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by James Oliver Curwood
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Breault's cough was not pleasant to hear. A cough possesses manifold and almost unclassifiable diversities. But there is only one cough when a man has a bullet through his lungs and is measuring his life by minutes, perhaps seconds. Yet Breault, even as he coughed the red stain from his lips, was not afraid. Many times he had found himself in the presence of death, and long ago it had ceased to frighten him. Some day he had expected to come under the black shadow of it himself—not in a quiet and peaceful way, but all at once, with a shock. And the time had come. He knew that he was dying; and he was calm. More than that—in dying he was achieving a triumph. The red-hot death-sting in his lung had given birth to a frightful thought in his sickening brain. The day of his great opportunity was at hand. The hour—the minute.

A last flush of the pale afternoon sun lighted up his black-bearded face as his eyes turned, with their new inspiration, to his sledge. It was a face that one would remember—not pleasantly, perhaps, but as a fixture in a shifting memory of things; a face strong with a brute strength, implacable in its hard lines, emotionless almost, and beyond that, a mystery.

It was the best known face in all that part of the northland which reaches up from Fort McMurray to Lake Athabasca and westward to Fond du Lac and the Wholdais country. For ten years Breault had made that trip twice a year with the northern mails. In all its reaches there was not a cabin he did not know, a face he had not seen, or a name he could not speak; yet there was not a man, woman, or child who welcomed him except for what he brought. But the government had found its faith in him justified. The police at their lonely outposts had come to regard his comings and goings as dependable as day and night. They blessed him for his punctuality, and not one of them missed him when he was gone. A strange man was Breault.

With his back against a tree, where he had propped himself after the first shock of the bullet in his lung, he took a last look at life with a passionless imperturbability. If there was any emotion at all in his face it was one of vindictiveness—an emotion roused by an intense and terrible hatred that in this hour saw the fulfilment of its vengeance. Few men nursed a hatred as Breault had nursed his. And it gave him strength now, when another man would have died.

He measured the distance between himself and the sledge. It was, perhaps, a dozen paces. The dogs were still standing, tangled a little in their traces,—eight of them,—wide-chested, thin at the groins, a wolfish horde, built for endurance and speed. On the sledge was a quarter of a ton of his Majesty's mail. Toward this Breault began to creep slowly and with great pain. A hand inside of him seemed crushing the fiber of his lung, so that the blood oozed out of his mouth. When he reached the sledge there were many red patches in the snow behind him. He opened with considerable difficulty a small dunnage sack, and after fumbling a bit took there-from a pencil attached to a long red string, and a soiled envelope.

For the first time a change came upon his countenance—a ghastly smile. And above his hissing breath, that gushed between his lips with the sound of air pumped through the fine mesh of a colander, there rose a still more ghastly croak of exultation and of triumph. Laboriously he wrote. A few words, and the pencil dropped from his stiffening fingers into the snow. Around his neck he wore a long red scarf held together by a big brass pin, and to this pin he fastened securely the envelope.

This much done,—the mystery of his death solved for those who might some day find him,—the ordinary man would have contented himself by yielding up life's struggle with as little more physical difficulty as possible. Breault was not ordinary. He was, in his one way, efficiency incarnate. He made space for himself on the sledge, and laid himself out in that space with great care, first taking pains to fasten about his thighs two babiche thongs that were employed at times to steady his freight. Then he ran his left arm through one of the loops of the stout mail-chest. By taking these precautions he was fairly secure in the belief that after he was dead and frozen stiff no amount of rough trailing by the dogs could roll him from the sledge.

In this conjecture he was right. When the starved and exhausted malamutes dragged their silent burden into the Northwest Mounted Police outpost barracks at Crooked Bow twenty-four hours later, an ax and a sapling bar were required to pry Francois Breault from his bier. Previous to this process, however, Sergeant Fitzgerald, in charge at the outpost, took possession of the soiled envelope pinned to Breault's red scarf. The information it bore was simple, and yet exceedingly definite. Few men in dying as Breault had died could have made the matter easier for the police.

On the envelope he had written:

Jan Thoreau shot me and left me for dead. Have just strength to write this—no more.

Francois Breault.

It was epic—a colossal monument to this man, thought Sergeant Fitzgerald, as they pried the frozen body loose.

To Corporal Blake fell the unpleasant task of going after Jan Thoreau. Unpleasant, because Breault's starved huskies and frozen body brought with them the worst storm of the winter. In the face of this storm Blake set out, with the Sergeant's last admonition in his ears:

"Don't come back, Blake, until you've got him, dead or alive."

That is a simple and efficacious formula in the rank and file of the Royal Northwest Mounted Police. It has made volumes of stirring history, because it means a great deal and has been lived up to. Twice before, the words had been uttered to Blake—in extreme cases. The first time they had taken him for six months into the Barren Lands between Hudson's Bay and the Great Slave—and he came back with his man; the second time he was gone for nearly a year along the rim of the Arctic—and from there also he came back with his man. Blake was of that sort. A bull-dog, a Nemesis when he was once on the trail, and—like most men of that kind—without a conscience. In the Blue Books of the service he was credited with arduous patrols and unusual exploits. "Put Blake on the trail" meant something, and "He is one of our best men" was a firmly established conviction at departmental headquarters.

Only one man knew Blake as Blake actually lived under his skin—and that was Blake himself. He hunted men and ran them down without mercy—not because he loved the law, but for the reason that he had in him the inherited instincts of the hound. This comparison, if quite true, is none the less unfair to the hound. A hound is a good dog at heart.

In the January storm it may be that the vengeful spirit of Francois Breault set out in company with Corporal Blake to witness the consummation of his vengeance. That first night, as he sat close to his fire in the shelter of a thick spruce timber, Blake felt the unusual and disturbing sensation of a presence somewhere near him. The storm was at its height. He had passed through many storms, but to-night there seemed to be an uncannily concentrated fury in its beating and wailing over the roofs of the forests.

He was physically comfortable. The spruce trees were so dense that the storm did not reach him, and fortune favored him with a good fire and plenty of fuel. But the sensation oppressed him. He could not keep away from him his mental vision of Breault as he had helped to pry him from the sledge—his frozen features, the stiffened fingers, the curious twist of the icy lips that had been almost a grin.

Blake was not superstitious. He was too much a man of iron for that. His soul had lost the plasticity of imagination. But he could not forget Breault's lips as they had seemed to grin up at him. There was a reason for it. On his last trip down, Breault had said to him, with that same half-grin on his face:

"M'sieu, some day you may go after my murderer, and when you do, Francois Breault will go with you."

That was three months ago. Blake measured the time back as he sucked at his pipe, and at the same time he looked at the shadowy and half-lost forms of his dogs, curled up for the night in the outer rim of firelight.

Over the tree-tops a sudden blast of wind howled. It was like a monster voice. Blake rose to his feet and rolled upon the fire the big night log he had dragged in, and to this he added, with the woodman's craft of long experience, lengths of green timber, so arranged that they would hold fire until morning. Then he went into his silk service tent and buried himself in his sleeping-bag.

For a long time he did not sleep. He listened to the crackle of the fire. Again and again he heard that monster voice moaning and shrieking over the forest. Never had the rage of storm filled him with the uneasiness of to-night. At last the mystery of it was solved for him. The wind came and went each time in a great moaning, half shrieking sound: B-r-r-r-r—e-e-e-e—aw-w-w-w!

It was like a shock to him; and yet, he was not a superstitious man. No, he was not that. He would have staked his life on it. But it was not pleasant to hear a dead man's name shrieked over one's head by the wind. Under the cover of his sleeping-bag flap Corporal Blake laughed. Funny things were always happening, he tried to tell himself. And this was a mighty good joke. Breault wasn't so slow, after all. He had given his promise, and he was keeping it; for, if it wasn't really Breault's voice up there in the wind, multiplied a thousand times, it was a good imitation of it. Again Corporal Blake laughed—a laugh as unpleasant as the cough that had come from Breault's bullet-punctured lung. He fell asleep after a time; but even sleep could not drive from him the clinging obsession of the thought that strange things were to happen in this taking of Jan Thoreau.

With the gray dawn there was nothing to mark the passing of the storm except freshly fallen snow, and Blake was on the trail before it was light enough to see a hundred yards ahead. There was a defiance and a contempt of last night in the crack of his long caribou-gut whip and the halloo of his voice as he urged on his dogs. Breault's voice in the wind? Bah! Only a fool would have thought that. Therefore he was a fool. And Jan Thoreau—it would be like taking a child. There would be no happenings to report—merely an arrest, a quick return journey, an affair altogether too ordinary to be interesting. Perhaps it was all on account of the hearty supper of caribou liver he had eaten. He was fond of liver, and once or twice before it had played him tricks.

He began to wonder if he would find Jan Thoreau at home. He remembered Jan quite vividly. The Indians called him Kitoochikun because he played a fiddle. Blake, the Iron Man, disliked him because of that fiddle. Jan was never without it, on the trail or off. The Fiddling Man, he called him contemptuously—a baby, a woman; not fit for the big north. Tall and slim, with blond hair in spite of his French blood and name, a quiet and unexcitable face, and an air that Blake called "damned superiority." He wondered how the Fiddling Man had ever screwed up nerve enough to kill Breault. Undoubtedly there had been no fight. A quick and treacherous shot, no doubt. That was like a man who played a fiddle. POOF! He had no more respect for him than if he dressed in woman's clothing.

And he DID have a wife, this Jan Thoreau. They lived a good twenty miles off the north-and-south trail, on an island in the middle of Black Bear Lake. He had never seen the wife. A poor sort of woman, he made up his mind, that would marry a fiddler. Probably a half-breed; maybe an Indian. Anyway, he had no sympathy for her. Without a doubt, it was the woman who did the trapping and cut the wood. Any man who would tote a fiddle around on his back—

Corporal Blake traveled fast, and it was afternoon of the second day when he came to the dense spruce forest that shut in Black Bear Lake. Here something happened to change his plans somewhat. He met an Indian he knew—an Indian who, for two or three good reasons that stuck in the back of his head, dared not lie to him; and this tribesman, coming straight from the Thoreau cabin, told him that Jan was not at home, but had gone on a three-day trip to see the French missioner who lived on one of the lower Wholdaia waterways.

Blake was keen on strategem. With him, man-hunting was like a game of chess; and after he had questioned the Indian for a quarter of an hour he saw his opportunity. Pastamoo, the Cree, was made a part of his Majesty's service on the spot, with the promise of torture and speedy execution if he proved himself a traitor.

Blake turned over to him his dogs and sledge, his provisions, and his tent, and commanded him to camp in the heart of a cedar swamp a few miles back, with the information that he would return for his outfit at some time in the indefinite future. He might be gone a day or a week. When he had seen Pastamoo off, he continued his journey toward the cabin, in the hope that Jan Thoreau's wife was either an Indian or a fool. He was too old a hand at his game to be taken in by the story that had been told to the Cree.

Jan had not gone to the French missioner's. A murderer's trail would not be given away like that. Of course the wife knew. And Corporal Blake desired no better string to a criminal than the faith of a wife. Wives were easy if handled right, and they had put the finishing touch to more than one of his great successes.

At the edge of the lake he fell back on his old trick—hunger, exhaustion, a sprained leg. It was not more than a quarter of a mile across the snow-covered ice of the lake to the thin spiral of smoke that he saw rising above the thick balsams on the island. Five times in that distance he fell upon his face; he crawled like a man about to die. He performed an arduous task, a devilish task, and when at last he reached the balsams he cursed his luck until he was red in the face. No one had seen him. That quarter-mile of labor was lost, its finesse a failure. But he kept up the play, and staggered weakly through the sheltering balsams to the cabin. His artifice had no shame, even when played on women; and he fell heavily against the door, beat upon it with his fist; and slipped down into the snow, where he lay with his head bowed, as if his last strength was gone.

He heard movement inside, quick steps—and then the door opened. He did not look up for a moment. That would have been crude. When he did raise his head, it was very slowly, with a look of anguish in his face. And then—he stared. His body all at once grew tense, and the counterfeit pain in his eyes died out like a flash in this most astounding moment of his life. Man of iron though he was, steeled to the core against the weaknesses of sudden emotions, it was impossible for him to restrain the gasp of amazement that rose to his lips.

In that stifled cry Jan Thoreau's wife heard the supplication of a dying man. She did not catch, back of it, the note of a startled beast. She was herself startled, frightened for a moment by the unexpectedness of it all.

And Blake stared. This—the fiddler's wife! She was clutching in her hand a brush with which she had been arranging her hair. The hair, jet black, was wonderful. Her eyes were still more wonderful to Blake. She was not an Indian—not a half-breed—and beautiful. The loveliest face he had ever visioned, sleeping or awake, was looking down at him.

With a second gasp, he remembered himself, and his body sagged, and the amazed stare went out of his eyes as he allowed his head to fall a little. In this movement his cap fell off. In another moment she was at his side, kneeling in the snow and bending over him.

"You are hurt, m'sieu!"

Her hair fell upon him, smothering his neck and shoulders. The perfume of it was like the delicate scent of a rare flower in his nostrils. A strange thrill swept through him. He did not try to analyze it in those few astonishing moments. It was beyond his comprehension, even had he tried. He was ignorant of the finer fundamentals of life, and of the great truth that the case-hardened nature of a man, like the body of an athlete, crumbles fastest under sudden and unexpected change and strain.

He regained his feet slowly and stupidly, assisted by Marie. They climbed the one step to the door. As he sank back heavily on the cot, in the room they entered, a thick tress of her hair fell softly upon his face. He closed his eyes for a space. When he opened them, Marie was bending over the stove.

And SHE was Thoreau's wife! The instant he had looked up into her face, he had forgotten the fiddler; but he remembered him now as he watched the woman, who stood with her back toward him. She was as slim as a reed. Her hair fell to her hips. He drew a deep breath. Unconsciously he clenched his hands. SHE—the fiddler's wife! The thought repeated itself again and again. Jan Thoreau, MURDERER, and this woman—HIS WIFE.

She returned in a moment with hot tea, and he drank with subtle hypocrisy from the cup she held to his lips.

"Sprained my leg," he said then, remembering his old part, and replying to the questioning anxiety in her eyes. "Dogs ran away and left me, and I got here just by chance. A little more and—"

He smiled grimly, and as he sank back he gave a sharp cry. He had practised that cry in more than one cabin, and along with it a convulsion of his features to emphasize the impression he labored to make.

"I'm afraid—I'll be a trouble to you," he apologized. "It's not broken; but it's bad, and I won't be able to move—soon. Is Jan at home?"

"No, m'sieu; he is away."

"Away," repeated Blake disappointedly. "Perhaps sometime he has told you about me," he added with sudden hopefulness. "I am John Duval."


Marie's eyes, looking down at him, became all at once great pools of glowing light. Her lips parted. She leaned toward him, her slim hands clasped suddenly to her breast.

"M'sieu Duval—who nursed him through the smallpox?" she cried, her voice trembling. "M'sieu Duval—who saved my Jan's life!"

Blake had looked up his facts at headquarters. He knew what Duval, the Barren Land trapper, had once upon a time done for Jan.

"Yes; I am John Duval," said. "And so—you see—I am sorry that Jan is away."

"But he is coming back soon—in a few days," exclaimed Marie. "You shall stay, m'sieu! You will wait for him? Yes?"

"This leg—" began Blake. He cut himself short with a grimace. "Yes, I'll stay. I guess I'll have to."

Marie had changed at the mention of Duval's name. With the glow in her eyes had come a flush into her cheeks, and Blake could see the strange little quiver at her throat as she looked at him. But she did not see Blake so much as what lay beyond him—Duval's lonely cabin away up on the edge of the Great Barren, the hours of darkness and agony through which Jan had passed, and the magnificent comradeship of this man who had now dragged himself to their own cabin, half dead.

Many times Jan had told her the story of that terrible winter when Duval had nursed him like a woman, and had almost given up his life as a sacrifice. And this—THIS—was Duval? She bent over him again as he lay on the cot, her eyes shining like stars in the growing dusk. In that dusk she was unconscious of the fact that his fingers had found a long tress of her hair and were clutching it passionately. Remembering Duval as Jan had enshrined him in her heart, she said:

"I have prayed many times that the great God might thank you, m'sieu."

He raised a hand. For an instant it touched her soft, warm cheek and caressed her hair. Marie did not shrink—yes, that would have been an insult. Even Jan would have said that. For was not this Duval, to whom she owed all the happiness in her life—Duval, more than brother to Jan Thoreau, her husband?

"And you—are Marie?" said Blake.

"Yes, m'sieu, I am Marie."

A joyous note trembled in her voice as she drew back from the cot. He could hear her swiftly braiding her hair before she struck a match to light the oil lamp hanging from the ceiling. After that, through partly closed eyes, he watched her as she prepared their supper. Occasionally, when she turned toward him as if to speak, he feigned a desire to sleep. It was a catlike watchfulness, filled with his old cunning. In his face there was no sign to betray its hideous significance. Outwardly he had regained his iron-like impassiveness; but in his body and his brain every nerve and fiber was consumed by a monstrous desire—a desire for this woman, the murderer's wife. It was as strange and as sudden as the death that had come to Francois Breault.

The moment he had looked up into her face in the doorway, it had overwhelmed him. And now even the sound of her footsteps on the floor filled him with an exquisite exultation. It was more than exultation. It was a feeling of POSSESSION.

In the hollow of his hand he—Blake, the man-hunter—held the fate of this woman. She was the Fiddler's wife—and the Fiddler was a murderer.

Marie heard the sudden deep breath that forced itself from his lips, a gasp that would have been a cry of triumph if he had given it voice.

"You are in pain, m'sieu," she exclaimed, turning toward him quickly.

"A little," he said, smiling at her. "Will you help me to sit up, Marie?"

He saw ahead of him another and more thrilling game than the man-hunt now. And Marie, unsuspicious, put her arms about the shoulders of the Pharisee and helped him to rise. They ate their supper with a narrow table between them. If there had been a doubt in Blake's mind before that, the half hour in which she sat facing him dispelled it utterly. At first the amazing beauty of Thoreau's wife had impinged itself upon his senses with something of a shock. But he was cool now. He was again master of his old cunning. Pitilessly and without conscience, he was marshaling the crafty forces of his brute nature for this new and more thrilling fight—the fight for a woman.

That in representing the Law he was pledged to virtue as well as order had never entered into his code of life. To him the Law was force—power. It had exalted him. It had forged an iron mask over the face of his savagery. And it was the savage that was dominant in him now. He saw in Marie's dark eyes a great love—love for a murderer.

It was not his thought that he might alienate that. For that look, turned upon himself, he would have sacrificed his whole world as it had previously existed. He was scheming beyond that impossibility, measuring her even as he called himself Duval, counting—not his chances of success, but the length of time it would take him to succeed.

He had never failed. A man had never beaten him. A woman had never tricked him. And he granted no possibility of failure now. But—HOW? That was the question that writhed and twisted itself in his brain even as he smiled at her over the table and told her of the black days of Jan's sickness up on the edge of the Barren.

And then it came to him—all at once. Marie did not see. She did not FEEL. She had no suspicion of this loyal friend of her husband's.

Blake's heart pounded triumphant. He hobbled back to the cot, leaning on Marie slim shoulder; and as he hobbled he told her how he had helped Jan into his cabin in just this same way, and how at the end Jan had collapsed—just as he collapsed when he came to the cot. He pulled Marie down with him—accidentally. His lips touched her head. He laughed.

For a few moments he was like a drunken man in his new joy. Willingly he would have gambled his life on his chance of winning. But confidence displaced none of his cunning. He rubbed his hands and said:

"Gawd, but won't it be a surprise for Jan? I told him that some day I'd come. I told him!"

It would be a tremendous joke—this surprise he had in store for Jan. He chuckled over it again and again as Marie went about her work; and Marie's face flushed and her eyes were bright and she laughed softly at this great love which Duval betrayed for her husband. No; even the loss of his dogs and his outfit couldn't spoil his pleasure! Why should it? He could get other dogs and another outfit—but it had been three years since he had seen Jan Thoreau! When Marie had finished her work he put his hand suddenly to his eyes and said:

"Peste! but last night's storm must have hurt my eyes. The light blinds them, ma cheri. Will you put it out, and sit down near me, so that I can see you as you talk, and tell me all that has happened to Jan Thoreau since that winter three years ago?"

She put out the light, and threw open the door of the box-stove. In the dim firelight she sat on a stool beside Blake's cot. Her faith in him was like that of a child. She was twenty-two. Blake was fifteen years older. She felt the immense superiority of his age.

This man, you must understand, had been more than a brother to Jan. He had been a father. He had risked his life. He had saved him from death. And Marie, as she sat at his side, did not think of him as a young man—thirty-seven. She talked to him as she might have talked to an elder brother of Jan's, and with something like the same reverence in her voice.

It was unfortunate—for her—that Jan had loved Duval, and that he had never tired of telling her about him. And now, when Blake's caution warned him to lie no more about the days of plague in Duval's cabin, she told him—as he had asked her—about herself and Jan; how they had lived during the last three years, the important things that had happened to them, and what they were looking forward to. He caught the low note of happiness that ran through her voice; and with a laugh, a laugh that sounded real and wholesome, he put out his hand in the darkness—for the fire had burned itself low—and stroked her hair. She did not shrink from the caress. He was happy because THEY were happy. That was her thought! And Blake did not go too far.

She went on, telling Jan's life away, betraying him In her happiness, crucifying him in her faith. Blake knew that she was telling the truth. She did not know that Jan had killed Francois Breault, and she believed that he would surely return—in three days. And the way he had left her that morning! Yes, she confided even that to this big brother of Jan, her cheeks flushing hotly in the darkness—how he had hated to go, and held her a long time in his arms before he tore himself away.

Had he taken his fiddle along with him? Yes—always that. Next to herself he loved his violin. Oo-oo—no, no—she was not jealous of the violin! Blake laughed—such a big, healthy, happy laugh, with an odd tremble in it. He stroked her hair again, and his fingers lay for an instant against her warm cheek.

And then, quite casually, he played his second big card.

"A man was found dead on the trail yesterday," he said. "Some one killed him. He had a bullet through his lung. He was the mail-runner, Francois Breault."

It was then, when he said that Breault had been murdered, that Blake's hand touched Marie's cheek and fell to her shoulder. It was too dark in the cabin to see. But under his hand he felt her grow suddenly rigid, and for a moment or two she seemed to stop breathing. In the gloom Blake's lips were smiling. He had struck, and he needed no light to see the effect.

"Francois—Breault!" he heard her breathe at last, as if she was fighting to keep something from choking her. "Francois Breault—dead—killed by someone—"

She rose slowly. His eyes followed her, a shadow in the gloom as she moved toward the stove. He heard her strike a match, and when she turned toward him again in the light of the oil-lamp, her face was pale and her eyes were big and staring. He swung himself to the edge of the cot, his pulse beating with the savage thrill of the inquisitor. Yet he knew that it was not quite time for him to disclose himself—not quite. He did not dread the moment when he would rise and tell her that he was not injured, and that he was not M'sieu Duval, but Corporal Blake of the Royal Mounted Police. He was eager for that moment. But he waited—discreetly. When the trap was sprung there would be no escape.

"You are sure—it was Francois Breault?" she said at last.

He nodded.

"Yes, the mail-runner. You knew him?"

She had moved to the table, and her hand was gripping the edge of it. For a space she did not answer him, but seemed to be looking somewhere through the cabin walls—a long way off. Ferret-like, he was watching her, and saw his opportunity. How splendidly fate was playing his way!

He rose to his feet and hobbled painfully to her, a splendid hypocrite, a magnificent dissembler. He seized her hand and held it in both his own. It was small and soft, but strangely cold.

"Ma cheri—my dear child—what makes you look like that? What has the death of Francois Breault to do with you—you and Jan?"

It was the voice of a friend, a brother, low, sympathetic, filled just enough with anxiety. Only last winter, in just that way, it had won the confidence and roused the hope of Pierrot's wife, over on the Athabasca. In the summer that followed they hanged Pierrot. Gently Blake spoke the words again. Marie's lips trembled. Her great eyes were looking at him—straight into his soul, it seemed.

"You may tell me, ma cheri," he encouraged, barely above a whisper. "I am Duval. And Jan—I love Jan."

He drew her back toward the cot, dragging his limb painfully, and seated her again upon the stool. He sat beside her, still holding her hand, patting it, encouraging her. The color was coming back into Marie's cheeks. Her lips were growing full and red again, and suddenly she gave a trembling little laugh as she looked up into Blake's face. His presence began to dispel the terror that had possessed her all at once.

"Tell me, Marie."

He saw the shudder that passed through her slim shoulders.

"They had a fight—here—in this cabin—three days ago," she confessed. "It must have been—the day—he was killed."

Blake knew the wild thought that was in her heart as she watched him. The muscles of his jaws tightened. His shoulders grew tense. He looked over her head as if he, too, saw something beyond the cabin walls. It was Marie's hand that gripped his now, and her voice, panting almost, was filled with an agonized protest.

"No, no, no—it was not Jan," she moaned. "It was not Jan who killed him!"

"Hush!" said Blake.

He looked about him as if there was a chance that someone might hear the fatal words she had spoken. It was a splendid bit of acting, almost unconscious, and tremendously effective. The expression in his face stabbed to her heart like a cold knife. Convulsively her fingers clutched more tightly at his hands. He might as well have spoken the words: "It was Jan, then, who killed Francois Breault!"

Instead of that he said:

"You must tell me everything, Marie. How did it happen? Why did they fight? And why has Jan gone away so soon after the killing? For Jan's sake, you must tell me—everything."

He waited. It seemed to him that he could hear the fighting struggle in Marie's breast. Then she began, brokenly, a little at a time, now and then barely whispering the story. It was a woman's story, and she told it like a woman, from the beginning. Perhaps at one time the rivalry between Jan Thoreau and Francois Breault, and their struggle for her love, had made her heart beat faster and her cheeks flush warm with a woman's pride of conquest, even though she had loved one and had hated the other. None of that pride was in her voice now, except when she spoke of Jan.

"Yes—like that—children together—we grew up," she confided. "It was down there at Wollaston Post, in the heart of the big forests, and when I was a baby it was Jan who carried me about on his shoulders. Oui, even then he played the violin. I loved it. I loved Jan—always. Later, when I was seventeen, Francois Breault came."

She was trembling.

"Jan has told me a little about those days," lied Blake. "Tell me the rest, Marie."

"I—I knew I was going to be Jan's wife," she went on, the hands she had withdrawn from his twisting nervously in her lap. "We both knew. And yet—he had not spoken—he had not been definite. Oo-oo, do you understand, M'sieu Duval? It was my fault at the beginning! Francois Breault loved me. And so—I played with him—only a little, m'sieu!—to frighten Jan into the thought that he might lose me. I did not know what I was doing. No—no; I didn't understand.

"Jan and I were married, and on the day Jan saw the missioner—a week before we were made man and wife—Francois Beault came in from the trail to see me, and I confessed to him, and asked his forgiveness. We were alone. And he—Francois Breault—was like a madman."

She was panting. Her hands were clenched. "If Jan hadn't heard my cries, and come just in time—" she breathed.

Her blazing eyes looked up into Blake's face. He understood, and nodded.

"And it was like that—again—three days ago," she continued. "I hadn't seen Breault in two years—two years ago down at Wollaston Post. And he was mad. Yes, he must have been mad when he came three days ago. I don't know that he came so much for me as it was to kill Jan, He said it was Jan. Ugh, and it was here—in the cabin—that they fought!"

"And Jan—punished him," said Blake in a low voice.

Again the convulsive shudder swept through Marie's shoulders.

"It was strange—what happened, m'sieu. I was going to shoot. Yes, I would have shot him when the chance came. But all at once Francois Breault sprang back to the door, and he cried: 'Jan Thoreau, I am mad—mad! Great God, what have I done?' Yes, he said that, m'sieu, those very words—and then he was gone."

"And that same day—a little later—Jan went away from the cabin, and was gone a long time," whispered Blake. "Was it not so, Marie?"

"Yes; he went to his trap-line, m'sieu."

For the first time Blake made a movement. He took her face boldly between his two hands, and turned it so that her staring eyes were looking straight into his own. Every fiber in his body was trembling with the thrill of his monstrous triumph. "My dear little girl, I must tell you the truth," he said. "Your husband, Jan, did not go to his trap-line three days ago. He followed Francois Breault, and killed him. And I am not John Duval. I am Corporal Blake of the Mounted Police, and I have come to get Jan, that he may be hanged by the neck until he is dead for his crime. I came for that. But I have changed my mind. I have seen you, and for you I would give even a murderer his life. Do you understand? For YOU—YOU—YOU—"

And then came the grand finale, just as he had planned it. His words had stupefied her. She made no movement, no sound—only her great eyes seemed alive. And suddenly he swept her into his arms with the wild passion of a beast. How long she lay against his breast, his arms crushing her, his hot lips on her face, she did not know.

The world had grown suddenly dark. But in that darkness she heard his voice; and what it was saying roused her at last from the deadliness of her stupor. She strained against him, and with a wild cry broke from his arms, and staggered across the cabin floor to the door of her bedroom. Blake did not pursue her. He let the darkness of that room shut her in. He had told her—and she understood.

He shrugged his shoulders as he rose to his feet. Quite calmly, in spite of the wild rush of blood through his body, he went to the cabin door, opened it, and looked out into the night. It was full of stars, and quiet.

It was quiet in that inner room, too—so quiet that one might fancy he could hear the beating of a heart. Marie had flung herself in the farthest corner, beyond the bed. And there her hand had touched something. It was cold—the chill of steel. She could almost have screamed, in the mighty reaction that swept through her like an electric shock. But her lips were dumb and her hand clutched tighter at the cold thing.

She drew it toward her inch by inch, and leveled it across the bed. It was Jan's goose-gun, loaded with buck-shot. There was a single metallic click as she drew the hammer back. In the doorway, looking at the stars, Blake did not hear.

Marie waited. She was not reasoning things now, except that in the outer room there was a serpent that she must kill. She would kill him as he came between her and the light; then she would follow over Jan's trail, overtake him somewhere, and they would flee together. Of that much she thought ahead. But chiefly her mind, her eyes, her brain, her whole being, were concentrated on the twelve-inch opening between the bedroom door and the outer room. The serpent would soon appear there. And then—

She heard the cabin door close, and Blake's footsteps approaching. Her body did not tremble now. Her forefinger was steady on the trigger. She held her breath—and waited. Blake came to the deadline and stopped. She could see one arm and a part of his shoulder. But that was not enough. Another half step—six inches—four even, and she would fire. Her heart pounded like a tiny hammer in her breast.

And then the very life in her body seemed to stand still. The cabin door had opened suddenly, and someone had entered. In that moment she would have fired, for she knew that it must be Jan who had returned. But Blake had moved. And now, with her finger on the trigger, she heard his cry of amazement:

"Sergeant Fitzgerald!"

"Yes. Put up your gun, Corporal. Have you got Jan Thoreau?"

"He—is gone."

"That is lucky for us." It was the stranger's voice, filled with a great relief. "I have traveled fast to overtake you. Matao, the half-breed, was stabbed in a quarrel soon after you left; and before he died he confessed to killing Breault. The evidence is conclusive. Ugh, but this fire is good! Anybody at home?"

"Yes," said Blake slowly. "Mrs. Thoreau—is—at home."


She stood in the doorway of a log cabin that was overgrown with woodvine and mellow with the dull red glow of the climbing bakneesh, with the warmth of the late summer sun falling upon her bare head. Cummins' shout had brought her to the door when we were still half a rifle shot down the river; a second shout, close to shore, brought her running down toward me. In that first view that I had of her, I called her beautiful. It was chiefly, I believe, because of her splendid hair. John Cummins' shout of homecoming had caught her with it undone, and she greeted us with the dark and lustrous masses of it sweeping about her shoulders and down to her hips. That is, she greeted Cummins, for he had been gone for nearly a month. I busied myself with the canoe for that first half minute or so.

Then it was that I received my introduction and for the first time touched the hand of Melisse Cummins, the Florence Nightingale of several thousand square miles of northern wilderness. I saw, then, that what I had at first taken for our own hothouse variety of beauty was a different thing entirely, a type that would have disappointed many because of its strength and firmness. Her hair was a glory, brown and soft. No woman could have criticized its loveliness. But the flush that I had seen in her face, flower-like at a short distance, was a tan that was almost a man's tan. Her eyes were of a deep blue and as clear as the sky; but in them, too, there was a strength that was not altogether feminine. There was strength in her face, strength in the poise of her firm neck, strength in every movement of her limbs and body. When she spoke, it was in a voice which, like her hair, was adorable. I had never heard a sweeter voice, and her firm mouth was all at once not only gentle and womanly, but almost girlishly pretty.

I could understand, now, why Melisse Cummins was the heroine of a hundred true tales of the wilderness, and I could understand as well why there was scarcely a cabin or an Indian hut in that ten thousand square miles of wilderness in which she had not, at one time or another, been spoken of as "L'ange Meleese." And yet, unlike that other "angel" of flesh and blood, Florence Nightingale, the story of Melisse Cummins and her work will live and die with her in that little cabin two hundred miles straight north of civilization. No, that is wrong. For the wilderness will remember. It will remember, as it has remembered Father Duchene and the Missioner of Lac Bain and the heroic days of the early voyageurs. A hundred "Meleeses" will bear her memory in name—for all who speak her name call her "Meleese," and not Melisse.

The wilderness itself may never forget, as it has never forgotten beautiful Jeanne D'Arcambal, who lived and died on the shore of the great bay more than one hundred and sixty years ago. It will never forget the great heart this woman has given to her "people" from the days of girlhood; it will not forget the thousand perils she faced to seek out the sick, the plague-stricken and the starving; in old age there will still be those who will remember the first prayers to the real God that she taught them in childhood; and children still to come, in cabin, tepee and hut, will live to bless the memory of L'ange Meleese, who made possible for them a new birthright and who in the wild places lived to the full measure and glory of the Golden Rule.

To find Meleese Cummins and her home in the wilderness, one must start at Le Pas as the last outpost of civilization and strike northward through the long Pelican Lake waterways to Reindeer Lake. Nearly forty miles up the east shore of the lake, the adventurer will come to the mouth of the Gray Loon—narrow and silent stream that winds under overhanging forests—and after that a two-hours' journey in a canoe will bring one to the Cummins' cabin.

It is set in a clearing, with the thick spruce and balsam and cedar hemming it in, and a tall ridge capped with golden birch rising behind it. In that clearing John Cummins raises a little fruit and a few vegetables during the summer months; but it is chiefly given up to three or four huge plots of scarlet moose-flowers, a garden of Labrador tea, and wild flowering plants and vines of half a dozen varieties. And where the radiant moose-flowers grow thickest, screened from the view of the cabin by a few cedars and balsams, are the rough wooden slabs that mark seven graves. Six of them are the graves of children—little ones who died deep in the wilderness and whose tiny bodies Meleese Cummins could not leave to the savage and pitiless loneliness of the forests, but whom she has brought together that they might have company in what she calls her, "Little Garden of God."

Those little graves tell the story of Meleese—the woman who, all heart and soul, has buried her own one little babe in that garden of flowers. One of the slabs marks the grave of an Indian baby, whose little dead body Meleese Cummins carried to her cabin in her own strong arms from twenty miles back in the forest, when the temperature was fifty degrees below zero. Another of them, a baby boy, a French half-breed and his wife brought down from fifty miles up the Reindeer and begged "L'ange Meleese" to let it rest with the others, where "it might not be lonely and would not be frightened by the howl of the wolves." It was a wild and half Indian mother who said that!

It was almost twenty years ago that the romance began in the lives of John and Meleese Cummins. Meleese was then ten years old; and she still remembers as vividly as though they were but memories of yesterday the fears and wild tales of that one terrible winter when the "Red Terror"—the smallpox—swept in a pitiless plague of death throughout the northern wilderness. It was then that there came down from the north, one bitter cold day, a ragged and half-starved boy, whose mother and father had died of the plague in a little cabin fifty miles away, and who from the day he staggered into the home of Henry Janesse, became Meleese's playmate and chum. This boy was John Cummins.

When Janesse moved to Fort Churchill, where Meleese might learn more in the way of reading and writing and books than her parents could teach her, John Cummins went with her. He went with them to Nelson House, and from there to Split Lake, where Janesse died. From that time, at the age of eighteen, he became the head and support of the home. When he was twenty and Meleese eighteen, the two were married by a missioner from Nelson House. The following autumn the young wife's mother died, and that winter Meleese began her remarkable work among her "people."

In their little cabin on the Gray Loon, one will hear John Cummins say but little about himself; but there is a glow in his eyes and a flush in his cheeks as he tells of that first day he came home from a three-days journey over a long trap line to find his home cold and fireless, and a note written by Meleese telling him that she had gone with a twelve-year-old boy who had brought her word through twenty miles of forest that his mother was dying. That first "case" was more terrible for John Cummins than for his wife, for it turned out to be smallpox, and for six weeks Meleese would allow him to come no nearer than the edge of the clearing' in which the pest-ridden cabin stood. First the mother, and then the boy, she nursed back to life, locking the door against the two husbands, who built themselves a shack in the edge of the forest. Half a dozen times Meleese Cummins has gone through ordeals like that unscathed. Once it was to nurse a young Indian mother through the dread disease, and again she went into a French trapper's cabin where husband, wife and daughter were all sick with the malady. At these times, when the "call" came to Meleese from a far cabin or tepee, John Cummins would give up the duties of his trap line to accompany her, and would pitch his tent or make him a shack close by, where he could watch over her, hunt food for the afflicted people and keep up the stack of needed firewood and water.

But there were times when the "calls" came during the husband's absence, and, if they were urgent, Meleese went alone, trusting to her own splendid strength and courage. A half-breed woman came to her one day, in the dead of winter, from twenty miles across the lake. Her husband had frozen one of his feet, and the "frost malady" would kill him, she said, unless he had help. Scarcely knowing what she could do in such a case, Meleese left a note for her husband, and on snowshoes the two heroic women set off across the wind-swept and unsheltered lake, with the thermometer fifty degrees below zero. It was a terrible venture, but the two won out. When Meleese saw the frozen man, she knew that there was but one thing to do, and with all the courage of her splendid heart she amputated his foot. The torture of that terrible hour no one will ever know. But when John Cummins returned to his home and, wild with fear, followed across the lake, he scarcely recognized the Meleese who flung herself sobbing into his arms when he found her. For two weeks after that Meleese herself was sick. Thus, through the course of years, it came about that it was, indeed, a stranger in the land who had not heard her name. During the summer months Meleese's work, in place of duty, was a pleasure. With her husband she made canoe journeys for fifty miles about her home, hearing with her the teachings of cleanliness, of health and of God. She was the first to hold to her own loving breast many little children who came into their wild and desolate inheritance of life. She was the first to teach a hundred childish lips to say "Now I lay me down to sleep," and more than one woman she made to see the clear and starry way to brighter life.

Far up on Reindeer Lake, close to the shore, there is a towering "lob-stick tree"—which is a tall spruce or cedar lopped of all its branches to the very crest, which is trimmed in the form of a plume. A tree thus shriven and trimmed is the Cree cenotaph to one held in almost spiritual reverence, and the tree far up on Reindeer Lake is one of the half dozen or more "lob-sticks" dedicated to Meleese. Six weeks Meleese and John Cummins spent in an Indian camp at this point, and when at last the two bade their primitive friends good-bye and left for home, the little Indian children and the women followed their canoe along the edge of a stream and flung handfuls of flowers after them.

Of what Meleese Cummins and her husband know of the great outside world, or of what they do not know, it is wisest to leave unsaid. Details have often marred a picture. They are children of the wilderness, born of that wilderness, bred of it, and life of it—a beating and palpitating part of a world which few can understand. I doubt if one or the other has ever heard of a William Shakespeare or a Tennyson, for it has not been in my mind or desire to ask; but they do know the human heart as it beats and throbs in a land that is desolation and loneliness, where poetry runs not in lines and meters, but in the bloom of the wild flower, the rush of the rapid, the thunder of the waterfall and the murmuring of the wind in the spruce tops; where drama exists not in the epic lines of literature, but in the hunt cry of the wolf, the death dirges of the storms that wail down from the Barrens, and in the strange cries that rise up out of the silent forests, where for a half of each year life is that endless strife that leaves behind only those whom we term the survival of the fittest.


Madness? Perhaps. And yet if it was madness. . . .

But strange things happen up there, gentlemen. I have found it sometimes hard to define that word. There are so many kinds of madness, so many ways in which the human brain may go wrong; and so often it happens that what we call madness is both reasonable and just. It is so. Yes. A little reason is good for us, a little more makes wise men of some of us—but when our reason over-grows us and we reach too far, something breaks and we go insane.

But I will tell you the story. That is what you want to hear, and you expect that it will be prejudiced—that I will either deliberately attempt to protect and prolong a human life, or shorten and destroy it. I shall do neither, gentlemen of the Royal Mounted Police. I have a faith in you that is in its way an unbounded as my faith in God. I have looked up to you in all my life in the wilderness as the heart of chivalry and the soul of honor and fairness to all men. Pathfinders, men of iron, guardians of people and spaces of which civilization knows but little, I have taught my children of the forests to honor, obey and to trust you. And so I shall tell you the story without prejudice, with the gratitude of a missioner who has lived his life for forty years in the wilderness, gentlemen.

I am a Catholic. It is four hundred miles straight north by dog-sledge or snowshoe to my cabin, and this is the first time in nineteen years that I have been down to the edge of the big world which I remember now as little more than a dream. But up there I knew that my duty lay, just at the edge of the Big Barren. See! My hands are knotted like the snarl of a tree. The glare of your lights hurts my eyes. I traveled to-day in the middle of your street because my moccasined feet stumbled on the smoothness of your walks. People stared, and some of them laughed.

Forty years I have lived in another world. You—and especially you gentlemen who have trailed in the Patrols of the north—know what that world is. As it shapes different hands, as it trains different feet, as it gives to us different eyes, so also it has bred into my forest children hearts and souls that may be a little different, and a code of right and wrong that too frequently has had no court of law to guide it. So judge fairly, gentlemen of the Royal Mounted Police! Understand, if you can.

It was a terrible winter—that winter of Le Mort Rouge. So far down as men and children now living will remember, it will be called by my people the winter of Famine and Red Death. Starvation, gentlemen—and the smallpox. People died like—what shall I say? It is not easy to describe a thing like that. They died in tepees. They died in shacks. They died on the trail. From late December until March I said my prayers over the dead. You are wondering what all this has to do with my story; why it matters that the caribou had migrated in vast herds to the westward, and there was no food; why it matters that there were famine and plague in the great unknown land, and that people were dying and our world going through a cataclysm. My backwoods eyes can see your thought. What has all this to do with Joseph Brecht? What has it to do with Andre Beauvais? Why does this little forest priest take up so much time in telling so little? you ask. And because it has its place—because it has its meaning—I ask you for permission to tell my story in my own way. For these sufferings, this hunger and pestilence and death, had a strange and terrible effect on many human creatures that were left alive when spring came. It was like a great storm that had swept through a forest of tall trees. A storm of suffering that left heads bowed, shoulders bent, and minds gone. Yes, GONE!

Since that winter of Le Mort Rouge I know of eyes into which the life of laughter will never come again; I know of strong men who became as little children; I have seen faces that were fair with youth shrivel into age—and my people call it noot' akutawin keskwawin—the cold and hungry madness. May God help Andre Beauvais!

I will tell the story now.

It was in June. The last of the mush-snows had gone early, nearly a fortnight before, and the waters were free from ice, when word was brought to me that Father Boget was dying at Old Fort Reliance. Father Boget was twenty years older than I, and I called him mon pere. He was a father to me in our earlier years. I made haste to reach him that I might hold his hand before he died, if that was possible. And you, Sergeant McVeigh, who have spent years in that country of the Great Slave, know what a race with death from Christie Bay to Old Fort Reliance would be. To follow the broken and twisted waters of the Great Slave would mean two hundred miles, while to cut straight across the land by smaller streams and lakelets meant less than seventy. But on your maps that space of seventy miles is a blank. You have in it no streams and no larger waters. You know little of it. But I can tell you, for I have been though it. It is a Lost Hell. It is a vast country in which berry bushes grow abundantly, but on which there are no berries, where there are forests and swamps, but not a living creature to inhabit them; a country of water in which there are no fish, of air in which there are no birds, of plants without flowers—a reeking, stinking country of brimstone, a hell. In your Blue Books you have called it the Sulphur Country. And this country, as you draw a line from Christie Bay to Old Fort Reliance, is straight between. Mon pere was dying, and my time was short. I decided to venture it—cut across that Sulphur Country, and I sought for a man to accompany me. I could find none. To the Indian it was the land of Wetikoo—the Devil Country; to the Breeds it was filled with horror. Forty miles distant there was a man I knew would go, a white man. But to reach him would lose me three days, and I was about to set out alone when the stranger came. He was, indeed, a strange man. When he came to what I called my chateau, from nowhere, going nowhere, I hardly knew whether to call him young or old. But I made my guess. That terrible winter had branded him. When I asked him his name, he said:

"I am a wanderer, and in wandering I have lost my name. Call me M'sieu."

I found this was a long speech for him, that his tongue was tied by a horrible silence. When I told him where I was going, and described the country I was going through, and that I wanted a man, he merely nodded that he would accompany me.

We started in a canoe, and I placed him ahead of me so that I could make out, if I could, something of what he was. His hair was dark. His beard was dark. His eyes were sunken but strangely clear. They puzzled me. They were always questing. Always seeking. And always expecting, it seemed to me. A man of unfathomable mystery, of unutterable tragedy, of a silence that was almost inhuman. Was he mad? I ask you, gentlemen—was he mad? And I leave the answer to you. To me he was good. When I told him what mon pere had been to me, and that I wanted to reach him before he died, he spoke no word of hope or sympathy—but worked until his muscles cracked. We ate together, we drank together, we slept side by side—and it was like eating and drinking and sleeping with a sphinx which some strange miracle had endowed with life.

The second day we entered the Sulphur Country. The stink of it was in our nostrils that second night we camped. The moon rose, and we saw it as if through the fumes of a yellow smoke. Far behind us we heard a wolf howl, and it was the last sound of life. With the dawn we went on. We passed through broad, low morasses out of which rose the sulphurous fogs. In many places the water we touched with our hands was hot; in other places the forests we paddled through were so dense they were almost tropical. And lifeless. Still, with the stillness of death for thousands and perhaps tens of thousands of years. The food we ate seemed saturated with the vileness of sulphur; it seeped into our water-bags; it turned us to the color of saffron; it was terrible, frightening, inconceivable. And still we went on by compass, and M'sieu showed no fear—even less, gentlemen, than did I.

And then, on the third day—in the heart of this diseased and horrible region—we made a discovery that drew a strange cry even from those mysteriously silent lips of M'sieu.

It was the print of a naked human foot in a bar of mud.

How it came there, why it was there, and why if was a naked foot I suppose were the first thoughts that leaped into our startled minds. What man could live in these infernal regions? WAS it a man, or was it the footprint of some primeval ape, a monstrous survival of the centuries?

The trail led through a steaming slough in which the mud and water were tepid and which grew rank with yellow reeds and thick grasses—grasses that were almost flesh-like, it seemed to me, as if swollen and about to burst from some dreadful disease, Perhaps your scientists can tell why sulphur has this effect on vegetation. It is so; there was sulphur in the very wood we burned. Through those reeds and grasses we soon found where a narrow trail was beaten, and then we came to a rise of land sheltered in timber, a sort of hill in that flat world, and on the crest of this hill we found a cabin.

Yes, a cabin; a cabin built roughly of logs, and it was yellow with sulphur, as if painted. We went inside and we found there the man whom you know as Joseph Brecht. I did not look at M'sieu when he first rose before us, but I heard a great gasp from his throat behind me. And I think I stood as if life had suddenly gone out of me. Joseph Brecht was half naked. His feet were bare. He looked like a wild man, with his uncut hair—a wild man except that his face was smooth. Curious that a man would shave there! And not so odd, perhaps, when one knows how a beard gathers sulphur. He had risen from a cot on which there was a bed of boughs, and in the light that came in through the open door he looked terribly emaciated, with the skin drawn tightly over his cheek bones. It was he who spoke first.

"I am glad you have come," he said, his eyes staring wildly. "I guess I am dying. Some water, please. There is a spring back of the cabin."

Quite sanely he spoke, and yet the words were scarcely out of his mouth when he fell back upon the cot, his eyes rolling in the top of his head, his mouth agape, his breath coming in great panting gasps. It was a strange sickness. I will not trouble you with all the details. You are anxious for the story—the tragedy—which alone will count with you gentlemen of the law. It came out in his fever, and in the fits of sanity into which he at times succeeded in rousing himself. His name, he said, was Joseph Brecht. For two years he had lived in that sulphur hell. He had, by accident, found the spring of fresh, sweet water trickling out of the hill—another miracle for which I have not tried to account; he built his cabin; for two years he had gone with his canoe to the shore of the great Slave, forty miles distant, for the food he ate. But WHY was he here? That was the story that came bit by bit, half in his fever, half in his sanity. I will tell it in my own words. He was a Government man, mapping out the last timber lines along the edge of the Great Barren, when he first met Andre Beauvais and his wife, Marie. An accident took him to their cabin, a sprained leg. Andre was a fox-hunter, and it was when he was coming home from one of his trips that he found Joseph Brecht helpless in the deep snow, and carried him on his shoulders to his cabin.

Ah, gentlemen, it was the old story—the story old as time. In his sanity he told us about Marie, I hovering over him closely, M'sieu sitting back in the shadows. She was like some wonderful wildflower, French, a little Indian. He told us how her long black hair would stream in a shining cascade, soft as the breast of a swan, to her knees and below; how it would hang again in two great, lustrous braids, and how her eyes were limpid pools that set his soul afire, and how her slim, beautiful body filled him with a monstrous desire. She must have been beautiful. And her husband, Andre Beauvais, worshipped her, and the ground she trod on. And he had the faith in her that a mother has in her child. It was a sublime love, and Joseph Brecht told us about it as he lay there, dying, as he supposed. In that faith of his Andre went unsuspectingly to his trap-lines and his poison-trails, and Marie and Joseph were for many hours at a time alone, sometimes for a day, sometimes for two days, and occasionally for three, for even after his limb had regained its strength Joseph feigned that it was bad. It was a hard fight, he said—a hard fight for him to win her; but win her he did, utterly, absolutely, heart, body and soul. Remember, he was from the South, with all its power of language, all its tricks of love, all its furtiveness of argument, a strong man with a strong mind—and she had lived all her life in the wilderness. She was no match for him. She surrendered. He told us how, after that, he would unbind her wonderful hair and pillow his face in it; how he lived in a heaven of transport, how utterly she gave herself to him in those times when Andre, was away.

Did he love her?

Yes, in that mad passion of the brute. But not as you and I might love a woman, gentlemen. Not as Andre loved her. Whether she had a heart or a soul it did not matter. His eyes were blind with an insensate joy when he shrouded himself in her wonderful hair. To see the wild color painting her face like a flower filled his veins with fire. The beauty of her, the touch of her, the mad beat of her heart against him made him like a drunken man in his triumph. Love? Yes, the love of the brute! He prolonged his stay. He had no idea of taking her with him. When the time came, he would go. Day after day, week after week he put it off, feigning that the bone of his leg was affected, and Andre Beauvais treated him like a brother. He told us all this as he lay there in his cabin in that sulphur hell. I am a man of God, and I do not lie.

Is there need to tell you that Andre discovered them? Yes, he found them—and with that wonderful hair of hers so closely about them that he was still bound in the tresses when the discovery came.

Andre had come in exhausted, and unexpectedly. There was a terrible fight, and in spite of his exhaustion he would have killed Joseph Brecht if at the last moment the latter had not drawn his revolver. After all is said and done, gentlemen, can a woman love but once? Joseph Brecht fired. In that infinitesimal moment between the leveling of the gun and the firing of the shot Marie Beauvais found answer to that question. Who was it she loved? She sprang to her husband's breast, sheltering him with the body that had been disloyal to its soul, and she died there—with a bullet through her heart.

Joseph Brecht told us how, in the horror of his work—and possessed now by a terrible fear—he ran from the cabin and fled for his life. And Andre Beauvais must have remained with his dead. For it was many hours later before he took up the trail of the man whom he made solemn oath to his God to kill. Like a hunted hare, Joseph Brecht eluded him, and it was weeks before the fox-trapper came upon him. Andre Beauvais scorned to kill him from ambush. He wanted to choke his life out slowly, with his two hands, and he attacked him openly and fairly.

And in that cabin—gasping for breath, dying as he thought, Joseph Brecht said to us: "It was one or the other. He had the best of me. I drew my revolver again—and killed him, killed Andre Beauvais, as I had killed his wife, Marie!"

Here in the South Joseph Brecht might not have been a bad man, gentlemen. In every man's heart there is a devil, but we do not know the man as bad until the devil is roused. And passion, the mad passion for a woman, had roused him. Now that it had made twice a murderer of him the devil slunk back into his hiding, and the man who had once been the clean-living, red-blooded Joseph Brecht was only a husk without a heart, slinking from place to place in the evasion of justice. For you men of the Royal Mounted Police were on his trail. You would have caught him, but you did not think of seeking for him in the Sulphur Hell. For two years he had lived there, and when he finished his story he was sitting on the edge of the cot, quite sane, gentlemen.

And for the first time M'sieu, my comrade, spoke.

"Let us bring up the dunnage from the canoe, mon pere."

He led the way out of the cabin, and I followed. We were fifty steps away when he stopped suddenly.

"Ah," he said, "I have forgotten something. I will overtake you."

He turned back to the cabin, and I went on to the canoe.

He did not join me. When I returned with my burden, M'sieu appeared at the door. He amazed me, startled me, I will say, gentlemen. I could not imagine such a change as I saw in him—that man of horrible silence, of grim, dark mystery. He was smiling; his white teeth shone; his voice was the voice of another man. He seemed to me ten years younger as he stood there, and as I dropped my load and went in he was laughing, and his hand was laid pleasantly on my shoulder.

Across the cot, with his head stretched down to the floor, his eyes bulging and his jaws agape, lay Joseph Brecht. I sprang to him. He was dead. And then I SAW Gentlemen, he had been choked to death!

"He made one leetle meestake, mon pere. Andre Beauvais did not die. I am Andre Beauvais."

That is all, gentlemen of the Royal Mounted. May the Law have mercy!


Thornton wasn't the sort of man in whom you'd expect to find the devil lurking. He was big, blond, and broad-shouldered. When I first saw him I thought he was an Englishman. That was at the post at Lac la Biche, six hundred miles north of civilization. Scotty and I had been doing some exploration work for the government, and for more than six months we hadn't seen a real white man who looked like home.

We came in late at night, and the factor gave us a room in his house. When we looked out of our window in the morning, we saw a little shack about a hundred feet away, and in front of that shack was Thornton, only half dressed, stretching himself in the sun, and LAUGHING. There wasn't anything to laugh at, but we could see his teeth shining white, and he grinned every minute while he went through a sort of setting-up exercise.

When you begin to analyze a man, there is always some one human trait that rises above all others, and that laugh was Thornton's. Even the wolfish sledge-dogs at the post would wag their tails when they heard it.

We soon established friendly relations, but I could not get very far beyond the laugh. Indeed, Thornton was a mystery. DeBar, the factor, said that he had dropped into the post six months before, with a pack on his back and a rifle over his shoulder. He had no business, apparently. He was not a propectory and it was only now and then that he used his rifle, and then only to shoot at marks.

One thing puzzled DeBar more than all else. Thornton worked like three men about the post, cutting winter fire-wood, helping to catch and clean the tons of whitefish which were stored away for the dogs in the company's ice-houses, and doing other things without end. For this he refused all payment except his rations.

Scotty continued eastward to Churchill, and for seven weeks I bunked with Thornton in the shack. At the end of those seven weeks I knew little more about Thornton than at the beginning. I never had a closer or more congenial chum, and yet in his conversation he never got beyond the big woods, the mountains, and the tangled swamps. He was educated and a gentleman, and I knew that in spite of his brown face and arms, his hard muscles and splendid health, he was three-quarters tenderfoot. But he loved the wilderness.

"I never knew what life could hold for a man until I came up here," he said to me one day, his gray eyes dancing in the light of a glorious sunset.

"I'm ten years younger than I was two years ago."

"You've been two years in the north?"

"A year and ten months," he replied.

Something brought to my lips the words that I had forced back a score of times.

"What brought you up here, Thornton?"

"Two things," he said quietly, "a woman—and a scoundrel."

He said no more, and I did not press the matter. There was a strange tremble in his voice, something that I took to be a note of sadness; but when he turned from the sunset to me his eyes were filled with a yet stranger joy, and his big boyish laugh rang out with such wholesome infectiousness that I laughed with him, in spite of myself.

That night, in our shack, he produced a tightly bound bundle of letters about six inches thick, scattered them out before him on the table, and began reading them at random, while I sat bolstered back in my bunk, smoking and watching him. He was a curious study. Every little while I'd hear him chuckling and rumbling, his teeth agleam, and between these times he'd grow serious. Once I saw tears rolling down his cheeks.

He puzzled me; and the more he puzzled me, the better I liked him. Every night for a week he spent an hour or two reading those letters over and over again. I had a dozen opportunities to see that they were a woman's letters: but he never offered a word of explanation.

With the approach of September, I made preparations to leave for the south, by way of Moose Factory and the Albany.

"Why not go the shorter way—by the Reindeer Lake water route to Prince Albert?" asked Thornton. "If you'll do that, I'll go with you."

His proposition delighted me, and we began planning for our trip. From that hour there came a curious change in Thornton. It was as if he had come into contact with some mysterious dynamo that had charged him with a strange nervous energy. We were two days in getting our stuff ready, and the night between he did not go to bed at all, but sat up reading the letters, smoking, and then reading over again what he had read half a hundred times before.

I was pretty well hardened, but during the first week of our canoe trip he nearly had me bushed a dozen times. He insisted on getting away before dawn, laughing, singing, and talking, and urged on the pace until sunset. I don't believe that he slept two hours a night. Often, when I woke up, I'd see him walking back and forth in the moonlight, humming softly to himself. There was almost a touch of madness in it all; but I knew that Thornton was sane.

One night—our fourteenth down—I awoke a little after midnight, and as usual looked about for Thornton. It was glorious night. There was a full moon over us, and with the lake at our feet, and the spruce and balsam forest on each side of us, the whole scene struck me as one of the most beautiful I had ever looked upon.

When I came out of our tent, Thornton was not in sight. Away across the lake I heard a moose calling. Back of me an owl hooted softly, and from miles away I could hear faintly the howling of a wolf. The night sounds were broken by my own startled cry as I felt a hand fall, without warning, upon my shoulder. It was Thornton. I had never seen his face as it looked just then.

"Isn't it beautiful—glorious?" he cried softly.

"It's wonderful!" I said. "You won't see this down there, Thornton!"

"Nor hear those sounds," he replied, his hand tightening on my arm. "We're pretty close to God up here, aren't we? She'll like it—I'll bring her back!"

"She!" He looked at me, his teeth shining in that wonderful silent laugh. "I'm going to tell you about it," he said. "I can't keep it in any longer. Let's go down by the lake."

We walked down and seated ourselves on the edge of a big rock.

"I told you that I came up here because of a woman—and a man," continued Thornton. "Well, I did. The man and woman were husband and wife, and I—"

He interrupted himself with one of his chuckling laughs. There was something in it that made me shudder.

"No use to tell you that I loved her," he went on. "I worshipped her. She was my life. And I believe she loved me as much. I might have added that there was a third thing that drove me up here—what remained of the rag end of a man's honor."

"I begin to understand," I said, as he paused. "You came up here to get away from the woman. But this woman—her husband—"

For the first time since I had known him I saw a flash of anger leap into Thornton's face. He struck his hand against the rock.

"Her husband was a scoundrel, a brute, who came home from his club drunk, a cheap money-spender, a man who wasn't fit to wipe the mud from her little feet, much less call her wife! He ought to have been shot. I can see it, now; and—well, I might as well tell you. I'm going back to her!"

"You are?" I cried. "Has she got a divorce? Is her husband still living?"

"No, she hasn't got a divorce, and her husband is still living; but for all that, we've arranged it. Those were her letters I've been reading, and she'll be at Prince Albert waiting for me on the 15th—three days from now. We shall be a little late, and that's why I'm hustling so. I've kept away from her for two years, but I can't do it any longer—and she says that if I do she'll kill herself. So there you have it. She's the sweetest, most beautiful girl in the whole world—eyes the color of those blue flowers you have up here, brown hair, and—but you've got to see her when we reach Prince Albert. You won't blame me for doing all this, then!"

I had nothing to say. At my silence he turned toward me suddenly, with that happy smile of his, and said again:

"I tell you that you won't blame me when you see her. You'll envy me, and you'll call me a confounded fool for staying away so long. It has been terribly hard for both of us. I'll wager that she's no sleepier than I am to-night, just from knowing that I'm hurrying to her."

"You're pretty confident," I could not help sneering. "I don't believe I'd wager much on such a woman. To be frank with you, Thornton, I don't care to meet her, so I'll decline your invitation. I've a little wife of my own, as true as steel, and I'd rather keep out of an affair like this. You understand?"

"Perfectly," said Thornton, and there was not the slightest ill-humor in his voice. "You—you think I am a cur?"

"If you have stolen another man's wife—yes."

"And the woman?"

"If she is betraying her husband, she is no better than you."

Thornton rose and stretched his long arms above his head.

"Isn't the moon glorious?" he cried exultantly. "She has never seen a moon like that. She has never seen a world like this. Do you know what we're going to do? We'll come up here and build a cabin, and—and she'll know what a real man is at last! She deserves it. And we'll have you up to visit us—you and your wife—two months out of each year. But then"—he turned and laughed squarely into my face—"you probably won't want your wife to know her."

"Probably not," I said, not without embarrassment.

"I don't blame you," he exclaimed, and before I could draw back he had caught my hand and was shaking it hard in his own. "Let's be friends a little longer, old man," he went on. "I know you'll change your mind about the little girl and me when we reach Prince Albert."

I didn't go to sleep again that night; and the half-dozen days that followed were unpleasant enough—for me, at least. In spite of my own coolness toward him, there was absolutely no change in Thornton. Not once did he make any further allusion to what he had told me.

As we drew near to our journey's end, his enthusiasm and good spirits increased. He had the bow end of the canoe, and I had abundant opportunity of watching him. It was impossible not to like him, even after I knew his story.

We reached Prince Albert on a Sunday, after three days' travel in a buckboard. When we drove up in front of the hotel, there was just one person on the long veranda looking out over the Saskatchewan. It was a woman, reading a book.

As he saw her, I heard a great breath heave up inside Thornton's chest. The woman looked up, stared for a moment, and then dropped her book with a welcoming cry such as I had never heard before in my life. She sprang down the steps, and Thornton leaped from the wagon. They met there a dozen paces from me, Thornton catching her in his arms, and the woman clasping her arms about his neck.

I heard her sobbing, and I saw Thornton kissing her again and again, and then the woman pulled his blond head down close to her face. It was sickening, knowing what I did, and I began helping the driver to throw off our dunnage.

In about two minutes I heard Thornton calling me.

I didn't turn my head. Then Thornton came to me, and as he straightened me around by the shoulders I caught a glimpse of the woman. He was right—she was very beautiful.

"I told you that her husband was a scoundrel and a rake," he said gently. "Well, he was—and I was that scoundrel! I came up here for a chance of redeeming myself, and your big, glorious North has made a man of me. Will you come and meet my wife?"


There was the scent of battle in the air. The whole of Porcupine City knew that it was coming, and every man and woman in its two hundred population held their breath in anticipation of the struggle between two men for a fortune—and a girl. For in some mysterious manner rumor of the girl had got abroad, passing from lip to lip, until even the children knew that there was some other thing than gold that would play a part in the fight between Clarry O'Grady and Jan Larose. On the surface it was not scheduled to be a fight with fists or guns. But in Porcupine City there were a few who knew the "inner story"—the story of the girl, as well as the gold, and those among them who feared the law would have arbitrated in a different manner for the two men if it had been in their power. But law is law, and the code was the code. There was no alternative. It was an unusual situation, and yet apparently simple of solution. Eighty miles north, as the canoe was driven, young Jan Larose had one day staked out a rich "find" at the headwaters of Pelican Creek. The same day, but later, Clarry O'Grady had driven his stakes beside Jan's. It had been a race to the mining recorder's office, and they had come in neck and neck. Popular sentiment favored Larose, the slim, quiet, dark-eyed half Frenchman. But there was the law, which had no sentiment. The recorder had sent an agent north to investigate. If there were two sets of stakes there could be but one verdict. Both claims would be thrown out, and then—

All knew what would happen, or thought that they knew. It would be a magnificent race to see who could set out fresh stakes and return to the recorder's office ahead of the other. It would be a fight of brawn and brain, unless—and those few who knew the "inner story" spoke softly among themselves.

An ox in strength, gigantic in build, with a face that for days had worn a sneering smile of triumph, O'Grady was already picked as a ten-to-one winner. He was a magnificent canoeman, no man in Porcupine City could equal him for endurance, and for his bow paddle he had the best Indian in the whole Reindeer Lake country. He stalked up and down the one street of Porcupine City, treating to drinks, cracking rough jokes, and offering wagers, while Jan Larose and his long-armed Cree sat quietly in the shade of the recorder's office waiting for the final moment to come.

There were a few of those who knew the "inner story" who saw something besides resignation and despair in Jan's quiet aloofness, and in the disconsolate droop of his head. His face turned a shade whiter when O'Grady passed near, dropping insult and taunt, and looking sidewise at him in a way that only HE could understand. But he made no retort, though his dark eyes glowed with a fire that never quite died—unless it was when, alone and unobserved, he took from his pocket a bit of buckskin in which was a silken tress of curling brown hair. Then his eyes shone with a light that was soft and luminous, and one seeing him then would have known that it was not a dream of gold that filled his heart, but of a brown-haired girl who had broken it.

On this day, the forenoon of the sixth since the agent had departed into the north, the end of the tense period of waiting was expected. Porcupine City had almost ceased to carry on the daily monotony of business. A score were lounging about the recorder's office. Women looked forth at frequent intervals through the open doors of the "city's" cabins, or gathered in two and threes to discuss this biggest sporting event ever known in the history of the town. Not a minute but scores of anxious eyes were turned searchingly up the river, down which the returning agent's canoe would first appear. With the dawn of this day O'Grady had refused to drink. He was stripped to the waist. His laugh was louder. Hatred as well as triumph glittered in his eyes, for to-day Jan Larose looked him coolly and squarely in the face, and nodded whenever he passed. It was almost noon when Jan spoke a few low words to his watchful Indian and walked to the top of the cedar-capped ridge that sheltered Porcupine City from the north winds.

From this ridge he could look straight into the north—the north where he was born. Only the Cree knew that for five nights he had slept, or sat awake, on the top of this ridge, with his face turned toward the polar star, and his heart breaking with loneliness and grief. Up there, far beyond where the green-topped forests and the sky seemed to meet, he could see a little cabin nestling under the stars—and Marie. Always his mind traveled back to the beginning of things, no matter how hard he tried to forget—even to the old days of years and years ago when he had toted the little Marie around on his back, and had crumpled her brown curls, and had revealed to her one by one the marvelous mysteries of the wilderness, with never a thought of the wonderful love that was to come. A half frozen little outcast brought in from the deep snows one day by Marie's father, he became first her playmate and brother—and after that lived in a few swift years of paradise and dreams. For Marie he had made of himself what he was. He had gone to Montreal. He had learned to read and write, he worked for the Company, he came to know the outside world, and at last the Government employed him. This was a triumph. He could still see the glow of pride and love in Marie's beautiful eyes when he came home after those two years in the great city. The Government sent for him each autumn after that. Deep into the wilderness he led the men who made the red and black lined maps. It was he who blazed out the northern limit of Banksian pine, and his name was in Government reports down in black and white—so that Marie and all the world could read.

One day he came back—and he found Clarry O'Grady at the Cummins' cabin. He had been there for a month with a broken leg. Perhaps it was the dangerous knowledge of the power of her beauty—the woman's instinct in her to tease with her prettiness, that led to Marie's flirtation with O'Grady. But Jan could not understand, and she played with fire—the fire of two hearts instead of one. The world went to pieces under Jan after that. There came the day when, in fair fight, he choked the taunting sneer from O'Grady's face back in the woods. He fought like a tiger, a mad demon. No one ever knew of that fight. And with the demon still raging in his breast he faced the girl. He could never quite remember what he had said. But it was terrible—and came straight from his soul. Then he went out, leaving Marie standing there white and silent. He did not go back. He had sworn never to do that, and during the weeks that followed it spread about that Marie Cummins had turned down Jan Larose, and that Clarry O'Grady was now the lucky man. It was one of the unexplained tricks of fate that had brought them together, and had set their discovery stakes side by side on Pelican Creek.

To-day, in spite of his smiling coolness, Jan's heart rankled with a bitterness that seemed to be concentrated of all the dregs that had ever entered into his life. It poisoned him, heart and soul. He was not a coward. He was not afraid of O'Grady.

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