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A Hazard of New Fortunes
by William Dean Howells
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The radiator was concealed by a Jap screen, and over the top of this some Arab scarfs were flung. There was a superabundance of clocks. China pugs guarded the hearth; a brass sunflower smiled from the top of either andiron, and a brass peacock spread its tail before them inside a high filigree fender; on one side was a coalhod in 'repousse' brass, and on the other a wrought iron wood-basket. Some red Japanese bird-kites were stuck about in the necks of spelter vases, a crimson Jap umbrella hung opened beneath the chandelier, and each globe had a shade of yellow silk.

March, when he had recovered his self-command a little in the presence of the agglomeration, comforted himself by calling the bric-a-brac Jamescracks, as if this was their full name.

The disrespect he was able to show the whole apartment by means of this joke strengthened him to say boldly to the superintendent that it was altogether too small; then he asked carelessly what the rent was.

"Two hundred and fifty."

The Marches gave a start, and looked at each other.

"Don't you think we could make it do?" she asked him, and he could see that she had mentally saved five hundred dollars as the difference between the rent of their house and that of this flat. "It has some very pretty features, and we could manage to squeeze in, couldn't we?"

"You won't find another furnished flat like it for no two-fifty a month in the whole city," the superintendent put in.

They exchanged glances again, and March said, carelessly, "It's too small."

"There's a vacant flat in the Herodotus for eighteen hundred a year, and one in the Thucydides for fifteen," the superintendent suggested, clicking his keys together as they sank down in the elevator; "seven rooms and bath."

"Thank you," said March; "we're looking for a furnished flat."

They felt that the superintendent parted from them with repressed sarcasm.

"Oh, Basil, do you think we really made him think it was the smallness and not the dearness?"

" No, but we saved our self-respect in the attempt; and that's a great deal."

"Of course, I wouldn't have taken it, anyway, with only six rooms, and so high up. But what prices! Now, we must be very circumspect about the next place."

It was a janitress, large, fat, with her arms wound up in her apron, who received them there. Mrs. March gave her a succinct but perfect statement of their needs. She failed to grasp the nature of them, or feigned to do so. She shook her head, and said that her son would show them the flat. There was a radiator visible in the narrow hall, and Isabel tacitly compromised on steam heat without an elevator, as the flat was only one flight up. When the son appeared from below with a small kerosene hand-lamp, it appeared that the flat was unfurnished, but there was no stopping him till he had shown it in all its impossibility. When they got safely away from it and into the street March said: "Well, have you had enough for to-night, Isabel? Shall we go to the theatre now?"

"Not on any account. I want to see the whole list of flats that Mr. Fulkerson thought would be the very thing for us." She laughed, but with a certain bitterness.

"You'll be calling him my Mr. Fulkerson next, Isabel."

"Oh no!"

The fourth address was a furnished flat without a kitchen, in a house with a general restaurant. The fifth was a furnished house. At the sixth a pathetic widow and her pretty daughter wanted to take a family to board, and would give them a private table at a rate which the Marches would have thought low in Boston.

Mrs. March came away tingling with compassion for their evident anxiety, and this pity naturally soured into a sense of injury. "Well, I must say I have completely lost confidence in Mr. Fulkerson's judgment. Anything more utterly different from what I told him we wanted I couldn't imagine. If he doesn't manage any better about his business than he has done about this, it will be a perfect failure."

"Well, well, let's hope he'll be more circumspect about that," her husband returned, with ironical propitiation. "But I don't think it's Fulkerson's fault altogether. Perhaps it's the house-agents'. They're a very illusory generation. There seems to be something in the human habitation that corrupts the natures of those who deal in it, to buy or sell it, to hire or let it. You go to an agent and tell him what kind of a house you want. He has no such house, and he sends you to look at something altogether different, upon the well-ascertained principle that if you can't get what you want you will take what you can get. You don't suppose the 'party' that took our house in Boston was looking for any such house? He was looking for a totally different kind of house in another part of the town."

"I don't believe that!" his wife broke in.

"Well, no matter. But see what a scandalous rent you asked for it."

"We didn't get much more than half; and, besides, the agent told me to ask fourteen hundred."

"Oh, I'm not blaming you, Isabel. I'm only analyzing the house-agent and exonerating Fulkerson."

"Well, I don't believe he told them just what we wanted; and, at any rate, I'm done with agents. Tomorrow I'm going entirely by advertisements."



VIII.

Mrs. March took the vertebrate with her to the Vienna Coffee-House, where they went to breakfast next morning. She made March buy her the Herald and the World, and she added to its spiny convolutions from them. She read the new advertisements aloud with ardor and with faith to believe that the apartments described in them were every one truthfully represented, and that any one of them was richly responsive to their needs. "Elegant, light, large, single and outside flats" were offered with "all improvements—bath, ice-box, etc."—for twenty-five to thirty dollars a month. The cheapness was amazing. The Wagram, the Esmeralda, the Jacinth, advertised them for forty dollars and sixty dollars, "with steam heat and elevator," rent free till November. Others, attractive from their air of conscientious scruple, announced "first-class flats; good order; reasonable rents." The Helena asked the reader if she had seen the "cabinet finish, hard-wood floors, and frescoed ceilings" of its fifty-dollar flats; the Asteroid affirmed that such apartments, with "six light rooms and bath, porcelain wash-tubs, electric bells, and hall-boy," as it offered for seventy-five dollars were unapproached by competition. There was a sameness in the jargon which tended to confusion. Mrs. March got several flats on her list which promised neither steam heat nor elevators; she forgot herself so far as to include two or three as remote from the down-town region of her choice as Harlem. But after she had rejected these the nondescript vertebrate was still voluminous enough to sustain her buoyant hopes.

The waiter, who remembered them from year to year, had put them at a window giving a pretty good section of Broadway, and before they set out on their search they had a moment of reminiscence. They recalled the Broadway of five, of ten, of twenty years ago, swelling and roaring with a tide of gayly painted omnibuses and of picturesque traffic that the horsecars have now banished from it. The grind of their wheels and the clash of their harsh bells imperfectly fill the silence that the omnibuses have left, and the eye misses the tumultuous perspective of former times.

They went out and stood for a moment before Grace Church, and looked down the stately thoroughfare, and found it no longer impressive, no longer characteristic. It is still Broadway in name, but now it is like any other street. You do not now take your life in your hand when you attempt to cross it; the Broadway policeman who supported the elbow of timorous beauty in the hollow of his cotton-gloved palm and guided its little fearful boots over the crossing, while he arrested the billowy omnibuses on either side with an imperious glance, is gone, and all that certain processional, barbaric gayety of the place is gone.

"Palmyra, Baalbec, Timour of the Desert," said March, voicing their common feeling of the change.

They turned and went into the beautiful church, and found themselves in time for the matin service. Rapt far from New York, if not from earth, in the dim richness of the painted light, the hallowed music took them with solemn ecstasy; the aerial, aspiring Gothic forms seemed to lift them heavenward. They came out, reluctant, into the dazzle and bustle of the street, with a feeling that they were too good for it, which they confessed to each other with whimsical consciousness.

"But no matter how consecrated we feel now," he said, "we mustn't forget that we went into the church for precisely the same reason that we went to the Vienna Cafe for breakfast—to gratify an aesthetic sense, to renew the faded pleasure of travel for a moment, to get back into the Europe of our youth. It was a purely Pagan impulse, Isabel, and we'd better own it."

"I don't know," she returned. "I think we reduce ourselves to the bare bones too much. I wish we didn't always recognize the facts as we do. Sometimes I should like to blink them. I should like to think I was devouter than I am, and younger and prettier."

"Better not; you couldn't keep it up. Honesty is the best policy even in such things."

"No; I don't like it, Basil. I should rather wait till the last day for some of my motives to come to the top. I know they're always mixed, but do let me give them the benefit of a doubt sometimes."

"Well, well, have it your own way, my dear. But I prefer not to lay up so many disagreeable surprises for myself at that time."

She would not consent. "I know I am a good deal younger than I was. I feel quite in the mood of that morning when we walked down Broadway on our wedding journey. Don't you?"

"Oh yes. But I know I'm not younger; I'm only prettier."

She laughed for pleasure in his joke, and also for unconscious joy in the gay New York weather, in which there was no 'arriere pensee' of the east wind. They had crossed Broadway, and were walking over to Washington Square, in the region of which they now hoped to place themselves. The 'primo tenore' statue of Garibaldi had already taken possession of the place in the name of Latin progress, and they met Italian faces, French faces, Spanish faces, as they strolled over the asphalt walks, under the thinning shadows of the autumn-stricken sycamores. They met the familiar picturesque raggedness of Southern Europe with the old kindly illusion that somehow it existed for their appreciation, and that it found adequate compensation for poverty in this. March thought he sufficiently expressed his tacit sympathy in sitting down on one of the iron benches with his wife and letting a little Neapolitan put a superfluous shine on his boots, while their desultory comment wandered with equal esteem to the old-fashioned American respectability which keeps the north side of the square in vast mansions of red brick, and the international shabbiness which has invaded the southern border, and broken it up into lodging-houses, shops, beer-gardens, and studios.

They noticed the sign of an apartment to let on the north side, and as soon as the little bootblack could be bought off they went over to look at it. The janitor met them at the door and examined them. Then he said, as if still in doubt, "It has ten rooms, and the rent is twenty- eight hundred dollars."

"It wouldn't do, then," March replied, and left him to divide the responsibility between the paucity of the rooms and the enormity of the rent as he best might. But their self-love had received a wound, and they questioned each other what it was in their appearance made him doubt their ability to pay so much.

"Of course, we don't look like New-Yorkers," sighed Mrs. March, "and we've walked through the Square. That might be as if we had walked along the Park Street mall in the Common before we came out on Beacon. Do you suppose he could have seen you getting your boots blacked in that way?"

"It's useless to ask," said March. "But I never can recover from this blow."

"Oh, pshaw! You know you hate such things as badly as I do. It was very impertinent of him."

"Let us go back and 'ecraser l'infame' by paying him a year's rent in advance and taking immediate possession. Nothing else can soothe my wounded feelings. You were not having your boots blacked: why shouldn't he have supposed you were a New-Yorker, and I a country cousin?"

"They always know. Don't you remember Mrs. Williams's going to a Fifth Avenue milliner in a Worth dress, and the woman's asking her instantly what hotel she should send her hat to?"

"Yes; these things drive one to despair. I don't wonder the bodies of so many genteel strangers are found in the waters around New York. Shall we try the south side, my dear? or had we better go back to our rooms and rest awhile?"

Mrs. March had out the vertebrate, and was consulting one of its glittering ribs and glancing up from it at a house before which they stood. "Yes, it's the number; but do they call this being ready October first?" The little area in front of the basement was heaped with a mixture of mortar, bricks, laths, and shavings from the interior; the brownstone steps to the front door were similarly bestrewn; the doorway showed the half-open, rough pine carpenter's sketch of an unfinished house; the sashless windows of every story showed the activity of workmen within; the clatter of hammers and the hiss of saws came out to them from every opening.

"They may call it October first," said March, "because it's too late to contradict them. But they'd better not call it December first in my presence; I'll let them say January first, at a pinch."

"We will go in and look at it, anyway," said his wife; and he admired how, when she was once within, she began provisionally to settle the family in each of the several floors with the female instinct for domiciliation which never failed her. She had the help of the landlord, who was present to urge forward the workmen apparently; he lent a hopeful fancy to the solution of all her questions. To get her from under his influence March had to represent that the place was damp from undried plastering, and that if she stayed she would probably be down with that New York pneumonia which visiting Bostonians are always dying of. Once safely on the pavement outside, she realized that the apartment was not only unfinished, but unfurnished, and had neither steam heat nor elevator. "But I thought we had better look at everything," she explained.

"Yes, but not take everything. If I hadn't pulled you away from there by main force you'd have not only died of New York pneumonia on the spot, but you'd have had us all settled there before we knew what we were about."

"Well, that's what I can't help, Basil. It's the only way I can realize whether it will do for us. I have to dramatize the whole thing."

She got a deal of pleasure as well as excitement out of this, and he had to own that the process of setting up housekeeping in so many different places was not only entertaining, but tended, through association with their first beginnings in housekeeping, to restore the image of their early married days and to make them young again.

It went on all day, and continued far into the night, until it was too late to go to the theatre, too late to do anything but tumble into bed and simultaneously fall asleep. They groaned over their reiterated disappointments, but they could not deny that the interest was unfailing, and that they got a great deal of fun out of it all. Nothing could abate Mrs. March's faith in her advertisements. One of them sent her to a flat of ten rooms which promised to be the solution of all their difficulties; it proved to be over a livery-stable, a liquor store, and a milliner's shop, none of the first fashion. Another led them far into old Greenwich Village to an apartment-house, which she refused to enter behind a small girl with a loaf of bread under one arm and a quart can of milk under the other.

In their search they were obliged, as March complained, to the acquisition of useless information in a degree unequalled in their experience. They came to excel in the sad knowledge of the line at which respectability distinguishes itself from shabbiness. Flattering advertisements took them to numbers of huge apartment-houses chiefly distinguishable from tenement-houses by the absence of fire-escapes on their facades, till Mrs. March refused to stop at any door where there were more than six bell-ratchets and speaking-tubes on either hand. Before the middle of the afternoon she decided against ratchets altogether, and confined herself to knobs, neatly set in the door-trim. Her husband was still sunk in the superstition that you can live anywhere you like in New York, and he would have paused at some places where her quicker eye caught the fatal sign of "Modes" in the ground-floor windows. She found that there was an east and west line beyond which they could not go if they wished to keep their self-respect, and that within the region to which they had restricted themselves there was a choice of streets. At first all the New York streets looked to them ill-paved, dirty, and repulsive; the general infamy imparted itself in their casual impression to streets in no wise guilty. But they began to notice that some streets were quiet and clean, and, though never so quiet and clean as Boston streets, that they wore an air of encouraging reform, and suggested a future of greater and greater domesticity. Whole blocks of these downtown cross-streets seemed to have been redeemed from decay, and even in the midst of squalor a dwelling here and there had been seized, painted a dull red as to its brick-work, and a glossy black as to its wood-work, and with a bright brass bell-pull and door-knob and a large brass plate for its key-hole escutcheon, had been endowed with an effect of purity and pride which removed its shabby neighborhood far from it. Some of these houses were quite small, and imaginably within their means; but, as March said, some body seemed always to be living there himself, and the fact that none of them was to rent kept Mrs. March true to her ideal of a fiat. Nothing prevented its realization so much as its difference from the New York ideal of a flat, which was inflexibly seven rooms and a bath. One or two rooms might be at the front, the rest crooked and cornered backward through in creasing and then decreasing darkness till they reached a light bedroom or kitchen at the rear. It might be the one or the other, but it was always the seventh room with the bath; or if, as sometimes happened, it was the eighth, it was so after having counted the bath as one; in this case the janitor said you always counted the bath as one. If the flats were advertised as having "all light rooms," he explained that any room with a window giving into the open air of a court or shaft was counted a light room.

The Marches tried to make out why it was that these flats were go much more repulsive than the apartments which everyone lived in abroad; but they could only do so upon the supposition that in their European days they were too young, too happy, too full of the future, to notice whether rooms were inside or outside, light or dark, big or little, high or low. "Now we're imprisoned in the present," he said, "and we have to make the worst of it."

In their despair he had an inspiration, which she declared worthy of him: it was to take two small flats, of four or five rooms and a bath, and live in both. They tried this in a great many places, but they never could get two flats of the kind on the same floor where there was steam heat and an elevator. At one place they almost did it. They had resigned themselves to the humility of the neighborhood, to the prevalence of modistes and livery-stablemen (they seem to consort much in New York), to the garbage in the gutters and the litter of paper in the streets, to the faltering slats in the surrounding window-shutters and the crumbled brownstone steps and sills, when it turned out that one of the apartments had been taken between two visits they made. Then the only combination left open to them was of a ground-floor flat to the right and a third-floor flat to the left.

Still they kept this inspiration in reserve for use at the first opportunity. In the mean time there were several flats which they thought they could almost make do: notably one where they could get an extra servant's room in the basement four flights down, and another where they could get it in the roof five flights up. At the first the janitor was respectful and enthusiastic; at the second he had an effect of ironical pessimism. When they trembled on the verge of taking his apartment, he pointed out a spot in the kalsomining of the parlor ceiling, and gratuitously said, Now such a thing as that he should not agree to put in shape unless they took the apartment for a term of years. The apartment was unfurnished, and they recurred to the fact that they wanted a furnished apartment, and made their escape. This saved them in several other extremities; but short of extremity they could not keep their different requirements in mind, and were always about to decide without regard to some one of them.

They went to several places twice without intending: once to that old- fashioned house with the pleasant colored janitor, and wandered all over the apartment again with a haunting sense of familiarity, and then recognized the janitor and laughed; and to that house with the pathetic widow and the pretty daughter who wished to take them to board. They stayed to excuse their blunder, and easily came by the fact that the mother had taken the house that the girl might have a home while she was in New York studying art, and they hoped to pay their way by taking boarders. Her daughter was at her class now, the mother concluded; and they encouraged her to believe that it could only be a few days till the rest of her scheme was realized.

"I dare say we could be perfectly comfortable there," March suggested when they had got away. "Now if we were truly humane we would modify our desires to meet their needs and end this sickening search, wouldn't we?"

"Yes, but we're not truly humane," his wife answered, "or at least not in that sense. You know you hate boarding; and if we went there I should have them on my sympathies the whole time."

"I see. And then you would take it out of me."

"Then I should take it out of you. And if you are going to be so weak, Basil, and let every little thing work upon you in that way, you'd better not come to New York. You'll see enough misery here."

"Well, don't take that superior tone with me, as if I were a child that had its mind set on an undesirable toy, Isabel."

"Ah, don't you suppose it's because you are such a child in some respects that I like you, dear?" she demanded, without relenting.

"But I don't find so much misery in New York. I don't suppose there's any more suffering here to the population than there is in the country. And they're so gay about it all. I think the outward aspect of the place and the hilarity of the sky and air must get into the people's blood. The weather is simply unapproachable; and I don't care if it is the ugliest place in the world, as you say. I suppose it is. It shrieks and yells with ugliness here and there but it never loses its spirits. That widow is from the country. When she's been a year in New York she'll be as gay—as gay as an L road." He celebrated a satisfaction they both had in the L roads. "They kill the streets and avenues, but at least they partially hide them, and that is some comfort; and they do triumph over their prostrate forms with a savage exultation that is intoxicating. Those bends in the L that you get in the corner of Washington Square, or just below the Cooper Institute—they're the gayest things in the world. Perfectly atrocious, of course, but incomparably picturesque! And the whole city is so," said March, "or else the L would never have got built here. New York may be splendidly gay or squalidly gay; but, prince or pauper, it's gay always."

"Yes, gay is the word," she admitted, with a sigh. "But frantic. I can't get used to it. They forget death, Basil; they forget death in New York."

"Well, I don't know that I've ever found much advantage in remembering it."

"Don't say such a thing, dearest."

He could see that she had got to the end of her nervous strength for the present, and he proposed that they should take the Elevated road as far as it would carry them into the country, and shake off their nightmare of flat-hunting for an hour or two; but her conscience would not let her. She convicted him of levity equal to that of the New-Yorkers in proposing such a thing; and they dragged through the day. She was too tired to care for dinner, and in the night she had a dream from which she woke herself with a cry that roused him, too. It was something about the children at first, whom they had talked of wistfully before falling asleep, and then it was of a hideous thing with two square eyes and a series of sections growing darker and then lighter, till the tail of the monstrous articulate was quite luminous again. She shuddered at the vague description she was able to give; but he asked, "Did it offer to bite you?"

"No. That was the most frightful thing about it; it had no mouth."

March laughed. "Why, my dear, it was nothing but a harmless New York flat—seven rooms and a bath."

"I really believe it was," she consented, recognizing an architectural resemblance, and she fell asleep again, and woke renewed for the work before them.



IX.

Their house-hunting no longer had novelty, but it still had interest; and they varied their day by taking a coupe, by renouncing advertisements, and by reverting to agents. Some of these induced them to consider the idea of furnished houses; and Mrs. March learned tolerance for Fulkerson by accepting permits to visit flats and houses which had none of the qualifications she desired in either, and were as far beyond her means as they were out of the region to which she had geographically restricted herself. They looked at three-thousand and four-thousand dollar apartments, and rejected them for one reason or another which had nothing to do with the rent; the higher the rent was, the more critical they were of the slippery inlaid floors and the arrangement of the richly decorated rooms. They never knew whether they had deceived the janitor or not; as they came in a coupe, they hoped they had.

They drove accidentally through one street that seemed gayer in the perspective than an L road. The fire-escapes, with their light iron balconies and ladders of iron, decorated the lofty house fronts; the roadway and sidewalks and door-steps swarmed with children; women's heads seemed to show at every window. In the basements, over which flights of high stone steps led to the tenements, were green-grocers' shops abounding in cabbages, and provision stores running chiefly to bacon and sausages, and cobblers' and tinners' shops, and the like, in proportion to the small needs of a poor neighborhood. Ash barrels lined the sidewalks, and garbage heaps filled the gutters; teams of all trades stood idly about; a peddler of cheap fruit urged his cart through the street, and mixed his cry with the joyous screams and shouts of the children and the scolding and gossiping voices of the women; the burly blue bulk of a policeman defined itself at the corner; a drunkard zigzagged down the sidewalk toward him. It was not the abode of the extremest poverty, but of a poverty as hopeless as any in the world, transmitting itself from generation to generation, and establishing conditions of permanency to which human life adjusts itself as it does to those of some incurable disease, like leprosy.

The time had been when the Marches would have taken a purely aesthetic view of the facts as they glimpsed them in this street of tenement- houses; when they would have contented themselves with saying that it was as picturesque as a street in Naples or Florence, and with wondering why nobody came to paint it; they would have thought they were sufficiently serious about it in blaming the artists for their failure to appreciate it, and going abroad for the picturesque when they had it here under their noses. It was to the nose that the street made one of its strongest appeals, and Mrs. March pulled up her window of the coupe. "Why does he take us through such a disgusting street?" she demanded, with an exasperation of which her husband divined the origin.

"This driver may be a philanthropist in disguise," he answered, with dreamy irony, "and may want us to think about the people who are not merely carried through this street in a coupe, but have to spend their whole lives in it, winter and summer, with no hopes of driving out of it, except in a hearse. I must say they don't seem to mind it. I haven't seen a jollier crowd anywhere in New York. They seem to have forgotten death a little more completely than any of their fellow-citizens, Isabel. And I wonder what they think of us, making this gorgeous progress through their midst. I suppose they think we're rich, and hate us—if they hate rich people; they don't look as if they hated anybody. Should we be as patient as they are with their discomfort? I don't believe there's steam heat or an elevator in the whole block. Seven rooms and a bath would be more than the largest and genteelest family would know what to do with. They wouldn't know what to do with the bath, anyway."

His monologue seemed to interest his wife apart from the satirical point it had for themselves. "You ought to get Mr. Fulkerson to let you work some of these New York sights up for Every Other Week, Basil; you could do them very nicely."

"Yes; I've thought of that. But don't let's leave the personal ground. Doesn't it make you feel rather small and otherwise unworthy when you see the kind of street these fellow-beings of yours live in, and then think how particular you are about locality and the number of bellpulls? I don't see even ratchets and speaking-tubes at these doors." He craned his neck out of the window for a better look, and the children of discomfort cheered him, out of sheer good feeling and high spirits. "I didn't know I was so popular. Perhaps it's a recognition of my humane sentiments."

"Oh, it's very easy to have humane sentiments, and to satirize ourselves for wanting eight rooms and a bath in a good neighborhood, when we see how these wretched creatures live," said his wife. "But if we shared all we have with them, and then settled down among them, what good would it do?"

"Not the least in the world. It might help us for the moment, but it wouldn't keep the wolf from their doors for a week; and then they would go on just as before, only they wouldn't be on such good terms with the wolf. The only way for them is to keep up an unbroken intimacy with the wolf; then they can manage him somehow. I don't know how, and I'm afraid I don't want to. Wouldn't you like to have this fellow drive us round among the halls of pride somewhere for a little while? Fifth Avenue or Madison, up-town?"

"No; we've no time to waste. I've got a place near Third Avenue, on a nice cross street, and I want him to take us there." It proved that she had several addresses near together, and it seemed best to dismiss their coupe and do the rest of their afternoon's work on foot. It came to nothing; she was not humbled in the least by what she had seen in the tenement-house street; she yielded no point in her ideal of a flat, and the flats persistently refused to lend themselves to it. She lost all patience with them.

"Oh, I don't say the flats are in the right of it," said her husband, when she denounced their stupid inadequacy to the purposes of a Christian home. "But I'm not so sure that we are, either. I've been thinking about that home business ever since my sensibilities were dragged—in a coupe—through that tenement-house street. Of course, no child born and brought up in such a place as that could have any conception of home. But that's because those poor people can't give character to their habitations. They have to take what they can get. But people like us— that is, of our means—do give character to the average flat. It's made to meet their tastes, or their supposed tastes; and so it's made for social show, not for family life at all. Think of a baby in a flat! It's a contradiction in terms; the flat is the negation of motherhood. The flat means society life; that is, the pretence of social life. It's made to give artificial people a society basis on a little money—too much money, of course, for what they get. So the cost of the building is put into marble halls and idiotic decoration of all kinds. I don't. object to the conveniences, but none of these flats has a living-room. They have drawing-rooms to foster social pretence, and they have dining- rooms and bedrooms; but they have no room where the family can all come together and feel the sweetness of being a family. The bedrooms are black-holes mostly, with a sinful waste of space in each. If it were not for the marble halls, and the decorations, and the foolishly expensive finish, the houses could be built round a court, and the flats could be shaped something like a Pompeiian house, with small sleeping-closets— only lit from the outside—and the rest of the floor thrown into two or three large cheerful halls, where all the family life could go on, and society could be transacted unpretentiously. Why, those tenements are better and humaner than those flats! There the whole family lives in the kitchen, and has its consciousness of being; but the flat abolishes the family consciousness. It's confinement without coziness; it's cluttered without being snug. You couldn't keep a self-respecting cat in a flat; you couldn't go down cellar to get cider. No! the Anglo-Saxon home, as we know it in the Anglo-Saxon house, is simply impossible in the Franco- American flat, not because it's humble, but because it's false."

"Well, then," said Mrs. March, "let's look at houses."

He had been denouncing the flat in the abstract, and he had not expected this concrete result. But he said, "We will look at houses, then."



X.

Nothing mystifies a man more than a woman's aberrations from some point at which he, supposes her fixed as a star. In these unfurnished houses, without steam or elevator, March followed his wife about with patient wonder. She rather liked the worst of them best: but she made him go down into the cellars and look at the furnaces; she exacted from him a rigid inquest of the plumbing. She followed him into one of the cellars by the fitful glare of successively lighted matches, and they enjoyed a moment in which the anomaly of their presence there on that errand, so remote from all the facts of their long-established life in Boston, realized itself for them.

"Think how easily we might have been murdered and nobody been any the wiser!" she said when they were comfortably outdoors again.

"Yes, or made way with ourselves in an access of emotional insanity, supposed to have been induced by unavailing flat-hunting," he suggested. She fell in with the notion. "I'm beginning to feel crazy. But I don't want you to lose your head, Basil. And I don't want you to sentimentalize any of the things you see in New York. I think you were disposed to do it in that street we drove through. I don't believe there's any real suffering—not real suffering—among those people; that is, it would be suffering from our point of view, but they've been used to it all their lives, and they don't feel their' discomfort so much."

"Of course, I understand that, and I don't propose to sentimentalize them. I think when people get used to a bad state of things they had better stick to it; in fact, they don't usually like a better state so well, and I shall keep that firmly in mind."

She laughed with him, and they walked along the L bestridden avenue, exhilarated by their escape from murder and suicide in that cellar, toward the nearest cross town track, which they meant to take home to their hotel. "Now to-night we will go to the theatre," she said, "and get this whole house business out of our minds, and be perfectly fresh for a new start in the morning." Suddenly she clutched his arm. "Why, did you see that man?" and she signed with her head toward a decently dressed person who walked beside them, next the gutter, stooping over as if to examine it, and half halting at times.

"No. What?"

"Why, I saw him pick up a dirty bit of cracker from the pavement and cram it into his mouth and eat it down as if he were famished. And look! he's actually hunting for more in those garbage heaps!"

This was what the decent-looking man with the hard hands and broken nails of a workman was doing-like a hungry dog. They kept up with him, in the fascination of the sight, to the next corner, where he turned down the side street still searching the gutter.

They walked on a few paces. Then March said, "I must go after him," and left his wife standing.

"Are you in want—hungry?" he asked the man.

The man said he could not speak English, Monsieur.

March asked his question in French.

The man shrugged a pitiful, desperate shrug, "Mais, Monsieur—"

March put a coin in his hand, and then suddenly the man's face twisted up; he caught the hand of this alms-giver in both of his and clung to it. "Monsieur! Monsieur!" he gasped, and the tears rained down his face.

His benefactor pulled himself away, shocked and ashamed, as one is by such a chance, and got back to his wife, and the man lapsed back into the mystery of misery out of which he had emerged.

March felt it laid upon him to console his wife for what had happened. "Of course, we might live here for years and not see another case like that; and, of course, there are twenty places where he could have gone for help if he had known where to find them."

"Ah, but it's the possibility of his needing the help so badly as that," she answered. "That's what I can't bear, and I shall not come to a place where such things are possible, and we may as well stop our house-hunting here at once."

"Yes? And what part of Christendom will you live in? Such things are possible everywhere in our conditions."

"Then we must change the conditions—"

"Oh no; we must go to the theatre and forget them. We can stop at Brentano's for our tickets as we pass through Union Square."

"I am not going to the theatre, Basil. I am going home to Boston to- night. You can stay and find a flat."

He convinced her of the absurdity of her position, and even of its selfishness; but she said that her mind was quite made up irrespective of what had happened, that she had been away from the children long enough; that she ought to be at home to finish up the work of leaving it. The word brought a sigh. "Ah, I don't know why we should see nothing but sad and ugly things now. When we were young—"

"Younger," he put in. "We're still young."

"That's what we pretend, but we know better. But I was thinking how pretty and pleasant things used to be turning up all the time on our travels in the old days. Why, when we were in New York here on our wedding journey the place didn't seem half so dirty as it does now, and none of these dismal things happened."

"It was a good deal dirtier," he answered; "and I fancy worse in every way-hungrier, raggeder, more wretchedly housed. But that wasn't the period of life for us to notice it. Don't you remember, when we started to Niagara the last time, how everybody seemed middle-aged and commonplace; and when we got there there were no evident brides; nothing but elderly married people?"

"At least they weren't starving," she rebelled.

"No, you don't starve in parlor-cars and first-class hotels; but if you step out of them you run your chance of seeing those who do, if you're getting on pretty well in the forties. If it's the unhappy who see unhappiness, think what misery must be revealed to people who pass their lives in the really squalid tenement-house streets—I don't mean picturesque avenues like that we passed through."

"But we are not unhappy," she protested, bringing the talk back to the personal base again, as women must to get any good out of talk. "We're really no unhappier than we were when we were young."

"We're more serious."

"Well, I hate it; and I wish you wouldn't be so serious, if that's what it brings us to."

"I will be trivial from this on," said March. "Shall we go to the Hole in the Ground to-night?"

"I am going to Boston."

"It's much the same thing. How do you like that for triviality? It's a little blasphemous, I'll allow."

"It's very silly," she said.

At the hotel they found a letter from the agent who had sent them the permit to see Mrs. Grosvenor Green's apartment. He wrote that she had heard they were pleased with her apartment, and that she thought she could make the terms to suit. She had taken her passage for Europe, and was very anxious to let the flat before she sailed. She would call that evening at seven.

"Mrs. Grosvenor Green!" said Mrs. March. "Which of the ten thousand flats is it, Basil?"

"The gimcrackery," he answered. "In the Xenophon, you know."

"Well, she may save herself the trouble. I shall not see her. Or yes— I must. I couldn't go away without seeing what sort of creature could have planned that fly-away flat. She must be a perfect—"

"Parachute," March suggested.

"No! anybody so light as that couldn't come down."

"Well, toy balloon."

"Toy balloon will do for the present," Mrs. March admitted. "But I feel that naught but herself can be her parallel for volatility."

When Mrs. Grosvenor-Green's card came up they both descended to the hotel parlor, which March said looked like the saloon of a Moorish day-boat; not that he knew of any such craft, but the decorations were so Saracenic and the architecture so Hudson Riverish. They found there on the grand central divan a large lady whose vast smoothness, placidity, and plumpness set at defiance all their preconceptions of Mrs. Grosvenor Green, so that Mrs. March distinctly paused with her card in her hand before venturing even tentatively to address her. Then she was astonished at the low, calm voice in which Mrs. Green acknowledged herself, and slowly proceeded to apologize for calling. It was not quite true that she had taken her passage for Europe, but she hoped soon to do so, and she confessed that in the mean time she was anxious to let her flat. She was a little worn out with the care of housekeeping— Mrs. March breathed, "Oh yes!" in the sigh with which ladies recognize one another's martyrdom—and Mrs. Green had business abroad, and she was going to pursue her art studies in Paris; she drew in Mr. Ilcomb's class now, but the instruction was so much better in Paris; and as the superintendent seemed to think the price was the only objection, she had ventured to call.

"Then we didn't deceive him in the least," thought Mrs. March, while she answered, sweetly: "No; we were only afraid that it would be too small for our family. We require a good many rooms." She could not forego the opportunity of saying, "My husband is coming to New York to take charge of a literary periodical, and he will have to have a room to write in," which made Mrs. Green bow to March, and made March look sheepish. "But we did think the apartment very charming", (It was architecturally charming, she protested to her conscience)," and we should have been so glad if we could have got into it." She followed this with some account of their house-hunting, amid soft murmurs of sympathy from Mrs. Green, who said that she had been through all that, and that if she could have shown her apartment to them she felt sure that she could have explained it so that they would have seen its capabilities better, Mrs. March assented to this, and Mrs. Green added that if they found nothing exactly suitable she would be glad to have them look at it again; and then Mrs. March said that she was going back to Boston herself, but she was leaving Mr. March to continue the search; and she had no doubt he would be only too glad to see the apartment by daylight. "But if you take it, Basil," she warned him, when they were alone, "I shall simply renounce you. I wouldn't live in that junk-shop if you gave it to me. But who would have thought she was that kind of looking person? Though of course I might have known if I had stopped to think once. It's because the place doesn't express her at all that it's so unlike her. It couldn't be like anybody, or anything that flies in the air, or creeps upon the earth, or swims in the waters under the earth. I wonder where in the world she's from; she's no New-Yorker; even we can see that; and she's not quite a country person, either; she seems like a person from some large town, where she's been an aesthetic authority. And she can't find good enough art instruction in New York, and has to go to Paris for it! Well, it's pathetic, after all, Basil. I can't help feeling sorry for a person who mistakes herself to that extent."

"I can't help feeling sorry for the husband of a person who mistakes herself to that extent. What is Mr. Grosvenor Green going to do in Paris while she's working her way into the Salon?"

"Well, you keep away from her apartment, Basil; that's all I've got to say to you. And yet I do like some things about her."

"I like everything about her but her apartment," said March.

"I like her going to be out of the country," said his wife. "We shouldn't be overlooked. And the place was prettily shaped, you can't deny it. And there was an elevator and steam heat. And the location is very convenient. And there was a hall-boy to bring up cards. The halls and stairs were kept very clean and nice. But it wouldn't do. I could put you a folding bed in the room where you wrote, and we could even have one in the parlor"

"Behind a portiere? I couldn't stand any more portieres!"

"And we could squeeze the two girls into one room, or perhaps only bring Margaret, and put out the whole of the wash. Basil!" she almost shrieked, "it isn't to be thought of!"

He retorted, "I'm not thinking of it, my dear."

Fulkerson came in just before they started for Mrs. March's train, to find out what had become of them, he said, and to see whether they had got anything to live in yet.

"Not a thing," she said. "And I'm just going back to Boston, and leaving Mr. March here to do anything he pleases about it. He has 'carte blanche.'"

"But freedom brings responsibility, you know, Fulkerson, and it's the same as if I'd no choice. I'm staying behind because I'm left, not because I expect to do anything."

"Is that so?" asked Fulkerson. "Well, we must see what can be done. I supposed you would be all settled by this time, or I should have humped myself to find you something. None of those places I gave you amounts to anything?"

"As much as forty thousand others we've looked at," said Mrs. March. "Yes, one of them does amount to something. It comes so near being what we want that I've given Mr. March particular instructions not to go near it."

She told him about Mrs. Grosvenor Green and her flats, and at the end he said:

"Well, well, we must look out for that. I'll keep an eye on him, Mrs. March, and see that he doesn't do anything rash, and I won't leave him till he's found just the right thing. It exists, of course; it must in a city of eighteen hundred thousand people, and the only question is where to find it. You leave him to me, Mrs. March; I'll watch out for him."

Fulkerson showed some signs of going to the station when he found they were not driving, but she bade him a peremptory good-bye at the hotel door.

"He's very nice, Basil, and his way with you is perfectly charming. It's very sweet to see how really fond of you he is. But I didn't want him stringing along with us up to Forty-second Street and spoiling our last moments together."

At Third Avenue they took the Elevated for which she confessed an infatuation. She declared it the most ideal way of getting about in the world, and was not ashamed when he reminded her of how she used to say that nothing under the sun could induce her to travel on it. She now said that the night transit was even more interesting than the day, and that the fleeing intimacy you formed with people in second and third floor interiors, while all the usual street life went on underneath, had a domestic intensity mixed with a perfect repose that was the last effect of good society with all its security and exclusiveness. He said it was better than the theatre, of which it reminded him, to see those people through their windows: a family party of work-folk at a late tea, some of the men in their shirt-sleeves; a woman sewing by a lamp; a mother laying her child in its cradle; a man with his head fallen on his hands upon a table; a girl and her lover leaning over the window-sill together. What suggestion! what drama? what infinite interest! At the Forty-second Street station they stopped a minute on the bridge that crosses the track to the branch road for the Central Depot, and looked up and down the long stretch of the Elevated to north and south. The track that found and lost itself a thousand times in the flare and tremor of the innumerable lights; the moony sheen of the electrics mixing with the reddish points and blots of gas far and near; the architectural shapes of houses and churches and towers, rescued by the obscurity from all that was ignoble in them, and the coming and going of the trains marking the stations with vivider or fainter plumes of flame-shot steam-formed an incomparable perspective. They often talked afterward of the superb spectacle, which in a city full of painters nightly works its unrecorded miracles; and they were just to the Arachne roof spun in iron over the cross street on which they ran to the depot; but for the present they were mostly inarticulate before it. They had another moment of rich silence when they paused in the gallery that leads from the Elevated station to the waiting-rooms in the Central Depot and looked down upon the great night trains lying on the tracks dim under the rain of gas-lights that starred without dispersing the vast darkness of the place. What forces, what fates, slept in these bulks which would soon be hurling themselves north and south and west through the night! Now they waited there like fabled monsters of Arab story ready for the magician's touch, tractable, reckless, will-less—organized lifelessness full of a strange semblance of life.

The Marches admired the impressive sight with a thrill of patriotic pride in the fact that the whole world perhaps could not afford just the like. Then they hurried down to the ticket-offices, and he got her a lower berth in the Boston sleeper, and went with her to the car. They made the most of the fact that her berth was in the very middle of the car; and she promised to write as soon as she reached home. She promised also that, having seen the limitations of New York in respect to flats, she would not be hard on him if he took something not quite ideal. Only he must remember that it was not to be above Twentieth Street nor below Washington Square; it must not be higher than the third floor; it must have an elevator, steam heat, hail-boys, and a pleasant janitor. These were essentials; if he could not get them, then they must do without. But he must get them.



XI.

Mrs. March was one of those wives who exact a more rigid adherence to their ideals from their husbands than from themselves. Early in their married life she had taken charge of him in all matters which she considered practical. She did not include the business of bread-winning in these; that was an affair that might safely be left to his absent- minded, dreamy inefficiency, and she did not interfere with him there. But in such things as rehanging the pictures, deciding on a summer boarding-place, taking a seaside cottage, repapering rooms, choosing seats at the theatre, seeing what the children ate when she was not at table, shutting the cat out at night, keeping run of calls and invitations, and seeing if the furnace was dampered, he had failed her so often that she felt she could not leave him the slightest discretion in regard to a flat. Her total distrust of his judgment in the matters cited and others like them consisted with the greatest admiration of his mind and respect for his character. She often said that if he would only bring these to bear in such exigencies he would be simply perfect; but she had long given up his ever doing so. She subjected him, therefore, to an iron code, but after proclaiming it she was apt to abandon him to the native lawlessness of his temperament. She expected him in this event to do as he pleased, and she resigned herself to it with considerable comfort in holding him accountable. He learned to expect this, and after suffering keenly from her disappointment with whatever he did he waited patiently till she forgot her grievance and began to extract what consolation lurks in the irreparable. She would almost admit at moments that what he had done was a very good thing, but she reserved the right to return in full force to her original condemnation of it; and she accumulated each act of independent volition in witness and warning against him. Their mass oppressed but never deterred him. He expected to do the wrong thing when left to his own devices, and he did it without any apparent recollection of his former misdeeds and their consequences. There was a good deal of comedy in it all, and some tragedy.

He now experienced a certain expansion, such as husbands of his kind will imagine, on going back to his hotel alone. It was, perhaps, a revulsion from the pain of parting; and he toyed with the idea of Mrs. Grosvenor Green's apartment, which, in its preposterous unsuitability, had a strange attraction. He felt that he could take it with less risk than anything else they had seen, but he said he would look at all the other places in town first. He really spent the greater part of the next day in hunting up the owner of an apartment that had neither steam heat nor an elevator, but was otherwise perfect, and trying to get him to take less than the agent asked. By a curious psychical operation he was able, in the transaction, to work himself into quite a passionate desire for the apartment, while he held the Grosvenor Green apartment in the background of his mind as something that he could return to as altogether more suitable. He conducted some simultaneous negotiation for a furnished house, which enhanced still more the desirability of the Grosvenor Green apartment. Toward evening he went off at a tangent far up-town, so as to be able to tell his wife how utterly preposterous the best there would be as compared even with this ridiculous Grosvenor Green gimcrackery. It is hard to report the processes of his sophistication; perhaps this, again, may best be left to the marital imagination.

He rang at the last of these up-town apartments as it was falling dusk, and it was long before the janitor appeared. Then the man was very surly, and said if he looked at the flat now he would say it was too dark, like all the rest. His reluctance irritated March in proportion to his insincerity in proposing to look at it at all. He knew he did not mean to take it under any circumstances; that he was going to use his inspection of it in dishonest justification of his disobedience to his wife; but he put on an air of offended dignity. "If you don't wish to show the apartment," he said, "I don't care to see it."

The man groaned, for he was heavy, and no doubt dreaded the stairs. He scratched a match on his thigh, and led the way up. March was sorry for him, and he put his fingers on a quarter in his waistcoat-pocket to give him at parting. At the same time, be had to trump up an objection to the flat. This was easy, for it was advertised as containing ten rooms, and he found the number eked out with the bath-room and two large closets. "It's light enough," said March, "but I don't see how you make out ten rooms"

"There's ten rooms," said the man, deigning no proof.

March took his fingers off the quarter, and went down-stairs and out of the door without another word. It would be wrong, it would be impossible, to give the man anything after such insolence. He reflected, with shame, that it was also cheaper to punish than forgive him.

He returned to his hotel prepared for any desperate measure, and convinced now that the Grosvenor Green apartment was not merely the only thing left for him, but was, on its own merits, the best thing in New York.

Fulkerson was waiting for him in the reading-room, and it gave March the curious thrill with which a man closes with temptation when he said: "Look here! Why don't you take that woman's flat in the Xenophon? She's been at the agents again, and they've been at me. She likes your look— or Mrs. March's—and I guess you can have it at a pretty heavy discount from the original price. I'm authorized to say you can have it for one seventy-five a month, and I don't believe it would be safe for you to offer one fifty."

March shook his head, and dropped a mask of virtuous rejection over his corrupt acquiescence. "It's too small for us—we couldn't squeeze into it."

"Why, look here!" Fulkerson persisted. "How many rooms do you people want?"

"I've got to have a place to work—"

"Of course! And you've got to have it at the Fifth Wheel office."

"I hadn't thought of that," March began. "I suppose I could do my work at the office, as there's not much writing—"

"Why, of course you can't do your work at home. You just come round with me now, and look at that again."

"No; I can't do it."

"Why?"

"I—I've got to dine."

"All right," said Fulkerson. "Dine with me. I want to take you round to a little Italian place that I know."

One may trace the successive steps of March's descent in this simple matter with the same edification that would attend the study of the self- delusions and obfuscations of a man tempted to crime. The process is probably not at all different, and to the philosophical mind the kind of result is unimportant; the process is everything.

Fulkerson led him down one block and half across another to the steps of a small dwelling-house, transformed, like many others, into a restaurant of the Latin ideal, with little or no structural change from the pattern of the lower middle-class New York home. There were the corroded brownstone steps, the mean little front door, and the cramped entry with its narrow stairs by which ladies could go up to a dining-room appointed for them on the second floor; the parlors on the first were set about with tables, where men smoked cigarettes between the courses, and a single waiter ran swiftly to and fro with plates and dishes, and, exchanged unintelligible outcries with a cook beyond a slide in the back parlor. He rushed at the new-comers, brushed the soiled table-cloth before them with a towel on his arm, covered its worst stains with a napkin, and brought them, in their order, the vermicelli soup, the fried fish, the cheese-strewn spaghetti, the veal cutlets, the tepid roast fowl and salad, and the wizened pear and coffee which form the dinner at such places.

"Ah, this is nice!" said Fulkerson, after the laying of the charitable napkin, and he began to recognize acquaintances, some of whom he described to March as young literary men and artists with whom they should probably have to do; others were simply frequenters of the place, and were of all nationalities and religions apparently—at least, several were Hebrews and Cubans. "You get a pretty good slice of New York here," he said, "all except the frosting on top. That you won't find much at Maroni's, though you will occasionally. I don't mean the ladies ever, of course." The ladies present seemed harmless and reputable-looking people enough, but certainly they were not of the first fashion, and, except in a few instances, not Americans. "It's like cutting straight down through a fruitcake," Fulkerson went on, "or a mince-pie, when you don't know who made the pie; you get a little of everything." He ordered a small flask of Chianti with the dinner, and it came in its pretty wicker jacket. March smiled upon it with tender reminiscence, and Fulkerson laughed. "Lights you up a little. I brought old Dryfoos here one day, and he thought it was sweet-oil; that's the kind of bottle they used to have it in at the country drug-stores."

"Yes, I remember now; but I'd totally forgotten it," said March. "How far back that goes! Who's Dryfoos?"

"Dryfoos?" Fulkerson, still smiling, tore off a piece of the half-yard of French loaf which had been supplied them, with two pale, thin disks of butter, and fed it into himself. "Old Dryfoos? Well, of course! I call him old, but he ain't so very. About fifty, or along there."

"No," said March, "that isn't very old—or not so old as it used to be."

"Well, I suppose you've got to know about him, anyway," said Fulkerson, thoughtfully. "And I've been wondering just how I should tell you. Can't always make out exactly how much of a Bostonian you really are! Ever been out in the natural-gas country?"

"No," said March. "I've had a good deal of curiosity about it, but I've never been able to get away except in summer, and then we always preferred to go over the old ground, out to Niagara and back through Canada, the route we took on our wedding journey. The children like it as much as we do."

"Yes, yes," said Fulkerson. "Well, the natural-gas country is worth seeing. I don't mean the Pittsburg gas-fields, but out in Northern Ohio and Indiana around Moffitt—that's the place in the heart of the gas region that they've been booming so. Yes, you ought to see that country. If you haven't been West for a good many years, you haven't got any idea how old the country looks. You remember how the fields used to be all full of stumps?"

"I should think so."

"Well, you won't see any stumps now. All that country out around Moffitt is just as smooth as a checker-board, and looks as old as England. You know how we used to burn the stumps out; and then somebody invented a stump-extractor, and we pulled them out with a yoke of oxen. Now they just touch 'em off with a little dynamite, and they've got a cellar dug and filled up with kindling ready for housekeeping whenever you want it. Only they haven't got any use for kindling in that country—all gas. I rode along on the cars through those level black fields at corn- planting time, and every once in a while I'd come to a place with a piece of ragged old stove-pipe stickin' up out of the ground, and blazing away like forty, and a fellow ploughing all round it and not minding it any more than if it was spring violets. Horses didn't notice it, either. Well, they've always known about the gas out there; they say there are places in the woods where it's been burning ever since the country was settled.

"But when you come in sight of Moffitt—my, oh, my! Well, you come in smell of it about as soon. That gas out there ain't odorless, like the Pittsburg gas, and so it's perfectly safe; but the smell isn't bad—about as bad as the finest kind of benzine. Well, the first thing that strikes you when you come to Moffitt is the notion that there has been a good warm, growing rain, and the town's come up overnight. That's in the suburbs, the annexes, and additions. But it ain't shabby—no shanty-farm business; nice brick and frame houses, some of 'em Queen Anne style, and all of 'em looking as if they had come to stay. And when you drive up from the depot you think everybody's moving. Everything seems to be piled into the street; old houses made over, and new ones going up everywhere. You know the kind of street Main Street always used to be in our section—half plank-road and turnpike, and the rest mud-hole, and a lot of stores and doggeries strung along with false fronts a story higher than the back, and here and there a decent building with the gable end to the public; and a court-house and jail and two taverns and three or four churches. Well, they're all there in Moffitt yet, but architecture has struck it hard, and they've got a lot of new buildings that needn't be ashamed of themselves anywhere; the new court-house is as big as St. Peter's, and the Grand Opera-house is in the highest style of the art. You can't buy a lot on that street for much less than you can buy a lot in New York—or you couldn't when the boom was on; I saw the place just when the boom was in its prime. l went out there to work the newspapers in the syndicate business, and I got one of their men to write me a real bright, snappy account of the gas; and they just took me in their arms and showed me everything. Well, it was wonderful, and it was beautiful, too! To see a whole community stirred up like that was—just like a big boy, all hope and high spirits, and no discount on the remotest future; nothing but perpetual boom to the end of time—I tell you it warmed your blood. Why, there were some things about it that made you think what a nice kind of world this would be if people ever took hold together, instead of each fellow fighting it out on his own hook, and devil take the hindmost. They made up their minds at Moffitt that if they wanted their town to grow they'd got to keep their gas public property. So they extended their corporation line so as to take in pretty much the whole gas region round there; and then the city took possession of every well that was put down, and held it for the common good. Anybody that's a mind to come to Moffitt and start any kind of manufacture can have all the gas he wants free; and for fifteen dollars a year you can have all the gas you want to heat and light your private house. The people hold on to it for themselves, and, as I say, it's a grand sight to see a whole community hanging together and working for the good of all, instead of splitting up into as many different cut-throats as there are able-bodied citizens. See that fellow?" Fulkerson broke off, and indicated with a twirl of his head a short, dark, foreign-looking man going out of the door. "They say that fellow's a Socialist. I think it's a shame they're allowed to come here. If they don't like the way we manage our affairs let 'em stay at home," Fulkerson continued. "They do a lot of mischief, shooting off their mouths round here. I believe in free speech and all that; but I'd like to see these fellows shut up in jail and left to jaw one another to death. We don't want any of their poison."

March did not notice the vanishing Socialist. He was watching, with a teasing sense of familiarity, a tall, shabbily dressed, elderly man, who had just come in. He had the aquiline profile uncommon among Germans, and yet March recognized him at once as German. His long, soft beard and mustache had once been fair, and they kept some tone of their yellow in the gray to which they had turned. His eyes were full, and his lips and chin shaped the beard to the noble outline which shows in the beards the Italian masters liked to paint for their Last Suppers. His carriage was erect and soldierly, and March presently saw that he had lost his left hand. He took his place at a table where the overworked waiter found time to cut up his meat and put everything in easy reach of his right hand.

"Well," Fulkerson resumed, "they took me round everywhere in Moffitt, and showed me their big wells—lit 'em up for a private view, and let me hear them purr with the soft accents of a mass-meeting of locomotives. Why, when they let one of these wells loose in a meadow that they'd piped it into temporarily, it drove the flame away forty feet from the mouth of the pipe and blew it over half an acre of ground. They say when they let one of their big wells burn away all winter before they had learned how to control it, that well kept up a little summer all around it; the grass stayed green, and the flowers bloomed all through the winter. I don't know whether it's so or not. But I can believe anything of natural gas. My! but it was beautiful when they turned on the full force of that well and shot a roman candle into the gas—that's the way they light it—and a plume of fire about twenty feet wide and seventy-five feet high, all red and yellow and violet, jumped into the sky, and that big roar shook the ground under your feet! You felt like saying:

"'Don't trouble yourself; I'm perfectly convinced. I believe in Moffitt.' We-e-e-ll!" drawled Fulkerson, with a long breath, "that's where I met old Dryfoos."

"Oh yes!—Dryfoos," said March. He observed that the waiter had brought the old one-handed German a towering glass of beer.

"Yes," Fulkerson laughed. "We've got round to Dryfoos again. I thought I could cut a long story short, but I seem to be cutting a short story long. If you're not in a hurry, though—"

"Not in the least. Go on as long as you like."

"I met him there in the office of a real-estate man—speculator, of course; everybody was, in Moffitt; but a first-rate fellow, and public- spirited as all get-out; and when Dryfoos left he told me about him. Dryfoos was an old Pennsylvania Dutch farmer, about three or four miles out of Moffitt, and he'd lived there pretty much all his life; father was one of the first settlers. Everybody knew he had the right stuff in him, but he was slower than molasses in January, like those Pennsylvania Dutch. He'd got together the largest and handsomest farm anywhere around there; and he was making money on it, just like he was in some business somewhere; he was a very intelligent man; he took the papers and kept himself posted; but he was awfully old-fashioned in his ideas. He hung on to the doctrines as well as the dollars of the dads; it was a real thing with him. Well, when the boom began to come he hated it awfully, and he fought it. He used to write communications to the weekly newspaper in Moffitt—they've got three dailies there now—and throw cold water on the boom. He couldn't catch on no way. It made him sick to hear the clack that went on about the gas the whole while, and that stirred up the neighborhood and got into his family. Whenever he'd hear of a man that had been offered a big price for his land and was going to sell out and move into town, he'd go and labor with him and try to talk him out of it, and tell him how long his fifteen or twenty thousand would last him to live on, and shake the Standard Oil Company before him, and try to make him believe it wouldn't be five years before the Standard owned the whole region.

"Of course, he couldn't do anything with them. When a man's offered a big price for his farm, he don't care whether it's by a secret emissary from the Standard Oil or not; he's going to sell and get the better of the other fellow if he can. Dryfoos couldn't keep the boom out of has own family even. His wife was with him. She thought whatever he said and did was just as right as if it had been thundered down from Sinai. But the young folks were sceptical, especially the girls that had been away to school. The boy that had been kept at home because he couldn't be spared from helping his father manage the farm was more like him, but they contrived to stir the boy up—with the hot end of the boom, too. So when a fellow came along one day and offered old Dryfoos a cool hundred thousand for his farm, it was all up with Dryfoos. He'd 'a' liked to 'a' kept the offer to himself and not done anything about it, but his vanity wouldn't let him do that; and when he let it out in his family the girls outvoted him. They just made him sell.

"He wouldn't sell all. He kept about eighty acres that was off in some piece by itself, but the three hundred that had the old brick house on it, and the big barn—that went, and Dryfoos bought him a place in Moffitt and moved into town to live on the interest of his money. Just What he had scolded and ridiculed everybody else for doing. Well, they say that at first he seemed like he would go crazy. He hadn't anything to do. He took a fancy to that land-agent, and he used to go and set in his office and ask him what he should do. 'I hain't got any horses, I hain't got any cows, I hain't got any pigs, I hain't got any chickens. I hain't got anything to do from sun-up to sun-down.' The fellow said the tears used to run down the old fellow's cheeks, and if he hadn't been so busy himself he believed he should 'a' cried, too. But most o' people thought old Dryfoos was down in the mouth because he hadn't asked more for his farm, when he wanted to buy it back and found they held it at a hundred and fifty thousand. People couldn't believe he was just homesick and heartsick for the old place. Well, perhaps he was sorry he hadn't asked more; that's human nature, too.

"After a while something happened. That land-agent used to tell Dryfoos to get out to Europe with his money and see life a little, or go and live in Washington, where he could be somebody; but Dryfoos wouldn't, and he kept listening to the talk there, and all of a sudden he caught on. He came into that fellow's one day with a plan for cutting up the eighty acres he'd kept into town lots; and he'd got it all plotted out so-well, and had so many practical ideas about it, that the fellow was astonished. He went right in with him, as far as Dryfoos would let him, and glad of the chance; and they were working the thing for all it was worth when I struck Moffitt. Old Dryfoos wanted me to go out and see the Dryfoos & Hendry Addition—guess he thought maybe I'd write it up; and he drove me out there himself. Well, it was funny to see a town made: streets driven through; two rows of shadetrees, hard and soft, planted; cellars dug and houses put up-regular Queen Anne style, too, with stained glass-all at once. Dryfoos apologized for the streets because they were hand-made; said they expected their street-making machine Tuesday, and then they intended to push things."

Fulkerson enjoyed the effect of his picture on March for a moment, and then went on: "He was mighty intelligent, too, and he questioned me up about my business as sharp as I ever was questioned; seemed to kind of strike his fancy; I guess he wanted to find out if there was any money in it. He was making money, hand over hand, then; and he never stopped speculating and improving till he'd scraped together three or four hundred thousand dollars, they said a million, but they like round numbers at Moffitt, and I guess half a million would lay over it comfortably and leave a few thousands to spare, probably. Then he came on to New York."

Fulkerson struck a match against the ribbed side of the porcelain cup that held the matches in the centre of the table, and lit a cigarette, which he began to smoke, throwing his head back with a leisurely effect, as if he had got to the end of at least as much of his story as he meant to tell without prompting.

March asked him the desired question. "What in the world for?"

Fulkerson took out his cigarette and said, with a smile: "To spend his money, and get his daughters into the old Knickerbocker society. Maybe he thought they were all the same kind of Dutch."

"And has he succeeded?"

"Well, they're not social leaders yet. But it's only a question of time —generation or two—especially if time's money, and if Every Other Week is the success it's bound to be."

"You don't mean to say, Fulkerson," said March, with a half-doubting, half-daunted laugh, "that he's your Angel?"

"That's what I mean to say," returned Fulkerson. "I ran onto him in Broadway one day last summer. If you ever saw anybody in your life; you're sure to meet him in Broadway again, sooner or later. That's the philosophy of the bunco business; country people from the same neighborhood are sure to run up against each other the first time they come to New York. I put out my hand, and I said, 'Isn't this Mr. Dryfoos from Moffitt?' He didn't seem to have any use for my hand; he let me keep it, and he squared those old lips of his till his imperial stuck straight out. Ever see Bernhardt in 'L'Etrangere'? Well, the American husband is old Dryfoos all over; no mustache; and hay-colored chin- whiskers cut slanting froze the corners of his mouth. He cocked his little gray eyes at me, and says he: 'Yes, young man; my name is Dryfoos, and I'm from Moffitt. But I don't want no present of Longfellow's Works, illustrated; and I don't want to taste no fine teas; but I know a policeman that does; and if you're the son of my old friend Squire Strohfeldt, you'd better get out.' 'Well, then,' said I, 'how would you like to go into the newspaper syndicate business?' He gave another look at me, and then he burst out laughing, and he grabbed my hand, and he just froze to it. I never saw anybody so glad.

"Well, the long and the short of it was that I asked him round here to Maroni's to dinner; and before we broke up for the night we had settled the financial side of the plan that's brought you to New York. I can see,'t said Fulkerson, who had kept his eyes fast on March's face, "that you don't more than half like the idea of Dryfoos. It ought to give you more confidence in the thing than you ever had. You needn't be afraid," he added, with some feeling, "that I talked Dryfoos into the thing for my own advantage."

"Oh, my dear Fulkerson!" March protested, all the more fervently because he was really a little guilty.

"Well, of course not! I didn't mean you were. But I just happened to tell him what I wanted to go into when I could see my way to it, and he caught on of his own accord. The fact is," said Fulkerson, "I guess I'd better make a clean breast of it, now I'm at it, Dryfoos wanted to get something for that boy of his to do. He's in railroads himself, and he's in mines and other things, and he keeps busy, and he can't bear to have his boy hanging round the house doing nothing, like as if he was a girl. I told him that the great object of a rich man was to get his son into just that fix, but he couldn't seem to see it, and the boy hated it himself. He's got a good head, and he wanted to study for the ministry when they were all living together out on the farm; but his father had the old-fashioned ideas about that. You know they used to think that any sort of stuff was good enough to make a preacher out of; but they wanted the good timber for business; and so the old man wouldn't let him. You'll see the fellow; you'll like him; he's no fool, I can tell you; and he's going to be our publisher, nominally at first and actually when I've taught him the ropes a little."



XII.

Fulkerson stopped and looked at March, whom he saw lapsing into a serious silence. Doubtless he divined his uneasiness with the facts that had been given him to digest. He pulled out his watch and glanced at it. "See here, how would you like to go up to Forty-sixth street with me, and drop in on old Dryfoos? Now's your chance. He's going West tomorrow, and won't be back for a month or so. They'll all be glad to see you, and you'll understand things better when you've seen him and his family. I can't explain."

March reflected a moment. Then he said, with a wisdom that surprised him, for he would have liked to yield to the impulse of his curiosity: "Perhaps we'd better wait till Mrs. March comes down, and let things take the usual course. The Dryfoos ladies will want to call on her as the last-comer, and if I treated myself 'en garcon' now, and paid the first visit, it might complicate matters."

"Well, perhaps you're right," said Fulkerson. "I don't know much about these things, and I don't believe Ma Dryfoos does, either." He was on his legs lighting another cigarette. "I suppose the girls are getting themselves up in etiquette, though. Well, then, let's have a look at the 'Every Other Week' building, and then, if you like your quarters there, you can go round and close for Mrs. Green's flat."

March's dormant allegiance to his wife's wishes had been roused by his decision in favor of good social usage. "I don't think I shall take the flat," he said.

"Well, don't reject it without giving it another look, anyway. Come on!"

He helped March on with his light overcoat, and the little stir they made for their departure caught the notice of the old German; he looked up from his beer at them. March was more than ever impressed with something familiar in his face. In compensation for his prudence in regard to the Dryfooses he now indulged an impulse. He stepped across to where the old man sat, with his bald head shining like ivory under the gas-jet, and his fine patriarchal length of bearded mask taking picturesque lights and shadows, and put out his hand to him.

"Lindau! Isn't this Mr. Lindau?"

The old man lifted himself slowly to his feet with mechanical politeness, and cautiously took March's hand. "Yes, my name is Lindau," he said, slowly, while he scanned March's face. Then he broke into a long cry. "Ah-h-h-h-h, my dear poy! my gong friendt! my-my—Idt is Passil Marge, not zo? Ah, ha, ha, ha! How gladt I am to zee you! Why, I am gladt! And you rememberdt me? You remember Schiller, and Goethe, and Uhland? And Indianapolis? You still lif in Indianapolis? It sheers my hardt to zee you. But you are lidtle oldt, too? Tventy-five years makes a difference. Ah, I am gladt! Dell me, idt is Passil Marge, not zo?"

He looked anxiously into March's face, with a gentle smile of mixed hope and doubt, and March said: "As sure as it's Berthold Lindau, and I guess it's you. And you remember the old times? You were as much of a boy as I was, Lindau. Are you living in New York? Do you recollect how you tried to teach me to fence? I don't know how to this day, Lindau. How good you were, and how patient! Do you remember how we used to sit up in the little parlor back of your printing-office, and read Die Rauber and Die Theilung der Erde and Die Glocke? And Mrs. Lindau? Is she with—"

"Deadt—deadt long ago. Right after I got home from the war—tventy years ago. But tell me, you are married? Children? Yes! Goodt! And how oldt are you now?"

"It makes me seventeen to see you, Lindau, but I've got a son nearly as old."

"Ah, ha, ha! Goodt! And where do you lif?"

"Well, I'm just coming to live in New York," March said, looking over at Fulkerson, who had been watching his interview with the perfunctory smile of sympathy that people put on at the meeting of old friends. "I want to introduce you to my friend Mr. Fulkerson. He and I are going into a literary enterprise here."

"Ah! zo?" said the old man, with polite interest. He took Fulkerson's proffered hand, and they all stood talking a few moments together.

Then Fulkerson said, with another look at his watch, "Well, March, we're keeping Mr. Lindau from his dinner."

"Dinner!" cried the old man. "Idt's better than breadt and meadt to see Mr. Marge!"

"I must be going, anyway," said March. "But I must see you again soon, Lindau. Where do you live? I want a long talk."

"And I. You will find me here at dinner-time." said the old man. "It is the best place"; and March fancied him reluctant to give another address.

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