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Heart of the West
by O. Henry
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The Kid crept noiselessly to the very edge of the pear thicket and reconnoitred between the leaves of a clump of cactus.

Ten yards from his hiding-place, in the shade of the /jacal/, sat his Tonia calmly plaiting a rawhide lariat. So far she might surely escape condemnation; women have been known, from time to time, to engage in more mischievous occupations. But if all must be told, there is to be added that her head reposed against the broad and comfortable chest of a tall red-and-yellow man, and that his arm was about her, guiding her nimble fingers that required so many lessons at the intricate six- strand plait.

Sandridge glanced quickly at the dark mass of pear when he heard a slight squeaking sound that was not altogether unfamiliar. A gun- scabbard will make that sound when one grasps the handle of a six- shooter suddenly. But the sound was not repeated; and Tonia's fingers needed close attention.

And then, in the shadow of death, they began to talk of their love; and in the still July afternoon every word they uttered reached the ears of the Kid.

"Remember, then," said Tonia, "you must not come again until I send for you. Soon he will be here. A /vaquero/ at the /tienda/ said to-day he saw him on the Guadalupe three days ago. When he is that near he always comes. If he comes and finds you here he will kill you. So, for my sake, you must come no more until I send you the word."

"All right," said the stranger. "And then what?"

"And then," said the girl, "you must bring your men here and kill him. If not, he will kill you."

"He ain't a man to surrender, that's sure," said Sandridge. "It's kill or be killed for the officer that goes up against Mr. Cisco Kid."

"He must die," said the girl. "Otherwise there will not be any peace in the world for thee and me. He has killed many. Let him so die. Bring your men, and give him no chance to escape."

"You used to think right much of him," said Sandridge.

Tonia dropped the lariat, twisted herself around, and curved a lemon- tinted arm over the ranger's shoulder.

"But then," she murmured in liquid Spanish, "I had not beheld thee, thou great, red mountain of a man! And thou art kind and good, as well as strong. Could one choose him, knowing thee? Let him die; for then I will not be filled with fear by day and night lest he hurt thee or me."

"How can I know when he comes?" asked Sandridge.

"When he comes," said Tonia, "he remains two days, sometimes three. Gregorio, the small son of old Luisa, the /lavendera/, has a swift pony. I will write a letter to thee and send it by him, saying how it will be best to come upon him. By Gregorio will the letter come. And bring many men with thee, and have much care, oh, dear red one, for the rattlesnake is not quicker to strike than is '/El Chivato/,' as they call him, to send a ball from his /pistola/."

"The Kid's handy with his gun, sure enough," admitted Sandridge, "but when I come for him I shall come alone. I'll get him by myself or not at all. The Cap wrote one or two things to me that make me want to do the trick without any help. You let me know when Mr. Kid arrives, and I'll do the rest."

"I will send you the message by the boy Gregorio," said the girl. "I knew you were braver than that small slayer of men who never smiles. How could I ever have thought I cared for him?"

It was time for the ranger to ride back to his camp on the water hole. Before he mounted his horse he raised the slight form of Tonia with one arm high from the earth for a parting salute. The drowsy stillness of the torpid summer air still lay thick upon the dreaming afternoon. The smoke from the fire in the /jacal/, where the /frijoles/ blubbered in the iron pot, rose straight as a plumb-line above the clay-daubed chimney. No sound or movement disturbed the serenity of the dense pear thicket ten yards away.

When the form of Sandridge had disappeared, loping his big dun down the steep banks of the Frio crossing, the Kid crept back to his own horse, mounted him, and rode back along the tortuous trail he had come.

But not far. He stopped and waited in the silent depths of the pear until half an hour had passed. And then Tonia heard the high, untrue notes of his unmusical singing coming nearer and nearer; and she ran to the edge of the pear to meet him.

The Kid seldom smiled; but he smiled and waved his hat when he saw her. He dismounted, and his girl sprang into his arms. The Kid looked at her fondly. His thick, black hair clung to his head like a wrinkled mat. The meeting brought a slight ripple of some undercurrent of feeling to his smooth, dark face that was usually as motionless as a clay mask.

"How's my girl?" he asked, holding her close.

"Sick of waiting so long for you, dear one," she answered. "My eyes are dim with always gazing into that devil's pincushion through which you come. And I can see into it such a little way, too. But you are here, beloved one, and I will not scold. /Que mal muchacho/! not to come to see your /alma/ more often. Go in and rest, and let me water your horse and stake him with the long rope. There is cool water in the jar for you."

The Kid kissed her affectionately.

"Not if the court knows itself do I let a lady stake my horse for me," said he. "But if you'll run in, /chica/, and throw a pot of coffee together while I attend to the /caballo/, I'll be a good deal obliged."

Besides his marksmanship the Kid had another attribute for which he admired himself greatly. He was /muy caballero/, as the Mexicans express it, where the ladies were concerned. For them he had always gentle words and consideration. He could not have spoken a harsh word to a woman. He might ruthlessly slay their husbands and brothers, but he could not have laid the weight of a finger in anger upon a woman. Wherefore many of that interesting division of humanity who had come under the spell of his politeness declared their disbelief in the stories circulated about Mr. Kid. One shouldn't believe everything one heard, they said. When confronted by their indignant men folk with proof of the /caballero's/ deeds of infamy, they said maybe he had been driven to it, and that he knew how to treat a lady, anyhow.

Considering this extremely courteous idiosyncrasy of the Kid and the pride he took in it, one can perceive that the solution of the problem that was presented to him by what he saw and heard from his hiding- place in the pear that afternoon (at least as to one of the actors) must have been obscured by difficulties. And yet one could not think of the Kid overlooking little matters of that kind.

At the end of the short twilight they gathered around a supper of /frijoles/, goat steaks, canned peaches, and coffee, by the light of a lantern in the /jacal/. Afterward, the ancestor, his flock corralled, smoked a cigarette and became a mummy in a grey blanket. Tonia washed the few dishes while the Kid dried them with the flour-sacking towel. Her eyes shone; she chatted volubly of the inconsequent happenings of her small world since the Kid's last visit; it was as all his other home-comings had been.

Then outside Tonia swung in a grass hammock with her guitar and sang sad /canciones de amor/.

"Do you love me just the same, old girl?" asked the Kid, hunting for his cigarette papers.

"Always the same, little one," said Tonia, her dark eyes lingering upon him.

"I must go over to Fink's," said the Kid, rising, "for some tobacco. I thought I had another sack in my coat. I'll be back in a quarter of an hour."

"Hasten," said Tonia, "and tell me—how long shall I call you my own this time? Will you be gone again to-morrow, leaving me to grieve, or will you be longer with your Tonia?"

"Oh, I might stay two or three days this trip," said the Kid, yawning. "I've been on the dodge for a month, and I'd like to rest up."

He was gone half an hour for his tobacco. When he returned Tonia was still lying in the hammock.

"It's funny," said the Kid, "how I feel. I feel like there was somebody lying behind every bush and tree waiting to shoot me. I never had mullygrubs like them before. Maybe it's one of them presumptions. I've got half a notion to light out in the morning before day. The Guadalupe country is burning up about that old Dutchman I plugged down there."

"You are not afraid—no one could make my brave little one fear."

"Well, I haven't been usually regarded as a jack-rabbit when it comes to scrapping; but I don't want a posse smoking me out when I'm in your /jacal/. Somebody might get hurt that oughtn't to."

"Remain with your Tonia; no one will find you here."

The Kid looked keenly into the shadows up and down the arroyo and toward the dim lights of the Mexican village.

"I'll see how it looks later on," was his decision.

*****

At midnight a horseman rode into the rangers' camp, blazing his way by noisy "halloes" to indicate a pacific mission. Sandridge and one or two others turned out to investigate the row. The rider announced himself to be Domingo Sales, from the Lone Wolf Crossing. he bore a letter for Senor Sandridge. Old Luisa, the /lavendera/, had persuaded him to bring it, he said, her son Gregorio being too ill of a fever to ride.

Sandridge lighted the camp lantern and read the letter. These were its words:

/Dear One/: He has come. Hardly had you ridden away when he came out of the pear. When he first talked he said he would stay three days or more. Then as it grew later he was like a wolf or a fox, and walked about without rest, looking and listening. Soon he said he must leave before daylight when it is dark and stillest. And then he seemed to suspect that I be not true to him. He looked at me so strange that I am frightened. I swear to him that I love him, his own Tonia. Last of all he said I must prove to him I am true. He thinks that even now men are waiting to kill him as he rides from my house. To escape he says he will dress in my clothes, my red skirt and the blue waist I wear and the brown mantilla over the head, and thus ride away. But before that he says that I must put on his clothes, his /pantalones/ and /camisa/ and hat, and ride away on his horse from the /jacal/ as far as the big road beyond the crossing and back again. This before he goes, so he can tell if I am true and if men are hidden to shoot him. It is a terrible thing. An hour before daybreak this is to be. Come, my dear one, and kill this man and take me for your Tonia. Do not try to take hold of him alive, but kill him quickly. Knowing all, you should do that. You must come long before the time and hide yourself in the little shed near the /jacal/ where the wagon and saddles are kept. It is dark in there. He will wear my red skirt and blue waist and brown mantilla. I send you a hundred kisses. Come surely and shoot quickly and straight.

Thine Own Tonia.

Sandridge quickly explained to his men the official part of the missive. The rangers protested against his going alone.

"I'll get him easy enough," said the lieutenant. "The girl's got him trapped. And don't even think he'll get the drop on me."

Sandridge saddled his horse and rode to the Lone Wolf Crossing. He tied his big dun in a clump of brush on the arroyo, took his Winchester from its scabbard, and carefully approached the Perez /jacal/. There was only the half of a high moon drifted over by ragged, milk-white gulf clouds.

The wagon-shed was an excellent place for ambush; and the ranger got inside it safely. In the black shadow of the brush shelter in front of the /jacal/ he could see a horse tied and hear him impatiently pawing the hard-trodden earth.

He waited almost an hour before two figures came out of the /jacal/. One, in man's clothes, quickly mounted the horse and galloped past the wagon-shed toward the crossing and village. And then the other figure, in skirt, waist, and mantilla over its head, stepped out into the faint moonlight, gazing after the rider. Sandridge thought he would take his chance then before Tonia rode back. He fancied she might not care to see it.

"Throw up your hands," he ordered loudly, stepping out of the wagon- shed with his Winchester at his shoulder.

There was a quick turn of the figure, but no movement to obey, so the ranger pumped in the bullets—one—two—three—and then twice more; for you never could be too sure of bringing down the Cisco Kid. There was no danger of missing at ten paces, even in that half moonlight.

The old ancestor, asleep on his blanket, was awakened by the shots. Listening further, he heard a great cry from some man in mortal distress or anguish, and rose up grumbling at the disturbing ways of moderns.

The tall, red ghost of a man burst into the /jacal/, reaching one hand, shaking like a /tule/ reed, for the lantern hanging on its nail. The other spread a letter on the table.

"Look at this letter, Perez," cried the man. "Who wrote it?"

"/Ah, Dios/! it is Senor Sandridge," mumbled the old man, approaching. "/Pues, senor/, that letter was written by '/El Chivato/,' as he is called—by the man of Tonia. They say he is a bad man; I do not know. While Tonia slept he wrote the letter and sent it by this old hand of mine to Domingo Sales to be brought to you. Is there anything wrong in the letter? I am very old; and I did not know. /Valgame Dios/! it is a very foolish world; and there is nothing in the house to drink— nothing to drink."

Just then all that Sandridge could think of to do was to go outside and throw himself face downward in the dust by the side of his humming-bird, of whom not a feather fluttered. He was not a /caballero/ by instinct, and he could not understand the niceties of revenge.

A mile away the rider who had ridden past the wagon-shed struck up a harsh, untuneful song, the words of which began:

Don't you monkey with my Lulu girl Or I'll tell you what I'll do—



XII

THE SPHINX APPLE

Twenty miles out from Paradise, and fifteen miles short of Sunrise City, Bildad Rose, the stage-driver, stopped his team. A furious snow had been falling all day. Eight inches it measured now, on a level. The remainder of the road was not without peril in daylight, creeping along the ribs of a bijou range of ragged mountains. Now, when both snow and night masked its dangers, further travel was not to be thought of, said Bildad Rose. So he pulled up his four stout horses, and delivered to his five passengers oral deductions of his wisdom.

Judge Menefee, to whom men granted leadership and the initiatory as upon a silver salver, sprang from the coach at once. Four of his fellow-passengers followed, inspired by his example, ready to explore, to objurgate, to resist, to submit, to proceed, according as their prime factor might be inclined to sway them. The fifth passenger, a young woman, remained in the coach.

Bildad had halted upon the shoulder of the first mountain spur. Two rail-fences, ragged-black, hemmed the road. Fifty yards above the upper fence, showing a dark blot in the white drifts, stood a small house. Upon this house descended—or rather ascended—Judge Menefee and his cohorts with boyish whoops born of the snow and stress. They called; they pounded at window and door. At the inhospitable silence they waxed restive; they assaulted and forced the pregnable barriers, and invaded the premises.

The watchers from the coach heard stumblings and shoutings from the interior of the ravaged house. Before long a light within flickered, glowed, flamed high and bright and cheerful. Then came running back through the driving flakes the exuberant explorers. More deeply pitched than the clarion—even orchestral in volume—the voice of Judge Menefee proclaimed the succour that lay in apposition with their state of travail. The one room of the house was uninhabited, he said, and bare of furniture; but it contained a great fireplace, and they had discovered an ample store of chopped wood in a lean-to at the rear. Housing and warmth against the shivering night were thus assured. For the placation of Bildad Rose there was news of a stable, not ruined beyond service, with hay in a loft, near the house.

"Gentlemen," cried Bildad Rose from his seat, swathed in coats and robes, "tear me down two panels of that fence, so I can drive in. That is old man Redruth's shanty. I thought we must be nigh it. They took him to the foolish house in August."

Cheerfully the four passengers sprang at the snow-capped rails. The exhorted team tugged the coach up the slant to the door of the edifice from which a mid-summer madness had ravished its proprietor. The driver and two of the passengers began to unhitch. Judge Menefee opened the door of the coach, and removed his hat.

"I have to announce, Miss Garland," said he, "the enforced suspension of our journey. The driver asserts that the risk in travelling the mountain road by night is too great even to consider. It will be necessary to remain in the shelter of this house until morning. I beg that you will feel that there is nothing to fear beyond a temporary inconvenience. I have personally inspected the house, and find that there are means to provide against the rigour of the weather, at least. You shall be made as comfortable as possible. Permit me to assist you to alight."

To the Judge's side came the passenger whose pursuit in life was the placing of the Little Goliath windmill. His name was Dunwoody; but that matters not much. In travelling merely from Paradise to Sunrise City one needs little or no name. Still, one who would seek to divide honours with Judge Madison L. Menefee deserves a cognomenal peg upon which Fame may hang a wreath. Thus spake, loudly and buoyantly, the aerial miller:

"Guess you'll have to climb out of the ark, Mrs. McFarland. This wigwam isn't exactly the Palmer House, but it turns snow, and they won't search your grip for souvenir spoons when you leave. /We've/ got a fire going; and /we'll/ fix you up with dry Tilbys and keep the mice away, anyhow, all right, all right."

One of the two passengers who were struggling in a melee of horses, harness, snow, and the sarcastic injunctions of Bildad Rose, called loudly from the whirl of his volunteer duties: "Say! some of you fellows get Miss Solomon into the house, will you? Whoa, there! you confounded brute!"

Again must it be gently urged that in travelling from Paradise to Sunrise City an accurate name is prodigality. When Judge Menefee— sanctioned to the act by his grey hair and widespread repute—had introduced himself to the lady passenger, she had, herself, sweetly breathed a name, in response, that the hearing of the male passengers had variously interpreted. In the not unjealous spirit of rivalry that eventuated, each clung stubbornly to his own theory. For the lady passenger to have reasseverated or corrected would have seemed didactic if not unduly solicitous of a specific acquaintance. Therefore the lady passenger permitted herself to be Garlanded and McFarlanded and Solomoned with equal and discreet complacency. It is thirty-five miles from Paradise to Sunrise City. /Compagnon de voyage/ is name enough, by the gripsack of the Wandering Jew! for so brief a journey.

Soon the little party of wayfarers were happily seated in a cheerful arc before the roaring fire. The robes, cushions, and removable portions of the coach had been brought in and put to service. The lady passenger chose a place near the hearth at one end of the arc. There she graced almost a throne that her subjects had prepared. She sat upon cushions and leaned against an empty box and barrel, robe bespread, which formed a defence from the invading draughts. She extended her feet, delectably shod, to the cordial heat. She ungloved her hands, but retained about her neck her long fur boa. The unstable flames half revealed, while the warding boa half submerged, her face— a youthful face, altogether feminine, clearly moulded and calm with beauty's unchallenged confidence. Chivalry and manhood were here vying to please and comfort her. She seemed to accept their devoirs—not piquantly, as one courted and attended; nor preeningly, as many of her sex unworthily reap their honours; not yet stolidly, as the ox receives his hay; but concordantly with nature's own plan—as the lily ingests the drop of dew foreordained to its refreshment.

Outside the wind roared mightily, the fine snow whizzed through the cracks, the cold besieged the backs of the immolated six; but the elements did not lack a champion that night. Judge Menefee was attorney for the storm. The weather was his client, and he strove by special pleading to convince his companions in that frigid jury-box that they sojourned in a bower of roses, beset only by benignant zephyrs. He drew upon a fund of gaiety, wit, and anecdote, sophistical, but crowned with success. His cheerfulness communicated itself irresistibly. Each one hastened to contribute his own quota toward the general optimism. Even the lady passenger was moved to expression.

"I think it is quite charming," she said, in her slow, crystal tones.

At intervals some one of the passengers would rise and humorously explore the room. There was little evidence to be collected of its habitation by old man Redruth.

Bildad Rose was called upon vivaciously for the ex-hermit's history. Now, since the stage-driver's horses were fairly comfortable and his passengers appeared to be so, peace and comity returned to him.

"The old didapper," began Bildad, somewhat irreverently, "infested this here house about twenty year. He never allowed nobody to come nigh him. He'd duck his head inside and slam the door whenever a team drove along. There was spinning-wheels up in his loft, all right. He used to buy his groceries and tobacco at Sam Tilly's store, on the Little Muddy. Last August he went up there dressed in a red bedquilt, and told Sam he was King Solomon, and that the Queen of Sheba was coming to visit him. He fetched along all the money he had—a little bag full of silver—and dropped it in Sam's well. 'She won't come,' says old man Redruth to Sam, 'if she knows I've got any money.'

"As soon as folks heard he had that sort of a theory about women and money they knowed he was crazy; so they sent down and packed him to the foolish asylum."

"Was there a romance in his life that drove him to a solitary existence?" asked one of the passengers, a young man who had an Agency.

"No," said Bildad, "not that I ever heard spoke of. Just ordinary trouble. They say he had had unfortunateness in the way of love derangements with a young lady when he was young; before he contracted red bed-quilts and had his financial conclusions disqualified. I never heard of no romance."

"Ah!" exclaimed Judge Menefee, impressively; "a case of unrequited affection, no doubt."

"No, sir," returned Bildad, "not at all. She never married him. Marmaduke Mulligan, down at Paradise, seen a man once that come from old Redruth's town. He said Redruth was a fine young man, but when you kicked him on the pocket all you could hear jingle was a cuff-fastener and a bunch of keys. He was engaged to this young lady—Miss Alice— something was her name; I've forgot. This man said she was the kind of girl you like to have reach across you in a car to pay the fare. Well, there come to the town a young chap all affluent and easy, and fixed up with buggies and mining stock and leisure time. Although she was a staked claim, Miss Alice and the new entry seemed to strike a mutual kind of a clip. They had calls and coincidences of going to the post office and such things as sometimes make a girl send back the engagement ring and other presents—'a rift within the loot,' the poetry man calls it.

"One day folks seen Redruth and Miss Alice standing talking at the gate. Then he lifts his hat and walks away, and that was the last anybody in that town seen of him, as far as this man knew."

"What about the young lady?" asked the young man who had an Agency.

"Never heard," answered Bildad. "Right there is where my lode of information turns to an old spavined crowbait, and folds its wings, for I've pumped it dry."

"A very sad—" began Judge Menefee, but his remark was curtailed by a higher authority.

"What a charming story!" said the lady passenger, in flute-like tones.

A little silence followed, except for the wind and the crackling of the fire.

The men were seated upon the floor, having slightly mitigated its inhospitable surface with wraps and stray pieces of boards. The man who was placing Little Goliath windmills arose and walked about to ease his cramped muscles.

Suddenly a triumphant shout came from him. He hurried back from a dusky corner of the room, bearing aloft something in his hand. It was an apple—a large, red-mottled, firm pippin, pleasing to behold. In a paper bag on a high shelf in that corner he had found it. It could have been no relic of the lovewrecked Redruth, for its glorious soundness repudiated the theory that it had lain on that musty shelf since August. No doubt some recent bivouackers, lunching in the deserted house, had left it there.

Dunwoody—again his exploits demand for him the honours of nomenclature—flaunted his apple in the faces of his fellow-marooners. "See what I found, Mrs. McFarland!" he cried, vaingloriously. He held the apple high up in the light of the fire, where it glowed a still richer red. The lady passenger smiled calmly—always calmly.

"What a charming apple!" she murmured, clearly.

For a brief space Judge Menefee felt crushed, humiliated, relegated. Second place galled him. Why had this blatant, obtrusive, unpolished man of windmills been selected by Fate instead of himself to discover the sensational apple? He could have made of the act a scene, a function, a setting for some impromptu, fanciful discourse or piece of comedy—and have retained the role of cynosure. Actually, the lady passenger was regarding this ridiculous Dunboddy or Woodbundy with an admiring smile, as if the fellow had performed a feat! And the windmill man swelled and gyrated like a sample of his own goods, puffed up with the wind that ever blows from the chorus land toward the domain of the star.

While the transported Dunwoody, with his Aladdin's apple, was receiving the fickle attentions of all, the resourceful jurist formed a plan to recover his own laurels.

With his courtliest smile upon his heavy but classic features, Judge Menefee advanced, and took the apple, as if to examine it, from the hand of Dunwoody. In his hand it became Exhibit A.

"A fine apple," he said, approvingly. "Really, my dear Mr. Dudwindy, you have eclipsed all of us as a forager. But I have an idea. This apple shall become an emblem, a token, a symbol, a prize bestowed by the mind and heart of beauty upon the most deserving."

The audience, except one, applauded. "Good on the stump, ain't he?" commented the passenger who was nobody in particular to the young man who had an Agency.

The unresponsive one was the windmill man. He saw himself reduced to the ranks. Never would the thought have occurred to him to declare his apple an emblem. He had intended, after it had been divided and eaten, to create diversion by sticking the seeds against his forehead and naming them for young ladies of his acquaintance. One he was going to name Mrs. McFarland. The seed that fell off first would be—but 'twas too late now.

"The apple," continued Judge Menefee, charging his jury, "in modern days occupies, though undeservedly, a lowly place in our esteem. Indeed, it is so constantly associated with the culinary and the commercial that it is hardly to be classed among the polite fruits. But in ancient times this was not so. Biblical, historical, and mythological lore abounds with evidences that the apple was the aristocrat of fruits. We still say 'the apple of the eye' when we wish to describe something superlatively precious. We find in Proverbs the comparison to 'apples of silver.' No other product of tree or vine has been so utilised in figurative speech. Who has not heard of and longed for the 'apples of the Hesperides'? I need not call your attention to the most tremendous and significant instance of the apple's ancient prestige when its consumption by our first parents occasioned the fall of man from his state of goodness and perfection."

"Apples like them," said the windmill man, lingering with the objective article, "are worth $3.50 a barrel in the Chicago market."

"Now, what I have to propose," said Judge Menefee, conceding an indulgent smile to his interrupter, "is this: We must remain here, perforce, until morning. We have wood in plenty to keep us warm. Our next need is to entertain ourselves as best we can, in order that the time shall not pass too slowly. I propose that we place this apple in the hands of Miss Garland. It is no longer a fruit, but, as I said, a prize, in award, representing a great human idea. Miss Garland, herself, shall cease to be an individual—but only temporarily, I am happy to add"—(a low bow, full of the old-time grace). "She shall represent her sex; she shall be the embodiment, the epitome of womankind—the heart and brain, I may say, of God's masterpiece of creation. In this guise she shall judge and decide the question which follows:

"But a few minutes ago our friend, Mr. Rose, favoured us with an entertaining but fragmentary sketch of the romance in the life of the former professor of this habitation. The few facts that we have learned seem to me to open up a fascinating field for conjecture, for the study of human hearts, for the exercise of the imagination—in short, for story-telling. Let us make use of the opportunity. Let each one of us relate his own version of the story of Redruth, the hermit, and his lady-love, beginning where Mr. Rose's narrative ends—at the parting of the lovers at the gate. This much should be assumed and conceded—that the young lady was not necessarily to blame for Redruth's becoming a crazed and world-hating hermit. When we have done, Miss Garland shall render the JUDGEMENT OF WOMAN. As the Spirit of her Sex she shall decide which version of the story best and most truly depicts human and love interest, and most faithfully estimates the character and acts of Redruth's betrothed according to the feminine view. The apple shall be bestowed upon him who is awarded the decision. If you are all agreed, we shall be pleased to hear the first story from Mr. Dinwiddie."

The last sentence captured the windmill man. He was not one to linger in the dumps.

"That's a first-rate scheme, Judge," he said, heartily. "Be a regular short-story vaudeville, won't it? I used to be correspondent for a paper in Springfield, and when there wasn't any news I faked it. Guess I can do my turn all right."

"I think the idea is charming," said the lady passenger, brightly. "It will be almost like a game."

Judge Menefee stepped forward and placed the apple in her hand impressively.

"In olden days," he said, orotundly, "Paris awarded the golden apple to the most beautiful."

"I was at the Exposition," remarked the windmill man, now cheerful again, "but I never heard of it. And I was on the Midway, too, all the time I wasn't at the machinery exhibit."

"But now," continued the Judge, "the fruit shall translate to us the mystery and wisdom of the feminine heart. Take the apple, Miss Garland. Hear our modest tales of romance, and then award the prize as you may deem it just."

The lady passenger smiled sweetly. The apple lay in her lap beneath her robes and wraps. She reclined against her protecting bulwark, brightly and cosily at ease. But for the voices and the wind one might have listened hopefully to hear her purr. Someone cast fresh logs upon the fire. Judge Menefee nodded suavely. "Will you oblige us with the initial story?" he asked.

The windmill man sat as sits a Turk, with his hat well back on his head on account of the draughts.

"Well," he began, without any embarrassment, "this is about the way I size up the difficulty: Of course Redruth was jostled a good deal by this duck who had money to play ball with who tried to cut him out of his girl. So he goes around, naturally, and asks her if the game is still square. Well, nobody wants a guy cutting in with buggies and gold bonds when he's got an option on a girl. Well, he goes around to see her. Well, maybe he's hot, and talks like the proprietor, and forgets that an engagement ain't always a lead-pipe cinch. Well, I guess that makes Alice warm under the lacy yoke. Well, she answers back sharp. Well, he—"

"Say!" interrupted the passenger who was nobody in particular, "if you could put up a windmill on every one of them 'wells' you're using, you'd be able to retire from business, wouldn't you?"

The windmill man grinned good-naturedly.

"Oh, I ain't no /Guy de Mopassong/," he said, cheerfully. "I'm giving it to you in straight American. Well, she says something like this: 'Mr. Gold Bonds is only a friend,' says she; 'but he takes me riding and buys me theatre tickets, and that's what you never do. Ain't I to never have any pleasure in life while I can?' 'Pass this chatfield- chatfield thing along,' says Redruth;—'hand out the mitt to the Willie with creases in it or you don't put your slippers under my wardrobe.'

"Now that kind of train orders don't go with a girl that's got any spirit. I bet that girl loved her honey all the time. Maybe she only wanted, as girls do, to work the good thing for a little fun and caramels before she settled down to patch George's other pair, and be a good wife. But he is glued to the high horse, and won't come down. Well, she hands him back the ring, proper enough; and George goes away and hits the booze. Yep. That's what done it. I bet that girl fired the cornucopia with the fancy vest two days after her steady left. George boards a freight and checks his bag of crackers for parts unknown. He sticks to Old Booze for a number of years; and then the aniline and aquafortis gets the decision. 'Me for the hermit's hut,' says George, 'and the long whiskers, and the buried can of money that isn't there.'

"But that Alice, in my mind, was on the level. She never married, but took up typewriting as soon as the wrinkles began to show, and kept a cat that came when you said 'weeny—weeny—weeny!' I got too much faith in good women to believe they throw down the fellow they're stuck on every time for the dough." The windmill man ceased.

"I think," said the lady passenger, slightly moving upon her lowly throne, "that that is a char—"

"Oh, Miss Garland!" interposed Judge Menefee, with uplifted hand, "I beg of you, no comments! It would not be fair to the other contestants. Mr.—er—will you take the next turn?" The Judge addressed the young man who had the Agency.

"My version of the romance," began the young man, diffidently clasping his hands, "would be this: They did not quarrel when they parted. Mr. Redruth bade her good-by and went out into the world to seek his fortune. He knew his love would remain true to him. He scorned the thought that his rival could make an impression upon a heart so fond and faithful. I would say that Mr. Redruth went out to the Rocky Mountains in Wyoming to seek for gold. One day a crew of pirates landed and captured him while at work, and—"

"Hey! what's that?" sharply called the passenger who was nobody in particular—"a crew of pirates landed in the Rocky Mountains! Will you tell us how they sailed—"

"Landed from a train," said the narrator, quietly and not without some readiness. "They kept him prisoner in a cave for months, and then they took him hundreds of miles away to the forests of Alaska. There a beautiful Indian girl fell in love with him, but he remained true to Alice. After another year of wandering in the woods, he set out with the diamonds—"

"What diamonds?" asked the unimportant passenger, almost with acerbity.

"The ones the saddlemaker showed him in the Peruvian temple," said the other, somewhat obscurely. "When he reached home, Alice's mother led him, weeping, to a green mound under a willow tree. 'Her heart was broken when you left,' said her mother. 'And what of my rival—of Chester McIntosh?' asked Mr. Redruth, as he knelt sadly by Alice's grave. 'When he found out,' she answered, 'that her heart was yours, he pined away day by day until, at length, he started a furniture store in Grand Rapids. We heard lately that he was bitten to death by an infuriated moose near South Bend, Ind., where he had gone to try to forget scenes of civilisation.' With which, Mr. Redruth forsook the face of mankind and became a hermit, as we have seen.

"My story," concluded the young man with an Agency, "may lack the literary quality; but what I wanted it to show is that the young lady remained true. She cared nothing for wealth in comparison with true affection. I admire and believe in the fair sex too much to think otherwise."

The narrator ceased, with a sidelong glance at the corner where reclined the lady passenger.

Bildad Rose was next invited by Judge Menefee to contribute his story in the contest for the apple of judgment. The stage-driver's essay was brief.

"I'm not one of them lobo wolves," he said, "who are always blaming on women the calamities of life. My testimony in regards to the fiction story you ask for, Judge, will be about as follows: What ailed Redruth was pure laziness. If he had up and slugged this Percival De Lacey that tried to give him the outside of the road, and had kept Alice in the grape-vine swing with the blind-bridle on, all would have been well. The woman you want is sure worth taking pains for.

"'Send for me if you want me again,' says Redruth, and hoists his Stetson, and walks off. He'd have called it pride, but the nixycomlogical name for it is laziness. No woman don't like to run after a man. 'Let him come back, hisself,' says the girl; and I'll be bound she tells the boy with the pay ore to trot; and then spends her time watching out the window for the man with the empty pocket-book and the tickly moustache.

"I reckon Redruth waits about nine year expecting her to send him a note by a nigger asking him to forgive her. But she don't. 'This game won't work,' says Redruth; 'then so won't I.' And he goes in the hermit business and raises whiskers. Yes; laziness and whiskers was what done the trick. They travel together. You ever hear of a man with long whiskers and hair striking a bonanza? No. Look at the Duke of Marlborough and this Standard Oil snoozer. Have they got 'em?

"Now, this Alice didn't never marry, I'll bet a hoss. If Redruth had married somebody else she might have done so, too. But he never turns up. She has these here things they call fond memories, and maybe a lock of hair and a corset steel that he broke, treasured up. Them sort of articles is as good as a husband to some women. I'd say she played out a lone hand. I don't blame no woman for old man Redruth's abandonment of barber shops and clean shirts."

Next in order came the passenger who was nobody in particular. Nameless to us, he travels the road from Paradise to Sunrise City.

But him you shall see, if the firelight be not too dim, as he responds to the Judge's call.

A lean form, in rusty-brown clothing, sitting like a frog, his arms wrapped about his legs, his chin resting upon his knees. Smooth, oakum-coloured hair; long nose; mouth like a satyr's, with upturned, tobacco-stained corners. An eye like a fish's; a red necktie with a horseshoe pin. He began with a rasping chuckle that gradually formed itself into words.

"Everybody wrong so far. What! a romance without any orange blossoms! Ho, ho! My money on the lad with the butterfly tie and the certified checks in his trouserings.

"Take 'em as they parted at the gate? All right. 'You never loved me,' says Redruth, wildly, 'or you wouldn't speak to a man who can buy you the ice-cream.' 'I hate him,' says she. 'I loathe his side-bar buggy; I despise the elegant cream bonbons he sends me in gilt boxes covered with real lace; I feel that I could stab him to the heart when he presents me with a solid medallion locket with turquoises and pearls running in a vine around the border. Away with him! 'Tis only you I love.' 'Back to the cosey corner!' says Redruth. 'Was I bound and lettered in East Aurora? Get platonic, if you please. No jack-pots for mine. Go and hate your friend some more. For me the Nickerson girl on Avenue B, and gum, and a trolley ride.'

"Around that night comes John W. Croesus. 'What! tears?' says he, arranging his pearl pin. 'You have driven my lover away,' says little Alice, sobbing: 'I hate the sight of you.' 'Marry me, then,' says John W., lighting a Henry Clay. 'What!' she cries indignantly, 'marry you! Never,' she says, 'until this blows over, and I can do some shopping, and you see about the licence. There's a telephone next door if you want to call up the county clerk.'"

The narrator paused to give vent to his cynical chuckle.

"Did they marry?" he continued. "Did the duck swallow the June-bug? And then I take up the case of Old Boy Redruth. There's where you are all wrong again, according to my theory. What turned him into a hermit? One says laziness; one says remorse; one says booze. I say women did it. How old is the old man now?" asked the speaker, turning to Bildad Rose.

"I should say about sixty-five."

"All right. He conducted his hermit shop here for twenty years. Say he was twenty-five when he took off his hat at the gate. That leaves twenty years for him to account for, or else be docked. Where did he spend that ten and two fives? I'll give you my idea. Up for bigamy. Say there was the fat blonde in Saint Jo, and the panatela brunette at Skillet Ridge, and the gold tooth down in the Kaw valley. Redruth gets his cases mixed, and they send him up the road. He gets out after they are through with him, and says: 'Any line for me except the crinoline. The hermit trade is not overdone, and the stenographers never apply to 'em for work. The jolly hermit's life for me. No more long hairs in the comb or dill pickles lying around in the cigar tray.' You tell me they pinched old Redruth for the noodle villa just because he said he was King Solomon? Figs! He /was/ Solomon. That's all of mine. I guess it don't call for any apples. Enclosed find stamps. It don't sound much like a prize winner."

Respecting the stricture laid by Judge Menefee against comments upon the stories, all were silent when the passenger who was nobody in particular had concluded. And then the ingenious originator of the contest cleared his throat to begin the ultimate entry for the prize. Though seated with small comfort upon the floor, you might search in vain for any abatement of dignity in Judge Menefee. The now diminishing firelight played softly upon his face, as clearly chiselled as a Roman emperor's on some old coin, and upon the thick waves of his honourable grey hair.

"A woman's heart!" he began, in even but thrilling tones—"who can hope to fathom it? The ways and desires of men are various. I think that the hearts of all women beat with the same rhythm, and to the same old tune of love. Love, to a woman, means sacrifice. If she be worthy of the name, no gold or rank will outweigh with her a genuine devotion.

"Gentlemen of the—er—I should say, my friends, the case of Redruth /versus/ love and affection has been called. Yet, who is on trial? Not Redruth, for he has been punished. Not those immortal passions that clothe our lives with the joy of the angels. Then who? Each man of us here to-night stands at the bar to answer if chivalry or darkness inhabits his bosom. To judge us sits womankind in the form of one of its fairest flowers. In her hand she holds the prize, intrinsically insignificant, but worthy of our noblest efforts to win as a guerdon of approval from so worthy a representative of feminine judgment and taste.

"In taking up the imaginary history of Redruth and the fair being to whom he gave his heart, I must, in the beginning, raise my voice against the unworthy insinuation that the selfishness or perfidy or love of luxury of any woman drove him to renounce the world. I have not found woman to be so unspiritual or venal. We must seek elsewhere, among man's baser nature and lower motives for the cause.

"There was, in all probability, a lover's quarrel as they stood at the gate on that memorable day. Tormented by jealousy, young Redruth vanished from his native haunts. But had he just cause to do so? There is no evidence for or against. But there is something higher than evidence; there is the grand, eternal belief in woman's goodness, in her steadfastness against temptation, in her loyalty even in the face of proffered riches.

"I picture to myself the rash lover, wandering, self-tortured, about the world. I picture his gradual descent, and, finally, his complete despair when he realises that he has lost the most precious gift life had to offer him. Then his withdrawal from the world of sorrow and the subsequent derangement of his faculties becomes intelligible.

"But what do I see on the other hand? A lonely woman fading away as the years roll by; still faithful, still waiting, still watching for a form and listening for a step that will come no more. She is old now. Her hair is white and smoothly banded. Each day she sits at the door and gazes longingly down the dusty road. In spirit she is waiting there at the gate, just as he left her—his forever, but not here below. Yes; my belief in woman paints that picture in my mind. Parted forever on earth, but waiting! She in anticipation of a meeting in Elysium; he in the Slough of Despond."

"I thought he was in the bughouse," said the passenger who was nobody in particular.

Judge Menefee stirred, a little impatiently. The men sat, drooping, in grotesque attitudes. The wind had abated its violence; coming now in fitful, virulent puffs. The fire had burned to a mass of red coals which shed but a dim light within the room. The lady passenger in her cosey nook looked to be but a formless dark bulk, crowned by a mass of coiled, sleek hair and showing but a small space of snowy forehead above her clinging boa.

Judge Menefee got stiffly to his feet.

"And now, Miss Garland," he announced, "we have concluded. It is for you to award the prize to the one of us whose argument—especially, I may say, in regard to his estimate of true womanhood—approaches nearest to your own conception."

No answer came from the lady passenger. Judge Menefee bent over solicitously. The passenger who was nobody in particular laughed low and harshly. The lady was sleeping sweetly. The Judge essayed to take her hand to awaken her. In doing so he touched a small, cold, round, irregular something in her lap.

"She has eaten the apple," announced Judge Menefee, in awed tones, as he held up the core for them to see.



XIII

THE MISSING CHORD

I stopped overnight at the sheep-ranch of Rush Kinney, on the Sandy Fork of the Nueces. Mr. Kinney and I had been strangers up to the time when I called "Hallo!" at his hitching-rack; but from that moment until my departure on the next morning we were, according to the Texas code, undeniable friends.

After supper the ranchman and I lugged our chairs outside the two-room house, to its floorless gallery roofed with chaparral and sacuista grass. With the rear legs of our chairs sinking deep into the hardpacked loam, each of us reposed against an elm pillar of the structure and smoked El Toro tobacco, while we wrangled amicably concerning the affairs of the rest of the world.

As for conveying adequate conception of the engaging charm of that prairie evening, despair waits upon it. It is a bold chronicler who will undertake the description of a Texas night in the early spring. An inventory must suffice.

The ranch rested upon the summit of a lenient slope. The ambient prairie, diversified by arroyos and murky patches of brush and pear, lay around us like a darkened bowl at the bottom of which we reposed as dregs. Like a turquoise cover the sky pinned us there. The miraculous air, heady with ozone and made memorably sweet by leagues of wild flowerets, gave tang and savour to the breath. In the sky was a great, round, mellow searchlight which we knew to be no moon, but the dark lantern of summer, who came to hunt northward the cowering spring. In the nearest corral a flock of sheep lay silent until a groundless panic would send a squad of them huddling together with a drumming rush. For other sounds a shrill family of coyotes yapped beyond the shearing-pen, and whippoorwills twittered in the long grass. But even these dissonances hardly rippled the clear torrent of the mocking-birds' notes that fell from a dozen neighbouring shrubs and trees. It would not have been preposterous for one to tiptoe and essay to touch the stars, they hung so bright and imminent.

Mr. Kinney's wife, a young and capable woman, we had left in the house. She remained to busy herself with the domestic round of duties, in which I had observed that she seemed to take a buoyant and contented pride. In one room we had supped. Presently, from the other, as Kinney and I sat without, there burst a volume of sudden and brilliant music. If I could justly estimate the art of piano-playing, the construer of that rollicking fantasia had creditably mastered the secrets of the keyboard. A piano, and one so well played, seemed to me to be an unusual thing to find in that small and unpromising ranch- house. I must have looked my surprise at Rush Kinney, for he laughed in his soft, Southern way, and nodded at me through the moonlit haze of our cigarettes.

"You don't often hear as agreeable a noise as that on a sheep-ranch," he remarked; "but I never see any reason for not playing up to the arts and graces just because we happen to live out in the brush. It's a lonesome life for a woman; and if a little music can make it any better, why not have it? That's the way I look at it."

"A wise and generous theory," I assented. "And Mrs. Kinney plays well. I am not learned in the science of music, but I should call her an uncommonly good performer. She has technic and more than ordinary power."

The moon was very bright, you will understand, and I saw upon Kinney's face a sort of amused and pregnant expression, as though there were things behind it that might be expounded.

"You came up the trail from the Double-Elm Fork," he said promisingly. "As you crossed it you must have seen an old deserted /jacal/ to your left under a comma mott."

"I did," said I. "There was a drove of /javalis/ rooting around it. I could see by the broken corrals that no one lived there."

"That's where this music proposition started," said Kinney. "I don't mind telling you about it while we smoke. That's where old Cal Adams lived. He had about eight hundred graded merinos and a daughter that was solid silk and as handsome as a new stake-rope on a thirty-dollar pony. And I don't mind telling you that I was guilty in the second degree of hanging around old Cal's ranch all the time I could spare away from lambing and shearing. Miss Marilla was her name; and I had figured it out by the rule of two that she was destined to become the chatelaine and lady superior of Rancho Lomito, belonging to R. Kinney, Esq., where you are now a welcome and honoured guest.

"I will say that old Cal wasn't distinguished as a sheepman. He was a little, old stoop-shouldered /hombre/ about as big as a gun scabbard, with scraggy white whiskers, and condemned to the continuous use of language. Old Cal was so obscure in his chosen profession that he wasn't even hated by the cowmen. And when a sheepman don't get eminent enough to acquire the hostility of the cattlemen, he is mighty apt to die unwept and considerably unsung.

"But that Marilla girl was a benefit to the eye. And she was the most elegant kind of a housekeeper. I was the nearest neighbour, and I used to ride over to the Double-Elm anywhere from nine to sixteen times a week with fresh butter or a quarter of venison or a sample of new sheep-dip just as a frivolous excuse to see Marilla. Marilla and me got to be extensively inveigled with each other, and I was pretty sure I was going to get my rope around her neck and lead her over to the Lomito. Only she was so everlastingly permeated with filial sentiments toward old Cal that I never could get her to talk about serious matters.

"You never saw anybody in your life that was as full of knowledge and had less sense than old Cal. He was advised about all the branches of information contained in learning, and he was up to all the rudiments of doctrines and enlightenment. You couldn't advance him any ideas on any of the parts of speech or lines of thought. You would have thought he was a professor of the weather and politics and chemistry and natural history and the origin of derivations. Any subject you brought up old Cal could give you an abundant synopsis of it from the Greek root up to the time it was sacked and on the market.

"One day just after the fall shearing I rides over to the Double-Elm with a lady's magazine about fashions for Marilla and a scientific paper for old Cal.

"While I was tying my pony to a mesquite, out runs Marilla, 'tickled to death' with some news that couldn't wait.

"'Oh, Rush,' she says, all flushed up with esteem and gratification, 'what do you think! Dad's going to buy me a piano. Ain't it grand? I never dreamed I'd ever have one."

"'It's sure joyful,' says I. 'I always admired the agreeable uproar of a piano. It'll be lots of company for you. That's mighty good of Uncle Cal to do that.'

"'I'm all undecided,' says Marilla, 'between a piano and an organ. A parlour organ is nice.'

"'Either of 'em,' says I, 'is first-class for mitigating the lack of noise around a sheep-ranch. For my part,' I says, 'I shouldn't like anything better than to ride home of an evening and listen to a few waltzes and jigs, with somebody about your size sitting on the piano- stool and rounding up the notes.'

"'Oh, hush about that,' says Marilla, 'and go on in the house. Dad hasn't rode out to-day. He's not feeling well.'

"Old Cal was inside, lying on a cot. He had a pretty bad cold and cough. I stayed to supper.

"'Going to get Marilla a piano, I hear,' says I to him.

"'Why, yes, something of the kind, Rush,' says he. 'She's been hankering for music for a long spell; and I allow to fix her up with something in that line right away. The sheep sheared six pounds all round this fall; and I'm going to get Marilla an instrument if it takes the price of the whole clip to do it.'

"'/Star wayno/,' says I. 'The little girl deserves it.'

"'I'm going to San Antone on the last load of wool,' says Uncle Cal, 'and select an instrument for her myself.'

"'Wouldn't it be better,' I suggests, 'to take Marilla along and let her pick out one that she likes?'

"I might have known that would set Uncle Cal going. Of course, a man like him, that knew everything about everything, would look at that as a reflection on his attainments.

"'No, sir, it wouldn't,' says he, pulling at his white whiskers. 'There ain't a better judge of musical instruments in the whole world than what I am. I had an uncle,' says he, 'that was a partner in a piano-factory, and I've seen thousands of 'em put together. I know all about musical instruments from a pipe-organ to a corn-stalk fiddle. There ain't a man lives, sir, that can tell me any news about any instrument that has to be pounded, blowed, scraped, grinded, picked, or wound with a key.'

"'You get me what you like, dad,' says Marilla, who couldn't keep her feet on the floor from joy. 'Of course you know what to select. I'd just as lief it was a piano or a organ or what.'

"'I see in St. Louis once what they call a orchestrion,' says Uncle Cal, 'that I judged was about the finest thing in the way of music ever invented. But there ain't room in this house for one. Anyway, I imagine they'd cost a thousand dollars. I reckon something in the piano line would suit Marilla the best. She took lessons in that respect for two years over at Birdstail. I wouldn't trust the buying of an instrument to anybody else but myself. I reckon if I hadn't took up sheep-raising I'd have been one of the finest composers or piano- and-organ manufacturers in the world.'

"That was Uncle Cal's style. But I never lost any patience with him, on account of his thinking so much of Marilla. And she thought just as much of him. He sent her to the academy over at Birdstail for two years when it took nearly every pound of wool to pay the expenses.

"Along about Tuesday Uncle Cal put out for San Antone on the last wagonload of wool. Marilla's uncle Ben, who lived in Birdstail, come over and stayed at the ranch while Uncle Cal was gone.

"It was ninety miles to San Antone, and forty to the nearest railroad- station, so Uncle Cal was gone about four days. I was over at the Double-Elm when he came rolling back one evening about sundown. And up there in the wagon, sure enough, was a piano or a organ—we couldn't tell which—all wrapped up in woolsacks, with a wagon-sheet tied over it in case of rain. And out skips Marilla, hollering, 'Oh, oh!' with her eyes shining and her hair a-flying. 'Dad—dad,' she sings out, 'have you brought it—have you brought it?'—and it right there before her eyes, as women will do.

"'Finest piano in San Antone,' says Uncle Cal, waving his hand, proud. 'Genuine rosewood, and the finest, loudest tone you ever listened to. I heard the storekeeper play it, and I took it on the spot and paid cash down.'

"Me and Ben and Uncle Cal and a Mexican lifted it out of the wagon and carried it in the house and set it in a corner. It was one of them upright instruments, and not very heavy or very big.

"And then all of a sudden Uncle Cal flops over and says he's mighty sick. He's got a high fever, and he complains of his lungs. He gets into bed, while me and Ben goes out to unhitch and put the horses in the pasture, and Marilla flies around to get Uncle Cal something hot to drink. But first she puts both arms on that piano and hugs it with a soft kind of a smile, like you see kids doing with their Christmas toys.

"When I came in from the pasture, Marilla was in the room where the piano was. I could see by the strings and woolsacks on the floor that she had had it unwrapped. But now she was tying the wagon-sheet over it again, and there was a kind of solemn, whitish look on her face.

"'Ain't wrapping up the music again, are you, Marilla?' I asks. 'What's the matter with just a couple of tunes for to see how she goes under the saddle?'

"'Not to-night, Rush,' says she. 'I don't want to play any to-night. Dad's too sick. Just think, Rush, he paid three hundred dollars for it —nearly a third of what the wool-clip brought!'

"'Well, it ain't anyways in the neighbourhood of a third of what you are worth,' I told her. 'And I don't think Uncle Cal is too sick to hear a little agitation of the piano-keys just to christen the machine.

"'Not to-night, Rush,' says Marilla, in a way that she had when she wanted to settle things.

"But it seems that Uncle Cal was plenty sick, after all. He got so bad that Ben saddled up and rode over to Birdstail for Doc Simpson. I stayed around to see if I'd be needed for anything.

"When Uncle Cal's pain let up on him a little he called Marilla and says to her: 'Did you look at your instrument, honey? And do you like it?'

"'It's lovely, dad,' says she, leaning down by his pillow; 'I never saw one so pretty. How dear and good it was of you to buy it for me!'

"'I haven't heard you play on it any yet,' says Uncle Cal; 'and I've been listening. My side don't hurt quite so bad now—won't you play a piece, Marilla?'

"But no; she puts Uncle Cal off and soothes him down like you've seen women do with a kid. It seems she's made up her mind not to touch that piano at present.

"When Doc Simpson comes over he tells us that Uncle Cal has pneumonia the worst kind; and as the old man was past sixty and nearly on the lift anyhow, the odds was against his walking on grass any more.

"On the fourth day of his sickness he calls for Marilla again and wants to talk piano. Doc Simpson was there, and so was Ben and Mrs. Ben, trying to do all they could.

"'I'd have made a wonderful success in anything connected with music,' says Uncle Cal. 'I got the finest instrument for the money in San Antone. Ain't that piano all right in every respect, Marilla?'

"'It's just perfect, dad,' says she. 'It's got the finest tone I ever heard. But don't you think you could sleep a little while now, dad?'

"'No, I don't,' says Uncle Cal. 'I want to hear that piano. I don't believe you've even tried it yet. I went all the way to San Antone and picked it out for you myself. It took a third of the fall clip to buy it; but I don't mind that if it makes my good girl happier. Won't you play a little bit for dad, Marilla?'

"Doc Simpson beckoned Marilla to one side and recommended her to do what Uncle Cal wanted, so it would get him quieted. And her uncle Ben and his wife asked her, too.

"'Why not hit out a tune or two with the soft pedal on?' I asks Marilla. 'Uncle Cal has begged you so often. It would please him a good deal to hear you touch up the piano he's bought for you. Don't you think you might?'

"But Marilla stands there with big tears rolling down from her eyes and says nothing. And then she runs over and slips her arm under Uncle Cal's neck and hugs him tight.

"'Why, last night, dad,' we heard her say, 'I played it ever so much. Honest—I have been playing it. And it's such a splendid instrument, you don't know how I love it. Last night I played "Bonnie Dundee" and the "Anvil Polka" and the "Blue Danube"—and lots of pieces. You must surely have heard me playing a little, didn't you, dad? I didn't like to play loud when you was so sick.'

"'Well, well,' says Uncle Cal, 'maybe I did. Maybe I did and forgot about it. My head is a little cranky at times. I heard the man in the store play it fine. I'm mighty glad you like it, Marilla. Yes, I believe I could go to sleep a while if you'll stay right beside me till I do.'

"There was where Marilla had me guessing. Much as she thought of that old man, she wouldn't strike a note on that piano that he'd bought her. I couldn't imagine why she told him she'd been playing it, for the wagon-sheet hadn't ever been off of it since she put it back on the same day it come. I knew she could play a little anyhow, for I'd once heard her snatch some pretty fair dance-music out of an old piano at the Charco Largo Ranch.

"Well, in about a week the pneumonia got the best of Uncle Cal. They had the funeral over at Birdstail, and all of us went over. I brought Marilla back home in my buckboard. Her uncle Ben and his wife were going to stay there a few days with her.

"That night Marilla takes me in the room where the piano was, while the others were out on the gallery.

"'Come here, Rush,' says she; 'I want you to see this now.'

"She unties the rope, and drags off the wagon-sheet.

"If you ever rode a saddle without a horse, or fired off a gun that wasn't loaded, or took a drink out of an empty bottle, why, then you might have been able to scare an opera or two out of the instrument Uncle Cal had bought.

"Instead of a piano, it was one of the machines they've invented to play the piano with. By itself it was about as musical as the holes of a flute without the flute.

"And that was the piano that Uncle Cal had selected; and standing by it was the good, fine, all-wool girl that never let him know it.

"And what you heard playing a while ago," concluded Mr. Kinney, "was that same deputy-piano machine; only just at present it's shoved up against a six-hundred-dollar piano that I bought for Marilla as soon as we was married."



XIV

A CALL LOAN

In those days the cattlemen were the anointed. They were the grandees of the grass, kings of the kine, lords of the lea, barons of beef and bone. They might have ridden in golden chariots had their tastes so inclined. The cattleman was caught in a stampede of dollars. It seemed to him that he had more money than was decent. But when he had bought a watch with precious stones set in the case so large that they hurt his ribs, and a California saddle with silver nails and Angora skin /suaderos/, and ordered everybody up to the bar for whisky—what else was there for him to spend money for?

Not so circumscribed in expedient for the reduction of surplus wealth were those lairds of the lariat who had womenfolk to their name. In the breast of the rib-sprung sex the genius of purse lightening may slumber through years of inopportunity, but never, my brothers, does it become extinct.

So, out of the chaparral came Long Bill Longley from the Bar Circle Branch on the Frio—a wife-driven man—to taste the urban joys of success. Something like half a million dollars he had, with an income steadily increasing.

Long Bill was a graduate of the camp and trail. Luck and thrift, a cool head, and a telescopic eye for mavericks had raised him from cowboy to be a cowman. Then came the boom in cattle, and Fortune, stepping gingerly among the cactus thorns, came and emptied her cornucopia at the doorstep of the ranch.

In the little frontier city of Chaparosa, Longley built a costly residence. Here he became a captive, bound to the chariot of social existence. He was doomed to become a leading citizen. He struggled for a time like a mustang in his first corral, and then he hung up his quirt and spurs. Time hung heavily on his hands. He organised the First National Bank of Chaparosa, and was elected its president.

One day a dyspeptic man, wearing double-magnifying glasses, inserted an official-looking card between the bars of the cashier's window of the First National Bank. Five minutes later the bank force was dancing at the beck and call of a national bank examiner.

This examiner, Mr. J. Edgar Todd, proved to be a thorough one.

At the end of it all the examiner put on his hat, and called the president, Mr. William R. Longley, into the private office.

"Well, how do you find things?" asked Longley, in his slow, deep tones. "Any brands in the round-up you didn't like the looks of?"

"The bank checks up all right, Mr. Longley," said Todd; "and I find your loans in very good shape—with one exception. You are carrying one very bad bit of paper—one that is so bad that I have been thinking that you surely do not realise the serious position it places you in. I refer to a call loan of $10,000 made to Thomas Merwin. Not only is the amount in excess of the maximum sum the bank can loan any individual legally, but it is absolutely without endorsement or security. Thus you have doubly violated the national banking laws, and have laid yourself open to criminal prosecution by the Government. A report of the matter to the Comptroller of the Currency—which I am bound to make—would, I am sure, result in the matter being turned over to the Department of Justice for action. You see what a serious thing it is."

Bill Longley was leaning his lengthy, slowly moving frame back in his swivel chair. His hands were clasped behind his head, and he turned a little to look the examiner in the face. The examiner was surprised to see a smile creep about the rugged mouth of the banker, and a kindly twinkle in his light-blue eyes. If he saw the seriousness of the affair, it did not show in his countenance.

"Of course, you don't know Tom Merwin," said Longley, almost genially. "Yes, I know about that loan. It hasn't any security except Tom Merwin's word. Somehow, I've always found that when a man's word is good it's the best security there is. Oh, yes, I know the Government doesn't think so. I guess I'll see Tom about that note."

Mr. Todd's dyspepsia seemed to grow suddenly worse. He looked at the chaparral banker through his double-magnifying glasses in amazement.

"You see," said Longley, easily explaining the thing away, "Tom heard of 2000 head of two-year-olds down near Rocky Ford on the Rio Grande that could be had for $8 a head. I reckon 'twas one of old Leandro Garcia's outfits that he had smuggled over, and he wanted to make a quick turn on 'em. Those cattle are worth $15 on the hoof in Kansas City. Tom knew it and I knew it. He had $6,000, and I let him have the $10,000 to make the deal with. His brother Ed took 'em on to market three weeks ago. He ought to be back 'most any day now with the money. When he comes Tom'll pay that note."

The bank examiner was shocked. It was, perhaps, his duty to step out to the telegraph office and wire the situation to the Comptroller. But he did not. He talked pointedly and effectively to Longley for three minutes. He succeeded in making the banker understand that he stood upon the border of a catastrophe. And then he offered a tiny loophole of escape.

"I am going to Hilldale's to-night," he told Longley, "to examine a bank there. I will pass through Chaparosa on my way back. At twelve o'clock to-morrow I shall call at this bank. If this loan has been cleared out of the way by that time it will not be mentioned in my report. If not—I will have to do my duty."

With that the examiner bowed and departed.

The President of the First National lounged in his chair half an hour longer, and then he lit a mild cigar, and went over to Tom Merwin's house. Merwin, a ranchman in brown duck, with a contemplative eye, sat with his feet upon a table, plaiting a rawhide quirt.

"Tom," said Longley, leaning against the table, "you heard anything from Ed yet?"

"Not yet," said Merwin, continuing his plaiting. "I guess Ed'll be along back now in a few days."

"There was a bank examiner," said Longley, "nosing around our place to-day, and he bucked a sight about that note of yours. You know I know it's all right, but the thing /is/ against the banking laws. I was pretty sure you'd have paid it off before the bank was examined again, but the son-of-a-gun slipped in on us, Tom. Now, I'm short of cash myself just now, or I'd let you have the money to take it up with. I've got till twelve o'clock to-morrow, and then I've got to show the cash in place of that note or—"

"Or what, Bill?" asked Merwin, as Longley hesitated.

"Well, I suppose it means be jumped on with both of Uncle Sam's feet."

"I'll try to raise the money for you on time," said Merwin, interested in his plaiting.

"All right, Tom," concluded Longley, as he turned toward the door; "I knew you would if you could."

Merwin threw down his whip and went to the only other bank in town, a private one, run by Cooper & Craig.

"Cooper," he said, to the partner by that name, "I've got to have $10,000 to-day or to-morrow. I've got a house and lot there that's worth about $6,000 and that's all the actual collateral. But I've got a cattle deal on that's sure to bring me in more than that much profit within a few days."

Cooper began to cough.

"Now, for God's sake don't say no," said Merwin. "I owe that much money on a call loan. It's been called, and the man that called it is a man I've laid on the same blanket with in cow-camps and ranger-camps for ten years. He can call anything I've got. He can call the blood out of my veins and it'll come. He's got to have the money. He's in a devil of a—Well, he needs the money, and I've got to get it for him. You know my word's good, Cooper."

"No doubt of it," assented Cooper, urbanely, "but I've a partner, you know. I'm not free in making loans. And even if you had the best security in your hands, Merwin, we couldn't accommodate you in less than a week. We're just making a shipment of $15,000 to Myer Brothers in Rockdell, to buy cotton with. It goes down on the narrow-gauge to-night. That leaves our cash quite short at present. Sorry we can't arrange it for you."

Merwin went back to his little bare office and plaited at his quirt again. About four o'clock in the afternoon he went to the First National Bank and leaned over the railing of Longley's desk.

"I'll try to get that money for you to-night—I mean to-morrow, Bill."

"All right, Tom," said Longley quietly.

At nine o'clock that night Tom Merwin stepped cautiously out of the small frame house in which he lived. It was near the edge of the little town, and few citizens were in the neighbourhood at that hour. Merwin wore two six-shooters in a belt, and a slouch hat. He moved swiftly down a lonely street, and then followed the sandy road that ran parallel to the narrow-gauge track until he reached the water- tank, two miles below the town. There Tom Merwin stopped, tied a black silk handkerchief about the lower part of his face, and pulled his hat down low.

In ten minutes the night train for Rockdell pulled up at the tank, having come from Chaparosa.

With a gun in each hand Merwin raised himself from behind a clump of chaparral and started for the engine. But before he had taken three steps, two long, strong arms clasped him from behind, and he was lifted from his feet and thrown, face downward upon the grass. There was a heavy knee pressing against his back, and an iron hand grasping each of his wrists. He was held thus, like a child, until the engine had taken water, and until the train had moved, with accelerating speed, out of sight. Then he was released, and rose to his feet to face Bill Longley.

"The case never needed to be fixed up this way, Tom," said Longley. "I saw Cooper this evening, and he told me what you and him talked about. Then I went down to your house to-night and saw you come out with your guns on, and I followed you. Let's go back, Tom."

They walked away together, side by side.

"'Twas the only chance I saw," said Merwin presently. "You called your loan, and I tried to answer you. Now, what'll you do, Bill, if they sock it to you?"

"What would you have done if they'd socked it to you?" was the answer Longley made.

"I never thought I'd lay in a bush to stick up a train," remarked Merwin; "but a call loan's different. A call's a call with me. We've got twelve hours yet, Bill, before this spy jumps onto you. We've got to raise them spondulicks somehow. Maybe we can—Great Sam Houston! do you hear that?"

Merwin broke into a run, and Longley kept with him, hearing only a rather pleasing whistle somewhere in the night rendering the lugubrious air of "The Cowboy's Lament."

"It's the only tune he knows," shouted Merwin, as he ran. "I'll bet—"

They were at the door of Merwin's house. He kicked it open and fell over an old valise lying in the middle of the floor. A sunburned, firm-jawed youth, stained by travel, lay upon the bed puffing at a brown cigarette.

"What's the word, Ed?" gasped Merwin.

"So, so," drawled that capable youngster. "Just got in on the 9:30. Sold the bunch for fifteen, straight. Now, buddy, you want to quit kickin' a valise around that's got $29,000 in greenbacks in its in'ards."



XV

THE PRINCESS AND THE PUMA

There had to be a king and queen, of course. The king was a terrible old man who wore six-shooters and spurs, and shouted in such a tremendous voice that the rattlers on the prairie would run into their holes under the prickly pear. Before there was a royal family they called the man "Whispering Ben." When he came to own 50,000 acres of land and more cattle than he could count, they called him O'Donnell "the Cattle King."

The queen had been a Mexican girl from Laredo. She made a good, mild, Colorado-claro wife, and even succeeded in teaching Ben to modify his voice sufficiently while in the house to keep the dishes from being broken. When Ben got to be king she would sit on the gallery of Espinosa Ranch and weave rush mats. When wealth became so irresistible and oppressive that upholstered chairs and a centre table were brought down from San Antone in the wagons, she bowed her smooth, dark head, and shared the fate of the Danae.

To avoid /lese-majeste/ you have been presented first to the king and queen. They do not enter the story, which might be called "The Chronicle of the Princess, the Happy Thought, and the Lion that Bungled his Job."

Josefa O'Donnell was the surviving daughter, the princess. From her mother she inherited warmth of nature and a dusky, semi-tropic beauty. From Ben O'Donnell the royal she acquired a store of intrepidity, common sense, and the faculty of ruling. The combination was one worth going miles to see. Josefa while riding her pony at a gallop could put five out of six bullets through a tomato-can swinging at the end of a string. She could play for hours with a white kitten she owned, dressing it in all manner of absurd clothes. Scorning a pencil, she could tell you out of her head what 1545 two-year-olds would bring on the hoof, at $8.50 per head. Roughly speaking, the Espinosa Ranch is forty miles long and thirty broad—but mostly leased land. Josefa, on her pony, had prospected over every mile of it. Every cow-puncher on the range knew her by sight and was a loyal vassal. Ripley Givens, foreman of one of the Espinosa outfits, saw her one day, and made up his mind to form a royal matrimonial alliance. Presumptuous? No. In those days in the Nueces country a man was a man. And, after all, the title of cattle king does not presuppose blood royalty. Often it only signifies that its owner wears the crown in token of his magnificent qualities in the art of cattle stealing.

One day Ripley Givens rode over to the Double Elm Ranch to inquire about a bunch of strayed yearlings. He was late in setting out on his return trip, and it was sundown when he struck the White Horse Crossing of the Nueces. From there to his own camp it was sixteen miles. To the Espinosa ranch it was twelve. Givens was tired. He decided to pass the night at the Crossing.

There was a fine water hole in the river-bed. The banks were thickly covered with great trees, undergrown with brush. Back from the water hole fifty yards was a stretch of curly mesquite grass—supper for his horse and bed for himself. Givens staked his horse, and spread out his saddle blankets to dry. He sat down with his back against a tree and rolled a cigarette. From somewhere in the dense timber along the river came a sudden, rageful, shivering wail. The pony danced at the end of his rope and blew a whistling snort of comprehending fear. Givens puffed at his cigarette, but he reached leisurely for his pistol-belt, which lay on the grass, and twirled the cylinder of his weapon tentatively. A great gar plunged with a loud splash into the water hole. A little brown rabbit skipped around a bunch of catclaw and sat twitching his whiskers and looking humorously at Givens. The pony went on eating grass.

It is well to be reasonably watchful when a Mexican lion sings soprano along the arroyos at sundown. The burden of his song may be that young calves and fat lambs are scarce, and that he has a carnivorous desire for your acquaintance.

In the grass lay an empty fruit can, cast there by some former sojourner. Givens caught sight of it with a grunt of satisfaction. In his coat pocket tied behind his saddle was a handful or two of ground coffee. Black coffee and cigarettes! What ranchero could desire more?

In two minutes he had a little fire going clearly. He started, with his can, for the water hole. When within fifteen yards of its edge he saw, between the bushes, a side-saddled pony with down-dropped reins cropping grass a little distance to his left. Just rising from her hands and knees on the brink of the water hole was Josefa O'Donnell. She had been drinking water, and she brushed the sand from the palms of her hands. Ten yards away, to her right, half concealed by a clump of sacuista, Givens saw the crouching form of the Mexican lion. His amber eyeballs glared hungrily; six feet from them was the tip of the tail stretched straight, like a pointer's. His hind-quarters rocked with the motion of the cat tribe preliminary to leaping.

Givens did what he could. His six-shooter was thirty-five yards away lying on the grass. He gave a loud yell, and dashed between the lion and the princess.

The "rucus," as Givens called it afterward, was brief and somewhat confused. When he arrived on the line of attack he saw a dim streak in the air, and heard a couple of faint cracks. Then a hundred pounds of Mexican lion plumped down upon his head and flattened him, with a heavy jar, to the ground. He remembered calling out: "Let up, now—no fair gouging!" and then he crawled from under the lion like a worm, with his mouth full of grass and dirt, and a big lump on the back of his head where it had struck the root of a water-elm. The lion lay motionless. Givens, feeling aggrieved, and suspicious of fouls, shook his fist at the lion, and shouted: "I'll rastle you again for twenty—" and then he got back to himself.

Josefa was standing in her tracks, quietly reloading her silver- mounted .38. It had not been a difficult shot. The lion's head made an easier mark than a tomato-can swinging at the end of a string. There was a provoking, teasing, maddening smile upon her mouth and in her dark eyes. The would-be-rescuing knight felt the fire of his fiasco burn down to his soul. Here had been his chance, the chance that he had dreamed of; and Momus, and not Cupid, had presided over it. The satyrs in the wood were, no doubt, holding their sides in hilarious, silent laughter. There had been something like vaudeville—say Signor Givens and his funny knockabout act with the stuffed lion.

"Is that you, Mr. Givens?" said Josefa, in her deliberate, saccharine contralto. "You nearly spoilt my shot when you yelled. Did you hurt your head when you fell?"

"Oh, no," said Givens, quietly; "that didn't hurt." He stooped ignominiously and dragged his best Stetson hat from under the beast. It was crushed and wrinkled to a fine comedy effect. Then he knelt down and softly stroked the fierce, open-jawed head of the dead lion.

"Poor old Bill!" he exclaimed mournfully.

"What's that?" asked Josefa, sharply.

"Of course you didn't know, Miss Josefa," said Givens, with an air of one allowing magnanimity to triumph over grief. "Nobody can blame you. I tried to save him, but I couldn't let you know in time."

"Save who?"

"Why, Bill. I've been looking for him all day. You see, he's been our camp pet for two years. Poor old fellow, he wouldn't have hurt a cottontail rabbit. It'll break the boys all up when they hear about it. But you couldn't tell, of course, that Bill was just trying to play with you."

Josefa's black eyes burned steadily upon him. Ripley Givens met the test successfully. He stood rumpling the yellow-brown curls on his head pensively. In his eye was regret, not unmingled with a gentle reproach. His smooth features were set to a pattern of indisputable sorrow. Josefa wavered.

"What was your pet doing here?" she asked, making a last stand. "There's no camp near the White Horse Crossing."

"The old rascal ran away from camp yesterday," answered Givens readily. "It's a wonder the coyotes didn't scare him to death. You see, Jim Webster, our horse wrangler, brought a little terrier pup into camp last week. The pup made life miserable for Bill—he used to chase him around and chew his hind legs for hours at a time. Every night when bedtime came Bill would sneak under one of the boy's blankets and sleep to keep the pup from finding him. I reckon he must have been worried pretty desperate or he wouldn't have run away. He was always afraid to get out of sight of camp."

Josefa looked at the body of the fierce animal. Givens gently patted one of the formidable paws that could have killed a yearling calf with one blow. Slowly a red flush widened upon the dark olive face of the girl. Was it the signal of shame of the true sportsman who has brought down ignoble quarry? Her eyes grew softer, and the lowered lids drove away all their bright mockery.

"I'm very sorry," she said humbly; "but he looked so big, and jumped so high that—"

"Poor old Bill was hungry," interrupted Givens, in quick defence of the deceased. "We always made him jump for his supper in camp. He would lie down and roll over for a piece of meat. When he saw you he thought he was going to get something to eat from you."

Suddenly Josefa's eyes opened wide.

"I might have shot you!" she exclaimed. "You ran right in between. You risked your life to save your pet! That was fine, Mr. Givens. I like a man who is kind to animals."

Yes; there was even admiration in her gaze now. After all, there was a hero rising out of the ruins of the anti-climax. The look on Givens's face would have secured him a high position in the S.P.C.A.

"I always loved 'em," said he; "horses, dogs, Mexican lions, cows, alligators—"

"I hate alligators," instantly demurred Josefa; "crawly, muddy things!"

"Did I say alligators?" said Givens. "I meant antelopes, of course."

Josefa's conscience drove her to make further amends. She held out her hand penitently. There was a bright, unshed drop in each of her eyes.

"Please forgive me, Mr. Givens, won't you? I'm only a girl, you know, and I was frightened at first. I'm very, very sorry I shot Bill. You don't know how ashamed I feel. I wouldn't have done it for anything."

Givens took the proffered hand. He held it for a time while he allowed the generosity of his nature to overcome his grief at the loss of Bill. At last it was clear that he had forgiven her.

"Please don't speak of it any more, Miss Josefa. 'Twas enough to frighten any young lady the way Bill looked. I'll explain it all right to the boys."

"Are you really sure you don't hate me?" Josefa came closer to him impulsively. Her eyes were sweet—oh, sweet and pleading with gracious penitence. "I would hate anyone who would kill my kitten. And how daring and kind of you to risk being shot when you tried to save him! How very few men would have done that!" Victory wrested from defeat! Vaudeville turned into drama! Bravo, Ripley Givens!

It was now twilight. Of course Miss Josefa could not be allowed to ride on to the ranch-house alone. Givens resaddled his pony in spite of that animal's reproachful glances, and rode with her. Side by side they galloped across the smooth grass, the princess and the man who was kind to animals. The prairie odours of fruitful earth and delicate bloom were thick and sweet around them. Coyotes yelping over there on the hill! No fear. And yet—

Josefa rode closer. A little hand seemed to grope. Givens found it with his own. The ponies kept an even gait. The hands lingered together, and the owner of one explained:

"I never was frightened before, but just think! How terrible it would be to meet a really wild lion! Poor Bill! I'm so glad you came with me!"

O'Donnell was sitting on the ranch gallery.

"Hello, Rip!" he shouted—"that you?"

"He rode in with me," said Josefa. "I lost my way and was late."

"Much obliged," called the cattle king. "Stop over, Rip, and ride to camp in the morning."

But Givens would not. He would push on to camp. There was a bunch of steers to start off on the trail at daybreak. He said good-night, and trotted away.

An hour later, when the lights were out, Josefa, in her night-robe, came to her door and called to the king in his own room across the brick-paved hallway:

"Say, pop, you know that old Mexican lion they call the 'Gotch-eared Devil'—the one that killed Gonzales, Mr. Martin's sheep herder, and about fifty calves on the Salado range? Well, I settled his hash this afternoon over at the White Horse Crossing. Put two balls in his head with my .38 while he was on the jump. I knew him by the slice gone from his left ear that old Gonzales cut off with his machete. You couldn't have made a better shot yourself, daddy."

"Bully for you!" thundered Whispering Ben from the darkness of the royal chamber.



XVI

THE INDIAN SUMMER OF DRY VALLEY JOHNSON

Dry Valley Johnson shook the bottle. You have to shake the bottle before using; for sulphur will not dissolve. Then Dry Valley saturated a small sponge with the liquid and rubbed it carefully into the roots of his hair. Besides sulphur there was sugar of lead in it and tincture of nux vomica and bay rum. Dry Valley found the recipe in a Sunday newspaper. You must next be told why a strong man came to fall a victim to a Beauty Hint.

Dry Valley had been a sheepman. His real name was Hector, but he had been rechristened after his range to distinguish him from "Elm Creek" Johnson, who ran sheep further down the Frio.

Many years of living face to face with sheep on their own terms wearied Dry Valley Johnson. So, he sold his ranch for eighteen thousand dollars and moved to Santa Rosa to live a life of gentlemanly ease. Being a silent and melancholy person of thirty-five—or perhaps thirty-eight—he soon became that cursed and earth-cumbering thing—an elderlyish bachelor with a hobby. Some one gave him his first strawberry to eat, and he was done for.

Dry Valley bought a four-room cottage in the village, and a library on strawberry culture. Behind the cottage was a garden of which he made a strawberry patch. In his old grey woolen shirt, his brown duck trousers, and high-heeled boots he sprawled all day on a canvas cot under a live-oak tree at his back door studying the history of the seductive, scarlet berry.

The school teacher, Miss De Witt, spoke of him as "a fine, presentable man, for all his middle age." But, the focus of Dry Valley's eyes embraced no women. They were merely beings who flew skirts as a signal for him to lift awkwardly his heavy, round-crowned, broad-brimmed felt Stetson whenever he met them, and then hurry past to get back to his beloved berries.

And all this recitative by the chorus is only to bring us to the point where you may be told why Dry Valley shook up the insoluble sulphur in the bottle. So long-drawn and inconsequential a thing is history—the anamorphous shadow of a milestone reaching down the road between us and the setting sun.

When his strawberries were beginning to ripen Dry Valley bought the heaviest buggy whip in the Santa Rosa store. He sat for many hours under the live oak tree plaiting and weaving in an extension to its lash. When it was done he could snip a leaf from a bush twenty feet away with the cracker. For the bright, predatory eyes of Santa Rosa youth were watching the ripening berries, and Dry Valley was arming himself against their expected raids. No greater care had he taken of his tender lambs during his ranching days than he did of his cherished fruit, warding it from the hungry wolves that whistled and howled and shot their marbles and peered through the fence that surrounded his property.

In the house next to Dry Valley's lived a widow with a pack of children that gave the husbandman frequent anxious misgivings. In the woman there was a strain of the Spanish. She had wedded one of the name of O'Brien. Dry Valley was a connoisseur in cross strains; and he foresaw trouble in the offspring of this union.

Between the two homesteads ran a crazy picket fence overgrown with morning glory and wild gourd vines. Often he could see little heads with mops of black hair and flashing dark eyes dodging in and out between the pickets, keeping tabs on the reddening berries.

Late one afternoon Dry Valley went to the post office. When he came back, like Mother Hubbard he found the deuce to pay. The descendants of Iberian bandits and Hibernian cattle raiders had swooped down upon his strawberry patch. To the outraged vision of Dry Valley there seemed to be a sheep corral full of them; perhaps they numbered five or six. Between the rows of green plants they were stooped, hopping about like toads, gobbling silently and voraciously his finest fruit.

Dry Valley slipped into the house, got his whip, and charged the marauders. The lash curled about the legs of the nearest—a greedy ten-year-old—before they knew they were discovered. His screech gave warning; and the flock scampered for the fence like a drove of /javelis/ flushed in the chaparral. Dry Valley's whip drew a toll of two more elfin shrieks before they dived through the vine-clad fence and disappeared.

Dry Valley, less fleet, followed them nearly to the pickets. Checking his useless pursuit, he rounded a bush, dropped his whip and stood, voiceless, motionless, the capacity of his powers consumed by the act of breathing and preserving the perpendicular.

Behind the bush stood Panchita O'Brien, scorning to fly. She was nineteen, the oldest of the raiders. Her night-black hair was gathered back in a wild mass and tied with a scarlet ribbon. She stood, with reluctant feet, yet nearer the brook than to the river; for childhood had environed and detained her.

She looked at Dry Valley Johnson for a moment with magnificent insolence, and before his eyes slowly crunched a luscious berry between her white teeth. Then she turned and walked slowly to the fence with a swaying, conscious motion, such as a duchess might make use of in leading a promenade. There she turned again and grilled Dry Valley Johnson once more in the dark flame of her audacious eyes, laughed a trifle school-girlishly, and twisted herself with pantherish quickness between the pickets to the O'Brien side of the wild gourd vine.

Dry Valley picked up his whip and went into his house. He stumbled as he went up the two wooden steps. The old Mexican woman who cooked his meals and swept his house called him to supper as he went through the rooms. Dry Valley went on, stumbled down the front steps, out the gate and down the road into a mesquite thicket at the edge of town. He sat down in the grass and laboriously plucked the spines from a prickly pear, one by one. This was his attitude of thought, acquired in the days when his problems were only those of wind and wool and water.

A thing had happened to the man—a thing that, if you are eligible, you must pray may pass you by. He had become enveloped in the Indian Summer of the Soul.

Dry Valley had had no youth. Even his childhood had been one of dignity and seriousness. At six he had viewed the frivolous gambols of the lambs on his father's ranch with silent disapproval. His life as a young man had been wasted. The divine fires and impulses, the glorious exaltations and despairs, the glow and enchantment of youth had passed above his head. Never a thrill of Romeo had he known; he was but a melancholy Jaques of the forest with a ruder philosophy, lacking the bitter-sweet flavour of experience that tempered the veteran years of the rugged ranger of Arden. And now in his sere and yellow leaf one scornful look from the eyes of Panchita O'Brien had flooded the autumnal landscape with a tardy and delusive summer heat.

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