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Half Portions
by Edna Ferber
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Then, quite suddenly, the Germans got the range. The tree in which Chet was hidden came down with a crash, and Chet lay there, more than ever indiscernible among its tender foliage.

Which brings us back to the English garden, the yellow chicken, Miss Kate, and the letter.

His shattered leg was mended by one of those miracles of modern war surgery, though he never again would dig his spurred heels into the pine of a G.L. & P. Company pole. But the other thing—they put it down under the broad general head of shell shock. In the lovely English garden they set him to weaving and painting, as a means of soothing the shattered nerves. He had made everything from pottery jars to bead chains; from baskets to rugs. Slowly the tortured nerves healed. But the doctors, when they stopped at Chet's cot or chair, talked always of "the memory centre." Chet seemed satisfied to go on placidly painting toys or weaving chains with his great, square-tipped fingers—the fingers that had wielded the pliers so cleverly in his pole-climbing days.

"It's just something that only luck or an accident can mend," said the nerve specialist. "Time may do it—but I doubt it. Sometimes just a word—the right word—will set the thing in motion again. Does he get any letters?"

"His girl writes to him. Fine letters. But she doesn't know yet about—about this. I've written his letters for him. She knows now that his leg is healed and she wonders—"

That had been a month ago. To-day Miss Kate slit the envelope postmarked Chicago. Chet was fingering the yellow wooden chicken, pride in his eyes. In Miss Kate's eyes there was a troubled, baffled look as she began to read:

Chet, dear, it's raining in Chicago. And you know when it rains in Chicago, it's wetter, and muddier, and rainier than any place in the world. Except maybe this Flanders we're reading so much about. They say for rain and mud that place takes the prize.

I don't know what I'm going on about rain and mud for, Chet darling, when it's you I'm thinking of. Nothing else and nobody else. Chet, I got a funny feeling there's something you're keeping back from me. You're hurt worse than just the leg. Boy, dear, don't you know it won't make any difference with me how you look, or feel, or anything? I don't care how bad you're smashed up. I'd rather have you without any features at all than any other man with two sets. Whatever's happened to the outside of you, they can't change your insides. And you're the same man that called out to me, that day, "Hoo-hoo! Hello, sweetheart!" and when I gave you a piece of my mind climbed down off the pole, and put your face up to be slapped, God bless the boy in you—

A sharp little sound from him. Miss Kate looked up, quickly. Chet Ball was staring at the beady-eyed yellow chicken in his hand.

"What's this thing?" he demanded in a strange voice.

Miss Kate answered him very quietly, trying to keep her own voice easy and natural. "That's a toy chicken, cut out of wood."

"What'm I doin' with it?"

"You've just finished painting it."

Chet Ball held it in his great hand and stared at it for a brief moment, struggling between anger and amusement. And between anger and amusement he put it down on the table none too gently and stoop up, yawning a little.

"That's a hell of a job for a he-man!" Then in utter contrition: "Oh, beggin' your pardon! That was fierce! I didn't—"

But there was nothing shocked about the expression on Miss Kate's face. She was registering joy—pure joy.



UN MORSO DOO PANG

When you are twenty you do not patronize sunsets unless you are unhappy, in love, or both. Tessie Golden was both. Six months ago a sunset that Belasco himself could not have improved upon had wrung from her only a casual tribute such as: "My! Look how red the sky is!" delivered as unemotionally as a weather bulletin.

Tessie Golden sat on the top step of the back porch now, a slim, inert heap in a cotton kimono whose colour and design were libels on the Nipponese. Her head was propped wearily against the porch post. Her hands were limp in her lap. Her face was turned toward the west, where shone that mingling of orange and rose known as salmon pink. But no answering radiance in the girl's face met the glow in the Wisconsin sky.

* * * * *

Saturday night, after supper in Chippewa, Wis., Tessie Golden of the pre-sunset era would have been calling from her bedroom to the kitchen: "Ma, what'd you do with my pink georgette waist?"

And from the kitchen: "It's in your second bureau drawer. The collar was kind of mussed from Wednesday night, and I give it a little pressing while my iron was on."

At seven-thirty Tessie would have emerged from her bedroom in the pink georgette blouse that might have been considered alarmingly frank as to texture and precariously V-cut as to neck had Tessie herself not been so reassuringly unopulent; a black taffeta skirt, lavishly shirred and very brief; white kid shoes, high-laced, whose height still failed to achieve the two inches of white silk stocking that linked skirt hem to shoe top; finally, a hat with a good deal of French blue about it.

As she passed through the sitting room on her way out her mother would appear in the doorway, dish towel in hand. Her pride in this slim young thing and her love of her she concealed with a thin layer of carping criticism.

"Runnin' downtown again, I s'pose." A keen eye on the swishing skirt hem.

Tessie, the quick-tongued, would pat the arabesque of shining hair that lay coiled so submissively against either glowing cheek. "Oh, my, no! I just thought I'd dress up in case Angie Hatton drove past in her auto and picked me up for a little ride. So's not to keep her waiting."

Angie Hatton was Old Man Hatton's daughter. Any one in the Fox River Valley could have told you who Old Man Hatton was. You saw his name at the top of every letterhead of any importance in Chippewa, from the Pulp and Paper Mill to the First National Bank, and including the watch factory, the canning works, and the Mid-Western Land Company. Knowing this, you were able to appreciate Tessie's sarcasm. Angie Hatton was as unaware of Tessie's existence as only a young woman could be whose family residence was in Chippewa, Wis., but who wintered in Italy, summered in the mountains, and bought (so the town said) her very hairpins in New York. When Angie Hatton came home from the East the town used to stroll past on Mondays to view the washing on the Hatton line. Angie's underwear, flirting so audaciously with the sunshine and zephyrs, was of voile and silk and crepe de Chine and satin—materials that we had always thought of heretofore as intended exclusively for party dresses and wedding gowns. Of course two years later they were showing practically the same thing at Megan's dry-goods store. But that was always the way with Angie Hatton. Even those of us who went to Chicago to shop never quite caught up with her.

Delivered of this ironic thrust, Tessie would walk toward the screen door with a little flaunting sway of the hips. Her mother's eyes, following the slim figure, had a sort of grudging love in them. A spare, caustic, wiry little woman, Tessie's mother. Tessie resembled her as a water colour may resemble a blurred charcoal sketch. Tessie's wide mouth curved into humour lines. She was the cut-up of the escapement department at the watch factory; the older woman's lips sagged at the corners. Tessie was buoyant and colourful with youth. The other was shrunken and faded with years and labour. As the girl minced across the room in her absurdly high-heeled white kid shoes the older woman thought: "My, but she's pretty!" But she said aloud: "Them shoes could stand a cleaning. I should think you'd stay home once in a while and not be runnin' the streets every night."

"Time enough to be sittin' home when I'm old like you."

And yet between these two there was love, and even understanding. But in families such as Tessie's demonstration is a thing to be ashamed of; affection a thing to conceal. Tessie's father was janitor of the Chippewa High School. A powerful man, slightly crippled by rheumatism, loquacious, lively, fond of his family, proud of his neat gray frame house, and his new cement sidewalk, and his carefully tended yard and garden patch. In all her life Tessie had never seen a caress exchanged between her parents.

Nowadays Ma Golden had little occasion for finding fault with Tessie's evening diversion. She no longer had cause to say: "Always gaddin' downtown, or over to Cora's or somewhere, like you didn't have a home to stay in. You ain't been in a evening this week, 'cept when you washed your hair."

Tessie had developed a fondness for sunsets viewed from the back porch—she who had thought nothing of dancing until three and rising at half-past six to go to work.

Stepping about in the kitchen after supper, her mother would eye the limp, relaxed figure on the back porch with a little pang at her heart. She would come to the screen door, or even out to the porch on some errand or other—to empty the coffee grounds; to turn the row of half-ripe tomatoes reddening on the porch railing; to flap and hang up a damp tea towel.

"Ain't you goin' out, Tess?"

"No."

"What you want to lop around here for? Such a grand evening. Why don't you put on your things and run downtown, or over to Cora's or somewhere, h'm?"

"What for?"—listlessly.

"What for! What does anybody go out for!"

"I don't know."

If they could have talked it over together, these two, the girl might have found relief. But the family shyness of their class was too strong upon them. Once Mrs. Golden had said, in an effort at sympathy: "Person'd think Chuck Mory was the only one who'd gone to war an' the last fella left in the world."

A grim flash of the old humour lifted the corners of the wide mouth. "He is. Who's there left? Stumpy Gans, up at the railroad crossing? Or maybe Fatty Weiman, driving the hack. Guess I'll doll up this evening and see if I can't make a hit with one of them."

She relapsed into bitter silence. The bottom had dropped out of Tessie Golden's world.

* * * * *

In order to understand the Tessie of to-day you will have to know the Tessie of six months ago; Tessie the impudent, the life-loving, the pleasureful. Tessie Golden could say things to the escapement-room foreman that any one else would have been fired for. Her wide mouth was capable of glorious insolences. Whenever you heard shrieks of laughter from the girls' wash room at noon you knew that Tessie was holding forth to an admiring group. She was a born mimic; audacious, agile, and with the gift of burlesque. The autumn that Angie Hatton came home from Europe wearing the first hobble skirt that Chippewa had ever seen Tessie gave an imitation of that advanced young woman's progress down Grand Avenue in this restricted garment. The thing was cruel in its fidelity, though containing just enough exaggeration to make it artistic. She followed it up by imitating the stricken look on the face of Mattie Haynes, cloak and suit buyer at Megan's, who, having just returned from the East with what she considered the most fashionable of the new fall styles, now beheld Angie Hatton in the garb that was the last echo of the last cry in Paris modes—and no model in Mattie's newly selected stock bore even the remotest resemblance to it.

You would know from this that Tessie was not a particularly deft worker. Her big-knuckled fingers were cleverer at turning out a shirt waist or retrimming a hat. Hers were what are known as handy hands, but not sensitive. It takes a light and facile set of fingers to fit pallet and arbour and fork together: close work and tedious. Seated on low benches along the tables, their chins almost level with the table top, the girls worked with pincers and gas flame, screwing together the three tiny parts of the watch's anatomy that was their particular specialty. Each wore a jeweller's glass in one eye. Tessie had worked at the watch factory for three years, and the pressure of the glass on the eye socket had given her the slightly hollow-eyed appearance peculiar to experienced watchmakers. It was not unbecoming, though, and lent her, somehow, a spiritual look which made her diablerie all the more piquant.

Tessie wasn't always witty, really. But she had achieved a reputation for wit which insured applause for even her feebler efforts. Nap Ballou, the foreman, never left the escapement room without a little shiver of nervous apprehension—a feeling justified by the ripple of suppressed laughter that went up and down the long tables. He knew that Tessie Golden, like a naughty schoolgirl when teacher's back is turned, had directed one of her sure shafts at him.

Ballou, his face darkling, could easily have punished her. Tessie knew it. But he never did, or would. She knew that, too. Her very insolence and audacity saved her.

"Some day," Ballou would warn her, "you'll get too gay, and then you'll find yourself looking for a job."

"Go on—fire me," retorted Tessie, "and I'll meet you in Lancaster"—a form of wit appreciated only by watchmakers. For there is a certain type of watch hand who is as peripatetic as the old-time printer. Restless, ne'er-do-well, spendthrift, he wanders from factory to factory through the chain of watchmaking towns: Springfield, Trenton, Waltham, Lancaster, Waterbury, Chippewa. Usually expert, always unreliable, certainly fond of drink, Nap Ballou was typical of his kind. The steady worker had a mingled admiration and contempt for him. He, in turn, regarded the other as a stick-in-the-mud. Nap wore his cap on one side of his curly head, and drank so evenly and steadily as never to be quite drunk and never strictly sober. He had slender, sensitive fingers like an artist's or a woman's, and he knew the parts of that intricate mechanism known as a watch from the jewel to the finishing room. It was said he had a wife or two. Forty-six, good-looking in a dissolute sort of way, possessing the charm of the wanderer, generous with his money, it was known that Tessie's barbs were permitted to prick him without retaliation because Tessie herself appealed to his errant fancy.

When the other girls teased her about this obvious state of affairs something fine and contemptuous welled up in her. "Him! Why, say, he ought to work in a pickle factory instead of a watch works. All he needs is a little dill and a handful of grape leaves to make him good eatin' as a relish."

And she thought of Chuck Mory, perched on the high seat of the American Express wagon, hatless, sunburnt, stockily muscular, shouting to his horse as he galloped clattering down Winnebago Street on his way to the depot and the 7:50 train.

I suppose there was something about the clear simplicity and uprightness of the firm little figure that appealed to Nap Ballou. He used to regard her curiously with a long, hard gaze before which she would grow uncomfortable. "Think you'll know me next time you see me?" But there was an uneasy feeling beneath her flip exterior. Not that there was anything of the beautiful, persecuted factory girl and villainous foreman about the situation. Tessie worked at watchmaking because it was light, pleasant, and well paid. She could have found another job for the asking. Her money went for white shoes and pink blouses and lacy boudoir caps which she affected Sunday mornings. She was forever buying a vivid necktie for her father and dressing up her protesting mother in gay colours that went ill with the drab, wrinkled face. "If it wasn't for me, you'd go round looking like one of those Polack women down by the tracks," Tessie would scold. "It's a wonder you don't wear a shawl!"

That was the Tessie of six months ago, gay, care-free, holding the reins of her life in her own two capable hands. Three nights a week, and Sunday, she saw Chuck Mory. When she went downtown on Saturday night it was frankly to meet Chuck, who was waiting for her on Schroeder's drug-store corner. He knew it, and she knew it. Yet they always went through a little ceremony. She and Cora, turning into Grand from Winnebago Street, would make for the post office. Then down the length of Grand with a leaping glance at Schroeder's corner before they reached it. Yes, there they were, very clean-shaven, clean-shirted, slick looking. Tessie would have known Chuck's blond head among a thousand. An air of studied hauteur and indifference as they approached the corner. Heads turned the other way. A low whistle from the boys.

"Oh, how do!"

"Good evening!"

Both greetings done with careful surprise. Then on down the street. On the way back you took the inside of the walk, and your hauteur was now stony to the point of insult. Schroeder's corner simply did not exist. On as far as Megan's which you entered and inspected, up one brightly lighted aisle and down the next. At the dress-goods counter there was a neat little stack of pamphlets entitled "In the World of Fashion." You took one and sauntered out leisurely. Down Winnebago Street now, homeward bound, talking animatedly and seemingly unconscious of quick footsteps sounding nearer and nearer. Just past the Burke House, where the residential district began, and where the trees cast their kindly shadows: "Can I see you home?" A hand slipped through her arm; a little tingling thrill.

"Oh, why, how do, Chuck! Hello, Scotty. Sure, if you're going our way."

At every turn Chuck left her side and dashed around behind her in order to place himself at her right again, according to the rigid rule of Chippewa etiquette. He took her arm only at street crossings until they reached the tracks, which perilous spot seemed to justify him in retaining his hold throughout the remainder of the stroll. Usually they lost Cora and Scotty without having been conscious of their loss.

Their talk? The girls and boys that each knew; the day's happenings at factory and express office; next Wednesday night's dance up in the Chute; and always the possibility of Chuck's leaving the wagon and assuming the managership of the office.

"Don't let this go any further, see? But I heard it straight that old Benke is goin' to be transferred to Fond du Lac. And if he is, why, I step in, see? Benke's got a girl in Fondy, and he's been pluggin' to get there. Gee, maybe I won't be glad when he does!" A little silence. "Will you be glad, Tess? H'm?"

Tess felt herself glowing and shivering as the big hand closed more tightly on her arm. "Me? Why, sure I'll be pleased to see you get a job that's coming to you by rights, and that'll get you better pay, and all."

But she knew what he meant, and he knew she knew. And the clasp tightened until it hurt her, and she was glad.

* * * * *

No more of that now. Chuck—gone. Scotty—gone. All the boys at the watch works, all the fellows in the neighbourhood—gone. At first she hadn't minded. It was exciting. You kidded them at first: "Well, believe me, Chuck, if you shoot the way you play ball, you're a gone goose already."

"All you got to do, Scotty, is to stick that face of yours up over the top of the trench and the Germans'll die of fright an' save you wastin' bullets."

There was a great knitting of socks and sweaters and caps. Tessie's big-knuckled, capable fingers made you dizzy, they flew so fast. Chuck was outfitted as for a polar expedition. Tess took half a day off to bid him good-bye. They marched down Grand Avenue, that first lot of them, in their everyday suits and hats, with their shiny yellow suitcases and their paste-board boxes in their hands, sheepish, red-faced, awkward. In their eyes, though, a certain look. And so off for Camp Sherman, their young heads sticking out of the car windows in clusters—black, yellow, brown, red. But for each woman on the depot platform there was just one head. Tessie saw a blurred blond one with a misty halo around it. A great shouting and waving of handkerchiefs:

"Goo'-bye! Goo'-bye! Write, now! Be sure! Mebbe you can get off in a week, for a visit. Goo'-bye! Goo—"

They were gone. Their voices came back to the crowd on the depot platform—high, clear young voices; almost like the voices of children, shouting.

Well, you wrote letters; fat, bulging letters, and in turn you received equally plump envelopes with a red triangle in one corner. You sent boxes of homemade fudge (nut variety) and cookies and the more durable forms of cake.

Then, unaccountably, Chuck was whisked all the way to California. He was furious at parting with his mates, and his indignation was expressed in his letters to Tessie. She sympathized with him in her replies. She tried to make light of it, but there was a little clutch of terror in it, too. California! My land! Might as well send a person to the end of the world while they were about it. Two months of that. Then, inexplicably again, Chuck's letters bore the astounding postmark of New York. She thought, in a panic, that he was Franceward bound, but it turned out not to be so. Not yet. Chuck's letters were taking on a cosmopolitan tone. "Well," he wrote, "I guess the little old town is as dead as ever. It seems funny you being right there all this time and I've travelled from the Atlantic to the Pacific. Everybody treats me swell. You ought to seen some of those California houses. They make Hatton's place look sick."

The girls, Cora and Tess and the rest, laughed and joked among themselves and assured one another, with a toss of the head, that they could have a good time without the fellas. They didn't need boys around. Well, I should say not!

They gave parties, and they were not a success. There was one of the type known as a stag. They dressed up in their brother's clothes, or their father's or a neighbour boy's, and met at Cora's. They looked as knock-kneed and slope-shouldered and unmasculine as girls usually do in men's attire. All except Tessie. There was something so astonishingly boyish and straight about her; she swaggered about with such a mannish swing of the leg (that was the actress in her) that the girls flushed a little and said: "Honest, Tess, if I didn't know you was a girl, I'd be stuck on you. With that hat on a person wouldn't know you from a boy."

Tessie would cross one slim leg over the other and bestow a knowing wink upon the speaker. "Some hen party!" they all said. They danced to the music of the victrola and sang "Over There." They had ice cream and chocolate layer cake and went home in great hilarity, with their hands on each other's shoulders, still singing. When they met a passer-by they giggled and shrieked and ran.

But the thing was a failure, and they knew it. Next day, at the lunch hour and in the wash room, there was a little desultory talk about the stag. But the meat of such an aftergathering is contained in phrases such as "I says t'him" and "He says t'me." They wasted little conversation on the stag. It was much more exciting to exhibit letters on blue-lined paper with the red triangle at the top. Chuck's last letter had contained the news of his sergeancy.

Angie Hatton, home from the East, was writing letters, too. Everyone in Chippewa knew that. She wrote on that new art paper with the gnawed looking edges and stiff as a newly laundered cuff. But the letters which she awaited so eagerly were written on the same sort of paper as were those Tessie had from Chuck: blue-lined, cheap in quality, a red triangle at one corner. A New York fellow, Chippewa learned; an aviator. They knew, too, that young Hatton was an infantry lieutenant somewhere in the East. These letters were not from him.

Ever since her home-coming Angie had been sewing at the Red Cross shop on Grand Avenue. Chippewa boasted two Red Cross shops. The Grand Avenue shop was the society shop. The East-End crowd sewed there, capped, veiled, aproned—and unapproachable. Were your fingers ever so deft, your knowledge of seams and basting mathematical, your skill with that complicated garment known as a pneumonia jacket uncanny; if you did not belong to the East-End set, you did not sew at the Grand Avenue shop. No matter how grossly red the blood which the Grand Avenue bandages and pads were ultimately to stanch, the liquid in the fingers that rolled and folded them was pure cerulean.

Tessie and her crowd had never thought of giving any such service to their country. They spoke of the Grand Avenue workers as "that stinkin' bunch," I regret to say. Yet each one of the girls was capable of starting a shirt waist in an emergency on Saturday night and finishing it in time for a Sunday picnic, buttonholes and all. Their help might have been invaluable. It never was asked.

* * * * *

Without warning Chuck came home on three days' leave. It meant that he was bound for France right enough this time. But Tessie didn't care.

"I don't care where you're goin'," she said, exultantly, her eyes lingering on the stocky, straight, powerful figure in its rather ill-fitting khaki. "You're here now. That's enough. Ain't you tickled to be home, Chuck? Gee!"

"I sh'd say," responded Chuck. But even he seemed to detect some lack in his tone and words. He elaborated somewhat shamefacedly: "Sure. It's swell to be home. But I don't know. After you've travelled around, and come back, things look so kind of little to you. I don't know—kind of—" he floundered about at a loss for expression. Then tried again: "Now, take Hatton's place, f'r example. I always used to think it was a regular palace, but, gosh, you ought to see places where I was asked in San Francisco and around there. Why, they was—were—enough to make the Hatton house look like a shack. Swimmin' pools of white marble, and acres of yard like a park, and a Jap help always bringin' you something to eat or drink. And the folks themselves—why, say! Here we are scrapin' and bowin' to Hattons and that bunch. They're pikers to what some people are that invited me to their houses in New York and Berkeley, and treated me and the other guys like kings or something. Take Megan's store, too"—he was warming to his subject, so that he failed to notice the darkening of Tessie's face—"it's a joke compared to New York and San Francisco stores. Reg'lar rube joint."

Tessie stiffened. Her teeth were set, her eyes sparkled. She tossed her head. "Well, I'm sure, Mr. Mory, it's good enough for me. Too bad you had to come home at all now you're so elegant and swell, and everything. You better go call on Angie Hatton instead of wastin' time on me. She'd probably be tickled to see you."

He stumbled to his feet, then, awkwardly. "Aw, say, Tessie, I didn't mean—why, say—you don't suppose—why, believe me, I pretty near busted out cryin' when I saw the Junction eatin' house when my train came in. And I been thinkin' of you every minute. There wasn't a day—"

"Tell that to your swell New York friends. I may be a rube, but I ain't a fool." She was perilously near to tears.

"Why, say, Tess, listen! Listen! If you knew—if you knew—a guy's got to—he's got no right to—"

And presently Tessie was mollified, but only on the surface. She smiled and glanced and teased and sparkled. And beneath was terror. He talked differently. He walked differently. It wasn't his clothes or the army. It was something else—an ease of manner, a new leisureliness of glance, an air. Once Tessie had gone to Milwaukee over Labour Day. It was the extent of her experience as a traveller. She remembered how superior she had felt for at least two days after. But Chuck! California! New York! It wasn't the distance that terrified her. It was his new knowledge, the broadening of his vision, though she did not know it and certainly could not have put it into words.

They went walking down by the river to Oneida Springs, and drank some of the sulphur water that tasted like rotten eggs. Tessie drank it with little shrieks and shudders and puckered her face up into an expression indicative of extreme disgust.

"It's good for you," Chuck said, and drank three cups of it, manfully. "That taste is the mineral qualities the water contains—sulphur and iron and so forth."

"I don't care," snapped Tessie, irritably. "I hate it!" They had often walked along the river and tasted of the spring water, but Chuck had never before waxed scientific. They took a boat at Baumann's boathouse and drifted down the lovely Fox River.

"Want to row?" Chuck asked. "I'll get an extra pair of oars if you do."

"I don't know how. Besides, it's too much work. I guess I'll let you do it."

Chuck was fitting his oars in the oarlocks. She stood on the landing looking down at him. His hat was off. His hair seemed blonder than ever against the rich tan of his face. His neck muscles swelled a little as he bent. Tessie felt a great longing to bury her face in the warm red skin. He straightened with a sigh and smiled at her. "I'll be ready in a minute." He took off his coat and turned his khaki shirt in at the throat, so that you saw the white, clean line of his untanned chest in strange contrast to his sunburnt throat. A feeling of giddy faintness surged over Tessie. She stepped blindly into the boat and would have fallen if Chuck's hard, firm grip had not steadied her. "Whoa, there! Don't you know how to step into a boat? There. Walk along the middle." She sat down and smiled up at him. "I don't know how I come to do that. I never did before."

Chuck braced his feet, rolled up his sleeves, and took an oar in each brown hand, bending rhythmically to his task. He looked about him, then at the girl, and drew a deep breath, feathering his oars. "I guess I must have dreamed about this more'n a million times."

"Have you, Chuck?"

They drifted on in silence. "Say, Tess, you ought to learn to row. It's good exercise. Those girls in California and New York, they play baseball and row and swim as good as the boys. Honest, some of 'em are wonders!"

"Oh, I'm sick of your swell New York friends! Can't you talk about something else?"

He saw that he had blundered without in the least understanding how or why. "All right. What'll we talk about?" In itself a fatal admission.

"About—you." Tessie made it a caress.

"Me? Nothin' to tell about me. I just been drillin' and studyin' and marchin' and readin' some—Oh, say, what d'you think?"

"What?"

"They been learnin' us—teachin' us, I mean—French. It's the darnedest language! Bread is pain. Can you beat that? If you want to ask for a piece of bread, you say like this: Donnay ma un morso doo pang. See?"

"My!" breathed Tessie, all admiration.

And within her something was screaming: "Oh, my God! Oh, my God! He knows French. And those girls that can row and everything. And me, I don't know anything. Oh, God, what'll I do?"

It was as though she could see him slipping away from her, out of her grasp, out of her sight. She had no fear of what might come to him in France. Bullets and bayonets would never hurt Chuck. He'd make it, just as he always made the 7.50 when it seemed as if he was going to miss it sure. He'd make it there and back, all right. But he—he'd be a different Chuck, while she stayed the same Tessie. Books, travel, French, girls, swell folks—

And all the while she was smiling and dimpling and trailing her hand in the water. "Bet you can't guess what I got in that lunch box."

"Chocolate cake."

"Well, of course I've got chocolate cake. I baked it myself this morning."

"Yes, you did!"

"Why, Chuck Mory, I did so! I guess you think I can't do anything, the way you talk."

"Oh, don't I! I guess you know what I think."

"Well, it isn't the cake I mean. It's something else."

"Fried chicken!"

"Oh, now you've gone and guessed it." She pouted prettily.

"You asked me to, didn't you?"

Then they laughed together, as at something exquisitely witty.

Down the river, drifting, rowing. Tessie pointed to a house half hidden among the trees on the farther shore: "There's Hatton's camp. They say they have grand times there with their swell crowd some Saturdays and Sundays. If I had a house like that, I'd live in it all the time, not just a couple of days out of the whole year." She hesitated a moment. "I suppose it looks like a shanty to you now."

Chuck surveyed it, patronizingly. "No, it's a nice little place."

They beached their boat, and built a little fire, and had supper on the river bank, and Tessie picked out the choice bits for him—the breast of the chicken, beautifully golden brown; the ripest tomato; the firmest, juiciest pickle; the corner of the little cake which would give him a double share of icing. She may not have been versed in French, Tessie, but she was wise in feminine wiles.

From Chuck, between mouthfuls: "I guess you don't know how good this tastes. Camp grub's all right, but after you've had a few months of it you get so you don't believe there is such a thing as fried chicken and chocolate cake."

"I'm glad you like it, Chuck. Here, take this drumstick. You ain't eating a thing!" His fourth piece of chicken.

Down the river as far as the danger line just above the dam, with Tessie pretending fear just for the joy of having Chuck reassure her. Then back again in the dusk, Chuck bending to the task now against the current. And so up the hill homeward bound. They walked very slowly, Chuck's hand on her arm. They were dumb with the tragic, eloquent dumbness of their kind. If she could have spoken the words that were churning in her mind, they would have been something like this:

"Oh, Chuck, I wish I was married to you. I wouldn't care if only I had you. I wouldn't mind babies or anything. I'd be glad. I want our house, with a dining-room set, and a brass bed, and a mahogany table in the parlour, and all the housework to do. I'm scared. I'm scared I won't get it. What'll I do if I don't?"

And he, wordlessly: "Will you wait for me, Tessie, and keep on loving me and thinking of me? And will you keep yourself clean in mind and body so that if I come back—"

Aloud, she said: "I guess you'll get stuck on one of those French girls. I should worry! They say wages at the watch factory are going to be raised, workers are so scarce. I'll prob'ly be as rich as Angie Hatton time you get back."

And he, miserably: "Little old Chippewa girls are good enough for Chuck. I ain't counting on taking up with those Frenchies. I don't like their jabber, from what I know of it. I saw some pictures of 'em, last week, a fellow in camp had who'd been over there. Their hair is all funny, and fixed up with combs and stuff, and they look real dark like foreigners. Nix!"

It had been reassuring enough at the time. But that was six months ago. Which brings us to the Tessie who sat on the back porch, evenings, surveying the sunset. A listless, lackadaisical, brooding Tessie. Little point to going downtown Saturday nights now. There was no familiar, beloved figure to follow you swiftly as you turned off Elm Street, homeward bound. If she went downtown now, she saw only those Saturday-night family groups which are familiar to every small town. The husband, very wet as to hair and clean as to shirt, guarding the gocart outside while the woman accomplished her Saturday-night trading at Ding's or Halpin's. Sometimes there were as many as half a dozen gocarts outside Halpin's, each containing a sleeping burden, relaxed, chubby, fat-cheeked. The waiting men smoked their pipes and conversed largely. "Hello, Ed. Th' woman's inside, buyin' the store out, I guess."

"Tha' so? Mine, too. Well, how's everything?"

Tessie knew that presently the woman would come out, bundle laden, and that she would stow these lesser bundles in every corner left available by the more important sleeping bundle—two yards of goods; a spool of 100, white; a banana for the baby; a new stewpan at the Five-and-Ten.

There had been a time when Tessie, if she thought of these women at all, felt sorry for them; worn, drab, lacking in style and figure. Now she envied them. For the maternal may be strong at twenty.

* * * * *

There were weeks upon weeks when no letter came from Chuck. In his last letter there had been some talk of his being sent to Russia. Tessie's eyes, large enough now in her thin face, distended with a great fear. Russia! His letter spoke, too, of French villages and chateaux. He and a bunch of fellows had been introduced to a princess or a countess or something—it was all one to Tessie—and what do you think? She had kissed them all on both cheeks! Seems that's the way they did in France.

The morning after the receipt of this letter the girls at the watch factory might have remarked her pallor had they not been so occupied with a new and more absorbing topic.

"Tess, did you hear about Angie Hatton?"

"What about her?"

"She's going to France. It's in the Milwaukee paper, all about her being Chippewa's fairest daughter, and a picture of the house, and her being the belle of the Fox River Valley, and she's giving up her palatial home and all to go to work in a Y.M.C.A. canteen for her country and bleeding France."

"Ya-as she is!" sneered Tessie, and a dull red flush, so deep as to be painful, swept over her face from throat to brow. "Ya-as she is, the doll-faced simp! Why, say, she never wiped up a floor in her life, or baked a cake, or stood on them feet of hers. She couldn't cut up a loaf of bread decent. Bleedin' France! Ha! That's rich, that is." She thrust her chin out brutally, and her eyes narrowed to slits. "She's goin' over there after that fella of hers. She's chasin' him. It's now or never, and she knows it and she's scared, same's the rest of us. On'y we got to set home and make the best of it. Or take what's left." She turned her head slowly to where Nap Ballou stood over a table at the far end of the room. She laughed a grim, unlovely little laugh. "I guess when you can't go after what you want, like Angie, why, you gotta take second choice."

All that day, at the bench, she was the reckless, insolent, audacious Tessie of six months ago. Nap Ballou was always standing over her, pretending to inspect some bit of work or other, his shoulder brushing hers. She laughed up at him so that her face was not more than two inches from his. He flushed, but she did not. She laughed a reckless little laugh.

"Thanks for helpin' teach me my trade, Mr. Ballou. 'Course I only been at it over three years now, so I ain't got the hang of it yet."

He straightened up slowly, and as he did so he rested a hand on her shoulder for a brief moment. She did not shrug it off.

* * * * *

That night, after supper, Tessie put on her hat and strolled down to Park Avenue. It wasn't for the walk. Tessie had never been told to exercise systematically for her body's good, or her mind's. She went in a spirit of unwholesome, brooding curiosity and a bitter resentment. Going to France, was she? Lots of good she'd do there. Better stay home and—and what? Tessie cast about in her mind for a fitting job for Angie. Guess she might's well go, after all. Nobody'd miss her, unless it was her father, and he didn't see her but about a third of the time. But in Tessie's heart was a great envy for this girl who could bridge the hideous waste of ocean that separated her from her man. Bleedin' France. Yeh! Joke!

The Hatton place, built and landscaped twenty years before, occupied a square block in solitary grandeur, the show place of Chippewa. In architectural style it was an impartial mixture of Norman castle, French chateau, and Rhenish Schloss, with a dash of Coney Island about its facade. It represented Old Man Hatton's realized dream of landed magnificence.

Tessie, walking slowly past it, and peering through the high iron fence, could not help noting an air of unwonted excitement about the place, usually so aloof, so coldly serene. Automobiles standing out in front. People going up and down. They didn't look very cheerful. Just as if it mattered whether anything happened to her or not!

Tessie walked around the block and stood a moment, uncertainly. Then she struck off down Grand Avenue and past Donovan's pool shack. A little group of after-supper idlers stood outside, smoking and gossiping, as she knew there would be. As she turned the corner she saw Nap Ballou among them. She had known that, too. As she passed she looked straight ahead, without bowing. But just past the Burke House he caught up to her. No half-shy "Can I walk home with you?" from Nap Ballou. No. Instead: "Hello, sweetheart!"

"Hello, yourself."

"Somebody's looking mighty pretty this evening, all dolled up in pink."

"Think so?"

She tried to be pertly indifferent, but it was good to have someone following, someone walking home with you. What if he was old enough to be her father, with graying hair? Lots of the movie heroes had graying hair at the sides. Twenty craves someone to tell it how wonderful it is. And Nap Ballou told her.

They walked for an hour. Tessie left him at the corner. She had once heard her father designate Ballou as "that drunken skunk." When she entered the sitting room her cheeks held an unwonted pink. Her eyes were brighter than they had been in months. Her mother looked up quickly, peering at her over a pair of steel-rimmed spectacles, very much askew.

"Where you been, Tessie?"

"Oh, walkin'."

"Who with?"

"Cora."

"Why, she was here, callin' for you, not more'n an hour ago."

Tessie, taking the hatpins out of her hat on her way upstairs, met this coolly. "Yeh, I ran into her comin' back."

Upstairs, lying fully dressed on her hard little bed, she stared up into the darkness, thinking, her hands limp at her sides. Oh, well, what's the diff? You had to make the best of it. Everybody makin' a fuss about the soldiers: feedin' 'em, and askin' 'em to their houses, and sendin' 'em things, and givin' dances and picnics and parties so they wouldn't be lonesome. Chuck had told her all about it. The other boys told the same. They could just pick and choose their good times. Tessie's mind groped about, sensing a certain injustice. How about the girls? She didn't put it thus squarely. Hers was not a logical mind, trained to think. Easy enough to paw over the menfolks and get silly over brass buttons and a uniform. She put it that way. She thought of the refrain of a popular song: "What Are You Going to Do to Help the Boys?" Tessie, smiling a crooked little smile up there in the darkness, parodied the words deftly: "What're you going to do to help the girls?" she demanded. "What're you going to do—" She rolled over on one side and buried her head in her arms.

* * * * *

There was news again next morning at the watch factory. Tessie of the old days had never needed to depend on the other girls for the latest bit of gossip. Her alert eye and quick ear had always caught it first. But of late she had led a cloistered existence, indifferent to the world about her. The Chippewa Courier went into the newspaper pile behind the kitchen door without a glance from Tessie's incurious eye.

She was late this morning. As she sat down at the bench and fitted her glass in her eye the chatter of the others, pitched in the high key of unusual excitement, penetrated even her listlessness.

"An' they say she never screeched or fainted or anything. She stood there, kind of quiet, lookin' straight ahead, and then all of a sudden she ran to her pa—"

"Both comin' at once, like that—"

"I feel sorry for her. She never did anything to me. She—"

Tessie spoke, her voice penetrating the staccato fragments all about her and gathering them into a whole. "Say, who's the heroine of this picture? Somebody flash me a cut-in so I can kinda follow the story. I come in in the middle of the reel, I guess."

They turned on her with the unlovely eagerness of those who have ugly news to tell. They all spoke at once, in short sentences, their voices high with the note of hysteria.

"Angie Hatton's beau was killed—"

"They say his aireoplane fell ten thousan' feet—"

"The news come only last evenin' about eight—"

"She won't see nobody but her pa—"

Eight! At eight Tessie had been standing outside Hatton's house envying Angie and hating her. So that explained the people, and the automobiles, and the excitement. Tessie was not receiving the news with the dramatic reaction which its purveyors felt it deserved. Tessie, turning from one to the other quietly, had said nothing. She was pitying Angie. Oh, the luxury of it! Nap Ballou, coming in swiftly to still the unwonted commotion in work hours, found Tessie the only one quietly occupied in that chatter-filled room. She was smiling as she worked. Nap Ballou, bending over her on some pretence that deceived no one, spoke low-voiced in her ear. But she veiled her eyes insolently and did not glance up. She hummed contentedly all the morning at her tedious work.

She had promised Nap Ballou to go picnicking with him Sunday. Down the river, boating, with supper on shore. The small, still voice within her had said: "Don't go! Don't go!" But the harsh, high-pitched, reckless overtone said: "Go on! Have a good time. Take all you can get."

She would have to lie at home and she did it. Some fabrication about the girls at the watch works did the trick. Fried chicken, chocolate cake. She packed them deftly and daintily. High-heeled white kid shoes, flimsy blouse, rustling skirt. Nap Ballou was waiting for her over in the city park. She saw him before he espied her. He was leaning against a tree idly, staring straight ahead with queer, lack-lustre eyes. Silhouetted there against the tender green of the pretty square he looked very old, somehow, and different—much older than he looked in his shop clothes, issuing orders. Tessie noticed that he sagged where he should have stuck out, and protruded where he should have been flat. There flashed across her mind a vividly clear picture of Chuck as she had last seen him: brown, fit, high of chest, flat of stomach, slim of flank.

Ballou saw her. He straightened and came toward her swiftly: "Somebody looks mighty sweet this afternoon."

Tessie plumped the heavy lunch box into his arms. "When you get a line you like you stick to it, don't you?"

* * * * *

Down at the boathouse even Tessie, who had confessed ignorance of boats and oars, knew that Ballou was fumbling clumsily. He stooped to adjust the oars to the oarlocks. His hat was off. His hair looked very gray in the cruel spring sunshine. He straightened and smiled up at her.

"Ready in a minute, sweetheart," he said. He took off his collar and turned in the neckband of his shirt. His skin was very white. Tessie felt a little shudder of disgust sweep over her, so that she stumbled a little as she stepped into the boat.

The river was very lovely. Tessie trailed her fingers in the water and told herself that she was having a grand time. She told Nap the same when he asked her.

"Having a good time, little beauty?" he said. He was puffing a little with the unwonted exercise. Alcohol-atrophied muscles do not take kindly to rowing.

Tessie tried some of her old-time pertness of speech. "Oh, good enough, considerin' the company."

He laughed, admiringly, at that and said she was a card.

When the early evening came on they made a clumsy landing and had supper. This time Nap fed her the titbits, though she protested. "White meat for you," he said, "with your skin like milk."

"You must of read that in a book," scoffed Tessie. She glanced around her at the deepening shadows. "We haven't got much time. It gets dark so early."

"No hurry," Nap assured her. He went on eating in a leisurely, finicking sort of way, though he consumed very little food actually.

"You're not eating much," Tessie said once, half-heartedly. She decided that she wasn't having such a very grand time, after all, and that she hated his teeth, which were very bad. Now, Chuck's strong, white double row ...

"Well," she said, "let's be going."

"No hurry," again.

Tessie looked up at that with the instinctive fear of her kind. "What d'you mean, no hurry! 'Spect to stay here till dark?" She laughed at her own joke.

"Yes."

She got up then, the blood in her face. "Well, I don't."

He rose, too. "Why not?"

"Because I don't, that's why." She stooped and began picking up the remnants of the lunch, placing spoons and glass bottles swiftly and thriftily in the lunch box. Nap stepped around behind her.

"Let me help," he said. And then his arm was about her and his face was close to hers, and Tessie did not like it. He kissed her after a little wordless struggle. And then she knew. Tessie's lips were not virgin. She had been kissed before. But not like this. Not like this! She struck at him furiously. Across her mind flashed the memory of a girl who had worked in the finishing room. A nice girl, too. But that hadn't helped her. Nap Ballou was laughing a little as he clasped her.

At that she heard herself saying: "I'll get Chuck Mory after you—you drunken bum, you! He'll lick you black and blue. He'll ..."

The face, with the ugly, broken brown teeth, was coming close again. With all the young strength that was in her she freed one hand and clawed at that face from eyes to chin. A howl of pain rewarded her. His hold loosened. Like a flash she was off. She ran. It seemed to her that her feet did not touch the earth. Over brush, through bushes, crashing against trees, on and on. She heard him following her, but the broken-down engine that was his heart refused to do the work. She ran on, though her fear was as great as before. Fear of what might have happened ... to her, Tessie Golden ... that nobody could even talk fresh to. She gave a little sob of fury and fatigue. She was stumbling now. It was growing dark. She ran on again, in fear of the overtaking darkness. It was easier now. Not so many trees and bushes. She came to a fence, climbed over it, lurched as she landed, leaned against it weakly for support, one hand on her aching heart. Before her was the Hatton summer cottage, dimly outlined in the twilight among the trees. A warm, flickering light danced in the window.

Tessie stood a moment, breathing painfully, sobbingly. Then, with a little instinctive gesture, she patted her hair, tidied her blouse, and walked uncertainly toward the house, up the steps to the door. She stood there a moment, swaying slightly. Somebody'd be there. The light. The woman who cooked for them or the man who took care of the place. Somebody'd—

She knocked at the door feebly. She'd tell 'em she had lost her way and got scared when it began to get dark. She knocked again, louder now. Footsteps. She braced herself and even arranged a crooked smile. The door opened wide. Old Man Hatton!

She looked up at him, terror and relief in her face. He peered over his glasses at her. "Who is it?" Tessie had not known, somehow, that his face was so kindly.

Tessie's carefully planned story crumbled into nothingness. "It's me!" she whimpered. "It's me!"

He reached out and put a hand on her arm and drew her inside.

"Angie! Angie! Here's a poor little kid...."

Tessie clutched frantically at the last crumbs of her pride. She tried to straighten, to smile with her old bravado. What was that story she had planned to tell?

"Who is it, dad? Who...?" Angie Hatton came into the hallway. She stared at Angie. Then: "Why, my dear!" she said. "My dear! Come in here."

Angie Hatton! Tessie began to cry weakly, her face buried in Angie Hatton's expensive blouse. Tessie remembered later that she had felt no surprise at the act.

"There, there!" Angie Hatton was saying. "Just poke up the fire, dad. And get something from the dining room. Oh, I don't know. To drink, you know. Something...."

Then Old Man Hatton stood over her, holding a small glass to her lips. Tessie drank it obediently, made a wry little face, coughed, wiped her eyes, and sat up. She looked from one to the other, like a trapped little animal. She put a hand to her tousled head.

"That's all right," Angie Hatton assured her. "You can fix it after a while."

There they were, the three of them: Old Man Hatton with his back to the fire, looking benignly down upon her; Angie seated, with some knitting in her hands, as if entertaining bedraggled, tearstained young ladies at dusk were an everyday occurrence; Tessie, twisting her handkerchief in a torment of embarrassment. But they asked no questions, these two. They evinced no curiosity about this dishevelled creature who had flung herself in upon their decent solitude.

Tessie stared at the fire. She looked up at Old Man Hatton's face and opened her lips. She looked down and shut them again. Then she flashed a quick look at Angie, to see if she could detect there some suspicion, some disdain. None. Angie Hatton looked—well, Tessie put it to herself, thus: "She looks like she'd cried till she couldn't cry no more—only inside."

And then, surprisingly, Tessie began to talk. "I wouldn't never have gone with this fella, only Chuck, he was gone. All the boys're gone. It's fierce. You get scared, sittin' home, waitin', and they're in France and everywheres, learnin' French and everything, and meetin' grand people and havin' a fuss made over 'em. So I got mad and said I didn't care, I wasn't goin' to squat home all my life, waitin'...."

Angie Hatton had stopped knitting now. Old Man Hatton was looking down at her very kindly. And so Tessie went on. The pent-up emotions and thoughts of these past months were finding an outlet at last. These things which she had never been able to discuss with her mother she now was laying bare to Angie Hatton and Old Man Hatton! They asked no questions. They seemed to understand. Once Old Man Hatton interrupted with: "So that's the kind of fellow they've got as escapement-room foreman, eh?"

Tessie, whose mind was working very clearly now, put out a quick hand. "Say, it wasn't his fault. He's a bum, all right, but I knew it, didn't I? It was me. I didn't care. Seemed to me it didn't make no difference who I went with, but it does." She looked down at her hands clasped so tightly in her lap.

"Yes, it makes a whole lot of difference," Angie agreed, and looked up at her father.

At that Tessie blurted her last desperate problem: "He's learnin' all kind of new things. Me, I ain't learnin' anything. When Chuck comes home he'll just think I'm dumb, that's all. He...."

"What kind of thing would you like to learn, Tessie, so that when Chuck comes home...."

Tessie looked up then, her wide mouth quivering with eagerness. "I'd like to learn to swim—and row a boat—and play ball—like the rich girls—like the girls that's makin' such a fuss over the soldiers."

Angie Hatton was not laughing. So, after a moment's hesitation, Tessie brought out the worst of it. "And French. I'd like to learn to talk French."

Old Man Hatton had been surveying his shoes, his mouth grim. He looked at Angie now and smiled a little. "Well, Angie, it looks as if you'd found your job right here at home, doesn't it? This young lady's just one of hundreds, I suppose. Hundreds. You can have the whole house for them, if you want it, Angie, and the grounds, and all the money you need. I guess we've kind of overlooked the girls. H'm, Angie. What d'you say?"

But Tessie was not listening. She had scarcely heard. Her face was white with earnestness.

"C'n you speak French?"

"Yes," Angie answered.

"Well," said Tessie, and gulped once, "well, how do you say in French: 'Give me a piece of bread'? That's what I want to learn first."

Angie Hatton said it correctly.

"That's it! Wait a minute! Say it again, will you?"

Angie said it again.

Tessie wet her lips. Her cheeks were smeared with tears and dirt. Her hair was wild and her blouse awry. "Donnay-ma-un-morso-doo-pang," she articulated, painfully. And in that moment, as she put her hand in that of Chuck Mory, across the ocean, her face was very beautiful to see.



ONE HUNDRED PER CENT

They had always had two morning papers—he his, she hers. The Times. Both. Nothing could illustrate more clearly the plan on which Mr. and Mrs. T.A. Buck conducted their married life. Theirs was the morning calm and harmony which comes to two people who are free to digest breakfast and the First Page simultaneously with no—"Just let me see the inside sheet, will you, dear?" to mar the day's beginning.

In the days when she had been Mrs. Emma McChesney, travelling saleswoman for the T.A. Buck Featherloom Petticoat Company, New York, her perusal of the morning's news had been, perforce, a hasty process, accomplished between trains, or in a small-town hotel 'bus, jolting its way to the depot for the 7.52; or over an American-plan breakfast throughout which seven eighths of her mind was intent on the purchasing possibilities of a prospective nine o'clock skirt buyer. There was no need now of haste, but the habit of years still clung. From eight-thirty to eight thirty-five A.M. Emma McChesney Buck was always in partial eclipse behind the billowing pages of her newspaper. Only the tip of her topmost coil of bright hair was visible. She read swiftly, darting from war news to health hints, from stock market to sport page, and finding something of interest in each. For her there was nothing cryptic in a headline such as "Rudie Slams One Home"; and Do pfd followed by dotted lines and vulgar fractions were to her as easily translated as the Daily Hint From Paris. Hers was the photographic eye and the alert brain that can film a column or a page at a glance.

Across the table her husband sat turned slightly sidewise in his chair, his paper folded in a tidy oblong. He read down one column, top of the next and down that, seriously and methodically; giving to toast or coffee-cup the single-handed and groping attention of one whose interest is elsewhere. The light from the big bay window fell on the printed page and cameoed his profile. After three years of daily contact with it, Emma still caught herself occasionally gazing with appreciation at that clear-cut profile and the clean, shining line of his hair as it grew away from the temple.

"T.A.," she had announced one morning, to his mystification, "you're the Francis X. Bushman of the breakfast table. I believe you sit that way purposely."

"Francis X—?" He was not a follower of the films.

Emma elucidated. "Discoverer and world's champion exponent of the side face."

"I might punish you, Emma, by making a pun about its all being Greek to me, but I shan't." He returned to Page Two, Column Four.

Usually their conversation was comfortably monosyllabic and disjointed, as is the breakfast talk of two people who understand each other. Amicable silence was the rule, broken only by the rustle of paper, the clink of china, an occasional, "Toast, dear?" And when Buck, in a low, vibrating tone (slightly muffled by buttered corn muffin) said, "Dogs!" Emma knew he was pursuing the daily schrecklichkeit.

Upon this cozy scene Conservation cast his gaunt shadow. It was in June, the year of America's Great Step, that Emma, examining her household, pronounced it fattily degenerate, with complications, and performed upon it a severe and skilful surgical operation. Among the rest:

"One morning paper ought to be enough for any husband and wife who aren't living on a Boffin basis. There'll be one copy of the Times delivered at this house in the future, Mr. Buck. We might match pennies for it, mornings."

It lay there on the hall table that first morning, an innocent oblong, its headlines staring up at them with inky eyes.

"Paper, T.A.," she said, and handed it to him.

"You take it, dear."

"Oh, no! No."

She poured the coffee, trying to keep her gaze away from the tantalizing tail-end of the headline at whose first half she could only guess.

"By Jove, Emma! Listen to this! Pershing says if we have one m—"

"Stop right there! We've become pretty well acquainted in the last three years, T.A. But if you haven't learned that if there's one thing I can't endure, it's being fed across the table with scraps of the day's news, I shall have to consider our marriage a failure."

"Oh, very well. I merely thought you'd be—"

"I am. But there's something about having it read to you—"

On the second morning Emma, hurriedly fastening the middle button of her blouse on her way downstairs, collided with her husband, who was shrugging himself into his coat. They continued their way downstairs with considerable dignity and pronounced leisure. The paper lay on the hall table. They reached for it. There was a moment—just the fraction of a minute—when each clutched a corner of it, eying the other grimly. Then both let go suddenly, as though the paper had burned their fingers. They stared at each other, surprise and horror in their gaze. The paper fell to the floor with a little slap. Both stooped for it, apologetically. Their heads bumped. They staggered back, semi-stunned.

Emma found herself laughing, rather wildly. Buck joined in after a moment—a rueful laugh. She was the first to recover.

"That settles it. I'm willing to eat trick bread and whale meat and drink sugarless coffee, but I draw the line at hating my husband for the price of a newspaper subscription. White paper may be scarce but so are husbands. It's cheaper to get two newspapers than to set up two establishments."

They were only two among many millions who, at that time, were playing an amusing and fashionable game called Win the War. They did not realize that the game was to develop into a grim and magnificently functioning business to whose demands they would cheerfully sacrifice all that they most treasured.

Of late, Emma had spent less and less time in the offices of the Featherloom Company. For more than ten years that flourishing business, and the career of her son, Jock McChesney, had been the twin orbits about which her existence had revolved. But Jock McChesney was a man of family now, with a wife, two babies, and an uncanny advertising sense that threatened to put his name on the letterhead of the Raynor Advertising Company of Chicago. As for the Featherloom factory—it seemed to go of its own momentum. After her marriage to the firm's head, Emma's interest in the business was unflagging.

"Now look here, Emma," Buck would say. "You've given enough to this firm. Play a while. Cut up. Forget you're the 'And Company' in T.A. Buck & Co."

"But I'm so used to it. I'd miss it so. You know what happened that first year of our marriage when I tried to do the duchess. I don't know how to loll. If you take Featherlooms away from me I'll degenerate into a Madam Chairman. You'll see."

She might have, too, if the War had not come along and saved her.

By midsummer the workrooms were turning out strange garments, such as gray and khaki flannel shirts, flannelette one-piece pajamas, and woollen bloomers, all intended for the needs of women war workers going abroad.

Emma had dropped into the workroom one day and had picked up a half-finished gray flannel garment. She eyed it critically, her deft fingers manipulating the neckband. A little frown gathered between her eyes.

"Somehow a woman in a flannel shirt always looks as if she had quinsy. It's the collar. They cut them like a man's small-size. But a woman's neck is as different from a man's as her collarbone is."

She picked up a piece of flannel and smoothed it on the cutting-table. The head designer had looked on in disapproval while her employer's wife had experimented with scraps of cloth, and pins, and chalk, and scissors. But Emma had gone on serenely cutting and snipping and pinning. They made up samples of service shirts with the new neck-hugging collar and submitted them to Miss Nevins, the head of the woman's uniform department at Fyfe & Gordon's. That astute lady had been obliged to listen to scores of canteeners, nurses, secretaries, and motor leaguers who, standing before a long mirror in one of the many fitting-rooms, had gazed, frowned, fumbled at collar and topmost button, and said, "But it looks so—so lumpy around the neck."

Miss Kate Nevins's reply to this plaint was: "Oh, when you get your tie on—"

"Perhaps they'll let me wear a turn-down collar."

"Absolutely against regulations. The rules strictly forbid anything but the high, close-fitting collar."

The fair war worker would sigh, mutter something about supposing they'd shoot you at sunrise for wearing a becoming shirt, and order six, grumbling.

Kate Nevins had known Mrs. T.A. Buck in that lady's Emma McChesney days. At the end of the first day's trial of the new Featherloom shirt she had telephoned the Featherloom factory and had asked for Emma McChesney. People who had known her by that name never seemed able to get the trick of calling her by any other.

With every fitting-room in the Fyfe & Gordon establishment demanding her attention, Miss Nevins's conversation was necessarily brief. "Emma McChesney?... Kate Nevins.... Who's responsible for the collar on those Featherloom shirts?... I was sure of it.... No regular designer could cut a collar like that. Takes a genius.... H'm?... Well, I mean it. I'm going to write to Washington and have 'em vote you a distinguished service medal. This is the first day since last I-don't-know-when that hasn't found me in the last stages of nervous exhaustion at six o'clock.... All these women warriors are willing to bleed and die for their country, but they want to do it in a collar that fits, and I don't blame 'em. After I saw the pictures of that Russian Battalion of Death, I understood why.... Yes, I know I oughtn't to say that, but...."

By autumn Emma was wearing one of those Featherloom service shirts herself. It was inevitable that a woman of her executive ability, initiative, and detail sense should be pressed into active service. November saw Fifth Avenue a-glitter with uniforms, and one third of them seemed to be petticoated. The Featherloom factory saw little of Emma now. She bore the title of Commandant with feminine captains, lieutenants, and girl workers under her; and her blue uniform, as she herself put it, was so a-jingle with straps, buckles, belts, bars, and bolts that when she first put it on she felt like a jail.

She left the house at eight in the morning now. Dinner time rarely found her back in Sixty-third Street. Buck was devoting four evenings a week to the draft board. At the time of the second Liberty Loan drive in the autumn he had deserted Featherlooms for bonds. His success was due to the commodity he had for sale, the type of person to whom he sold it, and his own selling methods and personality. There was something about this slim, leisurely man, with the handsome eyes and the quiet voice, that convinced and impressed you.

"It's your complete lack of eagerness in the transaction, too," Emma remarked after watching him land a twenty-five-thousand-dollar bond pledge, the buyer a business rival of the Featherloom Petticoat Company. "You make it seem a privilege, not a favour. A man with your method could sell sandbags in the Sahara."

Sometimes the two dined downtown together. Sometimes they scarcely saw each other for days on end. One afternoon at 5.30, Emma, on duty bound, espied him walking home up Fifth Avenue, on the opposite side of the street. She felt a little pang as she watched the easy, graceful figure swinging its way up the brilliant, flag-decked avenue. She had given him so little time and thought; she had bestowed upon the house such scant attention in the last few weeks. She turned abruptly and crossed the street, dodging the late afternoon traffic with a sort of expert recklessness. She almost ran after the tall figure that was now a block ahead of her, and walking fast. She caught up with him, matched his stride, and touched his arm lightly.

"I beg your pardon, but aren't you Mr. T.A. Buck?"

"Yes."

"How do you do! I'm Mrs. Buck."

Then they had giggled together, deliciously, and he had put a firm hand on the smartly tailored blue serge sleeve.

"I thought so. That being the case, you're coming home along o' me, young 'ooman."

"Can't do it. I'm on my way to the Ritz to meet a dashing delegation from Serbia. You never saw such gorgeous creatures. All gold and green and red, with swords, and snake-work, and glittering boots. They'd make a musical-comedy soldier look like an undertaker."

There came a queer little look into his eyes. "But this isn't a musical comedy, dear. These men are—Look here, Emma. I want to talk to you. Let's walk home together and have dinner decently in our own dining room. There are things at the office—"

"S'impossible, Mr. Buck. I'm late now. And you know perfectly well there are two vice-commandants ready to snatch my shoulder-straps."

"Emma! Emma!"

At his tone the smiling animation of her face was dimmed. "What's gone wrong?"

"Nothing. Everything. At least, nothing that I can discuss with you at the corner of Fifth Avenue and Forty-fifth Street. When does this Serbian thing end? I'll call for you."

"There's no telling. Anyway, the Fannings will drive me home, thanks, dear."

He looked down at her. She was unbelievably girlish and distingue in the blue uniform; a straight, slim figure, topped by an impudent cocked hat. The flannel shirt of workaday service was replaced to-day by a severely smart affair of white silk, high-collared, stitched, expensively simple. And yet he frowned as he looked.

"Fisk got his exemption papers to-day." With apparent irrelevance.

"Yes?" She was glancing sharply up and down the thronged street. "Better call me a cab, dear. I'm awfully late. Oh, well, with his wife practically an invalid, and all the expense of the baby's illness, and the funeral—The Ritz, dear. And tell him to hurry." She stepped into the cab, a little nervous frown between her eyes.

But Buck, standing at the curb, seemed bent on delaying her. "Fisk told me the doctor said all she needs is a couple of months at a sanitarium, where she can be bathed and massaged and fed with milk. And if Fisk could go to a camp now he'd have a commission in no time. He's had training, you know. He spent his vacation last summer at Plattsburg."

"But he's due on his advance spring trip in two or three weeks, isn't he?... I really must hurry, T.A."

"Ritz," said Buck, shortly, to the chauffeur. "And hurry." He turned away abruptly, without a backward glance. Emma's head jerked over her shoulder in surprise. But he did not turn. The tall figure disappeared. Emma's taxi crept into the stream. But uppermost in her mind was not the thought of Serbians, uniforms, Fisk, or Ritz, but of her husband's right hand, which, as he turned away from the cab, had been folded tight into a fist.

She meant to ask an explanation of the clenched fingers; but the Serbians, despite their four tragic years, turned out to be as sprightly as their uniforms, and it was past midnight when the Fannings dropped her at her door. Her husband was rather ostentatiously asleep. As she doffed her warlike garments, her feminine canniness warned her that this was no time for explanations. Tomorrow morning would be better.

But next morning's breakfast turned out to be all Jock.

A letter from Grace, his wife. Grace McChesney had been Grace Gait, one of the youngest and cleverest women advertising writers in the profession. When Jock was a cub in the Raynor office she had been turning out compelling copy. They had been married four years. Now Jock ruled a mahogany domain of his own in the Raynor suite overlooking the lake in the great Michigan Avenue building. And Grace was saying, "Eat the crust, girlie. It's the crust that makes your hair grow curly."

Emma, uniformed for work, read hasty extracts from Grace's letter. Buck listened in silence.

"You wouldn't know Jock. He's restless, irritable, moody. And the queer part of it is he doesn't know it. He tries to be cheerful, and I could weep to see him. He has tried to cover it up with every kind of war work from Red Crossing to Liberty Loaning, and from writing free full-page national advertising copy to giving up his tobacco money to the smoke fund. And he's miserable. He wants to get into it. And he ought. But you know I haven't been really husky since Buddy came. Not ill, but the doctor says it will be another six months before I'm myself, really. If I had only myself to think of—how simple! But two kiddies need such a lot of things. I could get a job at Raynor's. They need writers. Jock says, bitterly, that all the worth-while men have left. Don't think I'm complaining. I'm just trying to see my way clear, and talking to someone who understands often clears the way."

"Well!" said Emma.

And, "Well?" said T.A.

She sat fingering the letter, her breakfast cooling before her. "Of course, Jock wants to get into it. I wish he could. I'd be so proud of him. He'd be beautiful in khaki. But there's work to do right here. And he ought to be willing to wait six months."

"They can't wait six months over there, Emma. They need him now."

"Oh, come, T.A.! One man—"

"Multiplied by a million. Look at Fisk. Just such another case. Look at—"

The shrill summons of the telephone cut him short. Emma's head came up alertly. She glanced at her wrist-watch and gave a little exclamation of horror.

"That's for me! I'm half an hour late! The first time, too." She was at the telephone a second later, explanatory, apologetic. Then back in the dining-room doorway, her cheeks flushed, tugging at her gloves, poised for flight. "Sorry, dear. But this morning was so important, and that letter about Jock upset me. I'm afraid I'm a rotten soldier."

"I'm afraid you are, Emma."

She stared at that. "Why—! Oh, you're still angry at something. Listen, dear—I'll call for you at the office to-night at five, and we'll walk home together. Wait for me. I may be a few minutes late—"

She was off. The front door slammed sharply. Buck sat very still for a long minute, staring down at the coffee cup whose contents he did not mean to drink. The light from the window cameoed his fine profile. And you saw that his jaw was set. His mind was a thousand miles away, in Chicago, Illinois, with the boy who wanted to fight and couldn't.

Emma, flashing down Fifth Avenue as fast as wheels and traffic rules would permit, saw nothing of the splendid street. Her mind was a thousand miles away, in Chicago, Illinois.

And a thousand miles away, in Chicago, Illinois, Jock McChesney, three hours later, was slamming down the two big windows of his office. From up the street came the sound of a bugle and of a band playing a brisk march. And his office windows looked out upon Michigan Avenue. If you know Chicago, you know the building that housed the Raynor offices—a great gray shaft, towering even above its giant neighbours, its head in the clouds, its face set toward the blue beauty of Lake Michigan. Until very recently those windows of his office had been a source of joy and inspiration to Jock McChesney. The green of Grant Park just below. The tangle of I.C. tracks beyond that, and the great, gracious lake beyond that, as far as the eye could see. He had seen the changes the year had brought. The lake dotted with sinister gray craft. Dog tents in Grant Park, sprung up overnight like brown mushrooms. Men—mere boys, most of them—awkward in their workaday clothes of office and shop, drilling, wheeling, marching at the noon hour. And parades, and parades, and parades. At first Jock, and, in fact, the entire office staff—heads of departments, writers, secretaries, stenographers, office boys—would suspend business and crowd to the windows to see the pageant pass in the street below. Stirring music, khaki columns, flags, pennants, horses, bugles. And always the Jackie band from the Great Lakes Station, its white leggings twinkling down the street in the lead of its six-foot-six contortionistic drum-major.

By October the window-gazers, watching the parades from the Raynor windows, were mostly petticoated and exclamatory. Jock stayed away from the window now. It seemed to his tortured mind that there was a fresh parade hourly, and that bugles and bands sounded a taunting note.

"Where are you! (sounded the bugle) Where are you? Where are YOU?!!! Where are you? Where—are—you-u-u-u—"

He slammed down the windows, summoned a stenographer, and gave out dictation in a loud, rasping voice.

"Yours of the tenth at hand, and contents noted. In reply I wish to say—"

(Boom! Boom! And a boom-boom-boom!)

"—all copy for the Sans Scent Soap is now ready for your approval and will be mailed to you to-day under separate cover. We in the office think that this copy marks a new record in soap advertising—"

(Over there! Over there! Send the word, send the word over there!)

"Just read that last line will you, Miss Dugan?"

"Over th—I mean, 'We in the office think that this copy marks a new record in soap advertising—'"

"H'm. Yes." A moment's pause. A dreamy look on the face of the girl stenographer. Jock interpreted it. He knew that the stenographer was in the chair at the side of his desk, taking his dictation accurately and swiftly, while the spirit of the girl herself was far and away at Camp Grant at Rockford, Illinois, with an olive-drab unit in an olive-drab world.

"—and, in fact, in advertising copy of any description that has been sent out from the Raynor offices."

The girl's pencil flew over the pad. But when Jock paused for thought or breath she lifted her head and her eyes grew soft and bright, and her foot, in its absurd high-heeled gray boot, beat a smart left! Left! Left-right-left!

Something of this picture T.A. Buck saw in his untasted coffee cup. Much of it Emma visualized in her speeding motor car. All of it Grace knew by heart as she moved about the new, shining house in the Chicago suburb, thinking, planning; feeling his agony, and trying not to admit the transparency of the look about her hands and her temples. So much for Chicago.

* * * * *

At five o'clock Emma left the war to its own devices and dropped in at the loft building in which Featherlooms were born and grew up. Mike, the elevator man, twisted his gray head about at an unbelievable length to gaze appreciatively at the trim, uniformed figure.

"Haven't seen you around fur many the day, Mis' Buck."

"Been too busy, Mike."

Mike turned back to face the door. "Well, 'tis a great responsibility, runnin' this war, an' all." He stopped at the Featherloom floor and opened the door with his grandest flourish. Emma glanced at him quickly. His face was impassive. She passed into the reception room with a little jingling of buckles and strap hooks.

The work day was almost ended. The display room was empty of buyers. She could see the back of her husband's head in his office. He was busy at his desk. A stock girl was clearing away the piles of garments that littered tables and chairs. At the window near the door Fisk, the Western territory man, stood talking with O'Brien, city salesman. The two looked around at her approach. O'Brien's face lighted up with admiration. Into Fisk's face there flashed a look so nearly resembling resentment that Emma, curious to know its origin, stopped to chat a moment with the two.

Said O'Brien, the gallant Irishman, "I'm more resigned to war this minute, Mrs. Buck, than I've been since it began."

Emma dimpled, turned to Fisk, stood at attention. Fisk said nothing. His face was unsmiling. "Like my uniform?" Emma asked; and wished, somehow, that she hadn't.

Fisk stared. His eyes had none of the softness of admiration. They were hard, resentful. Suddenly, "Like it! God! I wish I could wear one!" He turned away, abruptly. O'Brien threw him a sharp look. Then he cleared his throat, apologetically.

Emma glanced down at her own trim self—at her stitched seams, her tailored lengths, her shining belt and buckles, her gloved hands—and suddenly and unaccountably her pride in them vanished. Something—something—

She wheeled and made for Buck's office, her colour high. He looked up, rose, offered her a chair. She felt strangely ill at ease there in the office to which she had given years of service. The bookkeeper in the glass-enclosed cubby-hole across the little hall smiled and nodded and called through the open door: "My, you're a stranger, Mrs. Buck."

"Be with you in a minute, Emma," said T.A. And turned to his desk again. She rose and strolled toward the door, restlessly. "Don't hurry." Out in the showroom again she saw Fisk standing before a long table. He was ticketing and folding samples of petticoats, pajamas, blouses, and night-gowns. His cigar was gripped savagely between his teeth and his eyes squinted, half closed through the smoke.

She strolled over to him and fingered the cotton flannel of a garment that lay under her hand. "Spring samples?"

"Yes."

"It ought to be a good trip. They say the West is dripping money, war or no war."

"'S right."

"How's Gertie?"

"Don't get me started, Mrs. Buck. That girl!—say, I knew what she was when I married her, and so did you. She was head stenographer here long enough. But I never really knew that kid until now, and we've been married two years. You know what the last year has been for her; the baby and all. And then losing him. And do you know what she says! That if there was somebody who knew the Western territory and could cover it, she'd get a job and send me to war. Yessir! That's Gert. We've been married two years, and she says herself it's the first really happy time she's ever known. You know what she had at home. Why, even when I was away on my long spring trip she used to say it wasn't so bad being alone, because there was always my home-coming to count on. How's that for a wife!"

"Gertie's splendid," agreed Emma. And wondered why it sounded so lame.

"You don't know her. Why, when it comes to patriotism, she makes T.R. look like a pacifist. She says if she could sell my line on the road, she'd make you give her the job so she could send her man to war. Gert says a travelling man's wife ought to make an ideal soldier's wife, anyway; and that if I went it would only be like my long Western trip, multiplied by about ten, maybe. That's Gertie."

Emma was fingering the cotton-flannel garment on the table.

Buck crossed the room and stood beside her. "Sorry I kept you waiting. Three of the boys were called to-day. It crippled us pretty badly in the shipping room. Ready?"

"Yes. Good-night, Charley. Give my love to Gertie."

"Thanks, Mrs. Buck." He picked up his cigar, took an apprehensive puff and went on ticketing and folding. There was a grin behind the cigar now.

Into the late afternoon glitter of Fifth Avenue. Five o'clock Fifth Avenue. Flags of every nation, save one. Uniforms of every blue from French to navy; of almost any shade save field green. Pongee-coloured Englishmen, seeming seven feet high, to a man; aviators slim and elegant, with walking sticks made of the propeller of their shattered planes, with a notch for every Hun plane bagged. Slim girls, exotic as the orchids they wore, gazing limpid-eyed at these warrior elegants. Women uniformed to the last degree of tailored exquisiteness. Girls, war accoutred, who brought arms up in sharp salute as they passed Emma. Buck eyed them gravely, hat and arm describing parabolas with increasing frequency as they approached Fiftieth Street, slackening as the colourful pageant grew less brilliant, thinned, and faded into the park mists.

Emma's cheeks were a glorious rose-pink. Head high, shoulders back, she matched her husband's long stride every step of the way. Her eyes were bright and very blue.

"There's a beautiful one, T.A.! The Canadian officer with the limp. They've all been gassed, and shot five times in the thigh and seven in the shoulder, and yet look at 'em! What do you suppose they were when they were new if they can look like that, damaged!"

Buck cut a vicious little semi-circle in the air with his walking stick.

"I know now how the father of the Gracchi felt, and why you never hear him mentioned."

"Nonsense, T.A. You're doing a lot." She did not intend her tone to be smug; but if she had glanced sidewise at her husband, she might have seen the pained red mount from chin to brow. She did not seem to sense his hurt. They went on, past the plaza now. Only a few blocks lay between them and their home; the old brownstone house that had been New York's definition of architectural elegance in the time of T.A. Buck, Sr.

"Tell me, Emma. Does this satisfy you—the work you're doing, I mean? Do you think you're giving the best you've got?"

"Well, of course I'd like to go to France—"

"I didn't ask you what you'd like."

"Yes, sir. Very good, sir. I don't know what you call giving the best one has got. But you know I work from eight in the morning until midnight, often and often. Oh, I don't say that someone else couldn't do my work just as well. And I don't say, either, that it doesn't include a lot of dashing up and down Fifth Avenue, and teaing at the Ritz, and meeting magnificent Missions, and being cooed over by Lady Millionaires. But if you'd like a few statistics as to the number of hundreds of thousands of soldiers we've canteened since last June, I'd be pleased to oblige." She tugged at a capacious pocket and brought forth a smart leather-bound notebook.

"Spare me! I've had all the statistics I can stand for one day at the office. I know you're working hard. I just wondered if you didn't realize—"

They turned into their own street. "Realize what?"

"Nothing. Nothing."

Emma sighed a mock sigh and glanced up at the windows of her own house. "Oh, well, everybody's difficult these days, T.A., including husbands. That second window shade is crooked. Isn't it queer how maids never do.... I'll tell you what I can realize, though. I realize that we're going to have dinner at home, reg'lar old-fashioned befo'-de-war. And I can bathe before dinner. There's richness."

But when she appeared at dinner, glowing, radiant, her hair shiningly re-coifed, she again wore the blue uniform, with the service cap atop her head. Buck surveyed her, unsmiling. She seated herself at table with a little clinking of buckles and buttons. She flung her motor gloves on a near-by chair, ran an inquiring finger along belt and collar with a little gesture that was absurdly feminine in its imitation of masculinity. Buck did not sit down. He stood at the opposite side of the table, one hand on his chair, the knuckles showing white where he gripped it.

"It seems to me, Emma, that you might manage to wear something a little less military when you're dining at home. War is war, but I don't see why you should make me feel like your orderly. It's like being married to a policewoman. Surely you can neglect your country for the length of time it takes to dine with your husband."

It was the bitterest speech he had made to her in the years of their married life. She flushed a little. "I thought you knew that I was going out again immediately after dinner. I left at five with the understanding that I'd be on duty again at 8.30."

He said nothing. He stood looking down at his own hand that gripped the chair back so tightly. Emma sat back and surveyed her trim and tailored self with a placidity that had in it, perhaps, a dash of malice. His last speech had cut. Then she reached forward, helped herself to an olive, and nibbled it, head on one side.

"D'you know, T.A., what I think? H'm? I think you're jealous of your wife's uniform."

She had touched the match to the dynamite.

He looked up. At the blaze in his eyes she shrank back a little. His face was white. He was breathing quickly.

"You're right! I am. I am jealous. I'm jealous of every buck private in the army! I'm jealous of the mule drivers! Of the veterinarians. Of the stokers in the transports. Men!" He doubled his hand into a fist. His fine eyes glowed. "Men!"

And suddenly he sat down, heavily, and covered his eyes with his hands.

Emma sat staring at him for a dull, sickening moment. Then she looked down at herself, horror in her eyes. Then up again at him. She got up and came over to him.

"Why, dear—dearest—I didn't know. I thought you were satisfied. I thought you were happy. You—"

"Honey, the only man who's happy is the man in khaki. The rest of us are gritting our teeth and pretending."

She put a hand on his shoulder. "But what do you want—what can you do that—"

He reached back over his shoulder and found her hand. He straightened. His head came up. "They've offered me a job in Bordeaux. It isn't a fancy job. It has to do with merchandising. But I think you know they're having a devil of a time with all the millions of bales of goods. They need men who know materials. I ought to. I've handled cloth and clothes enough. I know values. It would mean hard work—manual work lots of times. No pay. And happiness. For me." There was a silence. It seemed to fill the room, that silence. It filled the house. It roared and thundered about Emma's ears, that silence. When finally she broke it:

"Blind!" she said. "Blind! Deaf! Dumb! And crazy." She laughed, and two tears sped down her cheeks and dropped on the unblemished blue serge uniform. "Oh, T.A.! Where have I been? How you must have despised me. Me, in my uniform. In my uniform that was costing the Government three strapping men. My uniform, that was keeping three man-size soldiers out of khaki. You, Jock, and Fisk. Why didn't you tell me, dear! Why didn't you tell me!"

"I've tried. I couldn't. You've always seen things first. I couldn't ask you to go back to the factory."

"Factory! Factory nothing! I'm going back on the road. I'm taking Fisk's Western territory. I know the Middle West better than Fisk himself. I ought to. I covered it for ten years. I'll pay Gertie Fisk's salary until she's able to come back to us as stenographer. We've never had one so good. Grace can give the office a few hours a week. And we can promote O'Brien to manager while I'm on the road."

Buck was staring at her, dully. "Grace? Now wait a minute. You're travelling too fast for a mere man." His hand was gripping hers, tight, tight.

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