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Dutch Fairy Tales for Young Folks
by William Elliot Griffis
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So word was sent to all little people in the mines and hills, instructing them how they were to act and what they were to do.

Some of the new teachers, who were foreigners, and did not know the customs of the country, were very rude and rough. Every day they hurt the feelings of the people. With their axes they cut down the sacred trees. They laughed scornfully at the holy wells and springs of water. They reviled the people, when they prayed to great Woden, with his black ravens that told him everything, or to the gentle Freya, with her white doves, who helped good girls to get kind husbands. They scolded the children at play, and this made their fathers and mothers feel miserable. This is the reason why so many people were angry and sullen, and would not listen to the foreign teachers.

Worse than this, many troubles came to these outsiders. Their bread was sour, when they took it out of the oven. So was the milk, in their pans. Sometimes they found their beds turned upside down. Gravel stones rattled down into their fireplaces. Their hats and shoes were missing. In fact, they had a terrible time generally and wanted to go back home. When the kabouter has a grudge against any one, he knows how to plague him.

But the teachers that were wise and gentle had no trouble. They persuaded the people with kind words, and, just as a baby learns to eat other food at the table, so the people were weaned away from cruel customs and foolish beliefs. Many of the land's folk came to listen to the teachers and helped them gladly to build churches.

More wonderful than this, were the good things that came to these kind teachers, they knew not how. Their bread and milk were always sweet and in plenty. They found their beds made up and their clothes kept clean, gardens planted with blooming flowers, and much hard work done for them. When they would build a church in a village, they wondered how it was that the wood and the nails, the iron necessary to brace the beams, and the copper and brass for the sacred vessels, came so easily and in plenty. When, on some nights, they wondered where they would get food to eat, they found, on waking up in the morning, that there was always something good ready for them. Thus many houses of worship were built, and the more numerous were the churches, the more did farms, cows, grain fields, and happy people multiply.

Now when the gnomes and kabouters, who like to do work for pleasant people, heard that the good teachers wanted church bells, to call the people to worship, they resolved to help the strangers. They would make not only a bell, or a chime, but, actually a carillon, or concert of bells to hang up in the air.

The dark dwarfs did not like to dig metal for swords or spears, or what would hurt people; but the church bells would guide travellers in the forest, and quiet the storms, that destroyed houses and upset boats and killed or drowned people, besides inviting the people to come and pray and sing. They knew that the good teachers were poor and could not buy bells in France or Italy. Even if they had money, they could not get them through the thick forests, or over the stormy seas, for they were too heavy.

When all the kabouters were told of this, they came together to work, night and day, in the mines. With pick and shovel, crowbar and chisel, and hammer and mallet, they broke up the rocks containing copper and tin. Then they built great roaring fires, to smelt the ore into ingots. They would show the teachers that the Dutch kabouters could make bells, as well as the men in the lands of the South. These dwarfish people are jealous of men and very proud of what they can do.

It was the funniest sight to see these short legged fellows, with tiny coats coming just below their thighs, and little red caps, looking like a stocking and ending in a tassel, on their heads, and in shoes that had no laces, but very long points. They flew around as lively as monkeys, and when the fire was hot they threw off everything and worked much harder and longer than men do.

Were they like other fairies? Well, hardly. One must put away all his usual thoughts, when he thinks of kabouters. No filmy wings on their backs! No pretty clothes or gauzy garments, or stars, or crowns, or wands! Instead of these were hammers, pickaxes, and chisels. But how diligent, useful and lively these little folks, in plain, coarse coats and with bare legs, were! In place of things light, clean and easy, the kabouters had furnaces, crucibles and fires of coal and wood.

Sometimes they were grimy, with smoke and coal dust, and the sweat ran down their faces and bodies. Yet there was always plenty of water in the mines, and when hard work was over they washed and looked plain but tidy. Besides their stores of gold, and silver, and precious stones, which they kept ready, to give to good people, they had tools with which to tease or tantalize cruel, mean or lazy folks.

Now when the kabouter daddies began the roaring fires for the making of the bells, the little mothers and the small fry in the kabouter world could not afford to be idle. One and all, they came down from off the earth, and into the mines they went in a crowd. They left off teasing milkmaids, tangling skeins of flax, tearing fishermen's nets, tying knots in cows' tails, tumbling pots, pans and dishes, in the kitchen, or hiding hats, and throwing stones down the chimneys onto the fireplaces. They even ceased their fun of mocking children, who were calling the cows home, by hiding behind the rocks and shouting to them. Instead of these tricks, they saved their breath to blow the fires into a blast. Everybody wondered where the "kabs" were, for on the farms and in town nothing happened and all was as quiet as when a baby is asleep.

For days and weeks underground, the dwarfs toiled, until their skins, already dark, became as sooty as the rafters in the houses of our ancestors. Finally, when all the labor was over, the chief gnomes were invited down into the mines to inspect the work.

What a sight! There were at least a hundred bells, of all sizes, like as in a family; where there are daddy, mother, grown ups, young sons and daughters, little folk and babies, whether single, twins or triplets. Big bells, that could scarcely be put inside a hogshead, bells that would go into a barrel, bells that filled a bushel, and others a peck, stood in rows. From the middle, and tapering down the row, were scores more, some of them no larger than cow-bells. Others, at the end, were so small, that one had to think of pint and gill measures.

Besides all these, there were stacks of iron rods and bars, bolts, nuts, screws, and wires and yokes on which to hang the bells.

One party of the strongest of the kabouters had been busy in the forest, close to a village, where some men, ordered to do so by a foreign teacher, had begun to cut down some of the finest and most sacred of the grand old trees. They had left their tools in the woods; but the "kabs," at night, seized their axes and before morning, without making any noise, they had levelled all but the holy trees. Those they spared. Then, the timber, all cut and squared, ready to hold the bells, was brought to the mouth of the mine.

Now in Dutch, the name for bell is "klok." So a wise and gray-bearded gnome was chosen by the high sounding title of klokken-spieler, or bell player, to test the bells for a carillon. They were all hung, for practice, on the big trestles, in a long row. Each one of these frames was called a "hang," for they were just like those on which fishermen's nets were laid to dry and be mended.

So when all were ready, washed, and in their clean clothes, every one of the kabouter families, daddies, mothers, and young ones, were ranged in lines and made to sing. The heavy male tenors and baritones, the female sopranos and contraltos, the trebles of the little folks, and the squeaks of the very small children, down to the babies' cooing, were all heard by the gnomes, who were judges. The high and mighty klokken-spieler, or master of the carillon, chose those voices with best tone and quality, from which to set in order and regulate the bells.

It was pitiful to see how mad and jealous some of the kabouters, both male and female, were, when they were not appointed to the first row, in which were some of the biggest of the males, and some of the fattest of the females. Then the line tapered off, to forty or fifty young folks, including urchins of either sex, down to mere babies, that could hardly stand. These had bibs on and had to be held up by their fond mothers. Each one by itself could squeal and squall, coo and crow lustily; but, at a distance, their voices blended and the noise they made sounded like a tinkle.

All being ready, the old gnome bit his tuning fork, hummed a moment, and then started a tune. Along the line, at a signal from the chief gnome, they started a tune.

In the long line, there were, at first, booms and peals, twanging and clanging, jangling and wrangling, making such a clangor that it sounded more like an uproar than an opera. The chief gnome was almost discouraged.

But neither a gnome nor a kabouter ever gives up. The master of the choir tried again and again. He scolded one old daddy, for singing too low. He frowned at a stalwart young fellow, who tried to drown out all the rest with his bull-like bellow. He shook his finger at a kabouter girl, that was flirting with a handsome lad near her. He cheered up the little folks, encouraging them to hold up their voices, until finally he had all in order. Then they practiced, until the master gnome thought he had his scale of notation perfect and gave orders to attune the bells. To the delight of all the gnomes, kabouters and elves, that had been invited to the concert, the rows of bells, a hundred or more, from boomers to tinklers, made harmony. Strung one above the other, they could render merriment, or sadness, in solos, peals, chimes, cascades and carillons, with sweetness and effect. At the low notes the babies called out "cow, cow;" but at the high notes, "bird, bird."

So it happened that, on the very day that the bishop had his great church built, with a splendid bulb spire on the top, and all nicely furnished within, but without one bell to ring in it, that the kabouters planned a great surprise.

It was night. The bishop was packing his saddle bags, ready to take a journey, on horseback, to Rheims. At this city, the great caravans from India and China ended, bringing to the annual fair, rugs, spices, gems, and things Oriental, and the merchants of Rheims rolled in gold. Here the bishop would beg the money, or ask for a bell, or chimes.

Suddenly, in the night, while in his own house, there rang out music in the air, such as the bishop had never heard in Holland, or in any of the seventeen provinces of the Netherlands. Not even in the old lands, France, or Spain, or Italy, where the Christian teachers, builders and singers, and the music of the bells had long been heard, had such a flood of sweet sounds ever fallen on human ears. Here, in these northern regions, rang out, not a solo, nor a peal, nor a chime, nor even a cascade, from one bell, or from many bells; but, a long programme of richest music in the air—something which no other country, however rich or old, possessed. It was a carillon, that is, a continued mass of real music, in which whole tunes, songs, and elaborate pieces of such length, mass and harmony, as only a choir of many voices, a band of music, or an orchestra of many performers could produce.

To get this grand work of hanging in the spire done in one night, and before daylight, also, required a whole regiment of fairy toilers, who must work like bees. For if one ray of sunshine struck any one of the kabouters, he was at once petrified. The light elves lived in the sunshine and thrived on it; but for dark elves, like the kabouters, whose home was underground, sunbeams were as poisoned arrows bringing sure death; for by these they were turned into stone. Happily the task was finished before the eastern sky grew gray, or the cocks crowed. While it was yet dark, the music in the air flooded the earth. The people in their beds listened with rapture.

"Laus Deo" (Praise God), devoutly cried the surprised bishop. "It sounds like a choir of angels. Surely the cherubim and seraphim are here. Now is fulfilled the promise of the Psalmist: 'The players on instruments shall be there.'"

So, from this beginning, so mysterious to the rough, unwise and stupid teachers, but, by degrees, clearer to the tactful ones, who were kind and patient, the carillons spread over all the region between the forests of Ardennes and the island in the North Sea. The Netherlands became the land of melodious symphonies and of tinkling bells. No town, however poor, but in time had its carillon. Every quarter of an hour, the sweet music of hymn or song, made the air vocal, while at the striking of the hours, the pious bowed their heads and the workmen heard the call for rest, or they took cheer, because their day's toil was over. At sunrise, noon, or sunset, the Angelus, and at night the curfew sounded their calls.

It grew into a fashion, that, on stated days, great concerts were given, lasting over an hour, when the grand works of the masters of music were rendered and famous carillon players came from all over the Netherlands, to compete for prizes. The Low Countries became a famous school, in which klokken-spielers (bell players) by scores were trained. Thus no kingdom, however rich or great, ever equalled the Land of the Carillon, in making the air sweet with both melody and harmony.

Nobody ever sees a kabouter nowadays, for in the new world, when the woods are nearly all cut down, the world made by the steam engine, and telegraph, and wireless message, the automobile, aeroplane and submarine, cycle and under-sea boat, the little folks in the mines and forests are forgotten. The chemists, miners, engineers and learned men possess the secrets which were once those of the fairies only. Yet the artists and architects, the clockmakers and bellfounders, who love beauty, remember what their fathers once thought and believed. That is the reason why, on many a famous clock, either in front of the dial or near the pendulum, are figures of the gnomes, who thought, and the kabouters who wrought, to make the carillons. In Teuton lands, where their cousins are named kobolds, and in France where they are called fee, and in England brownies, they have tolling and ringing of bells, with peals, chimes and cascades of sweet sound; but the Netherlands, still, above all others on earth, is the home of the carillon.



THE WOMAN WITH THREE HUNDRED AND SIXTY-SIX CHILDREN

Long, long ago, before the oldest stork was young and big deer and little fawns were very many in the Dutch forests, there was a pond, famous for its fish, which lay in the very heart of Holland, with woods near by. Hunters came with their bows and arrows to hunt the stags. Or, out of the bright waters, boys and men in the sunshine drew out the fish with shining scales, or lured the trout, with fly-bait, from their hiding places. In those days the fish-pond was called the Vijver, and the woods where the deer ran, Rensselaer, or the Deer's Lair.

So, because the forests of oak, and beech, and alder trees were so fine, and game on land and in water so plentiful, the lord of the country came here and built his castle. He made a hedge around his estate, so that the people called the place the Count's Hedge; or, as we say, The Hague.

Even to-day, within the beautiful city, the forests, with their grand old trees, still remain, and the fish-pond, called the Vijver, is there yet, with its swans. On the little island, the fluffy, downy cygnets are born and grow to be big birds, with long necks, bent like an arch. In another part of the town, also, with their trees for nesting, and their pond for wading, are children of the same storks, whose fathers and mothers lived there before America was discovered.

By and by, many people of rank and fortune came to The Hague, for its society. They built their grand houses at the slope of the hill, not far away from the Vijver, and in time a city grew up.

It was a fine sight to see the lords and ladies riding out from the castle into the country. The cavalcade was very splendid, when they went hawking. There were pretty women on horseback, and gentlemen in velvet clothes, with feathers in their hats, and the horses seemed proud to bear them. The falconers followed on foot, with the hunting birds perched on a hoop, which the man inside the circle carried round him. Each falcon had on a little cap or hood, which was fastened over its head. When this was taken off, it flew high up into the air, on its hunt for the big and little birds, which it brought down for its masters. There were also men with dogs, to beat the reeds and bushes, and drive the smaller birds from shelter. The huntsmen were armed with spears, lest a wild boar, or bear, should rush out and attack them. It was always a merry day, when a hawking party, in their fine clothes and gay trappings, started out.

There were huts, as well as palaces, and poor people, also, at The Hague. Among these, was a widow, whose twin babies were left without anything to eat—for her husband and their father had been killed in the war. Having no money to buy a cradle, and her babies being too young to be left alone, she put the pair of little folks on her back and went out to beg.

Now there was a fine lady, a Countess, who lived with her husband, the Count, near the Vijver. She was childless and very jealous of other women who were mothers and had children playing around them. On this day, when the beggar woman, with her two babies on her back, came along, the grand lady was in an unusually bad temper. For all her pretty clothes, she was not a person of fine manners. Indeed, she often acted more like a snarling dog, ready to snap at any one who should speak to her. Although she had cradles and nurses and lovely baby clothes all ready, there was no baby. This spoiled her disposition, so that her husband and the servants could hardly live with her.

One day, after dinner, when there had been everything good to eat and drink on her table, and plenty of it, the Countess went out to walk in front of her house. It was the third day of January, but the weather was mild. The beggar woman, with her two babies on her back and their arms round her neck, crying with hunger, came trudging along. She went into the garden and asked the Countess for food or an alms. She expected surely, at least a slice of bread, a cup of milk, or a small coin.

But the Countess was rude to her and denied her both food and money. She even burst into a bad temper, and reviled the woman for having two children, instead of one.

"Where did you get those brats? They are not yours. You just brought them here to play on my feelings and excite my jealousy. Begone!"

But the poor woman kept her temper. She begged piteously and said: "For the love of Heaven, feed my babies, even if you will not feed me."

"No! they are not yours. You're a cheat," said the fine lady, nursing her rage.

"Indeed, Madame, they are both my children and born on one day. They have one father, but he is dead. He was killed in the war, while serving his grace, your husband."

"Don't tell me such a story," snapped back the Countess, now in a fury. "I don't believe that any one, man or woman, could have two children at once. Away with you," and she seized a stick to drive off the poor woman.

Now, it was the turn of the beggar to answer back. Both had lost their temper, and the two angry women seemed more like she-bears robbed of their whelps.

"Heaven punish you, you wicked, cruel, cold-hearted woman," cried the mother. Her two babies were almost choking her in their eagerness for food. Yet their cries never moved the rich lady, who had bread and good things to spare, while their poor parent had not a drop of milk to give them. The Countess now called her men-servants to drive the beggar away. This they did, most brutally. They pushed the poor woman outside the garden gate and closed it behind her. As she turned away, the poor mother, taking each of her children by its back, one in each hand, held them up before the grand lady and cried out loudly, so that all heard her:

"May you have as many children as there are days in the year."

Now with all her wrath burning in her breast, what the beggar woman really meant was this: It was the third of January, and so there were but three days in the year, so far. She intended to say that, instead of having to care for two children, the Countess might have the trouble of rearing three, and all born on the same day.

But the fine lady, in her mansion, cared nothing for the beggar woman's words. Why should she? She had her lordly husband, who was a count, and he owned thousands of acres. Besides, she possessed vast riches. In her great house, were ten men-servants and thirty-one maid-servants, together with her rich furniture, and fine clothes and jewels. The lofty brick church, to which she went on Sundays, was hung with the coats of arms of her famous ancestors. The stone floor, with its great slabs, was so grandly carved with the crests and heraldry of her family, that to walk over these was like climbing a mountain, or tramping across a ploughed field. Common folks had to be careful, lest they should stumble over the bosses and knobs of the carved tombs. A long train of her servants, and tenants on the farms followed her, when she went to worship. Inside the church, the lord and lady sat, in high seats, on velvet cushions and under a canopy.

By the time summer had come, according to the fashion in all good Dutch families, all sorts of pretty baby clothes were made ready. There were soft, warm, swaddling bands, tiny socks, and long white linen dresses. A baptismal blanket, covered with silk, was made for the christening, and daintily embroidered. Plenty of lace, and pink and blue ribbons—pink for a girl and blue for a boy—were kept at hand. And, because there might be twins, a double set of garments was provided, besides baby bathtubs and all sorts of nice things for the little stranger or strangers—whether one or two—to come. Even the names were chosen—one for a boy and the other for a girl. Would it be Wilhelm or Wilhelmina?

It was real fun to think over the names, but it was hard to choose out of so many. At last, the Countess crossed off all but forty-six; or the following; nearly every girl's name ending in je, as in our "Polly," "Sallie."

Girls Boys

Magtel Catharyna Gerrit Gysbert Nelletje Alida Cornelis Jausze Zelia Annatje Volkert Myndert Jannetje Christina Kilian Adrian Zara Katrina Johannes Joachim Marytje Bethje Petrus Arendt Willemtje Eva Barent Dirck Geertruy Dirkje Wessel Nikolaas Petronella Mayken Hendrik Staats Margrieta Hilleke Teunis Gozen Josina Bethy Wouter Willemtje Japik Evert

But before the sun set on the expected day, it was neither one boy nor one girl, nor both; nor were all the forty-six names chosen sufficient; for the beggar woman's wish had come true, in a way not expected. There were as many as, and no fewer children than, there were days in the year; and, since this was leap year, there were three hundred and sixty-six little folks in the house; so that other names, besides the forty-six, had to be used.

Yet none of these wee creatures was bigger than a mouse. Beginning at daylight, one after another appeared—first a girl and then a boy; so that after the forty-eighth, the nurse was at her wit's end, to give them names. It was not possible to keep the little babies apart. The thirty-one servant maids of the mansion were all called in to help in sorting out the girls from the boys; but soon it seemed hopeless to try to pick out Peter from Henry, or Catalina from Annetje. After an hour or two spent at the task, and others coming along, the women found that it was useless to try any longer. It was found that little Piet, Jan and Klaas, Hank, Douw and Japik, among the boys; and Molly, Mayka, Lena, Elsje, Annatje and Marie were getting all mixed up. So they gave up the attempt in despair. Besides, the supply of pink and blue ribbons had given out long before, after the first dozen or so were born. As for the, baby clothes made ready, they were of no use, for all the garments were too big. In one of the long dresses, tied up like a bag, one might possibly, with stuffing, have put the whole family of three hundred and sixty-six brothers and sisters.

It was not likely such small fry of human beings could live long. So, the good Bishop Guy, of Utrecht, when he heard that the beggar woman's curse had come true, in so unexpected a manner, ordered that the babies should be all baptized at once. The Count, who was strict in his ideas of both custom and church law, insisted on it too.

So nothing would do but to carry the tiny infants to church. How to get them there, was a question. The whole house had been rummaged to provide things to carry the little folks in: but the supply of trays, and mince pie dishes, and crocks, was exhausted at the three hundred and sixtieth baby. So there was left only a Turk's Head, or round glazed earthen dish, fluted and curved, which looked like the turban of a Turk. Hence its name. Into this, the last batch of babies, or extra six girls, were stowed. Curiously enough, number 366 was an inch taller than the others. To thirty house maids was given a tray, for each was to carry twelve mannikins, and one the last six, in the Turk's Head. Instead of rich silk blankets a wooden tray, and no clothes on, must suffice.

In the Groote Kerk, or Great Church, the Bishop was waiting, with his assistants, holding brass basins full of holy water, for the christening. All the town, including the dogs, were out to see what was going on. Many boys and girls climbed up on the roofs of the one-story houses, or in the trees to get a better view of the curious procession—the like of which had never been seen in The Hague before. Neither has anything like it ever been seen since.

So the parade began. First went the Count, with his captains and the trumpeters, blowing their trumpets. These were followed by the men-servants, all dressed in their best Sunday clothes, who had the crest and arms of their master, the Count, on their backs and breasts. Then came on the company of thirty-one maids, each one carrying a tray, on which were twelve mannikins, or minikins. Twenty of these trays were round and made of wood, lined with velvet, smooth and soft; but ten were of earthenware, oblong in shape, like a manger. In these, every year, were baked the Christmas pies.

At first, all went on finely, for the outdoor air seemed to put the babies asleep and there was no crying. But no sooner were they inside the church, than about two hundred of the brats began wailing and whimpering. Pretty soon, they set up such a squall that the Count felt ashamed of his progeny and the Bishop looked very unhappy.

To make matters worse, one of the maids, although warned of the danger, stumbled over the helmet of an old crusader, carved in stone, that rose some six inches or so above the floor. In a moment, she fell and lay sprawling, spilling out at least a dozen babies. "Heilige Mayke" (Holy Mary!), she cried, as she rolled over. "Have I killed them?"

Happily the wee ones were thrown against the long-trained gown of an old lady walking directly in front of her, so that they were unhurt. They were easily picked up and laid on the tray again, and once more the line started.

Happily the Bishop had been notified that he would not have to call out the names of all the infants, that is, three hundred and sixty-six; for this would have kept him at the solemn business all day long. It had been arranged that, instead of any on the list of the chosen forty-six, to be so named, all the boys should be called John, and all the girls Elizabeth; or, in Dutch, Jan and Lisbet, or Lizbethje. Yet even to say "John" one hundred and eighty times, and "Lisbet" one hundred and eighty-six times, nearly tired the old gentleman to death, for he was fat and slow.

So, after the first six trays full of wee folks had been sprinkled, one at a time, the Bishop decided to "asperse" them, that is, shake, from a mop or brush, the holy water, on a tray full of babies at one time. So he called for the "aspersorium." Then, clipping this in the basin of holy water, he scattered the drops over the wee folk, until all, even the six extra girl babies in the Turk's Head, were sprinkled. Probably, because the Bishop thought a Turk was next door to a heathen, he dropped more water than usual on these last six, until the young ones squealed lustily with the cold. It was noted, on the contrary, that the little folks in the mince pie dishes were gently handled, as if the good man had visions of Christmas coming and the good things on the table.

Yet it was evident that such tiny people could not bear what healthy babies of full size would think nothing of. Whether it was because of the damp weather, or the cold air in the brick church, or too much excitement, or because there were not three hundred and sixty-six nurses, or milk bottles ready, it came to pass that every one of the wee creatures died when the sun went down.

Just where they were buried is not told, but, for hundreds of years, there was, in one of The Hague churches, a monument in honor of these little folks, who lived but a day. It was graven with portraits in stone of the Count and Countess and told of their children, as many as the days of the year. Near by, were hung up the two basins, in which the holy water, used by the Bishop, in sprinkling the babies, was held. The year, month and day of the wonderful event were also engraved. Many and many people from various lands came to visit the tomb. The guide books spoke of it, and tender women wept, as they thought how three hundred and sixty-six little cradles, in the Count's castle, would have looked, had each baby lived.



THE ONI ON HIS TRAVELS

Across the ocean, in Japan, there once lived curious creatures called Onis. Every Japanese boy and girl has heard of them, though one has not often been caught. In one museum, visitors could see the hairy leg of a specimen. Falling out of the air in a storm, the imp had lost his limb. It had been torn off by being caught in the timber side of a well curb. The story-teller was earnestly assured by one Japanese lad that his grandfather had seen it tumble from the clouds.

Many people are sure that the Onis live in the clouds and occasionally fall off, during a peal of thunder. Then they escape and hide down in a well. Or, they get loose in the kitchen, rattle the dishes around, and make a great racket. They behave like cats, with a dog after them. They do a great deal of mischief, but not much harm. There are even some old folks who say that, after all, Onis are only unruly children, that behave like angels in the morning and act like imps in the afternoon. So we see that not much is known about the Onis.

Many things that go wrong are blamed on the Onis. Foolish folks, such as stupid maid-servants, and dull-witted fellows, that blunder a good deal, declare that the Onis made them do it. Drunken men, especially, that stumble into mud-holes at night, say the Onis pushed them in. Naughty boys that steal cake, and girls that take sugar, often tell fibs to their parents, charging it on the Onis.

The Onis love to play jokes on people, but they are not dangerous. There are plenty of pictures of them in Japan, though they never sat for their portraits, but this is the way they looked.

Some Onis have only one eye in their forehead, others two, and, once in a while, a big fellow has three. There are little, short horns on their heads, but these are no bigger than those on a baby deer and never grow long. The hair on their heads gets all snarled up, just like a little girl's that cries when her tangled tresses are combed out; for the Onis make use of neither brushes nor looking glasses. As for their faces, they never wash them, so they look sooty. Their skin is rough, like an elephant's. On each of their feet are only three toes. Whether an Oni has a nose, or a snout, is not agreed upon by the learned men who have studied them.

No one ever heard of an Oni being higher than a yardstick, but they are so strong that one of them can easily lift two bushel bags of rice at once. In Japan, they steal the food offered to the idols. They can live without air. They like nothing better than to drink both the rice spirit called sake, and the black liquid called soy, of which only a few drops, as a sauce on fish, are enough for a man. Of this sauce, the Dutch, as well as the Japanese, are very fond.

Above all things else, the most fun for a young Oni is to get into a crockery shop. Once there, he jumps round among the cups and dishes, hides in the jars, straddles the shelves and turns somersaults over the counter. In fact, the Oni is only a jolly little imp. The Japanese girls, on New Year's eve, throw handfuls of dried beans in every room of the house and cry, "In, with good luck; and out with you, Onis!" Yet they laugh merrily all the time. The Onis cannot speak, but they can chatter like monkeys. They often seem to be talking to each other in gibberish.

Now it once happened in Japan that the great Tycoon of the country wanted to make a present to the Prince of the Dutch. So he sent all over the land, from the sweet potato fields in the south to the seal and salmon waters in the north, to get curiosities of all sorts. The products of Japan, from the warm parts, where grow the indigo and the sugar cane, to the cold regions, in which are the bear and walrus, were sent as gifts to go to the Land of Dykes and Windmills. The Japanese had heard that the Dutch people like cheese, walk in wooden shoes, eat with forks, instead of chopsticks, and the women wear twenty petticoats apiece, while the men sport jackets with two gold buttons, and folks generally do things the other way from that which was common in Japan.

Now it chanced that while they were packing the things that were piled up in the palace at Yedo, a young Oni, with his horns only half grown, crawled into the kitchen, at night, through the big bamboo water pipe near the pump. Pretty soon he jumped into the storeroom. There, the precious cups, vases, lacquer boxes, pearl-inlaid pill-holders, writing desks, jars of tea, and bales of silk, were lying about, ready to be put into their cases. The yellow wrappings for covering the pretty things of gold and silver, bronze and wood, and the rice chaff, for the packing of the porcelain, were all at hand. What a jolly time the Oni did have, in tumbling them about and rolling over them! Then he leaped like a monkey from one vase to another. He put on a lady's gay silk kimono and wrapped himself around with golden embroidery. Then he danced and played the game of the Ka-gu'-ra, or Lion of Korea, pretending to make love to a girl-Oni. Such funny capers as he did cut! It would have made a cat laugh to see him. It was broad daylight, before his pranks were over, and the Dutch church chimes were playing the hour of seven.

Suddenly the sound of keys in the lock told him that, in less than a minute, the door would open.

Where should he hide? There was no time to be lost. So he seized some bottles of soy from the kitchen shelf and then jumped into the big bottom drawer of a ladies' cabinet, and pulled it shut.

"Namu Amida" (Holy Buddha!), cried the man that opened the door. "Who has been here? It looks like a rat's picnic."

However, the workmen soon came and set everything to rights. Then they packed up the pretty things. They hammered down the box lids and before night the Japanese curiosities were all stored in the hold of a swift, Dutch ship, from Nagasaki, bound for Rotterdam. After a long voyage, the vessel arrived safely in good season, and the boxes were sent on to The Hague, or capital city. As the presents were for the Prince, they were taken at once to the pretty palace, called the House in the Wood. There they were unpacked and set on exhibition for the Prince and Princess to see the next day.

When the palace maid came in next morning to clean up the floor and dust the various articles, her curiosity led her to pull open the drawer of the ladies' cabinet; when out jumped something hairy. It nearly frightened the girl out of her wits. It was the Oni, which rushed off and down stairs, tumbling over a half dozen servants, who were sitting at their breakfast. All started to run except the brave butler, who caught up a carving knife and showed fight. Seeing this, the Oni ran down into the cellar, hoping to find some hole or crevice for escape. All around, were shelves filled with cheeses, jars of sour-krout, pickled herring, and stacks of fresh rye bread standing in the corners. But oh! how they did smell in his Japanese nostrils! Oni, as he was, he nearly fainted, for no such odors had ever beaten upon his nose, when in Japan. Even at the risk of being carved into bits, he must go back. So up into the kitchen again he ran. Happily, the door into the garden stood wide open.

Grabbing a fresh bottle of soy from the kitchen shelf, the Oni, with a hop, skip and jump, reached outdoors. Seeing a pair of klomps, or wooden shoes, near the steps, the Oni put his pair of three toes into them, to keep the dogs from scenting its tracks. Then he ran into the fields, hiding among the cows, until he heard men with pitchforks coming. At once the Oni leaped upon a cow's back and held on to its horns, while the poor animal ran for its life into its stall, in the cow stable, hoping to brush the monster off.

The dairy farmer's wife was at that moment pulling open her bureau drawer, to put on a new clean lace cap. Hearing her favorite cow moo and bellow, she left the drawer open and ran to look through the pane of glass in the kitchen. Through this, she could peep, at any minute, to see whether this or that cow, or its calf, was sick or well.

Meanwhile, at the House in the Wood, the Princess, hearing the maid scream and the servants in an uproar, rushed out in her embroidered white nightie, to ask who, and what, and why, and wherefore. All different and very funny were the answers of maid, butler, cook, valet and boots.

The first maid, who had pulled open the drawer and let the Oni get out, held up broom and duster, as if to take oath. She declared:

"It was a monkey, or baboon; but he seemed to talk—Russian, I think."

"No," said the butler. "I heard the creature—a black ram, running on its hind legs; but its language was German, I'm sure."

The cook, a fat Dutch woman, told a long story. She declared, on honor, that it was a black dog like a Chinese pug, that has no hair. However, she had only seen its back, but she was positive the creature talked English, for she heard it say "soy."

The valet honestly avowed that he was too scared to be certain of anything, but was ready to swear that to his ears the words uttered seemed to be Swedish. He had once heard sailors from Sweden talking, and the chatter sounded like their lingo.

Then there was Boots, the errand boy, who believed that it was the Devil; but, whatever or whoever it was, he was ready to bet a week's wages that its lingo was all in French.

Now when the Princess found that not one of her servants could speak or understand any language but their own, she scolded them roundly in Dutch, and wound up by saying, "You're a lot of cheese-heads, all of you."

Then she arranged the wonderful things from the Far East, with her own dainty hands, until the House in the Wood was fragrant with Oriental odors, and soon it became famous throughout all Europe. Even when her grandchildren played with the pretty toys from the land of Fuji and flowers, of silk and tea, cherry blossoms and camphor trees, it was not only the first but the finest Japanese collection in all Europe.

Meanwhile, the Oni, in a strange land, got into one trouble after another. In rushed men with clubs, but as an Oni was well used to seeing these at home, he was not afraid. He could outrun, outjump, or outclimb any man, easily. The farmer's vrouw (wife) nearly fainted when the Oni leaped first into her room and then into her bureau drawer. As he did so, the bottle of soy, held in his three-fingered paw, hit the wood and the dark liquid, as black as tar, ran all over the nicely starched laces, collars and nightcaps. Every bit of her quilled and crimped hear-gear and neckwear, once as white as snow, was ruined.

"Donder en Bliksem" (thunder and lightning), cried the vrouw. "There's my best cap, that cost twenty guilders, utterly ruined." Then she bravely ran for the broomstick.

The Oni caught sight of what he thought was a big hole in the wall and ran into it. Seeing the blue sky above, he began to climb up. Now there were no chimneys in Japan and he did not know what this was. The soot nearly blinded and choked him. So he slid down and rushed out, only to have his head nearly cracked by the farmer's wife, who gave him a whack of her broomstick. She thought it was a crazy goat that she was fighting. She first drove the Oni into the cellar and then bolted the door.

An hour later, the farmer got a gun and loaded it. Then, with his hired man he came near, one to pull open the door, and the other to shoot. What they expected to find was a monster.

But no! So much experience, even within an hour, of things unknown in Japan, including chimneys, had been too severe for the poor, lonely, homesick Oni. There it lay dead on the floor, with its three fingers held tightly to its snout and closing it. So much cheese, zuur kool (sour krout), gin (schnapps), advocaat (brandy and eggs), cows' milk, both sour and fresh, wooden shoes, lace collars and crimped neckwear, with the various smells, had turned both the Oni's head and his stomach. The very sight of these strange things being so unusual, gave the Oni first fright, and then a nervous attack, while the odors, such as had never tortured his nose before, had finished him.

The wise men of the village were called together to hold an inquest. After summoning witnesses, and cross-examining them and studying the strange creature, their verdict was that it could be nothing less than a Hersen Schim, that is, a spectre of the brain. They meant by this that there was no such animal.

However, a man from Delft, who followed the business of a knickerbocker, or baker of knickers, or clay marles, begged the body of the Oni. He wanted it to serve as a model for a new gargoyle, or rain spout, for the roof of churches. Carved in stone, or baked in clay, which turns red and is called terra cotta, the new style of monster became very popular. The knickerbocker named it after a new devil, that had been expelled by the prayers of the saints, and speedily made a fortune, by selling it to stone cutters and architects. So for one real Oni, that died and was buried in Dutch soil, there are thousands of imaginary ones, made of baked clay, or stone, in the Dutch land, where things, more funny than in fairy-land, constantly take place.

The dead Japanese Oni serving as a model, which was made into a water gutter, served more useful purposes, for a thousand years, than ever he had done, in the land where his relations still live and play their pranks.



THE LEGEND OF THE WOODEN SHOE

In years long gone, too many for the almanac to tell of, or for clocks and watches to measure, millions of good fairies came down from the sun and went into the earth. There, they changed themselves into roots and leaves, and became trees. There were many kinds of these, as they covered the earth, but the pine and birch, ash and oak, were the chief ones that made Holland. The fairies that lived in the trees bore the name of Moss Maidens, or Tree "Trintjes," which is the Dutch pet name for Kate, or Katharine.

The oak was the favorite tree, for people lived then on acorns, which they ate roasted, boiled or mashed, or made into meal, from which something like bread was kneaded and baked. With oak bark, men tanned hides and made leather, and, from its timber, boats and houses. Under its branches, near the trunk, people laid their sick, hoping for help from the gods. Beneath the oak boughs, also, warriors took oaths to be faithful to their lords, women made promises, or wives joined hand in hand around its girth, hoping to have beautiful children. Up among its leafy branches the new babies lay, before they were found in the cradle by the other children. To make a young child grow up to be strong and healthy, mothers drew them through a split sapling or young tree. Even more wonderful, as medicine for the country itself, the oak had power to heal. The new land sometimes suffered from disease called the val (or fall). When sick with the val, the ground sunk. Then people, houses, churches, barns and cattle all went down, out of sight, and were lost forever, in a flood of water.

But the oak, with its mighty roots, held the soil firm. Stories of dead cities, that had tumbled beneath the waves, and of the famous Forest of Reeds, covering a hundred villages, which disappeared in one night, were known only too well.

Under the birch tree, lovers met to plight their vows, and on its smooth bark was often cut the figure of two hearts joined in one. In summer, the forest furnished shade, and in winter warmth from the fire. In the spring time, the new leaves were a wonder, and in autumn the pigs grew fat on the mast, or the acorns, that had dropped on the ground.

So, for thousands of years, when men made their home in the forest, and wanted nothing else, the trees were sacred.

But by and by, when cows came into the land and sheep and horses multiplied, more open ground was needed for pasture, grain fields and meadows. Fruit trees, bearing apples and pears, peaches and cherries, were planted, and grass, wheat, rye and barley were grown. Then, instead of the dark woods, men liked to have their gardens and orchards open to the sunlight. Still, the people were very rude, and all they had on their bare feet were rough bits of hard leather, tied on through their toes; though most of them went barefooted.

The forests had to be cut down. Men were so busy with the axe, that in a few years, the Wood Land was gone. Then the new "Holland," with its people and red roofed houses, with its chimneys and windmills, and dykes and storks, took the place of the old Holt Land of many trees.

Now there was a good man, a carpenter and very skilful with his tools, who so loved the oak that he gave himself, and his children after him, the name of Eyck, which is pronounced Ike, and is Dutch for oak. When, before his neighbors and friends, according to the beautiful Dutch custom, he called his youngest born child, to lay the corner-stone of his new house, he bestowed upon her, before them all, the name of Neeltje (or Nellie) Van Eyck.

The carpenter daddy continued to mourn over the loss of the forests. He even shed tears, fearing lest, by and by, there should not one oak tree be left in the country. Moreover, he was frightened at the thought that the new land, made by pushing back the ocean and building dykes, might sink down again and go back to the fishes. In such a case, all the people, the babies and their mothers, men, women, horses and cattle, would be drowned. The Dutch folks were a little too fast, he thought, in winning their acres from the sea.

One day, while sitting on his door-step, brooding sorrowfully, a Moss Maiden and a Tree Elf appeared, skipping along, hand in hand. They came up to him and told him that his ancestral oak had a message for him. Then they laughed and ran away. Van Eyck, which was now the man's full family name, went into the forest and stood under the grand old oak tree, which his fathers loved, and which he would allow none to cut down.

Looking up, the leaves of the tree rustled, and one big branch seemed to sweep near him. Then it whispered in his ear:

"Do not mourn, for your descendants, even many generations hence, shall see greater things than you have witnessed. I and my fellow oak trees shall pass away, but the sunshine shall be spread over the land and make it dry. Then, instead of its falling down, like acorns from the trees, more and better food shall come up from out of the earth. Where green fields now spread, and the cities grow where forests were, we shall come to life again, but in another form. When most needed, we shall furnish you and your children and children's children, with warmth, comfort, fire, light, and wealth. Nor need you fear for the land, that it will fall; for, even while living, we, and all the oak trees that are left, and all the birch, beech, and pine trees shall stand on our heads for you. We shall hold up your houses, lest they fall into the ooze and you shall walk and run over our heads. As truly as when rooted in the soil, will we do this. Believe what we tell you, and be happy. We shall turn ourselves upside down for you."

"I cannot see how all these things can be," said Van Eyck.

"Fear not, my promise will endure."

The leaves of the branch rustled for another moment. Then, all was still, until the Moss Maiden and Trintje, the Tree Elf, again, hand in hand, as they tripped along merrily, appeared to him.

"We shall help you and get our friends, the elves, to do the same. Now, do you take some oak wood and saw off two pieces, each a foot long. See that they are well dried. Then set them on the kitchen table to-night, when you go to bed." After saying this, and looking at each other and laughing, just as girls do, they disappeared.

Pondering on what all this might mean, Van Eyck went to his wood-shed and sawed off the oak timber. At night, after his wife had cleared off the supper table, he laid the foot-long pieces in their place.

When Van Eyck woke up in the morning, he recalled his dream, and, before he was dressed, hurried to the kitchen. There, on the table, lay a pair of neatly made wooden shoes. Not a sign of tools, or shavings could be seen, but the clean wood and pleasant odor made him glad. When he glanced again at the wooden shoes, he found them perfectly smooth, both inside and out. They had heels at the bottom and were nicely pointed at the toes, and, altogether, were very inviting to the foot. He tried them on, and found that they fitted him exactly. He tried to walk on the kitchen floor, which his wife kept scrubbed and polished, and then sprinkled with clean white sand, with broomstick ripples scored in the layers, but for Van Eyck it was like walking on ice. After slipping and balancing himself, as if on a tight rope, and nearly breaking his nose against the wall, he took off the wooden shoes, and kept them off, while inside the house. However, when he went outdoors, he found his new shoes very light, pleasant to the feet and easy to walk in. It was not so much like trying to skate, as it had been in the kitchen.

At night, in his dreams, he saw two elves come through the window into the kitchen. One, a kabouter, dark and ugly, had a box of tools. The other, a light-faced elf, seemed to be the guide. The kabouter at once got out his saw, hatchet, auger, long, chisel-like knife, and smoothing plane. At first, the two elves seemed to be quarrelling, as to who should be boss. Then they settled down quietly to work. The kabouter took the wood and shaped it on the outside. Then he hollowed out, from inside of it, a pair of shoes, which the elf smoothed and polished. Then one elf put his little feet in them and tried to dance, but he only slipped on the smooth floor and flattened his nose; but the other fellow pulled the nose straight again, so it was all right. They waltzed together upon the wooden shoes, then took them off, jumped out the window, and ran away.

When Van Eyck put the wooden shoes on, he found that out in the fields, in the mud, and on the soft soil, and in sloppy places, this sort of foot gear was just the thing. They did not sink in the mud and the man's feet were comfortable, even after hours of labor. They did not "draw" his feet, and they kept out the water far better than leather possibly could.

When the Van Eyck vrouw and the children saw how happy Daddy was, they each one wanted a pair. Then they asked him what he called them.

"Klompen," said he, in good Dutch, and klompen, or klomps, they are to this day.

"I'll make a fortune out of this," said Van Eyck. "I'll set up a klomp-winkel (shop for wooden shoes) at once."

So, going out to the blacksmith's shop, in the village, he had the man who pounded iron fashion for him on his anvil, a set of tools, exactly like those used by the kabouter and the elf, which he had seen in his dream. Then he hung out a sign, marked "Wooden blocks for shoes." He made klomps for the little folks just out of the nursery, for boys and girls, for grown men and women, and for all who walked out-of-doors, in the street or on the fields.

Soon klomps came to be the fashion in all the country places. It was good manners, when you went into a house, to take off your wooden shoes and leave them at the door. Even in the towns and cities, ladies wore wooden slippers, especially when walking or working in the garden.

Klomps also set the fashion for soft, warm socks, and stockings made from sheep's wool. Soon, a thousand needles were clicking, to put a soft cushion between one's soles and toes and the wood. Women knitted, even while they walked to market, or gossiped on the streets. The klomp-winkels, or shops of the shoe carpenters, were seen in every village.

When rich beyond his day-dreams, Van Eyck had another joyful night vision. The next day, he wore a smiling countenance. Everybody, who met him on the street, saluted him and asked, in a neighborly way:

"Good-morning, Mynheer Bly-moe-dig (Mr. Cheerful). How do you sail to-day?"

That's the way the Dutch talk—not "how do you do," but, in their watery country, it is this, "How do you sail?" or else, "Hoe gat het u al?" (How goes it with you, already?)

Then Van Eyck told his dream. It was this: The Moss Maiden and Trintje, the wood elf, came to him again at night and danced. They were lively and happy.

"What now?" asked the dreamer, smilingly, of his two visitors.



He had hardly got the question out of his mouth, when in walked a kabouter, all smutty with blacksmith work. In one hand, he grasped his tool box. In the other, he held a curious looking machine. It was a big lump of iron, set in a frame, with ropes to pull it up and let it fall down with a thump.

"What is it?" asked Van Eyck.

"It's a Hey" (a pile driver), said the kabouter, showing him how to use it. "When men say to you, on the street, to-morrow, 'How do you sail?' laugh at them," said the Moss Maiden, herself laughing.

"Yes, and now you can tell the people how to build cities, with mighty churches with lofty towers, and with high houses like those in other lands. Take the trees, trim the branches off, sharpen the tops, turn them upside down and pound them deep in the ground. Did not the ancient oak promise that the trees would be turned upside down for you? Did they not say you could walk on top of them?"

By this time, Van Eyck had asked so many questions, and kept the elves so long, that the Moss Maiden peeped anxiously through the window. Seeing the day breaking, she and Trintje and the kabouter flew away, so as not to be petrified by the sunrise.

"I'll make another fortune out of this, also," said the happy man, who, next morning, was saluted as Mynheer Blyd-schap (Mr. Joyful).

At once, Van Eyck set up a factory for making pile drivers. Sending men into the woods, who chose the tall, straight trees, he had their branches cut off. Then he sharpened the trunks at one end, and these were driven, by the pile driver, down, far and deep, into the ground. So a foundation, as good as stone, was made in the soft and spongy soil, and well built houses uprose by the thousands. Even the lofty walls of churches stood firm. The spires were unshaken in the storm.

Old Holland had not fertile soil like France, or vast flocks of sheep, producing wool, like England, or armies of weavers, as in the Belgic lands. Yet, soon there rose large cities, with splendid mansions and town halls. As high towards heaven as the cathedrals and towers in other lands, which had rock for foundation, her brick churches rose in the air. On top of the forest trees, driven deep into the sand and clay, dams and dykes were built, that kept out the ocean. So, instead of the old two thousand square miles, there were, in the realm, in the course of years, twelve thousand, rich in green fields and cattle. Then, for all the boys and girls that travel in this land of quaint customs, Holland was a delight.



THE CURLY-TAILED LION

Once upon a time, some Dutch hunters went to Africa, hoping to capture a whole family of lions. In this they succeeded. With a pack of hounds and plenty of aborigines to poke the jungle with sticks, they drove a big male lion, with his wife and four whelps, out of the undergrowth into a circle. In the centre, they had dug a pit and covered it over with sticks and grass. Into this, the whole lion family tumbled. Then, by nets and ropes, the big, fierce creatures and the little cubs were lifted out. They were put in cages and brought to Holland. The baby lions, no bigger than pug dogs, were as pretty and harmless as kittens. The sailors delighted to play with them.

Now lions, even before one was ever seen among the Dutch, enjoyed a great reputation for strength, courage, dignity and power. It was believed that they had all the traits of character supposed to belong to kings, and which boys like to possess. Many fathers had named their sons Leo, which is Latin for lion. Dutch daddies had their baby boys christened with the name of Leeuw, which is their word for the king of beasts.

Before lions were brought from the hot countries into colder lands, the bear and wolf were most admired; because, besides possessing plenty of fur, as well as great claws and terrible teeth, they had great courage. For these reasons, many royal and common folks had taken the wolf and bear as namesakes for their hopeful sons.

But the male lion could make more noise than wolves, for he could roar, while they could only howl. He had a shaggy mane and a very long tail. This had a nail at the end, for scratching and combing out his hair, when tangled up. If he were angry, the mighty brute could stick out his red tongue, curled like a pump handle, and nearly half a yard long.

So the lion was called the king of beasts, and the crowned rulers and knights took him as their emblem. They had pictures of the huge creature painted on their flags, shields and armor. Sometimes they stuck a gold or brass lion on their iron war hats, which they called helmets. No knight was allowed to have more than one lion on his shield, but kings might have three or four, or even a whole menagerie of meat-eating creatures. These painted or sculptured lions were in all sorts of action, running, walking, standing up and looking behind or before.

Now there was a Dutch artist, who noticed what funny fellows kings were, and how they liked to have all sorts of beasts and birds of prey, and sea creatures that devour, on their banners. There were dragons, two-headed eagles, boars with tusks, serpents with fangs, hawks, griffins, wyverns, lions, dragons and dragon-lions, besides horses with wings, mermaids with scaly tails, and even night mares that went flying through the dark. With such a funny variety of beast, bird, and fish, some wondered why there were not cows with two tails, cats with two noses, rams with four horns, and creatures that were half veal and half mutton. He noticed that kings did not care much for tame, quiet, peaceable, or useful creatures, such as oxen or horses, doves or sheep; but only for those brutes that hunt and kill the more defenceless creatures.

Since, then, kings of the country must have a lion, the artist resolved to make a new one. He would have some fun, at any rate.

So as painter or sculptor select men and women to pose for them in their study as their heroes and heroines, and just as they picture plump little boys and girls as cherubs and angels, so the Dutchman would make of the cubs and the father beast of prey his models for coats of arms.

Poor lions! They did not know, but they soon found out how tiresome it was to pose. They must hold their paws up, down, sideways or behind, according as they were told. They must stand or kneel, for a long time, in awkward positions. They must stick out their tongues to full length, walk on their hind legs, twist their necks, to one side or the other, look forward or backward, and in many tiresome ways do just as they were ordered. They must also make of their tails every sort of use, whether to wrap around posts or bundles, to stick out of their cage, or put between their legs, as they ran away, or to whisk them around, as they roared; or hoist them up high when rampant.

In some cases, they were expected, even, to put on spectacles, and pretend to be reading, to hold in their paws books and scrolls, or town arms, or shop signs. They must pose, not only as companions of Daniel, in the lions' den at Babylon, which was proper; but also to sit, as companion of St. Mark, and even to stand on their legs on the top of a high column, without falling off.

In a word, this artist belonged to the college of heralds, and he introduced the king of beasts into Dutch heraldry.

So from that day forth, the life of that family of African lions, from the daddy to the youngest cub, was made a burden. When at home in the jungle and even in the cage, the father lion's favorite position was that of lolling on one side, with his paws stretched out, and half asleep and all day, until he went out, towards dark, to hunt. Now, he must stand up, nearly all day. Daddy lion had to do most of the posing, until the poor beast's front legs and paws were weary with standing so long. Moreover, the hair was all worn off his body at the place where he had to sit on the hard wooden floor. He must do all this, on penalty of being punched with a red hot poker, if he refused. A charcoal furnace and long andirons were kept near by, and these were attended to by a Dutch boy. Or, it might be that the whole family of lions were not allowed to have any dinner till Daddy obeyed and did what he was told, though often with a snarl or a roar.

First, Leo must rise upon his hind legs and look in front of him. This posture was not hard, for in his native jungle, he had often thus obtained a breakfast of venison for his wife and family. But oh, to stand a half hour on two legs only, when he had four, and would gladly have used all of them, was hard. Yet this was the position, called "the lion rampant," which kings liked best.

But the king's uncles, nephews, nieces, cousins, and his wife's relations generally, every one of them, wanted a lion on his or her stationery and pocket handkerchiefs, as well as on their shields and flags. So the old lion was tortured—the hot poker being always in sight—and he was made to take a great variety of positions. The artist called out to Leo, just as a driver says to his cart horse, "whoa," "get up," "golong," etc. When he yelled in this fashion, the lion had to obey.

Pretty soon lions in heraldry, on flags, armor, town arms, family crests and city seals became all the fashion. The whole country went lion-mad. There were lions carved in stone, wood and iron, and every sort and kind, possible or impossible. Some of them seemed to be engaged in a variety of tricks, as if they belonged to a circus, or were having a holiday. They laughed, giggled, yawned, stuck out their tongues, held boards for hotels, bundles for the shopkeepers, or barrels for beer halls, and made excellent shop signs, which the boys and girls enjoyed looking at.

Mrs. Leo was not in much demand, for Mr. Leo did not approve of his wife's appearing in public. She was kept busy in taking care of her cubs. Daddy Lion had to do multiple work for his family, until the cubs were grown. Yet long before this time had come, their Dad had died and been stuffed for a museum. How this first king of beasts in the Netherlands came to his untimely end was on this wise.

Not satisfied with posing Leo in every posture, and with all possible gestures, his master, the artist, wanted him to look "heraldical"; that is, like some of the mythical beasts that were combinations of any and all creatures having fins, fur, feathers, or scales, such as the dragon or griffin. One day, he attempted to make out of a live lion a fanciful creature of curlicues and curliewurlies. So he strapped the lion down, and used a curling iron on his mane until he looked like a bearded bull of Babylon. Then he combed out, and, with curl papers, twisted the long line of hair, which is seen in front of Leo's stomach. In like manner, he treated the bunches of hair that grow over the animal's kneepans and elbows. Last of all, he took a hair brush, and smoothed out the tuft, at the end of the animal's long tail. Then the artist made a picture of him in this condition, all curled and rich in ringlets, like a dandy.

By this time, the father of the lion family looked as if he had come out fresh from a hairdresser's parlor. Indeed, Mrs. Leo was so struck with her husband's appearance, that she immediately licked her cubs all over, until their fur shone, so they should look like their father. Then, having used her tongue as a comb, to make her own skin smooth and glossy, she completed the job by using the nail in her tail, to do the finishing work. Altogether, this was the curliest family of lions ever seen, and Daddy Leo appeared to be the funniest curly-headed and curly-bodied lion ever seen. In fact he was all curls, from head to tail.

Notwithstanding all his pains, the artist was not yet satisfied with his job. He wanted a circle of long hair to grow in the middle of the lion's tail. His curly lion should beat all creation, and in this way he proceeded.

His own daughter, being a young lady and having some trouble of the throat, the doctor had ordered medicine for the girl, charging her not to spill any drops of the liquid on her face, or clothes.

But, in giving the dose, either the mother, or the daughter, was careless. At that very moment the cat ran across the room, after the mouse, and just as she held the spoon to her mouth, Puss got twisted in her skirts. So most of the medicine splashed upon her upper lip and then ran down to her chin, on either side of her mouth. She laughed over the spill, wiped off the liquid, and thought no more of the matter.

But a week later, she was astonished. On waking, she looked in the glass, only to shrink back in horror. On her face had grown both moustaches and a beard. True, both were rather downy, but still they were black; and, until the barber came, and shaved off the growth, she was a bearded woman. Yet, strange to tell, after one or two shaves by the barber, no more hair grew again on her face, which was smooth again.

"By Saint Servatus! I'll make a fortune on this," cried the artist, when he saw his daughter's hairy face.

So, he sold his secret to a druggist, and this man made an ointment, giving it a Chinese name, meaning "beard-grower." This wonderful medicine, as his sign declared, would "force the growth of luxuriant moustaches and a beard, on the smoothest face of any young man," who should buy and apply it.

Soon the whole town rang with the news of the wonderful discovery. The druggist sold out his stock, in two days, to happy purchasers. Other young fellows, that wanted to outrival their companions, had to wait a fortnight for the new medicine to be made. By that time, a full crop of downy hair had come out on the cheeks and chin and upper lip of many a youth. Some, who had been trying for years to raise moustaches, in order duly to impress the girls, to whom they were making love, were now jubilant. In several cases, a lover was able to cut out his rival and win the maid he wanted. Several courtings were hastened and became genuine matches, because a face, long very smooth, and like a desert as to hair, bore a promising crop. Beard and cheeks had at last met together. So the new medicine was called a "match-maker."

The artist rubbed his hands in glee, at the prospect of a fortune. He argued that if the wonderful ointment made beards for men, it must be good for lions also. So again, Daddy Lion was coerced by the threat of the hot poker. Then his tail was seized, and, by means of a rope, tied to a post on one side of the cage, he was held fast. Then the artist anointed about six inches of the middle of the smooth tail with the magic liquid. For fear the lion might lick it off, the poor beast was held in this tiresome position for a whole week, so that he could not turn round, and he nearly died of fatigue.

But it happened to the lion's tail, as it did with the young men's chins, cheeks and upper lips. A beard did indeed grow, but once shaved off—and many did shave, thinking to promote greater growth—no more hair ever appeared again. The ointment forced a downy growth but it killed the roots of the hair.

A worse fate befell the lion. A crop of hair, perhaps an inch longer than common, grew out. But this time, the bad medicine, which had deceived men, and was unfit for lions, struck in.

From this cause, added to nervous prostration, old Leo fell dead. As lion fathers go, he was a good one, and his widow and children mourned for him. He had never once, however hungry, tried to eat up his cubs, which was something in his favor.

Soon after these exploits, the old artist died also. His son, hearing there was still a demand, among kings, for lions, and those especially with centre curls in their tails, took the most promising of the whelps and petted and fed him well. In the seventh year, when his mane and elbow and knee hair had grown out, this cub was mated to a young lioness of like promise. When, of this couple, a male whelp was born, it was found that in due time its knees, elbows, tail-tuft, and the front of its body were all rich in furry growth. In the middle of its tail, also, thick ringlets, several inches long, were growing. Evidently, the hair tonic had done some good. So this one became the father of all the curly-tailed lions in the Netherlands. Not only was this lion, thus distinguished for so novel an ornament, copied into heraldry, but it adorned many city seals and town arms. In time, the lion of the Netherlands was pictured with a crown on its head, a sword in its right hand, a bundle of seven arrows—in token of a union of seven states—and, still later, the new Order of the Netherlands Lion was founded. The original curly lion, with long hair in the middle of its tail, boasts of a long line of descendants that are proud of their ancestor.



BRABO AND THE GIANT

Ages ago, when the giants were numerous on the earth, there lived a big fellow named Antigonus. That was not what his mother had called him, but some one told him of a Greek general of that name; so he took this for his own. He was rough and cruel. His castle was on the Scheldt River, where the city of Antwerp now stands. Many ships sailed out of France and Holland, down this stream. They were loaded with timber, flax, iron, cheese, fish, bread, linen, and other things made in the country. It was by this trade that many merchants grew rich, and their children had plenty of toys to play with. The river was very grand, deep, and wide. The captains of the ships liked to sail on it, because there was no danger from rocks, and the country through which it flowed was so pretty.

So every day, one could see hundreds of white-sailed craft moving towards the sea, or coming in from the ocean. Boys and girls came down to stand in their wooden shoes on the banks, to see the vessels moving to and fro. The incoming ships brought sugar, wine, oranges, lemons, olives and other good things to eat, and wool to make warm clothes. Often craftsmen came from the wonderful countries in the south to tell of the rich cities there, and help to build new and fine houses, and splendid churches, and town halls. So all the Belgian people were happy.

But one day, this wicked giant came into the country to stop the ships and make them pay him money. He reared a strong castle on the river banks. It had four sides and high walls, and deep down in the earth were dark, damp dungeons. One had to light a candle to find his way to the horrid places.

What was it all for? The people wondered, but they soon found out. The giant, with a big knotted club, made out of an oak tree, strode through the town. He cried out to all the people to assemble in the great open square.

"From this day forth," he roared, "no ship, whether up or down the river, shall pass by this place, without my permission. Every captain must pay me toll, in money or goods. Whoever refuses, shall have both his hands cut off and thrown into the river.

"Hear ye all and obey. Any one caught in helping a ship go by without paying toll, whether it be night, or whether it be day, shall have his thumbs cut off and be put in the dark dungeon for a month. Again I say, Obey!"

With this, the giant swung and twirled his club aloft and then brought it down on a poor countryman's cart, smashing it into flinders. This was done to show his strength.

So every day, when the ships hove in sight, they were hailed from the giant's castle and made to pay heavy toll. Poor or rich, they had to hand over their money. If any captain refused, he was brought ashore and made to kneel before a block and place one hand upon the other. Then the giant swung his axe and cut off both hands, and flung them into the river. If a ship master hesitated, because he had no money, he was cast into a dungeon, until his friends paid his ransom.

Soon, on account of this, the city got a bad name. The captains from France kept in, and the ship men from Spain kept out. The merchants found their trade dwindling, and they grew poorer every day. So some of them slipped out of the city and tried to get the ships to sail in the night, and silently pass the giant's castle.

But the giant's watchers, on the towers, were as wide awake as owls and greedy as hawks. They pounced on the ship captains, chopped off their hands and tossed them into the river. The townspeople, who were found on board, were thrown into the dungeons and had their thumbs cut off.

So the prosperity of the city was destroyed, for the foreign merchants were afraid to send their ships into the giant's country. The reputation of the city grew worse. It was nicknamed by the Germans Hand Werpen, or Hand Throwing; while the Dutchmen called it Antwerp, which meant the same thing. The Duke of Brabant, or Lord of the land, came to the big fellow's fortress and told him to stop. He even shook his fist under the giant's huge nose, and threatened to attack his castle and burn it. But Antigonus only snapped his fingers, and laughed at him. He made his castle still stronger and kept on hailing ships, throwing some of the crews into dungeons and cutting off the hands of the captains, until the fish in the river grew fat.

Now there was a brave young fellow named Brabo, who lived in the province of Brabant. He was proud of his country and her flag of yellow, black and red, and was loyal to his lord. He studied the castle well and saw a window, where he could climb up into the giant's chamber.

Going to the Duke, Brabo promised if his lord's soldiers would storm the gates of the giant's castle, that he would seek out and fight the ruffian. While they battered down the gates, he would climb the walls. "He's nothing but a 'bulle-wak'" (a bully and a boaster), said Brabo, "and we ought to call him that, instead of Antigonus."

The Duke agreed. On a dark night, one thousand of his best men-at-arms were marched with their banners, but with no drums or trumpets, or anything that could make a noise and alarm the watchmen.

Reaching a wood full of big trees near the castle, they waited till after midnight. All the dogs in the town and country, for five miles around, were seized and put into barns, so as not to bark and wake the giant up. They were given plenty to eat, so that they quickly fell asleep and were perfectly quiet.

At the given signal, hundreds of men holding ship's masts, or tree trunks, marched against the gates. They punched and pounded and at last smashed the iron-bound timbers and rushed in. After overcoming the garrison, they lighted candles, and unlocking the dungeons, went down and set the poor half-starved captives free. Some of them pale, haggard and thin as hop poles, could hardly stand. About the same time, the barn doors where the dogs had been kept, were thrown open. In full cry, a regiment of the animals, from puppies to hounds, were at once out, barking, baying, and yelping, as if they knew what was going on and wanted to see the fun.

But where was the giant? None of the captains could find him. Not one of the prisoners or the garrison could tell where he had hid.

But Brabo knew that the big fellow, Antigonus, was not at all brave, but really only a bully and a coward. So the lad was not afraid. Some of his comrades outside helped him to set up a tall ladder against the wall. Then, while all the watchers and men-at-arms inside, had gone away to defend the gates, Brabo climbed into the castle, through a slit in the thick wall. This had been cut out, like a window, for the bow-and-arrow men, and was usually occupied by a sentinel. Sword in hand, Brabo made for the giant's own room. Glaring at the youth, the big fellow seized his club and brought it down with such force that it went through the wooden floor. But Brabo dodged the blow and, in a trice, made a sweep with his sword. Cutting off the giant's head, he threw it out the window. It had hardly touched the ground, before the dogs arrived. One of the largest of these ran away with the trophy and the big, hairy noddle of the bully was never found again.

But the giant's huge hands! Ah, they were cut off by Brabo, who stood on the very top of the highest tower, while all below looked up and cheered. Brabo laid one big hand on top of the other, as the giant used to do, when he cut off the hands of captains. He took first the right hand and then the left hand and threw them, one at a time, into the river.

A pretty sight now revealed the fact that the people knew what had been going on and were proud of Brabo's valor. In a moment, every house in Antwerp showed lighted candles, and the city was illuminated. Issuing from the gates came a company of maidens. They were dressed in white, but their leader was robed in yellow, red, and black, the colors of the Brabant flag. They all sang in chorus the praises of Brabo their hero.

"Let us now drop the term of disgrace to the city—that of the Hand-Throwing and give it a new name," said one of the leading men of Antwerp.

"No," said the chief ruler, "let us rather keep the name, and, more than ever, invite all peaceful ships to come again, 'an-'t-werf' (at the wharf), as of old. Then, let the arms of Antwerp be two red hands above a castle."

"Agreed," cried the citizens with a great shout. The Duke of Brabant approved and gave new privileges to the city, on account of Brabo's bravery. So, from high to low, all rejoiced to honor their hero, who was richly rewarded.

After this, thousands of ships, from many countries, loaded or unloaded their cargoes on the wharves, or sailed peacefully by. Antwerp excelled all seaports and became very rich again. Her people loved their native city so dearly, that they coined the proverb "All the world is a ring, and Antwerp is the pearl set in it."

To this day, in the great square, rises the splendid bronze monument of Brabo the Brave. The headless and handless hulk of the giant Antigonus lies sprawling, while on his body rests Antwerp castle. Standing over all, at the top, is Brabo high in air. He holds one of the hands of Antigonus, which he is about to toss into the Scheldt River.

No people honor valor more than the Belgians. Themselves are to-day, as of old, among the bravest.



THE FARM THAT RAN AWAY AND CAME BACK

There was once a Dutchman, who lived in the province called Drenthe. Because there was a row of little trees on his farm, his name was Ryer Van Boompjes; that is, Ryer of the Little Trees. After a while, he moved to the shore of the Zuyder Zee and into Overijssel. Overijssel means over the Ijssel River. There he bought a new farm, near the village of Blokzyl. By dyking and pumping, certain wise men had changed ten acres, of sand and heath, into pasture and land for plowing. They surrounded it on three sides with canals. The fourth side fronted on the Zuyder Zee. Then they advertised, in glowing language, the merits of the new land and Ryer Van Boompjes bought it and paid for his real estate. He was as proud as a popinjay of his island and he ruled over it like a Czar or a Kaiser.

A few years before, Ryer had married a "queezel," as the Dutch call either a nun, or a maid who is no longer young. At this date, when our story begins, he had four blooming, but old-fashioned children, with good appetites. They could eat cabbage and potatoes, rye bread and cheese, by the half peck, and drink buttermilk by the quart. In addition, Ryer owned four horses, six cows, two dogs, some roosters and hens, a flock of geese, two dozen ducks, and a donkey.

Yet although Ryer was rich, as wealth is reckoned in Drenthe, whence he had come, he was greedy for more. He skimped the food of his animals. So much did he do this, that his neighbors declared that they had seen him put green spectacles on his cows and the donkey. Then he mixed straws and shavings with the hay to make the animals think they were eating fresh grass.

When he ploughed, he drove his horses close to the edge next to the water, so as to make use of every half inch of land. When sometimes bits of fen land, from his neighbor's farms, got loose and floated on the water, Ryer felt he was in luck. He would go out at night, grapple the boggy stuff and fasten it to his own land.

After this had happened several times, and Ryer had added a half acre to his holdings, his greed possessed him like a bad fairy. He began to steal the land on the other side of the Zuyder Zee. In the course of time, he became a regular land thief. Whenever he saw, or heard of, a floating bit of territory, he rowed his boat after it by night. Before morning, aided by wicked helpers, who shared in the plunder, and were in his pay, he would have the bog attached to his own farm.

All this time, he hardly realized that his ill-gotten property, now increased to twelve acres or more, was itself a very shaky bit of real estate. In fact, it was not real at all. His wife one day told him so, for she knew of her mean husband's trickery.

About this time, heavy rains fell, for many days, and without ceasing, until all the region was reduced to pulp and the country seemed afloat. The dykes appeared ready to burst. Thousands feared that the land had an attack of the disease called val (fall) and that the soil would sink under the waves as portions of the realm had done before, in days long gone by.

Yet none of this impending trouble worried Ryer, whose greed grew by what it fed upon. In fact, the first day the sun shone again, quickly drying up parts of his farm, he had two horses harnessed up for work. Then he drove them so near the edge of the ditch that plough, man, and horses tumbled, and down they went, into the shiny mess of mud and water.

At this moment, also, the water, from below the bottom of the Zuyder Zee, welled up, in a great wave, like a mushroom, and the whole of Ryer's soggy estate was on the point of breaking loose and seemed ready to float away.

The stingy fellow, as he fell overboard, bumped his head so hard on the plough beam, that he lay senseless for a half hour. He would certainly have been drowned, had not Pete, his stout son, who was not far away, and had seen the tumble, ran to the house, launched a boat and rowed quickly to the spot, where he had last seen his father. Grabbing his daddy by the collar, he hauled him, half dead, into the boat. Between his bump and his fright, and the cold bath, old Ryer was a long time coming to his wits. With filial piety, Pete kept on rubbing the paternal hands and restoring the circulation.

All this, however, took a long time, even an hour or more. When his father was able to sit up and talk, Pete started to row back to the little wharf in front of his home.

But where was it,—the farm, with the house and fields? Whither had they gone? Ryer was too mystified to get his bearings, but Pete knew the points of the compass. Yet his father's farm was not there. He looked at the shore of Overijssel, which he had left. Instead of the old, straight lines of willow trees, with the church spire beyond, there was a hollow and empty place. It looked as if a giant, as big as the world itself, had bitten out a piece of land and swallowed it down. Dumbfounded, father and son looked, the one at the other, but said nothing, for there was nothing to say.

Meanwhile, what had become of the farm and "the Queezel," as the neighbors still called her—that is, the mother with the children. These good people soon saw that they were floating off somewhere. The mainland was every moment receding further into the distance. In fact, the farm was moving from Overijssel northward, towards Friesland. One by one, the church spires of the village near by faded from sight.

But when the wind changed from south to west, they seemed as if on a ship, with sails set, and to be making due west, for North Holland. The younger children, so far from being afraid, clapped their hands in glee. They thought it great fun to ferry across the big water, which they had so long seen before their eyes. Their stingy father had never owned a carriage, or allowed the horses to be ridden. He always made his family walk to church. Whether it were to the sermon, in the morning, or to hear the catechism expounded by the Domine, in the afternoon, all the family had to tramp on their wooden shoes there and back.

As for the floating farm, the cows could not understand it. They mooed piteously, while the donkey brayed loudly. At night, and day after day, no one could attend properly to the animals, to see that they were fed and given water. One always sees a big tub in the middle of a Dutch pasture field. Neither ducks, nor geese, nor chickens minded it in the least, but the thirsty cattle and horses, at the end of the first day, had drunk the tub dry. None of the dumb brutes, even if they had not been afraid of being drowned, could drink from the Zuyder Zee, for it was chiefly sea water, that is, salt, or at least brackish.

Occasionally this errant farm, that had thus broken loose, passed by fishermen, who wondered at so much land thus adrift. Yet they feared to hail, and go on board, lest the owners might think them intruding. Others thought it none of their business, supposing some crazy fellow was using his farm as a ship, to move his lands, goods and household, and thus save expense. In some of the villages, the runaway farm was descried from the tops of the church towers. Then, it furnished a subject for chat and gossip, during three days, to the women, as they milked the cows, or knitted stockings. To the men, also, while they smoked, or drank their coffee, it was a lively topic.

"There were real people on it and a house and stables," said the sexton of a church, who declared that he had seen this new sort of a flying Dutchman. It was the usual sight—"cow, dog, and stork," and then he quoted the old Dutch proverb.

At last, after several days, and when Ryer and his son were nearly finished, with fatigue and fright, in trying to row their boat to catch up with the runaway farm, they finally reached a village across the Zuyder Zee, in North Holland, where rye bread and turnips satisfied their hunger and they had waffles for dessert. Their small change went quickly, and then the two men were at their wit's end to know what further to do.

By this time, out on the floating farm, the mother and children were wild with fear of starving. All the food for the cattle had been eaten up, the dog had no meat, the cat no milk, and the stork had run out of its supply of frogs. There was no sugar or coffee, and neither rye nor currant-bread, or sliced sausage or wafer-thin cheese for any one; but only potatoes and some barley grain. Happily, however, in drifting within sight of the village of Osterbeek, the mother and the children noticed that the east wind was freshening. Soon they descried the tops of the church towers of North Holland. The smell of cows and cheese and of burning peat fires from the chimneys made both animals and human beings happy, as the wind blew the island westward to the village.

Curiously enough, this was the very place at which, by hard rowing, Ryer and Pete had also arrived. Father and son were sitting in the hotel parlor, with their eyes down on the sandy floor, wondering how they were to pay for their next sandwich and coffee, for their money was all gone.

At that moment, a small boy clattered over the bricks in his klomps. He kicked these off, at the door, and rushed into the room. He had on his yellow baggy trousers and his hair, of the same color, was cut level with his ears. Half out of breath, he announced the coming, afloat, of what looked like a combination of farm and menagerie. A house, a woman, some girls, a dog, a cat, and a stork were on it and afloat.

At once, old man Ryer, still stiff from his long, cold bath, hobbled out, and Pete ran before him. Yes, it was mother, the children and all the animals! For the first time in his life, the mean old sinner felt his heart thumping, in grateful emotion, under his woolen jacket, with its two gold buttons. Something like real religion had finally oozed out from under his crusted soul.

A whole convoy of boys, fishermen, farmers, and a fat vrouw or two, volunteered to go out and tow the runaway farm to the village wharf. They succeeded in grappling the float and held it fast by ropes tied to a horse post.

That night all were happy. The farm was made fast by another rope put round the town pump. Then the villagers all went to bed. They were happy in having rescued a runaway farm, and they expected a good "loon" (reward) from the rich old Ryer, who, in the barroom, had talked big about his wealth.

As for the Van Boompjes, in order to save a landlord's bill for beds, they slept in their house, on board the farm, amid the lowing of their cattle that called out, in their own way, for more fodder; while the people in the village wondered at roosters crowing out on the water, and evidently the barn-yard birds were frightened.

And so they were; for, before midnight, when all other creatures were asleep, and not even a mouse was stirring on land, whether hard fast, or floating, the west wind rose mightily and blew to a terrific gale.

In a moment, the tow lines, that held the vagrant farm to the village pump and horse post, snapped. The Van Boompjes estate left the wharf and was driven, at a furious rate, across the Zuyder Zee. For several hours, like a ship under full sail, it was pushed westward by the wind. Yet so soundly did all sleep, man and wife, children and hens, that none awakened during this strange voyage. Even the roosters, after their first concert, held in their voices.

Suddenly, and as straight as if steered by a skilled pilot, the Van Boompjes farm, now an accomplished traveller, after its many adventures, shot into its old place. This took place with such violence, that Ryer Van Boompjes and his wife were both thrown out of bed. The cows were knocked over in the stable. The dog barked, supposing some one had kicked him. One old rooster, jostled off his perch, set up a tremendous crowing, that brought some of the early risers out to rub their eyes and see what was going on.

"Hemel en aard, bliksem en regen" (Heaven and earth, lightning and rain), they cried, "the old farm is back in its place."

In fact, the Van Boompjes real estate was snugly fitted once more to the mainland, and again in the niche it had left. It had struck so hard, that a ridge of raised sod, five inches high, marked the place of junction. At least twenty fishes and wriggling eels were smashed in the collision.

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