by Henry James
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"Oh, a gentleman I met at Boulogne. He has come over to see me." After a moment she added: "He's Lord Iffield."

I had never heard of Lord Iffield, but her mention of his having been at Boulogne helped me to give him a niche. Mrs. Meldrum had incidentally thrown a certain light on the manners of Mrs. Floyd-Taylor, Flora's recent hostess in that charming town, a lady who, it appeared, had a special vocation for helping rich young men to find a use for their leisure. She had always one or other in hand and she had apparently on this occasion pointed her lesson at the rare creature on the opposite coast. I had a vague idea that Boulogne was not a resort of the aristocracy; at the same time there might very well have been a strong attraction there even for one of the darlings of fortune. I could perfectly understand in any case that such a darling should be drawn to Folkestone by Flora Saunt. But it was not in truth of these things I was thinking; what was uppermost in my mind was a matter which, though it had no sort of keeping, insisted just then on coming out.

"Is it true, Miss Saunt," I suddenly demanded, "that you're so unfortunate as to have had some warning about your beautiful eyes?"

I was startled by the effect of my words; the girl threw back her head, changing colour from brow to chin. "True? Who in the world says so?" I repented of my question in a flash; the way she met it made it seem cruel, and I saw that my mother looked at me in some surprise. I took care, in answer to Flora's challenge, not to incriminate Mrs. Meldrum. I answered that the rumour had reached me only in the vaguest form and that if I had been moved to put it to the test my very real interest in her must be held responsible. Her blush died away, but a pair of still prettier tears glistened in its track. "If you ever hear such a thing said again you can say it's a horrid lie!" I had brought on a commotion deeper than any I was prepared for; but it was explained in some degree by the next words she uttered: "I'm happy to say there's nothing the matter with any part of my body; not the least little thing!" She spoke with her habitual complacency, with triumphant assurance; she smiled again, and I could see that she was already sorry she had shown herself too disconcerted. She turned it off with a laugh. "I've good eyes, good teeth, a good digestion and a good temper. I'm sound of wind and limb!" Nothing could have been more characteristic than her blush and her tears, nothing less acceptable to her than to be thought not perfect in every particular. She couldn't submit to the imputation of a flaw. I expressed my delight in what she told me, assuring her I should always do battle for her; and as if to rejoin her companions she got up from her place on my mother's toes. The young men presented their backs to us; they were leaning on the rail of the cliff. Our incident had produced a certain awkwardness, and while I was thinking of what next to say she exclaimed irrelevantly: "Don't you know? He'll be Lord Considine." At that moment the youth marked for this high destiny turned round, and she went on, to my mother: "I'll introduce him to you—he's awfully nice." She beckoned and invited him with her parasol; the movement struck me as taking everything for granted. I had heard of Lord Considine and if I had not been able to place Lord Iffield it was because I didn't know the name of his eldest son. The young man took no notice of Miss Saunt's appeal; he only stared a moment and then on her repeating it quietly turned his back. She was an odd creature: she didn't blush at this; she only said to my mother apologetically, but with the frankest, sweetest amusement: "You don't mind, do you? He's a monster of shyness!" It was as if she were sorry for every one—for Lord Iffield, the victim of a complaint so painful, and for my mother, the object of a trifling incivility. "I'm sure I don't want him!" said my mother; but Flora added some remark about the rebuke she would give him for slighting us. She would clearly never explain anything by any failure of her own power. There rolled over me while she took leave of us and floated back to her friends a wave of tenderness superstitious and silly. I seemed somehow to see her go forth to her fate; and yet what should fill out this orb of a high destiny if not such beauty and such joy? I had a dim idea that Lord Considine was a great proprietor, and though there mingled with it a faint impression that I shouldn't like his son the result of the two images was a whimsical prayer that the girl mightn't miss her possible fortune.


One day in the course of the following June there was ushered into my studio a gentleman whom I had not yet seen but with whom I had been very briefly in correspondence. A letter from him had expressed to me some days before his regret on learning that my "splendid portrait" of Titras Flora Louisa Saunt, whose full name figured by her own wish in the catalogue of the exhibition of the Academy, had found a purchaser before the close of the private view. He took the liberty of inquiring whether I might have at his service some other memorial of the same lovely head, some preliminary sketch, some study for the picture. I had replied that I had indeed painted Miss Saunt more than once and that if he were interested in my work I should be happy to show him what I had done. Mr. Geoffrey Dawling, the person thus introduced to me, stumbled into my room with awkward movements and equivocal sounds—a long, lean, confused, confusing young man, with a bad complexion and large, protrusive teeth. He bore in its most indelible pressure the postmark, as it were, of Oxford, and as soon as he opened his mouth I perceived, in addition to a remarkable revelation of gums, that the text of the queer communication matched the registered envelope. He was full of refinements and angles, of dreary and distinguished knowledge. Of his unconscious drollery his dress freely partook; it seemed, from the gold ring into which his red necktie was passed to the square toe-caps of his boots, to conform with a high sense of modernness to the fashion before the last. There were moments when his overdone urbanity, all suggestive stammers and interrogative quavers, made him scarcely intelligible; but I felt him to be a gentleman and I liked the honesty of his errand and the expression of his good green eyes.

As a worshipper at the shrine of beauty however he needed explaining, especially when I found he had no acquaintance with my brilliant model; had on the mere evidence of my picture taken, as he said, a tremendous fancy to her face. I ought doubtless to have been humiliated by the simplicity of his judgment of it, a judgment for which the rendering was lost in the subject, quite leaving out the element of art. He was like the innocent reader for whom the story is "really true" and the author a negligible quantity. He had come to me only because he wanted to purchase, and I remember being so amused at his attitude, which I had never seen equally marked in a person of education, that I asked him why, for the sort of enjoyment he desired, it wouldn't be more to the point to deal directly with the lady. He stared and blushed at this: it was plain the idea frightened him. He was an extraordinary case—personally so modest that I could see it had never occurred to him. He had fallen in love with a painted sign and seemed content just to dream of what it stood for. He was the young prince in the legend or the comedy who loses his heart to the miniature of the out-land princess. Until I knew him better this puzzled me much—the link was so missing between his sensibility and his type. He was of course bewildered by my sketches, which implied in the beholder some sense of intention and quality; but for one of them, a comparative failure, he ended by conceiving a preference so arbitrary and so lively that, taking no second look at the others, he expressed the wish to possess it and fell into the extremity of confusion over the question of the price. I simplified that problem, and he went off without having asked me a direct question about Miss Saunt, yet with his acquisition under his arm. His delicacy was such that he evidently considered his rights to be limited; he had acquired none at all in regard to the original of the picture. There were others—for I was curious about him—that I wanted him to feel I conceded: I should have been glad of his carrying away a sense of ground acquired for coming back. To insure this I had probably only to invite him, and I perfectly recall the impulse that made me forbear. It operated suddenly from within while he hung about the door and in spite of the diffident appeal that blinked in his gentle grin. If he was smitten with Flora's ghost what mightn't be the direct force of the luminary that could cast such a shadow? This source of radiance, flooding my poor place, might very well happen to be present the next time he should turn up. The idea was sharp within me that there were complications it was no mission of mine to bring about. If they were to occur they might occur by a logic of their own.

Let me say at once that they did occur and that I perhaps after all had something to do with it. If Mr. Dawling had departed without a fresh appointment he was to reappear six months later under protection no less adequate than that of our young lady herself. I had seen her repeatedly for months: she had grown to regard my studio as the tabernacle of her face. This prodigy was frankly there the sole object of interest; in other places there were occasionally other objects. The freedom of her manners continued to be stupefying; there was nothing so extraordinary save the absence in connection with it of any catastrophe. She was kept innocent by her egotism, but she was helped also, though she had now put off her mourning, by the attitude of the lone orphan who had to be a law unto herself. It was as a lone orphan that she came and went, as a lone orphan that she was the centre of a crush. The neglect of the Hammond Synges gave relief to this character, and she paid them handsomely to be, as every one said, shocking. Lord Iffield had gone to India to shoot tigers, but he returned in time for the private view: it was he who had snapped up, as Flora called it, the gem of the exhibition.

My hope for the girl's future had slipped ignominiously off his back, but after his purchase of the portrait I tried to cultivate a new faith. The girl's own faith was wonderful. It couldn't however be contagious: too great was the limit of her sense of what painters call values. Her colours were laid on like blankets on a cold night. How indeed could a person speak the truth who was always posturing and bragging? She was after all vulgar enough, and by the time I had mastered her profile and could almost with my eyes shut do it in a single line I was decidedly tired of her perfection. There grew to be something silly in its eternal smoothness. One moved with her moreover among phenomena mismated and unrelated; nothing in her talk ever matched with anything out of it. Lord Iffield was dying of love for her, but his family was leading him a life. His mother, horrid woman, had told some one that she would rather he should be swallowed by a tiger than marry a girl not absolutely one of themselves. He had given his young friend unmistakable signs, but he was lying low, gaining time: it was in his father's power to be, both in personal and in pecuniary ways, excessively nasty to him. His father wouldn't last for ever—quite the contrary; and he knew how thoroughly, in spite of her youth, her beauty and the swarm of her admirers, some of them positively threatening in their passion, he could trust her to hold out. There were richer, cleverer men, there were greater personages too, but she liked her "little viscount" just as he was, and liked to think that, bullied and persecuted, he had her there so luxuriously to rest upon. She came back to me with tale upon tale, and it all might be or mightn't. I never met my pretty model in the world—she moved, it appeared, in exalted circles—and could only admire, in her wealth of illustration, the grandeur of her life and the freedom of her hand.

I had on the first opportunity spoken to her of Geoffrey Dawling, and she had listened to my story so far as she had the art of such patience, asking me indeed more questions about him than I could answer; then she had capped my anecdote with others much more striking, revelations of effects produced in the most extraordinary quarters: on people who had followed her into railway-carriages; guards and porters even who had literally stuck there; others who had spoken to her in shops and hung about her house-door; cabmen, upon her honour, in London, who, to gaze their fill at her, had found excuses to thrust their petrifaction through the very glasses of four-wheelers. She lost herself in these reminiscences, the moral of which was that poor Mr. Dawling was only one of a million. When therefore the next autumn she flourished into my studio with her odd companion at her heels her first care was to make clear to me that if he was now in servitude it wasn't because she had run after him. Dawling hilariously explained that when one wished very much to get anything one usually ended by doing so—a proposition which led me wholly to dissent and our young lady to asseverate that she hadn't in the least wished to get Mr. Dawling. She mightn't have wished to get him, but she wished to show him, and I seemed to read that if she could treat him as a trophy her affairs were rather at the ebb. True there always hung from her belt a promiscuous fringe of scalps. Much at any rate would have come and gone since our separation in July. She had spent four months abroad, where, on Swiss and Italian lakes, in German cities, in Paris, many accidents might have happened.


I had been again with my mother, but except Mrs. Meldrum and the gleam of France had not found at Folkestone my old resources and pastimes. Mrs. Meldrum, much edified by my report of the performances, as she called them, in my studio, had told me that to her knowledge Flora would soon be on the straw: she had cut from her capital such fine fat slices that there was almost nothing more left to swallow. Perched on her breezy cliff the good lady dazzled me as usual by her universal light: she knew so much more about everything and everybody than I could ever squeeze out of my colour-tubes. She knew that Flora was acting on system and absolutely declined to be interfered with: her precious reasoning was that her money would last as long as she should need it, that a magnificent marriage would crown her charms before she should be really pinched. She had a sum put by for a liberal outfit; meanwhile the proper use of the rest was to decorate her for the approaches to the altar, keep her afloat in the society in which she would most naturally meet her match. Lord Iffield had been seen with her at Lucerne, at Cadenabbia; but it was Mrs. Meldrum's conviction that nothing was to be expected of him but the most futile flirtation. The girl had a certain hold of him, but with a great deal of swagger he hadn't the spirit of a sheep: he was in fear of his father and would never commit himself in Lord Considine's lifetime. The most Flora might achieve would be that he wouldn't marry some one else. Geoffrey Dawling, to Mrs. Meldrum's knowledge (I had told her of the young man's visit) had attached himself on the way back from Italy to the Hammond Synge group. My informant was in a position to be definite about this dangler; she knew about his people: she had heard of him before. Hadn't he been, at Oxford, a friend of one of her nephews? Hadn't he spent the Christmas holidays precisely three years before at her brother-in-law's in Yorkshire, taking that occasion to get himself refused with derision by wilful Betty, the second daughter of the house? Her sister, who liked the floundering youth, had written to her to complain of Betty, and that the young man should now turn up as an appendage of Flora's was one of those oft-cited proofs that the world is small and that there are not enough people to go round. His father had been something or other in the Treasury; his grandfather, on the mother's side, had been something or other in the Church. He had come into the paternal estate, two or three thousand a year in Hampshire; but he had let the place advantageously and was generous to four ugly sisters who lived at Bournemouth and adored him. The family was hideous all round, but the salt of the earth. He was supposed to be unspeakably clever; he was fond of London, fond of books, of intellectual society and of the idea of a political career. That such a man should be at the same time fond of Flora Saunt attested, as the phrase in the first volume of Gibbon has it, the variety of his inclinations. I was soon to learn that he was fonder of her than of all the other things together. Betty, one of five and with views above her station, was at any rate felt at home to have dished herself by her perversity. Of course no one had looked at her since and no one would ever look at her again. It would be eminently desirable that Flora should learn the lesson of Betty's fate.

I was not struck, I confess, with all this in my mind, by any symptoms on our young lady's part of that sort of meditation. The only moral she saw in anything was that of her incomparable countenance, which Mr. Dawling, smitten even like the railway porters and the cabmen by the doom-dealing gods, had followed from London to Venice and from Venice back to London again. I afterwards learned that her version of this episode was profusely inexact: his personal acquaintance with her had been determined by an accident remarkable enough, I admit, in connection with what had gone before—a coincidence at all events superficially striking. At Munich, returning from a tour in the Tyrol with two of his sisters, he had found himself at the table d'hote of his inn opposite to the full presentment of that face of which the mere clumsy copy had made him dream and desire. He had been tossed by it to a height so vertiginous as to involve a retreat from the table; but the next day he had dropped with a resounding thud at the very feet of his apparition. On the following, with an equal incoherence, a sacrifice even of his bewildered sisters, whom he left behind, he made an heroic effort to escape by flight from a fate of which he already felt the cold breath. That fate, in London, very little later, drove him straight before it—drove him one Sunday afternoon, in the rain, to the door of the Hammond Synges. He marched in other words close up to the cannon that was to blow him to pieces. But three weeks, when he reappeared to me, had elapsed since then, yet (to vary my metaphor) the burden he was to carry for the rest of his days was firmly lashed to his back. I don't mean by this that Flora had been persuaded to contract her scope; I mean that he had been treated to the unconditional snub which, as the event was to show, couldn't have been bettered as a means of securing him. She hadn't calculated, but she had said "Never!" and that word had made a bed big enough for his long-legged patience. He became from this moment to my mind the interesting figure in the piece.

Now that he had acted without my aid I was free to show him this, and having on his own side something to show me he repeatedly knocked at my door. What he brought with him on these occasions was a simplicity so huge that, as I turn my ear to the past, I seem even now to hear it bumping up and down my stairs. That was really what I saw of him in the light of his behaviour. He had fallen in love as he might have broken his leg, and the fracture was of a sort that would make him permanently lame. It was the whole man who limped and lurched, with nothing of him left in the same position as before. The tremendous cleverness, the literary society, the political ambition, the Bournemouth sisters all seemed to flop with his every movement a little nearer to the floor. I hadn't had an Oxford training and I had never encountered the great man at whose feet poor Dawling had most submissively sat and who had addressed him his most destructive sniffs; but I remember asking myself if such privileges had been an indispensable preparation to the career on which my friend appeared now to have embarked. I remember too making up my mind about the cleverness, which had its uses and I suppose in impenetrable shades even its critics, but from which the friction of mere personal intercourse was not the sort of process to extract a revealing spark. He accepted without a question both his fever and his chill, and the only thing he showed any subtlety about was this convenience of my friendship. He doubtless told me his simple story, but the matter comes back to me in a kind of sense of my being rather the mouthpiece, of my having had to thresh it out for him. He took it from me without a groan, and I gave it to him, as we used to say, pretty hot; he took it again and again, spending his odd half-hours with me as if for the very purpose of learning how idiotically he was in love. He told me I made him see things: to begin with, hadn't I first made him see Flora Saunt? I wanted him to give her up and luminously informed him why; on which he never protested nor contradicted, never was even so alembicated as to declare just for the sake of the drama that he wouldn't. He simply and undramatically didn't, and when at the end of three months I asked him what was the use of talking with such a fellow his nearest approach to a justification was to say that what made him want to help her was just the deficiencies I dwelt on. I could only reply without pointing the moral: "Oh, if you're as sorry for her as that!" I too was nearly as sorry for her as that, but it only led me to be sorrier still for other victims of this compassion. With Dawling as with me the compassion was at first in excess of any visible motive; so that when eventually the motive was supplied each could to a certain extent compliment the other on the fineness of his foresight.

After he had begun to haunt my studio Miss Saunt quite gave it up, and I finally learned that she accused me of conspiring with him to put pressure on her to marry him. She didn't know I would take it that way; else she wouldn't have brought him to see me. It was in her view a part of the conspiracy; that to show him a kindness I asked him at last to sit to me. I daresay moreover she was disgusted to hear that I had ended by attempting almost as many sketches of his beauty as I had attempted of hers. What was the value of tributes to beauty by a hand that luxuriated in ugliness? My relation to poor Dawling's want of modelling was simple enough. I was really digging in that sandy desert for the buried treasure of his soul.


It befell at this period, just before Christmas, that on my having gone under pressure of the season into a great shop to buy a toy or two, my eye, fleeing from superfluity, lighted at a distance on the bright concretion of Flora Saunt, an exhibitability that held its own even against the most plausible pinkness of the most developed dolls. A huge quarter of the place, the biggest bazaar "on earth," was peopled with these and other effigies and fantasies, as well as with purchasers and vendors, haggard alike in the blaze of the gas with hesitations. I was just about to appeal to Flora to avert that stage of my errand when I saw that she was accompanied by a gentleman whose identity,'though more than a year had elapsed, came back to me from the Folkestone cliff.' It had been associated in that scene with showy knickerbockers; at present it overflowed more splendidly into a fur-trimmed overcoat. Lord Iffield's presence made me waver an instant before crossing over; and during that instant Flora, blank and undistinguishing, as if she too were after all weary of alternatives, looked straight across at me. I was on the point of raising my hat to her when I observed that her face gave no sign. I was exactly in the line of her vision, but she either didn't see me or didn't recognise me, or else had a reason to pretend she didn't. Was her reason that I had displeased her and that she wished to punish me? I had always thought it one of her merits that she wasn't vindictive. She at any rate simply looked away; and at this moment one of the shop-girls, who had apparently gone off in search of it, bustled up to her with a small mechanical toy. It so happened that I followed closely what then took place, afterwards recognising that I had been led to do so, led even through the crowd to press nearer for the purpose, by an impression of which in the act I was not fully conscious.

Flora, with the toy in her hand, looked round at her companion; then seeing his attention had been solicited in another quarter she moved away with the shop-girl, who had evidently offered to conduct her into the presence of more objects of the same sort. When she reached the indicated spot I was in a position still to observe her. She had asked some question about the working of the toy, and the girl, taking it herself, began to explain the little secret. Flora bent her head over it, but she clearly didn't understand. I saw her, in a manner that quickened my curiosity, give a glance back at the place from which she had come. Lord Iffield was talking with another young person: she satisfied herself of this by the aid of a question addressed to her own attendant. She then drew closer to the table near which she stood and, turning her back to me, bent her head lower over the collection of toys and more particularly over the small object the girl had attempted to explain. She took it back and, after a moment, with her face well averted, made an odd motion of her arms and a significant little duck of her head. These slight signs, singular as it may appear, produced in my bosom an agitation so great that I failed to notice Lord Iffield's whereabouts. He had rejoined her; he was close upon her before I knew it or before she knew it herself. I felt at that instant the strangest of all impulses: if it could have operated more rapidly it would have caused me to dash between them in some such manner as to give Flora a warning. In fact as it was I think I could have done this in time had I not been checked by a curiosity stronger still than my impulse. There were three seconds during which I saw the young man and yet let him come on. Didn't I make the quick calculation that if he didn't catch what Flora was doing I too might perhaps not catch it? She at any rate herself took the alarm. On perceiving her companion's nearness she made, still averted, another duck of her head and a shuffle of her hands so precipitate that a little tin steamboat she had been holding escaped from them and rattled down to the floor with a sharpness that I hear at this hour. Lord Iffield had already seized her arm; with a violent jerk he brought her round toward him. Then it was that there met my eyes a quite distressing sight: this exquisite creature, blushing, glaring, exposed, with a pair of big black-rimmed eyeglasses, defacing her by their position, crookedly astride of her beautiful nose. She made a grab at them with her free hand while I turned confusedly away.


I don't remember how soon it was I spoke to Geoffrey Dawling; his sittings were irregular, but it was certainly the very next time he gave me one.

"Has any rumour ever reached you of Miss Saunt's having anything the matter with her eyes?" He stared with a candour that was a sufficient answer to my question, backing it up with a shocked and mystified "Never!" Then I asked him if he had observed in her any symptom, however disguised, of embarrassed sight: on which, after a moment's thought, he exclaimed "Disguised?" as if my use of that word had vaguely awakened a train. "She's not a bit myopic," he said; "she doesn't blink or contract her lids." I fully recognised this and I mentioned that she altogether denied the impeachment; owing it to him moreover to explain the ground of my inquiry, I gave him a sketch of the incident that had taken place before me at the shop. He knew all about Lord Iffield: that nobleman had figured freely in our conversation as his preferred, his injurious rival. Poor Daw-ling's contention was that if there had been a definite engagement between his lordship and the young lady, the sort of thing that was announced in The Morning Post, renunciation and retirement would be comparatively easy to him; but that having waited in vain for any such assurance he was entitled to act as if the door were not really closed or were at any rate not cruelly locked. He was naturally much struck with my anecdote and still more with my interpretation of it.

"There is something, there is something—possibly something very grave, certainly something that requires she should make use of artificial aids. She won't admit it publicly, because with her idolatry of her beauty, the feeling she is all made up of, she sees in such aids nothing but the humiliation and the disfigurement. She has used them in secret, but that is evidently not enough, for the affection she suffers from, apparently some definite ailment, has lately grown much worse. She looked straight at me in the shop, which was violently lighted, without seeing it was I. At the same distance, at Folkestone, where as you know I first met her, where I heard this mystery hinted at and where she indignantly denied the thing, she appeared easily enough to recognise people. At present she couldn't really make out anything the shop-girl showed her. She has successfully concealed from the man I saw her with that she resorts in private to a pince-nez and that she does so not only under the strictest orders from an oculist, but because literally the poor thing can't accomplish without such help half the business of life. Iffield however has suspected something, and his suspicions, whether expressed or kept to himself, have put him on the watch. I happened to have a glimpse of the movement at which he pounced on her and caught her in the act."

I had thought it all out; my idea explained many things, and Dawling turned pale as he listened to me.

"Was he rough with her?" he anxiously asked.

"How can I tell what passed between them? I fled from the place."

My companion stared at me a moment. "Do you mean to say her eyesight's going?"

"Heaven forbid! In that case how could she take life as she does?"

"How does she take life? That's the question!" He sat there bewilderedly brooding; the tears had come into his eyes; they reminded me of those I had seen in Flora's the day I risked my inquiry. The question he had asked was one that to my own satisfaction I was ready to answer, but I hesitated to let him hear as yet all that my reflections had suggested. I was indeed privately astonished at their ingenuity. For the present I only rejoined that it struck me she was playing a particular game; at which he went on as if he hadn't heard me, suddenly haunted with a fear, lost in the dark possibility I had opened up: "Do you mean there's a danger of anything very bad?" "My dear fellow, you must ask her oculist." "Who in the world is her oculist?" "I haven't a conception. But we mustn't get too excited. My impression would be that she has only to observe a few ordinary rules, to exercise a little common sense."

Dawling jumped at this. "I see—to stick to the pince-nez."

"To follow to the letter her oculist's prescription, whatever it is and at whatever cost to her prettiness. It's not a thing to be trifled with."

"Upon my honour it shan't be trifled with!" he roundly declared; and he adjusted himself to his position again as if we had quite settled the business. After a considerable interval, while I botched away, he suddenly said: "Did they make a great difference?"

"A great difference?"

"Those things she had put on."

"Oh, the glasses—in her beauty? She looked queer of course, but it was partly because one was unaccustomed. There are women who look charming in nippers. What, at any rate, if she does look queer? She must be mad not to accept that alternative."

"She is mad," said Geoffrey Dawling.

"Mad to refuse you, I grant. Besides," I went on, "the pince-nez, which was a large and peculiar one, was all awry: she had half pulled it off, but it continued to stick, and she was crimson, she was angry."

"It must have been horrible!" my companion murmured.

"It was horrible. But it's still more horrible to defy all warnings; it's still more horrible to be landed in—" Without saying in what I disgustedly shrugged my shoulders.

After a glance at me Dawling jerked round. "Then you do believe that she may be?"

I hesitated. "The thing would be to make her believe it. She only needs a good scare."

"But if that fellow is shocked at the precautions she does take?"

"Oh, who knows?" I rejoined with small sincerity. "I don't suppose Iffield is absolutely a brute."

"I would take her with leather blinders, like a shying mare!" cried Geoffrey Dawling.

I had an impression that Iffield wouldn't, but I didn't communicate it, for I wanted to pacify my friend, whom I had discomposed too much for the purposes of my sitting. I recollect that I did some good work that morning, but it also comes back to me that before we separated he had practically revealed to me that my anecdote, connecting itself in his mind with a series of observations at the time unconscious and unregistered, had covered with light the subject of our colloquy. He had had a formless perception of some secret that drove Miss Saunt to subterfuges, and the more he thought of it the more he guessed this secret to be the practice of making believe she saw when she didn't and of cleverly keeping people from finding out how little she saw. When one patched things together it was astonishing what ground they covered. Just as he was going away he asked me from what source, at Folkestone, the horrid tale had proceeded. When I had given him, as I saw no reason not to do, the name of Mrs. Meldrum, he exclaimed: "Oh, I know all about her; she's a friend of some friends of mine!" At this I remembered wilful Betty and said to myself that I knew some one who would probably prove more wilful still.


A few days later I again heard Dawling on my stairs, and even before he passed my threshold I knew he had something to tell me.

"I've been down to Folkestone—it was necessary I should see her!" I forget whether he had come straight from the station; he was at any rate out of breath with his news, which it took me however a minute to interpret.

"You mean that you've been with Mrs. Mel-drum?"

"Yes; to ask her what she knows and how she comes to know it. It worked upon me awfully—I mean what you told me." He made a visible effort to seem quieter than he was, and it showed me sufficiently that he had not been reassured. I laid, to comfort him and smiling at a venture, a friendly hand on his arm, and he dropped into my eyes, fixing them an instant, a strange, distended look which might have expressed the cold clearness of all that was to come. "I know—now!" he said with an emphasis he rarely used.

"What then did Mrs. Meldrum tell you?"

"Only one thing that signified, for she has no real knowledge. But that one thing was everything."

"What is it then?"

"Why, that she can't bear the sight of her." His pronouns required some arranging, but after I had successfully dealt with them I replied that I knew perfectly Miss Saunt had a trick of turning her back on the good lady of Folkestone. But what did that prove? "Have you never guessed? I guessed as soon as she spoke!" Dawling towered over me in dismal triumph. It was the first time in our acquaintance that, intellectually speaking, this had occurred; but even so remarkable an incident still left me sufficiently at sea to cause him to continue: "Why, the effect of those spectacles!"

I seemed to catch the tail of his idea. "Mrs. Meldrum's?"

"They're so awfully ugly and they increase so the dear woman's ugliness." This remark began to flash a light, and when he quickly added "She sees herself, she sees her own fate!" my response was so immediate that I had almost taken the words out of his mouth. While I tried to fix this sudden image of Flora's face glazed in and cross-barred even as Mrs. Meldrum's was glazed and barred, he went on to assert that only the horror of that image, looming out at herself, could be the reason of her avoiding such a monitress. The fact he had encountered made everything hideously vivid and more vivid than anything else that just such another pair of goggles was what would have been prescribed to Flora.

"I see—I see," I presently rejoined. "What would become of Lord Iffield if she were suddenly to come out in them? What indeed would become of every one, what would become of everything?" This was an inquiry that Dawling was evidently unprepared to meet, and I completed it by saying at last: "My dear fellow, for that matter, what would become of you?"

Once more he turned on me his good green eyes. "Oh, I shouldn't mind!"

The tone of his words somehow made his ugly face beautiful, and I felt that there dated from this moment in my heart a confirmed affection for him. None the less, at the same time, perversely and rudely, I became aware of a certain drollery in our discussion of such alternatives. It made me laugh out and say to him while I laughed: "You'd take her even with those things of Mrs. Meldrum's?"

He remained mournfully grave; I could see that he was surprised at my rude mirth. But he summoned back a vision of the lady at Folkestone and conscientiously replied: "Even with those things of Mrs. Meldrum's." I begged him not to think my laughter in bad taste: it was only a practical recognition of the fact that we had built a monstrous castle in the air. Didn't he see on what flimsy ground the structure rested? The evidence was preposterously small. He believed the worst, but we were utterly ignorant.

"I shall find out the truth," he promptly replied.

"How can you? If you question her you'll simply drive her to perjure herself. Wherein after all does it concern you to know the truth? It's the girl's own affair."

"Then why did you tell me your story?"

I was a trifle embarrassed. "To warn you off," I returned smiling. He took no more notice of these words than presently to remark that Lord Iffield had no serious intentions. "Very possibly," I said. "But you mustn't speak as if Lord Iffield and you were her only alternatives."

Dawling thought a moment. "Wouldn't the people she has consulted give some information? She must have been to people. How else can she have been condemned?"

"Condemned to what? Condemned to perpetual nippers? Of course she has consulted some of the big specialists, but she has done it, you may be sure, in the most clandestine manner; and even if it were supposable that they would tell you anything—which I altogether doubt—you would have great difficulty in finding out which men they are. Therefore leave it alone; never show her what you suspect."

I even, before he quitted me, asked him to promise me this. "All right, I promise," he said gloomily enough. He was a lover who could tacitly grant the proposition that there was no limit to the deceit his loved one was ready to practise: it made so remarkably little difference. I could see that from this moment he would be filled with a passionate pity ever so little qualified by a sense of the girl's fatuity and folly. She was always accessible to him—that I knew; for if she had told him he was an idiot to dream she could dream of him, she would have resented the imputation of having failed to make it clear that she would always be glad to regard him as a friend. What were most of her friends—what were all of them—but repudiated idiots? I was perfectly aware that in her conversations and confidences I myself for instance had a niche in the gallery. As regards poor Dawling I knew how often he still called on the Hammond Synges. It was not there but under the wing of the Floyd-Taylors that her intimacy with Lord Iffield most flourished. At all events when a week after the visit I have just summarised Flora's name was one morning brought up to me I jumped at the conclusion that Dawling had been with her and even I fear briefly entertained the thought that he had broken his word.


She left me, after she had been introduced, in no suspense about her present motive; she was on the contrary in a visible fever to enlighten me; but I promptly learned that for the alarm with which she pitiably panted our young man was not accountable. She had but one thought in the world, and that thought was for Lord Iffield. I had the strangest, saddest scene with her, and if it did me no other good it at least made me at last completely understand why insidiously, from the first, she had struck me as a creature of tragedy. In showing me the whole of her folly it lifted the curtain of her misery. I don't know how much she meant to tell me when she came—I think she had had plans of elaborate misrepresentation; at any rate she found it at the end of ten minutes the simplest way to break down and sob, to be wretched and true. When she had once begun to let herself go the movement took her off her feet: the relief of it was like the cessation of a cramp. She shared in a word her long secret; she shifted her sharp pain. She brought, I confess, tears to my own eyes, tears of helpless tenderness for her helpless poverty. Her visit however was not quite so memorable in itself as in some of its consequences, the most immediate of which was that I went that afternoon to see Geoffrey Dawling, who had in those days rooms in Welbeck Street, where I presented myself at an hour late enough to warrant the supposition that he might have come in. He had not come in, but he was expected, and I was invited to enter and wait for him: a lady, I was informed, was already in his sitting-room. I hesitated, a little at a loss: it had wildly coursed through my brain that the lady was perhaps Flora Saunt. But when I asked if she were young and remarkably pretty I received so significant a "No, sir!" that I risked an advance and after a minute in this manner found myself, to my astonishment, face to face with Mrs. Meldrum. "Oh, you dear thing," she exclaimed, "I'm delighted to see you: you spare me another compromising demarche! But for this I should have called on you also. Know the worst at once: if you see me here it's at least deliberate—it's planned, plotted, shameless. I came up on purpose to see him; upon my word, I'm in love with him. Why, if you valued my peace of mind, did you let him, the other day at Folkestone, dawn upon my delighted eyes? I took there in half an hour the most extraordinary fancy to him. With a perfect sense of everything that can be urged against him, I find him none the less the very pearl of men. However, I haven't come up to declare my passion—I've come to bring him news that will interest him much more. Above all I've come to urge upon him to be careful."

"About Flora Saunt?"

"About what he says and does: he must be as still as a mouse! She's at last really engaged."

"But it's a tremendous secret?" I was moved to merriment.

"Precisely: she telegraphed me this noon, and spent another shilling to tell me that not a creature in the world is yet to know it."

"She had better have spent it to tell you that she had just passed an hour with the creature you see before you."

"She has just passed an hour with every one in the place!" Mrs. Meldrum cried. "They've vital reasons, she wired, for it's not coming out for a month. Then it will be formally announced, but meanwhile her happiness is delirious. I daresay Mr. Dawling already knows, and he may, as it's nearly seven o'clock, have jumped off London Bridge; but an effect of the talk I had with him the other day was to make me, on receipt of my telegram, feel it to be my duty to warn him in person against taking action, as it were, on the horrid certitude which I could see he carried away with him. I had added somehow to that certitude. He told me what you had told him you had seen in your shop."

Mrs. Meldrum, I perceived, had come to Welbeck Street on an errand identical with my own—a circumstance indicating her rare sagacity, inasmuch as her ground for undertaking it was a very different thing from what Flora's wonderful visit had made of mine. I remarked to her that what I had seen in the shop was sufficiently striking, but that I had seen a great deal more that morning in my studio. "In short," I said, "I've seen everything."

She was mystified. "Everything?"

"The poor creature is under the darkest of clouds. Oh, she came to triumph, but she remained to talk something approaching to sense! She put herself completely in my hands—she does me the honour to intimate that of all her friends I'm the most disinterested. After she had announced to me that Lord Iffield was bound hands and feet and that for the present I was absolutely the only person in the secret, she arrived at her real business. She had had a suspicion of me ever since the day, at Folkestone, I asked her for the truth about her eyes. The truth is what you and I both guessed. She has no end of a danger hanging over her."

"But from what cause? I, who by God's mercy have kept mine, know everything that can be known about eyes," said Mrs. Meldrum.

"She might have kept hers if she had profited by God's mercy, if she had done in time, done years ago, what was imperatively ordered her; if she hadn't in fine been cursed with the loveliness that was to make her behaviour a thing of fable. She may keep them still if she'll sacrifice—and after all so little—that purely superficial charm. She must do as you've done; she must wear, dear lady, what you wear!"

What my companion wore glittered for the moment like a melon-frame in August. "Heaven forgive her—now I understand!" She turned pale.

But I wasn't afraid of the effect on her good nature of her thus seeing, through her great goggles, why it had always been that Flora held her at such a distance. "I can't tell you," I said, "from what special affection, what state of the eye, her danger proceeds: that's the one thing she succeeded this morning in keeping from me. She knows it herself perfectly; she has had the best advice in Europe. 'It's a thing that's awful, simply awful'—that was the only account she would give me. Year before last, while she was at Boulogne, she went for three days with Mrs. Floyd-Taylor to Paris. She there surreptitiously consulted the greatest man—even Mrs. Floyd-Taylor doesn't know. Last autumn, in Germany, she did the same. 'First put on certain special spectacles with a straight bar in the middle: then we'll talk'—that's practically what they say. What she says is that she'll put on anything in nature when she's married, but that she must get married first. She has always meant to do everything as soon as she's married. Then and then only she'll be safe. How will any one ever look at her if she makes herself a fright? How could she ever have got engaged if she had made herself a fright from the first? It's no use to insist that with her beauty she can never be a fright. She said to me this morning, poor girl, the most characteristic, the most harrowing things. 'My face is all I have—and such a face! I knew from the first I could do anything with it. But I needed it all—I need it still, every exquisite inch of it. It isn't as if I had a figure or anything else. Oh, if God had only given me a figure too, I don't say! Yes, with a figure, a really good one, like Fanny Floyd-Taylor's, who's hideous, I'd have risked plain glasses. Que voulez-vous? No one is perfect.' She says she still has money left, but I don't believe a word of it. She has been speculating on her impunity, on the idea that her danger would hold off: she has literally been running a race with it. Her theory has been, as you from the first so clearly saw, that she'd get in ahead. She swears to me that though the 'bar' is too cruel she wears when she's alone what she has been ordered to wear. But when the deuce is she alone? It's herself of course that she has swindled worst: she has put herself off, so insanely that even her vanity but half accounts for it, with little inadequate concessions, little false measures and preposterous evasions and childish hopes. Her great terror is now that Iffield, who already has suspicions, who has found out her pince-nez but whom she has beguiled with some unblushing hocus-pocus, may discover the dreadful facts; and the essence of what she wanted this morning was in that interest to square me, to get me to deny indignantly and authoritatively (for isn't she my 'favourite sitter'?) that she has anything whatever the matter with any part of her. She sobbed, she 'went on,' she entreated; after we got talking her extraordinary nerve left her and she showed me what she has been through—showed me also all her terror of the harm I could do her. 'Wait till I'm married! wait till I'm married!' She took hold of me, she almost sank on her knees. It seems to me highly immoral, one's participation in her fraud; but there's no doubt that she must be married: I don't know what I don't see behind it! Therefore," I wound up, "Dawling must keep his hands off."

Mrs. Meldrum had held her breath; she exhaled a long moan. "Well, that's exactly what I came here to tell him."

"Then here he is." Our unconscious host had just opened the door. Immensely startled at finding us he turned a frightened look from one to the other, as if to guess what disaster we were there to announce or avert.

Mrs. Meldrum, on the spot, was all gaiety. "I've come to return your sweet visit. Ah," she laughed, "I mean to keep up the acquaintance!"

"Do—do," he murmured mechanically and absently, continuing to look at us. Then abruptly he broke out: "He's going to marry her."

I was surprised. "You already know?"

He had had in his hand an evening newspaper; he tossed it down on the table. "It's in that."

"Published—already?" I was still more surprised.

"Oh, Flora can't keep a secret!" Mrs. Meldrum humorously declared. She went up to poor Dawling and laid a motherly hand upon him. "It's all right—it's just as it ought to be: don't think about her ever any more." Then as he met this adjuration with a dismal stare in which the thought of her was as abnormally vivid as the colour of the pupil, the excellent woman put up her funny face and tenderly kissed him on the cheek.


I have spoken of these reminiscences as of a row of coloured beads, and I confess that as I continue to straighten out my chaplet I am rather proud of the comparison. The beads are all there, as I said—they slip along the string in their small, smooth roundness. Geoffrey Daw-ling accepted like a gentleman the event his evening paper had proclaimed; in view of which I snatched a moment to murmur him a hint to offer Mrs. Meldrum his hand. He returned me a heavy head-shake, and I judged that marriage would henceforth strike him very much as the traffic of the street may strike some poor incurable at the window of an hospital. Circumstances arising at this time promptly led to my making an absence from England, and circumstances already existing offered him a solid basis for similar action. He had after all the usual resource of a Briton—he could take to his boats.

He started on a journey round the globe, and I was left with nothing but my inference as to what might have happened. Later observation however only confirmed my belief that if at any time during the couple of months that followed Flora Saunt's brilliant engagement he had made up, as they say, to the good lady of Folkestone, that good lady would not have pushed him over the cliff. Strange as she was to behold I knew of cases in which she had been obliged to administer that shove. I went to New York to paint a couple of portraits; but I found, once on the spot, that I had counted without Chicago, where I was invited to blot out this harsh discrimination by the production of no less than ten. I spent a year in America and should probably have spent a second had I not been summoned back to England by alarming news from my mother. Her strength had failed, and as soon as I reached London I hurried down to Folkestone, arriving just at the moment to offer a welcome to some slight symptom of a rally. She had been much worse, but she was now a little better; and though I found nothing but satisfaction in having come to her I saw after a few hours that my London studio, where arrears of work had already met me, would be my place to await whatever might next occur. Before returning to town however I had every reason to sally forth in search of Mrs. Meldrum, from whom, in so many months, I had not had a line, and my view of whom, with the adjacent objects, as I had left them, had been intercepted by a luxuriant foreground.

Before I had gained her house I met her, as I supposed, coming toward me across the down, greeting me from afar with the familiar twinkle of her great vitreous badge; and as it was late in the autumn and the esplanade was a blank I was free to acknowledge this signal by cutting a caper on the grass. My enthusiasm dropped indeed the next moment, for it had taken me but a few seconds to perceive that the person thus assaulted had by no means the figure of my military friend. I felt a shock much greater than any I should have thought possible as on this person's drawing near I identified her as poor little Flora Saunt. At what moment Flora had recognised me belonged to an order of mysteries over which, it quickly came home to me, one would never linger again: I could intensely reflect that once we were face to face it chiefly mattered that I should succeed in looking still more intensely unastonished. All I saw at first was the big gold bar crossing each of her lenses, over which something convex and grotesque, like the eyes of a large insect, something that now represented her whole personality, seemed, as out of the orifice of a prison, to strain forward and press. The face had shrunk away: it looked smaller, appeared even to look plain; it was at all events, so far as the effect on a spectator was concerned, wholly sacrificed to this huge apparatus of sight. There was no smile in it, and she made no motion to take my offered hand.

"I had no idea you were down here!" I exclaimed; and I wondered whether she didn't know me at all or knew me only by my voice.

"You thought I was Mrs. Meldrum," she very quietly remarked.

It was the quietness itself that made me feel the necessity of an answer almost violently gay. "Oh yes," I laughed, "you have a tremendous deal in common with Mrs. Meldrum! I've just returned to England after a long absence and I'm on my way to see her. Won't you come with me?" It struck me that her old reason for keeping clear of our friend was well disposed of now.

"I've just left her; I'm staying with her." She stood solemnly fixing me with her goggles. "Would you like to paint me now?" she asked. She seemed to speak, with intense gravity, from behind a mask or a cage.

There was nothing to do but to treat the question with the same exuberance. "It would be a fascinating little artistic problem!" That something was wrong it was not difficult to perceive; but a good deal more than met the eye might be presumed to be wrong if Flora was under Mrs. Meldrum's roof. I had not for a year had much time to think of her, but my imagination had had sufficient warrant for lodging her in more gilded halls. One of the last things I had heard before leaving England was that in commemoration of the new relationship she had gone to stay with Lady Considine. This had made me take everything else for granted, and the noisy American world had deafened my ears to possible contradictions. Her spectacles were at present a direct contradiction; they seemed a negation not only of new relationships but of every old one as well. I remember nevertheless that when after a moment she walked beside me on the grass I found myself nervously hoping she wouldn't as yet at any rate tell me anything very dreadful; so that to stave off this danger I harried her with questions about Mrs. Meldrum and, without waiting for replies, became profuse on the subject of my own doings. My companion was completely silent, and I felt both as if she were watching my nervousness with a sort of sinister irony and as if I were talking to some different, strange person. Flora plain and obscure and soundless was no Flora at all. At Mrs. Meldrum's door she turned off with the observation that as there was certainly a great deal I should have to say to our friend she had better not go in with me. I looked at her again—I had been keeping my eyes away from her—but only to meet her magnified stare. I greatly desired in truth to see Mrs. Meldrum alone, but there was something so pitiful in the girl's predicament that I hesitated to fall in with this idea of dropping her. Yet one couldn't express a compassion without seeming to take too much wretchedness for granted. I reflected that I must really figure to her as a fool, which was an entertainment I had never expected to give her. It rolled over me there for the first time—it has come back to me since—that there is, strangely, in very deep misfortune a dignity finer even than in the most inveterate habit of being all right. I couldn't have to her the manner of treating it as a mere detail that I was face to face with a part of what, at our last meeting, we had had such a scene about; but while I was trying to think of some manner that I could have she said quite colourlessly, yet somehow as if she might never see me again: "Goodbye. I'm going to take my walk."

"All alone?"

She looked round the great bleak cliff-top. "With whom should I go? Besides, I like to be alone—for the present."

This gave me the glimmer of a vision that she regarded her disfigurement as temporary, and the confidence came to me that she would never, for her happiness, cease to be a creature of illusions. It enabled me to exclaim, smiling brightly and feeling indeed idiotic: "Oh, I shall see you again! But I hope you'll have a very pleasant walk."

"All my walks are very pleasant, thank you—they do me such a lot of good." She was as quiet as a mouse, and her words seemed to me stupendous in their wisdom. "I take several a day," she continued. She might have been an ancient woman responding with humility at the church door to the patronage of the parson. "The more I take the better I feel. I'm ordered by the doctors to keep all the while in the air and go in for plenty of exercise. It keeps up my general health, you know, and if that goes on improving as it has lately done everything will soon be all right. All that was the matter with me before—and always; it was too reckless!—was that I neglected my general health. It acts directly on the state of the particular organ. So I'm going three miles."

I grinned at her from the doorstep while Mrs. Meldrum's maid stood there to admit me. "Oh, I'm so glad," I said, looking at her as she paced away with the pretty flutter she had kept and remembering the day when, while she rejoined Lord Iffield, I had indulged in the same observation. Her air of assurance was on this occasion not less than it had been on that; but I recalled that she had then struck me as marching off to her doom. Was she really now marching away from it?


As soon as I saw Mrs. Meldrum I broke out to her. "Is there anything in it? Is her general health—?"

Mrs. Meldrum interrupted me with her great amused blare. "You've already seen her and she has told you her wondrous tale? What's 'in it' is what has been in everything she has ever done—the most comical, tragical belief in herself. She thinks she's doing a 'cure.'"

"And what does her husband think?"

"Her husband? What husband?"

"Hasn't she then married Lord Iffield?"

"Vous-en-etes la?" cried my hostess. "He behaved like a regular beast."

"How should I know? You never wrote to me."

Mrs. Meldrum hesitated, covering me with what poor Flora called the particular organ. "No, I didn't write to you; and I abstained on purpose. If I didn't I thought you mightn't, over there, hear what had happened. If you should hear I was afraid you would stir up Mr. Dawling."

"Stir him up?"

"Urge him to fly to the rescue; write out to him that there was another chance for him."

"I wouldn't have done it," I said.

"Well," Mrs. Meldrum replied, "it was not my business to give you an opportunity."

"In short you were afraid of it."

Again she hesitated and though it may have been only my fancy I thought she considerably reddened. At all events she laughed out. Then "I was afraid of it!" she very honestly answered.

"But doesn't he know? Has he given no sign?"

"Every sign in life—he came straight back to her. He did everything to get her to listen to him; but she hasn't the smallest idea of it."

"Has he seen her as she is now?" I presently and just a trifle awkwardly inquired.

"Indeed he has, and borne it like a hero. He told me all about it."

"How much you've all been through!" I ventured to ejaculate. "Then what has become of him?"

"He's at home in Hampshire. He has got back his old place and I believe by this time his old sisters. It's not half a bad little place."

"Yet its attractions say nothing to Flora?"

"Oh, Flora's by no means on her back!" my interlocutress laughed.

"She's not on her back because she's on yours. Have you got her for the rest of your life?"

Once more my hostess genially glared at me. "Did she tell you how much the Hammond Synges have kindly left her to live on? Not quite eighty pounds a year."

"That's a good deal, but it won't pay the oculist. What was it that at last induced her to submit to him?"

"Her general collapse after that brute of an Iffield's rupture. She cried her eyes out—she passed through a horror of black darkness. Then came a gleam of light, and the light appears to have broadened. She went into goggles as repentant Magdalens go into the Catholic Church."

"Yet you don't think she'll be saved?"

"She thinks she will—that's all I can tell you. There's no doubt that when once she brought herself to accept her real remedy, as she calls it, she began to enjoy a relief that she had never known. That feeling, very new and in spite of what she pays for it most refreshing, has given her something to hold on by, begotten in her foolish little mind a belief that, as she says, she's on the mend and that in the course of time, if she leads a tremendously healthy life, she'll be able to take off her muzzle and become as dangerous again as ever. It keeps her going."

"And what keeps you? You're good until the parties begin again."

"Oh, she doesn't object to me now!" smiled Mrs. Meldrum. "I'm going to take her abroad; we shall be a pretty pair." I was struck with this energy and after a moment I inquired the reason of it. "It's to divert her mind," my friend replied, reddening again, I thought, a little. "We shall go next week: I've only waited, to start, to see how your mother would be." I expressed to her hereupon my sense of her extraordinary merit and also that of the inconceivability of Flora's fancying herself still in a situation not to jump at the chance of marrying a man like Dawling. "She says he's too ugly; she says he's too dreary; she says in fact he's 'nobody,'" Mrs. Meldrum pursued. "She says above all that he's not 'her own sort.' She doesn't deny that he's good, but she insists on the fact that he's grotesque. He's quite the last person she would ever dream of." I was almost disposed on hearing this to protest that if the girl had so little proper feeling her noble suitor had perhaps served her right; but after a while my curiosity as to just how her noble suitor had served her got the better of that emotion, and I asked a question or two which led my companion again to apply to him the invidious epithet I have already quoted. What had happened was simply that Flora had at the eleventh hour broken down in the attempt to put him off with an uncandid account of her infirmity and that his lordship's interest in her had not been proof against the discovery of the way she had practised on him. Her dissimulation, he was obliged to perceive, had been infernally deep. The future in short assumed a new complexion for him when looked at through the grim glasses of a bride who, as he had said to some one, couldn't really, when you came to find out, see her hand before her face. He had conducted himself like any other jockeyed customer—he had returned the animal as unsound. He had backed out in his own way, giving the business, by some sharp shuffle, such a turn as to make the rupture ostensibly Flora's, but he had none the less remorselessly and basely backed out. He had cared for her lovely face, cared for it in the amused and haunted way it had been her poor little delusive gift to make men care; and her lovely face, damn it, with the monstrous gear she had begun to rig upon it, was just what had let him in. He had in the judgment of his family done everything that could be expected of him; he had made—Mrs. Meldrum had herself seen the letter—a "handsome" offer of pecuniary compensation. Oh, if Flora, with her incredible buoyancy, was in a manner on her feet again now, it was not that she had not for weeks and weeks been prone in the dust. Strange were the humiliations, the prostrations it was given to some natures to survive. That Flora had survived was perhaps after all a sort of sign that she was reserved for some final mercy. "But she has been in the abysses at any rate," said Mrs. Meldrum, "and I really don't think I can tell you what pulled her through."

"I think I can tell you," I said. "What in the world but Mrs. Meldrum?"

At the end of an hour Flora had not come in, and I was obliged to announce that I should have but time to reach the station, where, in charge of my mother's servant, I was to find my luggage. Mrs. Meldrum put before me the question of waiting till a later train, so as not to lose our young lady; but I confess I gave this alternative a consideration less profound than I pretended. Somehow I didn't care if I did lose our young lady. Now that I knew the worst that had befallen her it struck me still less as possible to meet her on the ground of condolence; and with the melancholy aspect she wore to me what other ground was left? I lost her, but I caught my train. In truth she was so changed that one hated to see it; and now that she was in charitable hands one didn't feel compelled to make great efforts. I had studied her face for a particular beauty; I had lived with that beauty and reproduced it; but I knew what belonged to my trade well enough to be sure it was gone for ever.


I was soon called back to Folkestone; but Mrs. Meldrum and her young friend had already left England, finding to that end every convenience on the spot and not having had to come up to town. My thoughts however were so painfully engaged there that I should in any case have had little attention for them: the event occurred that was to bring my series of visits to a close. When this high tide had ebbed I returned to America and to my interrupted work, which had opened out on such a scale that, with a deep plunge into a great chance, I was three good years in rising again to the surface. There are nymphs and naiads moreover in the American depths: they may have had something to do with the duration of my dive. I mention them to account for a grave misdemeanour—the fact that after the first year I rudely neglected Mrs. Meldrum. She had written to me from Florence after my mother's death and had mentioned in a postscript that in our young lady's calculations the lowest numbers were now Italian counts. This was a good omen, and if in subsequent letters there was no news of a sequel I was content to accept small things and to believe that grave tidings, should there be any, would come to me in due course. The gravity of what might happen to a featherweight became indeed with time and distance less appreciable, and I was not without an impression that Mrs. Meldrum, whose sense of proportion was not the least of her merits, had no idea of boring the world with the ups and downs of her pensioner. The poor girl grew dusky and dim, a small fitful memory, a regret tempered by the comfortable consciousness of how kind Mrs. Meldrum would always be to her. I was professionally more preoccupied than I had ever been, and I had swarms of pretty faces in my eyes and a chorus of high voices in my ears. Geoffrey Dawling had on his return to England written me two or three letters: his last information had been that he was going into the figures of rural illiteracy. I was delighted to receive it and had no doubt that if he should go into figures they would, as they are said to be able to prove anything, prove at least that my advice was sound and that he had wasted time enough. This quickened on my part another hope, a hope suggested by some roundabout rumour—I forget how it reached me—that he was engaged to a girl down in Hampshire. He turned out not to be, but I felt sure that if only he went into figures deep enough he would become, among the girls down in Hampshire or elsewhere, one of those numerous prizes of battle whose defences are practically not on the scale of their provocations. I nursed in short the thought that it was probably open to him to become one of the types as to which, as the years go on, frivolous and superficial spectators lose themselves in the wonder that they ever succeeded in winning even the least winsome mates. He never alluded to Flora Saunt; and there was in his silence about her, quite as in Mrs. Meldrum's, an element of instinctive tact, a brief implication that if you didn't happen to have been in love with her she was not an inevitable topic.

Within a week after my return to London I went to the opera, of which I had always been much of a devotee. I arrived too late for the first act of "Lohengrin," but the second was just beginning, and I gave myself up to it with no more than a glance at the house. When it was over I treated myself, with my glass, from my place in the stalls, to a general survey of the boxes, making doubtless on their contents the reflections, pointed by comparison, that are most familiar to the wanderer restored to London. There was a certain proportion of pretty women, but I suddenly became aware that one of these was far prettier than the others. This lady, alone in one of the smaller receptacles of the grand tier and already the aim of fifty tentative glasses, which she sustained with admirable serenity—this single exquisite figure, placed in the quarter furthest removed from my stall, was a person, I immediately felt, to cause one's curiosity to linger. Dressed in white, with diamonds in her hair and pearls on her neck, she had a pale radiance of beauty which even at that distance made her a distinguished presence and, with the air that easily attaches to lonely loveliness in public places, an agreeable mystery. A mystery however she remained to me only for a minute after I had levelled my glass at her: I feel to this moment the startled thrill, the shock almost of joy with which I suddenly encountered in her vague brightness a rich revival of Flora Saunt. I say a revival because, to put it crudely, I had on that last occasion left poor Flora for dead. At present perfectly alive again, she was altered only, as it were, by resurrection. A little older, a little quieter, a little finer and a good deal fairer, she was simply transfigured by recovery. Sustained by the reflection that even recovery wouldn't enable her to distinguish me in the crowd, I was free to look at her well. Then it was it came home to me that my vision of her in her great goggles had been cruelly final. As her beauty was all there was of her, that machinery had extinguished her, and so far as I had thought of her in the interval I had thought of her as buried in the tomb her stern specialist had built. With the sense that she had escaped from it came a lively wish to return to her; and if I didn't straightway leave my place and rush round the theatre and up to her box it was because I was fixed to the spot some moments longer by the simple inability to cease looking at her.

She had been from the first of my seeing her practically motionless, leaning back in her chair with a kind of thoughtful grace and with her eyes vaguely directed, as it seemed to me, to one of the boxes on my side of the house and consequently over my head and out of my sight. The only movement she made for some time was to finger with an ungloved hand and as if with the habit of fondness the row of pearls on her neck, which my glass showed me to be large and splendid. Her diamonds and pearls, in her solitude, mystified me, making me, as she had had no such brave jewels in the days of the Hammond Synges, wonder what undreamt-of improvement had taken place in her fortunes. The ghost of a question hovered there a moment: could anything so prodigious have happened as that on her tested and proved amendment Lord Iffield had taken her back? This could not have occurred without my hearing of it; and moreover if she had become a person of such fashion where was the little court one would naturally see at her elbow? Her isolation was puzzling, though it could easily suggest that she was but momentarily alone. If she had come with Mrs. Mel-drum that lady would have taken advantage of the interval to pay a visit to some other box—doubtless the box at which Flora had just been looking. Mrs. Meldrum didn't account for the jewels, but the refreshment of Flora's beauty accounted for anything. She presently moved her eyes over the house, and I felt them brush me again like the wings of a dove. I don't know what quick pleasure flickered into the hope that she would at last see me. She did see me: she suddenly bent forward to take up the little double-barrelled ivory glass that rested on the edge of the box and, to all appearance, fix me with it. I smiled from my place straight up at the searching lenses, and after an instant she dropped them and smiled as straight back at me. Oh, her smile: it was her old smile, her young smile, her peculiar smile made perfect! I instantly left my stall and hurried off for a nearer view of it; quite flushed, I remember, as I went, with the annoyance of having happened to think of the idiotic way I had tried to paint her. Poor Iffield with his sample of that error, and still poorer Dawling in particular with his! I hadn't touched her, I was professionally humiliated, and as the attendant in the lobby opened her box for me I felt that the very first thing I should have to say to her would be that she must absolutely sit to me again.


She gave me the smile once more as over her shoulder, from her chair, she turned her face to me. "Here you are again!" she exclaimed with her disgloved hand put up a little backward for me to take. I dropped into a chair just behind her and, having taken it and noted that one of the curtains of the box would make the demonstration sufficiently private, bent my lips over it and impressed them on its finger-tips. It was given me however, to my astonishment, to feel next that all the privacy in the world couldn't have sufficed to mitigate the start with which she greeted this free application of my moustache: the blood had jumped to her face, she quickly recovered her hand and jerked at me, twisting herself round, a vacant, challenging stare. During the next few instants several extraordinary things happened, the first of which was that now I was close to them the eyes of loveliness I had come up to look into didn't show at all the conscious light I had just been pleased to see them flash across the house: they showed on the contrary, to my confusion, a strange, sweet blankness, an expression I failed to give a meaning to until, without delay, I felt on my arm, directed to it as if instantly to efface the effect of her start, the grasp of the hand she had impulsively snatched from me. It was the irrepressible question in this grasp that stopped on my lips all sound of salutation. She had mistaken my entrance for that of another person, a pair of lips without a moustache. She was feeling me to see who I was! With the perception of this and of her not seeing me I sat gaping at her and at the wild word that didn't come, the right word to express or to disguise my stupefaction. What was the right word to commemorate one's sudden discovery, at the very moment too at which one had been most encouraged to count on better things, that one's dear old friend had gone blind? Before the answer to this question dropped upon me—and the moving moments, though few, seemed many—I heard, with the sound of voices, the click of the attendant's key on the other side of the door. Poor Flora heard also, and with the hearing, still with her hand on my arm, she brightened again as I had a minute since seen her brighten across the house: she had the sense of the return of the person she had taken me for—the person with the right pair of lips, as to whom I was for that matter much more in the dark than she. I gasped, but my word had come: if she had lost her sight it was in this very loss that she had found again her beauty. I managed to speak while we were still alone, before her companion had appeared. "You're lovelier at this day than you have ever been in your life!" At the sound of my voice and that of the opening of the door her excitement broke into audible joy. She sprang up, recognising me, always holding me, and gleefully cried to a gentleman who was arrested in the doorway by the sight of me: "He has come back, he has come back, and you should have heard what he says of me!" The gentleman was Geoffrey Dawling, and I thought it best to let him hear on the spot. "How beautiful she is, my dear man—but how extraordinarily beautiful! More beautiful at this hour than ever, ever before!"

It gave them almost equal pleasure and made Dawling blush up to his eyes; while this in turn produced, in spite of deepened astonishment, a blessed snap of the strain that I had been under for some moments. I wanted to embrace them both, and while the opening bars of another scene rose from the orchestra I almost did embrace Dawling, whose first emotion on beholding me had visibly and ever so oddly been a consciousness of guilt. I had caught him somehow in the act, though that was as yet all I knew; but by the time we had sunk noiselessly into our chairs again (for the music was supreme, Wagner passed first) my demonstration ought pretty well to have given him the limit of the criticism he had to fear. I myself indeed, while the opera blazed, was only too afraid he might divine in our silent closeness the very moral of my optimism, which was simply the comfort I had gathered from seeing that if our companion's beauty lived again her vanity partook of its life. I had hit on the right note—that was what eased me off: it drew all pain for the next half-hour from the sense of the deep darkness in which the stricken woman sat there. If the music, in that darkness, happily soared and swelled for her, it beat its wings in unison with those of a gratified passion. A great deal came and went between us without profaning the occasion, so that I could feel at the end of twenty minutes as if I knew almost everything he might in kindness have to tell me; knew even why Flora, while I stared at her from the stalls, had misled me by the use of ivory and crystal and by appearing to recognise me and smile. She leaned back in her chair in luxurious ease: I had from the first become aware that the way she fingered her pearls was a sharp image of the wedded state. Nothing of old had seemed wanting to her assurance; but I hadn't then dreamed of the art with which she would wear that assurance as a married woman. She had taken him when everything had failed; he had taken her when she herself had done so. His embarrassed eyes confessed it all, confessed the deep peace he found in it. They only didn't tell me why he had not written to me, nor clear up as yet a minor obscurity. Flora after a while again lifted the glass from the ledge of the box and elegantly swept the house with it. Then, by the mere instinct of her grace, a motion but half conscious, she inclined her head into the void with the sketch of a salute, producing, I could see, a perfect imitation of a response to some homage. Dawling and I looked at each other again: the tears came into his eyes. She was playing at perfection still, and her misfortune only simplified the process.

I recognised that this was as near as I should ever come, certainly as I should come that night, to pressing on her misfortune. Neither of us would name it more than we were doing then, and Flora would never name it at all. Little by little I perceived that what had occurred was, strange as it might appear, the best thing for her happiness. The question was now only of her beauty and her being seen and marvelled at: with Dawling to do for her everything in life her activity was limited to that. Such an activity was all within her scope: it asked nothing of her that she couldn't splendidly give. As from time to time in our delicate communion she turned her face to me with the parody of a look I lost none of the signs of its strange new glory. The expression of the eyes was a bit of pastel put in by a master's thumb; the whole head, stamped with a sort of showy suffering, had gained a fineness from what she had passed through. Yes, Flora was settled for life—nothing could hurt her further. I foresaw the particular praise she would mostly incur—she would be incomparably "interesting." She would charm with her pathos more even than she had charmed with her pleasure. For herself above all she was fixed for ever, rescued from all change and ransomed from all doubt. Her old certainties, her old vanities were justified and sanctified, and in the darkness that had closed upon her one object remained clear. That object, as unfading as a mosaic mask, was fortunately the loveliest she could possibly look upon. The greatest blessing of all was of course that Dawling thought so. Her future was ruled with the straightest line, and so for that matter was his. There were two facts to which before I left my friends I gave time to sink into my spirit. One of them was that he had changed by some process as effective as Flora's change; had been simplified somehow into service as she had been simplified into success. He was such a picture of inspired intervention as I had never yet encountered: he would exist henceforth for the sole purpose of rendering unnecessary, or rather impossible, any reference even on her own part to his wife's infirmity. Oh yes, how little desire he would ever give me to refer to it! He principally after a while made me feel—and this was my second lesson—that, good-natured as he was, my being there to see it all oppressed him; so that by the time the act ended I recognised that I too had filled out my hour. Dawling remembered things; I think he caught in my very face the irony of old judgments: they made him thresh about in his chair. I said to Flora as I took leave of her that I would come to see her; but I may mention that I never went. I'll go to-morrow if I hear she wants me; but what in the world can she ever want? As I quitted them I laid my hand on Dawling's arm and drew him for a moment into the lobby.

"Why did you never write to me of your marriage?"

He smiled uncomfortably, showing his long yellow teeth and something more. "I don't know—the whole thing gave me such a tremendous lot to do."

This was the first dishonest speech I had heard him make: he really hadn't written to me because he had an idea I would think him a still bigger fool than before. I didn't insist, but I tried there, in the lobby, so far as a pressure of his hand could serve me, to give him a notion of what I thought him. "I can't at any rate make out," I said, "why I didn't hear from Mrs. Mel-drum."

"She didn't write to you?"

"Never a word. What has become of her?"

"I think she's at Folkestone," Dawling returned; "but I'm sorry to say that practically she has ceased to see us."

"You haven't quarrelled with her?"

"How could we? Think of all we owe her. At the time of our marriage, and for months before, she did everything for us: I don't know how we should have managed without her. But since then she has never been near us and has given us rather markedly little encouragement to try and keep up our relations with her."

I was struck with this though of course I admit I am struck with all sorts of things. "Well," I said after a moment, "even if I could imagine a reason for that attitude it wouldn't explain why she shouldn't have taken account of my natural interest."

"Just so." Dawling's face was a windowless wall. He could contribute nothing to the mystery, and, quitting him, I carried it away. It was not till I went down to see Mrs. Meldrum that it was really dispelled. She didn't want to hear of them or to talk of them, not a bit, and it was just in the same spirit that she hadn't wanted to write of them. She had done everything in the world for them, but now, thank heaven, the hard business was over. After I had taken this in, which I was quick to do, we quite avoided the subject. She simply couldn't bear it.


Mrs. Highmore's errand this morning was odd enough to deserve commemoration: she came to ask me to write a notice of her great forthcoming work. Her great works have come forth so frequently without my assistance that I was sufficiently entitled on this occasion to open my eyes; but what really made me stare was the ground on which her request reposed, and what leads me to record the incident is the train of memory lighted by that explanation. Poor Ray Limbert, while we talked, seemed to sit there between us: she reminded me that my acquaintance with him had begun, eighteen years ago, with her having come in precisely as she came in this morning to bespeak my charity for him. If she didn't know then how little my charity was worth she is at least enlightened about it to-day, and this is just the circumstance that makes the drollery of her visit. As I hold up the torch to the dusky years—by which I mean as I cipher up with a pen that stumbles and stops the figured column of my reminiscences—I see that Lim-bert's public hour, or at least my small apprehension of it, is rounded by those two occasions. It was finis, with a little moralising flourish, that Mrs. Highmore seemed to trace to-day at the bottom of the page. "One of the most voluminous writers of the time," she has often repeated this sign; but never, I daresay, in spite of her professional command of appropriate emotion, with an equal sense of that mystery and that sadness of things which to people of imagination generally hover over the close of human histories. This romance at any rate is bracketed by her early and her late appeal; and when its melancholy protrusions had caught the declining light again from my half-hour's talk with her I took a private vow to recover while that light still lingers something of the delicate flush, to pick out with a brief patience the perplexing lesson.

It was wonderful to observe how for herself Mrs. Highmore had already done so: she wouldn't have hesitated to announce to me what was the matter with Ralph Limbert, or at all events to give me a glimpse of the high admonition she had read in his career. There could have been no better proof of the vividness of this parable, which we were really in our pleasant sympathy quite at one about, than that Mrs. Highmore, of all hardened sinners, should have been converted. This indeed was not news to me: she impressed upon me that for the last ten years she had wanted to do something artistic, something as to which she was prepared not to care a rap whether or no it should sell. She brought home to me further that it had been mainly seeing what her brother-in-law did and how he did it that had wedded her to this perversity. As he didn't sell, dear soul, and as several persons, of whom I was one, thought highly of that, the fancy had taken her—taken her even quite early in her prolific course—of reaching, if only once, the same heroic eminence. She yearned to be, like Lim-bert, but of course only once, an exquisite failure. There was something a failure was, a failure in the market, that a success somehow wasn't. A success was as prosaic as a good dinner: there was nothing more to be said about it than that you had had it. Who but vulgar people, in such a case, made gloating remarks about the courses? It was often by such vulgar people that a success was attested. It made if you came to look at it nothing but money; that is it made so much that any other result showed small in comparison. A failure now could make—oh, with the aid of immense talent of course, for there were failures and failures—such a reputation! She did me the honour—she had often done it—to intimate that what she meant by reputation was seeing me toss a flower. If it took a failure to catch a failure I was by my own admission well qualified to place the laurel. It was because she had made so much money and Mr. Highmore had taken such care of it that she could treat herself to an hour of pure glory. She perfectly remembered that as often as I had heard her heave that sigh I had been prompt with my declaration that a book sold might easily be as glorious as a book unsold. Of course she knew this, but she knew also that it was the age of trash triumphant and that she had never heard me speak of anything that had "done well" exactly as she had sometimes heard me speak of something that hadn't—with just two or three words of respect which, when I used them, seemed to convey more than they commonly stood for, seemed to hush up the discussion a little, as if for the very beauty of the secret.

I may declare in regard to these allusions that, whatever I then thought of myself as a holder of the scales I had never scrupled to laugh out at the humour of Mrs. Highmore's pursuit of quality at any price. It had never rescued her even for a day from the hard doom of popularity, and though I never gave her my word for it there was no reason at all why it should. The public would have her, as her husband used roguishly to remark; not indeed that, making her bargains, standing up to her publishers and even, in his higher flights, to her reviewers, he ever had a glimpse of her attempted conspiracy against her genius, or rather as I may say against mine. It was not that when she tried to be what she called subtle (for wasn't Limbert subtle, and wasn't I?) her fond consumers, bless them, didn't suspect the trick nor show what they thought of it: they straightway rose on the contrary to the morsel she had hoped to hold too high, and, making but a big, cheerful bite of it, wagged their great collective tail artlessly for more. It was not given to her not to please, nor granted even to her best refinements to affright. I have always respected the mystery of those humiliations, but I was fully aware this morning that they were practically the reason why she had come to me. Therefore when she said with the flush of a bold joke in her kind, coarse face "What I feel is, you know, that you could settle me if you only would." I knew quite well what she meant. She meant that of old it had always appeared to be the fine blade, as some one had hyperbolically called it, of my particular opinion that snapped the silken thread by which Limbert's chance in the market was wont to hang. She meant that my favour was compromising, that my praise indeed was fatal. I had made myself a little specialty of seeing nothing in certain celebrities, of seeing overmuch in an occasional nobody, and of judging from a point of view that, say what I would for it (and I had a monstrous deal to say) remained perverse and obscure. Mine was in short the love that killed, for my subtlety, unlike Mrs. Highmore's, produced no tremor of the public tail. She had not forgotten how, toward the end, when his case was worst, Limbert would absolutely come to me with a funny, shy pathos in his eyes and say: "My dear fellow, I think I've done it this time, if you'll only keep quiet." If my keeping quiet in those days was to help him to appear to have hit the usual taste, for the want of which he was starving, so now my breaking out was to help Mrs. Highmore to appear to have hit the unusual.

The moral of all this was that I had frightened the public too much for our late friend, but that as she was not starving this was exactly what her grosser reputation required. And then, she good-naturedly and delicately intimated, there would always be, if further reasons were wanting, the price of my clever little article. I think she gave that hint with a flattering impression—spoiled child of the booksellers as she is—that the price of my clever little articles is high. Whatever it is, at any rate, she had evidently reflected that poor Limbert's anxiety for his own profit used to involve my sacrificing mine. Any inconvenience that my obliging her might entail would not in fine be pecuniary. Her appeal, her motive, her fantastic thirst for quality and her ingenious theory of my influence struck me all as excellent comedy, and when I consented contingently to oblige her she left me the sheets of her new novel. I could plead no inconvenience and have been looking them over; but I am frankly appalled at what she expects of me. What is she thinking of, poor dear, and what has put it into her head that "quality" has descended upon her? Why does she suppose that she has been "artistic"? She hasn't been anything whatever, I surmise, that she has not inveterately been. What does she imagine she has left out? What does she conceive she has put in? She has neither left out nor put in anything. I shall have to write her an embarrassed note. The book doesn't exist, and there's nothing in life to say about it. How can there be anything but the same old faithful rush for it?

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