jealous of you."


The next morning, Mr. Mirabel took two members of the circle at Monksmoor by surprise. One of them was Emily; and one of them was the master of the house.

Seeing Emily alone in the garden before breakfast, he left his room and joined her. "Let me say one word," he pleaded, "before we go to breakfast. I am grieved to think that I was so unfortunate as to offend you, last night."

Emily's look of astonishment answered for her before she could speak. "What can I have said or done," she asked, "to make you think that?"

"Now I breathe again!" he cried, with the boyish gayety of manner which was one of the secrets of his popularity among women. "I really feared that I had spoken thoughtlessly. It is a terrible confession for a clergyman to make—but it is not the less true that I am one of the most indiscreet men living. It is my rock ahead in life that I say the first thing which comes uppermost, without stopping to think. Being well aware of my own defects, I naturally distrust myself."

"Even in the pulpit?" Emily inquired.

He laughed with the readiest appreciation of the satire—although it was directed against himself.

"I like that question," he said; "it tells me we are as good friends again as ever. The fact is, the sight of the congregation, when I get into the pulpit, has the same effect upon me that the sight of the footlights has on an actor. All oratory (though my clerical brethren are shy of confessing it) is acting—without the scenery and the costumes. Did you really mean it, last night, when you said you would like to hear me preach?"

"Indeed, I did."

"How very kind of you. I don't think myself the sermon is worth the sacrifice. (There is another specimen of my indiscreet way of talking!) What I mean is, that you will have to get up early on Sunday morning, and drive twelve miles to the damp and dismal little village, in which I officiate for a man with a rich wife who likes the climate of Italy. My congregation works in the fields all the week, and naturally enough goes to sleep in church on Sunday. I have had to counteract that. Not by preaching! I wouldn't puzzle the poor people with my eloquence for the world. No, no: I tell them little stories out of the Bible—in a nice easy gossiping way. A quarter of an hour is my limit of time; and, I am proud to say, some of them (mostly the women) do to a certain extent keep awake. If you and the other ladies decide to honor me, it is needless to say you shall have one of my grand efforts. What will be the effect on my unfortunate flock remains to be seen. I will have the church brushed up, and luncheon of course at the parsonage. Beans, bacon, and beer—I haven't got anything else in the house. Are you rich? I hope not!"

"I suspect I am quite as poor as you are, Mr. Mirabel."

"I am delighted to hear it. (More of my indiscretion!) Our poverty is another bond between us."

Before he could enlarge on this text, the breakfast bell rang.

He gave Emily his arm, quite satisfied with the result of the morning's talk. In speaking seriously to her on the previous night, he had committed the mistake of speaking too soon. To amend this false step, and to recover his position in Emily's estimation, had been his object in view—and it had been successfully accomplished. At the breakfast-table that morning, the companionable clergyman was more amusing than ever.

The meal being over, the company dispersed as usual—with the one exception of Mirabel. Without any apparent reason, he kept his place at the table. Mr. Wyvil, the most courteous and considerate of men, felt it an attention due to his guest not to leave the room first. All that he could venture to do was to give a little hint. "Have you any plans for the morning?" he asked.

"I have a plan that depends entirely on yourself," Mirabel answered; "and I am afraid of being as indiscreet as usual, if I mention it. Your charming daughter tells me you play on the violin."

Modest Mr. Wyvil looked confused. "I hope you have not been annoyed," he said; "I practice in a distant room so that nobody may hear me."

"My dear sir, I am eager to hear you! Music is my passion; and the violin is my favorite instrument."

Mr. Wyvil led the way to his room, positively blushing with pleasure. Since the death of his wife he had been sadly in want of a little encouragement. His daughters and his friends were careful—over-careful, as he thought—of intruding on him in his hours of practice. And, sad to say, his daughters and his friends were, from a musical point of view, perfectly right.

Literature has hardly paid sufficient attention to a social phenomenon of a singularly perplexing kind. We hear enough, and more than enough, of persons who successfully cultivate the Arts—of the remarkable manner in which fitness for their vocation shows itself in early life, of the obstacles which family prejudice places in their way, and of the unremitting devotion which has led to the achievement of glorious results.

But how many writers have noticed those other incomprehensible persons, members of families innocent for generations past of practicing Art or caring for Art, who have notwithstanding displayed from their earliest years the irresistible desire to cultivate poetry, painting, or music; who have surmounted obstacles, and endured disappointments, in the single-hearted resolution to devote their lives to an intellectual pursuit—being absolutely without the capacity which proves the vocation, and justifies the sacrifice. Here is Nature, "unerring Nature," presented in flat contradiction with herself. Here are men bent on performing feats of running, without having legs; and women, hopelessly barren, living in constant expectation of large families to the end of their days. The musician is not to be found more completely deprived than Mr. Wyvil of natural capacity for playing on an instrument—and, for twenty years past, it had been the pride and delight of his heart to let no day of his life go by without practicing on the violin.

"I am sure I must be tiring you," he said politely—after having played without mercy for an hour and more.

No: the insatiable amateur had his own purpose to gain, and was not exhausted yet. Mr. Wyvil got up to look for some more music. In that interval desultory conversation naturally took place. Mirabel contrived to give it the necessary direction—the direction of Emily.

"The most delightful girl I have met with for many a long year past!" Mr. Wyvil declared warmly. "I don't wonder at my daughter being so fond of her. She leads a solitary life at home, poor thing; and I am honestly glad to see her spirits reviving in my house."

"An only child?" Mirabel asked.

In the necessary explanation that followed, Emily's isolated position in the world was revealed in few words. But one more discovery—the most important of all—remained to be made. Had she used a figure of speech in saying that she was as poor as Mirabel himself? or had she told him the shocking truth? He put the question with perfect delicacy—-but with unerring directness as well.

Mr. Wyvil, quoting his daughter's authority, described Emily's income as falling short even of two hundred a year. Having made that disheartening reply, he opened another music book. "You know this sonata, of course?" he said. The next moment, the violin was under his chin and the performance began.

While Mirabel was, to all appearance, listening with the utmost attention, he was actually endeavoring to reconcile himself to a serious sacrifice of his own inclinations. If he remained much longer in the same house with Emily, the impression that she had produced on him would be certainly strengthened—and he would be guilty of the folly of making an offer of marriage to a woman who was as poor as himself. The one remedy that could be trusted to preserve him from such infatuation as this, was absence. At the end of the week, he had arranged to return to Vale Regis for his Sunday duty; engaging to join his friends again at Monksmoor on the Monday following. That rash promise, there could be no further doubt about it, must not be fulfilled.

He had arrived at this resolution, when the terrible activity of Mr. Wyvil's bow was suspended by the appearance of a third person in the room.

Cecilia's maid was charged with a neat little three-cornered note from her young lady, to be presented to her master. Wondering why his daughter should write to him, Mr. Wyvil opened the note, and was informed of Cecilia's motive in these words:

"DEAREST PAPA—I hear Mr. Mirabel is with you, and as this is a secret, I must write. Emily has received a very strange letter this morning, which puzzles her and alarms me. When you are quite at liberty, we shall be so much obliged if you will tell us how Emily ought to answer it."

Mr. Wyvil stopped Mirabel, on the point of trying to escape from the music. "A little domestic matter to attend to," he said. "But we will finish the sonata first."


Out of the music room, and away from his violin, the sound side of Mr. Wyvil's character was free to assert itself. In his public and in his private capacity, he was an eminently sensible man.

As a member of parliament, he set an example which might have been followed with advantage by many of his colleagues. In the first place he abstained from hastening the downfall of representative institutions by asking questions and making speeches. In the second place, he was able to distinguish between the duty that he owed to his party, and the duty that he owed to his country. When the Legislature acted politically—that is to say, when it dealt with foreign complications, or electoral reforms—he followed his leader. When the Legislature acted socially—that is to say, for the good of the people—he followed his conscience. On the last occasion when the great Russian bugbear provoked a division, he voted submissively with his Conservative allies. But, when the question of opening museums and picture galleries on Sundays arrayed the two parties in hostile camps, he broke into open mutiny, and went over to the Liberals. He consented to help in preventing an extension of the franchise; but he refused to be concerned in obstructing the repeal of taxes on knowledge. "I am doubtful in the first case," he said, "but I am sure in the second." He was asked for an explanation: "Doubtful of what? and sure of what?" To the astonishment of his leader, he answered: "The benefit to the people." The same sound sense appeared in the transactions of his private life. Lazy and dishonest servants found that the gentlest of masters had a side to his character which took them by surprise. And, on certain occasions in the experience of Cecilia and her sister, the most indulgent of fathers proved to be as capable of saying No, as the sternest tyrant who ever ruled a fireside.

Called into council by his daughter and his guest, Mr. Wyvil assisted them by advice which was equally wise and kind—but which afterward proved, under the perverse influence of circumstances, to be advice that he had better not have given.

The letter to Emily which Cecilia had recommended to her father's consideration, had come from Netherwoods, and had been written by Alban Morris.

He assured Emily that he had only decided on writing to her, after some hesitation, in the hope of serving interests which he did not himself understand, but which might prove to be interests worthy of consideration, nevertheless. Having stated his motive in these terms, he proceeded to relate what had passed between Miss Jethro and himself. On the subject of Francine, Alban only ventured to add that she had not produced a favorable impression on him, and that he could not think her likely, on further experience, to prove a desirable friend.

On the last leaf were added some lines, which Emily was at no loss how to answer. She had folded back the page, so that no eyes but her own should see how the poor drawing-master finished his letter: "I wish you all possible happiness, my dear, among your new friends; but don't forget the old friend who thinks of you, and dreams of you, and longs to see you again. The little world I live in is a dreary world, Emily, in your absence. Will you write to me now and then, and encourage me to hope?"

Mr. Wyvil smiled, as he looked at the folded page, which hid the signature.

"I suppose I may take it for granted," he said slyly, "that this gentleman really has your interests at heart? May I know who he is?"

Emily answered the last question readily enough. Mr. Wyvil went on with his inquiries. "About the mysterious lady, with the strange name," he proceeded—"do you know anything of her?"

Emily related what she knew; without revealing the true reason for Miss Jethro's departure from Netherwoods. In after years, it was one of her most treasured remembrances, that she had kept secret the melancholy confession which had startled her, on the last night of her life at school.

Mr. Wyvil looked at Alban's letter again. "Do you know how Miss Jethro became acquainted with Mr. Mirabel?" he asked.

"I didn't even know that they were acquainted."

"Do you think it likely—if Mr. Morris had been talking to you instead of writing to you—that he might have said more than he has said in his letter?"

Cecilia had hitherto remained a model of discretion. Seeing Emily hesitate, temptation overcame her. "Not a doubt of it, papa!" she declared confidently.

"Is Cecilia right?" Mr. Wyvil inquired.

Reminded in this way of her influence over Alban, Emily could only make one honest reply. She admitted that Cecilia was right.

Mr. Wyvil thereupon advised her not to express any opinion, until she was in a better position to judge for herself. "When you write to Mr. Morris," he continued, "say that you will wait to tell him what you think of Miss Jethro, until you see him again."

"I have no prospect at present of seeing him again," Emily said.

"You can see Mr. Morris whenever it suits him to come here," Mr. Wyvil replied. "I will write and ask him to visit us, and you can inclose the invitation in your letter."

"Oh, Mr. Wyvil, how good of you!"

"Oh, papa, the very thing I was going to ask you to do!"

The excellent master of Monksmoor looked unaffectedly surprised. "What are you two young ladies making a fuss about?" he said. "Mr. Morris is a gentleman by profession; and—may I venture to say it, Miss Emily?—a valued friend of yours as well. Who has a better claim to be one of my guests?"

Cecilia stopped her father as he was about to leave the room. "I suppose we mustn't ask Mr. Mirabel what he knows of Miss Jethro?" she said.

"My dear, what can you be thinking of? What right have we to question Mr. Mirabel about Miss Jethro?"

"It's so very unsatisfactory, papa. There must be some reason why Emily and Mr. Mirabel ought not to meet—or why should Miss Jethro have been so very earnest about it?"

"Miss Jethro doesn't intend us to know why, Cecilia. It will perhaps come out in time. Wait for time."

Left together, the girls discussed the course which Alban would probably take, on receiving Mr. Wyvil's invitation.

"He will only be too glad," Cecilia asserted, "to have the opportunity of seeing you again."

"I doubt whether he will care about seeing me again, among strangers," Emily replied. "And you forget that there are obstacles in his way. How is he to leave his class?"

"Quite easily! His class doesn't meet on the Saturday half-holiday. He can be here, if he starts early, in time for luncheon; and he can stay till Monday or Tuesday."

"Who is to take his place at the school?"

"Miss Ladd, to be sure—if you make a point of it. Write to her, as well as to Mr. Morris."

The letters being written—and the order having been given to prepare a room for the expected guest—Emily and Cecilia returned to the drawing-room. They found the elders of the party variously engaged—the men with newspapers, and the ladies with work. Entering the conservatory next, they discovered Cecilia's sister languishing among the flowers in an easy chair. Constitutional laziness, in some young ladies, assumes an invalid character, and presents the interesting spectacle of perpetual convalescence. The doctor declared that the baths at St. Moritz had cured Miss Julia. Miss Julia declined to agree with the doctor.

"Come into the garden with Emily and me," Cecilia said.

"Emily and you don't know what it is to be ill," Julia answered.

The two girls left her, and joined the young people who were amusing themselves in the garden. Francine had taken possession of Mirabel, and had condemned him to hard labor in swinging her. He made an attempt to get away when Emily and Cecilia approached, and was peremptorily recalled to his duty. "Higher!" cried Miss de Sor, in her hardest tones of authority. "I want to swing higher than anybody else!" Mirabel submitted with gentleman-like resignation, and was rewarded by tender encouragement expressed in a look.

"Do you see that?" Cecilia whispered. "He knows how rich she is—I wonder whether he will marry her."

Emily smiled. "I doubt it, while he is in this house," she said. "You are as rich as Francine—and don't forget that you have other attractions as well."

Cecilia shook her head. "Mr. Mirabel is very nice," she admitted; "but I wouldn't marry him. Would you?"

Emily secretly compared Alban with Mirabel. "Not for the world!" she answered.

The next day was the day of Mirabel's departure. His admirers among the ladies followed him out to the door, at which Mr. Wyvil's carriage was waiting. Francine threw a nosegay after the departing guest as he got in. "Mind you come back to us on Monday!" she said. Mirabel bowed and thanked her; but his last look was for Emily, standing apart from the others at the top of the steps. Francine said nothing; her lips closed convulsively—she turned suddenly pale.


On the Monday, a plowboy from Vale Regis arrived at Monksmoor.

In respect of himself, he was a person beneath notice. In respect of his errand, he was sufficiently important to cast a gloom over the household. The faithless Mirabel had broken his engagement, and the plowboy was the herald of misfortune who brought his apology. To his great disappointment (he wrote) he was detained by the affairs of his parish. He could only trust to Mr. Wyvil's indulgence to excuse him, and to communicate his sincere sense of regret (on scented note paper) to the ladies.

Everybody believed in the affairs of the parish—with the exception of Francine. "Mr. Mirabel has made the best excuse he could think of for shortening his visit; and I don't wonder at it," she said, looking significantly at Emily.

Emily was playing with one of the dogs; exercising him in the tricks which he had learned. She balanced a morsel of sugar on his nose—and had no attention to spare for Francine.

Cecilia, as the mistress of the house, felt it her duty to interfere. "That is a strange remark to make," she answered. "Do you mean to say that we have driven Mr. Mirabel away from us?"

"I accuse nobody," Francine began with spiteful candor.

"Now she's going to accuse everybody!" Emily interposed, addressing herself facetiously to the dog.

"But when girls are bent on fascinating men, whether they like it or not," Francine proceeded, "men have only one alternative—they must keep out of the way." She looked again at Emily, more pointedly than ever.

Even gentle Cecilia resented this. "Whom do you refer to?" she said sharply.

"My dear!" Emily remonstrated, "need you ask?" She glanced at Francine as she spoke, and then gave the dog his signal. He tossed up the sugar, and caught it in his mouth. His audience applauded him—and so, for that time, the skirmish ended.

Among the letters of the next morning's delivery, arrived Alban's reply. Emily's anticipations proved to be correct. The drawing-master's du ties would not permit him to leave Netherwoods; and he, like Mirabel, sent his apologies. His short letter to Emily contained no further allusion to Miss Jethro; it began and ended on the first page.

Had he been disappointed by the tone of reserve in which Emily had written to him, under Mr. Wyvil's advice? Or (as Cecilia suggested) had his detention at the school so bitterly disappointed him that he was too disheartened to write at any length? Emily made no attempt to arrive at a conclusion, either one way or the other. She seemed to be in depressed spirits; and she spoke superstitiously, for the first time in Cecilia's experience of her.

"I don't like this reappearance of Miss Jethro," she said. "If the mystery about that woman is ever cleared up, it will bring trouble and sorrow to me—and I believe, in his own secret heart, Alban Morris thinks so too."

"Write, and ask him," Cecilia suggested.

"He is so kind and so unwilling to distress me," Emily answered, "that he wouldn't acknowledge it, even if I am right."

In the middle of the week, the course of private life at Monksmoor suffered an interruption—due to the parliamentary position of the master of the house.

The insatiable appetite for making and hearing speeches, which represents one of the marked peculiarities of the English race (including their cousins in the United States), had seized on Mr. Wyvil's constituents. There was to be a political meeting at the market hall, in the neighboring town; and the member was expected to make an oration, passing in review contemporary events at home and abroad. "Pray don't think of accompanying me," the good man said to his guests. "The hall is badly ventilated, and the speeches, including my own, will not be worth hearing."

This humane warning was ungratefully disregarded. The gentlemen were all interested in "the objects of the meeting"; and the ladies were firm in the resolution not to be left at home by themselves. They dressed with a view to the large assembly of spectators before whom they were about to appear; and they outtalked the men on political subjects, all the way to the town.

The most delightful of surprises was in store for them, when they reached the market hall. Among the crowd of ordinary gentlemen, waiting under the portico until the proceedings began, appeared one person of distinction, whose title was "Reverend," and whose name was Mirabel.

Francine was the first to discover him. She darted up the steps and held out her hand.

"This is a pleasure!" she cried. "Have you come here to see—" she was about to say Me, but, observing the strangers round her, altered the word to Us. "Please give me your arm," she whispered, before her young friends had arrived within hearing. "I am so frightened in a crowd!"

She held fast by Mirabel, and kept a jealous watch on him. Was it only her fancy? or did she detect a new charm in his smile when he spoke to Emily?

Before it was possible to decide, the time for the meeting had arrived. Mr. Wyvil's friends were of course accommodated with seats on the platform. Francine, still insisting on her claim to Mirabel's arm, got a chair next to him. As she seated herself, she left him free for a moment. In that moment, the infatuated man took an empty chair on the other side of him, and placed it for Emily. He communicated to that hated rival the information which he ought to have reserved for Francine. "The committee insist," he said, "on my proposing one of the Resolutions. I promise not to bore you; mine shall be the shortest speech delivered at the meeting."

The proceedings began.

Among the earlier speakers not one was inspired by a feeling of mercy for the audience. The chairman reveled in words. The mover and seconder of the first Resolution (not having so much as the ghost of an idea to trouble either of them), poured out language in flowing and overflowing streams, like water from a perpetual spring. The heat exhaled by the crowded audience was already becoming insufferable. Cries of "Sit down!" assailed the orator of the moment. The chairman was obliged to interfere. A man at the back of the hall roared out, "Ventilation!" and broke a window with his stick. He was rewarded with three rounds of cheers; and was ironically invited to mount the platform and take the chair.

Under these embarrassing circumstances, Mirabel rose to speak.

He secured silence, at the outset, by a humorous allusion to the prolix speaker who had preceded him. "Look at the clock, gentlemen," he said; "and limit my speech to an interval of ten minutes." The applause which followed was heard, through the broken window, in the street. The boys among the mob outside intercepted the flow of air by climbing on each other's shoulders and looking in at the meeting, through the gaps left by the shattered glass. Having proposed his Resolution with discreet brevity of speech, Mirabel courted popularity on the plan adopted by the late Lord Palmerston in the House of Commons—he told stories, and made jokes, adapted to the intelligence of the dullest people who were listening to him. The charm of his voice and manner completed his success. Punctually at the tenth minute, he sat down amid cries of "Go on." Francine was the first to take his hand, and to express admiration mutely by pressing it. He returned the pressure—but he looked at the wrong lady—the lady on the other side.

Although she made no complaint, he instantly saw that Emily was overcome by the heat. Her lips were white, and her eyes were closing. "Let me take you out," he said, "or you will faint."

Francine started to her feet to follow them. The lower order of the audience, eager for amusement, put their own humorous construction on the young lady's action. They roared with laughter. "Let the parson and his sweetheart be," they called out; "two's company, miss, and three isn't." Mr. Wyvil interposed his authority and rebuked them. A lady seated behind Francine interfered to good purpose by giving her a chair, which placed her out of sight of the audience. Order was restored—and the proceedings were resumed.

On the conclusion of the meeting, Mirabel and Emily were found waiting for their friends at the door. Mr. Wyvil innocently added fuel to the fire that was burning in Francine. He insisted that Mirabel should return to Monksmoor, and offered him a seat in the carriage at Emily's side.

Later in the evening, when they all met at dinner, there appeared a change in Miss de Sor which surprised everybody but Mirabel. She was gay and good-humored, and especially amiable and attentive to Emily—who sat opposite to her at the table. "What did you and Mr. Mirabel talk about while you were away from us?" she asked innocently. "Politics?"

Emily readily adopted Francine's friendly tone. "Would you have talked politics, in my place?" she asked gayly.

"In your place, I should have had the most delightful of companions," Francine rejoined; "I wish I had been overcome by the heat too!"

Mirabel—attentively observing her—acknowledged the compliment by a bow, and left Emily to continue the conversation. In perfect good faith she owned to having led Mirabel to talk of himself. She had heard from Cecilia that his early life had been devoted to various occupations, and she was interested in knowing how circumstances had led him into devoting himself to the Church. Francine listened with the outward appearance of implicit belief, and with the inward conviction that Emily was deliberately deceiving her. When the little narrative was at an end, she was more agreeable than ever. She admired Emily's dress, and she rivaled Cecilia in enjoyment of the good things on the table; she entertained Mirabel with humorous anecdotes of the priests at St. Domingo, and was so interested in the manufacture of violins, ancient and modern, that Mr. Wyvil promised to show her his famous collection of instruments, after dinner. Her overflowing amiability included even poor Miss Darnaway and the absent brothers and sisters. She heard with flattering sympathy, how they had been ill and had got well again; what amusing tricks they played, what alarming accidents happened to them, and how remarkably clever they were—"including, I do assure you, dear Miss de Sor, the baby only ten months old." When the ladies rose to retire, Francine was, socially speaking, the heroine of the evening.

While the violins were in course of exhibition, Mirabel found an opportunity of speaking to Emily, unobserved.

"Have you said, or done, anything to offend Miss de Sor?" he asked.

"Nothing whatever!" Emily declared, startled by the question. "What makes you think I have offended her?"

"I have been trying to find a reason for the change in her," Mirabel answered—"especially the change toward yourself."


"Well—she means mischief."

"Mischief of what sort?"

"Of a sort which may expose her to discovery—unless she disarms suspicion at the outset. That is (as I believe) exactly what she has been doing this evening. I needn't warn you to be on your guard."

All the next day Emily was on the watch for events—and nothing happened. Not the slightest appearance of jealousy betrayed itself in Francine. She made no attempt to attract to herself the attentions of Mirabel; and she showed no hostility to Emily, either by word, look, or manner.


The day after, an event occurred at Netherwoods. Alban Morris received an anonymous letter, addressed to him in these terms:

"A certain young lady, in whom you are supposed to be interested, is forgetting you in your absence. If you are not mean enough to allow yourself to be supplanted by another man, join the party at Monksmoor before it is too late."


The day after the political meeting was a day of departures, at the pleasant country house.

Miss Darnaway was recalled to the nursery at home. The old squire who did justice to Mr. Wyvil's port-wine went away next, having guests to entertain at his own house. A far more serious loss followed. The three dancing men had engagements which drew them to new spheres of activity in other drawing-rooms. They said, with the same dreary grace of manner, "Very sorry to go"; they drove to the railway, arrayed in the same perfect traveling suits of neutral tint; and they had but one difference of opinion among them—each firmly believed that he was smoking the best cigar to be got in London.

The morning after these departures would have been a dull morning indeed, but for the presence of Mirabel.

When breakfast was over, the invalid Miss Julia established herself on the sofa with a novel. Her father retired to the other end of the house, and profaned the art of music on music's most expressive instrument. Left with Emily, Cecilia, and Francine, Mirabel made one of his happy suggestions. "We are thrown on our own resources," he said. "Let us distinguish ourselves by inventing some entirely new amusement for the day. You young ladies shall sit in council—and I will be secretary." He turned to Cecilia. "The meeting waits to hear the mistress of the house."

Modest Cecilia appealed to her school friends for help; addressing herself in the first instance (by the secretary's advice) to Francine, as the eldest. They all noticed another change in this variable young person. She was silent and subdued; and she said wearily, "I don't care what we do—shall we go out riding?"

The unanswerable objection to riding as a form of amusement, was that it had been more than once tried already. Something clever and surprising was anticipated from Emily when it came to her turn. She, too, disappointed expectation. "Let us sit under the trees," was all that she could suggest, "and ask Mr. Mirabel to tell us a story."

Mirabel laid down his pen and took it on himself to reject this proposal. "Remember," he remonstrated, "that I have an interest in the diversions of the day. You can't expect me to be amused by my own story. I appeal to Miss Wyvil to invent a pleasure which will include the secretary."

Cecilia blushed and looked uneasy. "I think I have got an idea," she announced, after some hesitation. "May I propose that we all go to the keeper's lodge?" There her courage failed her, and she hesitated again.

Mirabel gravely registered the proposal, as far as it went. "What are we to do when we get to the keeper's lodge?" he inquired.

"We are to ask the keeper's wife," Cecilia proceeded, "to lend us her kitchen."

"To lend us her kitchen," Mirabel repeated.

"And what are we to do in the kitchen?"

Cecilia looked down at her pretty hands crossed on her lap, and answered softly, "Cook our own luncheon."

Here was an entirely new amusement, in the most attractive sense of the words! Here was charming Cecilia's interest in the pleasures of the table so happily inspired, that the grateful meeting offered its tribute of applause—even including Francine. The members of the council were young; their daring digestions contemplated without fear the prospect of eating their own amateur cookery. The one question that troubled them now was what they were to cook.

"I can make an omelet," Cecilia ventured to say.

"If there is any cold chicken to be had," Emily added, "I undertake to follow the omelet with a mayonnaise."

"There are clergymen in the Church of England who are even clever enough to fry potatoes," Mirabel announced—"and I am one of them. What shall we have next? A pudding? Miss de Sor, can you make a pudding?"

Francine exhibited another new side to her character—a diffident and humble side. "I am ashamed to say I don't know how to cook anything," she confessed; "you had better leave me out of it."

But Cecilia was now in her element. Her plan of operations was wide enough even to include Francine. "You shall wash the lettuce, my dear, and stone the olives for Emily's mayonnaise. Don't be discouraged! You shall have a companion; we will send to the rectory for Miss Plym—the very person to chop parsley and shallot for my omelet. Oh, Emily, what a morning we are going to have!" Her lovely blue eyes sparkled with joy; she gave Emily a kiss which Mirabel must have been more or less than man not to have coveted. "I declare," cried Cecilia, completely losing her head, "I'm so excited, I don't know what to do with myself!"

Emily's intimate knowledge of her friend applied the right remedy. "You don't know what to do with yourself?" she repeated. "Have you no sense of duty? Give the cook your orders."

Cecilia instantly recovered her presence of mind. She sat down at the writing-table, and made out a list of eatable productions in the animal and vegetable world, in which every other word was underlined two or three times over. Her serious face was a sight to see, when she rang for the cook, and the two held a privy council in a corner.

On the way to the keeper's lodge, the young mistress of the house headed a procession of servants carrying the raw materials. Francine followed, held in custody by Miss Plym—who took her responsibilities seriously, and clamored for instruction in the art of chopping parsley. Mirabel and Emily were together, far behind; they were the only two members of the company whose minds were not occupied in one way or another by the kitchen.

"This child's play of ours doesn't seem to interest you," Mirabel remarked.

"I am thinking," Emily answered, "of what you said to me about Francine."

"I can say something more," he rejoined. "When I noticed the change in her at dinner, I told you she meant mischief. There is another change to-day, which suggests to my mind that the mischief is done."

"And directed against me?" Emily asked.

Mirabel made no direct reply. It was impossible for him to remind her that she had, no matter how innocently, exposed herself to the jealous hatred of Francine. "Time will tell us, what we don't know now," he replied evasively.

"You seem to have faith in time, Mr. Mirabel."

"The greatest faith. Time is the inveterate enemy of deceit. Sooner or later, every hidden thing is a thing doomed to discovery."

"Without exception?"

"Yes," he answered positively, "without exception."

At that moment Francine stopped and looked back at them. Did she think that Emily and Mirabel had been talking together long enough? Miss Plym—with the parsley still on her mind—-advanced to consult Emil y's experience. The two walked on together, leaving Mirabel to overtake Francine. He saw, in her first look at him, the effort that it cost her to suppress those emotions which the pride of women is most deeply interested in concealing. Before a word had passed, he regretted that Emily had left them together.

"I wish I had your cheerful disposition," she began, abruptly. "I am out of spirits or out of temper—I don't know which; and I don't know why. Do you ever trouble yourself with thinking of the future?"

"As seldom as possible, Miss de Sor. In such a situation as mine, most people have prospects—I have none."

He spoke gravely, conscious of not feeling at ease on his side. If he had been the most modest man that ever lived, he must have seen in Francine's face that she loved him.

When they had first been presented to each other, she was still under the influence of the meanest instincts in her scheming and selfish nature. She had thought to herself, "With my money to help him, that man's celebrity would do the rest; the best society in England would be glad to receive Mirabel's wife." As the days passed, strong feeling had taken the place of those contemptible aspirations: Mirabel had unconsciously inspired the one passion which was powerful enough to master Francine—sensual passion. Wild hopes rioted in her. Measureless desires which she had never felt before, united themselves with capacities for wickedness, which had been the horrid growth of a few nights—capacities which suggested even viler attempts to rid herself of a supposed rivalry than slandering Emily by means of an anonymous letter. Without waiting for it to be offered, she took Mirabel's arm, and pressed it to her breast as they slowly walked on. The fear of discovery which had troubled her after she had sent her base letter to the post, vanished at that inspiriting moment. She bent her head near enough to him when he spoke to feel his breath on her face.

"There is a strange similarity," she said softly, "between your position and mine. Is there anything cheering in my prospects? I am far away from home—my father and mother wouldn't care if they never saw me again. People talk about my money! What is the use of money to such a lonely wretch as I am? Suppose I write to London, and ask the lawyer if I may give it all away to some deserving person? Why not to you?"

"My dear Miss de Sor—!"

"Is there anything wrong, Mr. Mirabel, in wishing that I could make you a prosperous man?"

"You must not even talk of such a thing!"

"How proud you are!" she said submissively.

"Oh, I can't bear to think of you in that miserable village—a position so unworthy of your talents and your claims! And you tell me I must not talk about it. Would you have said that to Emily, if she was as anxious as I am to see you in your right place in the world?"

"I should have answered her exactly as I have answered you."

"She will never embarrass you, Mr. Mirabel, by being as sincere as I am. Emily can keep her own secrets."

"Is she to blame for doing that?"

"It depends on your feeling for her."

"What feeling do you mean?"

"Suppose you heard she was engaged to be married?" Francine suggested.

Mirabel's manner—studiously cold and formal thus far—altered on a sudden. He looked with unconcealed anxiety at Francine. "Do you say that seriously?" he asked.

"I said 'suppose.' I don't exactly know that she is engaged."

"What do you know?"

"Oh, how interested you are in Emily! She is admired by some people. Are you one of them?"

Mirabel's experience of women warned him to try silence as a means of provoking her into speaking plainly. The experiment succeeded: Francine returned to the question that he had put to her, and abruptly answered it.

"You may believe me or not, as you like—I know of a man who is in love with her. He has had his opportunities; and he has made good use of them. Would you like to know who he is?"

"I should like to know anything which you may wish to tell me." He did his best to make the reply in a tone of commonplace politeness—and he might have succeeded in deceiving a man. The woman's quicker ear told her that he was angry. Francine took the full advantage of that change in her favor.

"I am afraid your good opinion of Emily will be shaken," she quietly resumed, "when I tell you that she has encouraged a man who is only drawing-master at a school. At the same time, a person in her circumstances—I mean she has no money—ought not to be very hard to please. Of course she has never spoken to you of Mr. Alban Morris?"

"Not that I remember."

Only four words—but they satisfied Francine.

The one thing wanting to complete the obstacle which she had now placed in Emily's way, was that Alban Morris should enter on the scene. He might hesitate; but, if he was really fond of Emily, the anonymous letter would sooner or later bring him to Monksmoor. In the meantime, her object was gained. She dropped Mirabel's arm.

"Here is the lodge," she said gayly—"I declare Cecilia has got an apron on already! Come, and cook."


Mirabel left Francine to enter the lodge by herself. His mind was disturbed: he felt the importance of gaining time for reflection before he and Emily met again.

The keeper's garden was at the back of the lodge. Passing through the wicket-gate, he found a little summer-house at a turn in the path. Nobody was there: he went in and sat down.

At intervals, he had even yet encouraged himself to underrate the true importance of the feeling which Emily had awakened in him. There was an end to all self-deception now. After what Francine had said to him, this shallow and frivolous man no longer resisted the all-absorbing influence of love. He shrank under the one terrible question that forced itself on his mind:—Had that jealous girl spoken the truth?

In what process of investigation could he trust, to set this anxiety at rest? To apply openly to Emily would be to take a liberty, which Emily was the last person in the world to permit. In his recent intercourse with her he had felt more strongly than ever the importance of speaking with reserve. He had been scrupulously careful to take no unfair advantage of his opportunity, when he had removed her from the meeting, and when they had walked together, with hardly a creature to observe them, in the lonely outskirts of the town. Emily's gaiety and good humor had not led him astray: he knew that these were bad signs, viewed in the interests of love. His one hope of touching her deeper sympathies was to wait for the help that might yet come from time and chance. With a bitter sigh, he resigned himself to the necessity of being as agreeable and amusing as ever: it was just possible that he might lure her into alluding to Alban Morris, if he began innocently by making her laugh.

As he rose to return to the lodge, the keeper's little terrier, prowling about the garden, looked into the summer-house. Seeing a stranger, the dog showed his teeth and growled.

Mirabel shrank back against the wall behind him, trembling in every limb. His eyes stared in terror as the dog came nearer: barking in high triumph over the discovery of a frightened man whom he could bully. Mirabel called out for help. A laborer at work in the garden ran to the place—and stopped with a broad grin of amusement at seeing a grown man terrified by a barking dog. "Well," he said to himself, after Mirabel had passed out under protection, "there goes a coward if ever there was one yet!"

Mirabel waited a minute behind the lodge to recover himself. He had been so completely unnerved that his hair was wet with perspiration. While he used his handkerchief, he shuddered at other recollections than the recollection of the dog. "After that night at the inn," he thought, "the least thing frightens me!"

He was received by the young ladies with cries of derisive welcome. "Oh, for shame! for shame! here are the potatoes already cut, and nobody to fry them!"

Mirabel assumed the mask of cheerfulness—with the desperate resolution of an actor, amusing his audience at a time of domestic distress. He astonished the keeper's wife by showing that he really knew how to use her frying-pan. Cecilia's omelet was tough—but the young ladies ate it. Emily's mayonnaise sauce was almost as liquid as water—they swallowed it nevertheless by the help of spoons. The potatoes followed, crisp and dry and delicious—and Mirabel became more popular than ever. "He is the only one of us," Cecilia sadly acknowledged, "who knows how to cook."

When they all left the lodge for a stroll in the park, Francine attached herself to Cecilia and Miss Plym. She resigned Mirabel to Emily—in the happy belief that she had paved the way for a misunderstanding between them.

The merriment at the luncheon table had revived Emily's good spirits. She had a light-hearted remembrance of the failure of her sauce. Mirabel saw her smiling to herself. "May I ask what amuses you?" he said.

"I was thinking of the debt of gratitude that we owe to Mr. Wyvil," she replied. "If he had not persuaded you to return to Monksmoor, we should never have seen the famous Mr. Mirabel with a frying pan in his hand, and never have tasted the only good dish at our luncheon."

Mirabel tried vainly to adopt his companion's easy tone. Now that he was alone with her, the doubts that Francine had aroused shook the prudent resolution at which he had arrived in the garden. He ran the risk, and told Emily plainly why he had returned to Mr. Wyvil's house.

"Although I am sensible of our host's kindness," he answered, "I should have gone back to my parsonage—but for You."

She declined to understand him seriously. "Then the affairs of your parish are neglected—and I am to blame!" she said.

"Am I the first man who has neglected his duties for your sake?" he asked. "I wonder whether the masters at school had the heart to report you when you neglected your lessons?"

She thought of Alban—and betrayed herself by a heightened color. The moment after, she changed the subject. Mirabel could no longer resist the conclusion that Francine had told him the truth.

"When do you leave us," she inquired.

"To-morrow is Saturday—I must go back as usual."

"And how will your deserted parish receive you?"

He made a desperate effort to be as amusing as usual.

"I am sure of preserving my popularity," he said, "while I have a cask in the cellar, and a few spare sixpences in my pocket. The public spirit of my parishioners asks for nothing but money and beer. Before I went to that wearisome meeting, I told my housekeeper that I was going to make a speech about reform. She didn't know what I meant. I explained that reform might increase the number of British citizens who had the right of voting at elections for parliament. She brightened up directly. 'Ah,' she said, 'I've heard my husband talk about elections. The more there are of them (he says) the more money he'll get for his vote. I'm all for reform.' On my way out of the house, I tried the man who works in my garden on the same subject. He didn't look at the matter from the housekeeper's sanguine point of view. 'I don't deny that parliament once gave me a good dinner for nothing at the public-house,' he admitted. 'But that was years ago—and (you'll excuse me, sir) I hear nothing of another dinner to come. It's a matter of opinion, of course. I don't myself believe in reform.' There are specimens of the state of public spirit in our village!" He paused. Emily was listening—but he had not succeeded in choosing a subject that amused her. He tried a topic more nearly connected with his own interests; the topic of the future. "Our good friend has asked me to prolong my visit, after Sunday's duties are over," he said. "I hope I shall find you here, next week?"

"Will the affairs of your parish allow you to come back?" Emily asked mischievously.

"The affairs of my parish—if you force me to confess it—were only an excuse."

"An excuse for what?"

"An excuse for keeping away from Monksmoor—in the interests of my own tranquillity. The experiment has failed. While you are here, I can't keep away."

She still declined to understand him seriously. "Must I tell you in plain words that flattery is thrown away on me?" she said.

"Flattery is not offered to you," he answered gravely. "I beg your pardon for having led to the mistake by talking of myself." Having appealed to her indulgence by that act of submission, he ventured on another distant allusion to the man whom he hated and feared. "Shall I meet any friends of yours," he resumed, "when I return on Monday?"

"What do you mean?"

"I only meant to ask if Mr. Wyvil expects any new guests?"

As he put the question, Cecilia's voice was heard behind them, calling to Emily. They both turned round. Mr. Wyvil had joined his daughter and her two friends. He advanced to meet Emily.

"I have some news for you that you little expect," he said. "A telegram has just arrived from Netherwoods. Mr. Alban Morris has got leave of absence, and is coming here to-morrow."


Time at Monksmoor had advanced to the half hour before dinner, on Saturday evening.

Cecilia and Francine, Mr. Wyvil and Mirabel, were loitering in the conservatory. In the drawing-room, Emily had been considerately left alone with Alban. He had missed the early train from Netherwoods; but he had arrived in time to dress for dinner, and to offer the necessary explanations.

If it had been possible for Alban to allude to the anonymous letter, he might have owned that his first impulse had led him to destroy it, and to assert his confidence in Emily by refusing Mr. Wyvil's invitation. But try as he might to forget them, the base words that he had read remained in his memory. Irritating him at the outset, they had ended in rousing his jealousy. Under that delusive influence, he persuaded himself that he had acted, in the first instance, without due consideration. It was surely his interest—it might even be his duty—to go to Mr. Wyvil's house, and judge for himself. After some last wretched moments of hesitation, he had decided on effecting a compromise with his own better sense, by consulting Miss Ladd. That excellent lady did exactly what he had expected her to do. She made arrangements which granted him leave of absence, from the Saturday to the Tuesday following. The excuse which had served him, in telegraphing to Mr. Wyvil, must now be repeated, in accounting for his unexpected appearance to Emily. "I found a person to take charge of my class," he said; "and I gladly availed myself of the opportunity of seeing you again."

After observing him attentively, while he was speaking to her, Emily owned, with her customary frankness, that she had noticed something in his manner which left her not quite at her ease.

"I wonder," she said, "if there is any foundation for a doubt that has troubled me?" To his unutterable relief, she at once explained what the doubt was. "I am afraid I offended you, in replying to your letter about Miss Jethro."

In this case, Alban could enjoy the luxury of speaking unreservedly. He confessed that Emily's letter had disappointed him.

"I expected you to answer me with less reserve," he replied; "and I began to think I had acted rashly in writing to you at all. When there is a better opportunity, I may have a word to say—" He was apparently interrupted by something that he saw in the conservatory. Looking that way, Emily perceived that Mirabel was the object which had attracted Alban's attention. The vile anonymous letter was in his mind again. Without a preliminary word to prepare Emily, he suddenly changed the subject. "How do you like the clergyman?" he asked.

"Very much indeed," she replied, without the slightest embarrassment. "Mr. Mirabel is clever and agreeable—and not at all spoiled by his success. I am sure," she said innocently, "you will like him too."

Alban's face answered her unmistakably in the negative sense—but Emily's attention was drawn the other way by Francine. She joined them at the moment, on the lookout for any signs of an encouraging result which her treachery might already have produced. Alban had been inclined to suspect her when he had received the letter. He rose and bowed as she approached. Something—he was unable to realize what it was—told him, in the moment when they looked at each other, that his suspicion had hit the mark.

In the conservatory the ever-amiable Mirabel had left his friends for a while in search of flowers for Cecilia. She turned to her father when they were alone, and asked him which of the gentlemen was to take her in to dinner—Mr. Mirabel or Mr. Morris?

"Mr. Morris, of course," he answered. "He is the new guest—and he turns out to be more than the equal, socially-speaking, of our other friend. When I showed him his room, I asked if he was related to a man who bore the same name—a fellow student of mine, years and years ago, at college. He is my friend's younger son; one of a ruined family—but persons of high distinction in their day."

Mirabel returned with the flowers, just as dinner was announced.

"You are to take Emily to-day," Cecilia said to him, leading the way out of the conservatory. As they entered the drawing-room, Alban was just offering his arm to Emily. "Papa gives you to me, Mr. Morris," Cecilia explained pleasantly. Alban hesitated, apparently not understanding the allusion. Mirabel interfered with his best grace: "Mr. Wyvil offers you the honor of taking his daughter to the dining-room." Alban's face darkened ominously, as the elegant little clergyman gave his arm to Emily, and followed Mr. Wyvil and Francine out of the room. Cecilia looked at her silent and surly companion, and almost envied her lazy sister, dining—under cover of a convenient headache—in her own room.

Having already made up his mind that Alban Morris required careful handling, Mirabel waited a little before he led the conversation as usual. Between the soup and the fish, he made an interesting confession, addressed to Emily in the strictest confidence.

"I have taken a fancy to your friend Mr. Morris," he said. "First impressions, in my case, decide everything; I like people or dislike them on impulse. That man appeals to my sympathies. Is he a good talker?"

"I should say Yes," Emily answered prettily, "if you were not present."

Mirabel was not to be beaten, even by a woman, in the art of paying compliments. He looked admiringly at Alban (sitting opposite to him), and said: "Let us listen."

This flattering suggestion not only pleased Emily—it artfully served Mirabel's purpose. That is to say, it secured him an opportunity for observation of what was going on at the other side of the table.

Alban's instincts as a gentleman had led him to control his irritation and to regret that he had suffered it to appear. Anxious to please, he presented himself at his best. Gentle Cecilia forgave and forgot the angry look which had startled her. Mr. Wyvil was delighted with the son of his old friend. Emily felt secretly proud of the good opinions which her admirer was gathering; and Francine saw with pleasure that he was asserting his claim to Emily's preference, in the way of all others which would be most likely to discourage his rival. These various impressions—produced while Alban's enemy was ominously silent—began to suffer an imperceptible change, from the moment when Mirabel decided that his time had come to take the lead. A remark made by Alban offered him the chance for which he had been on the watch. He agreed with the remark; he enlarged on the remark; he was brilliant and familiar, and instructive and amusing—and still it was all due to the remark. Alban's temper was once more severely tried. Mirabel's mischievous object had not escaped his penetration. He did his best to put obstacles in the adversary's way—and was baffled, time after time, with the readiest ingenuity. If he interrupted—the sweet-tempered clergyman submitted, and went on. If he differed—modest Mr. Mirabel said, in the most amiable manner, "I daresay I am wrong," and handled the topic from his opponent's point of view. Never had such a perfect Christian sat before at Mr. Wyvil's table: not a hard word, not an impatient look, escaped him. The longer Alban resisted, the more surely he lost ground in the general estimation. Cecilia was disappointed; Emily was grieved; Mr. Wyvil's favorable opinion began to waver; Francine was disgusted. When dinner was over, and the carriage was waiting to take the shepherd back to his flock by moonlight, Mirabel's triumph was complete. He had made Alban the innocent means of publicly exhibiting his perfect temper and perfect politeness, under their best and brightest aspect.

So that day ended. Sunday promised to pass quietly, in the absence of Mirabel. The morning came—and it seemed doubtful whether the promise would be fulfilled.

Francine had passed an uneasy night. No such encouraging result as she had anticipated had hitherto followed the appearance of Alban Morris at Monksmoor. He had clumsily allowed Mirabel to improve his position—while he had himself lost ground—in Emily's estimation. If this first disastrous consequence of the meeting between the two men was permitted to repeat itself on future occasions, Emily and Mirabel would be brought more closely together, and Alban himself would be the unhappy cause of it. Francine rose, on the Sunday morning, before the table was laid for breakfast—resolved to try the effect of a timely word of advice.

Her bedroom was situated in the front of the house. The man she was looking for presently passed within her range of view from the window, on his way to take a morning walk in the park. She followed him immediately.

"Good-morning, Mr. Morris."

He raised his hat and bowed—without speaking, and without looking at her.

"We resemble each other in one particular," she proceeded, graciously; "we both like to breathe the fresh air before breakfast."

He said exactly what common politeness obliged him to say, and no more—he said, "Yes."

Some girls might have been discouraged. Francine went on.

"It is no fault of mine, Mr. Morris, that we have not been better friends. For some reason, into which I don't presume to inquire, you seem to distrust me. I really don't know what I have done to deserve it."

"Are you sure of that?" he asked—eying her suddenly and searchingly as he spoke.

Her hard face settled into a rigid look; her eyes met his eyes with a stony defiant stare. Now, for the first time, she knew that he suspected her of having written the anonymous letter. Every evil quality in her nature steadily defied him. A hardened old woman could not have sustained the shock of discovery with a more devilish composure than this girl displayed. "Perhaps you will explain yourself," she said.

"I have explained myself," he answered.

"Then I must be content," she rejoined, "to remain in the dark. I had intended, out of my regard for Emily, to suggest that you might—with advantage to yourself, and to interests that are very dear to you—be more careful in your behavior to Mr. Mirabel. Are you disposed to listen to me?"

"Do you wish me to answer that question plainly, Miss de Sor?"

"I insist on your answering it plainly."

"Then I am not disposed to listen to you."

"May I know why? or am I to be left in the dark again?"

"You are to be left, if you please, to your own ingenuity."

Francine looked at him, with a malignant smile. "One of these days, Mr. Morris—I will deserve your confidence in my ingenuity." She said it, and went back to the house.

This was the only element of disturbance that troubled the perfect tranquillity of the day. What Francine had proposed to do, with the one idea of making Alban serve her purpose, was accomplished a few hours later by Emily's influence for good over the man who loved her.

They passed the afternoon together uninterruptedly in the distant solitudes of the park. In the course of conversation Emily found an opportunity of discreetly alluding to Mirabel. "You mustn't be jealous of our clever little friend," she said; "I like him, and admire him; but—"

"But you don't love him?"

She smiled at the eager way in which Alban put the question.

"There is no fear of that," she answered brightly.

"Not even if you discovered that he loves you?"

"Not even then. Are you content at last? Promise me not to be rude to Mr. Mirabel again."

"For his sake?"

"No—for my sake. I don't like to see you place yourself at a disadvantage toward another man; I don't like you to disappoint me."

The happiness of hearing her say those words transfigured him—the manly beauty of his earlier and happier years seemed to have returned to Alban. He took her hand—he was too agitated to speak.

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