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I Say No
by Wilkie Collins
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"We don't care to know how you came by your name," he said.

"Rude," Mrs. Rook remarked, composedly. "But nothing surprises me, coming from a man."

She turned to Emily. "My father and mother were a wicked married couple," she continued, "before I was born. They 'got religion,' as the saying is, at a Methodist meeting in a field. When I came into the world—I don't know how you feel, miss; I protest against being brought into the world without asking my leave first—my mother was determined to dedicate me to piety, before I was out of my long clothes. What name do you suppose she had me christened by? She chose it, or made it, herself—the name of 'Righteous'! Righteous Rook! Was there ever a poor baby degraded by such a ridiculous name before? It's needless to say, when I write letters, I sign R. Rook—and leave people to think it's Rosamond, or Rosabelle, or something sweetly pretty of that kind. You should have seen my husband's face when he first heard that his sweetheart's name was 'Righteous'! He was on the point of kissing me, and he stopped. I daresay he felt sick. Perfectly natural under the circumstances."

Alban tried to stop her again. "What time does the train go?" he asked.

Emily entreated him to restrain himself, by a look. Mrs. Rook was still too inveterately amiable to take offense. She opened her traveling-bag briskly, and placed a railway guide in Alban's hands.

"I've heard that the women do the men's work in foreign parts," she said. "But this is England; and I am an Englishwoman. Find out when the train goes, my dear sir, for yourself."

Alban at once consulted the guide. If there proved to be no immediate need of starting for the station, he was determined that Emily should not be condemned to pass the interval in the housekeeper's company. In the meantime, Mrs. Rook was as eager as ever to show her dear young lady what an amusing companion she could be.

"Talking of husbands," she resumed, "don't make the mistake, my dear, that I committed. Beware of letting anybody persuade you to marry an old man. Mr. Rook is old enough to be my father. I bear with him. Of course, I bear with him. At the same time, I have not (as the poet says) 'passed through the ordeal unscathed.' My spirit—I have long since ceased to believe in anything of the sort: I only use the word for want of a better—my spirit, I say, has become embittered. I was once a pious young woman; I do assure you I was nearly as good as my name. Don't let me shock you; I have lost faith and hope; I have become—what's the last new name for a free-thinker? Oh, I keep up with the times, thanks to old Miss Redwood! She takes in the newspapers, and makes me read them to her. What is the new name? Something ending in ic. Bombastic? No, Agnostic?—that's it! I have become an Agnostic. The inevitable result of marrying an old man; if there's any blame it rests on my husband."

"There's more than an hour yet before the train starts," Alban interposed. "I am sure, Miss Emily, you would find it pleasanter to wait in the garden."

"Not at all a bad notion," Mrs. Rook declared. "Here's a man who can make himself useful, for once. Let's go into the garden."

She rose, and led the way to the door. Alban seized the opportunity of whispering to Emily.

"Did you notice the empty decanter, when we first came in? That horrid woman is drunk."

Emily pointed significantly to the locket. "Don't let her go. The garden will distract her attention: keep her near me here."

Mrs. Rook gayly opened the door. "Take me to the flower-beds," she said. "I believe in nothing—but I adore flowers."

Mrs. Rook waited at the door, with her eye on Emily. "What do you say, miss?"

"I think we shall be more comfortable if we stay where we are."

"Whatever pleases you, my dear, pleases me." With this reply, the compliant housekeeper—as amiable as ever on the surface—returned to her chair.

Would she notice the locket as she sat down? Emily turned toward the window, so as to let the light fall on the diamonds.

No: Mrs. Rook was absorbed, at the moment, in her own reflections. Miss Emily, having prevented her from seeing the garden, she was maliciously bent on disappointing Miss Emily in return. Sir Jervis's secretary (being young) took a hopeful view no doubt of her future prospects. Mrs. Rook decided on darkening that view in a mischievously-suggestive manner, peculiar to herself.

"You will naturally feel some curiosity about your new home," she began, "and I haven't said a word about it yet. How very thoughtless of me! Inside and out, dear Miss Emily, our house is just a little dull. I say our house, and why not—when the management of it is all thrown on me. We are built of stone; and we are much too long, and are not half high enough. Our situation is on the coldest side of the county, away in the west. We are close to the Cheviot hills; and if you fancy there is anything to see when you look out of window, except sheep, you will find yourself woefully mistaken. As for walks, if you go out on one side of the house you may, or may not, be gored by cattle. On the other side, if the darkness overtakes you, you may, or may not, tumble down a deserted lead mine. But the company, inside the house, makes amends for it all," Mrs. Rook proceeded, enjoying the expression of dismay which was beginning to show itself on Emily's face. "Plenty of excitement for you, my dear, in our small family. Sir Jervis will introduce you to plaster casts of hideous Indian idols; he will keep you writing for him, without mercy, from morning to night; and when he does let you go, old Miss Redwood will find she can't sleep, and will send for the pretty young lady-secretary to read to her. My husband I am sure you will like. He is a respectable man, and bears the highest character. Next to the idols, he's the most hideous object in the house. If you are good enough to encourage him, I don't say that he won't amuse you; he will tell you, for instance, he never in his life hated any human being as he hates his wife. By the way, I must not forget—in the interests of truth, you know—to mention one drawback that does exist in our domestic circle. One of these days we shall have our brains blown out or our throats cut. Sir Jervis's mother left him ten thousand pounds' worth of precious stones all contained in a little cabinet with drawers. He won't let the banker take care of his jewels; he won't sell them; he won't even wear one of the rings on his finger, or one of the pins at his breast. He keeps his cabinet on his dressing-room table; and he says, 'I like to gloat over my jewels, every night, before I go to bed.' Ten thousand pounds' worth of diamonds, rubies, emeralds, sapphires, and what not—at the mercy of the first robber who happens to hear of them. Oh, my dear, he would have no choice, I do assure you, but to use his pistols. We shouldn't quietly submit to be robbed. Sir Jervis inherits the spirit of his ancestors. My husband has the temper of a game cock. I myself, in defense of the property of my employers, am capable of becoming a perfect fiend. And we none of us understand the use of firearms!"

While she was in full enjoyment of this last aggravation of the horrors of the prospect, Emily tried another change of position—and, this time, with success. Greedy admiration suddenly opened Mrs. Rook's little eyes to their utmost width. "My heart alive, miss, what do I see at your watch-chain? How they sparkle! Might I ask for a closer view?"

Emily's fingers trembled; but she succeeded in detaching the locket from the chain. Alban handed it to Mrs. Rook.

She began by admiring the diamonds—with a certain reserve. "Nothing like so large as Sir Jervis's diamonds; but choice specimens no doubt. Might I ask what the value—?"

She stopped. The inscription had attracted her notice: she began to read it aloud: "In loving memory of my father. Died—"

Her face instantly became rigid. The next words were suspended on her lips.

Alban seized the chance of making her betray herself—under pretense of helping her. "Perhaps you find the figures not easy to read," he said. "The date is 'thirtieth September, eighteen hundred and seventy-seven'—nearly four years since."

Not a word, not a movement, escaped Mrs. Rook. She held the locket before her as she had held it from the first. Alban looked at Emily. Her eyes were riveted on the housekeeper: she was barely capable of preserving the appearance of composure. Seeing the necessity of acting for her, he at once said the words which she was unable to say for herself.

"Perhaps, Mrs. Rook, you would like to look at the portrait?" he suggested. "Shall I open the locket for you?"

Without speaking, without looking up, she handed the locket to Alban.

He opened it, and offered it to her. She neither accepted nor refused it: her hands remained hanging over the arms of the chair. He put the locket on her lap.

The portrait produced no marked effect on Mrs. Rook. Had the date prepared her to see it? She sat looking at it—still without moving: still without saying a word. Alban had no mercy on her. "That is the portrait of Miss Emily's father," he said. "Does it represent the same Mr. Brown whom you had in your mind when you asked me if Miss Emily's father was still living?"

That question roused her. She looked up, on the instant; she answered loudly and insolently: "No!"

"And yet," Alban persisted, "you broke down in reading the inscription: and considering what talkative woman you are, the portrait has had a strange effect on you—to say the least of it."

She eyed him steadily while he was speaking—and turned to Emily when he had done. "You mentioned the heat just now, miss. The heat has overcome me; I shall soon get right again."

The insolent futility of that excuse irritated Emily into answering her. "You will get right again perhaps all the sooner," she said, "if we trouble you with no more questions, and leave you to recover by yourself."

The first change of expression which relaxed the iron tensity of the housekeeper's face showed itself when she heard that reply. At last there was a feeling in Mrs. Rook which openly declared itself—a feeling of impatience to see Alban and Emily leave the room.

They left her, without a word more.



CHAPTER X. GUESSES AT THE TRUTH.

"What are we to do next? Oh, Mr. Morris, you must have seen all sorts of people in your time—you know human nature, and I don't. Help me with a word of advice!"

Emily forgot that he was in love with her—forgot everything, but the effect produced by the locket on Mrs. Rook, and the vaguely alarming conclusion to which it pointed. In the fervor of her anxiety she took Alban's arm as familiarly as if he had been her brother. He was gentle, he was considerate; he tried earnestly to compose her. "We can do nothing to any good purpose," he said, "unless we begin by thinking quietly. Pardon me for saying so—you are needlessly exciting yourself."

There was a reason for her excitement, of which he was necessarily ignorant. Her memory of the night interview with Miss Jethro had inevitably intensified the suspicion inspired by the conduct of Mrs. Rook. In less than twenty-four hours, Emily had seen two women shrinking from secret remembrances of her father—which might well be guilty remembrances—innocently excited by herself! How had they injured him? Of what infamy, on their parts, did his beloved and stainless memory remind them? Who could fathom the mystery of it? "What does it mean?" she cried, looking wildly in Alban's compassionate face. "You must have formed some idea of your own. What does it mean?"

"Come, and sit down, Miss Emily. We will try if we can find out what it means, together."

They returned to the shady solitude under the trees. Away, in front of the house, the distant grating of carriage wheels told of the arrival of Miss Ladd's guests, and of the speedy beginning of the ceremonies of the day.

"We must help each other," Alban resumed.

"When we first spoke of Mrs. Rook, you mentioned Miss Cecilia Wyvil as a person who knew something about her. Have you any objection to tell me what you may have heard in that way?"

In complying with his request Emily necessarily repeated what Cecilia had told Francine, when the two girls had met that morning in the garden.

Alban now knew how Emily had obtained employment as Sir Jervis's secretary; how Mr. and Mrs. Rook had been previously known to Cecilia's father as respectable people keeping an inn in his own neighborhood; and, finally, how they had been obliged to begin life again in domestic service, because the terrible event of a murder had given the inn a bad name, and had driven away the customers on whose encouragement their business depended.

Listening in silence, Alban remained silent when Emily's narrative had come to an end.

"Have you nothing to say to me?" she asked.

"I am thinking over what I have just heard," he answered.

Emily noticed a certain formality in his tone and manner, which disagreeably surprised her. He seemed to have made his reply as a mere concession to politeness, while he was thinking of something else which really interested him.

"Have I disappointed you in any way?" she asked.

"On the contrary, you have interested me. I want to be quite sure that I remember exactly what you have said. You mentioned, I think, that your friendship with Miss Cecilia Wyvil began here, at the school?"

"Yes."

"And in speaking of the murder at the village inn, you told me that the crime was committed—I have forgotten how long ago?"

His manner still suggested that he was idly talking about what she had told him, while some more important subject for reflection was in possession of his mind.

"I don't know that I said anything about the time that had passed since the crime was committed," she answered, sharply. "What does the murder matter to us? I think Cecilia told me it happened about four years since. Excuse me for noticing it, Mr. Morris—you seem to have some interests of your own to occupy your attention. Why couldn't you say so plainly when we came out here? I should not have asked you to help me, in that case. Since my poor father's death, I have been used to fight through my troubles by myself."

She rose, and looked at him proudly. The next moment her eyes filled with tears.

In spite of her resistance, Alban took her hand. "Dear Miss Emily," he said, "you distress me: you have not done me justice. Your interests only are in my mind."

Answering her in those terms, he had not spoken as frankly as usual. He had only told her a part of the truth.

Hearing that the woman whom they had just left had been landlady of an inn, and that a murder had been committed under her roof, he was led to ask himself if any explanation might be found, in these circumstances, of the otherwise incomprehensible effect produced on Mrs. Rook by the inscription on the locket.

In the pursuit of this inquiry there had arisen in his mind a monstrous suspicion, which pointed to Mrs. Rook. It impelled him to ascertain the date at which the murder had been committed, and (if the discovery encouraged further investigation) to find out next the manner in which Mr. Brown had died.

Thus far, what progress had he made? He had discovered that the date of Mr. Brown's death, inscribed on the locket, and the date of the crime committed at the inn, approached each other nearly enough to justify further investigation.

In the meantime, had he succeeded in keeping his object concealed from Emily? He had perfectly succeeded. Hearing him declare that her interests only had occupied his mind, the poor girl innocently entreated him to forgive her little outbreak of temper. "If you have any more questions to ask me, Mr. Morris, pray go on. I promise never to think unjustly of you again."

He went on with an uneasy conscience—for it seemed cruel to deceive her, even in the interests of truth—but still he went on.

"Suppose we assume that this woman had injured your father in some way," he said. "Am I right in believing that it was in his character to forgive injuries?"

"Entirely right."

"In that case, his death may have left Mrs. Rook in a position to be called to account, by those who owe a duty to his memory—I mean the surviving members of his family."

"There are but two of us, Mr. Morris. My aunt and myself."

"There are his executors."

"My aunt is his only executor."

"Your father's sister—I presume?"

"Yes."

"He may have left instructions with her, which might be of the greatest use to us."

"I will write to-day, and find out," Emily replied. "I had already planned to consult my aunt," she added, thinking again of Miss Jethro.

"If your aunt has not received any positive instructions," Alban continued, "she may remember some allusion to Mrs. Rook, on your father's part, at the time of his last illness—"

Emily stopped him. "You don't know how my dear father died," she said. "He was struck down—apparently in perfect health—by disease of the heart."

"Struck down in his own house?"

"Yes—in his own house."

Those words closed Alban's lips. The investigation so carefully and so delicately conducted had failed to serve any useful purpose. He had now ascertained the manner of Mr. Brown's death and the place of Mr. Brown's death—and he was as far from confirming his suspicions of Mrs. Rook as ever.



CHAPTER XI. THE DRAWING-MASTER'S CONFESSION.

"Is there nothing else you can suggest?" Emily asked.

"Nothing—at present."

"If my aunt fails us, have we no other hope?"

"I have hope in Mrs. Rook," Alban answered. "I see I surprise you; but I really mean what I say. Sir Jervis's housekeeper is an excitable woman, and she is fond of wine. There is always a weak side in the character of such a person as that. If we wait for our chance, and turn it to the right use when it comes, we may yet succeed in making her betray herself."

Emily listened to him in bewilderment.

"You talk as if I was sure of your help in the future," she said. "Have you forgotten that I leave school to-day, never to return? In half an hour more, I shall be condemned to a long journey in the company of that horrible creature—with a life to look forward to, in the same house with her, among strangers! A miserable prospect, and a hard trial of a girl's courage—is it not, Mr. Morris?"

"You will at least have one person, Miss Emily, who will try with all his heart and soul to encourage you."

"What do you mean?"

"I mean," said Alban, quietly, "that the Midsummer vacation begins to-day; and that the drawing-master is going to spend his holidays in the North."

Emily jumped up from her chair. "You!" she exclaimed. "You are going to Northumberland? With me?"

"Why not?" Alban asked. "The railway is open to all travelers alike, if they have money enough to buy a ticket."

"Mr. Morris! what can you be thinking of? Indeed, indeed, I am not ungrateful. I know you mean kindly—you are a good, generous man. But do remember how completely a girl, in my position, is at the mercy of appearances. You, traveling in the same carriage with me! and that woman putting her own vile interpretation on it, and degrading me in Sir Jervis Redwood's estimation, on the day when I enter his house! Oh, it's worse than thoughtless—it's madness, downright madness."

"You are quite right," Alban gravely agreed, "it is madness. I lost whatever little reason I once possessed, Miss Emily, on the day when I first met you out walking with the young ladies of the school."

Emily turned away in significant silence. Alban followed her.

"You promised just now," he said, "never to think unjustly of me again. I respect and admire you far too sincerely to take a base advantage of this occasion—the only occasion on which I have been permitted to speak with you alone. Wait a little before you condemn a man whom you don't understand. I will say nothing to annoy you—I only ask leave to explain myself. Will you take your chair again?"

She returned unwillingly to her seat. "It can only end," she thought, sadly, "in my disappointing him!"

"I have had the worst possible opinion of women for years past," Alban resumed; "and the only reason I can give for it condemns me out of my own mouth. I have been infamously treated by one woman; and my wounded self-esteem has meanly revenged itself by reviling the whole sex. Wait a little, Miss Emily. My fault has received its fit punishment. I have been thoroughly humiliated—and you have done it."

"Mr. Morris!"

"Take no offense, pray, where no offense is meant. Some few years since it was the great misfortune of my life to meet with a Jilt. You know what I mean?"

"Yes."

"She was my equal by birth (I am a younger son of a country squire), and my superior in rank. I can honestly tell you that I was fool enough to love her with all my heart and soul. She never allowed me to doubt—I may say this without conceit, remembering the miserable end of it—that my feeling for her was returned. Her father and mother (excellent people) approved of the contemplated marriage. She accepted my presents; she allowed all the customary preparations for a wedding to proceed to completion; she had not even mercy en ough, or shame enough, to prevent me from publicly degrading myself by waiting for her at the altar, in the presence of a large congregation. The minutes passed—and no bride appeared. The clergyman, waiting like me, was requested to return to the vestry. I was invited to follow him. You foresee the end of the story, of course? She had run away with another man. But can you guess who the man was? Her groom!"

Emily's face reddened with indignation. "She suffered for it? Oh, Mr. Morris, surely she suffered for it?"

"Not at all. She had money enough to reward the groom for marrying her; and she let herself down easily to her husband's level. It was a suitable marriage in every respect. When I last heard of them, they were regularly in the habit of getting drunk together. I am afraid I have disgusted you? We will drop the subject, and resume my precious autobiography at a later date. One showery day in the autumn of last year, you young ladies went out with Miss Ladd for a walk. When you were all trotting back again, under your umbrellas, did you (in particular) notice an ill-tempered fellow standing in the road, and getting a good look at you, on the high footpath above him?"

Emily smiled, in spite of herself. "I don't remember it," she said.

"You wore a brown jacket which fitted you as if you had been born in it—and you had the smartest little straw hat I ever saw on a woman's head. It was the first time I ever noticed such things. I think I could paint a portrait of the boots you wore (mud included), from memory alone. That was the impression you produced on me. After believing, honestly believing, that love was one of the lost illusions of my life—after feeling, honestly feeling, that I would as soon look at the devil as look at a woman—there was the state of mind to which retribution had reduced me; using for his instrument Miss Emily Brown. Oh, don't be afraid of what I may say next! In your presence, and out of your presence, I am man enough to be ashamed of my own folly. I am resisting your influence over me at this moment, with the strongest of all resolutions—the resolution of despair. Let's look at the humorous side of the story again. What do you think I did when the regiment of young ladies had passed by me?"

Emily declined to guess.

"I followed you back to the school; and, on pretense of having a daughter to educate, I got one of Miss Ladd's prospectuses from the porter at the lodge gate. I was in your neighborhood, you must know, on a sketching tour. I went back to my inn, and seriously considered what had happened to me. The result of my cogitations was that I went abroad. Only for a change—not at all because I was trying to weaken the impression you had produced on me! After a while I returned to England. Only because I was tired of traveling—not at all because your influence drew me back! Another interval passed; and luck turned my way, for a wonder. The drawing-master's place became vacant here. Miss Ladd advertised; I produced my testimonials; and took the situation. Only because the salary was a welcome certainty to a poor man—not at all because the new position brought me into personal association with Miss Emily Brown! Do you begin to see why I have troubled you with all this talk about myself? Apply the contemptible system of self-delusion which my confession has revealed, to that holiday arrangement for a tour in the north which has astonished and annoyed you. I am going to travel this afternoon by your train. Only because I feel an intelligent longing to see the northernmost county of England—not at all because I won't let you trust yourself alone with Mrs. Rook! Not at all because I won't leave you to enter Sir Jervis Redwood's service without a friend within reach in case you want him! Mad? Oh, yes—perfectly mad. But, tell me this: What do all sensible people do when they find themselves in the company of a lunatic? They humor him. Let me take your ticket and see your luggage labeled: I only ask leave to be your traveling servant. If you are proud—I shall like you all the better, if you are—pay me wages, and keep me in my proper place in that way."

Some girls, addressed with this reckless intermingling of jest and earnest, would have felt confused, and some would have felt flattered. With a good-tempered resolution, which never passed the limits of modesty and refinement, Emily met Alban Morris on his own ground.

"You have said you respect me," she began; "I am going to prove that I believe you. The least I can do is not to misinterpret you, on my side. Am I to understand, Mr. Morris—you won't think the worse of me, I hope, if I speak plainly—am I to understand that you are in love with me?"

"Yes, Miss Emily—if you please."

He had answered with the quaint gravity which was peculiar to him; but he was already conscious of a sense of discouragement. Her composure was a bad sign—from his point of view.

"My time will come, I daresay," she proceeded. "At present I know nothing of love, by experience; I only know what some of my schoolfellows talk about in secret. Judging by what they tell me, a girl blushes when her lover pleads with her to favor his addresses. Am I blushing?"

"Must I speak plainly, too?" Alban asked.

"If you have no objection," she answered, as composedly as if she had been addressing her grandfather.

"Then, Miss Emily, I must say—you are not blushing."

She went on. "Another token of love—as I am informed—is to tremble. Am I trembling?"

"No."

"Am I too confused to look at you?"

"No."

"Do I walk away with dignity—and then stop, and steal a timid glance at my lover, over my shoulder?"

"I wish you did!"

"A plain answer, Mr. Morris! Yes or No."

"No—of course."

"In one last word, do I give you any sort of encouragement to try again?"

"In one last word, I have made a fool of myself—and you have taken the kindest possible way of telling me so."

This time, she made no attempt to reply in his own tone. The good-humored gayety of her manner disappeared. She was in earnest—truly, sadly in earnest—when she said her next words.

"Is it not best, in your own interests, that we should bid each other good-by?" she asked. "In the time to come—when you only remember how kind you once were to me—we may look forward to meeting again. After all that you have suffered, so bitterly and so undeservedly, don't, pray don't, make me feel that another woman has behaved cruelly to you, and that I—so grieved to distress you—am that heartless creature!"

Never in her life had she been so irresistibly charming as she was at that moment. Her sweet nature showed all its innocent pity for him in her face.

He saw it—he felt it—he was not unworthy of it. In silence, he lifted her hand to his lips. He turned pale as he kissed it.

"Say that you agree with me?" she pleaded.

"I obey you."

As he answered, he pointed to the lawn at their feet. "Look," he said, "at that dead leaf which the air is wafting over the grass. Is it possible that such sympathy as you feel for Me, such love as I feel for You, can waste, wither, and fall to the ground like that leaf? I leave you, Emily—with the firm conviction that there is a time of fulfillment to come in our two lives. Happen what may in the interval—I trust the future."



The words had barely passed his lips when the voice of one of the servants reached them from the house. "Miss Emily, are you in the garden?"

Emily stepped out into the sunshine. The servant hurried to meet her, and placed a telegram in her hand. She looked at it with a sudden misgiving. In her small experience, a telegram was associated with the communication of bad news. She conquered her hesitation—opened it—read it. The color left her face: she shuddered. The telegram dropped on the grass.

"Read it," she said, faintly, as Alban picked it up.

He read these words: "Come to London directly. Miss Letitia is dangerously ill."

"Your aunt?" he asked.

"Yes—my aunt."



BOOK THE SECOND—IN LONDON.



CHAPTER XII. MRS. ELLMOTHER.

The metropolis of Great Britain is, in certain respects, like no other metropolis on the face of the earth. In the population that throngs the streets, the extremes of Wealth and the extremes of Poverty meet, as they meet nowhere else. In the streets themselves, the glory and the shame of architecture—the mansion and the hovel—are neighbors in situation, as they are neighbors nowhere else. London, in its social aspect, is the city of contrasts.

Toward the close of evening Emily left the railway terminus for the place of residence in which loss of fortune had compelled her aunt to take refuge. As she approached her destination, the cab passed—by merely crossing a road—from a spacious and beautiful Park, with its surrounding houses topped by statues and cupolas, to a row of cottages, hard by a stinking ditch miscalled a canal. The city of contrasts: north and south, east and west, the city of social contrasts.

Emily stopped the cab before the garden gate of a cottage, at the further end of the row. The bell was answered by the one servant now in her aunt's employ—Miss Letitia's maid.

Personally, this good creature was one of the ill-fated women whose appearance suggests that Nature intended to make men of them and altered her mind at the last moment. Miss Letitia's maid was tall and gaunt and awkward. The first impression produced by her face was an impression of bones. They rose high on her forehead; they projected on her cheeks; and they reached their boldest development in her jaws. In the cavernous eyes of this unfortunate person rigid obstinacy and rigid goodness looked out together, with equal severity, on all her fellow-creatures alike. Her mistress (whom she had served for a quarter of a century and more) called her "Bony." She accepted this cruelly appropriate nick-name as a mark of affectionate familiarity which honored a servant. No other person was allowed to take liberties with her: to every one but her mistress she was known as Mrs. Ellmother.

"How is my aunt?" Emily asked.

"Bad."

"Why have I not heard of her illness before?"

"Because she's too fond of you to let you be distressed about her. 'Don't tell Emily'; those were her orders, as long as she kept her senses."

"Kept her senses? Good heavens! what do you mean?"

"Fever—that's what I mean."

"I must see her directly; I am not afraid of infection."

"There's no infection to be afraid of. But you mustn't see her, for all that."

"I insist on seeing her."

"Miss Emily, I am disappointing you for your own good. Don't you know me well enough to trust me by this time?"

"I do trust you."

"Then leave my mistress to me—and go and make yourself comfortable in your own room."

Emily's answer was a positive refusal. Mrs. Ellmother, driven to her last resources, raised a new obstacle.

"It's not to be done, I tell you! How can you see Miss Letitia when she can't bear the light in her room? Do you know what color her eyes are? Red, poor soul—red as a boiled lobster."

With every word the woman uttered, Emily's perplexity and distress increased.

"You told me my aunt's illness was fever," she said—"and now you speak of some complaint in her eyes. Stand out of the way, if you please, and let me go to her."

Mrs. Ellmother, still keeping her place, looked through the open door.

"Here's the doctor," she announced. "It seems I can't satisfy you; ask him what's the matter. Come in, doctor." She threw open the door of the parlor, and introduced Emily. "This is the mistress's niece, sir. Please try if you can keep her quiet. I can't." She placed chairs with the hospitable politeness of the old school—and returned to her post at Miss Letitia's bedside.

Doctor Allday was an elderly man, with a cool manner and a ruddy complexion—thoroughly acclimatized to the atmosphere of pain and grief in which it was his destiny to live. He spoke to Emily (without any undue familiarity) as if he had been accustomed to see her for the greater part of her life.

"That's a curious woman," he said, when Mrs. Ellmother closed the door; "the most headstrong person, I think, I ever met with. But devoted to her mistress, and, making allowance for her awkwardness, not a bad nurse. I am afraid I can't give you an encouraging report of your aunt. The rheumatic fever (aggravated by the situation of this house—built on clay, you know, and close to stagnant water) has been latterly complicated by delirium."

"Is that a bad sign, sir?"

"The worst possible sign; it shows that the disease has affected the heart. Yes: she is suffering from inflammation of the eyes, but that is an unimportant symptom. We can keep the pain under by means of cooling lotions and a dark room. I've often heard her speak of you—especially since the illness assumed a serious character. What did you say? Will she know you, when you go into her room? This is about the time when the delirium usually sets in. I'll see if there's a quiet interval."

He opened the door—and came back again.

"By the way," he resumed, "I ought perhaps to explain how it was that I took the liberty of sending you that telegram. Mrs. Ellmother refused to inform you of her mistress's serious illness. That circumstance, according to my view of it, laid the responsibility on the doctor's shoulders. The form taken by your aunt's delirium—I mean the apparent tendency of the words that escape her in that state—seems to excite some incomprehensible feeling in the mind of her crabbed servant. She wouldn't even let me go into the bedroom, if she could possibly help it. Did Mrs. Ellmother give you a warm welcome when you came here?"

"Far from it. My arrival seemed to annoy her."

"Ah—just what I expected. These faithful old servants always end by presuming on their fidelity. Did you ever hear what a witty poet—I forget his name: he lived to be ninety—said of the man who had been his valet for more than half a century? 'For thirty years he was the best of servants; and for thirty years he has been the hardest of masters.' Quite true—I might say the same of my housekeeper. Rather a good story, isn't it?"

The story was completely thrown away on Emily; but one subject interested her now. "My poor aunt has always been fond of me," she said. "Perhaps she might know me, when she recognizes nobody else."

"Not very likely," the doctor answered. "But there's no laying down any rule in cases of this kind. I have sometimes observed that circumstances which have produced a strong impression on patients, when they are in a state of health, give a certain direction to the wandering of their minds, when they are in a state of fever. You will say, 'I am not a circumstance; I don't see how this encourages me to hope'—and you will be quite right. Instead of talking of my medical experience, I shall do better to look at Miss Letitia, and let you know the result. You have got other relations, I suppose? No? Very distressing—very distressing."

Who has not suffered as Emily suffered, when she was left alone? Are there not moments—if we dare to confess the truth—when poor humanity loses its hold on the consolations of religion and the hope of immortality, and feels the cruelty of creation that bids us live, on the condition that we die, and leads the first warm beginnings of love, with merciless certainty, to the cold conclusion of the grave?

"She's quiet, for the time being," Dr. Allday announced, on his return. "Remember, please, that she can't see you in the inflamed state of her eyes, and don't disturb the bed-curtains. The sooner you go to her the better, perhaps—if you have anything to say which depends on her recognizing your voice. I'll call to-morrow morning. Very distressing," he repeated, taking his hat and making his bow—"Very distressing."

Emily crossed the narrow little passage which separated the two rooms, and opened the bed-chamber door. Mrs. Ellmother met her on the threshold. "No," said the obstinate old servant, "you can't come in."

The faint voice of Miss Letitia made itself heard, calling Mrs. Ellmother by her familiar nick-name.

"Bony, who is it?"

"Never mind."

"Who is it?"

"Miss Emily, if you must know."

"Oh! poor dear, why does she come here? Who told her I was ill?"

"The doctor told her."

"Don't come in, Emily. It will only distress you—and it will do me no good. God bless you, my love. Don't come in."

"There!" said Mrs. Ellmother. "Do you hear that? Go back to the sitting-room."

Thus far, the hard necessity of controlling herself had kept Emily silent. She was now able to speak without tears. "Remember the old times, aunt," she pleaded, gently. "Don't keep me out of your room, when I have come here to nurse you!"

"I'm her nurse. Go back to the sitting-room," Mrs. Ellmother repeated.

True love lasts while life lasts. The dying woman relented.

"Bony! Bony! I can't be unkind to Emily. Let her in."

Mrs. Ellmother still insisted on having her way.

"You're contradicting your own orders," she said to her mistress. "You don't know how soon you may begin wandering in your mind again. Think, Miss Letitia—think."

This remonstrance was received in silence. Mrs. Ellmother's great gaunt figure still blocked up the doorway.

"If you force me to it," Emily said, quietly, "I must go to the doctor, and ask him to interfere."

"Do you mean that?" Mrs. Ellmother said, quietly, on her side.

"I do mean it," was the answer.

The old servant suddenly submitted—with a look which took Emily by surprise. She had expected to see anger; the face that now confronted her was a face subdued by sorrow and fear.

"I wash my hands of it," Mrs. Ellmother said. "Go in—and take the consequences."



CHAPTER XIII. MISS LETITIA.

Emily entered the room. The door was immediately closed on her from the outer side. Mrs. Ellmother's heavy steps were heard retreating along the passage. Then the banging of the door that led into the kitchen shook the flimsily-built cottage. Then, there was silence.

The dim light of a lamp hidden away in a corner and screened by a dingy green shade, just revealed the closely-curtained bed, and the table near it bearing medicine-bottles and glasses. The only objects on the chimney-piece were a clock that had been stopped in mercy to the sufferer's irritable nerves, and an open case containing a machine for pouring drops into the eyes. The smell of fumigating pastilles hung heavily on the air. To Emily's excited imagination, the silence was like the silence of death. She approached the bed trembling. "Won't you speak to me, aunt?"

"Is that you, Emily? Who let you come in?"

"You said I might come in, dear. Are you thirsty? I see some lemonade on the table. Shall I give it to you?"

"No! If you open the bed-curtains, you let in the light. My poor eyes! Why are you here, my dear? Why are you not at the school?"

"It's holiday-time, aunt. Besides, I have left school for good."

"Left school?" Miss Letitia's memory made an effort, as she repeated those words. "You were going somewhere when you left school," she said, "and Cecilia Wyvil had something to do with it. Oh, my love, how cruel of you to go away to a stranger, when you might live here with me!" She paused—her sense of what she had herself just said began to grow confused. "What stranger?" she asked abruptly. "Was it a man? What name? Oh, my mind! Has death got hold of my mind before my body?"

"Hush! hush! I'll tell you the name. Sir Jervis Redwood."

"I don't know him. I don't want to know him. Do you think he means to send for you. Perhaps he has sent for you. I won't allow it! You shan't go!"

"Don't excite yourself, dear! I have refused to go; I mean to stay here with you."

The fevered brain held to its last idea. "Has he sent for you?" she said again, louder than before.

Emily replied once more, in terms carefully chosen with the one purpose of pacifying her. The attempt proved to be useless, and worse—it seemed to make her suspicious. "I won't be deceived!" she said; "I mean to know all about it. He did send for you. Whom did he send?"

"His housekeeper."

"What name?" The tone in which she put the question told of excitement that was rising to its climax. "Don't you know that I'm curious about names?" she burst out. "Why do you provoke me? Who is it?"

"Nobody you know, or need care about, dear aunt. Mrs. Rook."

Instantly on the utterance of that name, there followed an unexpected result. Silence ensued.

Emily waited—hesitated—advanced, to part the curtains, and look in at her aunt. She was stopped by a dreadful sound of laughter—the cheerless laughter that is heard among the mad. It suddenly ended in a dreary sigh.

Afraid to look in, she spoke, hardly knowing what she said. "Is there anything you wish for? Shall I call—?"

Miss Letitia's voice interrupted her. Dull, low, rapidly muttering, it was unlike, shockingly unlike, the familiar voice of her aunt. It said strange words.

"Mrs. Rook? What does Mrs. Rook matter? Or her husband either? Bony, Bony, you're frightened about nothing. Where's the danger of those two people turning up? Do you know how many miles away the village is? Oh, you fool—a hundred miles and more. Never mind the coroner, the coroner must keep in his own district—and the jury too. A risky deception? I call it a pious fraud. And I have a tender conscience, and a cultivated mind. The newspaper? How is our newspaper to find its way to her, I should like to know? You poor old Bony! Upon my word you do me good—you make me laugh."

The cheerless laughter broke out again—and died away again drearily in a sigh.

Accustomed to decide rapidly in the ordinary emergencies of her life, Emily felt herself painfully embarrassed by the position in which she was now placed.

After what she had already heard, could she reconcile it to her sense of duty to her aunt to remain any longer in the room?

In the hopeless self-betrayal of delirium, Miss Letitia had revealed some act of concealment, committed in her past life, and confided to her faithful old servant. Under these circumstances, had Emily made any discoveries which convicted her of taking a base advantage of her position at the bedside? Most assuredly not! The nature of the act of concealment; the causes that had led to it; the person (or persons) affected by it—these were mysteries which left her entirely in the dark. She had found out that her aunt was acquainted with Mrs. Rook, and that was literally all she knew.

Blameless, so far, in the line of conduct that she had pursued, might she still remain in the bed-chamber—on this distinct understanding with herself: that she would instantly return to the sitting-room if she heard anything which could suggest a doubt of Miss Letitia's claim to her affection and respect? After some hesitation, she decided on leaving it to her conscience to answer that question. Does conscience ever say, No—when inclination says, Yes? Emily's conscience sided with her reluctance to leave her aunt.

Throughout the time occupied by these reflections, the silence had remained unbroken. Emily began to feel uneasy. She timidly put her hand through the curtains, and took Miss Letitia's hand. The contact with the burning skin startled her. She turned away to the door, to call the servant—when the sound of her aunt's voice hurried her back to the bed.

"Are you there, Bony?" the voice asked.

Was her mind getting clear again? Emily tried the experiment of making a plain reply. "Your niece is with you," she said. "Shall I call the servant?"

Miss Letitia's mind was still far away from Emily, and from the present time.

"The servant?" she repeated. "All the servants but you, Bony, have been sent away. London's the place for us. No gossiping servants and no curious neighbors in London. Bury the horrid truth in London. Ah, you may well say I look anxious and wretched. I hate deception—and yet, it must be done. Why do you waste time in talking? Why don't you find out where the vile woman lives? Only let me get at her—and I'll make Sara ashamed of herself."

Emily's heart beat fast when she heard the woman's name. "Sara" (as she and her school-fellows knew) was the baptismal name of Miss Jethro. Had her aunt alluded to the disgraced teacher, or to some other woman?

She waited eagerly to hear more. There was nothing to be heard. At this most interesting moment, the silence remained undisturbed.

In the fervor of her anxiety to set her doubts at rest, Emily's faith in her own good resolutions began to waver. The temptation to say something which might set her aunt talking again was too strong to be resisted—if she remained at the bedside. Despairing of herself she rose and turned to the door. In the moment that passed while she crossed the room the very words occurred to her that would suit her purpose. Her cheeks were hot with shame—she hesitated—she looked back at the bed—the words passed her lips.

"Sara is only one of the woman's names," she said. "Do you like her other name?"

The rapidly-muttering tones broke out again instantly—but not in answer to Emily. The sound of a voice had encouraged Miss Letitia to pursue her own confused train of thought, and had stimulated the fast-failing capacity of speech to exert itself once more.

"No! no! He's too cunning for you, and too cunning for me. He doesn't leave letters about; he destroys them all. Did I say he was too cunning for us? It's false. We are too cunning for him. Who found the morsels of his letter in the basket? Who stuck them together? Ah, we know! Don't read it, Bony. 'Dear Miss Jethro'—don't read it again. 'Miss Jethro' in his letter; and 'Sara,' when he talks to himself in the garden. Oh, who would have believed it of him, if we hadn't seen and heard it ourselves!"

There was no more doubt now.

But who was the man, so bitterly and so regretfully alluded to?

No: this time Emily held firmly by the resolution which bound her to respect the helpless position of her aunt. The speediest way of summoning Mrs. Ellmother would be to ring the bell. As she touched the handle a faint cry of suffering from the bed called her back.

"Oh, so thirsty!" murmured the failing voice—"so thirsty!"

She parted the curtains. The shrouded lamplight just showed her the green shade over Miss Letitia's eyes—the hollow cheeks below it—the arms laid helplessly on the bed-clothes. "Oh, aunt, don't you know my voice? Don't you know Emily? Let me kiss you, dear!" Useless to plead with her; useless to kiss her; she only reiterated the words, "So thirsty! so thirsty!" Emily raised the poor tortured body with a patient caution which spared it pain, and put the glass to her aunt's lips. She drank the lemonade to the last drop. Refreshed for the moment, she spoke again—spoke to the visionary servant of her delirious fancy, while she rested in Emily's arms.

"For God's sake, take care how you answer if she questions you. If she knew what we know! Are men ever ashamed? Ha! the vile woman! the vile woman!"

Her voice, sinking gradually, dropped to a whisper. The next few words that escaped her were muttered inarticulately. Little by little, the false energy of fever was wearing itself out. She lay silent and still. To look at her now was to look at the image of death. Once more, Emily kissed her—closed the curtains—and rang the bell. Mrs. Ellmother failed to appear. Emily left the room to call her.

Arrived at the top of the kitchen stairs, she noted a slight change. The door below, which she had heard banged on first entering her aunt's room, now stood open. She called to Mrs. Ellmother. A strange voice answered her. Its accent was soft and courteous; presenting the strongest imaginable contrast to the harsh tones of Miss Letitia's crabbed old maid.

"Is there anything I can do for you, miss?"

The person making this polite inquiry appeared at the foot of the stairs—a plump and comely woman of middle age. She looked up at the young lady with a pleasant smile.

"I beg your pardon," Emily said; "I had no intention of disturbing you. I called to Mrs. Ellmother."

The stranger advanced a little way up the stairs, and answered, "Mrs. Ellmother is not here."

"Do you expect her back soon?"

"Excuse me, miss—I don't expect her back at all."

"Do you mean to say that she has left the house?"

"Yes, miss. She has left the house."



CHAPTER XIV. MRS. MOSEY.

Emily's first act—after the discovery of Mrs. Ellmother's incomprehensible disappearance—was to invite the new servant to follow her into the sitting-room.

"Can you explain this?" she began.

"No, miss."

"May I ask if you have come here by Mrs. Ellmother's invitation?"

"By Mrs. Ellmother's request, miss."

"Can you tell me how she came to make the request?"

"With pleasure, miss. Perhaps—as you find me here, a stranger to yourself, in place of the customary servant—I ought to begin by giving you a reference."

"And, perhaps (if you will be so kind), by mentioning your name," Emily added.

"Thank you for reminding me, miss. My name is Elizabeth Mosey. I am well known to the gentleman who attends Miss Letitia. Dr. Allday will speak to my character and also to my experience as a nurse. If it would be in any way satisfactory to give you a second reference—"

"Quite needless, Mrs. Mosey."

"Permit me to thank you again, miss. I was at home this evening, when Mrs. Ellmother called at my lodgings. Says she, 'I have come here, Elizabeth, to ask a favor of you for old friendship's sake.' Says I, 'My dear, pray command me, whatever it may be.' If this seems rather a hasty answer to make, before I knew what the favor was, might I ask you to bear in mind that Mrs. Ellmother put it to me 'for old friendship's sake'—alluding to my late husband, and to the business which we carried on at that time? Through no fault of ours, we got into difficulties. Persons whom we had trusted proved unworthy. Not to trouble you further, I may say at once, we should have been ruined, if our old friend Mrs. Ellmother had not come forward, and trusted us with the savings of her lifetime. The money was all paid back again, before my husband's death. But I don't consider—and, I think you won't consider—that the obligation was paid back too. Prudent or not prudent, there is nothing Mrs. Ellmother can ask of me that I am not willing to do. If I have put myself in an awkward situation (and I don't deny that it looks so) this is the only excuse, miss, that I can make for my conduct."

Mrs. Mosey was too fluent, and too fond of hearing the sound of her own eminently persuasive voice. Making allowance for these little drawbacks, the impression that she produced was decidedly favorable; and, however rashly she might have acted, her motive was beyond reproach. Having said some kind words to this effect, Emily led her back to the main interest of her narrative.

"Did Mrs. Ellmother give no reason for leaving my aunt, at such a time as this?" she asked.

"The very words I said to her, miss."

"And what did she say, by way of reply?"

"She burst out crying—a thing I have never known her to do before, in an experience of twenty years."

"And she really asked you to take her place here, at a moment's notice?"

"That was just what she did," Mrs. Mosey answered. "I had no need to tell her I was astonished; my lips spoke for me, no doubt. She's a hard woman in speech and manner, I admit. But there's more feeling in her than you would suppose. 'If you are the good friend I take you for,' she says, 'don't ask me for reasons; I am doing what is forced on me, and doing it with a heavy heart.' In my place, miss, would you have insisted on her explaining herself, after that? The one thing I naturally wanted to know was, if I could speak to some lady, in the position of mistress here, before I ventured to intrude. Mrs. Ellmother understood that it was her duty to help me in this particular. Your poor aunt being out of the question she mentioned you."

"How did she speak of me? In an angry way?"

"No, indeed—quite the contrary. She says, 'You will find Miss Emily at the cottage. She is Miss Letitia's niece. Everybody likes her—and everybody is right.'"

"She really said that?"

"Those were her words. And, what is more, she gave me a message for you at parting. 'If Miss Emily is surprised' (that was how she put it) 'give her my duty and good wishes; and tell her to remember what I said, when she took my place at her aunt's bedside.' I don't presume to inquire what this means," said Mrs. Mosey respectfully, ready to hear what it meant, if Emily would only be so good as to tell her. "I deliver the message, miss, as it was delivered to me. After which, Mrs. Ellmother went her way, and I went mine."

"Do you know where she went?"

"No, miss."

"Have you nothing more to tell me?"

"Nothing more; except that she gave me my directions, of course, about the nursing. I took them down in writing—and you will find them in their proper place, with the prescriptions and the medicines."

Acting at once on this hint, Emily led the way to her aunt's room.

Miss Letitia was silent, when the new nurse softly parted the curtains—looked in—and drew them together again. Consulting her watch, Mrs. Mosey compared her written directions with the medicine-bottles on the table, and set one apart to be used at the appointed time. "Nothing, so far, to alarm us," she whispered. "You look sadly pale and tired, miss. Might I advise you to rest a little?"

"If there is any change, Mrs. Mosey—either for the better or the worse—of course you will let me know?"

"Certainly, miss."

Emily returned to the sitting-room: not to rest (after all that she had heard), but to think.

Amid much that was unintelligible, certain plain conclusions presented themselves to her mind.

After what the doctor had already said to Emily, on the subject of delirium generally, Mrs. Ellmother's proceedings became intelligible: they proved that she knew by experience the perilous course taken by her mistress's wandering thoughts, when they expressed themselves in words. This explained the concealment of Miss Letitia's illness from her niece, as well as the reiterated efforts of the old servant to prevent Emily from entering the bedroom.

But the event which had just happened—that is to say, Mrs. Ellmother's sudden departure from the cottage—was not only of serious importance in itself, but pointed to a startling conclusion.

The faithful maid had left the mistress, whom she had loved and served, sinking under a fatal illness—and had put another woman in her place, careless of what that woman might discover by listening at the bedside—rather than confront Emily after she had been within hearing of her aunt while the brain of the suffering woman was deranged by fever. There was the state of the case, in plain words.

In what frame of mind had Mrs. Ellmother adopted this desperate course of action?

To use her own expression, she had deserted Miss Letitia "with a heavy heart." To judge by her own language addressed to Mrs. Mosey, she had left Emily to the mercy of a stranger—animated, nevertheless, by sincere feelings of attachment and respect. That her fears had taken for granted suspicion which Emily had not felt, and discoveries which Emily had (as yet) not made, in no way modified the serious nature of the inference which her conduct justified. The disclosure which this woman dreaded—who could doubt it now?—directly threatened Emily's peace of mind. There was no disguising it: the innocent niece was associated with an act of deception, which had been, until that day, the undetected secret of the aunt and the aunt's maid.

In this conclusion, and in this only, was to be found the rational explanation of Mrs. Ellmother's choice—placed between the alternatives of submitting to discovery by Emily, or of leaving the house.

Poor Miss Letitia's writing-table stood near the window of the sitting-room. Shrinking from the further pursuit of thoughts which might end in disposing her mind to distrust of her dying aunt, Emily looked round in search of some employment sufficiently interesting to absorb her attention. The writing-table reminded her that she owed a letter to Cecilia. That helpful friend had surely the first claim to know why she had failed to keep her engagement with Sir Jervis Redwood.

After mentioning the telegram which had followed Mrs. Rook's arrival at the school, Emily's letter proceeded in these terms:

"As soon as I had in some degree recovered myself, I informed Mrs. Rook of my aunt's serious illness.

"Although she carefully confined herself to commonplace expressions of sympathy, I could see that it was equally a relief to both of us to feel that we were prevented from being traveling companions. Don't suppose that I have taken a capricious dislike to Mrs. Rook—or that you are in any way to blame for the unfavorable impression which she has produced on me. I will make this plain when we meet. In the meanwhile, I need only tell you that I gave her a letter of explanation to present to Sir Jervis Redwood. I also informed him of my address in London: adding a request that he would forward your letter, in case you have written to me before you receive these lines.

"Kind Mr. Alban Morris accompanied me to the railway-station, and arranged with the guard to take special care of me on the journey to London. We used to think him rather a heartless man. We were quite wrong. I don't know what his plans are for spending the summer holidays. Go where he may, I remember his kindness; my best wishes go with him.

"My dear, I must not sadden your enjoyment of your pleasant visit to the Engadine, by writing at any length of the sorrow that I am suffering. You know how I love my aunt, and how gratefully I have always felt her motherly goodness to me. The doctor does not conceal the truth. At her age, there is no hope: my father's last-left relation, my one dearest friend, is dying.

"No! I must not forget that I have another friend—I must find some comfort in thinking of you.

"I do so long in my solitude for a letter from my dear Cecilia. Nobody comes to see me, when I most want sympathy; I am a stranger in this vast city. The members of my mother's family are settled in Australia: they have not even written to me, in all the long years that have passed since her death. You remember how cheerfully I used to look forward to my new life, on leaving school? Good-by, my darling. While I can see your sweet face, in my thoughts, I don't despair—dark as it looks now—of the future that is before me."

Emily had closed and addressed her letter, and was just rising from her chair, when she heard the voice of the new nurse at the door.



CHAPTER XV. EMILY.

"May I say a word?" Mrs. Mosey inquired. She entered the room—pale and trembling. Seeing that ominous change, Emily dropped back into her chair.

"Dead?" she said faintly.

Mrs. Mosey looked at her in vacant surprise.

"I wish to say, miss, that your aunt has frightened me."

Even that vague allusion was enough for Emily.

"You need say no more," she replied. "I know but too well how my aunt's mind is affected by the fever."

Confused and frightened as she was, Mrs. Mosey still found relief in her customary flow of words.

"Many and many a person have I nursed in fever," she announced. "Many and many a person have I heard say strange things. Never yet, miss, in all my experience—!"

"Don't tell me of it!" Emily interposed.

"Oh, but I must tell you! In your own interests, Miss Emily—in your own interests. I won't be inhuman enough to leave you alone in the house to-night; but if this delirium goes on, I must ask you to get another nurse. Shocking suspicions are lying in wait for me in that bedroom, as it were. I can't resist them as I ought, if I go back again, and hear your aunt saying what she has been saying for the last half hour and more. Mrs. Ellmother has expected impossibilities of me; and Mrs. Ellmother must take the consequences. I don't say she didn't warn me—speaking, you will please to understand, in the strictest confidence. 'Elizabeth,' she says, 'you know how wildly people talk in Miss Letitia's present condition. Pay no heed to it,' she says. 'Let it go in at one ear and out at the other,' she says. 'If Miss Emily asks questions—you know nothing about it. If she's frightened—you know nothing about it. If she bursts into fits of crying that are dreadful to see, pity her, poor thing, but take no notice.' All very well, and sounds like speaking out, doesn't it? Nothing of the sort! Mrs. Ellmother warns me to expect this, that, and the other. But there is one horrid thing (which I heard, mind, over and over again at your aunt's bedside) that she does not prepare me for; and that horrid thing is—Murder!"

At that last word, Mrs. Mosey dropped her voice to a whisper—and waited to see what effect she had produced.

Sorely tried already by the cruel perplexities of her position, Emily's courage failed to resist the first sensation of horror, aroused in her by the climax of the nurse's hysterical narrative. Encouraged by her silence, Mrs. Mosey went on. She lifted one hand with theatrical solemnity—and luxuriously terrified herself with her own horrors.

"An inn, Miss Emily; a lonely inn, somewhere in the country; and a comfortless room at the inn, with a makeshift bed at one end of it, and a makeshift bed at the other—I give you my word of honor, that was how your aunt put it. She spoke of two men next; two men asleep (you understand) in the two beds. I think she called them 'gentlemen'; but I can't be sure, and I wouldn't deceive you—you know I wouldn't deceive you, for the world. Miss Letitia muttered and mumbled, poor soul. I own I was getting tired of listening—when she burst out plain again, in that one horrid word—Oh, miss, don't be impatient! don't interrupt me!"

Emily did interrupt, nevertheless. In some degree at least she had recovered herself. "No more of it!" she said—"I won't hear a word more."

But Mrs. Mosey was too resolutely bent on asserting her own importance, by making the most of the alarm that she had suffered, to be repressed by any ordinary method of remonstrance. Without paying the slightest attention to what Emily had said, she went on again more loudly and more excitably than ever.

"Listen, miss—listen! The dreadful part of it is to come; you haven't heard about the two gentlemen yet. One of them was murdered—what do you think of that!—and the other (I heard your aunt say it, in so many words) committed the crime. Did Miss Letitia fancy she was addressing a lot of people when you were nursing her? She called out, like a person making public proclamation, when I was in her room. 'Whoever you are, good people' (she says), 'a hundred pounds reward, if you find the runaway murderer. Search everywhere for a poor weak womanish creature, with rings on his little white hands. There's nothing about him like a man, except his voice—a fine round voice. You'll know him, my friends—the wretch, the monster—you'll know him by his voice.' That was how she put it; I tell you again, that was how she put it. Did you hear her scream? Ah, my dear young lady, so much the better for you! 'O the horrid murder' (she says)—'hush it up!' I'll take my Bible oath before the magistrate," cried Mrs. Mosey, starting out of her chair, "your aunt said, 'Hush it up!'"

Emily crossed the room. The energy of her character was roused at last. She seized the foolish woman by the shoulders, forced her back in the chair, and looked her straight in the face without uttering a word.

For the moment, Mrs. Mosey was petrified. She had fully expected—having reached the end of her terrible story—to find Emily at her feet, entreating her not to carry out her intention of leaving the cottage the next morning; and she had determined, after her sense of her own importance had been sufficiently flattered, to grant the prayer of the helpless young lady. Those were her anticipations—and how had they been fulfilled? She had been treated like a mad woman in a state of revolt!

"How dare you assault me?" she asked piteously. "You ought to be ashamed of yourself. God knows I meant well."

"You are not the first person," Emily answered, quietly releasing her, "who has done wrong with the best intentions."

"I did my duty, miss, when I told you what your aunt said."

"You forgot your duty when you listened to what my aunt said."

"Allow me to explain myself."

"No: not a word more on that subject shall pass between us. Remain here, if you please; I have something to suggest in your own interests. Wait, and compose yourself."

The purpose which had taken a foremost place in Emily's mind rested on the firm foundation of her love and pity for her aunt.

Now that she had regained the power to think, she felt a hateful doubt pressed on her by Mrs. Mosey's disclosures. Having taken for granted that there was a foundation in truth for what she herself had heard in her aunt's room, could she reasonably resist the conclusion that there must be a foundation in truth for what Mrs. Mosey had heard, under similar circumstances?

There was but one way of escaping from this dilemma—and Emily deliberately took it. She turned her back on her own convictions; and persuaded herself that she had been in the wrong, when she had attached importance to anything that her aunt had said, under the influence of delirium. Having adopted this conclusion, she resolved to face the prospect of a night's solitude by the death-bed—rather than permit Mrs. Mosey to have a second opportunity of drawing her own inferences from what she might hear in Miss Letitia's room.

"Do you mean to keep me waiting much longer, miss?"

"Not a moment longer, now you are composed again," Emily answered. "I have been thinking of what has happened; and I fail to see any necessity for putting off your departure until the doctor comes to-morrow morning. There is really no objection to your leaving me to-night."

"I beg your pardon, miss; there is an objection. I have already told you I can't reconcile it to my conscience to leave you here by yourself. I am not an inhuman woman," said Mrs. Mosey, putting her handkerchief to her eyes—smitten with pity for herself.

Emily tried the effect of a conciliatory reply. "I am grateful for your kindness in offering to stay with me," she said.

"Very good of you, I'm sure," Mrs. Mosey answered ironically. "But for all that, you persist in sending me away."

"I persist in thinking that there is no necessity for my keeping you here until to-morrow."

"Oh, have it your own way! I am not reduced to forcing my company on anybody."

Mrs. Mosey put her handkerchief in her pocket, and asserted her dignity. With head erect and slowly-marching steps she walked out of the room. Emily was left in the cottage, alone with her dying aunt.



CHAPTER XVI. MISS JETHRO.

A fortnight after the disappearance of Mrs. Ellmother, and the dismissal of Mrs. Mosey, Doctor Allday entered his consulting-room, punctual to the hour at which he was accustomed to receive patients.

An occasional wrinkling of his eyebrows, accompanied by an intermittent restlessness in his movements, appeared to indicate some disturbance of this worthy man's professional composure. His mind was indeed not at ease. Even the inexcitable old doctor had felt the attraction which had already conquered three such dissimilar people as Alban Morris, Cecilia Wyvil, and Francine de Sor. He was thinking of Emily.

A ring at the door-bell announced the arrival of the first patient.

The servant introduced a tall lady, dressed simply and elegantly in dark apparel. Noticeable features, of a Jewish cast—worn and haggard, but still preserving their grandeur of form—were visible through her veil. She moved with grace and dignity; and she stated her object in consulting Doctor Allday with the ease of a well-bred woman.

"I come to ask your opinion, sir, on the state of my heart," she said; "and I am recommended by a patient, who has consulted you with advantage to herself." She placed a card on the doctor's writing-desk, and added: "I have become acquainted with the lady, by being one of the lodgers in her house."

The doctor recognized the name—and the usual proceedings ensued. After careful examination, he arrived at a favorable conclusion. "I may tell you at once," he said—"there is no reason to be alarmed about the state of your heart."

"I have never felt any alarm about myself," she answered quietly. "A sudden death is an easy death. If one's affairs are settled, it seems, on that account, to be the death to prefer. My object was to settle my affairs—such as they are—if you had considered my life to be in danger. Is there nothing the matter with me?"

"I don't say that," the doctor replied. "The action of your heart is very feeble. Take the medicine that I shall prescribe; pay a little more attention to eating and drinking than ladies usually do; don't run upstairs, and don't fatigue yourself by violent exercise—and I see no reason why you shouldn't live to be an old woman."

"God forbid!" the lady said to herself. She turned away, and looked out of the window with a bitter smile.

Doctor Allday wrote his prescription. "Are you likely to make a long stay in London?" he asked.

"I am here for a little while only. Do you wish to see me again?"

"I should like to see you once more, before you go away—if you can make it convenient. What name shall I put on the prescription?"

"Miss Jethro."

"A remarkable name," the doctor said, in his matter-of-fact way.

Miss Jethro's bitter smile showed itself again.

Without otherwise noticing what Doctor Allday had said, she laid the consultation fee on the table. At the same moment, the footman appeared with a letter. "From Miss Emily Brown," he said. "No answer required."

He held the door open as he delivered the message, seeing that Miss Jethro was about to leave the room. She dismissed him by a gesture; and, returning to the table, pointed to the letter.

"Was your correspondent lately a pupil at Miss Ladd's school?" she inquired.

"My correspondent has just left Miss Ladd," the doctor answered. "Are you a friend of hers?"

"I am acquainted with her."

"You would be doing the poor child a kindness, if you would go and see her. She has no friends in London."

"Pardon me—she has an aunt."

"Her aunt died a week since."

"Are there no other relations?"

"None. A melancholy state of things, isn't it? She would have been absolutely alone in the house, if I had not sent one of my women servants to stay with her for the present. Did you know her father?"

Miss Jethro passed over the question, as if she had not heard it. "Has the young lady dismissed her aunt's servants?" she asked.

"Her aunt kept but one servant, ma'am. The woman has spared Miss Emily the trouble of dismissing her." He briefly alluded to Mrs. Ellmother's desertion of her mistress. "I can't explain it," he said when he had done. "Can you?"

"What makes you think, sir, that I can help you? I have never even heard of the servant—and the mistress was a stranger to me."

At Doctor Allday's age a man is not easily discouraged by reproof, even when it is administered by a handsome woman. "I thought you might have known Miss Emily's father," he persisted.

Miss Jethro rose, and wished him good-morning. "I must not occupy any more of your valuable time," she said.

"Suppose you wait a minute?" the doctor suggested.

Impenetrable as ever, he rang the bell. "Any patients in the waiting-room?" he inquired. "You see I have time to spare," he resumed, when the man had replied in the negative. "I take an interest in this poor girl; and I thought—"

"If you think that I take an interest in her, too," Miss Jethro interposed, "you are perfectly right—I knew her father," she added abruptly; the allusion to Emily having apparently reminded her of the question which she had hitherto declined to notice.

"In that case," Doctor Allday proceeded, "I want a word of advice. Won't you sit down?"

She took a chair in silence. An irregular movement in the lower part of her veil seemed to indicate that she was breathing with difficulty. The doctor observed her with close attention. "Let me see my prescription again," he said. Having added an ingredient, he handed it back with a word of explanation. "Your nerves are more out of order than I supposed. The hardest disease to cure that I know of is—worry."

The hint could hardly have been plainer; but it was lost on Miss Jethro. Whatever her troubles might be, her medical adviser was not made acquainted with them. Quietly folding up the prescription, she reminded him that he had proposed to ask her advice.

"In what way can I be of service to you?" she inquired.

"I am afraid I must try your patience," the doctor acknowledged, "if I am to answer that question plainly."

With these prefatory words, he described the events that had followed Mrs. Mosey's appearance at the cottage. "I am only doing justice to this foolish woman," he continued, "when I tell you that she came here, after she had left Miss Emily, and did her best to set matters right. I went to the poor girl directly—and I felt it my duty, after looking at her aunt, not to leave her alone for that night. When I got home the next morning, whom do you think I found waiting for me? Mrs. Ellmother!"

He stopped—in the expectation that Miss Jethro would express some surprise. Not a word passed her lips.

"Mrs. Ellmother's object was to ask how her mistress was going on," the doctor proceeded. "Every day while Miss Letitia still lived, she came here to make the same inquiry—without a word of explanation. On the day of the funeral, there she was at the church, dressed in deep mourning; and, as I can personally testify, crying bitterly. When the ceremony was over—can you believe it?—she slipped away before Miss Emily or I could speak to her. We have seen nothing more of her, and heard nothing more, from that time to this."

He stopped again, the silent lady still listening without making any remark.

"Have you no opinion to express?" the doctor asked bluntly.

"I am waiting," Miss Jethro answered.

"Waiting—for what?"

"I haven't heard yet, why you want my advice."

Doctor Allday's observation of humanity had hitherto reckoned want of caution among the deficient moral qualities in the natures of women. He set down Miss Jethro as a remarkable exception to a general rule.

"I want you to advise me as to the right course to take with Miss Emily," he said. "She has assured me she attaches no serious importance to her aunt's wanderings, when the poor old lady's fever was at its worst. I don't doubt that she speaks the truth—but I have my own reasons for being afraid that she is deceiving herself. Will you bear this in mind?"

"Yes—if it's necessary."

"In plain words, Miss Jethro, you think I am still wandering from the point. I have got to the point. Yesterday, Miss Emily told me that she hoped to be soon composed enough to examine the papers left by her aunt."

Miss Jethro suddenly turned in her chair, and looked at Doctor Allday.

"Are you beginning to feel interested?" the doctor asked mischievously.

She neither acknowledged nor denied it. "Go on"—was all she said.

"I don't know how you feel," he proceeded; "I am afraid of the discoveries which she may make; and I am strongly tempted to advise her to leave the proposed examination to her aunt's lawyer. Is there anything in your knowledge of Miss Emily's late father, which tells you that I am right?"

"Before I reply," said Miss Jethro, "it may not be amiss to let the young lady speak for herself."

"How is she to do that?" the doctor asked.

Miss Jethro pointed to the writing table. "Look there," she said. "You have not yet opened Miss Emily's letter."



CHAPTER XVII. DOCTOR ALLDAY.

Absorbed in the effort to overcome his patient's reserve, the doctor had forgotten Emily's letter. He opened it immediately.

After reading the first sentence, he looked up with an expression of annoyance. "She has begun the examination of the papers already," he said.

"Then I can be of no further use to you," Miss Jethro rejoined. She made a second attempt to leave the room.

Doctor Allday turned to the next page of the letter. "Stop!" he cried. "She has found something—and here it is."

He held up a small printed Handbill, which had been placed between the first and second pages. "Suppose you look at it?" he said.

"Whether I am interested in it or not?" Miss Jethro asked.

"You may be interested in what Miss Emily says about it in her letter."

"Do you propose to show me her letter?"

"I propose to read it to you."

Miss Jethro took the Handbill without further objection. It was expressed in these words:

"MURDER. 100 POUNDS REWARD.—Whereas a murder was committed on the thirtieth September, 1877, at the Hand-in-Hand Inn, in the village of Zeeland, Hampshire, the above reward will be paid to any person or persons whose exertions shall lead to the arrest and conviction of the suspected murderer. Name not known. Supposed age, between twenty and thirty years. A well-made man, of small stature. Fair complexion, delicate features, clear blue eye s. Hair light, and cut rather short. Clean shaven, with the exception of narrow half-whiskers. Small, white, well-shaped hands. Wore valuable rings on the two last fingers of the left hand. Dressed neatly in a dark-gray tourist-suit. Carried a knapsack, as if on a pedestrian excursion. Remarkably good voice, smooth, full, and persuasive. Ingratiating manners. Apply to the Chief Inspector, Metropolitan Police Office, London."

Miss Jethro laid aside the Handbill without any visible appearance of agitation. The doctor took up Emily's letter, and read as follows:

"You will be as much relieved as I was, my kind friend, when you look at the paper inclosed. I found it loose in a blank book, with cuttings from newspapers, and odd announcements of lost property and other curious things (all huddled together between the leaves), which my aunt no doubt intended to set in order and fix in their proper places. She must have been thinking of her book, poor soul, in her last illness. Here is the origin of those 'terrible words' which frightened stupid Mrs. Mosey! Is it not encouraging to have discovered such a confirmation of my opinion as this? I feel a new interest in looking over the papers that still remain to be examined—"

Before he could get to the end of the sentence Miss Jethro's agitation broke through her reserve.

"Do what you proposed to do!" she burst out vehemently. "Stop her at once from carrying her examination any further! If she hesitates, insist on it!"

At last Doctor Allday had triumphed! "It has been a long time coming," he remarked, in his cool way; "and it's all the more welcome on that account. You dread the discoveries she may make, Miss Jethro, as I do. And you know what those discoveries may be."

"What I do know, or don't know, is of no importance." she answered sharply.

"Excuse me, it is of very serious importance. I have no authority over this poor girl—I am not even an old friend. You tell me to insist. Help me to declare honestly that I know of circumstances which justify me; and I may insist to some purpose."

Miss Jethro lifted her veil for the first time, and eyed him searchingly.

"I believe I can trust you," she said. "Now listen! The one consideration on which I consent to open my lips, is consideration for Miss Emily's tranquillity. Promise me absolute secrecy, on your word of honor."

He gave the promise.

"I want to know one thing, first," Miss Jethro proceeded. "Did she tell you—as she once told me—that her father had died of heart-complaint?"

"Yes."

"Did you put any questions to her?"

"I asked how long ago it was."

"And she told you?"

"She told me."

"You wish to know, Doctor Allday, what discoveries Miss Emily may yet make, among her aunt's papers. Judge for yourself, when I tell you that she has been deceived about her father's death."

"Do you mean that he is still living?"

"I mean that she has been deceived—purposely deceived—about the manner of his death."

"Who was the wretch who did it?"

"You are wronging the dead, sir! The truth can only have been concealed out of the purest motives of love and pity. I don't desire to disguise the conclusion at which I have arrived after what I have heard from yourself. The person responsible must be Miss Emily's aunt—and the old servant must have been in her confidence. Remember! You are bound in honor not to repeat to any living creature what I have just said."

The doctor followed Miss Jethro to the door. "You have not yet told me," he said, "how her father died."

"I have no more to tell you."

With those words she left him.

He rang for his servant. To wait until the hour at which he was accustomed to go out, might be to leave Emily's peace of mind at the mercy of an accident. "I am going to the cottage," he said. "If anybody wants me, I shall be back in a quarter of an hour."

On the point of leaving the house, he remembered that Emily would probably expect him to return the Handbill. As he took it up, the first lines caught his eye: he read the date at which the murder had been committed, for the second time. On a sudden the ruddy color left his face.

"Good God!" he cried, "her father was murdered—and that woman was concerned in it."

Following the impulse that urged him, he secured the Handbill in his pocketbook—snatched up the card which his patient had presented as her introduction—and instantly left the house. He called the first cab that passed him, and drove to Miss Jethro's lodgings.

"Gone"—was the servant's answer when he inquired for her. He insisted on speaking to the landlady. "Hardly ten minutes have passed," he said, "since she left my house."

"Hardly ten minutes have passed," the landlady replied, "since that message was brought here by a boy."

The message had been evidently written in great haste: "I am unexpectedly obliged to leave London. A bank note is inclosed in payment of my debt to you. I will send for my luggage."

The doctor withdrew.

"Unexpectedly obliged to leave London," he repeated, as he got into the cab again. "Her flight condemns her: not a doubt of it now. As fast as you can!" he shouted to the man; directing him to drive to Emily's cottage.



CHAPTER XVIII. MISS LADD.

Arriving at the cottage, Doctor Allday discovered a gentleman, who was just closing the garden gate behind him.

"Has Miss Emily had a visitor?" he inquired, when the servant admitted him.

"The gentleman left a letter for Miss Emily, sir."

"Did he ask to see her?"

"He asked after Miss Letitia's health. When he heard that she was dead, he seemed to be startled, and went away immediately."

"Did he give his name?"

"No, sir."

The doctor found Emily absorbed over her letter. His anxiety to forestall any possible discovery of the deception which had concealed the terrible story of her father's death, kept Doctor Allday's vigilance on the watch. He doubted the gentleman who had abstained from giving his name; he even distrusted the other unknown person who had written to Emily.

She looked up. Her face relieved him of his misgivings, before she could speak.

"At last, I have heard from my dearest friend," she said. "You remember what I told you about Cecilia? Here is a letter—a long delightful letter—from the Engadine, left at the door by some gentleman unknown. I was questioning the servant when you rang the bell."

"You may question me, if you prefer it. I arrived just as the gentleman was shutting your garden gate."

"Oh, tell me! what was he like?"

"Tall, and thin, and dark. Wore a vile republican-looking felt hat. Had nasty ill-tempered wrinkles between his eyebrows. The sort of man I distrust by instinct."

"Why?"

"Because he doesn't shave."

"Do you mean that he wore a beard?"

"Yes; a curly black beard."

Emily clasped her hands in amazement. "Can it be Alban Morris?" she exclaimed.

The doctor looked at her with a sardonic smile; he thought it likely that he had discovered her sweetheart.

"Who is Mr. Alban Morris?" he asked.

"The drawing-master at Miss Ladd's school."

Doctor Allday dropped the subject: masters at ladies' schools were not persons who interested him. He returned to the purpose which had brought him to the cottage—and produced the Handbill that had been sent to him in Emily's letter.

"I suppose you want to have it back again?" he said.

She took it from him, and looked at it with interest.

"Isn't it strange," she suggested, "that the murderer should have escaped, with such a careful description of him as this circulated all over England?"

She read the description to the doctor.

"'Name not known. Supposed age, between twenty-five and thirty years. A well-made man, of small stature. Fair complexion, delicate features, clear blue eyes. Hair light, and cut rather short. Clean shaven, with the exception of narrow half-whiskers. Small, white, well-shaped hands. Wore valuable rings on the two last fingers of the left hand. Dressed neatly—'"

"That part of the description is useless," the doctor remarked; "he would change his clothes."

"But could he change his voice?" Emily objected. "Listen to this: 'Remarkably good voice, smooth, full, and persuasive.' And here again! 'Ingratiating manners.' Perhaps you will say he could put on an appearance of rudeness?"

"I will say this, my dear. He would be able to disguise himself so effectually that ninety-nine people out of a hundred would fail to identify him, either by his voice or his manner."

"How?"

"Look back at the description: 'Hair cut rather short, clean shaven, with the exception of narrow half-whiskers.' The wretch was safe from pursuit; he had ample time at his disposal—don't you see how he could completely alter the appearance of his head and face? No more, my dear, of this disagreeable subject! Let us get to something interesting. Have you found anything else among your aunt's papers?"

"I have met with a great disappointment," Emily replied. "Did I tell you how I discovered the Handbill?"

"No."

"I found it, with the scrap-book and the newspaper cuttings, under a collection of empty boxes and bottles, in a drawer of the washhand-stand. And I naturally expected to make far more interesting discoveries in this room. My search was over in five minutes. Nothing in the cabinet there, in the corner, but a few books and some china. Nothing in the writing-desk, on that side-table, but a packet of note-paper and some sealing-wax. Nothing here, in the drawers, but tradesmen's receipts, materials for knitting, and old photographs. She must have destroyed all her papers, poor dear, before her last illness; and the Handbill and the other things can only have escaped, because they were left in a place which she never thought of examining. Isn't it provoking?"

With a mind inexpressibly relieved, good Doctor Allday asked permission to return to his patients: leaving Emily to devote herself to her friend's letter.

On his way out, he noticed that the door of the bed-chamber on the opposite side of the passage stood open. Since Miss Letitia's death the room had not been used. Well within view stood the washhand-stand to which Emily had alluded. The doctor advanced to the house door—reflected—hesitated—and looked toward the empty room.

It had struck him that there might be a second drawer which Emily had overlooked. Would he be justified in setting this doubt at rest? If he passed over ordinary scruples it would not be without excuse. Miss Letitia had spoken to him of her affairs, and had asked him to act (in Emily's interest) as co-executor with her lawyer. The rapid progress of the illness had made it impossible for her to execute the necessary codicil. But the doctor had been morally (if not legally) taken into her confidence—and, for that reason, he decided that he had a right in this serious matter to satisfy his own mind.

A glance was enough to show him that no second drawer had been overlooked.

There was no other discovery to detain the doctor. The wardrobe only contained the poor old lady's clothes; the one cupboard was open and empty. On the point of leaving the room, he went back to the washhand-stand. While he had the opportunity, it might not be amiss to make sure that Emily had thoroughly examined those old boxes and bottles, which she had alluded to with some little contempt.

The drawer was of considerable length. When he tried to pull it completely out from the grooves in which it ran, it resisted him. In his present frame of mind, this was a suspicious circumstance in itself. He cleared away the litter so as to make room for the introduction of his hand and arm into the drawer. In another moment his fingers touched a piece of paper, jammed between the inner end of the drawer and the bottom of the flat surface of the washhand-stand. With a little care, he succeeded in extricating the paper. Only pausing to satisfy himself that there was nothing else to be found, and to close the drawer after replacing its contents, he left the cottage.

The cab was waiting for him. On the drive back to his own house, he opened the crumpled paper. It proved to be a letter addressed to Miss Letitia; and it was signed by no less a person than Emily's schoolmistress. Looking back from the end to the beginning, Doctor Allday discovered, in the first sentence, the name of—Miss Jethro.

But for the interview of that morning with his patient he might have doubted the propriety of making himself further acquainted with the letter. As things were, he read it without hesitation.

"DEAR MADAM—I cannot but regard it as providential circumstance that your niece, in writing to you from my house, should have mentioned, among other events of her school life, the arrival of my new teacher, Miss Jethro.

"To say that I was surprised is to express very inadequately what I felt when I read your letter, informing me confidentially that I had employed a woman who was unworthy to associate with the young persons placed under my care. It is impossible for me to suppose that a lady in your position, and possessed of your high principles, would make such a serious accusation as this, without unanswerable reasons for doing so. At the same time I cannot, consistently with my duty as a Christian, suffer my opinion of Miss Jethro to be in any way modified, until proofs are laid before me which it is impossible to dispute.

"Placing the same confidence in your discretion, which you have placed in mine, I now inclose the references and testimonials which Miss Jethro submitted to me, when she presented herself to fill the vacant situation in my school.

"I earnestly request you to lose no time in instituting the confidential inquiries which you have volunteered to make. Whatever the result may be, pray return to me the inclosures which I have trusted to your care, and believe me, dear madam, in much suspense and anxiety, sincerely yours,

"AMELIA LADD."

It is needless to describe, at any length, the impression which these lines produced on the doctor.

If he had heard what Emily had heard at the time of her aunt's last illness, he would have called to mind Miss Letitia's betrayal of her interest in some man unknown, whom she believed to have been beguiled by Miss Jethro—and he would have perceived that the vindictive hatred, thus produced, must have inspired the letter of denunciation which the schoolmistress had acknowledged. He would also have inferred that Miss Letitia's inquiries had proved her accusation to be well founded—if he had known of the new teacher's sudden dismissal from the school. As things were, he was merely confirmed in his bad opinion of Miss Jethro; and he was induced, on reflection, to keep his discovery to himself.

"If poor Miss Emily saw the old lady exhibited in the character of an informer," he thought, "what a blow would be struck at her innocent respect for the memory of her aunt!"



CHAPTER XIX. SIR JERVIS REDWOOD.

In the meantime, Emily, left by herself, had her own correspondence to occupy her attention. Besides the letter from Cecilia (directed to the care of Sir Jervis Redwood), she had received some lines addressed to her by Sir Jervis himself. The two inclosures had been secured in a sealed envelope, directed to the cottage.

If Alban Morris had been indeed the person trusted as messenger by Sir Jervis, the conclusion that followed filled Emily with overpowering emotions of curiosity and surprise.

Having no longer the motive of serving and protecting her, Alban must, nevertheless, have taken the journey to Northumberland. He must have gained Sir Jervis Redwood's favor and confidence—and he might even have been a guest at the baronet's country seat—when Cecilia's letter arrived. What did it mean?

Emily looked back at her experience of her last day at school, and recalled her consultation with Alban on the subject of Mrs. Rook. Was he still bent on clearing up his suspicions of Sir Jervis's housekeeper? And, with that end in view, had he followed the woman, on her return to her master's place of abode?

Suddenly, almost irritably, Emily snatched up Sir Jervis's letter. Before the doctor had come in, she had glanced at it, and had thrown it aside in her impatience to read what Cecilia had written. In her present altered frame of mind, she was inclined to think that Sir Jervis might be the more interesting correspondent of the two.

On returning to his letter, she was disappointed at the outset.

In the first place, his handwriting was so abominably bad that she was obliged to guess at his meaning. In the second place, he never hinted at the circumstances under which Cecilia's letter had been confided to the gentleman who had left it at her door.

She would once more have treated the baronet's communication with contempt—but for the discovery that it contained an offer of employment in London, addressed to herself.

Sir Jervis had necessarily been obliged to engage another secretary in Emily's absence. But he was still in want of a person to serve his literary interests in London. He had reason to believe that discoveries made by modern travelers in Central America had been reported from time to time by the English press; and he wished copies to be taken of any notices of this sort which might be found, on referring to the files of newspapers kept in the reading-room of the British Museum. If Emily considered herself capable of contributing in this way to the completeness of his great work on "the ruined cities," she had only to apply to his bookseller in London, who would pay her the customary remuneration and give her every assistance of which she might stand in need. The bookseller's name and address followed (with nothing legible but the two words "Bond Street"), and there was an end of Sir Jervis's proposal.

Emily laid it aside, deferring her answer until she had read Cecilia's letter.



CHAPTER XX. THE REVEREND MILES MIRABEL.

"I am making a little excursion from the Engadine, my dearest of all dear friends. Two charming fellow-travelers take care of me; and we may perhaps get as far as the Lake of Como.

"My sister (already much improved in health) remains at St. Moritz with the old governess. The moment I know what exact course we are going to take, I shall write to Julia to forward any letters which arrive in my absence. My life, in this earthly paradise, will be only complete when I hear from my darling Emily.

"In the meantime, we are staying for the night at some interesting place, the name of which I have unaccountably forgotten; and here I am in my room, writing to you at last—dying to know if Sir Jervis has yet thrown himself at your feet, and offered to make you Lady Redwood with magnificent settlements.

"But you are waiting to hear who my new friends are. My dear, one of them is, next to yourself, the most delightful creature in existence. Society knows her as Lady Janeaway. I love her already, by her Christian name; she is my friend Doris. And she reciprocates my sentiments.

"You will now understand that union of sympathies made us acquainted with each other.

"If there is anything in me to be proud of, I think it must be my admirable appetite. And, if I have a passion, the name of it is Pastry. Here again, Lady Doris reciprocates my sentiments. We sit next to each other at the table d'hote.

"Good heavens, I have forgotten her husband! They have been married rather more than a month. Did I tell you that she is just two years older than I am?

"I declare I am forgetting him again! He is Lord Janeaway. Such a quiet modest man, and so easily amused. He carries with him everywhere a dirty little tin case, with air holes in the cover. He goes softly poking about among bushes and brambles, and under rocks, and behind old wooden houses. When he has caught some hideous insect that makes one shudder, he blushes with pleasure, and looks at his wife and me, and says, with the prettiest lisp: 'This is what I call enjoying the day.' To see the manner in which he obeys Her is, between ourselves, to feel proud of being a woman.

"Where was I? Oh, at the table d'hote.

"Never, Emily—I say it with a solemn sense of the claims of truth—never have I eaten such an infamous, abominable, maddeningly bad dinner, as the dinner they gave us on our first day at the hotel. I ask you if I am not patient; I appeal to your own recollection of occasions when I have exhibited extraordinary self-control. My dear, I held out until they brought the pastry round. I took one bite, and committed the most shocking offense against good manners at table that you can imagine. My handkerchief, my poor innocent handkerchief, received the horrid—please suppose the rest. My hair stands on end, when I think of it. Our neighbors at the table saw me. The coarse men laughed. The sweet young bride, sincerely feeling for me, said, 'Will you allow me to shake hands? I did exactly what you have done the day before yesterday.' Such was the beginning of my friendship with Lady Doris Janeaway.

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